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  • Oak Cliff Film Festival Announces 2018 Feature Film Lineup, Opens with Joan Jett’s Documentary BAD REPUTATION

    [caption id="attachment_29262" align="aligncenter" width="1200"]BAD REPUTATION BAD REPUTATION[/caption] Oak Cliff Film Festival yesterday announced the Feature Program lineup for the 7th annual edition of the festival, taking place June 14-17, 2018 at the historic Texas Theatre, Bishop Arts Theatre Center, Kessler Theater, and numerous other venues around Dallas’ Oak Cliff neighborhood. The schedule is comprised of twenty-five feature-length films, with ten of the films having their Texas premiere at this year’s festival. The festival also includes 40 short films, as well as filmmaking workshops, live music and parties. Kicking off proceedings with this year’s opening night film are director Kevin Kerslake and writer/editor Joel Marcus in attendance to present the Texas Premiere of BAD REPUTATION, their hard-rocking documentary on legendary rock-n-roll icon Joan Jett. The screening will be followed by a karaoke party behind the screen! The festival closes with NEVER GOIN’ BACK, a raunchy party comedy filmed and set in DFW, from Dallas filmmaker Augustine Frizzell and produced by Sailor Bear. Additional festival highlights include: MEOW WOLF: ORIGIN STORY, a documentary on the Santa Fe based artist collective famous for their unique and immersive multimedia art installations; a screening of the newly restored 1928 silent film classic THE PASSION OF JOAN OF ARC, featuring a live score accompaniment composed by indie electronic artist George Sarah and performed by Curtis Heath and his Orchestra; The Zellner Bros’ new comedy western DAMSEL with the film’s composers, Austin-based indietronica band The Octopus Project, playing a live concert at The Texas Theatre; and director Penelope Spheeris in attendance for a new digital theatrical presentation of her rescued-from-obscurity and newly-restored 1987 punk rock western DUDES.

    Oak Cliff Film Festival 2018 Feature Program Lineup.

    OPENING NIGHT SELECTION

    BAD REPUTATION (USA, 95 mins) Dir. Kevin Kerslake TEXAS PREMIERE – Director Kevin Kerslake and writer/editor Joel Marcus in attendance Joan Jett is so much more than “I Love Rock ’n’ Roll.” It’s true, she became mega-famous from the number-one hit, and that fame intensified with its endless play on MTV. But that staple of popularity can’t properly define a musician. Jett put her hard work in long before the fame, ripping it up onstage as the backbone of the hard-rock legends The Runaways, influencing many musicians—both her cohort of punk rockers and generations of younger bands—with her no-nonsense style.

    CLOSING NIGHT SELECTION

    NEVER GOIN’ BACK (USA, 85 mins) Dir. Augustine Frizzell DFW PREMIERE – Producers Toby Halbrooks, James M. Johnston, Liz Cardenas in attendance w/ a special Skype-in from director Augustine Frizzell BFFs Angela (Maia Mitchell) and Jessie (Cami Morrone) are high school dropouts working dead-end waitressing jobs in the same shitty diner. Their dream vacation to sunny Galveston, Texas, is only a few shifts away. But after a drug deal goes bad and their home is invaded—and they have to serve a short stint in juvenile detention—their beach trip is in serious jeopardy. They’ll have to use every bit of guile their perpetually buzzed teenage brains can muster as they try to get (relatively) rich quick while wandering suburban Dallas.

    NARRATIVE FEATURE COMPETITION

    BIRDS WITHOUT FEATHERS (USA, 84 mins) Dir. Wendy McColm DFW PREMIERE – Director Wendy McColm in attendance Desperate for human interaction, six emotionally damaged individuals put self respect on the line, shedding their disillusionment in a last grasp for happiness. Birds Without Feathers is a cruel-world dark comedy populated by struggling Instagram stars, Russian cowboys, Self-help gurus and more, as their lives crash and collide in astounding and awkward ways. DON’T LEAVE HOME (USA, 86 mins) Dir. Michael Tully DFW PREMIERE – Director Michael Tully in attendance Melanie Thomas is an American artist whose latest show recounts the infamous Irish urban legend of Father Alistair Burke, who painted a portrait of 8-year-old Siobhan Callahan in 1986. Days later, Siobhan went missing on the very morning that her figure miraculously vanished from the painting as well. Though absolved of any wrongdoing, Burke abandoned the priesthood and went into self-exile. After receiving a bad review before her opening, Melanie is contacted by the reclusive Burke, who offers to fly her to Ireland to create a new sculpture that he will help her to sell while she’s there. Telling no one where she’s going, Melanie never stops to consider that some urban legends are real. I AM NOT A WITCH (UK, ZAMBIA, 93 mins) Dir. Rungano Nyoni TEXAS PREMIERE When eight-year-old Shula turns up alone and unannounced in a rural Zambian village, the locals are suspicious. A minor incident escalates to a full-blown witch trial, where she is found guilty and sentenced to life on a state-run witch camp. There, she is tethered to a long white ribbon and told that if she ever tries to run away, she will be transformed into a goat. As the days pass, Shula begins to settle into her new community, but a threat looms on the horizon. Soon she is forced to make a difficult decision – whether to resign herself to life on the camp, or take a risk for freedom. TIGERS ARE NOT AFRAID (Mexico, 83 mins) Dir. Issa López DFW PREMIERE Estrella (Paola Lara), a ten-year-old girl living in Mexico, finds herself the owner of three wishes soon after her mother disappears. After her wish first – the bring her mother back wish – has some unexpectedly frightening repercussions, she finds herself on the streets. Before too long, Estrella partners up with a young boy, El Shine (Juan Ramón López), and his band of orphaned boys. The newly formed group find themselves at war with the local cartel, witnessing and enduring things that no child should ever have to. VIRUS TROPICAL (Colombia, 96 mins) Dir. Santiago Caicedo DFW PREMIERE Born in a not-so-conventional family, Paola grows up between Ecuador and Colombia and finds herself unable to fit in any mold. With a unique feminine vision of the world, she will have to fight against prejudice and struggle for her independence while her universe is struck by a series of crises. Based on the graphic novel by Powerpaola. WINTER BROTHERS (Denmark, Iceland, 94 mins) Dir. Hlynur Pálmason TEXAS PREMIERE We follow two brothers working in the harsh environment of a rural chalk-mining community during a cold winter. Younger brother Emil, who distills moonshine made from stolen chemicals from the factory, is an outsider, an oddball, who made a conscious choice for loneliness and is only accepted by the mining community due to his older brother Johan. When a fellow worker becomes sick, the moonshine and Emil are prime suspects. Gradually a violent feud erupts between him and the tightly-knit mining community. Revenge, loneliness, and lack of love pervade this modern brother odyssey.

    DOCUMENTARY FEATURE COMPETITION

    BLACK MOTHER (USA, 77 mins) Dir. Khalik Allah TEXAS PREMIERE Part film, part baptism, director Khalik Allah mixes film formats from Super 8mm to HD, while experimenting with voice over audio techniques that cast his view between the prostitutes and churches of Jamaica. Black Mother creates a visual prayer of indelible portraits and an intimate polyphonic symphony. GOSPEL OF EUREKA (USA, 79 mins) Dir. Donal Mosher and Michael Palmieri DFW PREMIERE Love, faith and civil rights collide in a southern town as evangelical Christians and drag queens step into the spotlight to dismantle stereotypes. The film takes a personal, and often comical look at negotiating differences between religion and belief through performance, political action, and partnership. Gospel drag shows and passion plays set the stage for one hell of a show.3-4 sentence summary here. INGRID (USA, 52 mins) Dir. Morrisa Maltz TEXAS PREMIERE – Filmmaker Morrisa Maltz in attendance Ingrid tells the story of a prominent Dallas fashion designer in the 80s–who dropped her life and ran off to the woods in order to pursue a personal and creative one. She has since become a total hermit and spends her time, creating clay sculptures and art out of rocks from the nearby creek. Ingrid peels off the layers of this woman’s persona, questioning what would drive a successful Texas fashion designer to immerse herself in nature to create and become an entirely self sufficient woman of the woods. MAISON DU BONHEUR (Canada, 62 mins) Dir. Sofia Bohdanowicz TEXAS PREMIERE Maison du bonheur is a documentary that studies the day-to-day life of a Parisian astrologer, Juliane Sellam, who has been residing in the same Montmartre apartment for over 50 years. As we listen to her muse about her life as an astrologer, Sellam moves through her daily routine: making her morning coffee, watering plants, putting on makeup. Each segment is narrated by Sellam or the filmmaker herself, slowly constructing a dual portrait of two very different but equally charming women. MILFORD GRAVES FULL MANTIS (USA, 91 mins) Dir. Jake Meginsky and Neil Young DFW PREMIERE – Filmmaker Jake Meginsky in attendance This is the first ever feature-length portrait of renowned percussionist Milford Graves, exploring his kaleidoscopic creativity and relentless curiosity.Graves tells stories of discovery, struggle and survival, ruminates on the essence of ‘swing,’ activates electronic stethoscopes in his basement lab to process the sound of his heart, and travels to Japan where he performs at a school for children with autism, igniting the student body into an ecstatic display of spontaneous collective energy. Oscillating from present to past and weaving intimate glimpses of the artist’s complex cosmology with blistering performances from around the globe, MILFORD GRAVES FULL MANTIS is cinema full of fluidity, polyrhythm and intensity, embodying the essence of Graves’ music itself. OPUNTIA (Mexico/USA, 60 mins) Dir. David Fenster DFW PREMIERE – Filmmaker David Fenster in attendance In 1528 Álvar Núñez Cabeza de Vaca crossed the Gulf of Mexico on a raft made of melted armor and slaughtered horses. Over the next eight years, experiences with various Native American groups transformed him from conquistador to shamanic healer. When he returned to Spain he wrote La Relación, a chronicle of his experiences in the “New World”. Using these writings and with help from a psychic medium, David Fenster (director) attempts to communicate with Álvar Núñez Cabeza de Vaca through a prickly pear cactus, also known as Opuntia, the plant that saved him from starvation.

    SPOTLIGHT FEATURES

    BISBEE ‘17 (USA, 112 mins) Dir. Robert Greene TEXAS PREMIERE An old mining town on the Arizona-Mexico border finally reckons with its darkest day: the deportation of 1200 immigrant miners exactly 100 years ago. Townspeople confront this violent, misunderstood past by staging dramatic recreations of these devastating events. Directed by the Townspeople themselves, these recreations show the personal history of the families affected by the deporations on the 100th anniversary of their occurence. DAMSEL (USA, 112 mins) Dir. David Zellner and Nathan Zellner DFW PREMIERE – Film producers and composers The Octopus Project in attendance It’s the age of The Wild West, circa 1870. An affluent pioneer, Samuel Alabaster (Robert Pattinson) ventures deep into the American wilderness to reunite with and marry the love of his life, Penelope (Mia Wasikowska). For his journey he brings Butterscotch, a miniature horse intended as a wedding present for his bride, and enlists drunkard Parson Henry (David Zellner) to conduct the ceremony. As they traverse the lawless frontier their once simple journey grows treacherous, and the lines between hero, villain, and damsel are blurred. HAL (USA, 90 mins) Dir. Amy Scott TEXAS PREMIERE In the 1970’s Hal Ashby spent 9 years pushing Hollywood norms directing an unconventional, uncompromising string of remarkable films — including The Landlord (1970), Harold and Maude (1971), The Last Detail (1973) and Being There (1979) — that influenced generations of filmmakers to follow. His everlasting legacy on cinema is evident by the group of talented interview subjects including David O. Russell, Judd Apatow, Allison Andres and Jeff and Beau Bridges. However he failed to sustain success fighting for the importance of art and socially consciousness stories against the looming weight of Hollywood’s profit driven machine. HAL is a celebration of his lifework. HALF THE PICTURE (USA, 94 mins) Dir. Amy Adrion DFWPREMIERE – Penelope Spheeris in attendance for Q/A with Seed & Spark Founder Emily Best HALF THE PICTURE consists of interviews with high profile women directors, including Ava DuVernay, Jill Soloway, Lena Dunham, Catherine Hardwicke, Miranda July, Penelope Spheeris and many more. These artists discuss how they made their first features, how they transitioned to studio films or television, how they balance a demanding directing career with family, and the challenges and joys along the way. In addition, experts on gender inequality in Hollywood, including the ACLU’s Melissa Goodman, Vanity Fair’s Rebecca Keegan, and USC’s Dr. Stacy Smith, weigh in on the magnitude of this issue as women are shut out, across the board, of an industry that systemically denies women’s expression and point of view. MEOW WOLF: ORIGIN STORY (USA, 100 mins) Dir. Jilann Spitzmiller and Morgan Capps DFW PREMIERE – Filmmakers Morgan Capps and Jilann Spitzmiller in attendance A group of artists in Santa Fe, NM become a DIY collective called Meow Wolf. Their immersive, large-scale exhibitions crack open a profitable niche in the arts industry, even as their social mission is challenged by the demands of rapid success. The group’s members navigate fracture and loss for years in pursuit of their idealistic vision. When they spark the interest of George R. R. Martin and receive his support to take over an old bowling alley, Meow Wolf builds a massive exhibition with over 140 artists working at a breakneck pace. With the wild success of the House of Eternal Return, Meow Wolf now faces its own internal turmoil as it begins to change the lives of creatives everywhere. PITY (Greece, 97 mins) Dir. Babis Makridis TEXAS PREMIERE A miserable middle aged man enjoys only one thing in life, the sorrow from others. After his wife re-emerges from a long coma he’s willing to do anything to continue to evoke this emotion from those around him. Addicted to misery, this man seeks to maintain the only feeling to give him pleasure, pity. RELAXER (USA, 91 mins) Dir. Joel Potrykus DFW PREMIERE – Director Joel Potrykus, Cinematographer Adam J. Minnick and actor Andre Hyland in attendance Doom and gloom are on the way. The Y2K apocalypse can’t be stopped. Abbie’s older brother issues him the ultimate challenge before it goes down: stay on the couch until he beats the infamous Billy Mitchell record on Pac-Man by getting past level 256. No getting up, no matter what. No quitting. Abbie must survive inside a rotten living room with no food or water, and numbnut friends and toxic gas getting in his face. Luckily, Abbie’s secret 3D glasses begin to give him new abilities, controlling the powers of his tiny universe. SKATE KITCHEN (USA, 100 mins) Dir. Crystal Moselle TEXAS PREMIERE – Members of the filmmaking team in attendance Introverted skateboarder Camille befriends “The Skate Kitchen,” an all-girl skateboarding crew in New York City. She finds the home she never had with her mother in Long Island as she becomes part of the in-crowd. They quickly accept her into this wild new world of trick-shot videos and their own mania filled, underground, New York subculture. However this new friendship becomes tricky to navigate when she falls for a boy skateboarder from a rival group.

    REPERTORY

    BEING THERE (USA, 1979, 130 mins) Dir. Hal Ashby In one of his most finely tuned performances, Peter Sellers plays the pure-hearted, childlike Chance, a gardener who is forced into the wilds of Washington, D.C., when his wealthy guardian dies. Shocked to discover that the real world doesn’t respond to the click of a remote, Chance stumbles into celebrity after being taken under the wing of a tycoon (Melvyn Douglas, in an Oscar-winning performance), who mistakes his protégé’s horticultural mumblings for sagacious pronouncements on life and politics, and whose wife (Shirley MacLaine) targets Chance as the object of her desire. Being There is both deeply melancholic and hilarious; a the culmination of Hal Ashby’s remarkable string of films in the 1970s, and a carefully modulated examination of the ideals, anxieties, and media-fueled delusions that shaped American culture during that decade and still ring true today in 2018. DUDES (USA, 1987, 90 mins) Dir. Penelope Spheeris New DCP with Director Penelope Spheeris in attendance Penelope Spheeris’s 5th feature film which came after her punk soap SUBURBIA and was “released” the year before her magnum opus DECLINE OF WESTERN CIVILIZATION PART II; DUDES, was never given much of a proper release. Distributors and exhibitors were confused on how to market the punk rock western and it quickly excited theaters. The home video VHS was its last available version until this years HD remaster by SHOUT FACTORY. The film, which features early Cinematography from future three time Oscar winner Robert Richardson and a fantastic punk / metal soundtrack featuring The VANDALS, JANES ADDICTION and MEGADETH exists in a late 80’s ahead of its time capsule. THE PASSION OF JOAN OF ARC with Live Score Accompaniment (France, 1928, 81 mins) Dir. Carl Theodor Dreyer New Restoration with live score accompaniment composed by indie electronic artist George Sarah, performed by Curtis Heath and his orchestra Spiritual rapture and institutional hypocrisy are brought to stark, vivid life in one of the most transcendent achievements of the silent era. Chronicling the trial of Joan of Arc in the final hours leading up to her execution, Danish master Carl Theodor Dreyer depicts her torment with startling immediacy, employing an array of techniques—including expressionistic lighting, interconnected sets, and painfully intimate close-ups— to immerse viewers in her subjective experience. Anchoring Dreyer’s audacious formal experimentation is a legendary performance by Renée Falconetti, whose haunted face channels both the agony and the ecstasy of martyrdom. Thought to have been lost to fire, the film’s original version was miraculously found in perfect condition in 1981 in a Norwegian mental institution, heightening the mythic status of this widely revered masterwork.

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  • Scottish Films, Filmmakers, and Talent Celebrated At 72nd Edinburgh International Film Festival

    [caption id="attachment_29258" align="aligncenter" width="1200"]Anna and the Apocalypse Anna and the Apocalypse[/caption] In its 72nd year, Edinburgh International Film Festival (EIFF) has unveiled a rich selection of Scottish films, filmmakers, acting talent and films shot in Scotland as part of its 2018 Festival program. Opening with a spellbinding performance by acclaimed Scottish actress Kelly Macdonald in the highly regarded drama PUZZLE, this year’s program is set to showcase some of the very best features, shorts, documentaries, animations, exclusive events and talent from across the country. EIFF Artistic Director Mark Adams said: “Edinburgh International Film Festival is renowned around the world for discovering and promoting the very best in international cinema and Scottish talent has always been at the heart of that. The Festival’s program always helps shine the light on to Scottish themes, performances and filmmakers, and I am thrilled that once again we can celebrate this high-level of craftsmanship in past and present Scottish work in our 72nd year.” The Festival program will showcase a host of features filmed and set in Scotland, such as much-anticipated cult comedic horror/musical ANNA AND THE APOCALYPSE, which was largely shot in and around Glasgow. The thriller CALIBRE, set against the backdrop of Beecraigs Country Park acting as the beautiful Scottish Highlands, stars Scottish actor Jack Lowden (England is Mine, Dunkirk) and is director Matt Palmer’s debut feature. The film is also in the running for this year’s prestigious Michael Powell Award for Best British Feature Film. EIFF audiences can look forward to Scottish produced pop-art drama MAKE ME UP by Glasgow-based video artist Rachel Maclean, the much-anticipated documentary WHITNEY, directed by Kevin Macdonald and ALMOST FASHIONABLE: A FILM ABOUT TRAVIS, a documentary directed by the front man of Scottish band Travis, Fran Healy. Fran and the other band members will be in attendance for the film’s World Premiere. Scottish director and former Michael Powell Award winner Kenny Glenaan’s DIRT ROAD TO LAFAYETTE, written by James Kelman, which follows a father and son’s journey from Scotland to North Alabama to visit their American/Scots relatives will also receive its World Premiere at the Festival. Also in the program are a number of documentaries by Scottish filmmakers, including BECOMING ANIMAL (one of the latest features from the Scottish Documentary Institute). Ece Ger’s MEETING JIM about Jim Haynes, the man who co-founded the Traverse Theatre and was fundamental to the growth of the Edinburgh Festival Fringe will also have its World Premiere in Edinburgh in June. Meanwhile, Edinburgh-based documentarian and EIFF Honorary Patron Mark Cousins, will be on hand to introduce two of his latest projects THE EYES OF ORSON WELLES and STORM IN MY HEART. Scottish talent Shauna Macdonald can be seen on screen in horror, thriller WHITE CHAMBER, directed by Paul Raschid. Meanwhile, the work of Scottish actors Tommy Flanagan and EIFF Honorary Patron James Cosmo will be showcased, with Flanagan appearing in crime drama PAPILLON, produced by Joey McFarland, David Koplan, Ram Bergman and Roger Corbi, and Cosmo in Anthony Byrne’s IN DARKNESS alongside Natalie Dormer and Emily Ratajkowski. Audiences can again look forward to a preview of the hit Gaelic TV show BANNAN, filmed on the beautiful island of Skye. The BBC Alba show follows a young woman returning to the island she had left when she was 18, and gently blends tones of soap opera, family drama and murder mystery. The Festival will allow audiences to catch the first three episodes of the fifth series, followed by a Q&A. Taking a step back in time, EIFF will screen LONG SHOT by Maurice Hatton, which was filmed during the 1977 edition of the Festival and special event Behind the Curtain: Women & EIFF will be hosted by former EIFF Director Lynda Myles, who was the first female director of a film festival anywhere in the world, and Rachel Hosker, Archives Manager and Deputy Head of Special Collections at the University of Edinburgh. A selection of Scottish-linked animations are confirmed for this year’s program including Dorte Bengtson’s family film VITELLO, written by Kim Fupz Aakeson and produced by Anders Berthelsen and former EIFF chair Bob Last, who also produced the 2010 Oscar-Nominated animation THE ILLUSIONIST, featuring Doon Mackichan in the role of Mother. A sneak preview of Red Kite’s animated feature PRINCESS EMMY, co-produced by the award-winning Scottish animation studio and voiced by a host of Scottish actors, including John Hannah, will also screen. Animator Elizabeth Hobbs will be in Edinburgh to present a screening of her short animations. A graduate of Edinburgh College of Art, Hobbs has a long history with EIFF and will present Elizabeth Hobbs: A Retrospective of Animated Work. Local cycling legend David Millar will be on hand to present Finlay Pretsell’s, TIME TRIAL, followed by an extended Q&A with Millar and TV presenter Ned Boulting. Scottish director, Bill Forsyth will also introduce a screening of his classic film, LOCAL HERO, and participate in an extended Q&A with Royal Lyceum Theatre Artistic Director David Greig. There will also be numerous Scottish shorts for audience members to enjoy including BLUE CHRISTMAS by Scottish director Charlotte Wells, Tom Chick’s MONUMENT: PARTS ONE AND TWO, Anna Stoltzmann’s MY HEAD ON THE MOUNTAIN, Evi Tsiligaridou’s THESE ARE MY HANDS and Francesco Rufini’s DOGMA. The Scottish Documentary Institute’s short film program Bridging the Gap – Love will also screen. Furthermore, there are shorts from the Scottish Film Talent Network (SFTN), which is supported by National Lottery funding from Creative Scotland and BFI NETWORK. SFTN forms the Scottish element of the BFI NETWORK, designed to discover, nurture and advance new and emerging filmmaking talent and is a consortium made up of the Centre for the Moving Image (CMI), DigiCult and Hopscotch Films. The shorts this year include 12 POINT KILL, BUNNY, I WAS HERE, LIFT SHARE, MY LONELINESS IS KILLING ME, NONE OF THE ABOVE and TOMORROW MIGHT BE THE DAY. SFTN short animation WIDDERSHINS will also screen as part of The McLaren Award: New British Animation 1 alongside LAUNDROMAT, a graduate film from Edinburgh College of Art’s Bafta winning Animation course, directed by Madeleine Sayers.

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  • B. Harrison Smith and Gunnar Hansen Team up for Star-Studded Hardcore Horror ‘DEATH HOUSE’ [Trailer]

    Death House Horror legends, director B. Harrison Smith (‘Camp Dread’, ‘XK: Elephant’s Graveyard’) and past writer Gunnar Hansen the “Famed Horror Star” for ‘The Texas Chain Saw Massacre’, have teamed up for ‘Death House’, a hardcore horror film  that follows two FBI agents, Toria Boon (Courtney Palm) and Jae Novak (Cody Longo), who are constantly plagued by bad luck. When the duo are assigned to work on an exclusive tour within a secret maximum-security prison, they observe that its inmates are organized by the nine levels of the prison, or by the intensity of their evil. Toria and Jac have experienced their fair share of evil, or at least they think, … until an EMP device detonates and sets off the prison’s power, trapping them inside the hell-filled prison, where the violent and evil monsters-like inmates are set free to roam and riot. The two vulnerable agents frantically make their way through the wicked warren of evil, fighting for their lives. Smith captures the ultimate horror and chaos with the excellent combination of old-school styled gore with action-pack sequences, taking horror-lovers on an unnerving journey through the nine levels of evil within a dark prison full of relentless screams. As each level increases it becomes more dangerous than the last. Will the two agents be at the hands of the savage, barbaric, evil criminals or will they be lucky enough to escape the ‘Death House’ prison alive? Death House Poster ‘Death House’ was awarded the Festival Prize Winner for Audience Choice Award and Best Feature Film at the 2017 Central Florida Film Festival. TriCoast Worldwide’s horror division, DarkCoast will represent Smith’s ‘Death House’ with a screening at this year’s 71st Cannes Film Festival from May 8th-19th, TriCoast Worldwide’s booth will be located at Riviera D3. ‘Death House’ stars iconic horror legends including Kane Hodder (‘Friday the 13th’), Dee Wallace (‘Zombie Killers’), Tony Todd (‘The Candyman’, ‘The Crow’, ‘Night of the Living Dead’), Barbara Crampton (‘Reanimator’) and Adrienne Barbeau (‘The Fog’). Alongside are the talented, Courtney Palm (‘Zombewavers’), Cody Longo (‘Piranha 3D’, ‘Nashville’), Michael Berryman (‘The Hills Have Eyes’), Bill Mosley (‘Devil’s Rejects’, ‘House of 1,000 Corpses’), Lindsay Hartley (series, ‘All My Children’, ‘The Challenger’), Sean Whalen (‘Lost’, ‘Men In Black’), Vernon Wells (‘Weird Science’), RA Mihailoff (‘Texas Chainsaw III’), Sid Haig (‘Devil’s Rejects’, ‘House of 1,000 Corpses’), Vincent Ward (‘The Walking Dead’, ‘Oceans Eleven’), Felissa Rose (‘Sleepaway Camp’, ‘Camp Dread’), Bill Oberst, Jr. (‘Scary or Die’) and Bernhard Forcher (‘Fury’). https://vimeo.com/266558218

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  • AFI DOCS 2018 Unveils Full Slate of 92 Films

    [caption id="attachment_29156" align="aligncenter" width="1200"]UNITED SKATES UNITED SKATES[/caption] AFI DOCS has finally revealed its full slate of 92 films representing 22 countries for the 16th edition of the American Film Institute’s five-day documentary film festival in the nation’s capital.  AFI DOCS 2018 runs June 13 to 17 in Washington, DC, and Silver Spring, MD. As previously announced, the festival will open with the world premiere of PERSONAL STATEMENT and will close with UNITED SKATES. ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW screens as the Centerpiece Screening. Special Screenings include THE COLD BLUE, KINSHASA MAKAMBO, MR. SOUL! and WITKIN & WITKIN.

    AFI DOCS 2018 PROGRAM

    OPENING NIGHT SCREENING

    PERSONAL STATEMENT: DIRS Juliane Dressner and Edwin Martinez. USA. Karoline, Enoch and Christine are Brooklyn high school seniors who just want to go to college, but like so many public-school students throughout the country, their schools don’t have enough college guidance support. Refusing to give up, they decide to work as college counselors in their schools, becoming the very resource they don’t have themselves. World Premiere.

    CLOSING NIGHT SCREENING

    UNITED SKATES: DIRS Dyana Winkler and Tina Brown. USA. Roller-skating has played a critical role in modern African-American culture, with rinks serving as both a haven of community and of artistic expression, and a flashpoint in the civil rights movement. UNITED SKATES chronicles the fight to save these rinks, and the souls of communities nationwide.

    CENTERPIECE SCREENING

    ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW: DIR Rory Kennedy. USA. Rory Kennedy tells the stories of the women and men behind the National Aeronautics and Space Administration’s decades-long exploration of our solar system, our universe and our planet, in this enlightening film that celebrates NASA’s triumphs, mourns its tragedies and affirms the importance of its mission both in space and on Earth.

    SPECIAL SCREENINGS

    THE COLD BLUE: DIR Erik Nelson. USA. In 1943, legendary Hollywood director William Wyler crafted MEMPHIS BELLE, a celebrated tribute to the titular WWII bomber. Using footage shot by Wyler from the National Archives, director Erik Nelson has made a new film, featuring gripping narration from some of the last surviving B-17 pilots. A meditation on youth, war and stunning bravery. World Premiere. KINSHASA MAKAMBO: DIR Dieudo Hamadi. DRC, France, Germany. Amid the backdrop of seemingly the neverending political and social unrest that hangs over the Democratic Republic of Congo, three young activists take to the streets with their fellow countrymen to overthrow their country’s President and help enact much needed change in their politically beleaguered country. East Coast Premiere. MR. SOUL!: DIRS Sam Pollard and Melissa Haizlip. USA. An in-depth look at the late 1960s WNET public television series SOUL! and its producer Ellis Haizlip. The series was among the first to provide expanded images of African Americans on television, shifting the gaze from inner-city poverty and violence to the vibrancy of the Black Arts Movement. WITKIN + WITKIN: DIR Trisha Ziff. Mexico. The artwork of septuagenarian twins Joel-Peter and Jerome Witkin transcends genres and traditional form. WITKIN & WITKIN explores the brothers’ complicated relationship with one another, and examines depths and divisions in their work. Joel-Peter’s stunning photography and Jerome’s powerful figurative paintings distinctly capture the human condition, reflecting differing emotional and intellectual approaches. U.S. Premiere.

    FEATURE FILM SELECTIONS

    209 RUE SAINT-MAUR, PARIS 10ÈME – THE NEIGHBOURS: DIR Ruth Zylberman. France. After selecting a building at random in a Jewish neighborhood in Paris, French director Ruth Zylberman meticulously reconstructed its community of inhabitants during the German occupation. What results is the spellbinding 209 RUE SAINT-MAUR, an experimental historiography that tells the emotional story of lives uprooted and destroyed under the Nazis. U.S. Premiere. ALONE IN THE GAME: DIRS Natalie Metzger and Michael Rohrbaugh. USA. Outdated ideas and outright prejudice have made competitive sports one of the gay rights movement’s final frontiers. ALONE IN THE GAME reveals how a new generation of queer and transgender athletes are scoring victories on and off the field by standing up for their rights — including the right to compete. World Premiere. AMÉRICA: DIRS Erick Stoll and Chase Whiteside. USA. At the heart of this film is 93-year-old matriarch América. When an accidental fall lands her son in jail for neglect, her three freewheeling grandsons must reunite to get their father out of prison and their grandmother out of bed. What emerges is an unforgettable and tender tale of familial love. AMERICA TO ME: DIR Steve James. USA. In this first episode of his excellent miniseries, Steve James returns to the subjects that have marked his career — class, race, and how the two affect social and economic mobility. James follows students at a public high school in suburban Chicago that is considered the gold standard of diversity, yet on the ground, he discovers a different story. BATHTUBS OVER BROADWAY: DIR Dava Whisenant. USA. Steve Young is obsessed with industrial musicals, the often bizarre and hilarious productions commissioned by companies to celebrate their products at corporate conventions. Follow him as he investigates this odd aspect of midcentury corporate culture, while continuing his search for gems like “Diesel Dazzle” and “The Bathrooms Are Coming!” BISBEE ’17: DIR Robert Greene. USA. Bisbee, Arizona, an old copper-mining town on the Mexican border, finally reckons with its darkest day: the deportation of 1,200 immigrant miners left to die in the middle of the desert in 1917. Filmmaker Robert Greene captures the city’s residents as they commemorate this tragic event by staging a reenactment on its 100th anniversary. BLOWIN’ UP: DIR Stephanie Wang-Breal. USA. A New York City courtroom recommends a unique and compassionate intervention option to young women charged with prostitution: submit to free counseling sessions designed by a mentoring program to get you off the street, and your record will be expunged. Are they ready to make that change? CENTRAL AIRPORT THF: DIR Karim Aïnouz. Germany, France, Brazil. A decade after ceasing operations, Berlin’s historic Tempelhof Airport has found a second life serving a new group of arrivals and departures: refugees now seeking asylum in Germany. CENTRAL AIRPORT THF looks at the absurdity of life for migrants making the most of the long layover. CHARM CITY: DIR Marilyn Ness. USA. On the streets of Baltimore, the murder rate is approaching an all-time high, and distrust of the police reaches a fever pitch. With neighborhoods in peril, residents attempt to diffuse the violence through cooperative efforts helmed by community leaders, compassionate law-enforcement officers and a progressive young city councilman. COMBAT OBSCURA: DIR Miles Lagoze. USA. Miles Lagoze was deployed as a combat photographer in Afghanistan, making videos for official Marine Corps recruitment purposes. Compiled of outtakes from those videos, this disturbingly raw portrait of the conflict in Afghanistan exposes the gulf between the war we’re meant to see and the war as it really is. East Coast Premiere. CRIME + PUNISHMENT: DIR Stephen Maing. USA. In 2015, a group of 12 whistleblower cops sued the NYPD for using illegal quotas despite a 2010 statewide ban on the practice. A blood-boiling investigation into a corrupt organization, CRIME + PUNISHMENT follows these officers as they face retaliation for attempting to resist against racist practices. DARK MONEY: DIR Kimberly Reed. USA. A portrait of democracy under fire, DARK MONEY pulls back the curtain on big money in national politics. Revealing how right-wing giants like the Koch brothers hide behind super PACs to do their bidding — in the forms of corporate-funded smear campaigns and dangerous legislation — this film is as timely as it is eye-opening. THE DISTANT BARKING OF DOGS: DIR Simon Lereng Wilmont. Denmark, Finland, Sweden. Taking an observational approach, this masterful film follows 10-year-old Oleg and his grandmother as they cope with life mere miles from the frontline of the war in Ukraine, showing how children navigate the trauma of conflict, while still seeing the world with naiveté and wonder. DON’T BE NICE: DIR Max Powers. USA. Following a diverse team of slam poets as they mine their feelings and personal experiences about race, sexuality, gender and popular culture to craft poems for national competition, DON’T BE NICE demonstrates how collaboration and communication between artists can allow them to better understand who they are and what they want to say. U.S. Premiere. FOR THE BIRDS: DIR Richard Miron. USA. In Richard Miron’s surprising and empathetic film, we follow a woman named Kathy who lives with 200 pet birds. What starts as a story about Kathy’s battle with local animal advocacy groups slowly transforms into an intimate drama about the toll of Kathy’s bird-hoarding — on her marriage and mental health. North American Premiere. FOSTER: DIR Mark Jonathan Harris. USA. Oscar® winners Mark Jonathan Harris and Deborah Oppenheimer (INTO THE ARMS OF STRANGERS: STORIES OF THE KINDERTRANSPORT) roam courtrooms, foster homes, juvenile halls and the streets of Los Angeles to tell the moving human stories behind the largest county child protection agency in the United States. World Premiere. THE GOSPEL OF EUREKA: DIRS Michael Palmieri and Donal Mosher. USA. A tiny Arkansas town is home to a popular live-action Passion Play — and a tightknit gay community centered around a lively drag bar. A touching, upbeat look at an enlightened town that maintains a peaceful coexistence of two seemingly divergent groups through tolerance, love and inclusion. GURRUMUL: DIR Paul Williams. Australia. With the release of his debut album, blind indigenous Australian musician Geoffrey Gurrumul Yunupingu became an unlikely star in both his homeland and in the larger world music scene. But as Gurrumul’s fame grew, the balance between his culture’s way of life and a career in music proved tricky to maintain. U.S. Premiere. HAL: DIR Amy Scott. USA. Surveying the works of iconoclastic filmmaker Hal Ashby (HAROLD AND MAUDE, THE LAST DETAIL, COMING HOME), director Amy Scott identifies how Ashby’s brilliant and seminal works helped define both the New Hollywood of the 1970s and the American experience for a decade. HALE COUNTY THIS MORNING, THIS EVENING: DIR RaMell Ross. USA. Winner of a Special Jury Prize at this year’s Sundance Film Festival, RaMell Ross’ assured feature debut is a lyrical look at the lives of two young African-American men born and raised in Alabama’s Hale County, the community that surrounds them and the paths they follow throughout the years. HAPPY WINTER: DIR Giovanni Totaro. Italy. The escapism of being on holiday gets a fascinating twist in Giovanni Totaro’s shrewdly observant HAPPY WINTER. Mondello beach in Palermo, Italy, is a seemingly pleasant circus of bronzed vacationers milling about. But behind the happy goings-on is a different story of collective denial about the looming economic crisis. U.S. Premiere. HESBURGH: DIR Patrick Creadon. USA. He counseled presidents and popes, served on corporate boards and infuriated Richard Nixon. He was one of the only friends to whom Ann Landers turned for advice. During his 35 years as president of the University of Notre Dame, Theodore Hesburgh became one of the most influential and inspiring people of the 20th century. World Premiere. INTO THE OKAVANGO: DIR Neil Gelinas. USA. National Geographic photographer Neil Gelinas makes his directorial debut with INTO THE OKAVANGO. This visually stunning film follows three passionate individuals as they embark on a four-month journey along the titular river — witnessing Africa’s animal and bird population in visceral, jaw-dropping close-up — to discover why the Okavango Delta is rapidly drying up. INVENTING TOMORROW: DIR Laura Nix. USA. Laura Nix’s inspiring film follows high school students from around the world, many of whom hail from dangerously polluted countries, as they tackle daunting environmental issues affecting their communities. Watch as the teens then bring their ingeniously proposed solutions to “the science fair of science fairs” — the Intel International Science and Engineering Fair. IT WILL BE CHAOS: DIRS Lorena Luciano and Filippo Piscopo. USA. Follow an Eritrean man and a Syrian family on dual quests for freedom amid the refugee crisis in the eastern Mediterranean. Tension mounts as they battle the rough seas, harsh conditions and red tape standing in their way. Will they make it to a new life in Europe? THE LIBERATION: DIRS Christoph Green and Brendan Canty. USA. Therapy sessions, cooking lessons and raw personal stories provide the drama in THE LIBERATION, DC-based filmmakers Christoph Green and Brendan Canty’s story of the formerly incarcerated men and women struggling to get through DC Central Kitchen’s 14-week culinary training program. Can they make it and turn their lives around? East Coast Premiere. LOVE, GILDA: DIR Lisa D’Apolito. USA. Lisa D’Apolito’s moving documentary LOVE, GILDA looks back at the exuberant life and courageous death of Gilda Radner, the first female superstar of SATURDAY NIGHT LIVE. Using an abundance of archival photos and clips, along with confessional narration by Radner, the film paints a loving portrait of her short but spectacularly eventful life. MATANGI / MAYA / M.I.A.: DIR Stephen Loveridge. UK. Drawn from 22 years’ worth of personal video footage, MATANGI / MAYA / M.I.A. is an intimate look at the life of rapper, songwriter and activist M.I.A., from her childhood in war-torn Sri Lanka, to her eventual rise to international stardom as one of the most thought-provoking artists working in music today. MCQUEEN: DIRS Ian Bonhôte and Peter Ettedgui. UK. This intimate profile offers unparalleled access to one of the fashion industry’s brightest stars, Alexander McQueen. Brilliant, bold and informed by a British punk aesthetic, the designer was known for his exquisite and strikingly original clothes and his legendary runway shows — theatrical spectacles influenced by contemporary art, theater and photography. MINDING THE GAP: DIR Bing Liu. USA. First-time filmmaker Bing Liu turns the camera on himself, his family members and his skateboarder friends in this deeply moving depiction of three young men in a small Midwestern town grappling with issues of class, race and learning to overcome the cycles of family violence. A MURDER IN MANSFIELD: DIR Barbara Kopple. USA. Two-time Oscar® winner Barbara Kopple takes on true crime, revisiting a horrific 1989 domestic murder in Ohio. Collier Boyle was 12 when his father killed and buried his wife under the flooring of a remote countryside home. Now an adult, Collier returns to Mansfield to face the lingering impact of his mother’s murder. ON HER SHOULDERS: DIR Alexandria Bombach. USA. Filmmaker Alexandria Bombach follows Nadia Murad, a young Yazidi woman who gained international attention after escaping captivity by the Islamic State. Forgoing sensationalism, Bombach’s award-winning film offers a fresh perspective on Nadia’s new life as a human rights activist raising awareness for her people and their plight. OVER THE LIMIT: DIR Marta Prus. Poland, Germany, Finland. As the 2016 Summer Olympics loom, Russian gymnast Margarita Mamun prepares to represent her country at this historic event. But the path to the Olympics is not an easy one in this unflinching portrait of an athlete straining to retain her humanity while going for gold. U.S. Premiere. PICK OF THE LITTER: DIRS Dana Nachman and Don Hardy. USA. Shortly after birth, five Labrador puppies enter the intensive two-year training program at California’s Guide Dogs for the Blind. Here, only the best pups will make the cut to protect and serve blind partners, while others will have to change careers for good. THE PRICE OF EVERYTHING: DIR Nathaniel Kahn. USA. An examination of the contemporary art market through the eyes of artists, dealers and collectors, THE PRICE OF EVERYTHING is the latest work from Oscar® nominee Nathaniel Kahn. Illuminating complex dynamics between artistic intention and consumer behavior, the film begs the question: What value do we place on the priceless? THE PROVIDERS: DIRS Anna Moot-Levin and Laura Green. USA. THE PROVIDERS follows three “country doctors” — health care providers working for a small network of clinics in northern New Mexico — as they confront the challenges of keeping those in their poor and opioid-plagued communities safe. As the film movingly shows each doctor’s day-to-day responsibilities, a complex portrait emerges of small-town America. SHIRKERS: DIR Sandi Tan. USA. In 1992, Sandi Tan shot a film in Singapore with her friends and her American mentor, Georges. As the film neared completion, Georges disappeared with the footage, leaving Sandi heartbroken. Twenty years later, the footage is discovered, and the strange mystery of Georges begins to unravel. THE SILENCE OF OTHERS: DIRS Almudena Carracedo and Robert Bahar. USA, Spain. A quest for justice by those who suffered under the repressive regime of General Francisco Franco is at the heart of this powerful and provocative film. Those who were tortured or had family members murdered are demanding the truth be told to the Spanish people, and the remaining perpetrators put on trial. U.S. Premiere. STUDIO 54: DIR Matt Tyrnauer. USA. An Icarus tale unfolds to a disco beat in STUDIO 54, an intimate peek behind the velvet ropes, where mirror balls twinkled over Liza Minelli, Diana Ross, Mick Jagger and Andy Warhol in Matt Tyrnauer’s illuminating history of the rise and fall of the legendary New York nightclub. THIS ONE’S FOR THE LADIES: DIR Gene Graham. USA. Diving inside an unexpected subculture of Newark, THIS ONE’S FOR THE LADIES follows a group of women who throw weekly underground male exotic dance parties. Exploring sexual identity and the meaning of community, the film is a unique portrait of the black experience in 21st-century America. TRANSMILITARY: DIRS Gabriel Silverman and Fiona Dawson. USA. Gabriel Silverman and Fiona Dawson make their stirring feature debut with TRANSMILITARY, following four individuals who come out as transgender to top officials at the Pentagon — a brave move that puts their military careers in jeopardy, and shows a struggle for equality that is more relevant than ever. TRE MAISON DASAN: DIR Denali Tiller. USA. With a parent in prison, three Rhode Island boys tackle adult realities few of their peers can even imagine. Unfettered access to three troubled but promising young lives produces an unforgettable perspective on the multigenerational consequences of U.S. incarceration, where one out of 14 kids has a parent with a prison history. UNDER THE WIRE: DIR Chris Martin. UK. In 2012, acclaimed journalist Marie Colvin illegally crossed the Syrian border to cover the country’s civil war. She became one of the only voices reporting on the atrocities being committed against the Syrian people. With breathtaking footage, UNDER THE WIRE profiles one woman’s drive to uncover the truth, no matter the cost. International Premiere. UNITED WE FAN: DIR Michael Sparaga. Canada. UNITED WE FAN follows the ingenious save-our-show campaigns that have been spurred by passionate television uber-fans throughout the decades. From STAR TREK to CAGNEY AND LACEY and CHUCK — plus many more — this delightful doc highlights the grassroots efforts needed to save beloved TV shows. U.S. Premiere. YOURS IN SISTERHOOD: DIR Irene Lusztig. USA. More than four decades after the birth of Ms. Magazine, director Irene Lusztig combs the publication’s archives and pairs some of the most memorable letters, many never published, with contemporary readers to comment on just how far we’ve come — and what we still have to accomplish.

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  • Jeff Bridges LIVING IN THE FUTURE’S PAST to Kick Off 4th Martha’s Vineyard Environmental Film Festival

    [caption id="attachment_29106" align="aligncenter" width="1200"]LIVING IN THE FUTURE'S PAST, Jeff Bridges LIVING IN THE FUTURE’S PAST, Jeff Bridges[/caption] The 4th Annual Martha’s Vineyard Environmental Film Festival begins Thursday, May 24th and concludes Sunday, May 27th, 2018, at the Martha’s Vineyard Film Center in Vineyard Haven. This year’s Opening Night Event features the new documentary LIVING IN THE FUTURE’S PAST. In this documentary, Jeff Bridges, alongside prominent scientists and authors, weaves evolution, emergence, entropy, dark ecology, and what some are calling ‘the end of nature’, into an engrossing story that helps us understand our place among the species of Earth’s household. This powerful, poetic and thought-provoking feature challenges our current way of thinking and provides original insights into our subconscious motivations, their unintended consequences and the changes we need to make to our psychology, and way of being, in order to solve the ecological crises we have brought upon ourselves as a result of our primitive thoughts and desires. Actor/Narrator Jeff Bridges is scheduled to appear via video message and a pre-screening reception begins at 6:30pm with David Hannon playing Jazz Piano. Some other special events at the 4th Annual MV Environmental Film Festival include: OCEAN WARRIORS: CHASING THE THUNDER with Producer Katie Carpenter, the MVRHS Student Art Show Reception and Awards, LOVE AND BANANAS: AN ELEPHANT STORY with David Casselman, a special Youth Event with Vineyard Conservation Society, and THE FARTHEST with Executive Producer Josh Rubin. Special Guests Include: Actor Jeff Bridges (video message for LIVING IN THE FUTURE’S PAST), Actor Pierce Brosnan (video message for Youth Event), Cambodia Wildlife Sanctuary Founder David Casselman, Katie Carpenter (Producer, CHASING THE THUNDER), and Josh Rubin (Executive Producer, THE FARTHEST). Community collaborations with Polly Hill Arboretum, Island Grown Gleaning, Island Grown Initiative, and others.

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  • The Archaeology Channel International Film Festival Announces 2018 Winners

    [caption id="attachment_29091" align="aligncenter" width="1200"]On the Banks of the Tigris: The Hidden Story of Iraqi Music On the Banks of the Tigris: The Hidden Story of Iraqi Music[/caption] The Archaeology Channel International Film Festival, took place May 2 to 6, 2018, at The Shedd Institute in Eugene, Oregon, and featured many of the world’s best films on archaeology and cultural heritage, as well as in-person presentations by Dr. Fredrik Hiebert of the National Geographic Society and three days of conference presentations on cultural heritage media from a worldwide array of speakers. The conference notably included a full day symposium summarizing the latest research on the disappearance of aviator Amelia Earhart as well as a panel discussion debating the three chief hypotheses offered to account for it. Producers and distributors submitted a record 800 film entries to the Festival, of which 176 films from 45 countries worldwide were considered and reviewed for the competition. At the end of the review process, 29 films from 15 countries were screened in front of audiences at The Shedd. Awards listed below are in nine categories: Best Film (by jury), Best Narration (by jury), Best Animation & Effects (by jury), Best Public Education Value (by jury), Best Script (by jury), Best Cinematography (by jury), Best Music (by jury), Most Inspirational (by jury), and Audience Favorite, as well as three Special Mention Awards designated by the Festival jury. The Festival is one of approximately eight competitive festivals featuring archaeology-related films worldwide and one of only two in the Western Hemisphere. The top jury award (Best Film by Jury) went to Secrets of the Nolichucky River (Produced and distributed by Debra Dylan; directed by Buck Kahler; USA), about the discovery of a very well preserved Cherokee village in northeastern Tennessee and its connection to the long-forgotten history of early Spanish contact and the original territory of the Cherokee Nation. During the Festival, Buck Kahler described the movie-making process for this film and conducted Q&A for the audience after the screening. The Festival jury awarded four Special Mention awards. Still Turning (Produced and distributed by Shirley Gu; directed by Jesse Pickett; China) won special mention for promoting awareness of national heritage. United By Water (Produced and distributed by Sherman Alexie; directed by Derrick LaMere; USA) was noted for its presentation of heritage values. Cervantes: The Search (Produced and directed by Javier Balaquer Blasco; distributed by Troto Int. S.L.; Spain) impressed the jury with its innovative storytelling. Vikings: Warriors of the North, Giants of the Sea (Produced and directed by Gustavo Vilchez; distributed by Fundacion de la C.V. MARQ; Spain); gained jury recognition as the best short subject. The Festival audience picked On the Banks of the Tigris: The Hidden Story of Iraqi Music (Produced and directed by Marsha Emerman; distributed by 7th Art Releasing and Ronin Films; Australia) as its favorite film. This film tells the story of mid-twentieth-century Iraqi popular music, much of it the product of Iraqi Jews, along with Christians and Muslims, who were purged from Iraq during the regime of Saddam Hussein but still perform their art.

    The Archaeology Channel International Film Festival 2018 awards:

    Best Film (by Jury)

    Secrets of the Nolichucky River (Produced by Debra Dylan; directed by Buck Kahler; distributed by Debra Dylan; USA)

    Honorable Mention for Best Film Category (in order):

    Searching for the Lost Future (Produced, directed, and distributed by Alfonso Par and Luis Quevedo; Spain) Just Like Us (Produced and directed by Hans Dirven and Merel ten Elsen; distributed by Loveland Film and Photography; Netherlands) On the Banks of the Tigris: The Hidden Story of Iraqi Music (Produced and directed by Marsha Emerman; distributed by 7th Art Releasing and Ronin Films; Australia) Good Earth: Awakening the Silent City (Produced by Fourth Wall Films; directed and distributed by Kelly Rundle; USA)

    Best Narration (by Jury)

    Good Earth: Awakening the Silent City (Produced by Fourth Wall Films; directed and distributed by Kelly Rundle; USA)

    Honorable Mention for Narration (in order):

    On the Banks of the Tigris: The Hidden Story of Iraqi Music (Produced and directed by Marsha Emerman; distributed by 7th Art Releasing, Ronin Films; Australia) Searching for the Lost Future (Produced, directed, and distributed by Alfonso Par and Luis Quevedo; Spain) Secrets of the Nolichucky River (Produced by Debra Dylan; directed by Buck Kahler; distributed by Debra Dylan; USA) Cervantes: The Search (Produced and directed by Javier Balaquer Blasco; distributed by Troto Int. S.L.; Spain)

    Best Animation & Effects (by Jury)

    Vikings: Warriors of the North, Giants of the Sea (Produced and directed by Gustavo Vilchez; distributed by Fundacion de la C.V. MARQ; Spain)

    Honorable Mention for Animation & Special Effects (in order):

    Secrets of the Nolichucky River (Produced by Debra Dylan; directed by Buck Kahler; distributed by Debra Dylan; USA) Chinese Chariots Revealed (Produced by Giulia Clark, Bill Locke, and Lion Television for WGBH NOVA; directed by Giulia Clark) Manohar Ambanagari (Produced, directed and distributed by Rahul Narwani; India) Good Earth: Awakening the Silent City (Produced by Fourth Wall Films; directed and distributed by Kelly Rundle; USA)

    Best Public Education Value (by Jury)

    Secrets of the Nolichucky River (Produced by Debra Dylan; directed by Buck Kahler; distributed by Debra Dylan; USA)

    Honorable Mention for Public Education Value (in order):

    Good Earth: Awakening the Silent City (Produced by Fourth Wall Films; directed and distributed by Kelly Rundle; USA) Searching for the Lost Future (Produced, directed, and distributed by Alfonso Par and Luis Quevedo; Spain) On the Banks of the Tigris: The Hidden Story of Iraqi Music (Produced and directed by Marsha Emerman; distributed by 7th Art Releasing and Ronin Films; Australia) The Enigma of the Celtic Tomb (Produced by Edmée Millot – Eleazar; directed by Alexis de Favitski; distributed by Terra Noa; France)

    Best Script (by Jury)

    Just Like Us (Produced and directed by Hans Dirven and Merel ten Elsen; distributed by Loveland Film and Photography; Netherlands)

    Honorable Mention for Script (in order):

    Good Earth: Awakening the Silent City (Produced by Fourth Wall Films; directed and distributed by Kelly Rundle; USA) Searching for the Lost Future (Produced, directed, and distributed by Alfonso Par and Luis Quevedo; Spain) Cervantes: The Search (Produced and directed by Javier Balaquer Blasco; distributed by Troto Int. S.L.; Spain) Secrets of the Nolichucky River (Produced by Debra Dylan; directed by Buck Kahler; distributed by Debra Dylan; USA)

    Best Cinematography (by Jury)

    Chinese Chariots Revealed (Produced by Giulia Clark, Bill Locke, and Lion Television for WGBH NOVA; directed by Giulia Clark)

    Honorable Mention for Cinematography (in order):

    Chartres: Light Reborn (Produced by Kanari Films; directed and distributed by Anne Savalli; France) A Walk Through Time (Produced by Brian Brazeal, Leslie Steidl, Greg White, Dino Beltran, John Parker, Darin Beltran, and Drake Beltran; directed by Daniel Bruns; distributed by Advanced Laboratory for Visual Anthropology at CSU, Chico; USA) Searching for the Lost Future (Produced, directed, and distributed by Alfonso Par and Luis Quevedo; Spain) The Enigma of the Celtic Tomb (Produced by Edmée Millot – Eleazar; directed by Alexis de Favitski; distributed by Terra Noa; France)

    Best Music (by Jury)

    Secrets of the Nolichucky River (Produced by Debra Dylan; directed by Buck Kahler; distributed by Debra Dylan; USA)

    Honorable Mention for Music (in order):

    On the Banks of the Tigris: The Hidden Story of Iraqi Music (Produced and directed by Marsha Emerman; distributed by 7th Art Releasing and Ronin Films; Australia) Vikings: Warriors of the North, Giants of the Sea (Produced and directed by Gustavo Vilchez; distributed by Fundacion de la C.V. MARQ; Spain) Of Love and Artistry (Produced and distributed by Jane Himmeth Singh; directed by Suruchi Sharma; India) Good Earth: Awakening the Silent City (Produced by Fourth Wall Films; directed and distributed by Kelly Rundle; USA)

    Most Inspirational (by Jury)

    On the Banks of the Tigris: The Hidden Story of Iraqi Music (Produced and directed by Marsha Emerman; distributed by 7th Art Releasing and Ronin Films; Australia)

    Honorable Mention for Inspiration (in order):

    Good Earth: Awakening the Silent City (Produced by Fourth Wall Films; directed and distributed by Kelly Rundle; USA) Just Like Us (Produced and directed by Hans Dirven and Merel ten Elsen; distributed by Loveland Film and Photography; Netherlands) Secrets of the Nolichucky River (Produced by Debra Dylan; directed by Buck Kahler; distributed by Debra Dylan; USA) Searching for the Lost Future (Produced, directed, and distributed by Alfonso Par and Luis Quevedo; Spain)

    Audience Favorite Competition (by Festival audience)

    On the Banks of the Tigris: The Hidden Story of Iraqi Music (Produced and directed by Marsha Emerman; distributed by 7th Art Releasing and Ronin Films; Australia)

    Honorable Mention in Audience Favorite Competition (in order):

    Shepherds in the Cave (Produced, directed, and distributed by Anthony Grieco; Canada) Chinese Chariots Revealed (Produced by Giulia Clark, Bill Locke, and Lion Television for WGBH NOVA; directed by Giulia Clark) United By Water (Produced and distributed by Sherman Alexie; directed by Derrick LaMere; USA) Chartres: Light Reborn (Produced by Kanari Films; directed and distributed by Anne Savalli; France)

    Special Mention (by Jury)

    Still Turning (Produced and distributed by Shirley Gu; directed by Jesse Pickett; China); for Awareness of National Heritage United By Water (Produced and distributed by Sherman Alexie; directed by Derrick LaMere; USA); for Presentation of Heritage Values Cervantes: The Search (Produced and directed by Javier Balaquer Blasco; distributed by Troto Int. S.L.; Spain); for Innovative Storytelling Vikings: Warriors of the North, Giants of the Sea (Produced and directed by Gustavo Vilchez; distributed by Fundacion de la C.V. MARQ; Spain); for Best Short Subject

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  • HBO Sets Memorial Day Date for John McCain Documentary JOHN MCCAIN: FOR WHOM THE BELL TOLLS

    Sen. John Sidney McCain, III HBO has set the debut date for and confirmed the title – John McCain: For Whom the Bell Tolls – of the previously announced documentary about Senator John Sidney McCain, III.   Produced and directed by six-time Emmy(R) winner Peter Kunhardt, along with Emmy(R) winners George Kunhardt and Teddy Kunhardt, the film is described as an illuminating, exclusive profile of one of the most influential forces in modern American politics. John McCain: For Whom the Bell Tolls will debut this Memorial Day, MONDAY, MAY 28 (8:00-9:45 p.m. ET/PT) on HBO. Following more than 31 years of public service, the six-term senior Arizona senator agreed to participate in the film shortly after being diagnosed with brain cancer, providing unprecedented access to his daily life in Washington, D.C. and Sedona, Arizona. The film features interviews with family, friends, colleagues and leading political figures such as former President Barack Obama, former Vice President Joe Biden, former Secretary of State Hillary Clinton, former Senator Joe Lieberman and former Secretary of State Henry Kissinger. Mesmerized at 12 years old by Ernest Hemingway’s “For Whom the Bell Tolls,” Sen. McCain has used the book as a guide for his life. This sweeping account draws on his own voice, culled from original interviews, commentary and speeches, archival newsreel and television footage, and previously unseen home movies and photographs. Recounting everything from his years spent as a prisoner of war during the Vietnam War to running for president, the documentary paints an important portrait of an American maverick who has never lost courage and has kept his eye on America’s most important goals. John McCain’s life is a story of triumph, defeat and resilience? – ?Six decades of, in his words, “imperfect service to my country,” in which the mistakes he made were redeemed by the risks he took and the sacrifices he made for the county he loves. “I think all of us think about death, but I think more about life,” says Sen. McCain. “There are so many days in my life that are more than coincidental. That it has made me believe that I am here for a reason. I’ve been tested on a number of occasions. I haven’t always done the right thing. And I think I understand given my family’s history and given my experiences, the important thing is not to look back and figure out all the things I should have done? – ?and there’s lots of those? – ?but to look back with gratitude. You will never talk to anyone that is as fortunate as John McCain.” McCain’s recent battle with brain cancer underscores the fighting spirit and resilience of this remarkable man, who continues to crusade for the causes he believes in, despite advancing health issues and daunting odds. Kunhardt Films’ previous HBO credits include the recent “King in the Wilderness,” the Emmy(R) winner “Jim: The James Foley Story,” the PGA nominee “The Newspaperman: The Life and Times of Ben Bradlee,” “Becoming Warren Buffett,” the Emmy(R) nominated “Nixon by Nixon: In His Own Words,” the Emmy(R) nominated “Gloria: In Her Own Words” and the Emmy(R) winner “Teddy: In His Own Words.”

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  • Rooftop Films Unveils Feature Films, Short Films and Programs for the 22nd Summer Series – May and June

    [caption id="attachment_29006" align="aligncenter" width="1200"]2017 Rooftop Filmmakers’ Fund Grantee Ultraviolet will screen as part of “This is What We Mean by Short Films” . 2017 Rooftop Filmmakers’ Fund Grantee Ultraviolet will screen as part of “This is What We Mean by Short Films” .
    Courtesy of filmmaker Marc Johnson.[/caption] This summer, Rooftop Films will present over 100 short films in 13 programs, with each program curated thematically.  On Saturday, May 19th, Rooftop Films will kick off the 2018 Summer Series in Brooklyn’s Green-Wood Cemetery with This Is What We Mean By Short Films, a selection of dynamic shorts from around the world, including Rooftop Filmmakers Fund grantee The Burden. Rooftop Films will present a dozen more carefully curated programs throughout the summer, each with a specific focus or theme. Highlights of the 22nd Summer Series include two nights of documentaries (including Rooftop’s signature New York Nonfiction program); Net Positive, a program of internet-related short films co-presented with The Mozilla Foundation; two evenings of short films about unlikely romances; selected shorts from the Sundance Film Festival; two programs of animated short films; and Come and Take It, a program short films by and about bold and uncategorizable women. “Rooftop Films has championed the short film from the start,” said Dan Nuxoll, Artistic Director of Rooftop Films, “and many of the filmmakers whose shorts we have screened have gone on to create some of the most exciting independent feature films of the last twenty years. But though we are thrilled by the potential on display in the short films we will show this summer, we are equally excited by the magnificent things these filmmakers have already accomplished with these daring, perfectly constructed gems.” Every Summer Series event will include live musical performances and all ticketed screenings will have after-parties featuring Freixenet and signature drinks by Ketel One Family Made Vodka. Venues this year include Green-Wood Cemetery in Greenwood Heights, The William Vale in Williamsburg, The Old American Can Factory in Gowanus, Industry City and Brooklyn Army Terminal in Sunset Park, MetroTech Commons in Downtown Brooklyn, New Design High School in the Lower East Side, and Socrates Sculpture Park in Long Island City.

    SHORT FILM PROGRAMS

    THIS IS WHAT WE MEAN BY SHORT FILMS: OPENING NIGHT Opening Night 2018! It’s a graveyard smash! The Burden (Min börda) (Niki Lindroth von Bahr – The Cutest Dog in the World (Julian Glander) – Irony (Amy Nicholson) – Julius Caesar Was Buried in a Pet Cemetery (Sam Green) – Milk and Cookies (Patrick Mulvey, Andrew Scott Ramsay) – Rebirth is Necessary (Jenn Nkiru) – So You Like the Neighborhood (Jean Pesce) – The Town I Live In (Matt Wolf, Guadalupe Rosales) – To the Dead (Mauricio Arango) – Ultraviolet (Marc Johnson) NO ESCAPE: UNCANNY MINDBENDERS The eternal return of our short film collection of eerie existential thrillers. Allen Anders – Live at the Comedy Castle (circa 1987) (Laura Moss, Tony Grayson) – Awasarn Sound Man (Death of the Soundman) (Sorayos Prapapan) – Find Fix Finish (Sylvain Cruiziat, Mila Zhluktenko) – Lance Lizardi (Xander Robin) – LaZercism (Shaka King) – Mwah (Nina Buxton) – Paco (Catalina Jordan Alvarez) – Rabbit’s Blood (Sarina Nihei) – The Tesla World Light (Tesla: lumière mondiale) (Matthew Rankin) DARK TOONS Twisted animated short films that walk you to the brink of the abyss… then push you over the edge. A Brief Spark Bookended by Darkness (Brent Green) – Born in a Void (Alex Grigg) – Call of Cuteness (Brenda Lien) – Glucose (Jeron Braxton) – JEOM (Kangmin Kim) – Negative Space (Ru Kuwahata, Max Porter) – Nachtstück (Nocturne) (Anne Breymann) – Paradise (Ton Meijdam, Thom Snels, Béla Zsigmond)- SOG (Jonathan Schwenk) – Solar Walk (Réka Bucsi) – Wednesday with Goddard (Nicolas Ménard, Manshen Lo) LOVE IS WEIRD: ROMANTIC SHORT FILMS A sweaty night of sweet loving in short film form. Dressed for Pleasure (Je fais où tu me dis) (Marie de Maricourt) – Ghosting the Party (Carlos Alberto Fernandez Lopez) – Gros Chagrin (Céline Devaux) – High Summer (Plein Été) (Josselin Facon) – Knockstrike (Rigol Genis, Anglada Pau, Torices Marc) – The Mangina Exit (Byron Brown) – My Cucumber Inside the Fridge (Austin Hamilton) – Oh Hey (Sean Pecknold) – Welcome to Bushwick (Henry Jinings) – Who’s the Daddy 你要熱烈地親親爹哋 (Wong Ping) LOVE IS SHORT (FILMS) Short films about hasty, lusty, slightly awkward encounters. The Climb (Michael Covino) – Dolls Don’t Cry (Toutes les poupées ne pleurent pas) (Frédérick Tremblay)- Garfield (Georgi Banks-Davies) – Ocean Swells (Sverre Matias Glenne) – Onion (Kandis Fay) – Perfectly Normal (Joris Debeij) – Wyrm (Christopher Winterbauer) DANGEROUS DOCUMENTARIES Short documentaries about people doing some crazy-ass shit. Graven Image (Sierra Pettengill) – Hypnodrom (Richard Wilhelmer) – The Last Honey Hunter (Ben Knight) – LOVE GOES THROUGH THE STOMACH (Neozoon) – Marfa (Greg McLeod, Myles McLeod) – My Dead Dad’s Porno Tapes (Charlie Tyrell) – The Water Slide (Nathan Truesdell) NEW YORK NONFICTION Brooklyn It’s your city. Take a look. 3,000 Miles (三千哩) (Sean Wang, Breton Vivian – A Garbage Story (Olivier Bernier) – Brother K & The Uncut Truth (Billy Linker, Ben Carey)- Crosswalker (Paul Gale, Dustin Molina) Flatbush Misdemeanors (Kevin Iso, Dan Perlman) – I LIVED: Brooklyn – Deborah (Jonathan Nelson, Danielle Andersen) – Jonas Mekas: Always Beginning (Michael Sugarman) – Kayla in 1A (Travis Wood) – Libre (Anna Barsan, Iva Radivojevic) – Oh, What A Beautiful City (A City Symphony) (Lucy Walker) – The Road to Magnasanti (John Wilson) – Slice Thing (David Wanger)

    ADDITIONAL SHORT FILM PROGRAMS

    SUNDANCE SHORTS Highlights from Sundance 2018 include these wild, weird and wonderful short films. [O] (Mario Radev, Chiara Sgatti) – Emergency (Carey Williams) – The Fisherman (El pescador) (Ana A. Alpizar) Great Choice (Robin Comisar) – Volte (Monika Kotecka, Karolina Poryzal) – War Paint (Katrelle N. Kindred) -– More titles to be announced soon! COME AND TAKE IT Unbecoming short films by and about bold women. Call of the Wild (Neozoon) – Le Clitoris (Lori Malépart-Traversy) – Come & Take It (Ellen Spiro, PJ Raval) – Hair Wolf (Mariama Diallo) – Hercules (Lisa Duva) – Into My Life (Ivana Hucíková, Sarah Keeling, Grace Remington) – Normal Appearances (Penny Lane) – Slap Happy (Madeleine Sims-Fewer, Dusty Mancinelli) ROOFTOP SHOTS: CLOSING NIGHT All good things must end before they begin again. Closing Night! A Night At The Garden (Marshall Curry) – The Fall of Lenin (Svitlana Shymko) – Fauve (Jérémy Comte) – How to Live with Regret (John Wilson) – I Was In Your Blood (Joseph Sackett) – Managed Retreat (Nathan Kensinger) – Mother’s Day (Elizabeth Lo, R.J. Lozada) – Ugly (Nikita Diakur)

    ADDITIONAL SHORT FILMS AND SHORT FILMS BEFORE FEATURES:

    160 Characters (Victoria Mapplebeck) – Centauro (Nicolás Suárez) – Fire Mouth (Boca de Fogo) (Luciano Pérez Fernández) – Gokurōsama (ご苦労様) (Aurore Gal, Clémentine Frère, Yukiko Meignien, Anna Mertz, Robin Migliorelli, Romain Salvini) – Maude (Anna Margaret Hollyman) – Polonaise (Polonez) (Agnieszka Elbanowska) – Skybaby (Julian Glander) – Weekends (Trevor Jimenez) – Symphony of a Sad Sea (Carlos Morales Mancilla) – Wave (TJ O’Grady Peyton, Benjamin Clear)

    FEATURE FILM PROGRAMS FOR MAY AND JUNE

    AMERICAN ANIMALS (Bart Layton) NANCY (Christina Choe) *NY Premiere *Filmmaker Christina Choe in attendance *Free Event *Recipient of the 2014 Rooftop Films and Eastern Effects Equipment Grant DAMSEL (David Zellner, Nathan Zellner) HEARTS BEAT LOUD (Brett Haley) WRESTLE (Suzannah Herbert, co-directed by Lauren Belfer) EXIT MUSIC (Cameron Mullenneaux) THE GOSPEL OF EUREKA (Michael Palmieri, Donal Mosher) EN EL SÉPTIMO DÍA (Jim McKay) FAMILY (Laura Steinel) WILD NIGHTS WITH EMILY (Madeleine Olnek)

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  • Brooklyn Film Festival Announces Lineup of Over 100 Films for 2018 Edition: THRESHOLD

    [caption id="attachment_29003" align="aligncenter" width="1214"]Birds Without Feathers Birds Without Feathers[/caption] The Brooklyn Film Festival (BFF) today announced the film lineup for its 21st edition: THRESHOLD which kicks off on Friday, June 1st at returning venue: Wythe Hotel in Williamsburg. This year’s festival is comprised of approximately 125 features and shorts from 30 countries spread over all continents, except Antarctica. The lineup includes 19 world premieres, 21 USA bows, 37 east coast debuts and 30 first-time screenings in NYC. In addition to the feature narratives and documentary films highlighted in this release, the festival will present 36 short narrative films, 16 short documentary films, 25 animated films and 20 experimental films. “Division, bigotry, the wall, Trump. WTF? But luckily, some great things usually come from bad times,” said Brooklyn Film Festival Executive Director Marco Ursino. “The Spanish Civil War gave us the Guernica; the NYC defaults in the 70’s gave us the best graffiti in the world. Even the Great Depression gave us swing dancing. It doesn’t matter how bad it looks, art always wins. In the middle of this undeniably appalling time in American history, Brooklyn Film Festival aims to amplify the voices of its films and filmmakers by shedding light, spreading love and celebrating diversity.” https://vimeo.com/268424122   The festival will run from June 1 through June 10 at two main venues: Wythe Hotel in Williamsburg and Windmill Studios in Greenpoint. Additional programming will be presented on June 5 at Syndicated in Bushwick and on June 8 at UnionDocs in Williamsburg. On June 6 and 9, BFF will present a total of five shows at Made in NY Media Center by IFP in Dumbo, where it will also present the 14th annual kidsfilmfest on June 2. https://vimeo.com/268439683   On June 4, BFF welcomes CUNY’s Graduate School of Journalism with a block of short documentaries at the Alamo Theater in downtown Brooklyn. The evening starts at 6pm with a special presentation and mixer on the Alamo’s rooftop deck for filmmakers and audience members interested in learning more about the documentary program at CUNY. Showtime starts at 8:30 pm with a special screening of student work from CUNY followed by the block of short documentaries curated by BFF Short Doc Programmer Brandon Harrison. Stick around after the screening for the presentation of the inaugural CUNY Best Short Doc Award. On June 9, the 7th annual BFF Exchange (BFFX) program will be hosted at Kickstarter in Greenpoint. Join us for an afternoon of informative and interesting panels of, by and for filmmakers. This year, the festival will host two discussion panels, Women Working “Below the Line” and Film Finance in the US and Latin America. BFF will continue the “Lunching with Lawyers” session and the ever-popular BFFX documentary pitch session. And in an effort to bridge the city of Brooklyn with Mexico, BFFX will feature as special guest Mexico City’s film commissioner Mauricio Aguinaco. All BFFX events are free of charge, but require an RSVP. Below is a partial line-up of films from the Narrative and Documentary Features sections. To view the full film line up.

    NARRATIVE FEATURES:

    “Are You Glad I’m Here” – NEW YORK PREMIERE Dir. Noor Gharzeddine, Lebanon, 85 min. A millennial American girl befriends a Lebanese housewife and disrupts her ordered life; one night they become accidental partners-in crime. “Birds Without Feathers” – NEW YORK PREMIERE 2018 Slamdance Film Festival, Spirit Award Winner Dir. Wendy McColm, USA, 92 min. Unable to make a human connection, six broken individuals will give everything away in an attempt to receive love. “Brothers” – USA PREMIERE Dir. Bram Schouw, The Netherlands, 106 min. When Alexander suddenly leaves on a road trip to France, Lukas decides to join him as he’s been trailing his charismatic brother for his entire life. But during this journey he discovers that he finally has to go his own way, not knowing this decision would be so all-encompassing. “Can Hitler Happen Here?” Dir. Saskia Rifkin, USA, 74 min. Meddling neighbors, ambitious social-workers and real-estate vultures conspire to torment an eccentric old lady. Or maybe they’re just trying to help. “Golnesa” – EAST COAST PREMIERE Dir. Sattar Chamani Gol, Iran, 94 min. Golmammad and Golnesa, a young Afghan couple, are illegal immigrants who are working in a traditional brick making kiln in Iran. Following the events happening to them, their lives undergo changes. “Ice Cream” – WORLD PREMIERE Dir. Saba Riazi, Iran, 63 min. Maryam, a 30-year-old woman in Tehran, having lost her job and apartment, is forced to move in with her grandmother. She is trying hard to make things work and in doing so, she faces herself, eating ice-cream. This funny, semi-autobiographical film seamlessly combines animation and live action into a poetic meditation about identity and belonging. “Life is Fare” – WORLD PREMIERE Dir. Sephora Woldu, USA, 61 min. An experimental Tigrinya/English musical movie exploring three wildly different perspectives on the East African nation of Eritrea. “My Country” – EAST COAST PREMIERE 2017 Route 66 Film Festival Audience Award Winner Dir. Giancarlo Iannotta, USA/Italy, 78 min. Two brothers – one American, one Italian who’ve never met – take a road trip from Rome to the unknown picturesque region of Molise on a journey to spread the ashes of their late father in the small town where he was born. “Nosotros” Dir. Felipe Vara de Rey, Spain, 93 min. “Nosotros” follows a group of five friends during the weekend of the Spanish presidential election held in December 2015, probably the most important one in Spain’s recent history due to the deep political and financial crisis in Southern Europe. “One Bedroom” Dir. Darien Sills-Evans, USA, 83 min. Writer-director Darien Sills-Evans combines humor and drama to create a portrait of a relationship at the end of its journey. Set in a gentrifying Brooklyn neighborhood, and told through vivid flashbacks, the audience is taken through the whirlwind tale of Melissa and Nate’s courtship. Melissa and Nate have been through a lot together, but sometimes Black Love gets broken. “Prison Logic” – NEW YORK PREMIERE Dir. Romany Malco, USA, 91 min. Released from prison and placed on probation, Tijuana Jackson sets out to fulfill his dream of becoming a world renowned motivational speaker but fails to comply with strict orders from his no-nonsense probation officer. “Room For Rent” – EAST COAST PREMIERE Chicago Comedy Film Festival, Best Feature Winner Dir. Matt Atkinson, Canada, 89 min. When a broke thirty-two year old ex-lottery winner (Mark Little, “Space Riders: Division Earth”) convinces his parents to rent their spare room to save from downsizing, a creepy stranger (Brett Gelman, “Lemon,” “Stranger Things”) with a hidden agenda moves in. Co-stars Mark McKinney (“Superstore”) and Stephnie Weir (“My Crazy Ex-Girlfriend”). “Tommy Battles the Silver Sea Dragon” – EAST COAST PREMIERE 2018 Toronto International Spring of Horror and Fantasy Film Festival, Best Feature & Performance Winner Dir. Luke Shirock, USA, 110 min. When a man finds himself on trial in a courtroom haunted by his own demons, he must reckon with the guilt of his mother’s death before it destroys him and the one he loves. A musical film directed by and starring Luke Shirock.

    DOCUMENTARY FEATURES:

    “Active Measures” – USA PREMIERE Fresh off its World Premiere at Hot Docs Canadian International Documentary Festival Dir. Jack Bryan, USA, 100 min. Relying on expert testimony and existing footage, “Active Measures” documents the surprisingly interconnected rise of two men, Donald Trump and Russian president Vladimir Putin. Features unprecedented access with interviews including Hillary Clinton, John McCain, James Woolsey, Michael McFaul and more. “Afghan Cycles” – EAST COAST PREMIERE Dir. Sarah Menzies, USA, 90 min. Following a new generation of young Afghan women cyclists, “Afghan Cycles” uses the bicycle to tell a story of women’s rights – human rights – and the struggles faced by Afghan women on a daily basis, from discrimination to abuse, to the oppressive silencing of their voices in all aspects of contemporary society. “My Name is Pedro” Dir. Lillian LaSalle, USA, 96 min. This film explores what public education meant to South Bronx Latino maverick educator, Pedro Santana, and what he, in turn, meant to public education. Infectious in his optimism, Santana becomes one of the most influential public school teachers and then administrators in the New York public school system after turning his troubled Bronx middle school, MS 391, around. “Nos Llaman Guerreras”/“They Call Us Warriors” – NEW YORK PREMIERE Dirs. Jennifer Socorro, Edwin Corona Ramos & David Alonso, Venezuela, 81 min. After becoming undefeated champions of the South American Women Under-17 Championship and overcoming one of the worst social and economic environments for sports practicing, the Venezuelan team takes a chance to win the first World Cup for their country, having the chance to give a voice to women football in their country and perhaps in all of South America. “Street Fighting Men” – NEW YORK PREMIERE Dir. Andrew James, USA, 104 min. Facing dwindling public services, growing inequality and escalating violence, three Detroit men must fight to build something lasting for themselves and future generations. “The New Man” – INTERNATIONAL PREMIERE Dir. Josh Appignanesi and Devorah Baum, United Kingdom, 96 min. A creative documentary about becoming a parent…and how to reconceive yourself. Fiction director Josh Appignanesi turns the camera on himself and his wife as they undergo the ordeal of becoming parents in the era of man-children and assisted reproduction. “Working in Protest” – NEW YORK PREMIERE Dir. Michael Galinsky & Suki Hawley, USA, 74 min. BFF alums Michael Hawley and Suki Galinsky (“Battle for Brooklyn”) have documented protests for over 30 years as observers rather than journalists or activists. Starting in North Carolina in 1987 and ending in DC in 2017, the film captures the discourse of modern political protest.  

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  • Magnolia Pictures Acquires LOVE, GILDA, Documentary on Comedian Gilda Radner, for a 2018 Release

    [caption id="attachment_26877" align="aligncenter" width="1200"]Love, Gilda Love, Gilda[/caption] Magnolia Pictures has acquired the documentary, Love, Gilda, director Lisa D’Apolito’s touching tribute to comedic trailblazer Gilda Radner and her enduring cultural impact for a planned 2018 theatrical release. Love, Gilda, which world premiered as the Opening Night Selection of the 2018 Tribeca Film Festival, uses rare personal recordings and journal entries to tell Radner’s story in her own voice. Along with interviews from those closest to her, including her brother Michael Radner and Saturday Night Live alumni Chevy Chase, Lorne Michaels, Alan Zweibel, Laraine Newman and Martin Short, Gilda’s writings are read by modern-day comedians inspired by her including Amy Poehler, Maya Rudolph, and Cecily Strong. Love, Gilda opens a unique window into the honest and whimsical world of beloved performer Gilda Radner, whose greatest role was sharing her story. Working with the Radner estate, D’Apolito unearthed a collection of diaries and personal audio and videotapes documenting her childhood, her comedy career, her relationships and ultimately, her struggles with cancer. This never-before-seen-or-heard footage and journal entries form the narrative spine of the documentary, allowing Gilda to tell her own story – through laughter and sometimes tears. “Love, Gilda is a beautiful tribute to an incandescent spirit,” said Magnolia President Eamonn Bowles. “Lisa D’Apolito has crafted an incredibly moving, inspirational look at a groundbreaking comedian.” “I am honored that Love, Gilda has been acquired by such a prestigious company as Magnolia Pictures,” said D’Apolito. “I am excited by their passion and commitment to bringing Gilda’s story to the public and I am happy the film has a home along with some of my favorite films past and present.” Directed by Lisa D’Apolito, Love, Gilda is produced by D’Apolito, Bronwyn Berry, Meryl Goldsmith, and James Tumminia. Executive producers are Edie Baskin, Christopher Clements, Amy Entelis, Julie Goldman, Meryl Goldsmith, Carolyn Hepburn, Courtney Sexton, Alan Zweibel, and Robin Zweibel. Associate producers are Griffin Lichtenson and Nina Guzman. CNN Films, which began collaboration with D’Apolito more than a year ago, retains North American broadcast rights to the film.  

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  • Paul Schrader’s FIRST REFORMED, WE THE ANIMALS Among Winners at 2018 Montclair Film Festival

      [caption id="attachment_28919" align="aligncenter" width="1200"]First Reformed, directed by Paul Schrader First Reformed[/caption] The seventh annual Montclair Film Festival took place April 26 through May 6, 2018, and on Saturday night, the festival announced the winners  of the 2018 film competitions at the festival’s annual awards ceremony. “This year’s competition program features the work of artists who directly challenge us to deepen our thinking about the world in which we live” said Montclair Film Executive Director Tom Hall. “We are honored to share these films with our audiences, and congratulate all of our filmmakers on their outstanding work.” First Reformed, directed by Paul Schrader, was awarded the festival’s Fiction Feature Prize; with Julianne Nicholson receiving a Special Jury Prize for her performance in Matthew Newton’s Who We Are Now. Hale County This Morning, This Evening, directed by RaMell Ross, took home the Bruce Sinofsky Award in the festival’s Documentary Feature competition. This award was established in memory of Bruce Sinofsky and was presented by Mr. Sinofsky’s daughter, Claire Sinofsky. A Special Jury Prize was awarded to Black Mother, directed by Khalik Allah. We The Animals, directed by Jeremiah Zagar, was awarded with the Future/Now prize honoring emerging low-budget American independent filmmaking, with a Special Jury Prize given to Helena Howard for her performance in Madeline’s Madeline, directed by Josephine Decker. Crime + Punishment, directed by Stephen Maing, took home the New Jersey Films Award, which honors a select group of films made by New Jersey artists, with Liyana receiving a Special Jury Prize for directors Aaron Kopp and Amanda Kopp. Dark Money, directed by Kimberly Reed, took home the 4th Annual David Carr Award for Truth in Non-Fiction Filmmaking, which honors a filmmaker, selected by the festival, who utilizes journalistic techniques to explore important contemporary subjects and is presented in honor of Mr. Carr’s commitment to reporting on the media. The award was presented by Mr. Carr’s daughter, the filmmaker Erin Lee Carr.

    2018 Montclair Film Festival Awards Winners

    Fiction Feature Competition Winner First Reformed, Directed by Paul Schrader https://www.youtube.com/watch?v=hCF5Y8dQpR4 Fiction Feature Competition – Special Jury Prize Julianne Nicholson for her performance in Who We Are Now, Directed by Matthew Newton Bruce Sinofsky Prize for Documentary Feature Competition Winner Hale County This Morning, This Evening, Directed by RaMell Ross Documentary Feature Competition – Special Jury Prize Black Mother, Directed by Khalik Allah Future/Now Competition, presented by the Horizon Foundation For New Jersey – Future/Now Competition Winner We The Animals, Directed by Jeremiah Zagar Future/Now Competition – Special Jury Prize Helena Howard for her performance in Madeline’s Madeline, Directed by Josephine Decker New Jersey Films Competition Winner Crime + Punishment, Directed by Stephen Tiang New Jersey Films Competition – Special Jury Prize, Liyana, Directed by Aaron Kopp and Amanda Kopp Junior Jury Award American Animals, Directed by Bart Layton Junior Jury Special Jury Prize for Social Impact Crime + Punishment, Directed by Stephen Tiang  

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  • LANDING UP Starring Late E’dena Hines’ (Morgan Freeman’s granddaughter), Sets Release Date [Trailer]

    [caption id="attachment_22611" align="aligncenter" width="1200"]Landing Up Landing Up[/caption] Landing Up, the award-nominated film from director Dani Tenenbaum, starring Ben Rappaport and featuring the last on-screen performance of Morgan Freeman’s late granddaughter, E’dena Hines, is headed for release on DVD, digital and video-on-demand (VOD), on May 15, 2018.  The dramatic and edgy story features two female friends living on the streets of New York and their troubled world changes when one finds love. It also stars Dov Tiefenbach (“Harold & Kumar Go To White Castle, “Homeland”), Theodora (Woolley) Miranne (“The Blacklist: Redemption,” “Blue Bloods”), and Jay DeYonker (“Royally,” “Puerto Ricans in Paris”). Just one month after principal photography wrapped, the film’s co-star, E’dena Hines, was murdered by her boyfriend on the streets of New York. The story made national headlines. LANDING UP is Hines’ last on-screen performance. The film’s tragic circumstances have been a challenging aspect of bringing the film to light. Because of this violent act, and because the film tackles homelessness, the filmmakers felt it was paramount to give their audience a call to action. For the World Premiere, they raised awareness by partnering with the non-profit organizations Midnight Mission, which offers paths to self-sufficiency to men, women and children who have lost direction, and LA Family Housing, which helps people transition out of homelessness and poverty. Producer and star Stacey Maltin says, “E’dena was an incredible and loving human being who illuminated any room she entered. She had so much talent and this energy that was so raw and magnetic. She really gave herself over to playing Cece and it’s reflected in her performance. We miss her every day and wish she could have seen what she created with us. I considered her my friend and losing her impacted all of us very deeply.” Director Dani Tenenbaum adds, “It’s a sad coincidence that our film’s release date is so close to the trial of E’dena’s murder. We are hoping that this project, and E’dena’s incredible performance in it, can be a bright spot amidst this tragic real-life situation. We are doing everything in our power to pay tribute to her on-screen performance, which shows her dynamic abilities. Her contributions to ‘Landing Up’ were invaluable, and we are honoring the positive impact she had on the people around her. Our hearts go out to her family.” Landing Up had its World Premiere as an Official Selection in Competition Features at Dances With Films in June 2017 in Hollywood. The East Coast Premiere was held later that month as an Official Selection of the Soho International Film Festival in New York City where it was nominated for Best Actress and Best Feature. Family and friends of the much beloved Hines were in attendance at both screenings, including Morgan Freeman, producer Lori McCreary and the mother of Hines, Deena Adair. Maltin explains, “The film exists in two worlds: Chrissie’s life on the street and her romantic life with David. Chrissie’s life on the street is gritty and dangerous, but when Chrissie meets David, her world explodes into color. He’s everything she always wanted and the film jumps in tone and style to almost a romantic comedy feel. Her life is so far outside his realm of comprehension that he never suspects her secret.” Tenenbaum adds, “Our aim was to present the idea that you wouldn’t even know that someone is living on the streets, as it is something that many people intentionally and successfully hide. Chrissie’s carefully crafted lies lead her to very real feelings of love for David, which cause extreme and disturbing behavior. The real question we are asking is: Can you ever really know someone?” The next projects from Tenenbaum and Maltin include “Linked,” a dramedy series exploring how a group of seemingly fragmented people are connected through sex, loneliness, and transaction; and “Head,” a feature film about a gay millennial on the brink of full-time adulthood and dismayed to see all of his friends pairing up instead of getting off. The short film version of “Head” was chosen for a curated screening of the Best of NewFest 2016, and is currently streaming on REVRY TV, “the best in queerated entertainment.” Other projects from Bold Compass Films include Maltin’s short “Stronger Together,” which Shoreline Entertainment just acquired for worldwide rights. Tenenbaum has been at the forefront of virtual reality filming and is working on the VR short, “Funeral 2.0.” Synopsis: Chrissie (Stacey Maltin) is young, wild, and living on the streets. She and her best friend Cece (E’dena Hines) use their youth and good looks to their advantage, playing a con game with strangers to put a roof over their heads, while all the time fantasizing about having enough money to score their dream apartment. When Chrissie meets David (Ben Rappaport), a funny, genuine guy who works his way into her heart, she falls for him and must decide whether to confess the real circumstances of her life or continue her carefully crafted lie at all costs. https://vimeo.com/215222736

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