Grace Jones: Bloodlight & Bami[/caption]
The Toronto International Film Festival’s 2017 documentary program presents a distinct collection of works from award-winning directors, and will open with Sophie Fiennes’ Grace Jones: Bloodlight & Bami, a film that captures the legendary performer on and off stage.
The lineup features celebrated filmmakers, including Morgan Spurlock, who reignites his battle with the food industry in Super Size Me 2: Holy Chicken!; Brett Morgen, with his portrait of primatologist Jane Goodall in Jane; Greg Barker, who grants viewers unprecedented access into President Barack Obama’s foreign policy team in The Final Year; Frederick Wiseman, who takes us behind the scenes of a New York institution in Ex Libris – The New York Public Library; and Heidi Ewing and Rachel Grady, who follow three Hasidic Jews who attempt to enter the secular world in One of Us. The TIFF Docs Program is made possible through the generous sponsorship of A+E IndieFilms.
“Resistance is a key theme in this year’s documentaries,” said TIFF Docs Programmer Thom Powers. “We pay witness to rebels challenging the status quo in art, politics, sexuality, religion, fashion, sports and entertainment. They speak powerfully to our times as audiences seek inspirations for battling powerful and corrupt systems.”
The theme of resistance plays out in a diverse range of films, including Jed Rothstein’s The China Hustle, executive produced by Alex Gibney and Frank Marshall, which confronts a new era of Wall Street fraud; Matt Tyrnauer’s Scotty and the Secret History of Hollywood, which profiles the sexual taboo breaker Scotty Bowers; Anjali Nayar and Hawa Essuman’s Silas, which portrays Liberian activist Silas Siakor; and Erika Cohn’s The Judge, which follows the first female Shari’a judge, Kholoud Al-Faqih, practicing law in the West Bank.
We gain insights into high-profile figures in the worlds of entertainment and sports in films such as Chris Smith’s JIM & ANDY: the Great Beyond – the story of Jim Carrey & Andy Kaufman featuring a very special, contractually obligated mention of Tony Clifton, which examines Jim Carrey’s immersion into the role of Andy Kaufman; Lili Fini Zanuck’s Eric Clapton: Life in 12 Bars, which delivers the definitive biography of the rock legend; and Jason Kohn’s Love Means Zero, which investigates the controversial tennis coach Nick Bollettieri and his history with Andre Agassi.
Several films deepen our understanding of black cultural figures, including Sam Pollard’s Sammy Davis, Jr.: I’ve Gotta Be Me on the complex career of the multi-talented Rat Pack performer; Kate Novack’s The Gospel According to André on the trend-setting fashion writer André Leon Talley; and Sara Driver’s BOOM FOR REAL The Late Teenage Years of Jean-Michel Basquiat on the formative years of the acclaimed artist.
TIFF Docs upholds its tradition of featuring films and filmmakers from around the world with films such as Violeta Ayala’s Cocaine Prison on the drug trade in Bolivia; Mila Turajlić’s The Other Side of Everything on the dissident activism of her Serbian mother; Hüseyin Tabak’s The Legend of the Ugly King on the Kurdish filmmaker Yilmaz Güney; Sabiha Sumar’s Azmaish: A Journey through the Subcontinent on the politics of India and Pakistan; and Gustavo Salmerón’s Lots of Kids, a Monkey and a Castle on his eccentric family in Spain. The TIFF Docs closing film is Emmanuel Gras’ Makala, which won the Grand Jury prize at Cannes’ Critics Week and portrays the heroic struggles of a subsistence laborer in the Democratic Republic of Congo.
The 42nd Toronto International Film Festival runs September 7 to 17, 2017.
Documentary
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Toronto International Film Festival Announces 2017 Documentary Program, Opens with GRACE JONES: BLOODLIGHT & BAMI
[caption id="attachment_23395" align="aligncenter" width="1200"] Grace Jones: Bloodlight & Bami[/caption]
The Toronto International Film Festival’s 2017 documentary program presents a distinct collection of works from award-winning directors, and will open with Sophie Fiennes’ Grace Jones: Bloodlight & Bami, a film that captures the legendary performer on and off stage.
The lineup features celebrated filmmakers, including Morgan Spurlock, who reignites his battle with the food industry in Super Size Me 2: Holy Chicken!; Brett Morgen, with his portrait of primatologist Jane Goodall in Jane; Greg Barker, who grants viewers unprecedented access into President Barack Obama’s foreign policy team in The Final Year; Frederick Wiseman, who takes us behind the scenes of a New York institution in Ex Libris – The New York Public Library; and Heidi Ewing and Rachel Grady, who follow three Hasidic Jews who attempt to enter the secular world in One of Us. The TIFF Docs Program is made possible through the generous sponsorship of A+E IndieFilms.
“Resistance is a key theme in this year’s documentaries,” said TIFF Docs Programmer Thom Powers. “We pay witness to rebels challenging the status quo in art, politics, sexuality, religion, fashion, sports and entertainment. They speak powerfully to our times as audiences seek inspirations for battling powerful and corrupt systems.”
The theme of resistance plays out in a diverse range of films, including Jed Rothstein’s The China Hustle, executive produced by Alex Gibney and Frank Marshall, which confronts a new era of Wall Street fraud; Matt Tyrnauer’s Scotty and the Secret History of Hollywood, which profiles the sexual taboo breaker Scotty Bowers; Anjali Nayar and Hawa Essuman’s Silas, which portrays Liberian activist Silas Siakor; and Erika Cohn’s The Judge, which follows the first female Shari’a judge, Kholoud Al-Faqih, practicing law in the West Bank.
We gain insights into high-profile figures in the worlds of entertainment and sports in films such as Chris Smith’s JIM & ANDY: the Great Beyond – the story of Jim Carrey & Andy Kaufman featuring a very special, contractually obligated mention of Tony Clifton, which examines Jim Carrey’s immersion into the role of Andy Kaufman; Lili Fini Zanuck’s Eric Clapton: Life in 12 Bars, which delivers the definitive biography of the rock legend; and Jason Kohn’s Love Means Zero, which investigates the controversial tennis coach Nick Bollettieri and his history with Andre Agassi.
Several films deepen our understanding of black cultural figures, including Sam Pollard’s Sammy Davis, Jr.: I’ve Gotta Be Me on the complex career of the multi-talented Rat Pack performer; Kate Novack’s The Gospel According to André on the trend-setting fashion writer André Leon Talley; and Sara Driver’s BOOM FOR REAL The Late Teenage Years of Jean-Michel Basquiat on the formative years of the acclaimed artist.
TIFF Docs upholds its tradition of featuring films and filmmakers from around the world with films such as Violeta Ayala’s Cocaine Prison on the drug trade in Bolivia; Mila Turajlić’s The Other Side of Everything on the dissident activism of her Serbian mother; Hüseyin Tabak’s The Legend of the Ugly King on the Kurdish filmmaker Yilmaz Güney; Sabiha Sumar’s Azmaish: A Journey through the Subcontinent on the politics of India and Pakistan; and Gustavo Salmerón’s Lots of Kids, a Monkey and a Castle on his eccentric family in Spain. The TIFF Docs closing film is Emmanuel Gras’ Makala, which won the Grand Jury prize at Cannes’ Critics Week and portrays the heroic struggles of a subsistence laborer in the Democratic Republic of Congo.
The 42nd Toronto International Film Festival runs September 7 to 17, 2017.
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VIDEO: Watch Trailer for A LIFE IN WAVES, Documentary on Electronic Music Pioneer, Suzanne Ciani
[caption id="attachment_20658" align="aligncenter" width="1200"]
A LIFE IN WAVES[/caption]
A Life in Waves explores the life and innovations of composer and electronic music pioneer, Suzanne Ciani. Gunpowder & Sky will release the SXSW 2017 documentary on VOD nationwide August 4, 2017.
From her earliest days learning the piano, to her multi-million dollar advertising ventures, to her successes in the world of New Age music, to her recent re-connection with her beloved Buchla synthesizer, the film is a journey into Suzanne’s mind, offering a feminine glimpse into the often complicated world of electronic music.
Utilizing a wealth of archival footage and Suzanne’s endless catalog of music, A Life in Waves is a nostalgic, visually-compelling look at one woman’s journey, and the trials she overcame to succeed in a traditionally male-dominated art form.
https://www.youtube.com/watch?v=puLTePqBlQI
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VIDEO: Watch New Trailer for NATURE BOY, Documentary on Wrestling Legend Ric Flair
ESPN has a released the new trailer for the 30 for 30 documentary “Nature Boy,” on wrestling legend Ric Flair, set to premiere on Tuesday, November 7, at 10 p.m. ET on ESPN. Director Rory Karpf (“I Hate Christian Laettner,” “The Book of Manning”) will take an inside look at Flair’s story, including his triumphs, his tragedies, and his pivotal role in turning pro wrestling into mainstream sports entertainment.
Real or Fake? It’s a question that’s long shadowed professional wrestling. But for one of the industry’s most legendary performers, there’s never been any separation between the ring and the world around it. His story starts in the Midwest, when a young Richard Fliehr set his sights on rising to stardom in a unique world, and decided to do anything necessary to get to where he wanted. A character was born, along with a singular desire “to be the man,” and a drive that made him as popular and polarizing as any figure ever to step into the ring. The success took a considerable toll – on his body, and on his wives and children – and in 2013 came a tragic postscript. But today, Flair remains as defiant as ever, proud of his legacy, eager to remain in the spotlight. This is the story of a man, a character, and their unbreakable connection.
“This film was basically borne out of working with Rory Karpf on our ‘I Hate Christian Laettner’ documentary,” says 30 for 30 Executive Producer John Dahl. “Rory interviewed Ric for his take on sports villains and wanted to do a film on him next. After watching that interview for the Laettner film, we were convinced that Ric would be a fascinating subject to explore for our first feature-length 30 for 30 on a pro wrestler.”
“Nature Boy” features two in-depth conversations between Karpf and Flair over a 16-month span, surrounded by interviews with those closest to the man himself; including Triple H, Hulk Hogan, Ricky Steamboat, Baby Doll, Tully Blanchard, The Undertaker, Arn Anderson, Shawn Michaels, Sting and Road Warrior Animal as well as his first wife, Leslie Jacobs, and children along with others who know Flair best.
“I grew up a huge wrestling fan in the 1980s and I was captivated by Ric Flair,” says director Rory Karpf. “It’s been a personally rewarding experience to tell the story of arguably the greatest wrestler of all time. Ric’s story transcends the wrestling business, and my hope is that it will appeal to wrestling and non-wrestling fans alike.”
WOOOOOO!!! Our #30for30, #NatureBoy, on @RicFlairNatrBoy will premiere November 7th on ESPN.
Details: https://t.co/xRepS02iP4 pic.twitter.com/bOasFJWSsp — ESPN Films 30 for 30 (@30for30) July 27, 2017
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Cecilia Aldarondo Delves into the Secrecy Her Uncle’s Death In MEMORIES OF A PENITENT HEART | Trailer
Twenty-five years after her uncle died of AIDS, filmmaker Cecilia Aldarondo delves into the secrecy surrounding his death in the documentary Memories of a Penitent Heart.
Memories of a Penitent Heart, which premiered at the 2016 Tribeca Film Festival, will have its national broadcast premiere on the PBS documentary series POV (Point of View) on July 31, 2017.
Like many gay men in the 1980s, Miguel moved to New York City in search of a life out of the closet; he found a career in theater and a rewarding relationship. Yet in the midst of the AIDS crisis, his devout Catholic mother pressured him to repent for his homosexuality on his deathbed. Twenty-five years later, his niece Cecilia Aldarondo breaks the silence surrounding her uncle’s death, sifting through conflicting memories of a man she never really knew. She locates Miguel’s estranged partner and begins to unlock long-dormant family secrets.
Through home movies, audio recordings, family photos, letters and interviews, Cecilia Aldarondo’s Memories of a Penitent Heart reconstructs her uncle Miguel’s New York life, one he lived far from his family, especially his religious mother. Along the way, her investigation untangles a knot of family secrets, denials and repressed conflicts.
Born and raised in the 1970s in Puerto Rico, Miguel Dieppa was a gay man eager to leave the island in search of Broadway fame in New York City.
Aldarondo’s investigation begins with a two-year search for Miguel’s long-time partner, Bob, who disappeared after Miguel’s funeral. When she eventually finds him, he is living in Pasadena, California, as Father Aquin, a Franciscan monk. Through the reminiscences of Aquin and others who knew him, Miguel emerges as a charismatic and vivacious actor and playwright, struggling to live comfortably in his own skin.
We see glimpses into Miguel’s restlessness in his autobiographical play, Island Fever: “I guess that’s a diagnosis for my case. It’s that feeling that creeps on up on those who have known wide spaces, or long to do so.”
Miguel seems eternally torn between two identities. His New York friends know him as Michael, a freedom-loving gay thespian, while to his family in Puerto Rico he remains Miguel, the obedient son who downplays his sexuality.
Unexpectedly, Miguel begins to get sick, and although he refuses to be tested, telltale skin lesions on his legs indicate AIDS as the underlying illness.
Miguel’s illness places Bob on a collision course with Miguel’s mother, Carmen, as the two come to represent opposing faces of faith. Fearing that her son is not yet “dead to life but dead to grace,” Carmen feels Miguel can only find redemption if he repents.
Delving into her family’s trove of secrets, Aldarondo’s Memories of a Penitent Heart examines the light and dark sides of faith and how we fight over the memories of those we love. In the director’s intensely personal film, Miguel’s friends and family reflect on their imperfect relationships. Considering her own flaws, Miguel’s sister (Aldarondo’s mother) Nylda reflects, “The bottom line is that we all need to survive and we use different ways of surviving, according to our gifts, our limitations and our circumstances.” That prompts her daughter to ask, “Can’t we survive and look out for others as well?”
Memories of a Penitent Heart is a brave and honest exhumation of buried resentments that ultimately reveals how reflections on grief, betrayal and love bring us closer to reconciliation.
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Mickey Lemle’s THE LAST DALAI LAMA? Takes a Fresh Look at the 14th Dalai Lama at 80 | Trailer
THE LAST DALAI LAMA? from filmmaker Mickey Lemle grants viewers intimate access to the Dalai Lama and those who have been touched by his vast influence from George W. Bush to the film’s accomplished composer, Philip Glass. The film will open at IFC Center in New York City on Friday, July 28.
THE LAST DALAI LAMA? takes a fresh look at what is truly important for the 14th Dalai Lama at 80: The ongoing confrontation between Tibetans and China; His Holiness’s influence in political and spiritual spheres; his work with educators and neuropsychologists; and his personal feelings on aging, dying and the question: Will there be a fifteenth Dalai Lama, or will he be the last Dalai Lama?
The film artfully weaves sequences from director Mickey Lemle’s groundbreaking film COMPASSION IN EXILE: The Story of The 14th Dalai Lama (1992), with contemporary footage including intimate interviews with His Holiness and follow up questions shot decades apart; accounts from The Dalai Lama’s family and close friends; and conversations with those he’s inspired since his exile from Tibet in 1959.
The Dalai Lama’s impact on the West has grown over the 25 years since Lemle’s earlier film. In THE LAST DALAI LAMA? we see teachers in British Columbia incorporating “Emotional Intelligence” and non-violent conflict resolution in grade school classes, and neuropsychologists and behavioral therapists who have begun using cutting edge technology to research how to overcome negative afflictive emotions like anger and hatred.
Original music score composed and performed by Philip Glass and Tibetan music phenom, Tenzin Choegyal.
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MACHINES, Rahul Jain Sundance Award Winning Debut Film, Sets U.S. Release Date | Trailer
Machines, the debut documentary film from director Rahul Jain, and winner of the Special Jury Award for Cinematography at the 2017 Sundance Film Festival will be released in the U.S. beginning Wednesday, August 9, at New York’s Film Forum. The film is set to expand nationwide in September, 2017.
Returning to his childhood home of Sachin in India’s Gujarat state, Rahul Jain documents a striking visual paradox: intensely sensual images of colorful fabrics produced in a Dickensian factory in which men and children work tirelessly for a pittance, some barefoot. They are some of the 45 million workers that support the $40 billion Indian textile and garment industries.
Punctuating stunning Steadicam shots, where Mr. Jain’s camera takes viewers into dark, damp and sometimes fiery working spaces, are sparse and sharp testimonials from the workers describing their own experiences – as well as their failed efforts at improving working conditions. One man asks rhetorically: “But what is poverty anyway? Poverty is harassment, Sir.”
Uniquely combining ravishing visuals with social advocacy, Machines weaves a moving portrait of people toiling amid pulsating machines, bubbling vats of dye, and colorful, billowing cascades of textiles.
https://www.youtube.com/watch?v=kkV-eeXrlUg
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Jennifer Brea’s Sundance Award-Winning Documentary UNREST Gets a Fall Release
The Sundance award-winning film Unrest in which Jennifer Brea documents her fight to overcome Myalgic Encephalomyelitis aka Chronic Fatigue Syndrome, will be released in the US in the Fall. The will open in New York on September 22, followed by Los Angeles and San Francisco on September 29, with a nationwide release to select cities to follow. Unrest will open in theaters in the U.K. on October 20. This was first exclusively reported by Variety.
Unrest world premiered in the documentary competition at the 2017 Sundance Film Festival, where it won a Special Jury Prize for editing. It has since screened at SxSW, CPH:DOX, HotDocs, River Run (Audience Award for Best Documentary Feature), Nashville Film Festival (Grand Jury Award for Best Documentary Feature), and the Sheffield Doc/Fest (Illuminate Award), among other festivals.
Jennifer Brea is an active Harvard PhD student about to marry the love of her life when suddenly her body starts failing her. Hoping to shed light on her strange symptoms, Jennifer grabs a camera and films the darkest moments unfolding before her eyes as she is derailed by M.E. (commonly known as Chronic Fatigue Syndrome), a mysterious illness some still believe is “all in your head.”
In this story of love and loss, newlyweds Jennifer and Omar search for answers as they face unexpected obstacles with great heart. Often confined by her illness to the private space of her bed, Jen is moved to connect with others around the globe. Utilizing Skype, she unlocks a forgotten community with intimate portraits of four other families suffering similarly.
Jennifer Brea’s wonderfully honest portrayal asks us to rethink the stigma around an illness that affects millions of people. Unrest is a vulnerable and eloquent personal documentary that is sure to hit closer to home than many could imagine.
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BRILLO BOX (3 CENTS OFF) on Journey of Andy Warhol Sculpture Makes HBO Debut | Trailer
Brillo Box (3 Cents Off), tracks the remarkable journey of an Iconic Andy Warhol sculpture from one family’s living room through the global art market.
In 1969, Lisanne Skyler’s parents bought an Andy Warhol “Brillo Box (3 Cents Off)” sculpture for $1,000. An exact replica of a shipping carton for Brillo soap pads, Warhol’s Brillo Boxes were at first dismissed by the art world. But 40 years later, with Warhol’s reputation as a contemporary-art visionary long secured, the same piece sold for more than $3 million at a record-breaking Christie’s auction.
Blending a humorous family narrative with Pop Art history, and debuting the week of Warhol’s 89th birthday, Brillo Box (3 Cents OFF) follows this iconic work as it makes its way from a New York family’s living room to the contemporary global art market, exploring the ephemeral nature of art and value, and the decisions that shape a family’s history. An official selection of the 54th New York Film Festival, the documentary debuts Monday, August 7 (10:00-10:40 p.m. ET/PT), exclusively on HBO.
In 1964, Andy Warhol shocked the art world by making hundreds of replicas of supermarket shipping cartons and presenting them as art. His most notorious were the Brillo Boxes, which he created by silk-screening the original Brillo packaging art, designed by abstract impressionist James Harvey, onto wooden boxes that were the exact same sizes as the supermarket originals. It is believed Warhol made 93 large white boxes and 17 smaller yellow ones.
Originally selling for $200, a yellow Brillo Box emblazoned with a “3 Cents OFF” burst was purchased for $1,000 from the OK Harris Gallery in New York in 1969 by Martin and Rita Skyler. Looking to add value to his acquisition, Martin Skyler persuaded gallery owner Ivan Karp to get Warhol to sign the bottom of the piece, which was not Warhol’s customary practice at the time.
Parents of an infant daughter, Lisanne, the Skylers spent two years with the Brillo Box, which Martin placed inside Plexiglas to prevent damage. Looking for fresh art to augment their collection, he decided to trade the Brillo Box for a drawing by abstract artist Peter Young in 1971. Forty years after the Skylers sold their Brillo Box, Lisanne Skyler, now a filmmaker, learned it was going to be auctioned in New York at Christie’s. She filmed the auction, and, combining that footage with archival video, reenactments and interviews with her parents and contemporary art world figures, began to reconstruct her family’s Brillo Box history.
After Warhol’s death in 1987, interest in his work started to build; starting in 1995, prices for his art doubled annually for more than a decade. In 1988, London advertising magnate Charles Saatchi bought the Skylers’ Brillo Box for $35,200; five years later, the piece was sold to a private collector for $43,700 and returned to New York. Two years later, in a soft art market, Robert Shapazian, one of the world’s foremost collectors of modern art and the founding director of the Gagosian Gallery in Los Angeles, bought the piece for the same price, and kept it until his death in 2010.
When the Brillo Box went on sale again that year, Christie’s estimated it would fetch between $600,000 to $800,000, its value enhanced by the condition and provenance, including Warhol’s signature and the ownership of Saatchi and Shapazian. Following an international bidding war, however, the Skylers’ Brillo Box sold to a private collector for $2,650,000. The addition of a $400,500 buyer’s premium brought the final price tag to a staggering $3,050,500. While Martin maintains a stoic front about the loss of such a treasure, a more regretful Rita recalls the personal memories it evokes.
In addition to interviews with Martin and Rita Skyler, BRILLO BOX (3 Cents OFF) includes insights from several high-profile names in the contemporary art world, including: Laura Paulson, chairman, Americas at Christie’s; Jessica Todd Smith, the Susan Gray Detweiler Curator of American Art and Manager of the Center for American Art at the Philadelphia Museum of Art; art critic and historian Irving Sandler; Eric Shiner, former director of the Andy Warhol Museum in Pittsburgh; writer, curator and dealer Kenny Schachter; artist Nancy Mozur; artist and teacher Phung Huynh; Daniel Wolf, producer of “Andy Warhol: A Documentary Film”; John Armaly, president and CEO of Armaly Brands, owner of the Brillo brand; and Peter Young, the artist whose work replaced the Brillo Box in the Skyler home.
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Watch Prince Harry and Prince William Talk About Their Mom in Trailer for DIANA, OUR MOTHER: HER LIFE AND LEGACY
HBO has released a new trailer for the documentary DIANA, OUR MOTHER: HER LIFE AND LEGACY. The documentary debuts on Monday, July 24 (10:00-11:10 p.m. ET/PT) on HBO. to celebrate the life and work of Diana, Princess of Wales, in the 20th year since her tragic death.
DIANA, OUR MOTHER features interviews with HRH The Duke of Cambridge and HRH Prince Harry, both of whom talk openly about their mother and pay tribute to the many ways her influence has shaped their lives. The film offers a fresh and revealing insight into Princess Diana through the personal and intimate reflections of her two sons and her friends and family, many of whom have never spoken publicly before, to bring together a unique portrait of an iconic person who touched the lives of millions.
The 65-minute film includes never-before-seen photographs of Diana, taken from an album that she had assembled. The brothers look through the private family album and recall some of the most joyful and touching moments from their childhood.
Studying a photo of The Princess holding him while pregnant with Prince Harry, Prince William says, “Believe it or not, you and I are both in this photograph, you’re in the tummy!”
Prince Harry says, “This is the first time that the two of us have ever spoken about her as a mother.”
Prince William says, “She was very informal and really enjoyed the laughter and the fun.”
Prince William and Prince Harry share some of their earliest memories of their mother, recall the final conversation they had with her before her tragic death in August 1997, and discuss their feelings in the aftermath of losing her. Prince William explains how he keeps her memory alive for his own children.
The documentary also celebrates the achievements of Diana’s work and her sons’ determination to continue the campaigns that were closest to her heart.
https://www.youtube.com/watch?v=-9AFcZgGCNw
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Watch: Kristen Bell Premieres Music Video for “Tell Me How Long” from CHASING CORAL
Kristen Bell today premiered the music video for “Tell Me How Long” from Netflix original documentary Chasing Coral. The film is now streaming on Netflix.
Kristen commented, “I was moved and inspired by Chasing Coral and its message of hope for our planet’s future. I feel a responsibility to care for the Earth in whatever way I can and I was honored to lend my voice to the original song. As we strive to make a better world for our children, I hope this film will ignite real action in advancing climate solutions in our global communities.”
https://www.youtube.com/watch?v=I7vOQ3M_FJY
Directed by Jeff Orlowski, Chasing Coral taps into the collective will and wisdom of an ad man, a self-proclaimed coral nerd, top-notch camera designers, and renowned marine biologists as they invent the first time-lapse camera to record bleaching events as they happen. Unfortunately, the effort is anything but simple, and the team doggedly battles technical malfunctions and the force of nature in pursuit of their golden fleece: documenting the indisputable and tragic transformation below the waves. With its breathtaking photography, nail-biting suspense, and startling emotion, Chasing Coral is a dramatic revelation that won’t have audiences sitting idle for long.
https://www.youtube.com/watch?v=b6fHA9R2cKI
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CHAVELA, Award-Winning Documentary about Legendary Lesbian Singer Sets Fall Release Date | Trailer
Chavela, directed by Catherine Gund and Daresha Kyi, is the captivating portrait of barrier-breaking Mexican ranchera singer Chavela Vargas whose international fame peaked after a triumphant return to the stage at the age of 71. The film will open at Film Forum in New York on Wednesday October 4th and at the Nuart in Los Angeles on October 6. A national release will follow.
Born in Costa Rica in 1919, Chavela Vargas ran away to Mexico City as a teenager to sing in the streets. By the 1950s she had become a darling of the city’s thriving bohemian club scene, delivering her performances with a raw passion and unique voice. Challenging mainstream Mexican morals by dressing in pants, drinking tequila, and smoking cigars while singing love songs intended for men to woo women and refusing to change the pronouns, Chavela was a bold, rebellious, sexual pioneer who defied gender and sexuality stereotypes at a time when being “out” was often dangerous.
Chavela, winner of the Documentary Grand Jury Prize and the Best Documentary Feature Audience Award at Outfest, and winner of the Audience Award at Frameline (San Francisco International LGBTQ Film Festival), and Official Selection at 2017 Berlin International Film Festival, HotDocs and Seattle International Film Festival, centers around a 1991 interview–the singer’s first public appearance after 12 hard years lost to alcoholism and heartbreak. Her amazing comeback began when Spanish filmmaker Pedro Almodóvar, who had featured her music in many of his films, played an instrumental role in elevating her career to international acclaim. Whenever he introduced her to the public, he would kneel down to kiss the stage before she performed at renowned venues like New York’s Carnegie Hall, Paris’ L’Olympia Theatre, and Madrid’s Plaza de España.
In her lifetime, Chavela was credited with recording 80 albums, received a Latin Grammy for Lifetime Achievement, and was the second woman to win Spain’s most prestigious artistic award, the Grand Cross of Isabel, the Catholic. She was close to many prominent artists and intellectuals including Juan Rulfo, Agustín Lara, Frida Kahlo, Diego Rivera, Dolores Olmedo, José Alfredo Jiménez, Lila Downs, and Joaquin Sabina. Chavela also appeared in the 1967 movie La Soldadera, Werner Herzog’s Scream of the Stone and Julie Taymor’s Frida, and sang “Tú Me Acostumbraste” (“Because of You, I Got Accustomed”) in Alejandro González Iñárritu’s Babel. Chavela passed away in 2012 at the age of 93.
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Sundance-Winning RUMBLE: THE INDIANS WHO ROCKED THE WORLD Gets Summer Release Date | Trailer
RUMBLE: The Indians Who Rocked the World, a powerful movie about the role of Native Americans in contemporary music, featuring some of the greatest music stars of our time, will be released in theaters this Summer via Kino Lorber.
The film had its world premiere at the 2017 Sundance Film Festival, where it won the festival’s World Cinema Documentary Special Jury Award for Masterful Storytelling.
Following its world premiere, RUMBLE: The Indians Who Rocked the World received the Best Music Documentary Film Award at the Boulder International Film Festival and will play at several key film festivals nationwide.
A New York theatrical premiere is set for July 26, 2017, at New York’s Film Forum – before a national expansion during the summer, including a full awards-qualifying release at Landmark’s NUART Theatre in Los Angeles starting August 25, 2017.
Written and directed by Catherine Bainbridge (Reel Injun), written and co-directed by Alfonso Maiorana, and Executive Produced by Stevie Salas and Tim Johnson, RUMBLE: The Indians Who Rocked the World exposes a critical missing chapter of Rock history, revealing how Indigenous musicians helped shape the soundtracks of many generations.
The film stars Link Wray, Buffy Sainte-Marie, Robbie Robertson, Jesse Ed Davis, Jimi Hendrix, Randy Castillo, Taboo, Martin Scorsese, Quincy Jones, Steven Tyler, Steven Van Zandt, Iggy Pop, Tony Bennett, George Clinton, Slash, Taylor Hawkins, Robert Trujillo, and many more.