Paul Guilfoyle and Lainie Kazan[/caption]
Veteran actors, Paul Guilfoyle (CSI, LA Confidential) and Lainie Kazan (My Big Fat Greek Wedding) star opposite each other in a new dramedy Turnover by award-winning writer/director/producer, Linda Palmer.
“Turnover” is the story of cafe owner, Peter who leaves his disgruntled manager, Henry, in charge of the business. Henry instead fires the staff and replaces them with an eclectic crew of misfits. Peter returns to an unrecognizable café, and eventually learns the value of camaraderie. He bonds with the new team, and only through their help is he able to save the business, his life, and ultimately find love.
Guilfoyle plays the role of “Peter” opposite Kazan who plays the role of the feisty head waitress, “Gladys.” “Henry” is played by Riker Lynch (Glee and the band R5), and veteran actor, Carlos Carrasco (Blood In, Blood Out), takes on the hardened ex-criminal role of “Miguel”, a savant chef with a heart of gold and the cooking chops to heal. Ms. Kazan stated, “It was the first positive project I had read in quite a while. I found it extremely inspirational and decided I must play the part of Gladys. I’m so happy to be part of this project.”
The remaining ‘misfits’ include, Adwin Brown (Heathers, The Fosters), Blair Williamson (Scrubs, Nip Tuck) and newcomer, Madison McCarthy. They are joined by a stellar cast of all-stars including, icon, Beverly Todd (Lean On Me, Bucket List), Elina Madison (Last Call at Murray’s), Kat Kramer (Child of the 70’s), Julia Silverman (American Pastoral), Jamie Brewer (American Horror Story) and Karen Sharpe Kramer (Johnny Ringo) among others. Mrs. Sharpe-Kramer has come out of retirement to join her daughter in the cast. Sharpe-Kramer stated, “I had basically retired from acting, but after reading ‘Turnover’ I fell in love with the story, the role of Pat, and decided to come on board. I’m dedicated to being involved with projects that focus on inclusion, diversity and family values. I’m thrilled to be joining my daughter Kat Kramer as a cast member, and working with the talented team, especially Linda Palmer, and so many gifted women behind, and in front of, the camera.”
The film will shoot in Long Beach, late this summer at a few select local businesses, primarily the Mediterranean favorite, Open Sesame, in Belmont Shore. “Turnover,” produced by Palmer, Marvin Glover, and Rae Davis, aims to educate and break down barriers for people with disabilities. Working with Activities Recreation and Care (ARC) and National Down Syndrome Society (NDSS), the “Turnover” creative and production teams’ mission is to challenge the stigmas that people with disabilities face by using entertainment to showcase their talent and bring attention to the public.
Once the film is complete, ARC and NDSS will have the opportunity to promote awareness through private screenings arranged via Tugg.com, prior to its domestic release. Turnover, LLC, the film’s parent company, will then share the screening profits with these organizations. The film will be produced by Palmer’s production company, Runaway Productions, and Glover’s company, Sea Sand Entertainment.
https://www.youtube.com/watch?v=jjVHTomfBRsJacquelyn N.
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Paul Guilfoyle and Lainie Kazan to Star in New Indie Film, TURNOVER [Video]
[caption id="attachment_29798" align="aligncenter" width="1204"] Paul Guilfoyle and Lainie Kazan[/caption]
Veteran actors, Paul Guilfoyle (CSI, LA Confidential) and Lainie Kazan (My Big Fat Greek Wedding) star opposite each other in a new dramedy Turnover by award-winning writer/director/producer, Linda Palmer.
“Turnover” is the story of cafe owner, Peter who leaves his disgruntled manager, Henry, in charge of the business. Henry instead fires the staff and replaces them with an eclectic crew of misfits. Peter returns to an unrecognizable café, and eventually learns the value of camaraderie. He bonds with the new team, and only through their help is he able to save the business, his life, and ultimately find love.
Guilfoyle plays the role of “Peter” opposite Kazan who plays the role of the feisty head waitress, “Gladys.” “Henry” is played by Riker Lynch (Glee and the band R5), and veteran actor, Carlos Carrasco (Blood In, Blood Out), takes on the hardened ex-criminal role of “Miguel”, a savant chef with a heart of gold and the cooking chops to heal. Ms. Kazan stated, “It was the first positive project I had read in quite a while. I found it extremely inspirational and decided I must play the part of Gladys. I’m so happy to be part of this project.”
The remaining ‘misfits’ include, Adwin Brown (Heathers, The Fosters), Blair Williamson (Scrubs, Nip Tuck) and newcomer, Madison McCarthy. They are joined by a stellar cast of all-stars including, icon, Beverly Todd (Lean On Me, Bucket List), Elina Madison (Last Call at Murray’s), Kat Kramer (Child of the 70’s), Julia Silverman (American Pastoral), Jamie Brewer (American Horror Story) and Karen Sharpe Kramer (Johnny Ringo) among others. Mrs. Sharpe-Kramer has come out of retirement to join her daughter in the cast. Sharpe-Kramer stated, “I had basically retired from acting, but after reading ‘Turnover’ I fell in love with the story, the role of Pat, and decided to come on board. I’m dedicated to being involved with projects that focus on inclusion, diversity and family values. I’m thrilled to be joining my daughter Kat Kramer as a cast member, and working with the talented team, especially Linda Palmer, and so many gifted women behind, and in front of, the camera.”
The film will shoot in Long Beach, late this summer at a few select local businesses, primarily the Mediterranean favorite, Open Sesame, in Belmont Shore. “Turnover,” produced by Palmer, Marvin Glover, and Rae Davis, aims to educate and break down barriers for people with disabilities. Working with Activities Recreation and Care (ARC) and National Down Syndrome Society (NDSS), the “Turnover” creative and production teams’ mission is to challenge the stigmas that people with disabilities face by using entertainment to showcase their talent and bring attention to the public.
Once the film is complete, ARC and NDSS will have the opportunity to promote awareness through private screenings arranged via Tugg.com, prior to its domestic release. Turnover, LLC, the film’s parent company, will then share the screening profits with these organizations. The film will be produced by Palmer’s production company, Runaway Productions, and Glover’s company, Sea Sand Entertainment.
https://www.youtube.com/watch?v=jjVHTomfBRs
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Marta Prus’ OVER THE LIMIT is Big Winner at 58th Krakow Film Festival
“Over the Limit” directed by Marta Prus, is the big winner of the 58th Krakow Film Festival taking the Silver Horn for the best feature film in the International Documentary Film Competition and the Silver Hobby-Horse for the director of the best documentary film in the National Competition. The film about the remarkable Russian gymnast Margarita Mamun and the emotional costs of professional sports, received also the award for the best producer of Polish short and documentary films funded by the Polish Audiovisual Producers Chamber of Commerce (KIPA) and the Best Cinematography Award under the patronage of The Polish Society of Cinematographers.
The winner of the International Documentary Film Competition is Talal Derki’s film “Of Fathers and Sons”. The 2014 winner of the Silver Horn once again confronted Krakow audience with the sheer terror of the Syrian war. Four years after the horrifying, successful and widely discussed “Return to Homs” – the opening film of the 54th KFF – the director visited a family of a radicalized ISIS member and followed the process of forming of jihadist fighters. In “Of Fathers and Sons” the camera focuses on little boys who are being prepared the join the ranks of ISIS by their beloved fathers, for whom family is especially important. The film received this year an award for best documentary at Sundance. Jury led by Péter Forgács (Hungary) handed out the prestigious Golden Horn award for “the director’s courageous penetration into the world of extremism”. The film was also awarded by the International Federation of Film Critics Jury (FIPRESCI).
The Silver Horn for the director of the best medium-length documentary went to Pablo Aparo and Martin Benchimol for their film “The Dread” (Argentina).
The winner of the oldest festival competition – International Short Film Competition – is Armelle Mercat for her film “Keep Your Hair On, Oliver” (France).
The jury, whose chairman was Iranian director and screenwriter Merhard Oskouei, gave the French director the Golden Dragon award emphasizing that the story presented in the film was only possible to tell through animation.
Silver Dragons are the awards given to the best short films representing all three competition genres. The Silver Dragon for the best documentary film went to Michał Hytroś for his film “The Sisters” (Poland). The film received also the special mention in the National Competition. The best animated film is “Obon” (dir. André Hörmann, Samo (Anna Bergmann)). Silver Dragon for the best short fiction went to Emmanuelle Fleytoux for her film “Release the Dogs” (France/Belgium). The Krakow Film Festival also gave this film the nomination for the European Film Award in the short film category (PRIX EFA KRAKOW 2018 for the best European film).
The best music documentary and the winner of the Golden Heynal award, chosen by the Jury led by Marcin Borchardt (Polska), is an American-Japanese documentary Ryuichi Sakamoto: Coda” (dir. Stephen Nomura Schible). In this moving documentary a story about the roots of music turns into a film meditation, which talks about the human fight with inhibitions. The protagonist, an Academy Award winner for his original score for the film “The Last Emperor”, this time shows his other faces: as a music experimenter, an activist fighting against environmental degradation and a man struggling with serious illness. The film received also the Student Jury award.
The Golden Hobby-Horse in the National Competition went to “Unconditional Love” by Rafał Łysak (Poland). The Jury led by Tadeusz Sobolewski appreciated the film “for a story about an intimate reality of people from different generations, which escapes a stereotypical judgment. If we watch the world so closely it can actually be tolerant as love is unconditional”.
The best Polish animation is “III” by Marta Pajek (Poland). It is the second Silver Hobby-Horse in the artist’s career. After two years Pajek came back to the idea of an impossible figure, which this time in a sensual and full of eroticism way portrays relations between men and women.
The award for the best Polish short fiction was handed out “for an accurate, comedic attempt to encapsulate the madness of the contemporary world” to Maciej Kawalski for his film “Atlas” (Poland).
The special mention went to the last year’s winner Damian Kocur for his film “1410”.
The audience award went to the Polish director Marta Prus for her film “Over the limit”.
For the fourth time the Krakow Film Festival, being among Europe’s most important film festivals, recommends feature documentary films for the European Film Award. This year the official recommendation was given to “White Mama” (Zosya Rodkevich, Evgeniya Ostanina).
The 59th Krakow Film Festival will take place May 26th to June 2nd, 2019.
59th Krakow Film Festival AWARDS
DRAGON OF DRAGONS AWARD
for the contribution into development of the world documentary film: SERGEI LOZNITSA RECOMMENDATION TO THE EUROPEAN FILM AWARD: WHITE MAMA, dir. Zosyia Rodkevich and Evgeniya Ostanina (Russia)INTERNATIONAL DOCUMENTARY COMPETITION
THE GOLDEN HORN for the director of the best film – Talal Derki for the film Of Fathers and Sons (Germany, Lebanon, Qatar, Syrian Arab Republic). For the director’s courageous penetration into this world of extremism that digs under the surface of a world we talk about but never have access to. With extraordinary cinematic language, it shows the tragedy of being raised in a situation where hate, violence and killing are the norm. We witness it as it is being transferred from generation to generation, from father to son. THE SILVER HORN for the director of the best medium-length documentary film – Pablo Aparo i Martin Benchimol for the film The Dread (Argentina). This delicately composed film portrays the remote village of El Dorado where local healers appear to have far more authority than normal doctors. Their hard-working daily life is saturated with mystical happenings and hopes. THE SILVER HORN for the director of the best feature-length documentary film – Marta Prus for the film Over the Limit (Finland, Germany, Poland). For a self-assured and consistent first feature that shows – with a calm observational eye – the complex relationships between three highly-strung characters all of whom are at the edge of their limits. With notable sensitivity, this films approaches these personal dilemmas and the extreme high price of winning. SPECIAL MENTION – Anastasiya Miroshnichenko for the film Debut (Belarus) By creating engaging visuals this first feature gives a sensitive insight into the convicts’ daily routines, the pains, the dreams and the hopes. The FIPRESCI (International Federation of Film Critics) Jury awarded the International Film Critics Prize to Talal Derki for the film Of Fathers and Sons (Germany, Lebanon, Qatar, Syrian Arab Republic), for the powerful, complex and nuanced depiction of the poisonous legacy of patriarchy and for the director’s remarkably courageous approach to filmmaking.INTERNATIONAL SHORT FILM COMPETITION
GOLDEN DRAGON for the director of the best film – Armelle Mercat, for the film Keep Your Hair On, Oliver (France). With a childlike drawing the film paints an adult love and its shame. Like a poem, using only few words, it tells the story of subtle and complex emotions which would take a whole novel to express. It could only be made as an animation. SILVER DRAGON for the director of the best documentary film – Michał Hytroś, for the film The Sisters (Poland) A young filmmaker looks at an old world, and in the process shows a keen eye for the little things of everyday life. The film is very funny, but never at the expense of its fundamental seriousness about the fact that we may well be watching an endangered species. It invites us to visit a world that most of us will never experience, in the process revealing a common humanity. SILVER DRAGON for the directors of the best animated film – André Hörmann, Samo (Anna Bergman), for the film Obon (Germany). With the images as beautiful as traditional woodcuts, in a very contemporary way, an old woman recollects her youth and the difficult relationship with her father, for whose love she had to wait for a very long time. SPECIAL MENTION for Fundamental by ShihChieh Chiu (Taiwan) SILVER DRAGON for the director of the best short fiction film – Emmanuelle Fleytoux, for the film Release the Dogs (France/Belgium) At times we have to let go of things, in order to build something new. In this surprising and touching film, characters visibly change, and we never know where each passionate and sometimes violent encounter is going to lead. The suspense is maintained to the very end when the female power and with it the literal and metaphorical dogs are finally released. SPECIAL MENTION for Users by Jakub Piątek (Poland) PRIX EFA KRAKOW 2018 for the Best European Film (nomination to the European Film Award in the short film category) – Emmanuelle Fleytoux (France/Belgium) for the film Release the Dogs The International Federation of Film Societies (FICC) Jury granted the Don Quixote Award to the film Detainment directed by Vincent Lambre (Ireland). A well-known crime story we have read about for 25 years. The brutal murder of a baby boy affects us all, and this film was emotionally stressing to watch. Based on the original tapes from the police questioning, and without showing any graphic details, the horror of the crime hits you like a sledgehammer. The audience is like a fly on the wall when the truth is revealed. Despite the awful crime, we feel the director has managed to bring humanity into the portrait of the young killers, which were brilliantly played by Ely Solan and Leon Hughes. It is a heartbreaking story and it has changed the life of so many people in a very sad way. The Special Mention to the film: Joe Boots directed by Florian Baron (Germany, USA). The narrative is plain and simple, but it went straight to our hearts. It’s just one guy telling his story, but it is the story of every soldier coming home from war. He is changed but nobody can see it and most of us don’t care. The film is a tribute to every veteran.INTERNATIONAL DocFilmMusic COMPETITION
GOLDEN HEYNAL for the director of the best film – Stephen Nomura Schible for the film Ryuichi Sakamoto: Coda (USA, Japan) For a skillfully crafted an intimate portrait of an unique and outstanding composer SPECIAL MENTION – Jukka Kärkkäinen and J-P Passi for the film Punk Voyage (Finland) For a life story bigger than music – Keep on rocking guys because PUNK’S NOT DEAD!NATIONAL COMPETITION
GOLDEN HOBBY-HORSE for the director of the best film funded by the President of the Polish Filmmakers Association – Rafał Łysak for the film Unconditional Love (Poland). For a story about an intimate reality of people from different generations, which escapes a stereotypical judgment. If we watch the world so closely it can actually be tolerant as love is unconditional. SILVER HOBBY-HORSE for the director of the best documentary film – Marta Prus for the film Over the Limit (Poland, Germany, Finland). In a suggestive way the film brings the viewer deep into to the world of dramatic choices made by a sportswoman and an artist. SILVER HOBBY-HORSE for the director of the best animated film – Marta Pajek for the film III (Poland). For spectacular drawing of the living shapes portraying an intimate experience of a woman and a man. SILVER HOBBY-HORSE for the director of the best fiction film – Maciej Kawalski for the film Atlas (Poland). For an accurate, comedic attempt to encapsulate the madness of the contemporary world. SPECIAL MENTION in the documentary category for Michał Hytroś for the film The Sisters (Poland). For presenting the comedic potential of the world behind the monastery walls. SPECIAL MENTION in the feature film category – Damian Kocur for the film 1410 (Poland). For the courage to ask naive questions and laugh at important matters. The Award of the Polish Filmmakers Association for the best film editing – Grażyna Gradoń for the film Notes on Life. A Movie about Edward Żebrowski (dir. Maria Zmarz-Koczanowicz) Maciej Szumowski Award for remarkable social awareness funded by the National Broadcasting Council – Tomasz Knittel for the film Universam Grochów (Poland). The Award for the best short and documentary films producer in Poland funded by the Polish Audiovisual Producers Chamber of Commerce (KIPA) – Anna Kępińska and Maciej Kubicki (Telemark) for the film Over the Limit (Poland, Germany, Finland). Best Cinematography Award under the patronage of The Polish Society of Cinematographers funded by Coloroffon Film – Adam Suzin for the film Over the Limit.THE AWARD OF THE STUDENT JURY
Ryuichi Sakamoto: Coda (USA, Japan) directed by Stephen Nomura Schible. For showing how the most destructive forces can inspire the clearest sounds.THE AUDIENCE AWARD
Marta Prus for her film “Over the limit”.KFF INDUSTRY AND DOC LAB POLAND AWARDS
ANIMATED IN POLAND:
SOUND MIND AWARD – for the project of the film “The land of Whim”, dir. Betina Bożek, prod. Animation Film Studio, Academy of Fine Arts in Krakow AUDIOVISUAL TECHNOLOGY CENTER SPECIAL MENTION – “Red light train”, dir. Alicja Kot, prod. Animation Film Studio, Academy of Fine Arts in KrakowDOCS TO START:
HBO AWARD – for the project of the film “Scandal!”, dir. Bartosz Paduch, prod. Maciek Ostatek, Kacper Jaroszyński / „W To Mi Graj” Foundation KRAKOW FILM KLASTER AWARD – for the project of the film “Walk with Angels”, dir. Tomasz Wysokiński, prod. Tomasz Wysokiński /Ayahuasca Project LIGHTCRAFT AWARD – for the project of the film “The Last Expedition”, dir. Eliza Kubarska, prod. Monika Braid /Braidmade Films EUROPEAN DOCUMENTARY NETWORK SPECIAL MENTION (EDN) – project of the film “Lessons in Democracy”, dir. Michał Helwak, prod. Marcin Wierzchosławski / Metro Films DOK LEIPZIG SPECIAL MENTION – for the project of the film “Ambulance Poland – Syria”, dir. Aleksander Zalewski, prod. Anna Kubik Sobala / AksamitDOCS TO GO!:
COLOROFFON AWARD – for the project “Lessons of Love”, dir. Małgorzata Goliszewska, Katarzyna Mateja, prod. Anna Stylińska / Fundacja Widok INSTITUTE OF DOCUMENTARY FILM SPECIAL MENTION – for the project of the film “An Ordinary Country”, dir. Tomasz Wolski, prod. Anna Gawlita / Kijora Film
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World Premiere of BIG LEGEND to Open the 2018 Portland Horror Film Festival [Trailer]
The World Premiere of Justin Lee’s heart-pounding sasquatch movie Big Legend, will open the Portland Horror Film Festival on June 13th.
Kevin Makely stars as an ex-soldier who ventures into the Pacific Northwest to uncover the truth behind his fiance’s disappearance and finds more than bargained for after teaming up with a local hunter. The powerhouse cast includes Todd A. Robinson, Summer Spiro, with horror-icons Amanda Wyss (A Nightmare on Elm Street), Adrienne Barbeau (The Fog), and Lance Henriksen (Aliens).
Director Justin Lee, actors Kevin Makely, Todd A. Robinson, and Amanda Wyss, Executive Producer Shawn Nightingale, and Producer Drew Garrettson will be in attendance for the World Premiere.
Filmed on location in the Pacific Northwest, Big Legend is a Papa Octopus Production headed by Kevin Makely, Shawn Nightingale and Justin Lee.
https://www.youtube.com/watch?v=FeAuKeB70mM
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EIGHT GRADE and HALF THE PICTURE Win at Sundance London
[caption id="attachment_27753" align="aligncenter" width="1200"]
EIGHTH GRADE[/caption]
Sundance Film Festival: London ’18 wrapped after four days, with the Audience Favourite award going to Eighth Grade directed by Bo Burnham; and director Amy Adrion was awarded a special Picturehouse #WhatNext Prize.
Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school — the end of her thus far disastrous eighth grade year — before she begins high school.
Eighth Grade had its International premiere at Sundance Film Festival: London following its World Premiere at the 2018 Sundance Film Festival in Park City, Utah, U.S.A. Festivalgoers voted in the thousands for their favourite films across the four-day event at Picturehouse Central for this Audience Favourite Award.
The special Picturehouse #WhatNext prize was awarded to Amy Adrion for the way her documentary Half the Picture represents key female voices and helps amplify the conversation around the treatment of female directors in Hollywood. With seven out of the twelve films presented in the main programme directed by women, the 2018 Sundance London festival celebrated female talent and asked #WhatNext for a fairer film future.
Half the Picture had its European premiere at Sundance Film Festival: London following its World Premiere at the 2018 Sundance Film Festival in Park City, Utah, U.S.A. At a pivotal moment for gender equality in Hollywood, successful women directors tell the stories of their art, lives and careers. Having endured a long history of systemic discrimination, women filmmakers may be getting the first glimpse of a future that values their voices equally.
Over 30 filmmakers and actors attended the festival to introduce their films and participate in audience Q&As, including Toni Collette and Ari Aster for the Time Out Gala film Hereditary; Ethan Hawke for First Reformed; Idris Elba and cast members from his directorial debut Yardie; and Crystal Moselle and the cast of Skate Kitchen.
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Rooftop Films to US Premiere EXIT MUSIC Cameron Mullenneaux’s Docu-Portrait of Ethan Rice Dying with Cystic Fibrosis
[caption id="attachment_29729" align="aligncenter" width="1200"]
Ethan Rice, Subject of Exit Music[/caption]
On Saturday, June 16, Rooftop Films will present the U.S. Premiere of Exit Music, Cameron Mullenneaux’s intimate and emotional docu-portrait of Ethan Rice, a 28 year old with Cystic Fibrosis, during the final months of his life. Filmmaker Cameron Mullenneaux will be in attendance and will participate in a special conversation along with Green-Wood Cemetery’s Death Educator Amy Cunningham after the film.’
The event will take place at Green-Wood Cemetery, in Brooklyn and will feature a live musical performance by Samuel R Saffery.
Exit Music
Born with cystic fibrosis, 28-year-old Ethan Rice has been preparing to die his entire life. His father Ed, a Vietnam veteran with PTSD, immersed him in a world of imagination and documented it on camera, a hobby that provided relief from the fear of his son’s prognosis and his own painful past. Equal parts comedy and darkness, Exit Music is the last year, last breath, and final creative act of Ethan as he awaits the inevitable. Interweaving home movies with Ethan’s original music and animation, his story is an unflinching meditation on mortality and invites the viewer to experience Ethan’s transition from reality to memory. In a culture that often looks away from death, this film demystifies the dying process, a universal cornerstone of the human experience.
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Rob Tregenza’s GAVAGAI, Adapted from the Poetry of Tarjei Vesaas, Opens August 3 [Trailer]
Shadow Distribution has released the official trailer for Rob Tregenza’s GAVAGAI, adapted from the poetry of Tarjei Vesaas, considered to be one of Norway’s greatest writers. The film will open at Cinema Village in New York on August 3rd, and at the Music Hall in Los Angeles on August 10. Other select cities will follow.
Rob Tregenza’s uncompromising cinematic vision and devotion has, among other things, led him to direct such celebrated Independent films as Talking to Strangers, The Arc and Inside Out and to work with Jean-Luc Godard and, as a cinematographer with particular belief in long takes, for Alex Cox and Bela Tarr. In GAVAGAI, director Rob Tregenza and screenwriter Kirk Kjeldsen have adapted the poetry of Tarjei Vesaas, considered to be one of Norway’s greatest writers (1897-1970) to the screen.
German businessman Carsten Neuer travels to Norway to finish the impossible translation of some Norwegian poems by Tarjei Vesaas into Chinese, a project of his late wife. He hires Niko, a down-on-his-luck tour guide, to drive him to the poet’s home and places of inspiration to stimulate his own translation. On the road, the ghost of Carsten’s wife appears to him, while Niko struggles with the sudden consequences of his girlfriend’s pregnancy. On this journey, two very different men come to realize the transforming power of love, the limits of language, and the human need for friendship.
Shot entirely in Telemark, Norway on 35mm, the film stars Andreas Lust (from the Golden Bear-nominated film Der Räuber, The King’s Choice, and the Oscar-nominated film Revanche), Anni-Kristiina Juuso (from The Cuckoo and The Kautokeino Rebellion), and Mikkel Gaup (from Tregenza’s Inside/Out and the Oscar-nominated films Pathfinder and Breaking The Waves).
https://www.youtube.com/watch?v=QNOH5AagobM
Director
Rob Tregenza (born November 14, 1950) is a North American cinematographer, film director, and producer. Besides shooting his own projects, Tregenza also worked as a director of photography with other directors, including Béla Tarr (Werckmeister Harmonies), Claude Miller (Marching Band), Pierre William Glenn (The Sad and Lonely Death of Edgar Allan Poe), and Alex Cox (Three Businessmen). Tregenza earned his PhD from UCLA in 1982. He has produced, directed and photographed four feature films: Talking to Strangers (1987), which appeared at the Berlin International Film Festival, Edinburgh International Film Festival, Toronto International Film Festival; The Arc (1991), a co-production with Film Four International which showed in Berlin, Edinburgh, Toronto, and Chicago; Inside/Out (1997), which screened at Cannes, Toronto, Rotterdam, and Sundance; and Gavagai (2016). Tregenza’s first feature, Talking to Strangers, won him acclaim and the eye and praise of Jean-Luc Godard, who personally selected the film in 1996 to be showcased at the Toronto Film Festival. Richard Brody, of The New Yorker, wrote of the main character, Jesse, in the film: “The drive for [his] purity extends through all domains—intimate, intellectual, artistic, and, for that matter, religious—as the quest for experience comes into conflict with the yearning for the realization of a higher, even transcendently great, ideal.” Tregenza’s third feature, Inside/Out, premiered at the 1997 Cannes Film Festival in the Un Certain Regard section. Tregenza’s fourth feature film, GAVAGAI (2016) was shot in 35mm, in Telemark,Norway. It stars Andreas Lust (The Robber 2010, Revanche 2008), Anni-Kristiina Juuso (The Cuckoo 2009) and Mikkel Gaup (Kautokeino Rebellion 2008) GAVAGAI was based on 15 poems by Tarjei Vesaas.
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Watch New Trailer for Bollywood Biopic SANJU staring Ranbir Kapoor, Opens on June 29
After directing two of the highest grossing Bollywood movies of all-time (3 Idiots and P.K.), award-winning filmmaker Rajkumar Hirani returns with the epic biopic SANJU staring Ranbir Kapoor as cinema legend Sanjay Dutt (nicknamed “Sanju” by his legions of fans). The theatrical trailer has made its world premiere and has already been viewed nearly 30 million times on YouTube and Facebook after only one day. SANJU opens day and date worldwide on June 29.
SYNOPSIS: Few lives in our times are as dramatic and enigmatic as the saga of Sanjay Dutt. Coming from a family of cinema legends, he himself became a film star, and then saw dizzying heights and darkest depths: adulation of diehard fans, unending battles with various addictions, brushes with the underworld, prison terms, loss of loved ones, and the haunting speculation that he might or might not be a terrorist. Sanju is in turns a hilarious and heartbreaking exploration of one man’s battle against his own wild self and the formidable external forces trying to crush him. It depicts the journey of a man through everything that life can throw at him. Some true stories leave you thinking “did this really happen?” This is one such unbelievable story that happens to be true.
https://www.youtube.com/watch?v=1J76wN0TPI4
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Key West Film Festival Debuts First Stock Island Film Festival, Opens with DAMSEL Starring Robert Pattinson
[caption id="attachment_26511" align="aligncenter" width="1200"]
Mia Wasikowska, Robert Pattinson in Damsel.[/caption]
Next weekend, the Key West Film Festival will debut the new Stock Island Film Festival (STIFF for short). Celebrating the Keys’ long and notorious reputation as a haven for smuggling and drug-running, fishing and fighting, falling in love, and other nefarious activities, STIFF’s opening night feature film and shorts programs will bring you similarly-themed renegade films from around the world.
STIFF will dock legally at The Perry Hotel Key West (7001 Shrimp Road) and COAST (6404 Front Street) for an exciting and energetic three nights, Thursday June 7th through Saturday June 9th.
Florida’s very own bad boy doc-maker Billy Corben (Square Grouper, Cocaine Cowboys, Dawg Fight, ESPN’s 30 for 30 The U) will show a sneak peak of his latest project, A Sunny Place for Shady People. Hometown filmmaker and KWFF Director Quincy Perkins (Love in Youth) will also be there for the closing night awards party.
Opening Night, Thursday June 7th, will kick off with the new Zellner Brothers feature film Damsel (Sundance/Berlin 2018), starring Robert Pattinson, including a Q&A with the brother director team! Friday June 8th and Saturday June 9th will feature four shorts programs by international and local filmmakers.
Join Billy, Quincy, filmmakers, and film fans closing night poolside when awards will be handed out for Best Comedy and Documentary, the Audience Award (called the Square Grouper), the Perry Student Award, The Silver Stiffy for best local film and Golden Stiffy for best all-round potential, and the Corben Contraband selected by the co-host himself.
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Aaron Schimberg’s Oddball Comedy CHAINED FOR LIFE to World Premiere at BAMcinemaFest
The oddball comedy Chained for Life directed by Aaron Schimberg and starring Jess Weixler, Adam Pearson and Stephen Plunkett will World Premiere on Sunday, June 24th at BAMcinemaFest.
Building on the promise of his hallucinogenic debut Go Down Death, Brooklyn filmmaker Aaron Schimberg delivers another brilliantly oddball, acerbically funny foray into gonzo surrealism. In a deft tragicomic performance, Jess Weixler (Teeth) plays Mabel, a movie star “slumming it” in an outré art-horror film being shot in a semi-abandoned hospital. Cast opposite her is Rosenthal ( Under the Skin’s Adam Pearson), a gentle-natured young man with a severe facial deformity. As their relationship evolves both on and offscreen, Schimberg raises provocative questions about cinematic notions of beauty, representation, and exploitation. Tod Browning crossed with Robert Altman crossed with David Lynch only begins to describe something this startlingly original and deeply felt.
World Premiere: Sunday, June 24th at 6:30pm (Peter Jay Sharp Building BAM Rose Cinemas)
Aaron Schimberg:
Aaron Schimberg is a filmmaker living in New York. He is an alumnus of the 2017 New York Film Festival Artist Academy. His debut feature GO DOWN DEATH was called “an astonishing out-of-nowhere film” by Filmmaker Magazine and “a stunning midnight movie in the tradition of Jodorowsky and The Saragossa Manuscript” by The Dissolve. It was selected for inclusion in the IFP Narrative Lab. Aaron is a programmer at Brooklyn’s Spectacle Theater where he has curated dozens of programs including a series of North Korean films and a Tatsumi Kumashiro retrospective. He is the co-founder of Grand Motel Films, which, in 2016, rediscovered and restored the lost 1966 film WHO’S CRAZY?, featuring an original soundtrack by Ornette Coleman.
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COMING SOON: Anne Hathaway to Star in Dee Rees’ Next Film THE LAST THING HE WANTED
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Anne Hathaway, Dee Rees[/caption]
Netflix is re-teaming with Academy Award nominee Dee Rees (Mudbound) for her next film “The Last Thing He Wanted” starring Academy Award Winner Anne Hathaway.
The film is written by Marco Villalobos and Dee Rees based on Joan Didion’s book of the same title.
The story is based on the 1996 novel by Joan Didion and centers on hardscrabble journalist Elena McMahon who finds herself on dangerous ground as the Iran Contra Affair’s arms for drugs plot reaches its tipping point.
Scott Stuber, head of Netflix’s film group commented: “Dee Rees is an incredibly talented filmmaker, who continues to make provocative and entertaining films. We are thrilled to continue our relationship with Dee and proud to have her part of the Netflix family.”
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53rd Karlovy Vary IFF Announces Line-Up
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I Do Not Care If We Go Down In History As Barbarians[/caption]
Ten world and two international premieres will compete at this year’s 53rd Karlovy Vary IFF including the latest by leading Romanian filmmaker Radu Jude “I Do Not Care If We Go Down In History As Barbarians”, an original exploration of the subject of nationality and a nation coming to terms with the traumatic moments of its own past. Respected Argentinian director Ana Katz presents a mixture of subtle melancholy with light humor in her family drama Sueño Florianópolis, and we find a no less complex look at the question of male-female relationships in The Fireflies Are Gone, the story of a rebellious yet charismatic teenager directed by Canadian filmmaker Sébastien Pilote.
A harrowing performance by actor Caleb Landry Jones dominates Peter Brunner’s dark Austro-American drama To the Night. Two other filmmakers previously recognized at KVIFF present equally original though noticeably more poetic new films: the Russian director of the popular Zoology, Ivan Tverdovsky, presents Jumpman, while Israeli director Joseph Madmony is presenting his third premiere at KVIFF, the subtly moving drama Redemption, co-directed by cinematographer Boaz Y. Yakov.
Domestic cinema will be represented by Olmo Omerzu’s road movie about the force of boyhood friendship Winter Flies and by debut filmmaker Adam Sedlák’s claustrophobic minimalist study of the slow decline of body and mind, Domestique. Other debuts are from the Dominican Republic and Spain (Natalia Cabral and Oriol Estrada’s nuanced story of an adolescent girl, Miriam Lies), Poland (Paweł Maślona’s dark comedy Panic Attack) and Turkey (Ömür Atay’s moving drama Brothers). The selection, which spans a wide range of styles and genres, is rounded out by talented Slovenian director Sonja Prosenc’s poetic tale of female coming-of-age History of Love.
OFFICIAL SELECTION – COMPETITION
“Îmi este indiferent dacă în istorie vom intra ca barbari” / “I Do Not Care If We Go Down In History As Barbarians” / „Je mi jedno, že se zapíšeme do dějin jako barbaři“ Director: Radu Jude Romania, Czech Republic, France, Bulgaria, Germany, 2018, 140 min, World premiere A young artist is planning to reconstruct a historical event from 1941, during which the Romanian Army carried out ethnic cleansing on the Eastern Front. One of contemporary Europe’s most distinctive creators has come out with an ingeniously conceived film that – although the topic unfolds slowly and in detail – hits the viewer with a singular emotional punch. Atak paniki / Panic Attack / Panický záchvat Director: Paweł Maślona Poland, 2017, 100 min, International premiere In his blackly humorous debut, talented director Paweł Maślona has submitted a consummate answer to the question whether or not a panic attack can be translated into film language. Dramatic moments in the lives of several unfortunates living in contemporary Warsaw are here presented with refreshing playfulness and a singular knack for mixing the tragic and the comic. La disparition des lucioles / The Fireflies Are Gone / Mizející světlušky Director: Sébastien Pilote Canada, 2018, 96 min, World premiere The sleepy town where Léo lives doesn’t offer her much chance of self-fulfillment. Extricating herself from her mother’s influence and her constricting environment isn’t easy for the frustrated young woman, yet happiness might be close at hand. A stylistically precise, pop-impressionistic film about a girl’s quest to find out who she really is, featuring the captivating Karelle Tremblay in the lead role. Domestik / Domestique / Domestik Director: Adam Sedlák Czech Republic, Slovak Republic, 2018, 116 min, World premiere Top cyclist Roman has had enough of serving as a domestique, a bicycle racer who sacrifices for the team. And since strenuous training and a strict regimen don’t lead to the type of performance he longs for, he sets up an oxygen tent at home. His obsession with having a sports career, however, renders him oblivious to his wife Šarlota’s desire to have a baby. A claustrophobic drama on the utter breakdown of a marriage almost suffocated by a machine that oxygenates the blood. Geula / Redemption / Geula Director: Joseph Madmony, Boaz Yehonatan Yaakov Israel, 2018, 100 min, World premiere Being able to care for a gravely ill daughter is of the utmost importance to a loving father. The treatment which is to give the child a new chance at life is something the poorly paid widower simply can’t afford. The idea to start performing again with a rock band from his early days, however, sees the devout man confronting not only those around him but – above all – himself as well. Kardeşler / Brothers / Bratři Director: Ömür Atay Turkey, Germany, Bulgaria, 2017, 103 min, World premiere Seventeen-year-old Yusuf comes home after spending four years at a detention center. His return to the family circle freshly recalls the act that his loved ones, bound by rigid tradition, forced Yusuf to commit. Directed with an assured hand, this intimate debut concerns guilt and punishment and how difficult it is to choose between blood ties and tradition on the one hand, and what is morally right on the other. Miriam miente / Miriam Lies / Miriam lže Director: Oriol Estrada, Natalia Cabral Dominican Republic, Spain, 2018, 90 min, World premiere Shy girl Miriam is waiting to celebrate her 15th birthday and she wants to invite her guy. So far they’ve only chatted online, and the anticipated blind date only complicates things. A gentle picture about the uncertainties of growing up, girls’ competitiveness, and the demands of others, which can be confusing when you’re young. Podbrosy / Jumpman / Skokan Director: Ivan I. Tverdovskiy Russia, 2018, 86 min, International premiere Young Oksana put Denis in a baby box when he was an infant. Sixteen years later she steals him away from a children’s home, intent on making amends for her neglect. Denis, however, has no idea of the heavy price to be paid for his mother’s favour: the fragile boy has one unusual quality which Oksana has no qualms about exploiting. Sueño Florianópolis / Sueño Florianópolis / Cesta do Florianópolisu Director: Ana Katz Argentina, Brazil, France, 2018, 103 min, World premiere Lucrecia, Pedro, and their teenage kids Julian and Florencia set out from Buenos Aires one sweltering day in a rattletrap Renault to vacation in the Brazilian summer resort of Florianópolis. Renowned Argentinian director Ana Katz draws upon gentle humor and light melancholy to relate a tale of first love, past lovers, fateful encounters, and fleeting joys. To the Night / To the Night / Do noci Director: Peter Brunner Austria, USA, 2018, 102 min, World premiere As a child Norman survived a fire that took the rest of his family. As an adult he is still struggling with the resulting trauma, and he finds it difficult to start a new life with his girlfriend and little boy. An oppressive atmosphere, subtle hints, and spectacular images playing upon the subconscious – these are the primary attributes of this brutally intimate study of a wounded individual. Captivating Caleb Landry Jones excels in the main role. Všechno bude / Winter Flies / Všechno bude Director: Olmo Omerzu Czech Republic, Slovenia, Poland, Slovak Republic, 2018, 85 min, World premiere Mischievously self-assured Mára and somewhat eccentric Heduš set out into the frozen wastes in search of adventure – by car, naturally. After all, Mára’s turning fifteen soon. A road movie about the flies that occasionally buzz around even in winter, and a story – before it ends at the police station – that tells of the elusive bond of boyhood friendship and the irrepressible desire to experience something, even if you don’t exactly know what. Zgodovina ljubezni / History of Love / Příběh lásky Director: Sonja Prosenc Slovenia, Italy, Norway, 2018, 105 min, World premiere Seventeen-year-old Iva is in the process of coming to terms with the death of her mother. Influenced by this deep personal loss and by the discovery that she didn’t know everything about her mom, the girl slowly immerses herself into a strange, almost dreamlike world. Sonja Prosenc’s movie is dominated by a distinctive poetic that attacks the viewer’s senses, as well as by a narratively loose style and an ability to construct a story with the aid of the subtlest of suggestions.
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Documentary Filmmaker Sergei Loznitsa Receives Dragon of Dragons Award at Krakow Film Festival
Every year the third day of the Krakow Film Festival ends with the ceremony devoted to the most important festival award – Dragon of Dragons – awarded for an exceptional contribution to the development of the world cinema. This year the Krakow Film Foundation Program Council honored outstanding documentary filmmaker Sergei Loznitsa as the 21st winner of this prestigious prize, and also the youngest one in the history of the award.
“I can say that Krakow Film Festival is my festival. I came here with my first film and since then each of my documentary films has been shown here. So in this sense Krakow is my city” – said Sergei Loznitsa.
The head of the Program Council, film critic and scholar Prof. Tadeusz Lubelski said that “despite the variety of genres Loznitsa’s films are very coherent. First of all, in the stylistic sense: they are easily recognized by the distinctive minimalism, infinitely extended shots (as if he was waiting to extract from reality a hidden truth), carefully counted rhythm and precisely created soundtrack. It produces a certain archaic effect as if the director was going back to one of the previous eras in the history of cinema to reformulate its language, with a complete absence of the author’s commentary neither as voiceover nor non-diegetic music”.
The official Dragon of Dragons ceremony took place on May 29th, 2018 during the 58th Krakow Film Festival. As part of the retrospective included in the festival program, the festival screened films made by the director and among them his latest documentary “Victory Day” (“Den’ Pobedy”), which will have in Krakow its Polish premiere. The traditional winner’s master class will take place on May 30th in Małopolski Ogród Sztuki.
The ceremony ended with the screening of three films personally introduced by the director: “The Letter”, “The Train Stop” and “The Old Jewish Cemetery”.
Sergei Loznitsa was born on September 5th, 1964 in Baranovchi in today’s Belarus which was at the time a part of the Soviet Union. He was growing up and studying in Kiev where he graduated from Kyiv Polytechnic Institute as an engineer and mathematician. For a few years he was doing research in the Institute of Cybernetics and worked as a Japanese translator. In 1997 he graduated with honours in film production and directing from Gerasimov Institute of Cinematography in Moscow. He lives in Berlin.
During his 20-year-old career Loznitsa made a lot of films that turned out to be an international success. His three feature films “My Joy” (2010), “In the Fog” (FIPRESCI Award) (2012), “A Gentle Creature” (2017) and one documentary “Maidan” had their world premieres at the Cannes Film Festival and this year he received the best director award in the Un Certain Regard competition for his feature film “Donbass”. His other feature documentary “The Event” premiered in Venice in 2015. His films won numerous awards at film festivals around the world.
Loznitsa’a documentary debut “Today We Are Going to Build a House” was awarded at KFF the Bronze Dragon award. In the following years he received in Krakow the main festival awards three times: in 2006 the Golden Dragon for “Blockade”, in 2008 the Golden Horn for “Revue” and in 2013 once again the Golden Dragon for “The Letter”. Last year, as a part of the Focus on Germany section, the festival presented his film “Austerlitz”. In 2007 he was a member of the International Short Film Competition jury with Andrzej Żuławski as the head of the jury.
The Dragon of Dragons award, awarded this year for the 21st time, is the highest accolade of the Krakow Film Foundation Program Council, the organizer of the Krakow Film Festival, and is a proof of recognition of the contribution to the development of the documentary and animated world cinema. A lot of outstanding filmmakers were among its winners including Werner Herzog, Kazimierz Karabasz, Bohdan Kosiński, Bogdan Dziworski, Allan King, Albert Maysles, Jonas Mekas, Helena Trestíková, Stephen and Timothy Quay, Raoul Servais, Jerzy Kucia, Paul Driessen and Priit Pärn who is also a festival guest this year taking part in the Focus on Estonia section.