Awards

2015 Cannes Film Festival Awards, DHEEPAN by Jacques Audiard Wins Palme d’or

The Jury of the 68th Cannes Film Festival, presided by Joel and Ethan Coen picked DHEEPAN by Jacques Audiard (pictured above) the winner of Palme d’or award. In the film, “to escape the civil war in Sri Lanka, a former soldier, a young woman and a little girl pose as a family. They end up settling in a housing project outside Paris. They barely know one another, but try to build a life together.” After receiving the prize, presented by the actress Cécile de France and the two Presidents of the Feature Films Jury, Joel and Ethan Coen, Jacques Audiard said: “I am very moved. I knew it would have an effect on me. I’d like to thank Michael Haneke for not filming this year. I’d also like to thank my actors, without whom there would be no film, nor a Palme d’or. Receiving a prize from the Coen brothers is just incredible! Alexandre Dumas’ son spoke about his father as “this child I had so young”. Tonight, I’m thinking of my father”. The Grand Prix, considered the runner up prize, was awarded to Saul Fia (Son of Saul) by László Nemes. Described as “October 1944, Auschwitz-Birkenau. Saul Ausländer is a Hungarian member of the Sonderkommando, the group of Jewish prisoners isolated from the camp and forced to assist the Nazis in the machinery of large-scale extermination. While working in one of the crematoriums, Saul discovers the corpse of a boy he takes for his son. As the Sonderkommando plans a rebellion, Saul decides to carry out an impossible task: save the child’s body from the flames, find a rabbi to recite the mourner’s Kaddish and offer the boy a proper burial.” After he had received the prize from the Danish actor, Mads Mikkelsen, László Nemes declared: ” This was my first time in Cannes. We wanted this film to tell the new generation about the destruction of European Jews, I’m happy to have made this film using roll. It’s the magic of cinema! ” The complete list of winners of the 2015 Cannes Film Festival awards FEATURE FILMS – COMPETITION Palme d’or DHEEPAN by Jacques Audiard Grand Prix SAUL FIA (Son of Saul) by László Nemes Best Director Award Hou Hsiao-Hsien for NIE YINNIANG (The Assassin) Jury Prize THE LOBSTER by Yorgos Lanthimos Best Actress Award Rooney Mara in CAROL by Todd Haynes Emmanuelle Bercot in MON ROI by MAÏWENN Best Actor Award Vincent Lindon in LA LOI DU MARCHÉ (The Measure of a Man) by Stéphane Brizé Best Screenplay Award Michel Franco for CHRONIC SHORT FILMS – COMPETITION Palme d’or WAVES ’98 by Ely Dagher UN CERTAIN REGARD UN CERTAIN REGARD AWARD HRÚTAR (Rams) by Grímur Hákonarson JURY PRIZE ZVIZDAN (The High Sun) by Dalibor Matanić BEST DIRECTOR PRIZE Kiyoshi Kurosawa for KISHIBE NO TABI (Journey to the Shore) UN CERTAIN TALENT PRIZE COMOARA (Treasure) by Corneliu Porumboiu Joint PROMISING FUTURE PRIZE MASAAN (Fly Away Solo) by Neeraj Ghaywan NAHID by Ida Panahandeh CAMÉRA D’OR LA TIERRA Y LA SOMBRA (Land and Shade) by César Augusto Acevedo CINÉFONDATION First Prize SHARE by Pippa Bianco AFI’s Directing Workshop for Women, USA Second Prize LOCAS PERDIDAS (Lost Queens) by Ignacio Juricic Merillán Carrera de Cine y TV Universidad de Chile, Chile Joint Third Prize THE RETURN OF ERKIN by Maria Guskova High Courses for Scriptwriters and Film Directors, Russia Joint Third Prize VICTOR XX by Ian Garrido López ESCAC, Spain The Jury of the CST awarded the VULCAN AWARD OF THE TECHNICAL ARTIST to: Tamas ZANYI, sound engineer, for the outstanding contribution of sound to the narration of SAUL FIA (Son of Saul) by László NEMES.
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Lucie Borleteau’s FIDELIO: ALICE’S ODYSSEY Wins Top Award at 2015 Montclair Film Festival

The 2015 Montclair Film Festival (MFF) for the first time announced competition awards, with Lucie Borleteau’s FIDELIO: ALICE’S ODYSSEY (pictured above) taking home the Narrative Feature Jury prize. The narrative competition jury also awarded a special jury prize to Yury Bykov’s THE FOOL for storytelling. The festival inaugurated two awards in honor of the late David Carr and Bruce Sinofsky, both Montclair residents. THE RUSSIAN WOODPECKER, directed by Chad Gracia, took home the Bruce Sinofsky Prize in the festival’s Documentary Feature competition. This award was established in memory of Bruce Sinofsky and was presented by Sinofsky’s long time friend and collaborator Joe Berlinger (PARADISE LOST I, II, AND III). Brad Barber and Scott Christopherson’s PEACE OFFICER took home the David Carr Award for Truth in Non-Fiction Filmmaking, which honors a filmmaker, selected by the festival, who utilizes journalistic techniques to explore important contemporary subjects. The award was presented by Ta-Nehisi Coates, a longtime friend and colleague of Carr. Elise DuRant’s EDÉN was awarded with the Future/Now prize, honoring emerging low-budget American independent filmmaking, and Marah Strauch’s SUNSHINE SUPERMAN took home the New Jersey Films Award, which honors a selected group of films made by New Jersey artists. The junior jury prize went to Alexandra Shiva’s documentary HOW TO DANCE IN OHIO. “We’re thrilled to be launching these awards for our fourth installment, and to honor the diverse group of talented filmmakers,” said MFF founder and Chairman Bob Feinberg. “This has been a significant year for us and it truly exemplifies the festival’s impact and growth, as we continue to lay the groundwork for many more successful years ahead.” “This year’s festival featured over 135 films and we are incredibly proud of each and every one of our filmmakers. These inaugural awards represent the best of what our festival can offer – global stories that have an intimate, connection to our audiences and help Montclair connect to the world of cinema,”said MFF Executive Director Tom Hall. Congratulations to the 2015 winners of The Montclair Film Festival Awards: David Carr Award for Truth in Non-Fiction Filmmaking Winner PEACE OFFICER Directors – Brad Barber and Scott Christopherson Narrative Feature Competition Winner FIDELIO: ALICE’S ODYSSEY Director – Lucie Borleteau Narrative Feature Competition Special Jury Prize for Storytelling THE FOOL Director – Yury Bykov Bruce Sinofsky Prize for Documentary Feature Competition Winner THE RUSSIAN WOODPECKER Director – Chad Gracia Future/Now Winner EDÉN Director – Elise DuRant New Jersey Films Competition Winner SUNSHINE SUPERMAN Director – Marah Strauch Junior Jury Winner HOW TO DANCE IN OHIO Director – Alexandra Shiva
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SWORN VIRGIN, WESTERN Among Winners of 2015 San Francisco International Film Festival Awards

The 2015 San Francisco International Film Festival which ran April 23 to May 7, 2015, presented by the San Francisco Film Society, announced the winners of the juried Golden Gate Award (GGA) competitions. Sworn Virgin, directed by Laura Bispuri won the Golden Gate New Directors Prize, and Western, directed by Bill Ross IV and Turner Ross won the Golden Gate Awards for Documentary Features. GOLDEN GATE NEW DIRECTORS PRIZE The Golden Gate Awards New Directors jury of the 2015 San Francisco International Film Festival was composed of producer and BFI Senior Production Executive Lizzie Franke, writer and filmmaker Ryan Fleck and producer Laura Wagner. Winner: Sworn Virgin (pictured above), Laura Bispuri (Italy/Switzerland/Germany/Albania/Kosovo) * Receives $10,000 cash prize In a statement, the jury noted: “Laura Bispuri is a distinct new filmmaking talent who we are excited to follow as her career progresses. There is a great purity and truth in her approach to a story of contemporary female struggle. Bispuri has crafted a film, grounded by extraordinary performances, that is at once effortless and delicate, but also bold in its execution.” GOLDEN GATE AWARDS FOR DOCUMENTARY FEATURES The GGA Documentary feature competitions jury was comprised of filmmakers Kristine Samuelson and Robert Greene, and journalist Susan Gerhard. Documentary Feature Winner: Western, Bill Ross IV, Turner Ross (USA) * Receives $10,000 cash prize The jury noted in a statement: “The competition was remarkable and every film in the category presented a unique vision, which made our job very difficult and brought us to reconsider the very nature of cinema itself in the year 2015. Films of great ambition, exceptional intimacy and intricate sound design, offered up empathy and poetry in equal measure and charted new paths for the form. We give the GGA Documentary Feature award to Western, a film that compresses observation and symbolism to take the experience of ‘seeing’ in a bold direction. Though driven by characters, those characters never overwhelm the sense of place, and the tension between narrative and poetry, fact and fictional refraction inflect new meanings on how we see the West.” Special Jury recognition: Of Men and War, Laurent Bécue-Renard (France/Switzerland) The jury noted: “Of Men and War makes us understand the horrors of war without ever showing us a single frame of battle, offering access to interior psychologies most viewers have never seen before in a tightly structured, beautifully edited, minimalist piece of nonfiction.” Bay Area Documentary Winner: Very Semi-Serious, Leah Wolchok (USA) * Receives $5,000 cash prize The jury noted: “We award the Golden Gate Award for Bay Area Documentary Feature to Very Semi-Serious, which reminds us that humor has a purpose. It subtly reveals the vast array of personalities engaged in this art form, including women and young people making their way into a historically male-dominated field. Its brave ellipses in storytelling allow us to consider the intertwining of tragedy and comedy.” Special Jury recognition: T-Rex, Drea Cooper, Zackary Canepari (USA) The jury noted: “We recognize T-Rex for its ambition and courage. This film subverts the sports conquest genre and takes a clear-eyed view of race and class.” GOLDEN GATE AWARDS FOR SHORT FILMS The GGA Short Film jury consisted of filmmakers Grace Lee and Jonathan Duffy and curator Liz Keim. Narrative Short Winner: The Chicken, Una Gunjak (Germany/Croatia) * Receives $2,000 cash prize Documentary Short Winner: Cailleach, Rosie Reed Hillman (Scotland) * Receives $2,000 cash prize Animated Short Winner: A Single Life, Marieke Blaauw, Joris Oprins, Job Roggeveen (Netherlands) * Receives $2,000 cash prize New Visions Short Winner: Discussion Questions, Jonn Herschend (USA) * Receives $1,500 cash prize Bay Area Short First Prize Winner: The Box, Michael I Schiller (USA) * Receives $1,500 cash prize Bay Area Short Second Prize Winner: Time Quest, John Dilley (USA) * Receives $1,000 cash prize GOLDEN GATE AWARD FOR FAMILY FILM The Family Film jury consisted of Arts Education consultant Amy Balsbaugh, third grade teacher at Grattan School Susan DesBaillets and Head of Education and Community Programs at The Walt Disney Family Museum Hillary Lyden. Winner: The Story of Percival Pilts, Janette Goodey, John Lewis (Australia/New Zealand) * Receives $500 cash prize Family Film Honorable Mentions: Lava, James Ford Murphy (USA) and One, Two, Tree, Yulia Aronova (France/Switzerland) GOLDEN GATE AWARD FOR YOUTH WORK The Youth Works jury was comprised of local high school students Diana Garcia, Ramses Mosley-Wise and Sean Rossiter, with adult supervisor Lisa Landi, producer of Film School Shorts at KQED. Winner: Two and a Quarter Minutes, Joshua Ovalle (USA) * Receives $1,000 cash prize – including $500 donated by KQED Youth Work Honorable Mention: The Off / Season, Lance Oppenheim (USA) * Receives $250 cash prize donated by KQED
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CLIMAS, POWER AND IMPOTENCE: A DRAMA IN 3 ACTS Win Top Awards at 2015 Cine Las Americas International Film Festival

The 2015 Cine Las Americas International Film Festival wrapped on Sunday, April 26th with the screening of the closing night film Mr. Kaplan directed by Alvaro Brechner of Uruguay, and the awards ceremony. The festival awarded CLIMAS directed by Enrica Pérez of Peru (pictured above) the winner of the Jury Award for Best Narrative Feature, and POWER AND IMPOTENCE: A DRAMA IN 3 ACTS (PODER E IMPOTENCIA, UN DRAMA EN 3 ACTOS) directed by Anna Recalde Miranda, won the Jury Award for Best Documentary Feature. “It is always such a pleasure to wrap the festival with a celebration of jury and audience honorees. As awards are announced, it allows all of us to reflect on the past days of the festival–all the films we viewed both in and out of competition–and what has really stuck with us. I’m especially proud of the diversity and artistic excellence represented by this year’s program, which is exemplified by this year’s competition winners” stated Festival Director Jean Lauer. Narrative Feature Competition Jury Award for Best Narrative Feature CLIMAS Directed by Enrica Pérez, Peru Documentary Feature Competition Jury Award for Best Documentary Feature PODER E IMPOTENCIA, UN DRAMA EN 3 ACTOS (POWER AND IMPOTENCE: A DRAMA IN 3 ACTS) Director: Anna Recalde Miranda, Paraguay/France/Italy Special Jury Prize in Cinematography HOTEL NUEVA ISLA Directed by Irene Gutiérrez, Javier Labrador, Cuba/Spain Narrative Short Film Competition Jury Award for Best Narrative Short INDIGO Directed by Amanda Strong, Canada Honorable Mention for Acting EL SERMÓN DE LA MONTAÑA (Sermon on the Mount) Directed by Pepe Puertas Piñero, Spain Documentary Short Competition Jury Award for Best Documentary Short FLOR DE LA MAR (Flower of the Sea) Directed by Jorge Thielen Armand, Venezuela Hecho en Tejas Competion Texas Archive of the Moving Image (TAMI) Award POR QUÉ EL RECUERDO (THE SOLITUDE OF MEMORY) Directed by Juan Pablo González, Mexico/USA Texas Archive of the Moving Image (TAMI) Honorable Mention EL FUEGO DETRÁS (THE FIRE BEHIND) Directed by Leo Aguirre, USA Audience Award for Narrative Feature (Tie) O ÚLTIMO CINE DRIVE-IN (THE LAST DRIVE-IN THEATER) Directed by Iberê Carvalho, Brazil VIENTO APARTE (A SEPARATE WIND) Directed by Alejandro Gerber Bicecci, Mexico Audience Award for Documentary Feature TRES MUJERES GUERRERAS (THREE WOMEN WARRIORS) Directed by Alexander Preuss, Germany/Colombia Audience Award for Best Music Video EL MARINERO Y LA SIRENA (THE SAILOR AND THE MERMAID) Directed by Patricia Vonne, USA Audience Award for Best “Emergencia” Youth Film THE LONELY BAKER Directed by Cyntheara Tham, Allison McInerney, Ayanna Marte RAW Art Works, Lynn, MA, USA
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2015 Maryland Film Festival Completes Film Lineup, Fest to Close with THE WOLFPACK

Maryland Film Festival completed its 2015 lineup today, unveiling its Closing Night film, the titles for its annual Opening Night Shorts Program, and a few late-breaking features. The 2015 Festival runs May 6 to 10 in downtown Baltimore. Maryland Film Festival’s Closing Night film will be Crystal Moselle’s The Wolfpack (pictured above), the mind-blowing buzz documentary that took home the U.S. Documentary Grand Jury Prize at the 2015 Sundance Film Festival. MFF also announced 5 additional emerging features for its lineup, including new work from Joe Swanberg, Rick Alverson, and Andrew Bujalski; and two repertory screenings guest-curated by key figures in Baltimore’s cultural scene: musician Abdu Ali introducing Spike Lee’s Do The Right Thing, and Wham City’s Alan Resnick and Dina Kelberman introducing Paul Verhoeven’s Showgirls. Maryland Film Festival first devoted its Opening Night to celebrating shorts filmmakers in 2002, and has done so each year since 2004. Opening Night will take place in the Maryland Institute College of Art’s Falvey Hall the evening of Wednesday, May 6th. Each Opening Night short will be hosted by its filmmaker. MFF 2015’s Opening Night shorts are: BAD BOY OF BOWLING (Bryan Storkel) From the co-director of Fight Church, a high-octane portrait of a bowling star with a plus-sized personality. CHARLOTTE (Angel Kristi Williams) A coming-of-age story from the director of MFF 2012’s The Christmas Tree, a Baltimore native. MELVILLE (James M. Johnston) A rapper struggling with personal pain finds release in music. Directed by the producer of Ain’t Them Bodies Saints. PINK GRAPEFRUIT (Michael Mohan) A couple sets up two friends for a romantic weekend. Winner of the narrative shorts jury award at SXSW. SHARE (Pippa Bianco) A young woman returns to high school after being shamed by an explicit video. Winner of a special jury prize at SXSW. Feature films announced for MFF 2015 today: Best of Enemies (Robert Gordon, Morgan Neville) In 1968, a ratings-starved ABC coordinated a series of debates between conservative journalist William F. Buckley, Jr. and liberal novelist and thinker Gore Vidal. The network garnered huge audiences—and perhaps a bit more than they bargained for, as high-level political discourse collided with name-calling and meltdowns. This Sundance-premiered documentary comes courtesy of Twenty Feet From Stardom director Morgan Neville, and author/filmmaker Robert Gordon (of MFF 2012’s Very Extremely Dangerous). Digging For Fire (Joe Swanberg) When young parents Tim (Jake Johnson) and Lee (Rosemarie DeWitt) agree to house-sit for a wealthy acquaintance, Tim finds something suspicious on the grounds—and an initial spark of intrigue becomes a consuming obsession. Joe Swanberg continues to take his unique working methods to the next level, with an amazing cast that includes Orlando Bloom, Brie Larson, Sam Rockwell, Anna Kendrick, Jane Adams, Sam Elliott, and Mike Birbiglia, all working together to deliver an infectious mix of comedy, drama, romance, and thrills. Do the Right Thing (Spike Lee, 1989) Spike Lee’s modern classic, detailing racial tensions and police brutality on the hottest day of summer in Bedford-Stuyvesant, has never been more crucial and relevant. With the sounds of Public Enemy’s “Fight the Power” blasting from boomboxes, this seminal film boasts cinematography from Ernest Dickerson, and an Academy Award-nominated screenplay (not to mention an iconic performance) from Lee; his phenomenal ensemble cast includes Ossie Davis, Danny Aiello, Ruby Dee, Rosie Perez, Joie Lee, Bill Nunn, John Turturro, and Samuel L. Jackson. Selected and guest-hosted by musician, DJ, and curator Abdu Ali. Entertainment (Rick Alverson) Gregg Turkington, perhaps best known for his persona Neil Hamburger, stars as The Comedian, a beleaguered, Hamburger-ian performer who endlessly tours Grade-Z clubs and non-venues across America, shocking and dismaying audiences with his lewd and convoluted punchlines. At turns bleak, poignant, disturbing, and darkly hilarious, this fascinating and beautifully composed provocation from the director of The Comedy also features Amy Seimetz, John C. Reilly, Tye Sheridan, Lotte Verbeek, and Michael Cera. People, Places, Things (Jim Strouse) In this thoughtful and hilarious rom-com, Jemaine Clement of Flight of the Conchords and What We Do in the Shadows stars as a graphic novelist whose comfortable life is shaken after walking in on his wife with another man. Downgraded to a tiny apartment and weekends-only status with his twin daughters, a bright spot appears when a student in a college art course he teaches challenges him to be more social and adventurous. Results (Andrew Bujalski) High-octane personal trainer Kat (Cobie Smulders) works for her friend, fitness guru and entrepreneur Trevor (Guy Pearce)—both of whom have their lives turned upside-down when nouveau-riche couch potato Danny (Kevin Corrigan) arrives at their gym. The director of MFF 2013’s Computer Chess follows up that highly experimental work with something different: a romantic comedy with a stellar cast and a massive heart. Showgirls (Paul Verhoeven, 1995) Intentional camp? Brilliant social commentary? A noble failure? Irredeemable trash? Books have been written exploring what Paul Verhoeven (RoboCop, Starship Troopers, The Fourth Man) was going for with this follow-up to mega-hit Basic Instinct. Starring Elizabeth Berkley, Kyle MacLachlan, and Gina Gershon, this seedy, Vegas-set film was derided upon its release but has lived on as a midnight movie and cult favorite. Selected and guest-hosted by Alan Resnick and Dina Kelberman of Wham City. The Wolfpack (Crystal Moselle) CLOSING NIGHT This extraordinary documentary brings us into the lives of the Angulo brothers, who grew up homeschooled and in extreme isolation from the outside world in a Lower East Side apartment. Home video became their only window into the outside world, and they took to recreating their favorite scenes and styling themselves after films such as Reservoir Dogs. But when one of the brothers escapes the confines of their apartment, all of their lives are forever changed. A sensation at Sundance, where it won the U.S. Documentary Grand Jury Prize, this is a documentary that delivers on the buzz, built on amazing access to a truly incredible story and unforgettable characters.
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Monument to Michael Jackson, Frame by Frame, Wins Grand Jury Prizes at 2015 Nashville Film Festival
The Nashville Film Festival (NaFF) 2015 announced the 46th Annual Competition Award winners, including Grand Jury Prizes to Monument to Michael Jackson (pictured above), Orion: The Man Who Would Be King and other notable films. Best Original Song went to Brian Wilson for “One Kind of Love” fromLove & Mercy. According to the jury, its palpable portrayal of a child torn between two worlds earned Daytimer the Live Action Short Grand Jury Prize. Bear Storyset itself a very high bar both stylistically and narratively and delivered across the board, which garnered it the Grand Jury Prize for Animated Short. La Vie en rose comme dans les films provided a humble glimpse into the complicated world of memory; the short received the Grand Jury Prize for Documentary Short. Each of these three shorts will be automatically qualified for Academy Award® consideration. Bridgestone Narrative Competition Grand Jury Prize – Monument to Michael Jackson, directed by Darko Lungolov Honorable Mention – WildLike, directed by Frank Hall Green
The Bridgestone Narrative Competition Grand Jury Prize went to Monument to Michael Jackson. The film was, “at times a political farce, a relationship drama and an inspiring tale of tenacity in the face of adversity.”The jury also awarded Geraldine Chaplin from Sand Dollars the Best Actress award, while Boris Milivojevic from Monument to Michael Jackson received the Best Actor award. Best Screenplay went to Shonali Bose for Margarita, with a Straw, and the Film Musicians Secondary Market Fund Award for Best Music in a Feature Film went to Ramon Cordero, Benjamin De Menil and Edilio Paredes for Sand Dollars. The Special Jury Prize for Cinematography was awarded to Tony Mirza for Eadweard.

Gibson Music Films/Music City Competition Grand Jury Prize – Orion: The Man Who Would Be King, directed by Jeanie Finlay Honorable Mention – Sweet Micky for President, directed by Ben Patterson

The jury said Orion, “hits every note… and then some. It was a completely unpredictable yet always entertaining and moving documentary.”The jury awarded the Special Jury Prize for Best Import to Tomi Fujiyama in Made in Japan.

Documentary Competition Grand Jury Prize – Frame by Frame, directed by Mo Scarpelli and Alexandra Bombach Honorable Mention – Welcome to Leith, directed by Michael Beach and Christopher K. Walker

“Frame by Frame is a fascinating look into life in Afghanistan that celebrates its growing photography culture, with unprecedented access and interviews,” the jury said. “The film is beautifully crafted and we’re so honored to present these first time filmmakers with the Documentary Grand Jury Prize, and hope that they will continue to make inspiring films.”The Special Jury Prize for Direction went to Jimmy Chin and E. Chai Vasahelyi forMeru.

New Directors Competition Grand Jury Prize – Songs She Wrote About People She Knows, directed by Kris Elgstrand Honorable Mention – Naz & Maalik, directed by Jay Dockendorf

Songs She Wrote About People She Knows received the Grand Jury Prize, “for its quirky plot, high production values, and unique yet relatable characters, the New Directors Jury awarded its Grand Jury Prize to Songs She Wrote About People She Knows. Lead actress Arabella Bushnell delivers a particularly strong performance as an aspiring pop singer, complete with highly original and hilarious songs. Writer/director Kris Elgstrand is a strong new voice in independent cinema and we are excited to see what he comes up with next. “ The jury awarded Krisha Fairchild with Best Actress for Krisha and Daniel Cerqueira with Best Actor for Radiator. The Special Jury Prize for Direction went to Sarah Adina Smith for The Midnight Swim.

Best Original Song Winner – “One Kind of Love,” from Love & Mercy, written and performed by Brian Wilson Honorable Mention – “Found You,” from In My Father’s House, written and performed by Rhymefest

Graveyard Shift Competition

Grand Jury Prize (tie) – Alléluia, directed by Fabrice du Welz Grand Jury Prize (tie) — They Look Like People, directed by Perry Blackshear

“The jury found itself unable to determine a hierarchy between exquisite works of passion, madness, human bonds and inhuman horror.”The jury awarded for Best Actress to Amy Everson in Felt and Best Actor to MacLeod Andrews in They Look Like People. The Special Jury Prize for Outstanding Use of Music went to Rain the Color of Blue with a Little Red in It.

Ground Zero Tennessee First Competition

Grand Jury Prize – The Keepers, directed by Joann Self Selvidge and Sara Kaye Larson
Southwest Airlines Audience Award Overall Winner In My Father’s House, Ricki Stern & Annie Sundberg, scored 4.99 out of 5 Southwest Airlines Audience Award Winners Narrative Competition – Eadweard, Kyle Rideout, director Documentary Competition – In My Father’s House, Ricki Stern and Annie Sundberg, directors Special Presentations – Me and Earl and the Dying Girl, Alfonso Gomez-Rejon, director Spectrum – The Waiting Country Woman, Li Yangiu, director Music Films/Music City – Revival: The Sam Bush Story, Kris Wheeler and Wayne Franklin Tennessee First – Mind/Game: The Unquiet Journey of Chamique Holdsclaw, Rick Goldsmith, director New Directors Competition – The Challenger, Kent Moran, director Graveyard Shift – They Look Like People, Perry Blackshear, director Southwest Airlines Audience Awards – Documentaries – Top Five
1. In My Father’s House, Ricki Stern and Annie Sundberg, directors
2. Mind/Game: The Unquiet Journey of Chamique Holdsclaw, Rick Goldsmith, director
3. The Barkley Marathons: The Race That Eats Its Young, Annika Iltis and Timothy Kane, directors
4. Revival: The Sam Bush Story, Kris Wheeler and Wayne Franklin, directors
5. Imba Means Sing, Danielle Bernstein, director
Southwest Airlines Audience Awards – Narratives – Top Five
1. Me and Earl and the Dying Girl, Alfonso Gomez-Rejon, director
2. The Challenger, Kent Moran, director
3. Love & Mercy, Bill Pohlad, director
4. Ain’t It Nowhere, Scott Murphy, director
5. I’ll See You in My Dreams, Brett Haley, director
Tennessee Horizon Audience Award for Best Shorts

Presented by TN Film, Music & Entertainment Commission and Native Magazine Winner (tie) – Daddy’s Little Girl, directed by Chad McClarnon Winner (tie) – Usetocould, directed by Drew Maynard

Sponsored Awards

NPT Human Spirit Award – My Voice, My Life, directed by Ruby Yang Women in Film & Television Award – Yosemite, directed by Gabrielle Demeestere Outstanding LGBT Film – Naz & Maalik, directed by Jay Dockendorf Nashville Area Hispanic Chamber of Commerce Award – Alfonso Gomez-Rejon for Me and Earl and the Dying Girl Lipscomb University Prize of the Ecumenical Jury – Rosenwald, directed by Aviva Kempner.
Complete List of Short Film Award Winners Live Action Short – Grand Jury Prize: Daytimer, directed by Riz Ahmed (United Kingdom) Live Action Short – Honorable Mention: Tzniut, directed by David Formentin (USA) Live Action Short – Honorable Mention: Saturday, directed by Mike Forshaw (United Kingdom) Special Jury Prize for Visual Storytelling: The Aftermath of the Inauguration of the Public Toilet at Kilometer 375, directed by Omar El Zohairy (Egypt) Animated Short – Grand Jury Prize: Bear Story, directed by Gabriel Osorio (Chile) Animated Short – Honorable Mention: Man on the Chair, directed by Dahee Jeong (France) Special Jury Prize for Achievement in Animation: Pineapple Calamari, directed by Kasia Nalewajka (United Kingdom) Documentary Short – Grand Jury Prize: La Vie en rose comme dans les films, directed by Christophe M. Saber (Switzerland) Documentary Short – Honorable Mention: Autofocus, directed by Boris Poljak (Croatia) Special Jury Prize for Bridging the Gap Between Experimental and Documentary Filmmaking: Object, directed by Paulina Skibinska (Poland) Experimental Short – Grand Jury Prize: (null), directed by Michael Lange, David Gesslbauer (Germany) Experimental Short – Honorable Mention: Play Within a Play, directed by Yasmijn Karhof (Netherlands) Student Short – Grand Jury Prize: Wire Cutters, directed by Jack Anderson (USA) Student Short – Honorable Mention: The Aftermath of the Inauguration of the Public Toilet at Kilometer 375, directed by Omar El Zohairy (Egypt) Watkins Young Filmmaker Award: Poet Against Prejudice, directed by Faiza Almontaser (USA) Web Series Grand Jury Prize: 24 Hour Records, directed by Brad Cash (USA) Web Series Honorable Mention: HelLA, directed by Rory Uphold (USA) Graveyard Shift Grand Jury Prize for Short Film: Alone, directed by Didier Philippe (France) Graveyard Shift Honorable Mention for Short Film: Primrose Lane, directed by Nick Phillips (USA) Ground Zero Tennessee First Shorts Documentary Award: Muddy Pond, directed by Tyler Jones Ground Zero Tennessee First Short Narrative Award: Trying Not to Explode, directed by Dave Dorsey Tennessee Horizon Audience Award for Best Shorts presented by TN Film, Music & Entertainment Commission and Native Magazine (Nominees – winner announced Thursday, April 23) Contrary to Likeness, directed by Motke Dapp Daddy’s Little Girl, directed by Chad McClarnon Futureman, directed by Patrick Sheehan How I Got Made, directed by Tracy S. Facelli Nashville in Harmony: Ten Years of Using Music to Build Community, directed by Steven C. Knapp Usetocould, directed by Drew Maynard Steven Goldmann Visionary Award: World of Tomorrow, directed by Don Hertzfeldt (USA)
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BLACK PANTHERS Film Wins Best of Fest at 2015 RiverRun International Film Festival

THE BLACK PANTHERS: VANGUARD OF THE REVOLUTION directed by Stanley Nelson took home the Audience Award “Best of Fest” at the 17th annual RiverRun International Film Festival which ran April 16 to 26, 2015. In the film, Stanley Nelson weaves together voices from varied perspectives who lived the story of the Black Panther Party, including police, FBI informants, journalists, white supporters, and detractors, those who remained loyal to the party and those who left it. AUDIENCE AWARDS The Audience Award “Best of Fest” was presented to: THE BLACK PANTHERS: VANGUARD OF THE REVOLUTION / USA (Director: Stanley Nelson) — Whether they were right or wrong, the Black Panther Party and its leadership remain powerful and enduring figures in our popular imagination even today. Stanley Nelson’s film weaves together voices from varied perspectives who lived this story– police, FBI informants, journalists, white supporters, and detractors, those who remained loyal to the party and those who left it. The Kilpatrick Townsend & Stockton LLP Audience Award for Best Narrative Feature was presented to: ANYWHERE ELSE / Israel / Germany (Director: Ester Amrami) — Noa, an Israeli grad student working on her thesis in Berlin about untranslatable words, returns home to find her family less than enamored with her life choices and struggles to define her connections to both place and family. The Audience Award for Best Documentary Feature was presented to: 3 ½ MINUTES / USA (Director: Marc Silver) — This gripping documentary dissects the shooting death of 17-year-old Jordan Davis, the aftermath of this systemic tragedy and contradictions within the American criminal justice system. The Altered States Audience Award for Best Indie was presented to: PROUD CITIZEN / USA (Director: Thomas Southerland) — After winning second place in a play writing contest, a Bulgarian woman travels to small town Kentucky for the premiere of her play. Expecting southern hospitality, she instead finds an America full of dichotomy in this funny, heartwarming and sometimes heartbreaking meditation on the comfort (and discomfort) of strangers. NARRATIVE COMPETITION The Best Narrative Feature Award was presented to: MEMORIES ON STONE / Iraq / Germany (Director: Shawkat Amin Korki) — Kurdish childhood friends Hussein and Alan naively resolve to produce a film about the genocide of Kurdish people in Iraq, specifically the Anfal campaign of 1988. They learn that in order to will the film into existence they must put everything on the line–even their own lives. The Peter Brunette Award for Best Director was presented to: Naomi Kawase, STILL THE WATER / Japan / Spain / France Best Actor was presented to: Hussein Hassan MEMORIES ON STONE / Iraq / Germany (Director: Shawkat Amin Korki) Best Actress was presented to: Julieta Diaz, REFUGIADO / Argentina / France / Columbia / Poland (Director: Diego Lerman) Best Cinematography – Narrative Feature was presented to: Yutaka Yamazuki, STILL THE WATER / Japan / Spain / France (Director: Naomi Kawase Best Screenplay was presented to: THE SECOND MOTHER / Brazil (Director: Anna Muylaert) Special Jury Prize for Editing: Ebrahim Saeedi, MEMORIES ON STONE / Iraq / Germany (Director: Shawkat Amin Korki) Honorable Mention for Cinematography: Sara Mishara, FELIX AND MEIRA / Canada (Director: Maxime Giroux) Honorable Mention for Actress: Hadas Yaron, FELIX AND MEIRA / Canada (Director: Maxime Giroux) Honorable Mention for Actor: James ‘Primo’ Grant, FIVE STAR / USA (Director: Keith Miller) DOCUMENTARY COMPETITION Best Documentary Feature : THE CHINESE MAYOR / China (Director: Hao Zhou) — Controversial Chinese politician Geng Yanbo demolished 140,000 households and relocated half a million people in order to restore ancient relic walls for the sake of the region’s tourism industry. The film investigates one mayor’s mission to save his city and uncovers the secret workings of China’s Communist Party. Jury statement: “We chose “The Chinese Mayor” as Best Documentary Feature for its incredible level of access, the ambiguity of its story arc, the complexity of Mayor Geng, and its ability to give the audience an inside look at a culture we might not be familiar with.” Best Director — Documentary Feature was presented to: Joshua Oppenheimer for THE LOOK OF SILENCE / Denmark / Finland / Indonesia / Norway / UK — Through Joshua Oppenheimer’s work filming perpetrators of the Indonesian genocide, a family of survivors discovers the identities of the men who killed their son. The youngest brother is determined to break the spell of silence, and so confronts the men responsible for his brother’s murder–something unimaginable in a country where killers remain in power. Jury statement: “We recognize this film for his bold clarity of vision and unflinching commitment to the material. “The Look of Silence” is a remarkable film that bears Oppenheimer’s unmistakable stamp with every choice he makes as a filmmaker.” Special Jury Prize: WELCOME TO LEITH / USA (Co-directors: Michael Beach Nichols and Christopher Walker) — In the tiny town of Leith, North Dakota, notorious white supremacist Craig Cobb is attempting a hostile takeover. Filmed in the days leading up to Cobb’s arrest for terrorizing the townspeople, the film is an eerie document of American DIY ideals. SHORTS COMPETITION Best Documentary Short was presented to: CAILLEACH / UK (Director: Rosie Reed Hillman) — Morag is 86. She lives alone at the end of a track looking out to sea on her croft on the Isle of Harris, Outer Hebrides, with her three cats and twelve sheep. Morag was born in this house and has lived here her whole life, following five generations of the family who came before her. Cailleach is a portrait of Morag and her simple and peaceful life as she contemplates her next chapter, shares her unique sense of independence and the connection she has to her wild island home. As the winner of the jury award for Best Documentary Short, ‘Cailleach’ is now eligible to be considered for a 2016 Academy Award®. Jury statement: “Cailleach” was selected“for its reflective and cinematic portrait of an 86-year-old woman getting on with life no matter the circumstances.” Honorable Mention to the documentary short: NOTES FROM LIBERIA / USA / Liberia (Co-Directors: Ryo Murakami and Judd Ehrlich) — Crafted from footage shot by the late Japanese cinematographer Ryo Murakami on the Firestone Tire and Rubber Plantation in Liberia, the film traces Ryo’s journey from Monrovia, where the traumas of a brutal fifteen-year civil war still simmer beneath the surface, to the remote plantation village of Harbel. Jury statement: “For its poignant investigation of the Firestone rubber plantation in Liberia, the Short Documentary honorable mention goes to “Notes from Liberia” by Judd Ehrlich and the late Ryo Murakami.” Accepting the award is the film’s producer, Takeshi Fukunaga. Best Narrative Short was presented to: THE KÁRMÁN LINE / UK / (Director: Oscar Sharp) — When a mother acquires a rare condition that sees her lift off the ground at a slow but ever increasing rate, her husband and daughter are forced to come to terms with losing her. Jury statement: “Seamlessly transitioning between levity and pathos, we award “The Kármán Line” for its moving and original take on impending loss as seen through the eyes of an ordinary family in an extraordinary situation.” Special Jury Prize was presented to: ÁRTÚN / Iceland / Denmark / (Director: Gudmundur Arnar Gudmundsson) — A small town boy in Iceland decides to travel to the big city with his friends in search of his first romantic encounter. The city holds more in store for them than they anticipated. Best Student Short: ROTA / USA (Director: Jean-Jacques Martinod) — An abandoned warehouse becomes a surreal theater where men are challenged to risk their lives on stage to a game of chance. Jury statement: “For making us complicit in a bizarre underground world we never asked to be a part of, we award best student short to ‘Rota.’” Best Animated Short was presented to: BEAR STORY / Chile (Director: Gabriel Osorio Vargas) — An old bear goes out every day to a busy street corner. Through a tin marionette theater of his own making, he reveals his extraordinary life story. As the winner of the jury award for Best Animated Short, ‘Bear Story’ is now eligible to be considered for a 2016 Academy Award®. Jury Statement: “With its mechanical tin toy aesthetic and clever take on narrative vs. reality, we and the audience enjoyed the film’s tale of a bears tragic and ultimately heroic life story.” Best Student Animated Short: THE PRESENT / Germany (Director: Jacob Frey) — Jake spends most of his time playing video games indoors, until his mom decides to give him an unexpected present.
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Winners of 2015 London Independent Film Festival; THE MILKY WAY Wins No-Budget Feature Prize

Director Tor Mian took the No-Budget Feature Prize for his film THE MILKY WAY (pictured above) at the 12th London Independent Film Festival LIFF. The British dark comedy tells the story of a man whose life unravels just when everything seemed to finally be going his way. The comedy is Mian’s second feature and was shot for only £6000. Actress Pearl Chanda won the festival’s Best Actor award for her feature film debut in THE FINAL HAUNTING, Flaminia Graziadei’s haunted house story. The Best International Film prize went to Steven Savage for VERTICAL, the story of an all-female rock climbing team. Also, American filmmaker Sasha Krane won Best UK Feature for SOLITARY which follows a young woman facing her personal demons. Director Russell England won Best Horror Film for his teen chiller UNHALLOWED GROUND, a paranormal mystery set in a British private school. Jonathan Howells’ documentary ALFRED AND JAKOBINE — a love story set around the world-wide adventures of a London taxi — won the festival’s Best Feature Documentary. While James Kibbey won Best Micro-Budget Film for his THE LAST SPARKS OF SUNDOWN (pictured above), a comedy about two American brothers who inherit an English manor house. Festival Director Erich Schultz said: “Another year of absolutely fantastic low-budget films from around the world. I’m certain we’ll be seeing many great things from these filmmakers in the very near future” Hosted at annually at the Shortwave and Genesis cinemas, the 2015 London Independent Film Festival screened over 60 films. The festival highlights the best in low & micro-budget filmmaking every April. A full list of LIFF winners: No-Budget Feature — THE MILKY WAY by Tor Mian UK Feature — SOLITARY by Sasha Krane Best Actor – Pearl Chanda in THE FINAL HAUNTING Best Director – Simon Blake for STILL International Feature – VERTICAL by Steven Savage Sci-Fi/ Horror — UNHALLOWED GROUND by Russell England Micro-Budget Feature — THE LAST SPARKS OF SUNDOWN by James Kibbey Documentary — ALFRED AND JAKOBINE by Jonathan Howells Short Documentary — Jordanne by Zak Razvi UK Short — BEVERLEY by Alexander Thomas International Short — THE WHEEL OF TIME by Kagan Kerimoglu Horror Short — THE HERD by Melanie Light Sci-Fi Short — AIR by Emma E. Maclennan LGBT Film — PLAYING THE GAME by Jeremy Timings Experimental Short — PEEP DISH by Darragh Mortell Short Short — KILLER ROAD by Marco Clay Animated Short — MY STUFFED GRANNY by Effie Pappa UK Music Video — ALL IN THE VALUE by Geej Ower International Music Video — STEAMPUNK Girl by Joshua Westbury Best UK Screenplay — THE COMPETITORS by Ruth Greenberg Best International Screenplay — Shimmy by P.A Flanders Best Short Screenplay — DREAMS OF TOMORROW by Cindy Walters Best Screenplay Pitch — ZOG THE MAGNIFICENT by Prahib Sukoro
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KING JACK, TRANSFATTY LIVES Win Audience Awards of 2015 Tribeca Film Festival

King Jack, directed by Felix Thompson, won the Audience Award for Best Narrative, and TransFatty Lives, directed by Patrick O’Brien, won the Audience Award for Best Documentary award at the 2015 Tribeca Film Festival (TFF). “The awards go to two powerful and charming stories of young men facing their deepest fears and overcoming their own challenges,” said Genna Terranova, Festival Director, Tribeca Film Festival. “These fiction and non-fiction stories of triumph and resilience clearly resonated with audiences this year.” King Jack, directed and written by Felix Thompson. (USA) (pictured above) – World Premiere, Narrative. Growing up in a rural town filled with violent delinquents, Jack has learned to do what it takes to survive, despite having an oblivious mother and no father. After his aunt falls ill and a younger cousin comes to stay with him, the hardened 15-year-old discovers the importance of friendship, family, and looking for happiness even in the most desolate of circumstances. TransFatty Lives, directed by Patrick O’Brien, co-written by Patrick O’Brien, Scott Crowningshield, Lasse Jarvi, Doug Pray. (USA) – World Premiere, Documentary. Director Patrick O’Brien is TransFatty, the onetime NYC deejay and Internet meme-making superstar. In 2005, O’Brien began to document his life after being diagnosed with ALS and given only two to five years to live. TransFatty Lives is a brazen and illustrative account of what it’s like to live when you find out you are going to die. The runners-up were Song of Lahore, directed by Andy Schocken and Sharmeen Obaid-Chinoy, for the documentary audience award and Sleeping With Other People, directed by Leslye Headland, for the narrative audience award. Throughout the Festival, which kicked off on April 15, audiences were able to vote by completing nomination ballots upon exiting screenings of TFF films. Films in the World Narrative Competition, World Documentary Competition, Viewpoints, Spotlight, and Midnight sections were eligible. Song of Lahore, directed by Andy Schocken and Sharmeen Obaid-Chinoy. (USA, Pakistan) – World Premiere, Documentary. Until the late 1970s, the Pakistani city of Lahore was world-renowned for its music. Following the Islamization of Pakistan, many artists struggled to continue their life’s work. Song of Lahore turns the spotlight on a group of stalwart musicians that kept playing and ultimately attracted listeners from around the world. In English, Punjabi, and Urdu with subtitles. Sleeping With Other People, directed and written by Leslye Headland. (USA) – New York Premiere, Narrative. Jason Sudeikis and Alison Brie star as two romantic failures whose years of serial infidelity and self-sabotage have led them to swear that their relationship will remain strictly platonic. But can love still bloom while you’re sleeping with other people? Writer/director Leslye Headland’s (Bachelorette) sexy romantic comedy co-stars Amanda Peet, Adam Scott, and Natasha Lyonne. An IFC Films Release
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Sarah Polley’s STORIES WE TELL Among 4th All-Time Top Ten List of Canadian Films

Toronto International Film Festival (TIFF) today announced the results of its fourth Canada’s All-Time Top Ten List, an international poll of industry and academics‎ on the most memorable Canadian films. This is the fourth edition of TIFF’s All-Time Top Ten List; previous lists were released in 1984, 1993 and 2004. “In our 40th year we are celebrating our national cinema by revisiting the list of top Canadian films, with help from our esteemed colleagues in the industry and academia,” said Piers Handling, Director and CEO, TIFF. “It is encouraging to see new filmmakers and films establishing themselves on the list alongside the classics.” “With more than a decade since our last survey, much has changed in Canadian cinema, and in the results of the survey,” said Steve Gravestock, Senior Programmer, TIFF. “Atanarjuat has dethroned the long-standing No. 1 film, Mon once Antoine, and we welcome filmmakers including Guy Maddin, Jean-Claude Lauzon, Sarah Polley and Jean-Marc Vallée to the list for the first time. It’s an exciting group of films indicative of our rich cinematic tradition.” Canada’s All-Time Top Ten List of Canadian films: 1. Atanarjuat: The Fast Runner, Zacharias Kunuk (2001) 2. Mon oncle Antoine, Claude Jutra (1971) 3. The Sweet Hereafter, Atom Egoyan (1997) 4. Jésus de Montréal, Denys Arcand (1989) 5. Léolo, Jean-Claude Lauzon (1992) 6. Goin’ Down the Road, Don Shebib (1970) 7. Dead Ringers, David Cronenberg (1988) 8. C.R.A.Z.Y., Jean-Marc Vallée (2005) 9. My Winnipeg, Guy Maddin (2007) 10. Stories We Tell, Sarah Polley (2012) (pictured above)/Les Ordres, Michel Brault (1974) “The Directors Guild of Canada takes pride in shining the spotlight on our national cinema at every opportunity,” said Tim Southam, National President, DGC. “The filmmakers featured here have contributed much to our country’s cultural voice and history. It is inspiring to be able to experience them again with a new generation of viewers.”
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Abby Ginzberg’s Documentary Film SOFT VENGEANCE wins a Peabody Award

Abby Ginzberg’s feature documentary film SOFT VENGEANCE: ALBIE SACHS AND THE NEW SOUTH AFRICA will be honored at the 74th annual Peabody Awards ceremony it was announced today by the Peabody program at the University of Georgia. The critically acclaimed film will receive the coveted Peabody Award at a gala ceremony in New York City on May 31st. “We hope this incredible award will help increase the visibility of Albie Sachs and inspire others to fight for human rights around the world,” commented the film’s director Abby Ginzberg. “Albie Sachs is one of the key champions for equality of our time and we are honored to be entrusted with his legacy on film,” she concluded. SOFT VENGEANCE is set against the dramatic events leading to the overthrow of the apartheid regime in South Africa and focusses on the lawyer, writer, art lover and freedom fighter Albie Sachs. The human rights activist was imprisoned in solitary confinement in Cape Town, tortured through sleep deprivation and forced into exile. In 1988, he was blown up by a car bomb set by the South African security forces in Maputo, Mozambique, which cost him his right arm and the sight of one eye, but miraculously he survived and after a long year of rehabilitation in England, he recovered. Returning to South Africa following the release of Nelson Mandela, Albie helped write the new Constitution and was then appointed as one of the first 11 judges to the new Constitutional Court. SOFT VENGEANCE has been screening at film festivals around the world and has won the audience award for Best International Documentary at the Encounters Film Festival and the Vancouver South African Film Festival. It has also received the Grand Prize Humanitarian Award from the Accolade Film Awards. After premiering at the Full Frame Documentary Film Festival, it also screened at AFI Docs; DOCNYC, Movies that Matter and the Durban Film Festival in South Africa. The film also screened at key international Jewish film festivals. https://vimeo.com/70589131 The film is executive produced by Alfre Woodard, who also serves as narrator. Abby Ginzberg is the producer and director, Ken Schneider is the Editor and Co-Producer and Rick Goldsmith is the Consulting Producer.
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THE GRAND SEDUCTION and THE LUNCHBOX Win Toronto Intl FIlm Fest’s Film Circuit People’s Choice Awards

Don McKellar’s The Grand Seduction and Ritesh Batra’s The Lunchbox are winners of the 11th annual Film Circuit People’s Choice Awards. The Grand Seduction (pictured above) was named Best Canadian Film and The Lunchbox was selected as the Best International Film. Now in its 11th year, the annual Film Circuit People’s Choice Awards are decided by audiences across the country who vote for their favorite film shown at a Film Circuit screening. Film Circuit is Toronto International Film Festival’s national film outreach program. In 2014, guests travelled to communities across Canada to introduce their films and participate in 95 Q&A sessions. Guests included Jean-Marc Vallée (Dallas Buyers Club), Don McKellar (The Grand Seduction), Sturla Gunnarsson (Monsoon), Jody Shapiro (Burt’s Buzz), Elizabeth Klinck (Arctic Defenders), Richie Mehta (Siddharth), Maxime Giroux (Felix and Meira), Katie Boland (Gerontophilia), Daniel Perlmutter (Big News From Grand Rock), and Peter Keleghan and Leah Pinsent (Big News From Grand Rock). The Grand Seduction follows the residents of a small Newfoundland fishing village who, in order to secure a vital factory contract, conspire to charm a big-city doctor into becoming the town’s full-time physician. This sparkling comedy from director Don McKellar (Last Night) and screenwriter Michael Dowse (Goon, The F Word) has screened in 63 Film Circuit communities and was seen by over 10,700 people. In The Lunchbox, a misdelivered lunchbox brings together two very different people — a neglected housewife (Nimrat Kaur) and a grumpy, solitary widower on the verge of retirement (Bollywood star Irrfan Khan) — in this funny and touching comedy-drama from first-time writer-director Ritesh Batra. The Lunchbox has screened in 80 Film Circuit communities and was seen by over 14,300 people.
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