Director Steve James with Chaz Ebert

One week after its World Premiere at the Sundance Film Festival, close to 200 people braved the inclement weather to attend the Rooftop Films and Piper-Heidsieck hosted  sneak preview of the new Roger Ebert documentary, “LIFE ITSELF” at The Paley Center for Media in New York City. On hand to see the screening were the late critic’s wife Chaz Ebert, Director Steve James, Actress Yael Stone (Orange Is The New Black), Director Alex Ross Perry, and indie actress Kate Lyn Shiel along with noted film critic A.O. Scott (The New York Times) who conducted a Q&A with Chaz, Steve and filmmaker Rahmin Bahrani.

Roger Ebert documentary LIFE ITSELF

In 2013, we lost Roger Ebert—arguably the nation’s best-known and most influential movie critic. Based on his memoir of the same name, Life Itself recounts Ebert’s fascinating and flawed journey—from politicized school newspaperman, to Chicago Sun-Times movie critic, to Pulitzer Prize winner, to television household name, to the miracle of finding love at 50, and finally his “third act” as a major voice on the Internet when he could no longer physically speak. 

Filmmaker Steve James masterfully uncovers the snags and strains hidden under Ebert’s prominence, including his battle with alcohol; his ongoing, sometimes ruthless, conflict with fellow critic Gene Siskel; and scorching debates among film critics about whether their television show reduced criticism to “consumer advice.” Ebert bridged high and low culture, defending film as a populist medium even as he championed films that challenged mainstream aesthetics and expectations. Insisting on bare honesty, Life Itself is as much a love letter to Ebert as it is an expression of Ebert’s own love—for his family, humanity in general, and, of course, the movies.  [ Sundance Film Festival ]

At the Q&A conducted after the Rooftop Films and Piper-Heidsieck-sponsored NYC premiere of LIFE ITSELF, Steve James shared that he originally thought “he’d just rip off the memoir,“ but that ultimately, the film isn’t really an adaption of the memoir – it’s more of a companion piece. While James leaned very heavily on Roger’s book, he also wanted to be sure to get things that weren’t focused on in the book, particularly his relationship to Gene Siskel which, as the film shows, was often competitive, contentious and challenging.

Chaz Ebert

When asked if she hesitated about allowing the cameras into this very intimate time in her life, Chaz explained, “I think that Steve did a beautiful job with the movie. I’m really glad it exists as a maintenance of Roger’s legacy…We are not reality TV people and didn’t want someone following us around all day every day but we trusted Steve.”

indie actress Kate Lyn Shiel