Film Festivals

  • Brad Pitt to be honored with Desert Palm Achievement Actor Award at Palm Springs International Film Festival

    [caption id="attachment_2037" align="alignnone"]Brad Pitt in Moneyball[/caption]

    The 23rd annual Palm Springs International Film Festival (PSIFF) will present two-time Academy Award® nominee Brad Pitt with the Desert Palm Achievement Actor Award for his lead role in Moneyball and his supporting role in The Tree of Life.

    “Brad Pitt consistently mesmerizes audiences with the depth and versatility of his performances.  He has the rare ability to interpret and capture the most complicated facets of human nature, infusing his roles with strength and emotion,” said Harold Matzner, Chairman of the Palm Springs International Film Festival.  “In The Tree of Life, he portrays a father whose sensitive son tries to make sense of their relationship and understand the wrongs of a difficult childhood.  In Moneyball, he faces failure head on and draws upon his dormant, though fierce competitive nature to become a standout in the world of major league baseball management. To Brad Pitt, the Palm Springs International Film Festival is once again privileged to present you with an award to honor your extraordinary talent, this time the 2012 Desert Palm Achievement Award for Acting.”

     

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  • Palestinian film, Habibi, Wins Top Prizes at 2011 Dubai International Film Festival

    [caption id="attachment_2035" align="alignnone"]Habibi[/caption]

    “Habibi,” a story of forbidden love, and the first fiction feature set in Gaza in over 15 years was the big winner at the 2011 Dubai International Film Festival. Habibi received the awards for Muhr Arab Feature – Best Film :Susan Youssef (Director), Muhr Arab Feature – Best Actress :Maisa Abd Elhadi (Actor / Actress), Muhr Arab Feature – Best Editor :Susan Youssef (Editor, FIPRESCI Arab Feature :Susan Youssef (Director), and Muhr Arab Feature – Best Editor :Man Kit Lam (Editor).

    The film is described as a modern re-telling of the legendary tragic romance ‘Majnun Layla’, which was set in seventh century Arabia, when a poet named Qays fell in love with Layla. Driven by the intensity of his passion, Qays was known as ‘Majnun Layla’, which translates as ‘madman for Layla’. In the contemporary setting, two students in the West Bank are forced to return home to Gaza, where their love defies tradition. To reach his lover, Qays graffiti’s poetry across town.

    The complete list of winners of the 2011 Dubai International Film Festival

    Muhr Arab Feature

    Muhr Arab Feature – Best Film
    HABIBI RASAK KHARBAN (HABIBI)
    Director: Susan Youssef
    Palestine, U.S.A., Netherlands, United Arab Emirates

    Muhr Arab Feature – Special Jury Prize
    AL JUMA AL AKHEIRA (The LAST FRIDAY)
    Director: Yahya Al Abdallah
    Jordan, United Arab Emirates

    Muhr Arab Feature – Best Actor
    AL JUMA AL AKHEIRA (The LAST FRIDAY)
    Actor / Actress: Ali Suliman
    Jordan, United Arab Emirates

    Muhr Arab Feature – Best Actress
    HABIBI RASAK KHARBAN (HABIBI)
    Actor / Actress: Maisa Abd Elhadi
    Palestine, U.S.A., Netherlands, United Arab Emirates

    Muhr Arab Feature – Best Scriptwriter
    SHI GHADI OU SHI JAY (BOILING DREAMS)
    Scriptwriter: Hakim Belabbes
    Morocco

    Muhr Arab Feature – Best Editor
    HABIBI RASAK KHARBAN (HABIBI)
    Editor: Susan Youssef
    Palestine, U.S.A., Netherlands, United Arab Emirates

    Muhr Arab Feature – Best Editor
    HABIBI RASAK KHARBAN (HABIBI)
    Editor: Man Kit Lam
    Palestine, U.S.A., Netherlands, United Arab Emirates

    Muhr Arab Feature – Best Cinematographer
    SHI GHADI OU SHI JAY (BOILING DREAMS)
    Cinematographer: Raphael Bauche
    Morocco

    Muhr Arab Feature – Best Composer
    AL JUMA AL AKHEIRA (The LAST FRIDAY)
    Composer: Trio Jubran
    Jordan, United Arab Emirates

    Muhr Arab Feature – Best Composer
    AL JUMA AL AKHEIRA (The LAST FRIDAY)
    Composer: Trio Jubran
    Jordan, United Arab Emirates

    Muhr Arab Documentary

    Muhr Arab Documentary – First Prize
    SECTOR ZERO (SECTOR ZERO)
    Director: Nadim Mishlawi
    Lebanon, United Arab Emirates

    Muhr Arab Documentary – Special Jury Prize
    HALABJA – THE LOST CHILDREN (HALABJA – THE LOST CHILDREN)
    Director: Akram Hidou
    Germany, Iraq, Syria

    Muhr Arab Documentary – Second Prize
    ICI, ON NOIE LES ALGERIENS – 17 OCTOBRE 1961 (HERE WE DROWN ALGERIANS – OCTOBER 17TH, 1961)
    Director: Yasmina Adi
    France

    Muhr Arab Documentary – Special Mention
    LA KHAOUFA BAADA AL’YAOUM (NO MORE FEAR)
    Director: Mourad Ben Cheikh
    Tunisia

    Muhr Arab Short

    Muhr Arabic Shorts – First Prize
    SUR LA ROUTE DU PARADIS (THE ROAD TO PARADISE)
    Director: Uda Benyamina
    France

    Muhr Arab Short – Special Jury Prize
    BRÛLEURS (BURNERS)
    Director: Farid Bentoumi ,Farid Bentoumi
    France

    Muhr Arab Short – Second Prize
    ARD AL ABTAL (LAND OF THE HEROES)
    Director: Sahim Omar Kalifa
    Iraq

    Muhr Arab Short – Special Mention
    MAKAN YOUA’AD (A PLACE TO GO)
    Director: Wajdi Elian
    Lebanon

    Muhr Arab Short – Special Mention
    ZAFIR (BREATHE OUT)
    Director: Omar El Zohairy
    Egypt

    Muhr Emirati

    Muhr Emirati – First Prize
    AMAL (AMAL)
    Director: Nujoom Al Ghanem
    United Arab Emirates

    Muhr Emirati – Special Jury Prize
    CHILDREN (CHILDREN)
    Director: Mohammad Fikree
    United Arab Emirates

    Muhr Emirati – Second Prize
    AKHIR DECEMBER (END OF DECEMBER)
    Director: Hamad Al Hammadi
    United Arab Emirates

    Muhr Emirati – Special Mention
    LONDON IN A HEADSCARF (LONDON IN A HEADSCARF)
    Director: Mariam Al Serkal ,Mariam Al Serkal
    United Kingdom

    Muhr AsiaAfrica Feature

    Muhr AsiaAfrica Feature – Best Film
    TATSUMI (TATSUMI)
    Director: Eric Khoo
    Singapore

    Muhr AsiaAfrica Feature – Special Jury Prize
    BIR ZAMANLAR ANADOLU’DA (ONCE UPON A TIME IN ANATOLIA)
    Director: Nuri Bilge Ceylan
    Turkey

    Muhr AsiaAfrica Feature – Best Actor
    KITSUTSUKI TO AME (The WOODSMAN AND THE RAIN)
    Japan

    Muhr AsiaAfrica Feature – Best Actress
    TÂM H?N M? (MOTHER’S SOUL)
    Vietnam

    Muhr AsiaAfrica Feature – Best Scriptwriter
    KITSUTSUKI TO AME (The WOODSMAN AND THE RAIN)
    Scriptwriter: Shuichi Okita
    Japan

    Muhr AsiaAfrica Feature – Best Editor
    KITSUTSUKI TO AME (The WOODSMAN AND THE RAIN)
    Editor: Takashi Sato
    Japan

    Muhr AsiaAfrica Feature – Best Composer
    TATSUMI (TATSUMI)
    Composer: Christopher Khoo
    Singapore

    Muhr AsiaAfrica Feature – Best Cinematographer
    BIR ZAMANLAR ANADOLU’DA (ONCE UPON A TIME IN ANATOLIA)
    Cinematographer: Gökhan Tiryaki
    Turkey

    Muhr AsiaAfrica Feature – Special Mention
    NIKINI VASSA (AUGUST DRIZZLE)
    Actor / Actress: Chandani Senevirathne
    Sri Lanka

    Muhr AsiaAfrica Documentary

    Muhr AsiaAfrica Documentaries – First Prize
    IN FILM NIST (THIS IS NOT A FILM)
    Director: Jafar Panahi
    Iran

    Muhr AsiaAfrica Documentaries – Special Jury Prize
    NEGERI DI BAWAH KABUT (THE LAND BENEATH THE FOG)
    Director: Shalahuddin Siregar
    Indonesia

    Muhr AsiaAfrica Documentaries – Second Prize
    ENDING NOTE (DEATH OF A JAPANESE SALESMAN)
    Director: Mami Sunada
    Japan

    Muhr AsiaAfrica Documentary – Special Mention
    JAI BHIM COMRADE (JAI BHIM COMRADE)
    Director: Anand Patwardhan
    India

    Muhr AsiaAfrica Short

    Muhr AsiaAfrica Shorts – First Prize
    MO-DEON PAE-MIL-LI (MODERN FAMILY)
    South Korea

    Muhr AsiaAfrica Shorts – Special Jury Prize
    TINYE SO (TINYE SO)
    Director: Daouda Coulibaly
    Mali

    Muhr AsiaAfrica Shorts – Second Prize
    MEHFUZ (SAFE)
    Director: Rohit Pandey
    India

    FIPRESCI

    FIPRESCI Arab Feature
    HABIBI RASAK KHARBAN (HABIBI)
    Director: Susan Youssef
    Palestine, U.S.A., Netherlands, United Arab Emirates

    FIPRESCI Arab Documentary
    MARCEDES (MARCEDES)
    Director: Hady Zaccak
    Lebanon

    FIPRESCI Arab Short
    SUR LA ROUTE DU PARADIS (THE ROAD TO PARADISE)
    Director: Uda Benyamina
    France

    Human Rights Film Network

    HRFN
    SHOJI TO TAKAO (SHOJI & TAKAO)
    Director: Yoko Ide
    Japan

    People Choice Awards

    Du Peoples choice awards
    ALS DER WEIHNACHTSMANN VOM HIMMEL FIEL (WHEN SANTA FELL TO EARTH)
    Director: Oliver Dieckmann
    Germany

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  • 2012 Slamdance Film Festival Announces Films in Competition

     

    The 2012 Slamdance Film Festival that runs concurrently with the 2012 Sundance Film Festival from January 20 to 26, in Park City, Utah, announced its lineup. The festival oft billed as “by filmmakers, for filmmakers” lineup includes 18 feature-length competition films, ten narratives and eight documentaries, most of them World Premieres.

    The complete Slamdance Feature Film Competition lineup:

    NARRATIVE FEATURE COMPETITION PROGRAM, PRESENTED BY KODAK:
    BINDLESTIFFS – Director: Andrew Edison, Screenwriters: Andrew Edison, Luke Loftin. (USA) World Premiere
    Three smart-mouthed high school virgins, suspended from school on a graffiti charge, flee to the inner city to live out the plot of The Catcher in the Rye.
    Cast: Andrew Edison, Luke Loftin, John Karna

    Comforting Skin – Director: Derek Franson, Screenwriter: Derek Franson. (Canada) US Premiere
    A lonely young woman’s desperate need for emotional and physical companionship draws her into a surreal and ultimately destructive relationship with a shifting and whispering tattoo she has willed to life on her skin.
    Cast: Jane Sowerby, Tygh Runyan, Victoria Bidewell

    Doppelgänger Paul (or A Film About How Much I Hate Myself) – Director: Dylan Akio Smith, Kris Elgstrand, Screenwriter: Kris Elgstrand. (Canada) US Premiere
    The unlikely relationship of two lonely men whose connection sets off a chain of events resulting in the loss of a thumb, the theft of a manuscript, and two appearances on a popular morning talk show.
    Cast: Brad Dryborough, Tygh Runyan

    Faith, Love and Whiskey – Director: Kristina Nikolova, Screenwriters: Kristina Nikolova, Paul Dalio. (Bulgaria) World Premiere
    A young Bulgarian woman, engaged to a well-off American, panics and runs back home, reuniting with her drifter friends and the wild life of her past and falling in love with her passionate but alcoholic best friend.
    Cast: Ana Stojanovska, Valeri Yordanov, John Keabler, Lidia Indjova, Yavor Baharov

    Heavy Girls – Director: Axel Ranisch, Screenwriters: Axel Ranisch, Heiko Pinkowski, Peter Trabner. (Germany) US Premiere
    Sven lives with his elderly mother; Daniel is her caregiver. When she wanders off, their misadventure to find her leads them to discover their confusing affection for each other.
    Cast: Heiko Pinkowski, Peter Trabner, Ruth Bickelhaupt

    OK, Good – Director: Daniel Martinico, Screenwriters: Hugo Armstrong, Daniel Martinico. (USA) World Premiere
    A series of demoralizing auditions and a cultish movement workshop push a struggling actor over the edge.
    Cast: Hugo Armstrong

    Roller Town – Director: Andrew Bush, Screenwriters: Andrew Bush, Mark Little, Scott Vrooman. (Canada) US Premiere
    At the peak of disco-mania, three friends try and stop a local crime syndicate from turning their beloved roller rink into a video arcade.
    Cast: Kayla Lorette, Mark Little, Scott Vrooman

    The Sound of Small Things – Director/Screenwriter: Peter McLarnan. (USA) World Premiere
    Sam and Cara’s attempt to navigate their young marriage is complicated by miscommunication, suspicion and her deafness.
    Cast: Cara Krippner, Sam Hoolihan

    Sundowning – Director/Screenwriter: Frank Rinaldi. (Singapore/USA) World Premiere
    A story about the relationship between a young woman who has lost her memory and her mysterious caregiver.
    Cast: Shannon Fitzpatrick, Susan Chau

    Welcome to Pine Hill – Director/Screenwriter: Keith Miller. (USA) World Premiere
    A reformed drug dealer, now a claims adjuster by day and bouncer by night, receives earthshattering news that compels him to return to his past and seek transcendence beyond the Brooklyn concrete.
    Cast: Shannon Harper, Mary Meyers, David Williams

    DOCUMENTARY FEATURE COMPETITION PROGRAM:
    Buffalo Girls – Director: Todd Kellstein. (Thailand/USA) World Premiere
    Two eight year old girls fight in rural Thailand’s underground child boxing economy to earn money to support their families.

    Danland – Director: Alexandra Berger, Screenwriters: Ann Husaini, Alexandra Berger. (USA) World Premiere
    Amateur porn producer Dan Leal, aka ‘Porno Dan,’ searches for intimacy despite his industry and in spite of himself.

    The First Season – Director: Rudd Simmons. (USA) World Premiere
    To achieve their version of the American dream, the Van Amburg family struggle as they fight against relentless toil, financial ruin and the harsh reality of dairy farming.

    Getting Up – Director: Caskey Ebeling, Screenwriter: Tempt. (USA) World Premiere
    After being diagnosed with Lou Gehrig’s disease and rendered almost completely paralyzed, Tony “Tempt” Quan, a legendary L.A. graffiti artist, regains his voice through technology that reads the movement of his eyes and enables him to create art and write once again.

    I Want My Name Back – Director: Roger Paradiso. (USA) Utah Premiere
    Thirty years after the historic recording of the iconic mega-hit “Rapper’s Delight,” Master Gee & Wonder Mike come back to reclaim their identities and rightful place in Hip Hop history.

    Kelly – Director: James Stenson. (USA) World Premiere
    Having fled a provincial past, a young, transgender prostitute searches for love and acceptance in a landscape of broken Hollywood Dreams.

    No Ashes, No Phoenix – Director/Screenwriter: Jens Pfeifer. (Germany) World Premiere
    A locker room expose about young basketball players in Hagen, Germany who face their fears of losing and challenge enormous odds to succeed.

    We Are Legion: The Story of the Hacktivists – Director/Screenwriter: Brian Knappenberger. (USA) World Premiere
    An intimate look inside the world of Anonymous, the radical “hacktivist” collective that has redefined civil disobedience for the digital age.

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  • Charlize Theron, Patton Oswalt and Cast of Young Adult to be honored at Palm Springs International Film Festival

    [caption id="attachment_2022" align="alignnone"]Charlize Theron and Patton Oswalt in Young Adult[/caption]

    The film Young Adult will be honored with the Vanguard Award, for its outstanding creative ensemble, at the 23rd Palm Springs International Film Festival (PSIFF).  Cast members from the film including Charlize Theron and Patton Oswalt, director Jason Reitman and screenwriter Diablo Cody will attend to accept the award.  The Festival runs January 5-16.

    This is the second Vanguard Award for Cody and Reitman, who first received the honor in 2008 for Juno. Reitman recently garnered the 2010 PSIFF Best Director Award for Up in the Air, and Theron previously earned the 2006 Desert Palm Achievement Actress Award for North Country.

    “What is more bittersweet than realizing that your glory days, particularly those in high school, when everything was possible, may truly be a thing of the past,” said Film Festival Chairman Harold Matzner.  “In Young Adult, a writer of teen literature gets a major reality check when her plan to reclaim a former high school sweetheart goes awry, but leads her to forge an unlikely bond with a former classmate who is similarly time warp-challenged.  It is a particular pleasure for the Palm Springs International Film Festival to present the 2012 Vanguard Award to Young Adult, a truly unique and utterly enjoyable film.  The filmmakers and cast represent the some of the best and most exciting filmmaking work of the year and have delivered a biting black comedy as deeply poignant as it is funny. It’s a pleasure to welcome for an ‘encore’ the film’s screenwriter Diablo Cody, director Jason Reitman and accomplished star Charlize Theron, all previous winners at the Festival, who continue to demonstrate the scope of their cinematic talents.”

    About Young Adult
    Mavis Gary is a writer of teen literature who returns to her small hometown to reclaim her happily married high school sweetheart. When returning home proves more difficult than she thought, Mavis forms an unusual bond with a former classmate who hasn’t quite gotten over high school, either. The film stars Charlize Theron, Patton Oswalt, Patrick Wilson, Elizabeth Reaser and Jill Eikenberry.

    Young Adult features the team behind Juno – Academy Award®-winning screenwriter Diablo Cody and Academy Award®-nominated director Jason Reitman.  Paramount Pictures released the film in select theatres on December 9 and will open wide on December 16.

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  • Sundance Film Festival to travel to 9 cities

     

    The Sundance Institute announced the films from the 2012 Sundance Film Festival that will screen in independent theaters in nine different cities around the country as part of Sundance Film Festival USA. On January 26, the second Thursday of the Sundance Film Festival, nine filmmakers will each travel from Utah to one of the following cities: Ann Arbor, MI; Boston, MA; Brooklyn, NY; Chicago, IL; Houston, TX; Nashville, TN; Orlando, FL; San Francisco, CA; and Tucson, AZ.

    The 2012 Sundance Film Festival takes place January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah.

    The 2012 Sundance Film Festival USA program:

    Ann Arbor, MI – The Michigan Theatre www.michtheater.org

    For A Good Time, Call… / U.S.A. (Director: Jamie Travis, Screenwriters: Katie Anne Naylon & Lauren Anne Miller) — Lauren and Katie move in together after a loss of a relationship and a loss of a rent controlled home, respectively. When Lauren learns what Katie does for a living the two enter into a wildly unconventional business venture. Cast: Ari Graynor, Lauren Anne Miller, Justin Long, Mark Webber, James Wolk.

    Boston, MA – Coolidge Corner Theatre www.coolidge.org

    Celeste and Jesse Forever / U.S.A. (Director: Lee Toland Krieger, Screenwriters: Rashida Jones, Will McCormack) — Celeste and Jesse met in high school, married young, and at 30, decide to get divorced but remain best friends while pursuing other relationships. Cast: Rashida Jones, Andy Samberg, Ari Graynor, Chris Messina, Elijah Wood, Emma Roberts.

    Brooklyn, NY – BAM www.bam.org

    Robot and Frank / U.S.A. (Director: Jake Schreier, Screenwriter: Christopher Ford) — A curmudgeonly older dad’s grown kids install a robot as his caretaker. Cast: Frank Langella, Susan Sarandon, James Marsden, Liv Tyler. 

    Chicago, IL – Music Box Theatre www.musicboxtheatre.com

    2 Days in New York / France (Director: Julie Delpy, Screenwriters: Julie Delpy, Alexia Landeau) — Marion has broken up with Jack and now lives in New York with their child. A visit from her family, the different cultural background of her new boyfriend, an ex-boyfriend who her sister is now dating, and her upcoming photo exhibition make for an explosive mix. Cast: Julie Delpy, Chris Rock, Albert Delpy, Alexia Landeau, Alex Nahon.

    Houston, TX – Sundance Cinemas Houston www.sundancecinemas.com

    Bachelorette / U.S.A. (Director and screenwriter: Leslye Headland) — Ten years after high school, three women reunite on the eve of their friend’s New York City wedding. A bachelorette party unfolds into a wild night of drugs, alcohol, men, and strippers that threatens to destroy the wedding and sends the girls on a comedic odyssey to fix the damage. As the girls race to save a friendship and a wedding, they ride a thin line between jealousy and loyalty in what might be the most important night of their lives. Cast: Kirsten Dunst, Isla Fisher, Lizzy Caplan, James Marsden, Adam Scott, Kyle Bornheimer.

    Nashville, TN – Belcourt Theatre www.belcourt.org

    West of Memphis / U.S.A. (Director: Amy Berg) — Three teenage boys are incarcerated for the murders of three 8-year-old boys in West Memphis, Arkansas. 19 years later, new evidence calls into question the convictions and raises issues of judicial, prosecutorial and jury misconduct – showing that the first casualty of a corrupt justice system is the truth.

    Orlando, FL – Enzian Theater www.enzian.org

    Arbitrage / U.S.A. (Director and screenwriter: Nicholas Jarecki) — A hedge-fund magnate is in over his head, desperately trying to complete the sale of his trading empire before the depths of his fraud are revealed. An unexpected, bloody error forces him to turn to the most unlikely corner for help. Cast: Richard Gere, Susan Sarandon, Tim Roth, Brit Marling, Nate Parker.

    San Francisco, CA – Sundance Kabuki Cinemas www.sundancecinemas.com

    Liberal Arts / U.S.A. (Director and screenwriter: Josh Radnor) — Bookish and newly single Jesse Fisher returns to his alma mater for his favorite professor’s retirement dinner. A chance meeting with Zibby – a precocious classical music-loving sophomore – awakens in him long-dormant feelings of possibility and connection. Cast: Josh Radnor, Elizabeth Olsen, Richard Jenkins, Allison Janney, John Magaro, Elizabeth Reaser.

    Tucson, AZ – The Loft www.loftcinema.com

    GOATS / U.S.A. (Director: Christopher Neil, Screenwriter: Mark Jude Poirier) — Ellis leaves his unconventional desert home to attend the disciplined and structured Gates Academy. There, he re-connects with his estranged father and for the first time questions the family dynamics. Cast: David Duchovny, Vera Farmiga, Graham Phillips, Justin Kirk, Ty Burrell.

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  • Santa Barbara International Film Festival to honor Martin Scorsese with American Riviera Award

    The Santa Barbara International Film Festival will honor Academy Award®-winning director, screenwriter, producer and film historian Martin Scorsese with the American Riviera Award, marking the first time the award has been bestowed on a director. Scorsese, whose latest films, Hugo and the HBO documentary George Harrison: Living in the Material World were released to critical acclaim this fall, will be honored on Monday, January 30 at the Arlington Theatre for the Fest’s 27th edition, which runs January 26- February 5, 2012.

    “Honoring Scorsese has been a dream of SBIFF’s for many years,” commented Fest Executive Director Roger Durling, “We’re thrilled that it’s happening during a year when this contemporary master of cinema is breaking new ground with Hugo.”

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  • 21st New York Jewish Film Festival Announces Schedule, Runs Jan 11 thru 26, 2012

    [caption id="attachment_2013" align="alignnone"]100 Voices A Journey Home[/caption]

    The 21st annual New York Jewish Film Festival will run at the Film Society’s Walter Reade Theater and Elinor Bunin Munroe Film Center, Jan. 11-26, 2012. The festival’s 35 features and shorts from 11 countries – 28 screening in their world, U.S. or New York premieres – provide a diverse global perspective on the Jewish experience. Many film screenings will be followed by filmmakers and special guests in onstage discussions.

    The festival opens on Wednesday, January 11, with the New York premiere of Guy Nattiv’s “Mabul (The Flood).”  Yoni, almost 13 and smart but physically underdeveloped, faces bullying by classmates, parents who barely say a word to each other, and a 17-year-old autistic brother who returns home from an institution right before Yoni’s bar mitzvah.  Buried secrets come to light, and Yoni’s bar mitzvah Torah portion – Noah and the flood – becomes a metaphor for the family’s fragile and frozen existence.  Nominated for six Ophir Awards (Israeli Academy Awards), “Mabul” features unforgettable performances by Ronit Elkabetz, Tzahi Grad and Michael Moshonov.

    [caption id="attachment_2014" align="alignnone"]Welcome to Kutsher’s: The Last Catskills Resort[/caption]

    The closing night film, the world premiere of Caroline Laskow and Ian Rosenberg’s “Welcome to Kutsher’s: The Last Catskills Resort,” focuses on the last surviving Jewish resort in the Catskills, in its heyday one of the legendary “Borscht Belt” hotels.  These resorts were not only a Jewish vacation paradise, they also had significant influence on enter­tainment, stand-up comedy and sports. This enjoyable documentary features a young Wilt Chamberlain play­ing ball and working as a bellhop at Kutsher’s, Freddie Roman’s classic comedy routine, ice skating instructor Olga Duffy hopping up on the Zamboni, and an abundance of hearty kosher feasts.

    Four other documentaries receive their world premieres.  Jonathan Gruber and Ari Daniel Pinchot’s “Follow Me: The Yoni Netanyahu Story” presents a moving portrait of  Jonathan “Yoni” Netanyahu, who was killed at the age of 30 leading Israeli special forces in the 1976 hostage rescue mission at the Entebbe Airport in Uganda. Yoni’s life is explored through his own poetry, prose, and letters.  The film also includes rarely seen footage of the Entebbe raid itself, as covered by journalism legend Walter Cronkite, home movies, and interviews with such figures as Yoni’s brother, Benjamin Netanyahu.  Avishai Yeganyahu Mekonen and Shari Rothfarb Mekonen’s “400 Miles to Freedom” documents the 1984 escape from Ethiopia to Israel of the Beta Israel, a secluded 2,500-year-old community of observant Jews in the northern Ethiopian mountains.  Co-director Avishai Mekonen breaks his silence about the kidnapping he endured as a ten-year-old child in Sudan during the community’s exodus.  Joel Katz explores what it means to be white in America through the story of his own family across generations in “White: A Memoir in Color.”  Katz’s father’s role as a white professor at Howard University, a traditionally black college, during the civil rights era comes to bear on his and his wife’s decision to adopt a mixed-race child.  Sam Ball’s fascinating portrait, “Joann Sfar Draws from Memory,” details the life of graphic novelist and filmmaker Joann Sfar, author of the popular The Rabbi’s Cat series and director of the recent film, Serge Gainsbourg (Vie Héroïque), as he visits favorite Parisian neighborhood spots, and muses on his artistic process and the influence of his Algerian and East European family heritage.

    [caption id="attachment_2015" align="alignnone"]Mary Lou[/caption]

    Music plays a large role in four Festival films.  In Eytan Fox’s drama “Mary Lou,” receiving its New York premiere, a young man searching for his glamorous mother, years after she mysteriously disappears, learns about love with the help of the Tel Aviv gay community and Israeli pop music while performing as a drag queen.  A cross between the television series Glee and the musical Mama Mia, by way of La Cage aux Folles, Mary Lou garnered the equivalent of the Israeli Emmy Award for best mini-series.  Gili Gaon’s “Iraq ‘N’ Roll,” also a New York premiere, reveals the story of Salah al-Kuwaiti and his brother Daud, highly acclaimed Jewish musicians in 1930s Iraq considered the creators of modern Iraqi music; and details the efforts of Salah’s grandson, popular Israeli rock musician Dudu Tassa, to remix the old tunes for contemporary listeners.  Danny Gold and Matthew Asner’s “100 Voices: A Journey Home” is a compelling and uplifting documentary that looks at Jewish culture in Poland, past and present, through a unique focus: 100 cantors from around the world who come together for concerts at the Warsaw Opera House and the Nozyk Synagogue.  Richard Oswald’s 1933 musical, “My Song Goes Round the World,” showcases the talents of the great tenor Joseph Schmidt (1904-1942), known as the Jewish Caruso, telling the tale of a talented singer who faces challenges in his career and love life because he is less than five feet tall.

    The New York premiere of “Shoah: The Unseen Interviews” offers a rare opportunity to see powerful unused footage from three interviews filmed for Claude Lanzmann’s landmark documentary Shoah – Abraham Bomba, who was a barber in Treblinka; Peter Bergson, who struggled to publicize Nazi crimes against the Jews; and the deeply affecting Ruth Elias.  Following the January 15 screening, Raye Farr, director of the Steven Spielberg Film and Video Archive at the United States Holocaust Memorial Museum, will discuss the painstaking process of preserving the 16mm film and editing these segments for viewing.

    A restored version of the archival film, “Breaking Home Ties,” directed by Frank N. Seltzer and George K. Rowlands, will receive its United States premiere.  Long thought lost, this 1922 drama about a Jew who flees pre-revolutionary Russia for America, is a gem of the silent era, presented in a new restoration by the National Center for Jewish Film, with piano accompaniment by Donald Sosin.

    Three dramatic works receive their United States premieres.  Adrian Panek’s dazzling period drama, “Daas,” explores the  influence of 18th-century false messiah Jacob Frank.  The film presents a tale of intrigue and conspiracy, showing Frank’s influence as seen through the lives of a Viennese lawyer investigating him as a threat to the Austrian Empire, and a Jewish former disciple seeking justice.   Branko Ivanda’s “Lea and Darija” tells the story of Lea Deutsch, known as the Croatian Shirley Temple, and her friend and dancing partner Darija Gasteiger, talented and exuberant 13-year-old girls who were great stars in Zagreb before World War II.  Nazi persecution of Jews and, later, German nationals’ flight from communists test their friendship.  In Thierry Binisti’s “A Bottle in the Gaza Sea,” a 17-year-old Frenchwoman living in Jerusalem writes a letter expressing her refusal to accept that only hatred can reign between Israelis and Palestinians, and has her brother throw it into the sea near Gaza.  A few weeks later, she receives a response from a mysterious young Palestinian named Naïm. This engrossing and hopeful drama starring Hiam Abbas is based on the award-winning novel by Valérie Zenatti.

    The documentary, “The Silent Historian,” receiving its United States premiere, explores the life of director Simonka de Jong’s grandfather, the Dutch historian Loe de Jong, known for his research on the history of the Netherlands during World War II. After his death, the family made a discovery – Loe had concealed personal documents about his twin brother Sally, who didn’t survive the war.  Why did Loe never give these letters to Sally’s children, who spent their lives looking for information about the family that was broken apart by the war?

    Five other dramas receive New York premieres.  In Katia Lewkowicz’s romantic comedy, “Bachelor Days Are Over,” a young man (Benjamin Biolay) prepares for his wedding, and copes with his fiancée, who has seemingly flown the coop. Faced with a charming chanteuse, demands from family, and workers renovating his apartment, he is forced to decide between marriage or passionate love, family past or marital future.  Ronit Elkabetz delivers a stunning performance in Michal Aviad’s “Invisible,” about two women, both victims of the same serial rapist 20 years earlier, forging a friendship that empowers them to face their disturbing past and to seek justice.  Ami Drozd’s “My Australia” portrays two brothers in a poor neighborhood in 1960s Lódz, Poland.  Members of a gang with a strong anti-Semitic bent, they are stunned to discover that though raised as Catholics, they are in fact Jews.  Telling the younger brother they are going to Australia, the land of his fantasies, the family boards a ship to Israel.  Inspired by actual events, Anna Justice’s “Remembrance” depicts a remarkable love story that blossomed in a Nazi concentration camp in 1944 Poland, only to end when the lovers are forcibly separated after the war, each convinced that the other has died.  More than 30 years later in New York City, the woman believes she has seen her lover interviewed on television and begins to search for him again.  Joseph Madmony’s sensitive drama “Restoration” depicts a Tel Aviv man struggling to keep his antique restoration business afloat. Featuring outstanding performances by Sasson Gabai and Sarah Adler, the film was nominated for 11 Ophir Awards (Israeli Academy Awards), and won the Dramatic Screenwriting Award at the 2011 Sundance Film Festival.

    [caption id="attachment_2016" align="alignnone"]Dressing America: Tales from the Garment Center,[/caption]

    Also receiving New York premieres are: Stephen Fischler and Joel Sucher’s “Dressing America: Tales from the Garment Center,” focusing on the post-World War II heyday of the garment district in Manhattan and the Jewish immigrant roots of the industry; Duki Dror’s “Incessant Visions: Letters from an Architect,” a meditation about architect Erich Mendelsohn, based on his letters and a memoir by his wife Louise, who helped him become the busiest architect in Germany after World War I; and Michal Tkaczynski’s “The Moon Is Jewish” telling the story of a Warsaw skinhead who discovers he has Jewish ancestry and undergoes a complete spiritual and physical transformation to become an Orthodox Jew.

    Judy Lieff’s “Deaf Jam,” receiving its New York City premiere, explores the beauty and power of American Sign Language (ASL) poetry through the story of deaf teen Aneta Brodski’s bold journey into the spoken word poetry slam scene.  In a remarkable twist of fate, Aneta – an Israeli immigrant living in New York – meets and then collaborates with Tahani, a hearing Palestinian slam poet.

    Other documentaries in the Festival include: Yasmine Novak’s “Lost Love Diaries,” a combination detective story and love saga in which a woman confronts the past when after 65 years she reads a diary sent to her by her first love on the day of her wedding to another man; “My Father Evgeni,” a moving portrait of filmmaker Andrei Zagdansky’s father, who was editor-in-chief of the Kiev Popular Science Film Studio; “The Queen Has No Crown,” Tomer Heymann’s poignant meditation on family and loss, using home movies as well as more recent footage shot over the past decade to navigate the intimate lives of five brothers and their mother; and Ronit Kertsner’s “Torn,” the remarkable journey of  an ordained Polish Catholic priest who discovers that he was born to Jewish parents, and, unable to renounce either identity, finds himself rejected by both religions and the state of Israel.

    The New York Jewish Film Festival, Jan. 11-26, 2012

    Detailed Program and Schedule Information

     



    OPENING NIGHT

    Wednesday, January 12



    NEW YORK PREMIERE

    Mabul (The Flood)

    Guy Nattiv | Israel/Canada/France | 2010 | 101m | Hebrew with English subtitles

    Everything is complicated in Yoni’s life. He’s almost 13 and smart, but physically underdeveloped. His classmates bully him and his parents barely say a word to each other. As if all this weren’t enough, his 17-year-old autistic brother Tomer returns home from an institution right before Yoni’s bar mitzvah. Buried secrets come to light and Yoni’s bar mitzvah Torah portion—Noah and the flood—becomes a metaphor for the family’s fragile and frozen existence.  Nominated for six Ophir Awards (Israeli Academy Awards), Mabul features unforgettable performances by Ronit Elkabetz (The Band’s Visit), Tzahi Grad (Eyes Wide Open, NYJFF 2010; Someone to Run With, NYJFF 2008) and Michael Moshonov (Tehilim, NYJFF 2008).

    PRECEDED BY

    U.S. PREMIERE

    Howl

    Natalie Bettelheim & Sharon Michaeli | Israel | 2011 | 7m | No spoken language

    An intriguing hand-drawn animated short featuring a “wild child” wolf girl and her loving mother.

    Wed Jan 11: 1:00pm and 6:00pm





    CLOSING NIGHT

    Thursday, January 26



    WORLD PREMIERE

    Welcome To Kutsher’s: The Last Catskills Resort

    Caroline Laskow & Ian Rosenberg | U.S. | 2012 | 73m | English

    Kutsher’s Country Club is the last surviving Jewish resort in the Catskills, and in its heyday was one of the legendary “Borscht Belt” hotels. The resorts were not only a Jewish vacation paradise, they also had significant influence on entertainment, stand-up comedy and sports. In this enjoyable documentary, watch Wilt Chamberlain playing ball and working as a bellhop at Kutsher’s; laugh with Freddie Roman as his classic routine still brings down the house; see ice skating instructor extraordinaire Olga Duffy hop up on the Zamboni; and marvel at the abundance of hearty kosher feasts.

    Thu Jan 26: 3:45pm and 8:30pm





    NEW YORK PREMIERE

    100 Voices: A Journey Home

    Danny Gold & Matthew Asner | U.S. | 2012 | 91m | English

    A compelling and uplifting documentary that looks at Jewish culture in Poland, past and present, through a unique focus—100 cantors from around the world come together for concerts at the Warsaw Opera House and the Nozyk Synagogue. The film traces a lineage from cantorial superstar Moishe Oysher, also star of the Yiddish stage and screen, to contemporary counterparts including Alberto Mizrahi and Jacob Mendelson.

    Thu Jan 19: 1:00 pm and 6:00pm





    WORLD PREMIERE

    400 Miles to Freedom

    Avishai Yeganyahu Mekonen & Shari Rothfarb Mekonen | U.S./Israel | 2012 | 60m | English, Hebrew and Amharic with English subtitles

    In 1984, the Beta Israel—a secluded 2,500-year-old community of observant Jews in the northern Ethiopian mountains—began a secret and dangerous journey of escape. Co-director Avishai Mekonen, then 10 years old, was among them. In this film, he breaks his 20-year silence about the kidnapping he endured as a child in Sudan during his community’s exodus. This life-defining event launches an inquiry into identity, leading him to other African, Asian and Latino Jews in Israel and the U.S.

    PRECEDED BY

    U.S. PREMIERE

    Panta Rhei

    Amos Holzman | Israel | 2010 | 20m | Hebrew with English subtitles

    A young Israeli has a meltdown during his army exam. A typical teenager, he is an attractive smart aleck with attitude.

    Wed Jan 11: 3:45pm

    Wed Jan 18: 6:00pm





    NEW YORK PREMIERE

    Bachelor Days Are Over

    Katia Lewkowicz | France | 2011 | 96m | French with English Subtitles

    A few days before his wedding, a young man (Benjamin Biolay) has to make unexpected decisions, and cope with his fiancée, who has seemingly flown the coop. Enter a charming chanteuse (Sarah Adler), his preoccupied mother, critical sister (Emmanuelle Devos, Coco Before Chanel), unintelligible in-laws, patient pals and workers renovating his apartment.  Marriage or passionate love, family past or marital future, balloons or no balloons, flower petals or sugar almonds…how can he deal with such crucial issues at stake?

    Sat Jan 14: 6:30 pm

    Sun Jan 15: 8:45pm







    U.S. PREMIERE

    A Bottle in the Gaza Sea

    Thierry Binisti | France | 2010 | 90m | French, Hebrew, English and Arabic with English subtitles

    Tal is a 17-year-old Frenchwoman who has settled in Jerusalem with her family. She writes a letter expressing her refusal to accept that only hatred can reign between Israelis and Palestinians. She slips the letter into a bottle, and her brother throws it into the sea near Gaza, where he is carrying out his military service. A few weeks later, Tal receives a response from a mysterious “Gazaman,” a young Palestinian named Naïm. This engrossing and hopeful drama starring Hiam Abbas is based on the award-winning novel by Valérie Zenatti.

    Sun Jan 22: 6:00pm

    Mon Jan 23: 1:00pm





    U.S. PREMIERE OF RESTORED VERSION

    Breaking Home Ties

    Frank N. Seltzer & George K. Rowlands | U.S. | 1922 | 78m | B/W, silent with English intertitles and live piano by Donald Sosin

    Thinking he has killed his friend Paul in a jealous rage, David Bergmann flees pre-revolutionary Russia for America. In New York he becomes a successful lawyer and woos smart, independent Rose, also the boss’s daughter. Meanwhile, his wealthy parents sell their fancy home in St. Petersburg and emigrate to New York. Unable to find their son, they fall into poverty. Will David marry Rose? Will the Bergmanns be reunited? And what happened to Paul? This drama, long thought lost, is a gem of the silent era, presented in a new restoration by the National Center for Jewish Film.

    Sun Jan 15: 1:00pm





    U.S. PREMIERE

    Daas

    Adrian Panek | Poland | 2011 | 102m | Polish with English subtitles

    A dazzling period drama, Daas explores the influence of 18th-century false messiah Jacob Frank. Claiming powers of mystical healing and prophecy, Frank promises immortality to his converts. A Viennese lawyer investigates Frank, seeing him as a threat to the Austrian Empire, and a former disciple seeks justice. Adrian Panek brings us a tale of intrigue and conspiracy, conjuring the time and place with a painterly aesthetic.

    Sat Jan 21: 9:00pm

    Thu Jan 26: 1:00pm and 6:00pm





    NEW YORK CITY PREMIERE

    Deaf Jam

    Judy Lieff | U.S. | 2011 | 70m | Spoken English and American Sign Language, fully subtitled

    This high-energy documentary explores the beauty and power of American Sign Language (ASL) poetry through the story of deaf teen Aneta Brodski’s bold journey into the spoken word poetry slam scene. In a remarkable twist of fate, Aneta—an Israeli

    immigrant high school student living in New York—meets and then collaborates with Tahani—a hearing Palestinian slam poet. Poetry, friendship and respect transcend politics as the two young women create a hearing/deaf duet.

    Tue Jan 17: 1:00pm

    Thu Jan 19: 8:30pm





    NEW YORK PREMIERE

    Dressing America: Tales from the Garment Center

    Stephen Fischler & Joel Sucher | U.S. | 2011 | 57m | English

    From the directors of From Swastika to Jim Crow (NYJFF 2000) comes this fascinating documentary exploring the post-World War II heyday of the garment district in Manhattan.  Mavens of the “shmatte” business pay tribute to the Jewish immigrant roots of the garment industry, when Sam, You Made the Pants Too Long was a top musical hit and American designers challenged the hegemony of Paris fashion.

    PRECEDED BY

    NEW YORK PREMIERE

    Orbit

    Jessica Dorfman | U.S. | 2011 | 19m | English

    In this short drama, a young girl ponders her place and develops a crush on a waiter at her father’s second wedding.

    Mon Jan 16: 1:00pm

    Tue Jan 24: 8:15pm





    WORLD PREMIERE

    Follow Me: The Yoni Netanyahu Story

    Jonathan Gruber & Ari Daniel Pinchot| U.S.| 2012 | 80m | Hebrew and English with English subtitles

    Jonathan “Yoni” Netanyahu, then a commander in the Israeli army, was killed at the age of 30 leading the 1976 hostage rescue mission at the Entebbe Airport in Uganda. In Follow Me, documentarian Jonathan Gruber (Jewish Soldiers in Blue and Gray, NYJFF 2011) presents a moving portrait of Yoni’s life through his own poetry, prose and letters.  Ultimately a portrait of a young country through a young man, the film also features fascinating rarely seen footage of the 1967 war and the Entebbe raid itself, as covered by journalism legend Walter Cronkite.

    Thu Jan 12: 8:15pm

    Mon Jan 23: 6:00pm





    NEW YORK PREMIERE

    Incessant Visions: Letters from an Architect

    Duki Dror | Israel | 2011 | 70m | Hebrew and German with English subtitles

    A cinematic meditation about architect Erich Mendelsohn, based on his letters and a memoir by his wife Louise.  As a young man, he drew sketches on tiny pieces of paper and sent them, from the trenches, to the young cellist waiting for him in Berlin. She believed in his genius and after World War I helped him become the busiest architect in Germany. When she planned to leave him for a communist poet, he built a perfect house for her.  When the Nazis came to power, the couple escaped the house and Germany, and he turned his talents to creating buildings in the U.S. and Israel.

    Tue Jan 24: 6:00pm

    Wed Jan 25: 1:00pm





    NEW YORK PREMIERE

    Invisible

    Michal Aviad | Israel | 2011 | 90m | Hebrew with English subtitles

    The magnetic Ronit Elkabetz (The Band’s Visit, Late Marriage, Or) delivers a stunning performance in this drama. Two women discover they were both victims of the same serial rapist 20 years earlier. While one wishes to keep the past buried, the other becomes consumed with uncovering as much as she can about the rapist. Their friendship empowers them to face their disturbing past and to seek justice. Based on genuine crimes committed in Tel Aviv in the 1970s, this gripping film includes period television reports of the case.

    Wed Jan 11: 8:45pm

    Thu Jan 12: 3:30 pm





    U.S. PREMIERE

    Lea and Darija

    Branko Ivanda | Croatia | 2011 | 101m | Croatian with English subtitles

    A captivating drama tells the story of Lea Deutsch, known as the Croatian Shirley Temple, and her friend and dancing partner Darija Gasteiger. The two talented and exuberant 13-year-old girls were great stars in Zagreb on the eve of World War II. They played to sold-out houses around Europe, were filmed by Pathé Paris and Berlin’s UFA and lived in the rarefied world of the 1930s Croatian National Theater’s “Children’s Realm.” The Nazi persecution of Jews and later, German nationals’ flight from communists, tests their friendship.

    Sun Jan 22: 3:20pm

    Mon Jan 23: 8:30pm





    Lost Love Diaries

    Yasmine Novak | Israel | 2011 | 53m | Hebrew, English and Dutch with English subtitles

    On the morning of her wedding day, Ellis receives a package in the mail. It contains a diary kept by the first love of her life, Bernie, during his time underground in World War II. When Bernie did not return, Ellis married another man and moved with him to Palestine. She kept the diary hidden for 65 years until her historian daughter prevailed upon her to read it and try to find out what happened to Bernie. This gripping documentary is a combination detective story and love saga.

    PRECEDED BY

    NEW YORK PREMIERE

    Iraq ‘N’ Roll

    Gili Gaon | Israel | 2011 | 52m | Hebrew and Arabic with English subtitles

    Popular Israeli rock musician Dudu Tassa embarks on a mission to revive his grandfather’s traditional Iraqi songs by remixing the tunes for contemporary listeners. Salah and his brother Daud al-Kuwaiti were the highly acclaimed Jewish musicians in 1930s Iraq.  They arrived in Israel in the 1950s and found they were unknown and unappreciated.  In this musical documentary, Tassa engages in a labor of love to research and perform his family’s musical past.

    Mon Jan 16: 3:15pm

    Wed Jan 18: 8:30pm





    NEW YORK PREMIERE

    Mary Lou

    Eytan Fox | Israel | 2010 | 150m | Hebrew with English subtitles



    Acclaimed Israeli director Eytan Fox (The Bubble, Walk on Water, Florentine) brings to life a modern fable with a catchy musical message and a story based on the songs of Israeli pop legend Svika Pick.  Meir, a young man whose glamorous mother mysteriously disappears, searches for her in Tel Aviv. He learns about love with the help of the gay community and Israeli pop music while performing as a drag queen named Mary Lou.  A cross between the TV series Glee and the musical Mama Mia, by way of La Cage aux Folles Israeli style, Mary Lou garnered the equivalent of the Israeli Emmy Award for best mini-series.

    Sat Jan 14: 9:00pm





    NEW YORK PREMIERE

    My Australia

    Ami Drozd | Israel/Poland | 2009 | 100m | Polish and Hebrew with English subtitles



    In a poor neighborhood in 1960s Lódz, Poland, 10-year-old Tadek and his brother are in a gang with a strong anti-Semitic bent. When they are arrested, their mother, a Holocaust survivor, has no choice but to reveal that though raised as Catholics, they are in fact Jews. Telling the younger boy they are going to Australia, the land of his fantasies, the family boards a ship to Israel. This tender and humorous drama is based on the filmmaker’s own experiences.

    Thu Jan 19: 3:30pm

    Sat Jan 21: 6:30pm





    My Father Evgeni

    Andrei Zagdansky | U.S./Ukraine | 2010 | 77m | Russian with English subtitles

    Andrei Zagdansky (Interpretation of Dreams, NYJFF 1992) returns to the NYJFF with a moving portrait of his father, who was editor-in-chief of the Kiev Popular Science Film Studio.  Father and son worked in the same studio for 11 years, until Andrei immigrated to New York with his family.  Evgeni’s letters to Andrei and Andrei’s narrative of his father’s life intertwine, creating a portrait of the man and a particular moment in Soviet culture.

    PRECEDED BY

    WORLD PREMIERE

    Three Promises

    Edward Serotta | Serbia/U.S. | 2011 | 19m | Serbian with English subtitles

    Through family photographs, sisters Breda and Matilda Kalef take us into the world of Sephardic pre-World War II Serbia and the dramatic story of their flight to safety.  The family photo album, containing 169 pictures, remained in Belgrade. When the Kalefs returned after the war, the album was still there, but nearly all those in it had been killed.

    Tue Jan 17: 9:00pm at the Elinor Bunin Munroe Film Center

    Wed Jan 18: 3:30pm





    My Song Goes Round the World

    Richard Oswald | England | 1933 | 85m | English

    A musical film showcasing the talents of the great tenor Joseph Schmidt (1904-1942), known as the Jewish Caruso.  Paralleling Schmidt’s own life story, this drama by Richard Oswald (Different from the Others, NYJFF 2000) tells the tale of a talented singer who finds challenges in both his career and his love life because he is less than 5 feet tall.  Schmidt, who also performed as a cantor and radio star, sings with great power and passion in this charming and humorous film set in Venice.

    Sun Jan 22: 1:00pm

    Wed Jan 25: 6:00pm





    The Queen Has No Crown

    Tomer Heymann | Israel | 2011 | 82m | Hebrew and English with English subtitles

    Tomer Heymann (Paper Dolls) brings us this poignant meditation on family and loss using 8 and 16mm home movies and more recent footage he shot over the past decade to navigate the intimate lives of five brothers and their mother. Three of the Heymann sons take their families and leave Israel for “better” lives in America. They fulfill their own dreams, but shatter those of their mother.  She is left in Israel with her two bachelor sons—one straight and the other, Tomer, gay. Exploring the politics of belonging, displacement and sexuality, the film examines the hard decisions one family has to make and the intractable bonds that unite them in the face of difficult life choices.

    PRECEDED BY

    NEW YORK PREMIERE

    Grandmothers

    Michael Wahrmann | Brazil | 2009 | 12m | Portuguese with English subtitles

    Do all grandmothers give socks and underwear as birthday presents? 10-year-old Leo is much more intrigued by his grandpa’s gift—a Super-8 movie camera.

    Sun Jan 22: 8:30pm

    Mon Jan 23: 3:30pm





    NEW YORK PREMIERE

    Remembrance

    Anna Justice | Germany | 2011 | 105m | English, German and Polish with English subtitles

    Inspired by actual events, Remembrance depicts a remarkable love story that blossomed in the terror and squalor of a Nazi concentration camp in 1944 Poland. In a daring escape, Tomasz, a young Polish prisoner, rescues his Jewish lover, Hannah. In the chaos of the end of the war, they are forcibly separated and each is convinced that the other has died.  More than 30 years later in New York City, Hannah believes she has seen her Tomasz interviewed on television and she begins to search for him again. Anna Justice (Max Minsky and Me, NYJFF 2009) directs this powerful and artfully crafted drama.

    Mon Jan 16: 6:00pm

    Tue Jan 17: 3:15pm





    NEW YORK PREMIERE

    Restoration

    Joseph Madmony | Israel | 2010 | 105m | Hebrew with English subtitles

    Joseph Madmony (The Barbecue People, NYJFF 2004) returns with this sensitive drama in which a Tel Aviv man struggles to keep his antique restoration business afloat. Amidst conflicts with his son, a stranger comes to town and a complex love triangle complicates his plans. Featuring outstanding performances by Sasson Gabai (The Band’s Visit) and Sarah Adler (Ultimatum, NYJFF 2010). Nominated for 11 Ophir Awards (Israeli Academy Awards), and winner of the Dramatic Screenwriting Award at the 2011 Sundance Film Festival.

    Sun Jan 15: 6:00pm

    Mon Jan 16: 8:45pm





    NEW YORK PREMIERE

    Shoah: The Unseen Interviews

    U.S. Holocaust Memorial Museum | U.S. | 2011 | 55m | English



    This program presents a rare opportunity to see powerful, unused footage from three interviews filmed for Claude Lanzmann’s landmark documentary Shoah—Abraham Bomba, who was a barber in Treblinka; Peter Bergson, who struggled to publicize Nazi crimes against the Jews; and the deeply affecting Ruth Elias.  Raye Farr, director of the Steven Spielberg Film & Video Archive at the USHMM, will discuss the painstaking process of preserving the 16mm film and editing these segments for viewing.

    Sun Jan 15: 3:30pm





    U.S. PREMIERE

    The Silent Historian

    Simonka de Jong | The Netherlands | 2011 | 55m | Dutch with English subtitles

    A fascinating documentary about the filmmaker’s grandfather, the prominent Dutch historian Loe de Jong, known for his research on the history of the Netherlands during World War II. De Jong grew to national prominence when the war history of public figures such as Prince Claus came to light. After his death, the family made a discovery—Loe had concealed personal documents about his twin brother, Sally, who didn’t survive the war. Why did Loe never give these letters to Sally’s children, who spent their lives looking for information about the family that was broken apart by the war?

    PRECEDED BY

    WORLD PREMIERE

    Joann Sfar Draws from Memory

    Sam Ball | U.S./France | 2012 | 46m | French with English subtitles

    Sam Ball (Poumy, NYJFF 2005 and Pleasures of Urban Decay, 2000) returns with another fascinating documentary portrait, turning his lens on graphic novelist and filmmaker Joann Sfar, author of the popular The Rabbi’s Cat series and director of the recent film, Serge Gainsbourg (Vie Héroïque). The film follows Sfar to his favorite neighborhood spots, as he muses on his artistic process and the influence of his Algerian and East European family heritage.

    Wed Jan 25: 3:00pm and 8:30pm





    Torn

    Ronit Kertsner | Israel | 2011 | 72m | Hebrew, English and Polish with English subtitles

    Can one be a Catholic priest and an observant Jew at the same time? Twelve years after he was ordained as a priest, Romuald Waszkinel discovers that he was born to Jewish parents. This powerful documentary by Ronit Kertsner (The Secret, NYJFF 2002) follows his amazing journey from conducting mass in a church in Poland to life as an observant Jew on a religious kibbutz in Israel. Romuald is torn between two identities.  Unable to renounce either one, he finds himself rejected by both religions and the State of Israel.

    PRECEDED BY

    NEW YORK PREMIERE

    The Moon is Jewish

    Michal Tkaczynski | Poland | 2011 | 45m | Polish with English subtitles

    Pawel was a skinhead in Warsaw, obsessed with soccer and violence, when his girlfriend discovered he had Jewish ancestry.  He underwent a complete spiritual and physical transformation and is now an Orthodox Jew.  This compelling documentary, which takes its title from provocative poet Marcin Swietlicki, tells an extraordinary story of identity and belonging.

    Tue Jan 17: 6:00pm at the Elinor Bunin Munroe Film Center

    Wed Jan 18: 1:00pm





    WORLD PREMIERE

    White: A Memoir in Color

    Joel Katz | U.S. | 2012 | 59m | English

    In this personal documentary, Joel Katz (Strange Fruit, NYJFF 2002) explores what it means to be white in America through the story of his own family across generations. His father’s role as a white professor at Howard University, a traditionally black college, during the civil rights era comes to bear on his and his wife’s decision to adopt a mixed-race child. Original score by Don Byron.

    PRECEDED BY

    Letters Home

    Melissa Hacker | U.S. | 2010 | 9m | English

    An elegantly made short based on correspondence from the director’s great-aunt Freda, written as she traveled through Germany and Austria in the American Army Women’s Corps in 1945.

    Thu Jan 12: 1:30pm and 6:00pm



     

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  • First 10 Films Announced for 2012 Miami International Film Festival

    [caption id="attachment_1992" align="alignnone"]Blood of My Blood[/caption]

    The Miami International Film Festival (MIFF) announced the line-up of ten Ibero-American premieres  that will compete for $45,000  in jury prizes at its 29th annual event, March 2 – 11, 2012.

    The lineup includes four International/North American premieres and two U.S. premieres, including new films from acclaimed veteran directors Carlos Sorin, David Trueba and Andrés Wood.

    “As of today, only one of the films in the competition has U.S. distribution secured – Strand Releasing will be releasing Bonsai later in 2012,” noted MIFF’s executive director Jaie Laplante.  “It is our hope that U.S. buyers attending the Festival will discover many more riches– and see through our MIFF audiences how U.S. audiences respond to these amazing films.”

    2012 MIFF Knight Ibero-American Competition films:


    The Porcelain Horse (Mejor no hablar de ciertas cosas) (Ecuador, directed by Javier Andrade): In Javier Andrade’s startling debut, two brothers steal a porcelain horse from their parent’s home in order to buy drugs, leading to a fight that will haunt the family for the rest of their lives.  North American Premiere

    I’d Receive the Worst News From Your Beautiful Lips (Eu Receberia As Piores Notícias De Seus Lindos Lábios) (Brazil, directed by Beto Brant and Renato Ciasca): Set against a steamy Amazonian backdrop, a sensual melodrama of a beautiful woman caught in an unstable situation between two men. North American Premiere

    Blood of My Blood (Sangue do Meu Sangue) (Portugal, directed by João Canijo): Two  adult sisters struggle fiercely to hold their family together in the harsh world of a Lisbon slum, but the ticking time bomb of the situation is in grave danger of exploding. East Coast Premiere

    Pescador (Ecuador/Colombia, directed by Sebastián Cordero): After a drug shipment miraculously washes up on a beach, Blanquito (Andrés Crespo) has the opportunity to finally leave his small fishing village and go to the big city, in this major tonal new direction for acclaimed director Cordero. North American Premiere

    Bonsái (Chile/Argentina/Portugal/France, directed by Cristián Jiménez):  Based on the seminal novel by Chilean author Alejandro Zambra. Julio, a struggling writer, pens a book about his first experience with love, in order to keep up a lie he’s told his lover.  Bonsai marks director’s Cristián Jiménez second appearance in MIFF’s Iberoamerican competition. Florida Premiere

    Zoo (Zoológico) (Chile, directed by Rodrigo Marín): Set in an affluent Santiago suburb, a social commentary on today’s youth follows three teens (Alicia Rodríguez, Luis Balmaceda and Santiago de Aguirre) consumed in Americanized customs: malls, the Internet, pornography, skateboarding and angst. North American Premiere

    The Cat Vanishes (El gato desaparece) (Argentina, directed by Carlos Sorin): When Beatriz (Beatriz Spelzini) picks up her husband Luis (Luis Luque) from the sanatorium, she doesn’t quite believe the psychiatrist’s pronouncement that he is cured. But after the family cat vanishes, she questions her sanity as well as her husband’s in Sorin’s unsettling psychological mystery. U.S. Premiere

    Madrid, 1987 (Spain, directed by David Trueba): The balance of power and desire shift during the meeting of an older journalist (José Sacristán) and a young student (María Valverde) in a beautifully-written, dusk-to-dawn meditation on youth, age and the music of the spheres. East Coast Premiere

    Violeta Went to Heaven (Violeta se fue a los cielos) (Chile, directed by Andrés Wood): portrait of famed Chilean singer, folklorist and multifaceted artist Violeta Parra (Francisca Gavilán) filled with her musical work, her memories, her loves and her hopes. East Coast Premiere

    The Sleeping Voice (La voz dormida) (Spain, directed by Benito Zambrano): In Benito Zambrano’s portrayal of the dark days following the Spanish Civil War, two sisters (Maria Leon and Inma Cuesta) find themselves caught up in the frightening politics of the divided country. U.S. Premiere

    All 10 directors in MIFF’s Knight Ibero-American Competition are expected to attend the Festival and present their works to Miami audiences in person.

     

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  • IFFR unearths São Paulo’s ‘60s, ‘70s and ‘80s low-budget film culture

    [caption id="attachment_2399" align="alignnone"]OH! REBUCETEIO (Claudio Cunha, 1984)[/caption]

    In the Signals section’s theme programme ‘The Mouth of Garbage: Sub Culture and Sex in São Paulo’, the International Film Festival Rotterdam (IFFR) will present a vast panorama of features and shorts from São Paulo’s so-called ‘Boca do Lixo’ (Mouth of Garbage), the nickname for the working class neighborhood in the center of the Brazilian metropolis. These quick and dirty productions frequently highlighted the sleazy underbelly of Brazilian society using established genres such as noir, horror, the western, and pornography.

    In the Boca do Lixo district a constellation of entrepreneurial producers and up-and-coming filmmakers came together to create low-budget films in the mid 1960s, remaining active for nearly thirty years. An accessible option to burgeoning directors who felt excluded from high-end studio filmmaking and elite artistic movements such as Cinema Novo, the Boca do Lixo yielded some of Brazilian filmmaking’s chief talents, among them: Rogério Sganzerla, Carlos Reichenbach, José Mojica Marins (Coffin Joe), Ozualdo Candeias, and others.

    Despite the fact that several of the Boca films were hugely successful with national audiences, producers at the time found themselves fighting constantly against government censors and the constraints of a distribution landscape saturated with Hollywood product. Some films managed to cleverly elude government control and market limitations even as they presented a fiercely critical outlook; others were banned or phased-out of the commercial distribution circuit outright. As a result, large portions of the films associated with the Boca have remained elusive.

    The International Film Festival Rotterdam presents about eighteen films in tribute to the Boca do Lixo, including rare works by João S. Trevisan, Claudio Cunha, Ody Fraga, and Jean Garret, many of them presented in new transfers made from the films’ original 35mm negatives.

    ‘The Mouth of Garbage: Sub Culture and Sex in São Paulo’, curated by film scholar Gabe Klinger and IFFR programmer Gerwin Tamsma, is supported by The Netherlands Film Fund as part of the Central de Cultura program. The Central de Cultura program aims to intensify and extend cultural exchange and cultural cooperation between Brazil and The Netherlands. The IFFR also thanks the Cinemateca Brasileira in São Paulo for its generous collaboration.

    The lineup of ‘The Mouth of Garbage: Sub Culture and Sex in São Paulo’, to be announced shortly, includes:

    THE MARGIN (Ozualdo Candeias, 1967) – Truck driver-turned-director Candeias fled the commercial filmmaking scene to be able to tell this neo-realistic story of São Paulo’s underprivileged citizens living near the Tietê river.

    THE PORNOGRAPHER (João Callegaro, 1970) – A pop art portrait of the trials and tribulations of a young man hired to edit a porno rag run by a shady madame.

    ORGY OR: THE MAN WHO GAVE BIRTH (João S. Trevisan, 1970) – Celebrated novelist Trevisan’s sole feature is a radical, plotless re-envisioning/critique of Cinema Novo, loosely recounting the journey of a deranged youth who has killed his father. Summarily banned by the military, IFFR will present the world premiere of the director’s cut of the film made from a new 35mm transfer especially for the occasion of the retrospective.

    THE VAMPIRE OF THE CINEMATHEQUE and THE INSIGNI FICANT (Jairo Ferreira, 1976 and 1980) – Free-flowing essay/diary works in Super 8 featuring many of the Boca’s luminaries in candid moments compiled by the critic and scholar Ferreira.

    SNUFF – THE VICTIMS OF PLEASURE (Claudio Cunha, 1977) – One of the biggest box-office successes of its era, Cunha’s William Castle-like production deals with two American filmmakers who come to Brazil and attempt to make a snuff film in a remote barn.

    THE EMPIRE OF DESIRE/SENSUAL ANARCHY (Carlos Reichenbach, 1981) – Though unfairly maligned by critics of its day, this wild road trip sex romp has recently been hailed as one of the great Brazilian films by a few noted scholars. Long unavailable, IFFR presents Reichenbach’s masterpiece in a new 35mm transfer.

    OH! REBUCETEIO (Claudio Cunha, 1984) – A hard-core porn Chorus Line parody featuring an egomaniacal theater director who inspires his actors to perform lurid, freeform sexual acts on stage.

    SIT ON MINE AND I’LL ENTER YOURS (Ody Fraga, 1985) – A witty diptych about a talking vagina and a man with a strange penile outgrowth on his head, Fraga’s surreal farce is full of zingers and has a lighthearted sensibility reminiscent of Russ Meyer and Radley Metzger’s classics.

    FUK FUK BRAZILIAN STYLE (Jean Garret, 1986) – A class conflict satire featuring little person actor Chumbinho as a domestic-cum-slave who escapes the home of his wealthy employers to go on dream-like journey through a subterranean universe of repressed sexual yearning.

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  • Octavia Spencer to be honored at Palm Springs International Film Festival

    The 23rd annual Palm Springs International Film Festival (PSIFF) will present Octavia Spencer with the Breakthrough Performance Award.  Presented by Cartier, the Awards Gala will be held Saturday, January 7, at the Palm Springs Convention Center.  Hosted by Mary Hart, the Awards Gala will also present awards to previously announced honorees George Clooney, Glenn Close, Michel Hazanavicius and Michelle Williams.  The Festival runs January 5-16.

    “Octavia Spencer is a consummate actress who seamlessly blends her dramatic and comedic talents, creating performances of uncommon depth,” said Film Festival Chairman Harold Matzner.  “As the irascible Minny in The Help, she captures the essence of awoman who deals with life head on, relishing confrontation and serving as a source of courage and humor for those whom she loves. To Octavia Spencer, it is therefore a great honor for the Palm Springs International Film Festival to present the 2011 Breakthrough Performance Award.”

    Spencer has most recently been seen starring in Tate Taylor’s The Help. Set in Jackson, Mississippi during the 1960s, The Help chronicles the relationship between three different and extraordinary women who build an unlikely friendship around a secret writing project that breaks societal rules and puts them all at risk.   Screenplay by Tate Taylor and Kathryn Stockett, based on the critically acclaimed No. 1 New York Times best-selling debut novel by Kathryn Stockett.  The DreamWorks Pictures and Participant Media film is directed by Tate Taylor and also stars Emma Stone, Viola Davis and Bryce Dallas Howard.

    Spencer’s acting career began with her big screen debut in 1995 in Joel Schumacher’s A Time to Kill, opposite Sandra Bullock.  Spencer’s extensive feature film credits include Peep World, Dinner for Schmucks, Small Town Saturday Night, Herpes Boy, Halloween II, The Soloist, Drag Me to Hell, Seven Pounds, Pretty Ugly People, Coach Carter, Charm School, Win a Date with Tad Hamilton, Bad Santa, Spiderman, Big Momma’s House, Being John Malkovich and Never Been Kissed.  She was recently lauded by Entertainment Weekly online for her comedic timing when she was named to their esteemed list of the “25 Funniest Actresses in Hollywood.”  Spencer also won Best Supporting Actress from the Washington DC Area Film Critics Association.

    Past recipients of the Breakthrough Performance Award include Carey Mulligan, Marion Cotillard, Jennifer Hudson, Mariah Carey, Felicity Huffman and Freida Pinto.

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  • Jean Dujardin and Bérénice Bejo to be honored at Santa Barbara International Film Festival for their performance in The Artist

    The Santa Barbara International Film Festival, will honor Jean Dujardin and Bérénice Bejo with the Cinema Vanguard Award for their performances in the silent film The Artist at the 27th edition of the Festival which runs January 26 – February 5, 2012.

    The Cinema Vanguard Award was created in recognition of an actor who has forged his/her own path – taking artistic risks and making a significant and unique contribution to film. The award has previously been presented to Nicole Kidman, Christoph Waltz, Vera Farmiga, Stanley Tucci, Peter Sarsgaard, Kristin Scott Thomas and Ryan Gosling.

    Dujardin and Bejo are currently receiving wide praise for their lead performances in The Artist, directed by Michel Hazanavicius. In late 1920’s Hollywood, many actors witnessed the decline of their careers with the rise of the talking picture. This is just the case for silent film superstar George Valentin (Dujardin), who crosses paths with rising starlet Peppy Miller (Bérénice Bejo). Resistant to the conversion, Valentin is faced with the demise of his career while Miller embraces it and emerges a star. Through his performance, Dujardin offers a striking portrayal of the silent era male superstar, packed with the conviction and suave on par with the likes of Rudolph Valentino. No sooner does Peppy Miller enchant fictional audiences, than does Bejo with the real, through her pure charm and genuine charisma. Together Dujardin and Bejo’s masterful talent, make for one of the most compelling stories in film.

    Born in Rueil-Malmaison, France, Jean Dujardin got his break on the talent show Graines de Star in 1996 as part of the comedy group Nous C Nous. Following he went on to star as Jean ‘Loulou’ in the comedy television series Un Gars, Une Fille from 1999 to 2003. Continuing in the realm of comedy, Dujardin broke onto the big screen as aspiring surfer Brice Agostini in The Brice Man (2005). 2006 marked Dujardin’s first collaboration with Bejo through his role as Hubert Bonisseur de La Bath in the espionage film OSS 117: Cairo, Nest of Spies. Dujardin reprised the role in 2009 for OSS 117: Lost in Rio.

    Bérénice Bejo was born in Buenos Aires and moved to France at the age of 3. Bejo got her start working in an assortment of French television shows. She landed her first recurring role as Sophie on the comedy series Un Et Un Font Six (1997-1999). American audiences were introduced to her when she appeared in 2001’s A Knight Tale as Christina. Bejo returned to French films acting in a number of films including her role as Larmina in OSS 117: Cairo, Nest of Spies (2006) alongside Jean Dujardin.

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  • No Staten Island Film Festival in 2012, Future Uncertain

    Blaming the economy – dwindling contributions and attendance, SI Live is reporting that unless someone steps and takes the rein from the current organizer, Staten Island Economic Development Corporation, the Staten Island Film Festival will not return next year.

    “The board made a decision…based on the shrinking funding for film festival, and the fact that we weren’t seeing the economic impact that other film festivals have on their areas, we thought it might be best not to host the festival,” said Cesar Claro, president of the SIEDC. “I think, what you’re going to see, if there is a need for it, and if people really want it, you will see smaller film festival type things popping up and it’s our hope that a group of committed young artists maybe can get something going. My advice out of the gate, knowing what I know about the lack of money that’s out there, would be start slow, start small.”

    In 2006, the festival raised $400,000 in corporate and private sponsorships, however, last year, in large part due to the economy, sponsorships were down to about $170,000. Organizers also mentioned that even though the films were free at last year’s festival, only about 5,000 people attended, down from more than 7,000 in previous years. Additionally, local businesses near the festival venues showing the films never got the economic boost that organizers expected.

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