WISH I WAS HERE directed by Zach Braff, CLERKS directed by Kevin Smith, and HOOP DREAMS directed by Steve James have been added to the 2014 Sundance Film Festival. Wish I Was Here will screen in the Premieres section, Clerks and Hoop Dreams will screen in the From the Collection program. Both Clerks and Hoop Dreams premiered at the 1994 Festival, which will be the subject of “Class of ’94,” a Power of Story panel at the Egyptian Theatre on Friday, January 24. The 2014 Festival will be January 16 to 26, 2014, in Park City, Salt Lake City, Ogden and Sundance, Utah.
WISH I WAS HERE / U.S.A. (Director: Zach Braff, Screenwriters: Zach Braff, Adam Braff) — Aidan Bloom, a 35-year-old struggling actor, father, and husband, is still trying to find purpose in his life. In coming to terms with the death of his father, Aidan and his family unite to discover how to turn the page onto the next chapter. Cast: Zach Braff, Kate Hudson, Mandy Patinkin, Josh Gad, Ashley Greene, Joey King. World Premiere
FROM THE COLLECTION
CLERKS / U.S.A. (Director and screenwriter: Kevin Smith) – One wild day in the life of a pair of overworked counter jockeys whose razor-sharp wit and on-the-job antics give a whole new meaning to customer service! Cast: Brian O’Halloran, Jeff Anderson, Marilyn Ghigliotti, Jason Mewes, Lisa Spoonauer.
Clerks premiered at the 1994 Sundance Film Festival. A newly struck print of Clerks, created by Miramax Films to commemorate the film’s 20th anniversary, will screen on Friday, January 24 at 11:59 p.m. at the Egyptian Theatre in Park City. Director Kevin Smith is expected to introduce the film and participate in the Q&A.
HOOP DREAMS / U.S.A. (Director: Steve James) – Filmed over five years, with unprecedented access, Hoop Dreams, directed by Steve James, chronicles the lives of Arthur Agee and William Gates, two inner-city teenagers from Chicago. Through their skills on the basketball court they struggle to escape their surroundings and realize their dreams of making it to the NBA. It won the Audience Award for Best Documentary at the 1994 Sundance Film Festival. Despite its length (171 minutes) and unlikely commercial prospects, it received high critical and popular acclaim, became an Academy Award nominee for Best Film Editing and was added to the Library of Congress’ National Film Registry in 2005
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