From space, at night, Nigeria is awash in light. But the glow almost entirely flares from oil and gas wells. The country, with the world’s largest proven oil reserves, leaves half its population without electricity, and the rest with erratic service.
Take Light, the feature directorial debut from Shasha Nakhai, takes us to her hometown in the country where she grew up, Port Harcourt, Nigeria, the ironically-nicknamed “Garden City” where the skies have turned grey. There, she follows the lives of workers for PHED, the previously state-owned Port Harcourt Electricity Distribution Company (PHED) which was privatized in 2013. If any public servants anywhere feel unappreciated, they should compare their lot with the likes of Martins, an unflaggingly upbeat and religious family-man and electrical engineer, or Deborah, a sales-representative-turned-debt-collector.
Both face anger and even mob violence on a daily basis as they cut off service to delinquent customers (most of whom have little ability to pay, in a country with 7.5 million jobless). Martins, who has miraculously survived electrocution in the past, climbs poles to cut off dangerous makeshift wiring that is used to steal power. (We also meet Godwin, an “illegal electrician,” who invariably reconnects the “People’s Power” the following night).
The powerlessness closes businesses and forces people to use generators when they can (often bringing them indoors where they often succumb to fires and carbon monoxide poisoning). Even hospitals fall prey, unable to maintain refrigeration in their morgue, forcing them to “dry embalm” corpses.
“Shasha has crafted a film with global implications while maintaining focus on the intimate humanity of the people on screen,” says Tony Piantedosi, Director of Acquisitions at Gravitas. “We are proud to be presenting this powerful documentary to US audiences.”
“This is the film I’ve always wanted to see made about the power situation in Nigeria,” says Director Nakhai, “and I’m excited to finally be able to share it widely with audiences in my hometown of Port Harcourt, Nigeria and around the world.”
“Port Harcourt is the source of my fondest childhood memories,” says Nakhai, who produced the Oscar short-listed Frame 394. “Today, however, the city is much different than what I remember. Perfectly manicured green hedges have turned to black dust—the fallout zone of a fossil-fuel economy.
“Take Light is a film about Nigeria’s energy crisis, with my hometown as the backdrop. It’s about a crisis of electrical energy, but also about other kinds of power struggles – the tensions between people, between past and present, between governments and colonial powers—and about the transformation of it all into a seething, powerful force.
“I want to show the urgency and challenges of transitioning to greener and more egalitarian economies.
“But, this is also a film about the power of hope. With people like Martins, it is about keeping the candle lit in times of darkness and despair, about fighting to remain a good person when corruption is the status-quo, and harnessing the power of humour and religion to make it through each day.”
Take Light can be found on VOD: Comcast, Cox, dish Network, Verizon, Frontier, suddenlink, Mediacom, WOW! Also on iVOD: iTunes, Google play, YouTube, vudu, primevideo, Microsoft, vimeo, redbox.
And Home Video: amazon, Barnes&Noble, Target, Walmart, Baker & Taylor, Alliance, Midwest Tape.
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