Set against the colorful backdrop of 1960s Lima, writer-director Ricardo de Montreuil’s latest feature, Mistura, tells the story of Norma Piet, a privileged French-Peruvian woman whose life is forever changed when her husband’s betrayal ostracizes her from the elite society around which she had forged her identity.
Two estranged siblings chase buried loot and fractured identities in The Last Viking, a darkly comic odyssey from filmmaker Anders Thomas Jensen
Italian-Turkish filmmaker Ferzan Özpetek pays tribute to the majesty of the movie costumes in Diamonds (Diamanti), a dazzling drama film that centers on a director who gathers his favorite actresses to make a film about women.
A woman’s life fractures in quiet, unsettling waves in The Currents, a psychological drama from director Milagros Mumenthaler.
From Italian filmmaker Francesco Sossai comes The Last One for the Road, a boozy road movie that follows two middle-aged drifters and a young architecture student navigating the Venetian countryside.
Marking one of his most ambitious directorial efforts, The Furious, the high-octane martial arts thriller from Kenji Tanigaki, follows an ordinary man thrust into extraordinary violence after his daughter is abducted by a human trafficking ring.
Known for his character-driven storytelling, Two Seasons, Two Strangers, the latest feature from Japanese filmmaker Sho Miyake, is a contemplative drama that bridges two parallel narratives across summer and winter.
Living the Land, the coming-of-age drama by writer-director Huo Meng, captures the heart and soul of rural China at a moment of sweeping change.
In Mother’s Baby, the psychological drama-thriller from Austrian filmmaker Johanna Moder, the line becomes blurred between maternal joy and creeping paranoia.
Wetiko, from writer-director Kerry Mondragón, is an audacious and visually hypnotic film centered on a young Maya man thrust into the depths of a mystical and dangerous spiritual conflict.