Palm Springs International Film Festival Announces Complete Line-up of Premieres, New Voices/New Visions Competition and Modern Masters

Nicholas Hytner’s THE LADY IN THE VAN

The 27th Palm Springs International Film Festival (PSIFF) running from January 1-11, 2016 in Palm Springs, California, announced its line-up of Premieres, New Voices/New Visions competition and Modern Masters.

“I am thrilled at the breadth and depth of this year’s program,” said Festival Artistic Director Helen du Toit. “While Modern Masters showcases such widely acclaimed filmmakers as as Apichatpong Weerasethakul, Barbara Kopple and Terence Davies, our New Voices/New Visions program is evidence that new masters are emerging around the world. The range of approaches is extraordinary. Highlights include Raam Reddy’s Thithi (India), which skillfully juggles myriad characters in a delightful low key comedy; Yorgos Zois’ Interruption (Greece), which challenges the audience with a complex and highly compelling narrative; and Maris Curran’s Five Nights in Maine (USA), featuring David Oyelowo’s nuanced and heartbreaking performance as a widower reconnecting with his estranged mother-in-law.”

Showcasing the diversity of international cinema, Festival premieres will include:
World premieres: 50 Days in the Desert (Luxembourg) directed by Fabrizio Maltese, Agnes (Germany/Belgium), the documentary Broadway: Beyond the Golden Age (US) featuring Alec Baldwin, Carol Channing, Dick Van Dyke, Jane Fonda and Robert Redford, The Carer (Hungary/UK), Going Going Gone (UK), Searchdog (US) and Set the Thames on Fire (UK).

North American premieres: Banat (Italy/Romania/Bulgaria/Macedonia), Death By Death (Belgium/France), A Decent Man (Switzerland), Departure (France/UK), Fly Away Solo (India/France), Interruption (Greece/Croatia), A Korean in Paris (South Korea/France), The Memory of Water (Chile/Spain/Argentina/Germany), Moor (Pakistan), On My Mother’s Side (Canada), Paradise Trips (Belgium/Croatia), Rosita (Denmark), Spy Time (Spain), Tanna (Australia/Vanuatu), Thithi (India/US/Canada), Utopians (Hong Kong) and When a Tree Falls (Spain).

U.S. premieres: 1944 (Estonia/Finland), 3000 Nights (Palestine/France/Jordan/Lebanon), Atomic Falafel (Israel/Germany/New Zealand), Belgian Rhapsody (Belgium), Beyond My Grandfather Allende (Chile/Mexico), Born to Dance (New Zealand), Closet Monster (Canada), Enclave (Serbia/Germany), The Endless River (South Africa/France), Endorphine (Canada), Exotica, Erotica, Etc. (France), Fire Song (Canada), Five Nights in Maine (US), A Heavy Heart (Germany), Home Care (Czech Republic/Slovakia), Let Them Come (Algeria/France), My Big Night (Spain), My Internship in Canada (Canada), The Other Side (Italy/France), Our Everyday Life (Bosnia, Herzegovina/Slovenia/Croatia), The Paradise Suite (Netherlands/Sweden/Bulgaria), Parched (India/US/UK), Parisienne (France), Sabali (Canada), Sleeping Giant (Canada), Summer Solstice (Poland/Germany), Trap (Philippines), The Violin Teacher (Brazil), Wedding Doll (Israel) and Zubaan (India).

The New Voices/New Visions competition showcases 12 US premieres from top emerging international directors marking their feature film debut at the Festival, with the additional criteria that the films selected are currently without U.S. distribution.

Films selected for this year include:

Banat (Italy/Romania/Bulgaria/Macedonia), Director Adriano Valerio
Death By Death (Belgium/France), Director Xavier Seron
Departure (UK/France), Director Andrew Steggall
Five Nights in Maine (US), Director Maris Curran and starring David Oyelowo
A Heavy Heart (Germany), Director Thomas Stuber
Home Care (Czech Republic/Slovakia), Director Slávek Horák
Interruption (Greece/Croatia), Director Yorgos Zois
Let Them Come (Algeria/France), Director Salem Brahimi
Our Everyday Life (Bosnia and Herzegovina/Slovenia/Croatia), Director Ines Tanovic
Paradise Trips (Belgium/Croatia), Director Raf Reyntjens
Sleeping Giant (Canada), Director Andrew Cividino
Thithi (India/US), Director Raam Reddy

The Modern Masters section features 10 films from international directors who set the standards for contemporary cinema. Films selected for this year include:

Cemetery Of Splendour (Thailand/UK), Director Apichatpong Weerasethakul
Dheepan (France), Director Jacques Audiard
Miss Sharon Jones! (US), Director Barbara Kopple
Mountains May Depart (China/France/Japan), Director Jia Zhangke
My Golden Days (France), Director Arnaud Desplechin
My Mother (Italy/France), Director Nanni Moretti
Our Little Sister (Japan), Director Hirokazu Kore-eda
Sunset Song (UK/Luxembourg), Director Terence Davies
Sweet Bean (Japan), Director Naomi Kawase
Women He’s Undressed (Australia), Director Gillian Armstrong

Other Festival films with notable talent and directors include:

45 Years (UK) directed by Andrew Haigh and starring Charlotte Rampling and Tom Courtenay,
Anomalisa (US) directed by Duke Johnson and Charlie Kaufman with the voices of David Thewlis and Jennifer Jason Leigh,
Chronic (Mexico/France) starring Tim Roth,
Closet Monster (Canada) with Connor Jessup and Isabella Rossellini,
Eisenstein in Guanajuato (Netherlands/Mexico/Finland/Belgium/France) directed by Peter Greenaway, February (US/Canada) starring Kiernan Shipka and Emma Roberts,
Hello, My Name is Doris (US) starring Sally Field, Max Greenfield, Beth Behrs and Stephen Root,
Hitchcock/Truffaut (France/US) directed by Kent Jones and featuring Peter Bogdanovich, David Fincher and Richard Linklater,
The Invitation (US) starring Logan Marshall-Green and Michiel Huisman,
The Lady in the Van (UK) directed by Nicholas Hytner and starring Maggie Smith, Jim Broadbent and James Corden, (pictured above)
Louder Than Bombs (USA) starring Jesse Eisenberg, Gabriel Byrne and Isabelle Huppert,
Men & Chicken (Denmark) starring Mads Mikkelsen,
Papa (Cuba) directed by Bob Yari and starring Giovanni Ribisi, Joely Richardson and Minka Kelly,
A Perfect Day (Spain) starring Benicio del Toro, Tim Robbins and Olga Kurylenko,
The Seventh Fire (US) executive produced by Terrence Malick, Natalie Portman and Chris Eyre, and
Where to Invade Next (US) directed by Michael Moore.

Share ...

Leave a Reply Cancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.