35 years after winning the Best Actress award for Evil Angels, Meryl Streep returns as the guest of honor at the opening ceremony of the 77th Cannes Film Festival, where she will receive the Festival’s Honorary Palme d’or.
“I am immeasurably honored to receive the news of this prestigious award. To win a prize at Cannes, for the international community of artists, has always represented the highest achievement in the art of filmmaking. To stand in the shadow of those who have previously been honored is humbling and thrilling in equal part. I so look forward to coming to France to thank everyone in person this May!” Meryl Streep stated.
“We all have something in us of Meryl Streep!” Iris Knobloch and Thierry Frémaux said. “We all have something in us of Kramer vs. Kramer, Sophie’s Choice, Out of Africa, The Bridges of Madison County, The Devil Wears Prada and Mamma Mia! Because she has spanned almost 50 years of cinema and embodied countless masterpieces, Meryl Streep is part of our collective imagination, our shared love of cinema.”
In Fred Schepisi’s 1988 Evil Angels (A Cry in the Dark), she played a mother accused of infanticide. Her performance earned her the Best Actress Award at the 1989 Cannes Film Festival.
Meryl Streep uses her intuition and hard work to reinvent herself with every appearance. Even on the scale of a film: in Karel Reisz’s The French Lieutenant’s Woman, she played two roles. In Alan J. Pakula’s Sophie’s Choice, her acting addresses a mother’s inconceivable moral dilemma. For this character, she studied German and Polish to take on the accent — impeccable according to Andrzej Wajda — and won the Academy Award for Best Actress.
Throughout her career, Meryl Streep has never shied away from publicly denouncing the precarious position of women in the film industry. Aware of the issues surrounding the representation of women in Hollywood movies, and keen to embody all their facets in all their complexity and fragility, Meryl Streep plays a wide variety of roles and genres. After Stephen Daldry’s The Hours and Robert Altman’s The Last Show, it was in two roles as funny as unexpected that she once again made her mark: as the cantankerous editor-in-chief of a fashion magazine in The Devil Wears Prada and Donna, a hippie who marries off her daughter in the musical Mamma Mia! She went on to star in biopics (The Iron Lady, Florence Foster Jenkins, Julie & Julia), political satyres (Lions for Lambs, Pentagon Papers, Don’t Look Up) and family films such as Little Women, directed by Greta Gerwig, who serves as President of the Jury at this year’s Cannes Film Festival.