On Works in Progress at the 2018 Karlovy Vary International Film Festival, eleven projects were presented from countries of Central and Eastern Europe, the Balkans, the former Soviet Union, and now also the Middle East. The jury chose ALL THIS VICTORY by director Ahmad Ghossein as the winning project. A prize in the value of 100,000 Euro will be given to the project.
The Eurimages Lab Project prize went to the winning project NORMAL by director Adele Tulli. KVIFF is the first of four international film festivals in Europe to be awarding the Eurimage prize. KVIFF has selected projects for the Eurimage prize that surpass traditional film methods and are based on international cooperation. The prize was awarded in the value of 50,000 Euro.
The Docs in Progress prize went to the winning project THE PROJECTIONIST. For this section, projects are chosen from Central and Eastern Europe, the Balkans, the former Soviet Union, and the Middle East. The winning film received a cash prize in the amount of 5,000 Euro.
A Special Mention was awarded to the Polish project Little Poland.
ALL THIS VICTORY
90 min, Lebanon, France, Germany
Directed by: Ahmad Ghossein
Scriptwriter: Ahmad Ghossein, Abla Khoury, Syllas Tzoumerkas
Producer: Georges Schoucair, Myriam Sassine, Marie-Pierre Macia, Claire Gadéa, Fabian Massah
Camera: Shadi Chaaban
Music: Charbel Haber
Cast: Karam Ghossein, Adel Chahine, Boutros Rouhana, Issam Bou Khaled, Sahar Minkara Karame, Flavia Juska Bechara, Eli El Choufani, Charles Hbailiny
Language: Arabic
Genre: fiction
Release date: 07/03/2019
Synopsis:
Lebanon, July 2006. War is raging between Hezbollah and Israel. During a 24-hour ceasefire, Marwan heads out in search of his father, who has refused to leave his Southern village, leaving his wife Rana alone to prepare their immigration to Canada. Marwan finds no traces of his father and the ceasefire is quickly broken, forcing him to take shelter in the house of Najib, his father’s friend. Marwan finds himself trapped under a hail of bombs with Najib and a group of elders, who are friends of his father. Tension rises inside and outside of the house. Suddenly, a group of Israeli soldiers enter the first floor. The next three days sees the situation spiral out of control.
NORMAL
70 min, Italy, Sweden
Directed by: Adele Tulli
Scriptwriter: Adele Tulli
Producer: Valeria Adilardi, Laura Romano, Luca Ricciardi
Camera: Clarissa Cappellani, Francesca Zonars
Music: Andrea Koch
Language: Italian
Genre: creative documentary
Release date: 01/10/2018
What’s missing: final editing, sound post-production, color grading, international promotion, production financing gap
Synopsis:
An unsettling visual journey through gender norms in contemporary Italy. Blending realist and experimental aesthetics, Normal sketches a disorienting portrait of the accepted ideas of normality. A kaleidoscopic mosaic of everyday-life scenes observes the ritualized performance of femininity and masculinity in ordinary interactions, from birth to adulthood, interpreting gender as a corporeal and performative practice, a social ceremony, a collective mise-en-scène affecting our gestures, desires, behaviours, and aspirations. With an innovative and visionary film language, Normal meditates on the everyday constraints of gendered reality, producing a poignant reflection on a current and crucial matter.
THE PROJECTIONIST
70 min, Ukraine, Germany, Poland
Directed by: Yuriy Shylov
Scriptwriter: Yuriy Shylov
Producer: Gennady Kofman, Olha Beskhmelnytsina, Dirk Simon
Camera: Yuriy Shylov, Serafim Kusakin, Illya Ehorov
Language: Ukrainian, Russian
Genre: dramedy, documentary
Release date: 02/11/2018
What’s missing: sales agent, distributors, broadcasters, festivals
Synopsis:
Valentin is an eccentric projectionist. For 44 years, he’s been working in one of the oldest movie theatres in Kiev’s city centre. In his projection booth, he drinks with war veterans, dances with the show girls from next door or cuts his friend’s hair. Every day at work seems like another adventure. The turmoil on Maidan Square and the war remain behind the scenes, while the life on screen creates an alternative reality. It all comes to an abrupt end when a fire breaks out in the cinema and Valentin is forced to retire. He looks after his dying mother, rushing to help her the moment she calls. With an average life expectancy for men in Ukraine of 64 years, Valentin is aware that he does not have much time left. Still, he fights desperately to find a new meaning in life in a rapidly changing country.
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