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Norica P.


  • OBEX Trailer – Albert Birney’s Sci Fi Fantasy Film Rewinds to Pre-internet 1987

    Oscilloscope debuted the official trailer for OBEX, a science fiction film set in a retro, black-and-white world circa pre-internet 1987. Written, directed, and starring Albert Birney, the film also features Callie Hernandez and Frank Mosley.

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  • Olivier Sarbil’s ‘Viktor’ Trailer Reveals A Deaf Ukrainian’s Journey Through War

    The first glimpse of Viktor has arrived via Indiewire, and it’s a haunting, exquisitely rendered portrait of conflict, silence, and resolve.

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  • Eternity, ‘Song Sung Blue’ and ‘Wake Up Dead Man’ Headline 28th SCAD Savannah Film Festival

    Eternity, Song Sung Blue, Wake Up Dead Man: A Knives Out Mystery
    Eternity (A24), Song Sung Blue (Focus Features), Wake Up Dead Man: A Knives Out Mystery (Netflix)

    The 28th SCAD Savannah Film Festival (presented by Savannah College of Art and Design’s (SCAD)) will open on Saturday, October 25 with Eternity directed by David Freyne.

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  • Lebanon Selects ‘A Sad and Beautiful World’ for Oscar for Best International Feature Film

    Lebanon has picked A Sad and Beautiful World (Arabic: نجوم الأمل و الألم), written and directed by Cyril Aris, as its Oscars entry for the Best International Feature Film at the 98th Academy Awards.

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  • ‘WHO WE ARE NOW’ ‘THE SENTENCE’ ‘THE GUILTY’ Win 2018 Montclair Film Festival Audience Awards

    [caption id="attachment_29149" align="aligncenter" width="1000"]Who We Are Now Who We Are Now[/caption] Montclair Film Festival announced the winners of the festival’s 2018 Audience Awards, presented by Investors Bank. Screenings were balloted throughout the festival across four categories: Fiction Feature, Documentary Feature, World Cinema, and Short Film. Who We Are Now directed by Matthew Newton, was awarded the festival’s Fiction Feature Audience Award. The Sentence directed by Rudy Valdez took home the Audience Award for Documentary Feature. The Guilty directed by Gustav Möller won the World Cinema Audience Award. The Driver is Red directed by Randall Christopher, winning the Audience Award for Short Film. “Our Audience Awards winners represent the power of storytelling to build connection and foster conversation around the art of filmmaking” said Tom Hall, Montclair Film executive director. “We are grateful to our wonderful audiences for their thoughtful engagement with all of our filmmakers and their films.”

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  • Newport Beach Film Festival 2018 Award Winners – ALL SQUARE Wins Best Film

    [caption id="attachment_29145" align="aligncenter" width="1200"]All Square All Square[/caption] The Newport Beach Film Festival (NBFF) wrapped up its eight day run with the Southern California Premiere of All Square starring Josh Lucas, Michael Kelly, Pamela Adlon, Tom Everett Scott, Jay Larson and Andrew Sikking.  At the awards ceremony, All Square won the award for Best Film, along with Best Actor for Michael Kelly. The Newport Beach Film Festival screened over 350 films, representing 50 countries, that competed for Jury, Festival Honors and Audience Awards.

    NEWPORT BEACH FILM FESTIVAL HONORS AWARDS

    Artists of Distinction: Jessica Pare A Canadian actress and singer, Jessica Pare made her Hollywood debut in Wicker Park and is known for her role on the AMC series Mad Men. Films she has starred in have been screened at the Cannes Film Festival, Sundance Film Festival, and the Toronto International Film Festival. Icon: Paco Delgado Paco was born in Lanzarote, Canary Islands, Spain and has worked on films such as A Wrinkle In Time, Les Miserables, and The Danish Girl. He has been nominated for Academy Awards, and won the CDG award for his work in The Danish Girl. Breakout: Nadine Haders Nadine Haders is a costume designer known best for her work in the film Get Out. Previously, she had worked primarily in television costume design. Other films include Pay it Forward, The X-Files. Newcomer: Joe Sill New to the industry, Joe’s career jump started with the commercial Tesla – Modern Spaceship which he wrote, produced and directed. The commercial caught the attention of Elon Musk and many advertising agencies. He recently completed production on his first feature film Stray.

    2018 AUDIENCE AWARDS:

    FEATURE NARRATIVE FILM Ride FOREIGN FILM The Drummer and the Keeper DOCUMENTARY Pick of the Litter ACTION SPORTS Time Well Spent ART, ARCHITECTURE + DESIGN Chesley Bonestell: A Brush With The Future CULINARY Cuban Food Stories ENVIRONMENTAL The Human Element FAMILY A Boy Called Sailboat MUSIC Up to Snuff SHORT DOCUMENTARY Aloha Aina Warrior SHORT NARRATIVE The Day of Matthew Montgomery

    2018 JURY AWARDS

    BEST FILM All Square BEST ACTOR Michael Kelly – All Square BEST ACTRESS Rusty Schwimmer – Wild Honey BEST DIRECTOR Frank Berry – Michael Inside BEST CINEMATOGRAPHY Tom Comerford – Michael Inside BEST CINEMATOGRAPHY: HONORABLE MENTION Rust BEST DOCUMENTARY Forever “B“ BEST DOCUMENTARY: HONORABLE MENTION Minding the Gap BEST SCREENWRITER Timothy Brady – All Square

    SHORT FILMS

    BEST NARRATIVE SHORT FILM DeKalb Elementary BEST DOCUMENTARY SHORT FILM The Bare Knuckle Carer BEST ANIMATED SHORT FILM My Father’s Room BEST ANIMATED SHORT FILM: HONORABLE MENTION Garden Party BEST MUSIC VIDEO Cold Little Heart

    2018 FESTIVAL HONORS:

    OUTSTANDING ACHIEVEMENT IN FILMMAKING: DIRECTING Shana Feste, Boundaries OUTSTANDING ACHIEVEMENT IN FILMMAKING: ACTING Maika Monroe, Shotgun OUTSTANDING ACHIEVEMENT IN FILMMAKING: ACTING Finn Wittrock, Locating Silver Lake OUTSTANDING ACHIEVEMENT IN FILMMAKING: BREAKOUT PERFORMANCE Shane Graham, Ride OUTSTANDING ACHIEVEMENT IN FILMMAKING: SCREENWRITING Will Elliott, Kirk C. Johnson, Nicholas Rutherford, Robert Schwartzman – The Unicorn OUTSTANDING ACHIEVEMENT IN FILMMAKING: FOREIGN FILM The Best of All Worlds OUTSTANDING ACHIEVEMENT IN FILMMAKING: CINEMATOGRAPHY PRESENTED by ZEISS Hunting Lands OUTSTANDING ACHIEVEMENT IN FILMMAKING: EDITING Juveniles OUTSTANDING ACHIEVEMENT IN FILMMAKING: NARRATIVE FILM Meerkat Moonship (Maantuig) OUTSTANDING ACHIEVEMENT IN FILMMAKING: NARRATIVE FILM The Mad Whale OUTSTANDING ACHIEVEMENT IN FILMMAKING: DOCUMENTARY FILM Social Animals OUTSTANDING ACHIEVEMENT IN FILMMAKING: DOCUMENTARY FILM Kiss the Joy: The Story of Joan Lind Van Blom

    SHORT FILMS:

    OUTSTANDING ACHIEVEMENT IN FILMMAKING: SHORT Homeless OUTSTANDING ACHIEVEMENT IN FILMMAKING: FOREIGN SHORT FILM Voice (KOE) OUTSTANDING ACHIEVEMENT IN FILMMAKING: ANIMATED SHORT FILM Departure OUTSTANDING ACHIEVEMENT IN FILMMAKING: BREAKOUT PERFORMANCE The Peculiar Abilities of Mr. Mahler – André Hennicke as Mr. Mahler OUTSTANDING ACHIEVEMENT IN FILMMAKING: DOCUMENTARY SHORT The Girl and The Picture OUTSTANDING ACHIEVEMENT IN FILMMAKING: DOCUMENTARY SHORT Fisk “Untitled Portrait” OUTSTANDING ACHIEVEMENT IN FILMMAKING: DOCUMENTARY SHORT Land of the Wind (Tierra del Viento) OUTSTANDING ACHIEVEMENT IN FILMMAKING: FAMILY FILM SHORT Bullies OUTSTANDING ACHIEVEMENT IN FILMMAKING: FAMILY FILM SHORT (FOREIGN) Earthy Encounters Encounters (UK)

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  • 2018 Sheffield Doc/Fest film Unveils Lineup of ‘bold and innovative non-fiction films’

    [caption id="attachment_29118" align="aligncenter" width="1200"]Before Father Gets Back Before Father Gets Back[/caption] The 2018 Sheffield Doc/Fest film program lineup presents bold and innovative non-fiction films made by some of the most authentic international filmmakers working today. 2018 audiences will be treated to 37 World, 18 International, 24 European and 70 UK film premieres. The works are selected across the main program Doc/Adventure, Doc/Expose, Doc/Think, Doc/Love, Doc/Rhythm, Doc/Visions, and focus Retro/Electric Avenues, New/UK, New/Lebanon program strands and accompanying Special Live events. Doc/Fest 2018 film program includes one special Preview screening, a late-night offering as Docs ‘Til Dawn and a selection of outdoor screenings Free Screen. The festival opens on Thursday 7 June with the world premiere of Sean McAllister’s A Northern Soul.

    OPENING NIGHT

    A Northern Soul (World premiere; UK, 2018, 80 min, dir. Sean McAllister) – Following A Syrian Love Story’s Doc/Fest Grand Jury Award win in 2015, Sean McAllister returns to Sheffield to open the Festival’s 25th Edition with the World Premiere of A Northern Soul. With his signature vision and sense of rapport, Sean reflects on changes to his Yorkshire hometown: a city divided by Brexit that is simultaneously celebrated as UK City of Culture and hit by austerity. Drawn to the fringes of town, Sean encounters Steve, a struggling warehouse worker by day and hip-hop performer by night, with a dream…

    SPECIAL PREVIEW

    McQueen (UK/USA, 2017, 111 min, dir. Ian Bonhôte and Peter Ettedgui) – Archival footage and personal testimonials present an intimate portrait of revolutionary British fashion designer ‘Lee’ Alexander McQueen, the working-class boy who became a global one-man fashion brand.THE FULL FILM program LINE-UP – BY STRAND:

    DOC/ADVENTURE

    Before Father Gets Back (World premiere; dir. Mari Gulbiani, 80 min) – In a Georgian village, from which many men have left for Syria, two girls escape a shared longing for their fathers through the magic of cinema. Bruce Lee & the Outlaw (World premiere; dir. Joost Vandebrug, 85 min) – Nicu, a young homeless boy, is adopted by Bruce Lee, the notorious “King of the Underworld” and goes to live with him in the tunnels underneath Bucharest. Central Bus Station (World premiere; dir. Tomáš Elšík, 78 min) – Central Bus Station, a building which has turned from great gift to a place for immigrants. Yonathan has learnt that it can reveal the essence of the society as well as one’s soul. Ghosthunter films in competition Into The Okavango films in competition Love Means Zero (UK premiere; dir. Jason Kohn, 89 min) – At eighty-six, famed tennis coach Nick Bollettieri is a living legend. At his academy in Florida, he raised a generation of champions. Too Beautiful: Our Right to Fight (World premiere, dir. Maceo Frost, 77 min) – Cuba ranks highly at Olympic boxing, but women can’t compete. This immersive film follows Havana boxer Namibia, who’s hoping the ban is lifted before she ages out of eligibility. Over the Limit Phantom Cowboys (International premiere; dir. Daniel Patrick Carbone, 93 min) – Three boys in small town America find their hopes and dreams tempered by their circumstances. Moving back and forth over eight years, this is a moving, skilful exploration of adolescence. Tanzania Transit (European premiere; dir. Jeroen van Velzen, 75 min) – On a train crossing Tanzania, a riding microcosm of East African society, we follow three main characters, reflecting on the strength to survive. The Game The Insufferable Groo (World premiere, 98 min, dir. Scott Christopherson) – Having directed nearly 200 low-budget movies, Utah filmmaker Stephen Groo seeks Jack Black for his latest human/elf fantasy drama. This hilarious yet sincere portrait depicts an uphill production battle. The Lonely Battle of Thomas Reid (UK premiere; dir. Feargal Ward, 77 min) – Thomas Reid lives a solitary life. But beside his 17th century farm looms a vast American factory. When the Irish State tries to take his farm, he vows to resist. The Man Who Stole Banksy (European premiere; 91 min, dir. Marco Proserpio) – A Palestinian taxi driver attempts to sell a Banksy mural on eBay. As we follow the artwork, we uncover a secret art market of stolen walls from around the world. Three Identical Strangers (European premiere; 96 min, dir. Tim Wardle) – In 1980, three New York identical triplets, separated at birth, discovered each other. But behind the remarkable story lurked a dark secret that questioned the notion of who we are. Time Trial Vienna Calling (World premiere; dir. Petr Šprincl, 67 min) – In this docufiction road movie, a grave robbing artist and his sidekicks journey to Vienna in a horse drawn caravan of death to return some famous teeth.

    Shorts

    Zion – see Short Doc Award Cheer From Parts Unknown Hands Up, Chin Down Skip Day Skywards To Be a Torero Taking the Waters The Water Slide

    DOC/EXPOSE

    A Thousand Girls Like Me (European premiere; dir. Sahra Mosawi, 76 min) – A young Afghan woman confronts the will of her family and the traditions of her country to seek justice for years of sexual abuse from her father. A Woman Captured Commander Arian I, Dolours (European premiere; dir. Maurice Sweeney, 82 min) – Dolours Price, bred to violent republicanism, yet ultimately haunted by her actions, gave a filmed interview not to be broadcast until after her death. This is her shocking story. Kinshasa Makambo Laila At The Bridge Lost Warrior Of Fathers and Sons On Her Shoulders One or Two Questions (UK premiere; dir. Kristina Konrad, 237 min) – In 1986, Uruguay passed a law granting amnesty for human rights violations committed by the military and police during the dictatorship (1973-85). One or Two Questions uses footage of interviews recorded on the streets between 1987 and 1989, to present a multifaceted reflection of the country and its inhabitants, in which the values of democracy – such as peace, justice – are continually questioned. The Ballymurphy Precedent (World premiere; dir. Callum Macrae, 106 min) – The little known story about the death of eleven innocent people at the hands of the British Army in a Catholic estate in Belfast in 1971. This is a massacre that few have heard of, yet it was one of the most significant events in the Troubles. The British army continues to cover it up because they cannot afford to admit the truth. The relatives of those who died are fighting for justice – and our investigation shows why. This secret massacre led directly to the Bloody Sunday killings by the same Parachute regiment just five months later. The Congo Tribunal (UK premiere; dir. Milo Rau, 100 min) – Staged as a tribunal on-location in Bukavu and Berlin, director Milo Rau creates an unshrouded portrait of one of the biggest and bloodiest economic wars in human history. The Distant Barking of Dogs The Silence of Others The Trade (European premiere; dir. Matthew Heineman, 125 min) – Addicts and their families struggle in Atlanta, drug lords and poppy-seed farmers toil in Mexico, and narcotics units and dealers clash in Columbus. Under The Wire (World premiere; dir. Chris Martin, 93 min) – A powerful film that tells the story of celebrated Sunday Times journalist Marie Colvin and photographer Paul Conroy’s ill-fated trip to Syria in February 2012. Based on Conroy’s book of the same title. When the War Comes (UK premiere; dir. Jan Gebert, 76 min) – A paramilitary group in Slovakia is recruiting hundreds of young men, aiming to create a model community based on military drill, obedience and fear. Whispering Truth to Power (European premiere; dir. Shameela Seedat, 87 min) – With exclusive, behind-the-scenes access, this film charts the final year in office of South African anti-corruption champion Thuli Madonsela as she attempts to seek justice for ordinary people. After successfully challenging President Jacob Zuma for illegal use of state funds, she faces the biggest challenge of her career: exposing the systematic takeover of government by a private family in cahoots with the President.

    Shorts

    Black Sheep – see Short Doc award Ebrahim Fake News Fairytale Las Nubes The Holiday Inn-Side Watching the Detectives Doc/Dispatch – showcase for short documentary journalism from citizen reporters, investigative filmmakers and responsive news units; projects TBA

    DOC/LOVE

    Amal América Ashore (UK premiere; dir. Leonor Teles, 82 min) – Ashore portrays the life of a singular fisherman in an ancient riverfront community near Lisbon as he drifts between ocean solitude and family anchors. For The Birds Game Girls (UK premiere; dir. Alina Skrzeszewska, 90 min) -This compassionate observational documentary charts the relationship between two homeless women in Los Angeles’ sprawling Skid Row. Tiahna seems resigned to street life, but girlfriend Teri wants to escape. Have You Seen The Listers? (UK premiere; dir. Eddie Martin, 86 min) – From the director of All This Mayhem, a candid and personal family portrait as young father Anthony Lister embarks on the rocky road to become the world’s greatest street artist. Home Games (World premiere; dir. Alisa Kovalenko, 86 min) – A season in the life of Alina, a poor 20-year-old girl from Kyiv who has a chance to be saved by football. A Northern Soul (World premiere) – see OPENING NIGHT Minding the Gap Out (UK premiere; dir. Denis Parrot, 70 min) – The first documentary to address LGBTQ+ coming out stories exclusively through social media footage. People’s Republic of Desire (European premiere; dir. Hao Wu, 95 min) – In China’s popular live streaming showrooms, two internet celebrities seek fame, fortune and human connection, ultimately finding the same promises and perils online as in their real lives. The Eyes of Orson Welles (UK premiere; dir. Mark Cousins, 110 min) – Filmmaker Mark Cousins dives deep into the visual world of this legendary director and actor, to reveal a portrait of the artist as he’s never been seen before. Turning 18 (World premiere; dir. Ho Chao-ti, 87 min) – Two young girls meet at a vocational training program after which their lives move in completely different directions. Both from broken homes, Pei searches for hope in love, while Chen struggles to avoid her parents’ fate. As they approach 18, the undercurrents of their lives surface, nearly overwhelming them. How can an unloved life find a strength of her own? Young Solitude

    Shorts

    Baby Brother Black I Am Confessions of an Angry Mother Landline Last Man Standing Lotus Lovers of the Night Mountain – see Short Doc award Pumpkin Movie

    RETRO/ELECTRIC AVENUES

    Cocorico Monsieur Poulet Disorder

    Shorts program

    Black Film City of Contrasts Horse of Mud + Sad Song of Touha + The Sandwich IFO In Order Not To Be Here Liberty City Crawl (Superman II) Many Thousands Gone Mobile Men Moor Mother Live in London My White Baby Secrets From the Street: No Disclosure Sto Lat Strolling – also see Free Screen on page xx The Strike

    DOC/RHYTHM

    Antigone (UK premiere; dir. Pedro González Rubio, 73 min) – In the biggest public university in Latin America a group of theatre students and their teacher prepare Antigone, a Greek tragedy that addresses the conflict between the rules of power and the will of a young woman to do the right thing. Life, theatre and fiction are interwoven following the rehearsals in classrooms, in their homes, in public spaces and surrealist landscapes of the city. Ashes and Embers (UK premiere; dir. Manon Ott, 71 min) – A poetic and political portrait of a working-class suburb in the process of change, “Ashes and Embers” invite us to meet its inhabitants: a journey from dusk to dawn where, while speaking of their lives, they also express their revolt and their quest for freedom. Blue Note Records: Beyond the Notes (European premiere; dir. Sophie Huber, 85 min) – The film explores the vision behind the iconic American jazz record label. Through current recording sessions, rare archive and conversations with iconic Blue Note artists, the film reveals an intimate perspective of a legacy that continues to be vital in today’s political climate. Legendary artists Herbie Hancock and Wayne Shorter come together with today’s generation of ground-breaking Blue Note artists such as Robert Glasper and Ambrose Akinmusire to record an All-Stars album. Desolation Center (UK premiere; dir. Stuart Swezey, 92 min) – followed by live performance from Thurston Moore – The film vividly portrays the untold story of a series of guerrilla desert gatherings now recognised as the inspiration for Burning Man and Coachella, with performances by Sonic Youth, Minutemen, Meat Puppets, Swans, and more. Generation Wealth (dir. Lauren Greenfield, 108 min) – Lauren Greenfield’s postcard from the edge of the American Empire captures a portrait of a materialistic, image-obsessed culture. Simultaneously personal journey and historical essay, the film bears witness to the global boom-bust economy, the corrupted American Dream, and the human costs of late stage capitalism, narcissism, and greed Harmony (UK premiere; dir. Frederick Paxton, 71 min) – Bold city symphony reveals the terrible beauty in Siberia’s polluted Chelyabinsk. A mesmerizing mix of sound and image highlight the often punishing rituals inflicted on young Russian boys and girls. Milford Graves Full Mantis (UK premiere; dir. Jake Meginsky, Neil Young (Co-Director), 91 min) – Celebrating the creativity of legendary American percussionist Milford Graves, this film is itself a kaleidoscope ode to the creative process, and a unique homage to the free jazz pioneer. Parallel Planes (International premiere; dir. Nicole Wegner, 100 min) – This film pays homage to the American DIY spirit and the diversity of the US musical landscape outside the commercial music industry. Nicole Wegner maintains eye level with her twelve subjects, including Ian MacKaye (Minor Threat, Fugazi), Michael Gira (Swans) and Valentine Falcon (Get Hustle), who gleefully hack the music industry and play by their own rules. Punk Voyage (dir. JP Passi, Jukka Kärkkäinen, 97 min) – PKN, a band of four mentally disabled men, is Europe’s no 1 punk-rock act. When the band’s leader decides to retire, Punk Voyage shows all the quarrels, tears and laughter. Shakedown (UK premiere; dir. Leilah Weinraub, 72 min) – “If you straight, you don’t need to be in the front.” Former drag show host Teresa and Ronnie-Ron co-founded Shakedown in the 90s, establishing a thriving underground scene. Dancers including Egypt, Miss Mahogany, I-Dallas and Slow-Wine entertain the throng. This strip club was a space for LA’s African-American queer community to explore identity, sexuality and have an incredible time. Silvana (UK premiere; dir. Mika Gustafson, Olivia Kastebring, Christina Tsiobanelis, 91 min) – Silvana Imam is a fierce force of nature. We witness the Swedish rap artist’s career soar, and the genesis of her relationship with pop artist, Beatrice Eli. The pair become Sweden’s Beyoncé and Jay-Z; a power-couple of phenomenal talent and influence. As the pressures of her iconic status begin to spiral, Silvana is forced to confront her inner conflicts. This One’s For The Ladies (International premiere; dir. Gene Graham, 83 min) – Race, class and sexuality intersect at Newark strip club the Dojo: a karate school by day, home to the New Jersey Nasty Boyz by night. In addition to spotlighting the exotic dancers who work there – both male and lesbian – Gene Graham’s affectionate portrait celebrates the community of women who sustain this microcosm of black American society. Tranny Fag Yellow Is Forbidden (European premiere; dir. Pietra Brettkelly, 94 min) – Haute couture is the most exclusive club in the world: Mostly men. Exclusively European. Largely conglomerate-funded. Yet, Guo Pei, an independent Chinese designer has been invited to present a collection.

    Shorts

    Artificial Things Arr. for a Scene Mini Miss To The Front: Scenes From a Women’s Rock Camp Weltschmerz – see Short Doc award

    DOC/THINK

    A Journey to the Fumigated Towns Boys Who Like Girls (World premiere; dir. Inka Achte, 68 min) – Two years have passed since the infamous Delhi gang rape, and India is ablaze with talk of men’s role in gendered violence. Teenager Ved joins a boys’ club run by ‘Men Against Violence and Abuse’ and realises there may be a healthier path for him than the one paved by his abusive father. Will his be the first generation of boys that actually likes girls? Central Airport THF Ex-Shaman Flow (World premiere; dir. Nicolás Molina, 82 min) – FLOW observes the human connection between two rivers: Ganges in India and Biobío in Chile. It proposes a poetic journey blending both civilizations through the flow of one great river. German Class (World premiere; dir. Florian Heinzen-Ziob, 89 min) – Over the course of six months the film closely follows the daily ups and downs of a group of children from abroad as they take their first steps in the German school system. Infinite Football (World premiere; dir. Corneliu Porumboiu, 70 min) – Romanian filmmaker Porumboiu focuses on Laurentiu Ginghina, a bureaucrat who dreams of revolutionizing football. Yet when the director makes Ginghina’s alternative game reality, the bureaucrat can’t stop reworking his theories. Esta Todo Bien (World premiere; dir. Tuki Jencquel, 70 min) -“That’s the drama. You can’t get sick.” These sadly apt words are spoken by Francisco, an activist who delivers badly needed medicines in Venezuela where salaries peak at twelve dollars a month and 16,000 doctors have left the country. Our New President Radio Atlas: A Lunkhead Among The Stars (dir. Gyrid Listuen, 47 min) – Radio Atlas presents Gyrid Listuen’s Prix Europa-winning radio documentary from the nineties — exploring the internal world of a young man with Down’s Syndrome. The Cleaners (UK premiere; dir. Hans Block, Moritz Riesewieck, 88 min) – Digital scavengers’ are outsourced to delete inappropriate content from the net, while at the same time the lives of people around the globe are dramatically affected by online censorship. A ‘cleaner’ rates thousands of disturbing images every day, with lasting psychological impact. From the shared global village to fake news and radicalization, the film charts the rise and fall of social media’s utopian ideology. The Dread The Gospel of Eureka The Pain of Others The Proposal The Trial (UK premiere; dir. Maria Ramos, 139 min) – The Trial offers a behind-the-scenes look at the impeachment of Dilma Rousseff, Brazil’s first female President. The film portrays the “judicial political” trial first at the House of Representatives and then, at the Senate focusing on the President’s Defence Team: her lawyer José Eduardo Cardoso and two senators who struggle to prove the President’s innocence against a majority vote by a Congress riddled with corruption. The Waldheim Waltz What Is Democracy? When Lambs Become Lions

    Shorts

    90 Seconds in North Korea Girlhood Give I Am Bisha I Signed The Petition The River of the Kukamas

    DOC/VISIONS

    Arboretum Cycle (UK premiere; dir. Nathaniel Dorsky, 137 min) – A magical collection of seven 16mm films by Nathaniel Dorsky, explores the beauty of Californian nature in Spring light. Each silent film celebrates qualities of energy, joy, fullness, and rebirth. Black Mother Doel Female Human Animal (European premiere; dir. Josh Appignanesi, 74 min) – Shot in the real-life contemporary art world, Female Human Animal is a psycho-thriller about a creative woman disenchanted with what modern life and “modern men” have to offer her. When writer Chloe Aridjis curates an inspiring retrospective of the surrealist Leonora Carrington, an elusive, brooding man appears, seeming to offer more. A darkly romantic docufiction that puts on screen the lurid unconscious of our new sexual politics. Going South (UK premiere; dir. Dominic Gagnon, 104 min) – Going South is the second part of a tetralogy in which Dominic Gagnon intends to explore the cardinal points of the Internet in the post-truth era. Hale County This Morning, This Evening La Commune (Paris, 1871) Last Year in Utopia (UK premiere; dir. Jana Magdalena Keuchel, Katharina Knust, 72 min) – In this revealing and playful Brechtian recreation of events, six cast members from a cancelled German reality television program make an emotional return to their show’s isolated forest location. Margaret Tait: A Century (64 min, dir. Margaret Tait) – Marking both the centenary of the 1918 suffrage act and her birthday, pioneering British filmmaker Margaret Tait is the center of Margaret Tait: A Century -a mini retrospective collection of her titles: Colour Poems, A Portrait of Ga, Tailpiece, Aerial, Where I am is Here. McQueen Music When The Lights Go Out Obscuro Barroco Shirkers Sleep Has Her House (UK premiere; dir. Scott Barley, 90 min) – A hypnotic reverie in a dark forest, underneath waterfalls and shifting shapes in the night. Captured on an iPhone, this is a symphonic and haunting science fiction of nature. The Task Turtle Rock Victory Day (UK premiere; dir. Sergei Loznitsa, 94 min) – Once a year, crowds gather in Berlin’s Treptower Park to mark the anniversary of the Soviet victory over Nazi Germany. Master of sustained observation, Sergei Loznitsa, captures the medal bedecked veterans and burly biker gangs assembling for this spring day of patriotic songs and speeches. Loznitsa’s carefully framed compositions become a meditation on the nationalistic myths still gripping Europe. Worlds of Ursula K. Le Guin (World premiere; dir. Arwen Curry, 65 min) – A trailblazing rebel who shook the world of literature, defying gender norms, societal expectations and patriarchal gatekeeping. Ursula K Guin remains a peerless lightning bolt of imagination and political insight.

    Shorts

    A God’s Shadow Cops Are Actors Fluid Frontiers Here There Is No Earth House Maskirovka Rebirth is Necessary – see Short Doc award Song for Europe With history in a room filled with people with funny names 4

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  • ABDUCTED IN PLAIN SIGHT, MY NAME IS MYEISHA and More Among Lineup for Inaugural Toronto True Crime Film Festival

    [caption id="attachment_29103" align="aligncenter" width="1200"]ABDUCTED IN PLAIN SIGHT ABDUCTED IN PLAIN SIGHT[/caption] The Toronto True Crime Film Festival will have its first annual edition this June 8th to 9th, 2018 at The Royal Cinema and Monarch Tavern in Toronto. The inaugural lineup includes five film screenings and three symposium events, with 15% of all pass and ticket sales being donated to charity.

    FILMS

    ABDUCTED IN PLAIN SIGHT Dir. Skye Borgman / USA / 2017 / 91 min / International Premiere ABDUCTED IN PLAIN SIGHT is a stranger-than-fiction documentary about the Brobergs; a naïve, church-going Idaho family that fell under the spell of a sociopathic neighbor who would stop at nothing to be with their twelve-year-old daughter. You will not believe how bizarre this true tale of obsession gets! Screens with short film MAYBE IF IT WERE A NICE ROOM (Dir. Alicia K. Harris, Canada, 2016). MY NAME IS MYEISHA Dir. Gus Krieger / USA / 2018 / 82 min / Canadian Premiere The award-winning Slamdance hit MY NAME IS MYEISHA is a hip-hop musical inspired by the 1998 police shooting of California teen Tyisha Miller (as well as countless other acts of police brutality against African American citizens) and adapted from the internationally acclaimed play, Dreamscape. Screens with Oscar-nominated short film TRAFFIC STOP (Dir. Kate Davis, USA, 2017). THE STRANGER Dir. Nicole Nielsen Horanyi / Denmark / 2017 / 100 min / Canadian Premiere ​After meeting the man of her dreams on Facebook, Amanda finds herself being swept off her feet by Casper, the dedicated father and charming heir to a family fortune. There’s only one problem—everything that Casper has told her is a lie. This documentary-narrative hybrid is made all the more fascinating with reenactments played out almost entirely by the actual characters of this twisted story of an imposter. Fans of the investigative podcast Dirty John will find themselves being drawn in by the similar themes of love, lies, and con artistry in THE STRANGER and won’t want to miss this DOC NYC Grand Jury Prize-winning film. Screens with short-film 42 COUNTS (Dir. Jill Gevargizian, USA, 2018). HOSTAGES Dir. Rezo Gigineishvili / Georgia | Russia | Poland / 2017 / 103 min / Canadian Premiere ​HOSTAGES is a tension-filled drama based on the true story of a 1983 airplane hijacking by a group of Georgian youth trying to escape the Soviet Union. Screens with short film DON’T BE A HERO (Dir. Pete Lee, USA, 2018). MONSTER Dir. Patty Jenkins / USA / 2003 / 109 min The film programming is rounded out by a 15th-anniversary screening of Patty Jenkin’s Academy Award-winning biopic MONSTER, which tells the tale of one of the world’s most infamous female serial killers, Aileen Wuornos. Screens with short film THE SANDMAN (Dir. Lauren Knapp, USA, 2017). The symposium section will feature three daytime events through which audiences can get up close and personal with true crime professionals and media practitioners whose work centers on the world of true crime. First up is the panel “Why Do Women Love True Crime?” presented by Investigation Discovery, America’s top-rated women’s network. Featuring ID’s own Keila Woodard, as well as filmmaker Catherine Legge (Met While Incarcerated) and more to be announced, this panel will look at womens’ historical engagement with true crime fandom, from the Victorian era to today. Next, The Miskatonic Institute of Horror Studies presents visiting filmmaker and writer Rémy Bennett, who will present “L.A. Despair: Chasing Death with John Gilmore,” a multimedia presentation exploring the life and work of the late Noir and true crime writer John Gilmore that is a meditation on the relationship between pop-cultural crime landmarks of the past century and celebrity iconography viewed amidst the landscape of the tragedies he chronicled. And finally the symposium will close with the star-studded panel “The Rise of the Armchair Detective,” moderated by author Naben Ruthnum (who writes crime stories under the pen name Nathan Ripley), which looks at non-law enforcement professionals who have taken it upon themselves to investigate – and sometimes solve! – ongoing and cold cases, including journalists Christine Pelisek (who broke L.A’s Grim Sleeper case) and Kevin Flynn (who broke the Sheila LaBarre case), filmmaker Joshua Zeman (A&E’s The Killing Season, Cropsey), Bek and Tyler Allen of The Minds of Madness podcast and more to be confirmed.

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  • THE SHAPE OF WATER Leads Nominations for 19th Golden Trailer Awards

    [caption id="attachment_25167" align="aligncenter" width="1200"]The Shape Of Water Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER.[/caption] The Shape of Water along with Hitman’s Bodyguard lead the nominations for the 19th annual Golden Trailer Awards competition that has emerged as the most recognized event devoted to the artistry of film marketers and companies that create movie trailers, commercials and posters worldwide. GTA 19 will take place on Thursday, May 31st at the Theatre at the Ace Hotel in Downtown Los Angeles hosted by comedienne and actress Michelle Buteau (“The Tick,” “Broad City,” “Key & Peele”).

    19th Golden Trailer Awards Nominations

    Best Independent Trailer

    The Florida Project, “Trailer,” A24, Mark Woollen & Associates I, Tonya, “Haters,” Neon, Zealot Thoroughbreds, “Red Band Trailer,” Focus Features, Motive The Shape of Water, “Connection,” Fox Searchlight Pictures, MOCEAN Under the Silver Lake, “Trailer 1,” A24, Motive

    Best Documentary

    The China Hustle, “Trailer,” Magnolia, Zealot City of Ghosts, “Promise,” Amazon Studios, MOCEAN Icarus, “Distance,” Netflix, GrandSon Won’t You Be My Neighbor, “Trailer,” Focus Features, Mark Woollen & Associates Three Identical Strangers, “Reunited,” Neon, Zealot

    Best Drama

    All The Money In The World, “Power,” Sony Pictures, Project X|AV Darkest Hour, “Trailer,” Focus Features, Mark Woollen & Associates The Shape of Water, “Escape,” Fox Searchlight Pictures, MOCEAN Megan Leavey, “Mission,” Bleecker Street, Open Road Chappaquiddick, “Conspiracy,” Entertainment Studios, MOCEAN

    Best Comedy

    Game Night, “Welcome,” New Line Cinema, MOCEAN Uncle Drew, “Uncle Drew,” Lionsgate, Seismic Productions Sorry to Bother You, “Voice,” Annapurna Pictures, Trailer Park, Inc. Lady Bird, “Domestic Trailer #1,” A24 Films, Giaronomo Productions Gringo, “Friendly,” Amazon, GrandSon

    Best Horror

    A Quiet Place, “A Quiet Place | Teaser – Listen,” Paramount, Ignition Insidious: The Last Key, “Family,” Universal Pictures, Buddha Jones Mother!, “Puzzle,” Paramount Pictures, Buddha Jones A Quiet Place, “A Quiet Place,” Paramount, AV Squad Hereditary, “Hereditary,” A24, AV Squad

    Best Action

    Kingsman: The Golden Circle, “Team,” 20th Century Fox, Create Advertising Group Black Panther, “Crown,” Walt Disney Studios, Create Advertising Group Tomb Raider, “SURVIVOR,” Warner Bros., Ant Farm Avengers: Infinity War, “Millions,” Disney/Marvel, MOCEAN Rampage, “Battle,” Warner Bros., Aspect

    Best Animation / Family

    The Nutcracker and The Four Realms, “Clara,” Walt Disney Pictures, TRANSIT Peter Rabbit, “Home,” Sony Pictures, Create Advertising Group Ralph Breaks the Internet: Wreck It Ralph 2, “Wired Refresh,” Disney/Pixar, MOCEAN Isle Of Dogs, “Domestic Trailer #1,” Fox Searchlight, Giaronomo Productions Despicable Me 3, “Mojo,” Universal Pictures, Workshop Creative

    Best Fantasy Adventure

    Jumanji: Welcome To The Jungle, “New World,” Sony, TRANSIT Fantastic Beasts: The Crimes of Grindelwald, “Expelliarmus,” Warner Bros., Jax Thor: Ragnarok, “New Journey,” Disney/Marvel, MOCEAN Star Wars: The Last Jedi, “Rebellion Reborn DCM Trailer,” Walt Disney Studios / Lucasfilm, Tiny Hero Solo: A Star Wars Story, “Something,” Disney, Disney In-house

    Best Music

    The Greatest Showman, “Imagination,” 20th Century Fox, Wild Card All The Money In The World, “True Story,” Sony Pictures, Project X|AV Baby Driver, “Tekillyah,” Sony Pictures Entertainment, Trailer Park, Inc. Ocean’s 8, “7 People,” Warner Bros. Pictures, Trailer Park, Inc. Pacific Rim: Uprising, “Untouchable,” Universal Pictures, Inside Job

    Best Summer Blockbuster Trailer

    Ocean’s 8, “7 People,” Warner Bros., Trailer Park, Inc. Mission: Impossible – Fallout, “CHOICE,” Paramount Pictures, Ant Farm The Incredibles 2, “Illegal,” Disney, Trailer Park, Inc. Deadpool 2, “Comeback,” 20th Century Fox, MOCEAN Jurassic World: Fallen Kingdom, “Kingdom,” Universal Pictures, Inside Job

    Best Teaser

    Murder on the Orient Express, “Suspect,” 20th Century Fox, Wild Card Red Sparrow, “Program,” 20th Century Fox, Wild Card Deadpool 2, “Cable Red,” 20th Century Fox, MOCEAN Mortal Engines, “London,” Universal Pictures, Inside Job Avengers: Infinity War, “Balance,” Disney/Marvel, MOCEAN

    Best Thriller

    Annihilation, “Mission,” Paramount Pictures, Buddha Jones Unsane, “Believe,” Bleecker Street, Buddha Jones The Commuter, “The Commuter,” Lionsgate, AV Squad It Comes At Night, “It Comes at Night,” A24, AV Squad Sicario Day of the Soldado, “Win,” Sony Pictures Entertainment, MOCEAN

    Best Video Game Trailer

    Assassin’s Creed Origins, “Order of The Ancients,” Ubisoft, Sunny Side Up Creative Assassin’s Creed: Origins, “Legend,” Ubisoft, Buddha Jones Far Cry 5, “Story Trailer,” Ubisoft, Buddha Jones Call of Duty: WWII, “Call of Duty:WWII – Reveal Trailer,” Activision, gnet Outlast Series Switch Trailer, “Outlast Series Trailer for the Nintendo Switch,” Red Barrels, Altar Creative

    Golden Fleece

    Proud Mary, “Rolling, Sony Pictures Entertainment, Trailer Park, Inc. Flatliners, “Relax,” Sony Pictures & Columbia Pictures, Buddha Jones Death Wish, “Reaper,” MGM, Create Advertising Group The Meg, “Carnage,” Warner Bros., Trailer Park, Inc. Snowman, “Domestic Trailer #1,” Universal Studios, Giaronomo Productions

    Most Original Trailer

    Thoroughbreds, “Red Band Trailer,” Focus Features, Motive Baby Driver, “Tekillyah,” Sony Pictures Entertainment, Trailer Park, Inc. Deadpool 2, “Paintings – Bob Ross Trailer,” 20th Century Fox, MOCEAN/Big Picture Hereditary, “Hereditary,” A24, AV Squad Patti Cake$, “PATTI CAKE$ Lyric Video,” Fox Searchlight Pictures, Studio Cadre & Ruff Mercy

    Best Independent Trailer (for film budget shot under a million US)

    Still/Born, “Still/Born Trailer,” Vertical Entertainment, Jay Gartland Ghost House, “Ghost House Trailer,” Vertical Entertainment, Jay Gartland Gemini, “Trailer,” Neon, Mark Woollen & Associates MEAT, “COMPLEX,” M.P.I, Dhruv Kumar The Endless, “The Endless “Cult” Official Trailer,” Well Go USA Entertainment, Sequence Creative

    Best Motion/Title Graphics

    Baby Driver, “Tekillyah,” Sony Pictures Entertainment, Trailer Park, Inc. Ready Player One, “Hall H,” Warner Bros. , Buddha Jones THE SPY WHO DUMPED ME, “Bond”,” Lionsgate, Seismic Productions Thoroughbreds, “Twisted,” Focus Features, GrandSon Slice, “Line Rider,” A24, GrandSon

    Best Original Score

    Jurassic World: Fallen Kingdom, “Ignite,” Universal Pictures, Inside Job Avengers: Infinity War, “Millions,” Disney/Marvel, MOCEAN The Incredibles 2, “Illegal,” Disney, Trailer Park, Inc. Good Time, “Feelin It,” A24, GrandSon The Hitman’s Bodyguard, “Make New Friends,” Lionsgate, In House

    Best Romance

    Our Souls at Night, “Sunday Love Teaser,” Netflix, Mark Woollen & Associates Love, Simon, “Courage,” 20th Century Fox, TRANSIT Call Me By Your Name, “Call Me By Your Name,Theatrical Trailer,” Sony Pictures Classics, The Grossmyth Company Mamma Mia 2, “Memories,” Universal Pictures, Inside Job Adrift, “Bon Voyage,” STX Entertainment, Trailer Park, Inc.

    Best Sound Editing

    Baby Driver, “Heist,” Sony, Wild Card Baby Driver, “Tekillyah,” Sony Pictures Entertainment, Trailer Park, Inc. Mother!, “Puzzle,” Paramount Pictures, Buddha Jones Pacific Rim Uprising, “Pacific Rim Uprising,” Universal, AV Squad Star Wars: The Last Jedi, “Rebellion Reborn” DCM Trailer, Walt Disney Studios / Lucasfilm, Tiny Hero

    The Don LaFontane Award for Best Voice Over

    Micro Machines World Series Trailer, “Micro Machines World Series,” Deep Silver/Codemasters, YellowPike Media Mudbound, “Trailer,” Netflix, Mark Woollen & Associates Hellblade: Senua’s Sacrifice, Ninja Theory Mother!, “FEAR,” Paramount Pictures, Ant Farm The Hitman’s Bodyguard, “Bonus Sh*t!,” Lionsgate, Tiny Hero

    Trashiest Trailer

    Father Figures, “Every Dad,” Warner Bros., Create Advertising Group The Hitman’s Bodyguard, “Bonus Sh*t!,” Lionsgate,Tiny Hero The Little Hours, “The Little Hours,” Gunpowder & Sky, Jump Cut Creative Hitman’s Bodyguard, “Make New Friends”, Lionsgate, In House Sharknado 5: Global Swarming, “Stronger,” SyFy, AV Squad

    Best Foreign Action Trailer

    Salut – 7, “Salyut -7,” Eugeny Makharashvili, Butterfly Effect Beyond the edge, “Beyond the edge TRL,” KINODANZ, On/Off Production The Outsider, “Never Go Back,” Netflix, Jax Rubicon, “Trailer,” RFG, Most, Chechen Film, Alexandr Serzhantov The Villainess, “The Villainess, Official US Trailer,” Well Go USA Entertainment, Red Circle, Inc.

    Best Foreign Animation Family Trailer

    In This Corner Of The World, “International Trailer,” Manga, Editpool Bilal, “Unite,” Vertical, Zealot Monster Hunt 2, “Adventure,” EDKO Films Ltd., Trailer Park, Inc. Here Comes the Grump, “Here Comes The Grump Trailer,” GFM Films, Zealot UK Kikoriki. Dejavu, “Kikoriki. Dejavu,” The Riki Group, Stanislav Ivanov

    Best Foreign Comedy Trailer

    The Death Of Stalin, “US Trailer,” IFC, Intermission Film The Square, “Trailer,” Magnolia Pictures, Mark Woollen & Associates THE PARTY, “Trailer 1,” Roadside Attractions, Big Science Film Swinging Safari, “Swinging Safari Trailer,” Becker Film Group, Zealot UK Blockbuster, “Blockbuster Trailer,” NETFLIX, Zealot UK

    Best Foreign Documentary Trailer

    Faces Places, “Trailer,” Cohen Media Group, Mark Woollen & Associates Charcoal Burner Nights, Zeitraum Film, Trailerhaus GmbH McLaren, “McLaren Trailer,” Gunpowder & Sky, Zealot UK Devil’s Freedom, “JUNKY SKULL,” ANIMAL DE LUZ, ART Kingdom Yellow is Forbidden, “Couture,” Madman/NZ Film Commission, AV Squad

    Best Foreign Drama Trailer

    One Percent, “Trailer,” See Pictures, Zealot The Eternal Feminine, “The Eternal Feminine,” Luxbox , Good Hands Peace Breaker first trailer, “Peace Breaker first trailer,” Nurostar Rubicon, “Trailer,” RFG, Most, Chechen Film, Alexandr Serzhantov A Fantastic Woman, “A Fantastic Woman Trailer,” Curzon Artificial Eye, Intermission Film

    Best Foreign Horror Trailer

    From A House On Willow Street, “From A House On Willow Street.” Fat Cigar, The First Order Ghost Stories, “Trailer,” Lionsgate UK, Intermission Film Killing Ground, “Trailer,” IFC, Zealot The Secret Of Marrowbone, eOne, SILK FACTORY Slumber, “Slumber Trailer,” Goldcrest Films, Zealot UK

    Best Foreign Independent Trailer

    BPM, “Trailer,” The Orchard, Mark Woollen & Associates Moka, “Driven,” Film Movement, PK Creative Edie, “Trailer,” Arrow Films, Editpool Double Lover, “Lust,” Cohen Media Group, AV Squad IN THE AISLES, Zorro Film GmbH, Requination/Niemiproduktion

    Best Foreign Music Trailer

    MY GENERATION, “My Generation – UK Trailer,” Lionsgate, SILK FACTORY Youth, “Youth,” Nurostar Witnesses, “Silent” Trailer,” RFG, ARK PICTURES, Alexandr Serzhantov Foundling, “Foundling “Trailer,” Amedia Production, 1tv, Andrei Solodovnikov Pope Francis: A Man of His Word, Universal Pictures International, Muniq Creative Agency

    Best Foreign Romance Trailer

    About Love. Adults Only, Stanislav Ivanov From the Land of the Moon, IFC, Zealot A Fantastic Woman, Sony Pictures Classic, The Grossmyth Company Submergence, Embankment Films, Zealot UK Breathe, Bleecker Street, Zealot UK

    Best Foreign Teaser

    Coach, Kinoslovo/DK Entertainment, Vadzim Khudabets The Whiskey Bandit Viszkis Film, Film Force Team, Peter Varsics Yardie, Studiocanal, Intermission Film Viy 2: The Mystery of the Dragon’s Seal, “Visit”, RFG, Alexandr Serzhantov Wings of the Empire, 3xmedia, 1tv, Andrei Solodovnikov

    Best Foreign Thriller Trailer

    Killing Ground, IFC, Zealot THE GIRL IN THE FOG, Studio Canal, Silk Factory Luna, Universum Film, Trailerhaus GmbH Beast, Altitude, Intermission Film Double Lover, “Lust” Cohen Media Group, AV Squad

    Most Original Foreign Trailer

    The Square, Magnolia Pictures, Mark Woollen & Associates Frontier, Studio “KIT,” Stanislav Ivanov Youth, Nurostar Ichi The Killer, Well Go USA Entertainment, Sequence Creative Jeannette, Luxbox, Good Hands

    Best Action TV Spot (for a Feature Film)

    Kingsman: The Golden Circle, “Poppy Dance,” 20th Century Fox, Trailer Park, Inc. Wonder Woman, “Together :60,” Warner Bros., Buddha Jones Black Panther, “Entourage :60,” Walt Disney Pictures, AV Squad Deadpool 2, “Save Me / Tea,” 20th Century Fox, Wild Card Tomb Raider, “:30 “Brilliant,” Warner Bros., Mob Scene Creative & Productions

    Best Animation / Family TV Spot (for a Feature Film)

    The Greatest Showman, “World,” 20th Century Fox, Create Advertising Group Ferdinand, “Week Before Xmas,” 20th Century Fox Animation, MOCEAN Wonder, “TV60 “You Are A Wonder,” Lionsgate, Markus Wernig – Offramp Creative Inc. Isle Of Dogs, “:30TV “Sic Em,” Fox Searchlight, Giaronomo Productions Despicable Me 3, “Evil Mastermind,” Universal Pictures , Workshop Creative

    Best Comedy TV Spot (for a Feature Film)

    The Hitman’s Bodyguard, “Mofo Count” :30,” Lionsgate, Outpost Media Thoroughbreds, “Society Story,”Focus Features, Buddha Jones The Disaster Artist, “Make Movie,” A24, GrandSon Daddy’s Home 2, “Let’s Hold Hands,” Paramount Ocean’s 8, “7 People Cutdown,” Warner Bros. Pictures, Trailer Park, Inc.

    Best Documentary TV Spot (for a Feature Film)

    Jim and Andy: The Great Beyond, “Andy,” Netflix, Mark Woollen & Associates I Am Not Your Negro, “PBS Independent Lens – I Am Not Your Negro,” ITVS RBG, “Truth,” Magnolia Pictures, Mark Woollen & Associates Faces Places, “Cutdown 30,” Cohen Media Group, Mark Woollen & Associates Icarus, “RIVETING,” Netflix, Ant Farm

    Best Drama TV Spot (for a Feature Film)

    The 15:17 to Paris, “Departure,” Warner Bros., Wild Card Three Billboards Outside Ebbing, Missouri, “Pointy,” Fox Searchlight Pictures, Motive The Shape of Water, “Tale of Love,” Fox Searchlight, Mark Woollen & Associates War for the Planet of the Apes, “Fear :30,” Fox, AV Squad Mudbound, “Beautiful,” Netflix, GrandSon

    Best Fantasy Adventure TV Spot (for a Feature Film)

    Thor: Ragnarok, “Thor: Ragnarok, “Mjolnir” Digital,” Disney, Aspect Ready Player One, “Fantasy,” Warner Bros., Buddha Jones Guardians Of The Galaxy 2, “OogaChaka,” Walt Disney Studios / Marvel, Tiny Hero Ready Player One, “Come With Me 60,” Warner Bros., Statement Advertising Jumanji, “Worlds Apart :60,” Sony Pictures, Big Picture

    Best Foreign TV Spot (for a Feature Film)

    Selfie, “Selfie TV Spot “Double,” Stanislav Ivanov The Square, “Museum,” Magnolia Pictures, Mark Woollen & Associates Okja, “Ready Action,” Netflix, Bond Youth, “Youth and Fire,” Nurostar Black Water, “Koch Media Film,” Muniq Creative Agency

    Best Graphics in a TV Spot (for a Feature Film)

    War for the Planet of the Apes, “War / Letters,” 20th Century Fox, Wild Card Notes From The Field, “Graphic Tease,” HBO, Buddha Jones Get Out, “Poetic Review,” Universal Pictures, Inside Job THE SPY WHO DUMPED ME, “TSR BOND,” LIONSGATE, Seismic Productions Thoroughbreds, “Princess,” Focus Features, GrandSon

    Best Horror TV Spot (for a Feature Film)

    Alien: Covenant, “Born Neo,” 20th Century Fox, Wild Card IT, “:30TV “Friends,” Warner Bros., Aspect Mother!, “Experience,” Paramount Pictures, Buddha Jones A Quiet Place, “Survive,” Paramount Pictures, Project X/AV Insidious: The Last Key, “Invite :30,” Sony Pictures, AV Squad

    Best Independent TV Spot (for a Feature Film)

    Thoroughbreds, “Shall We,” Focus Features, Motive Three Billboards Outside Ebbing, Missouri, “Just About Right,” Fox Searchlight Pictures, Motive Mudbound, “Land Cutdown,” Netflix, Mark Woollen & Associates The Killing of a Sacred Deer, “Me,” A24, GrandSon Lady Bird, “Playgirl,” A24, GrandSon

    Best Music TV Spot (for a Feature Film)

    Bright, “Heroes/Danger MGK” Trailer,” Netflix, AV Squad Life Itself, “Love,” Amazon Studios, Trailer Park, Inc. Tomb Raider, “Lara,” Warner Brothers, Cole Barager/ Deva Studios Ocean’s 8, “7 People Cutdown,” Warner Bros.,Trailer Park, Inc. Black Panther, “Women of Wakanda,” Walt Disney Studios / Marvel, Tiny Hero

    Best Original Score TV Spot (for a Feature Film)

    Phantom Thread, “Taste,” Focus Features, Buddha Jones Phantom Thread, “Dying to Wear,” Focus Features, Buddha Jones Phantom Thread, “Triumph Review :60,” Focus Features, Buddha Jones The Greatest Showman, “Different,” 20th Century Fox, Create Advertising Group

    Best Romance TV Spot (for a Feature Film)

    Phantom Thread, “Dream,” Focus Features, Mark Woollen & Associates Fifty Shades Freed, “BROUGHT TO LIFE,” Universal Pictures, Ant Farm Life Itself, “Love,” Amazon Studios, Trailer Park, Inc. Love, Simon, “Digital “Heart,” 20th Century Fox, Aspect The Shape of Water, “Princess Without a Voice,” Fox Searchlight Pictures, Fox Searchlight Marketing

    Best Sound Editing in a TV Spot (for a Feature Film)

    Atomic Blonde, “Begin,” Universal, Wild Card Baby Driver, “Hip-Hop,” Sony Pictures, Project X|AV Star Wars: The Last Jedi, “It’s Time,” Disney, Trailer Park, Inc. The Killing of a Sacred Deer, “Me,” A24, GrandSon Black Panther, “Team,” Walt Disney Studios / Marvel, Tiny Hero

    Best Summer Blockbuster TV Spot (for a Feature Film)

    Solo: A Star Wars Story, “So Low Super Bowl,” Disney, Disney In-house Jurassic World: Fallen Kingdom, “Miracle,” Universal Pictures, Inside Job Solo: A Star Wars Story, “45TV “Crew,” Disney, Aspect Deadpool 2, “Save Me / Tea,” 20th Century Fox, Wild Card Deadpool 2, “Selfless.” 20th Century Fox, Wild Card

    Best Thriller TV Spot (for a Feature Film)

    Dunkirk, “Dunkirk | TV 60 – Never Surrender,” Warner Bros, Ignition Annihilation, “Evolution :60,” Paramount Pictures, Buddha Jones Suburbicon, “Doors :60,” Paramount, AV Squad The Shape of Water, “Ticking Thriller,” Fox Searchlight Pictures, MOCEAN Unsane, “Never Safe,” Bleecker Street, Open Road

    Best Video Game TV Spot

    Overwatch, “Dare,” Blizzard Entertainment, Mark Woollen & Associates Call of Duty WW2, “Heroes,” Activision, Aspect Gran Turismo Sport, “GT Sport – Go Get It,” Sony Interactive Entertainment, PlayStation Creative Call of Duty: WWII, “Call of Duty: WWII Story Trailer,” Activision, gnet PUBG, “PUBG – Unknown Air,” PUBG Corp., gnet

    Best Voice Over TV Spot (for a Feature Film)

    Atomic Blonde, “Modern Woman,” Universal, Wild Card Coco, “Coco – “You Know” – Christian Lanz,” Disney – Pixar, Create Advertising Insidious: The Last Key, “Welcome To New Mexico,” Sony, BOND Guardians Of The Galaxy 2, “Get it!,” Walt Disney Studios / Marvel, Tiny Hero The Hitman’s Bodyguard, “#1 Movie!,” Lionsgate, Tiny Hero

    Golden Fleece TV Spot (for a Feature Film)

    The Mummy, “Thrill Kids,” Universal Pictures, Rogue Planet Fifty Shades Freed, “Happy Ending,” Universal Pictures,Trailer Park, Inc. Resident Evil: The Final Chapter, “Reviewing Evil with Chris Hardwick,” Screen Gems, Viacom Velocity Flatliners, “Relax :30,” Sony Pictures & Columbia Pictures, Buddha Jones The Dark Tower, “Battle,” Sony Pictures, Create Advertising Group

    Most Original TV Spot (for a Feature Film)

    The Hitman’s Bodyguard, “Mofo Count” :30,” Lionsgate, Outpost Media I, Tonya, “Mirror,” Neon, Zealot Kingsman: The Golden Circle, “Poppy Dance,” 20th Century Fox, Trailer Park, Inc. Insidious: The Last Key, “Welcome To New Mexico,” Sony, Bond The House, “Frank’s Place,” New Line Cinema, MOCEAN

    Best Action (TV Spot / Trailer / Teaser for a series)

    Narcos: S3, “Succession,” Netflix, TRANSIT Jessica Jones S2, “Official Trailer “Control,” Netflix, Aspect Jack Ryan, “Brave – Super Bowl,” Amazon, Jax The Punisher, “The Punisher – Reflections,” Netflix, gnet Altered Carbon,”Altered Carbon – Last Night I Died Again,” Netflix, gnet

    Best Animation / Family (TV Spot / Trailer / Teaser for a series)

    Big Mouth S1, “Official Trailer “Life,” Netflix, Aspect Bojack Horseman S4, “Official Trailer “Missing,” Netflix, Aspect Trollhunters, “Trailer,” Netflix, InSync PLUS Spirit Riding Free, Dreamworks Animation Television, Jamestown Productions Trollhunters Tales of Arcadia – Season 3, Dreamworks Animation Television, Outpost Media

    Best Comedy (TV Spot / Trailer / Teaser for a series)

    American Vandal, “Conspiracy,” Netflix, Zealot Future Man, “Future Man | Trailer – Time Travel,” Hulu, Ignition Comrade Detective, “Comrades,” Amazon Studios, TRANSIT GLOW, “Become,” Netflix, Buddha Jones Hidden America: Season 2, “Travel,” Seeso, AV Squad

    Best Documentary/Reality (TV Spot / Trailer / Teaser for a series)

    National Geographic, “One Strange Rock Trailer,” 2C Creative Wormwood, “Disappeared,” Netflix, Wild Card Rock and a Hard Place “Redemption” Trailer”, HBO, AV Squad Flint Town, “System,” Netflix, GrandSon Bobby Kennedy for President, “Change,” Netflix, Mob Scene Creative & Productions

    Best Drama (TV Spot / Trailer / Teaser for a series)

    Ozark, “Last Resort – Trailer,” Netflix, Mark Woollen & Associates The Alienist, “Game,” TNT, Zealot Mr. Robot, “Democracy,” USA Network, Buddha Jones Dark, “Machine,” Netflix, Buddha Jones Westworld Season 2, “Locked Inside,” HBO, Jax

    Best Fantasy Adventure (TV Spot / Trailer / Teaser for a series)

    Game of Thrones, “Legendary,” HBO, Editpool Stranger Things Season 2, “Darkness,” Netflix, Trailer Park, Inc. Legion – season 2, “Everything,” FX, Create Advertising Group The Tick, “Team,” Amazon Studios, Create Advertising Group Game of Thrones Season 7, “Survive,” HBO, Jax

    Best Foreign (TV Spot / Trailer / Teaser for a series)

    The Pack (Wataha) “Season 2 Heartbeat Teaser,” HBO Europe Dark: S1, “Tick Tock,” Netflix, TRANSIT Dark, “Machine,” Netflix, Buddha Jones O Mecanismo, “Greed,” Netflix, BOND YOU ARE WANTED S2 FOR AMAZON PRIME VIDEO, Amazon Prime Video, Pantaleon Films GmbH, Warner Bros. Entertainment GmbH, BDA Creative GmbH

    Best Graphics (in a TV Spot / Trailer / Teaser for a series)

    Comrade Detective, “Comrades,” Amazon Studios, TRANSIT Real Time with Bill Maher, “Open Our Eyes,” HBO, Buddha Jones Rotten The Future, “Netflix,” Buddha Jones Lady Dynamite, “Fancy Guest,” Netflix, GrandSon The Punisher, “The Punisher – Reflections,” Netflix, gnet

    Best Horror / Thriller (TV Spot / Trailer / Teaser for a series)

    Ash vs. Evil Dead (Season 3), “Supernatural,” Starz, Zealot Westworld, “New Chaos,” HBO, Motive Rellik, “What You Deserve,” Cinemax, Buddha Jones The Walking Dead Season 8B, “Nightmare,” AMC Network, Giaronomo Productions The Alienist, “Monster,” TNT, Trailer Park

    Best Music (TV Spot / Trailer / Teaser for a series)

    Ozark, Netflix, Mark Woollen & Associates Stranger Things Season 2, “Darkness,” Netflix, Trailer Park, Inc. The Defenders, “Quartet,” Netflix, MOCEAN Impulse, “Impulse Teaser,” YouTube, Trailer Park The Crown, “For You,” Netflix, GrandSon

    Best Opening Title Sequence or Closing Credit Sequence for a feature film

    Wonder Woman, “Wonder Woman Main-On-End Titles,” Warner Bros, Greenhaus GFX Insidious – The Last Key, “The Last Key – Main-On-End Titles,” Blum House, Greenhaus GFX DC, “DC Logo,” Warner Bros., Buddha Jones Proud Mary, “Opening Title GFX,” Screen Gems, Seismic Productions Game Night, “Game Night,” New Line Cinema, Aspect

    Best Original Score (TV Spot / Trailer / Teaser for a series)

    Blood Drive, “Master Collection,” SyFy, Buddha Jones Fox League X Briggs- “HERE,” Fox Sports Creative Westworld Season 2, “Locked Inside,” HBO, Jax Westworld Season 2, “Beautiful World – Super Bowl,” HBO, Jax

    Best Promo for a OTO or Special (i.e. Oscars, CMAs or Super Bowl)

    NBC Sports: Championship Season, Agency: 2C Creative ESPN: Curry/Lonzo Game Promo, 2C Creative Jonestown: The Women Behind the Massacre, “Deadliest,” A&E, The Shop The OSCARS, “The Oscars 2018 Jimmy Returns,” ABC Entertainment Marketing + Black Label Content

    Best Promo for a TV Network

    2017 PBS Previews Campaign, “2017 PBS Previews Campaign: Drama,” PBS Stan Lee, “Stan the Man,” Disney/Marvel & Netflix, MOCEAN HBO Documentary, “Trailer,” HBO, Create Advertising Group HBO “Game of Thrones” Image, HBO, Trailer Park truTV, “truTV onair refresh,” truTV, TruTV

    Best Sound Editing (in a TV Spot / Trailer / Teaser for a series)

    The Pack (Wataha) “Season 2 Heartbeat Teaser,” HBO Europe Stranger Things Season 2, “Darkness,” Netflix, Trailer Park, Inc. Dark, “Machine,” Netflix, Buddha Jones The Punisher, “Family Man,” Netflix, MOCEAN Westworld S2, “30TV “Revenge,” HBO, Aspect

    Best Voice Over (in a TV Spot / Trailer / Teaser for a series)

    Ozark, “Last Resort Cutdown,” Netflix, Mark Woollen & Associates Ozark, “Money,” Netflix, Mark Woollen & Associates Comrade Detective, “Comrades,” Amazon Studios, TRANSIT GRAND PRIX DRIVER, “Series Trailer,” Amazon Studios, Tiny Hero

    Most Original (TV Spot / Trailer / Teaser for a series)

    American Vandal, “Conspiracy,” Netflix, Zealot Comrade Detective, “Comrades,” Amazon Studios, TRANSIT The Innocents, “Changes Everything,” Netflix, Trailer Park, Inc. The Crown 2, “The Crown Trailer,” Netflix, Intermission Film Altered Carbon, “Live Forever” Date Announce,” Netflix, gnet

    Best Action Poster

    Wonder Woman, “Wonder Woman, One-Sheet,” Warner Bros., BOND Thor: Ragnarok, “Thor: Ragnarok, One-Sheet,” Walt Disney Studios, BOND Wonder Woman, “Wonder Woman One Sheet,” Warner Bros., P+A Tomb Raider, “Tomb Raider Ice Pick,” Warner Bros., WORKS ADV

    Best Animation / Family Movie Poster

    Peter Rabbit, “Peter Rabbit One Sheet,” Sony Pictures Entertainment, WORKS ADV

    Best Billboard

    Wonder Woman, “Wonder Woman,” Warner Bros., “Concept Arts” Jumanji: Welcome to the Jungle, “Jumanji: Welcome to the Jungle, Billboard,” Sony, BOND Love, Simon, “Love, Simon LA Billboard 20th Century Fox,” WORKS ADV Black Panther, “Arclight Motion Billboard,” Walt Disney Motion Pictures, The M Factor

    Best Comedy Poster

    Game Over, Man! Digital Finish, Netflix, Ignition Life of the Party, Warner Bros. Pictures, Cold Open A Futile and Stupid Gesture,Netflix, Leroy & Rose Super Troopers 2, “Payoff Poster 2,” Fox Searchlight Pictures, Midnight Oil

    Best Comedy Poster for a TV Show / TV Series

    Baskets S3 One-Sheet, FX Networks, Ignition Vice Principals One-Sheet, “Vice Principals One-Sheet,” HBO, Ignition Hap & Leonard: Mucho Mojo, SundanceTV, The Refinery The Mick, “Season 2,” Fox, Leroy & Rose

    Best Documentary / Reality Poster for a TV Show or TV Series

    Wormwood One-Sheet, Netflix, Ignition Mind Field – Season 2, YouTube Red, Cold Open Daughters of Destiny, Netflix, Concept Arts Adam Ruins Everything, “Adam Ruins the Rest Room,” truTV, TruTV

    Best Documentary Poster

    DOLORES, PBS, POV Studio 54, AE Films, Concept Arts Lenny, HBO, Cold Open Jim & Andy: The Great Beyond, Netflix, BOND

    Best Drama / Action TV Series Poster

    Ozark, Netflix, The Refinery Handmaids Tale, Hulu, Leroy & Rose The Americans: Season 6, FX, P+A American Gods, Starz, BOND

    Best Drama Poster

    Mudbound, Netflix, The Refinery Realive, Syfy Films, The Refinery Dunkirk, “Bus Shelter,” Warner Bros., Concept Arts Three Billboards Outside Ebbing, Missouri, Fox Searchlight, BOND

    Best Fantasy / Adventure Poster

    Blade Runner 2049, Warner Bros., WORKS ADV Ready Player One, “Payoff,” Warner Brothers, BOND Star Wars: The Last Jedi, Walt Disney Studios, BOND The Shape of Water, Fox Searchlight Pictures, Midnight Oil, Digital Finishing by Daniel Clark Creative

    Best Foreign Poster

    Das Schweigende Klassenzimmer, “Silence speaks volumes,” The Dream Factory The Death of Stalin, AllCity Media Euphoria, Great Point Media, Coffee & Cigarettes Birthmarked, Aqute Media, Champ & Pepper

    Best Horror / Thriller TV Series Poster

    The Strain Digital Finish, FX Networks, Ignition Dark, Netflix, The Refinery American Horror Story: Cult, FX, BOND Fight of the Living Dead: Paradise Calls, YouTube Red, Cold Open

    Best Horror Poster

    The Cured, IFC Films, InSync PLUS Insidious: The Last Key, “Scream,” Universal Pictures, Concept Arts Winchester, CBS Films, Cold Open Slender Man, “Teaser,” Screen Gems, P+A

    Best Independent Poster

    Okja, Netflix, BOND Thelma, The Orchard, P+A The Little Hours, GUNPOWDER & SKY, Jump Cut Creative The Endless, Well Go USA Entertainment, Jump Cut Creative

    Best International Poster

    Downsizing One-Sheet, Paramount, Ignition Winchester – International Poster (Spain), CBS Films, Cold Open Wonder Woman, “Walking,” Warner Bros., WORKS ADV A Wrinkle in Time, “International (Germany),” Walt Disney Pictures, Cold Open

    Best Motion Poster

    Peter Rabbit, Sony Pictures Entertainment, WORKS ADV Dunkirk, “Destroyer,” Warner Bros., Concept Arts Isle Of Dogs, “Wild Post,”Fox Searchlight Pictures, BLT Communications, LLC Isle Of Dogs, “Sneezing,” Fox Searchlight Pictures, BLT Communications, LLC

    Best pre-show Theatrical Advertising for a Brand

    Guardians of the Galaxy Vol 2, “The Sprint Disruption,” Screenvision Media, 40 Foot Solutions Cinemark XD, “Magic,” Cinemark, MOCEAN A Quiet Theater, “A Quiet Theater,” Paramount Pictures, M3 Creative SHUDDER, “EVOKE,” SHUDDER, HEART SLEEVE CREATIVE Gogol, ‘Gogol asks to turn off phones in cinemas,” TV-3

    Best Radio / Audio Spot

    The Cloverfield Paradox, “Stop,” Netflix, Buddha Jones Kingsman: The Golden Circle, “Summer,” 20th Century Fox, Create Advertising Group The Hitman’s Bodyguard, “RADIO :30 SAM VS RYAN,” NEW LINE, Seismic Productions The Shape of Water, “Score Radio,” Fox Searchlight, Mark Woollen & Associates Black Panther, “Just Getting Started,” Walt Disney Studios / Marvel, Tiny Hero

    Best Summer Blockbuster Poster

    Rampage, New Line Cinema, Concept Arts Skyscraper, Universal Pictures, Concept Arts Wonder Woman, Warner Brothers, BOND Guardians of the Galaxy Vol. 2, Walt Disney Studios, BOND

    Best Teaser Poster

    Ocean’s 8, Warner Bros., WORKS ADV Game Night, Warner Brothers, Leroy & Rose All The Money In the World, Sony Pictures, P+A Super Troopers 2, Fox Searchlight Pictures, Midnight Oil

    Best Thriller Poster

    The New Mutants, 20th Century Fox, Ignition Flatliners, Sony, Concept Arts Annabelle: Creation, “Tea Party,” New Line Cinema, Concept Arts You Were Never Really Here, Amazon Studios, P+A

    Best Trailer for Book or Novel

    The Bad Seed, HarperCollins Publishers Everless, HarperCollins Publishers Tattoo, The 8 Percent The Butchering Art, Light Arcade The Sheriff’s Catch (Part 1 of The Sassana Stone Pentalogy), “Unbound,” James Vella-Bardon

    Best TrailerByte for a Feature Film

    Flatliners, “What Could Go Wrong,” Sony, BOND Thoroughbreds, “Alibi,” Focus Features, GrandSon The Greatest Showman, “Singalong Social Campaign,” 20th Century Fox, Create Advertising Super Troopers 2, “Super Troopers 2, Cologne Commercial,” Fox Searchlight Pictures, Fox Searchlight Marketing Peter Rabbit, “Bring The Fight,” Sony Pictures Entertainment, Workshop Creative

    Best TrailerByte for a TV Series/Streaming Series

    Ballers: Season 3, HBO, AV Squad GAME OF THRONES, “Season 7 Social Carousel,” HBO, Silk Factory Westworld S2, “Digital “Out There,” HBO, Aspect The Long Road Home, National Geographic, InSync PLUS Truth or Dare, “:10 Do or Die,” Universal Pictures Intl, The Picture Production Company

    Best Video Game Poster

    Civilization VI, 2K Games, Inc., Ignition Uncharted, “10th Anniversary Poster,” Sony Interactive Entertainment, PlayStation Creative Horizon Zero Dawn The Frozen Wilds, Sony Interactive Entertainment, PlayStation Creative Shadow of the Colossus, “Hero,” Sony Interactive Entertainment, PlayStation Creative

    Best Viral Campaign

    Bright, “Digital Campaign,” Netflix, InSync PLUS Impractical Jokers, “Surprise and Delight,” truTV, Fooji Gogol.Origins, “The first audience talks about the film Gogol. Origins,” TV-3, TV-3 Good Time, “Social Campaign,” A24, GrandSon The Disaster Artist, “The Tommy Award,” A24, GrandSon

    Best Wildposts (Teaser Campaign)

    Justice League, “Justice League,” Warner Bros., The Refinery Blade Runner 2049, “Blade Runner 2049 11up,” Warner Bros., Concept Arts Love, Simon, “Love Letter Wildposts,” 20th Century Fox, WORKS ADV Black Panther, “Character Series,” Marvel Studios, Art Machine

    Most Innovative Advertising (for a TV Series / Streaming Series)

    Altered Carbon, “Psychasec Campaign,” Netflix, gnet Westworld 2, “Loops,” HBO, HBO (Internal) The Long Road Home, “National Geographic,” InSync PLUS F Is For Family (Season 2), “Social Campaign,” Netflix, InSync PLUS Impractical Jokers, “Block Party,” truTV, Brand Connections

    Most Innovative Advertising for a Brand / Product

    Guardians of the Galaxy Vol 2, “Sprint Disruption,” Screenvision Studios, 40 Foot Solutions Citizen Graduation Gift, Screenvision Studios, 40 Foot Solutions Coco, “Celebration Family Digital,” Disney, Trailer Park, Inc. Oculus “Step into Rift” Brand Anthem, Oculus, space.camp

    Most Innovative Advertising for a Feature Film

    Bright, “Social Campaign,” Netflix, InSync PLUS The Babysitter, “Social Campaign,” Netflix, InSync PLUS A Quiet Place, “A Quiet Theater,” Paramount Pictures, M3 Creative A Ghost Story, “A Ghost Pie,” A24, GrandSon Coco, Walt Disney Motion Pictures, The M Factor

    Most Innovative Advertising for a Video Game

    Space Pirate Trainer, I-Illusions, kertgartner.com Call of Duty: WW2, “Brotherhood,” Activision, Aspect Hellblade: Senua’s Sacrifice, “Accolades Trailer,” Ninja Theory Oculus “Step into Rift” Brand Anthem, Oculus, space.camp Clash Royale, “Flash Royale,” Supercell, gnet

    Most Original Poster

    The Vietnam War: A Film by Ken Burns & Lynn Novick, “Reflections,” PBS Okja, Netflix, BOND Guardians of the Galaxy Vol. 2, Walt Disney Studios, BOND The Shape of Water, “Embrace Art,” Fox Searchlight Pictures, Midnight Oil, Digital Finishing by Daniel Clark Creative

    Best Film Festival Trailer

    Palm Springs International Film Festival, Palm Springs International Film Society, Stampede Studios Online Film Festival 2017, PBS Kamloops Film Festival 2018, Josh Sunderman BOFA Film Festival, Rhino Post Production BFI Bergman Season, BFI, The Picture Production Company

    Best Film Festival Poster

    Online Film Festival 2017, PBS Battle of the Sexes, “Telluride Poster,” Fox Searchlight Pictures, Fox Searchlight Marketing Battle of the Sexes, “Toronto Film Festival Poster,” Fox Searchlight Pictures, Fox Searchlight Marketing

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  • 2018 New Zealand International Film Festival Reveals First 9 Films + Artwork

    [caption id="attachment_29088" align="aligncenter" width="1200"]2018 New Zealand International Film Festival Artwork 2018 New Zealand International Film Festival Artwork[/caption] The New Zealand International Film Festival (NZIFF) revealed the first nine films selected for 2018 program plus the official artwork. The films include Disobedience starring Rachel Weisz and Rachel McAdams, Harry Dean Stanton’s final film Lucky, Lynne Ramsay’s You Were Never Really Here starring Joaquin Phoenix, period piece Zama from Argentinian auteur Lucrecia Martel, and a documentary feature on the pioneering women’s rights activist and US Supreme Court Justice Ruth Bader Ginsburg (RBG). “When we receive multiple requests we take notice and if we can’t deliver, that’s usually because somebody else will. We’ve been hearing requests for Lynne Ramsey’s film since its debut in Cannes a year ago – and the requests for RBG have been thick and fast since the US reviews came out only last week,” says NZIFF director Bill Gosden. Buckets of splendor, exotic and native, and a typically discriminating NZIFF patron are celebrated in the artwork for 2018. Illustrator Ken Samonte, inspired by New Yorker covers and the work of Hayao Miyazaki, also references the previous NZIFF illustration style of artist Tom Simpson. Disobedience Rachel Weisz stars as a black sheep drawn back to her London Orthodox Jewish home, rekindling sparks with a childhood friend (Rachel McAdams) in the English-language debut of the director of Gloria and A Fantastic Woman. Lucky After an idiosyncratic career of iconic roles for everyone from Wim Wenders to David Lynch, the late Harry Dean Stanton hangs up his hat with this wryly funny, affecting character study. RBG US Supreme Court Justice Ruth Bader Ginsburg has developed a breathtaking legal legacy while becoming an unexpected pop culture icon. RBG is a revelatory documentary exploring her exceptional life and career. You Were Never Really Here Lynne Ramsay, director of Ratcatcher and We Need to Talk About Kevin, teams with Joaquin Phoenix for a startling, nerve-shredding thriller about a brutal hitman contracted to save an abducted teen. Zama The brilliant Argentinian auteur Lucrecia Martel returns with a feverish, formally sophisticated period piece about a Spanish officer’s personal hell in colonial South America. Bombshell: The Hedy Lamarr Story Alexandra Dean’s debut documentary is a revelatory and entertaining portrait of an adventurous woman and talented inventor better known to the world as the embodiment of Hollywood sex and glamour. Leave No Trace New Zealand actress Thomasin Harcourt McKenzie is mesmerising as 13-year-old Tom living off the grid with her war vet father (Ben Foster) in this haunting new film from the director of Winter’s Bone. Matangi/Maya/M.I.A. From refugee daughter of a Tamil revolutionary and aspiring filmmaker to pop stardom and controversy magnet: this stimulating documentary about Sri Lankan musician M.I.A. dances to its own idiosyncratic beat. Yellow Is Forbidden Kiwi director Pietra Brettkelly takes us into the opulent world of show-stopping Chinese designer Guo Pei as she prepares to make her Paris debut and seeks admission into the exclusive club of haute couture.

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  • 4 Films Selected for Seattle International Film Festival’s 2018 New Works-in-Progress Forum

    [caption id="attachment_29056" align="aligncenter" width="1200"]The Dive The Dive[/caption] The Seattle International Film Festival announced the 2018 filmmakers chosen for their New Works-in-Progress Forum. Four feature projects, two documentaries and two narratives from three countries, were confirmed for inclusion. “SIFF 2018 is focused on meeting filmmakers and audiences where they are, and the New Works-in-Progress Forum does exactly that – curating audiences to meet filmmakers, and having that relationship help to create the art” said SIFF Artistic Director Beth Barrett. Now in its second year, the New Works-in-Progress Forum was designed by SIFF as an initiative to nurture emerging voices in world cinema. Unique in its inclusion of the audience in the forum, the event brings all partners in cinema together in concert. Included in the 2018 New Works-in-Progress Forum are Bijon Imtiaz and Arifur Rahman’s Paradise (Bangladesh, Documentary); Sarah Brennan Kolb, Good Ol Girl (USA, Documentary); Yona Rozenkier, The Dive (Israel, Narrative) and Limor Shmila, Hanging (Israel, Narrative). “The 2018 edition of the New Works-in-Progress Forum at SIFF shines the spotlight on four unique visual storytellers whose projects reflect today’s global zeitgeist from four extremely different perspectives, and exemplify the Forum’s directive to bring audience and filmmaker together at critical moments in the creative journey,” said the New Works-in-Progress Forum Curator Kathleen McInnis. “From Bangladesh, Israel, and the US, each film team is looking to the famed SIFF cinephiles to discover if their stories speak to a global audience.” Industry Mentors are specifically chosen from across industry disciplines. 2018 Documentary Industry Mentors include Publicist David Magdael, Film Journalist Amy Nicholson (Variety, MTV, “Film Week”), and Hot Docs Canadian International Documentary Festival Senior International Programmer Myrocia Watamaniuk. Narrative Industry Mentors include IFC Executive Vice President of Acquisitions and Productions Arianna Bocco, Anonymous Content Manager Luke Rivett, and Filmmaker Carlos Marques-Marcet (10,000 KM; Anchor and Hope). The inaugural SIFF New Works-in-Progress Forum Projects from 2017 are now award-winning films having successfully premiered at major festivals around the world. Each film will screen as part of the official program at SIFF 2018. The 2017 WIP Projects: Retablo from Director Alvaro Delgado-Aparicio premiered at Berlinale 2018 in Generations14+, winning the L’Oreal Teddy Newcomer Award and Special Jury Mention; A Good Week for Democracy from Director Cecilia Björk premiered at 2018 Göteborg International Film Festival and CPH:DOX where it was nominated for a Nordic: Dox Award; The Silk and the Flame from Director Jordan Schiele premiered at Berlinale 2018 in Panorama, and Julia Blue from Director Roxy Toporowych premiered at 2018 Cleveland International Film Festival.

    2018 Seattle International Film Festival New Works-in-Progress Forum Projects

    Bijon Imtiaz, Paradise Bijon Imtiaz world premiered his award-winning narrative feature film debut, Kingdom of Clay Subjects at SIFF 2016. Whilst researching for his second narrative feature, Imtiaz sensed a connection between the unfolding Rohingya crisis, his Bangladesh homeland and the religious extremism and growing tension between Hindus and Muslims. He immediately started to explore the individual and intimate stories in front of him for a feature-length documentary, Paradise. “The SIFF audiences understood every nuance when Kingdom of Clay Subjects premiered, “ said Imtiaz. “I was blown away by how educated their love of cinema is; it was so inspiring. We are looking for collaborators for the marathon that is documentary filmmaking, and I hope we find them among the WIP audience and mentors. We want to know if it connects on an emotional level and there is no better place to find that out than with SIFF audiences.” Arifur Rahman, Paradise First Bangladeshi Asian Film Academy Producing Fellow Arifur Rahman’s debut produced feature film Kingdom of Clay Subjects has World Premiered at 42nd Seattle International Film Festival, won the Best Film Award at 7th Chicago South Asian Film Festival and played as part of Competition at Cinequest Film Fest, Silk Road International Film Festival along with many other festivals around the world. The film has released theatrically in Bangladesh, North America, And Australia. His second produced feature film Live from Dhaka has had its World Premiere at Singapore International Film Festival, the film winning Best Director and Actor award in the process. It has also played at International Film Festival of Rotterdam, and currently having its festival journey, and has recently been picked up by French Sales company Stray Dogs. He has produced documentary shows in collaboration with BBC, Scottish Documentary Institute, Bangladesh Documentary Council, and NHK TV. His documentaries have played at the prestigious Sheffield Doc/Fest and International Human Rights Liberation Film Festival. Arifur’s documentary Beyond the Waves won the Colors of Asia competition at Tokyo Docs.

    Paradise

    Filmmaker Bijon Imtiaz travels to a small island off the coast of Bangladesh to explore the ethics of displacement in a landscape where religion is race and personhood is defined by the ownership of land. Telling three unique stories, Imtiaz studies the consequences and causes of forced displacement, oppression and religion in our contemporary world. A middle-aged barber — the last and only Hindu on an island of Muslims, a 16-year-old Muslim Rohingya girl facing violent ethnic cleansing, and a 12-year-old boy immersed in religious doctrine frame an emotional microcosm of modern Bangladesh as well as our current global society. Sarah Brennan Kolb, Good Ol Girl A New York commercial producer by day, Sarah Brennan Kolb returned to her native Texas for a working hiatus as a ranch hand on a cow-calf operation. It was there she begin to explore the “modern” West – one in which the “male cowboy mythology” was quickly disappearing and being replaced by a new gritty, honest and some would say subversive, female story. The jarring transitions between generations as the men disappeared and the women stayed standing in this hyper-masculine and desolate place inspired Kolb to dig deeper into the crushing weight of legacy and tradition. “Rural Texas is as much a character as these three women who are redefining the patriarchal power dynamic, not by choice but by necessity,” said Kolb. “This fiery, bloody, dirty and yes, violent part of the female story is rooted in the natural world in Texas. Telling this story now, I hope, puts a face to the survivors and lays rest the vanishing patriarchal bogeyman.”

    Good Ol Girl

    [caption id="attachment_29058" align="aligncenter" width="1200"]Good Ol Girl Good Ol Girl[/caption] Not all of the women of the mythological West slip easily into the princess fantasy of Pocahontas or the unnamed martyr “Pioneer Woman” labels so often prescribed them. In Filmmaker Sarah Brennan Kolb’s genre busting documentary, three women of the “New West” reshape the Western Canon with their stories. Crosscutting cinéma vérité techniques with archival material from 1930‘s and ‘40’s B-movie Westerns as well as academic commentary from famed-author Joyce Gibson Roach, Kolb questions “Who has the authority to claim the (often) oppressive traditions when only those who have been oppressed are left to carry them on?” Yona Rozenkier, The Dive Filmmaker Yona Rozenkier brings extraordinary authority to his debut narrative feature film, The Dive. As the son of a Christian kibbutz volunteer from Switzerland and a French Holocaust survivor, Rozenkier worked as a farmer on his kibbutz until he was 27, before starting film school. Awaiting recruitment into the Second Lebanon War, three of the Rozenkier brothers spent one last memorable weekend on their quiet kibbutz, celebrating their lives before going off to yet another war. It was this weekend that would inspire Yona Rozenkier to make his first film and two of his brothers would be recruited once again, this time to each play a version of himself on screen along with Yona in a story about brothers, love and the constant, daily training for war. “We have a lot of “sacred cows” in Israel,” said Rozenkier. “We may believe we are pacifists, but when we are called up for the next war and the next war and the next, we grab our guns and go. Our people become a tool in the hands of our leadership in Israel, the same way our masculinity can become toxic because of the military. I believe sometimes you have to put family before country, but that is a radical concept for some here. And I wonder if my uniquely Israeli experience translates outside of Israel?”

    The Dive

    Two brothers struggle between love and duty as their little brother tries to prepare for his first military call to duty. Middle brother Yoav, an ex-officer who has retreated back to his kibbutz, mentally exhausted under the weight of PTSD, is at odds with his still-serving older brother, Itay, who is the reincarnation of their late father and evokes a strong sense of duty and obligation to country. When war breaks out, as it inevitably does in Israel, and little brother Avishay reveals he is conflicted about being called up, the two older brothers deep disconnect explodes: Yoav wants Avishay to understand he can refuse to go, but Itay insists Avishay needs to “man-up” and do what’s right. Almost immediately, Avishay becomes the battlefield on which Yoav and Italy fight out their own emotional war. As Yoav tries desperately to save his brothers, he faces the harsh reality where violence becomes his only option to ending violence, but will he become that which he decries? Limor Shmila, Hanging One of Israel’s leading casting directors (Sand Storm, Elite Zexer; Big Bad Wolves, Aharon Keshales, Navot Papushado; Esau, Pavel Lungin), Limor Shmila debuted her first feature film as director, Montana, at the Toronto Int’l Film Festival (TIFF) 2017 to rave reviews. Her second feature, Hanging, is a dramatic continuation of Shmila’s cinematic exploration of identity, intimacy, and the power dynamic. “I’m really curious as to how people internationally will react to this couple as parents, as well as how they will emotionally connect and if it speaks to them as couples themselves.” said Shmila. “I’m always searching for stories that speak to the relationships in which we bind ourselves – in my very religious upbringing, there was always a conflict between the man and the woman. I saw that men always wanted to put women under them; be powerful over them. It’s why it was so important to me that this is Tamara’s story, that she is on top.”

    Hanging

    [caption id="attachment_29059" align="aligncenter" width="1200"]Hanging Hanging[/caption] Tamara is a successful young power broker and a brand new mother to her daughter, Dana. Living an all-consuming lifestyle, Tamara has nearly forgotten she is also a wife, and by definition a lover, to Uri, a fighter pilot in the Israeli Air Force. When Uri forces the issue and tries to re-conquer his wife, Tamara’s instinctual release of physical force excites them both. Soon they are have turned their extra room into their “game room” and slap by slap build a safe space for sexual escapism that both excites and releases their inner demons. But Tamara has other demands on her body, trying to hold onto breastfeeding Dana as long as possible while also putting in impossible hours at work. The pressure is overwhelming and quickly Tamara’s tenuous façade begins shattering with grave repercussions.

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  • 2018 Human Rights Watch Film Festival to Showcase 15 Films – 12 Directed by Women, Opens with ON HER SHOULDERS

    [caption id="attachment_29010" align="aligncenter" width="1200"]Nadia Murad and Murad Ismael appear in On Her Shoulders by Alexandria Bombach. Nadia Murad and Murad Ismael appear in On Her Shoulders by Alexandria Bombach.[/caption] This year’s Human Rights Watch Film Festival will showcase 15 timely and provocative documentary and narrative works, screening June 14 to 21, 2018 in New York City. In a year when women collectively raised their voices against discrimination and abuse, Human Rights Watch will present films offering incisive perspectives and critical insights on human rights issues impacting people around the world. Twelve of the 15 films are directed or co-directed by women. Now in its 29th edition, the Human Rights Watch Film Festival is co-presented by the Film Society of Lincoln Center and IFC Center. All screenings will be followed by in-depth Q&A sessions with filmmakers, film subjects, Human Rights Watch researchers, and special guests. “This year’s festival focuses on strong women who take great risks to push back against powerful forces within their respective societies. And, at a time when the use of personal data by institutions is front-page news, this year’s program explores governmental and corporate regulation of information, and how, by burying the truth and creating their own narratives, these gatekeepers are uniquely positioned to abuse their power and control the populace. ” “In a year when women have spoken out against abuse, harassment and oppression, the festival highlights the outstanding work of women filmmakers telling epic stories of women fighting injustice with resilience and courage.” said John Biaggi, the Human Rights Watch Film Festival creative director. “The festival will also probe the headline-breaking questions of corporate and government control of information at a time when the use of personal data has outrun the limits of the law and ethics.” The Opening Night documentary On Her Shoulders introduces Nadia Murad, a 23-year-old Yazidi survivor of atrocities by ISIS who makes it her life’s mission to fight for justice and freedom for her people. Two documentaries highlight women’s rights in Afghanistan. A Thousand Girls Like Me follows a young mother seeking justice from a legal system designed to criminalize sexual abuse survivors like her. Facing the Dragon (winner of the festival’s Nestor Almendros Award) profiles two intrepid Afghan women — a member of parliament and a journalist — who risk the safety of their families to bring change and accountability to their country. Naila and the Uprising features courageous Palestinian women activists who played a pivotal role in the First Intifada, and in Women of the Venezuelan Chaos, five resilient women find creative ways to defend their fellow citizens, their families, and their own lives amid the national crisis that has enveloped their country. In the profoundly moving and poetic Angkar, a filmmaker traces her father’s journey home to Cambodia to seek out his Khmer Rouge persecutors while confronting his country’s collective amnesia regarding their horrifying past. In The Silence of Others, survivors of the Franco dictatorship’s crimes against humanity refuse to relent in their pursuit of justice, despite Spain’s “pact of forgetting,” which has denied Franco’s victims legal recourse. The Cleaners reveals a murky world of digital “cleaning,” in which giant social media companies employ workers to delete Internet content deemed inappropriate, raising essential questions over Internet control and the life-threatening impact of erasing entire resistance movements from the world’s gaze. As always, the festival features critical human rights issues in the U.S., this year with three timely films. Charm City moves between community members, police and local officials during a period of heightened violence in Baltimore, exposing layers of disconnect and distrust that need to be addressed to move their city forward. TransMilitary focuses on the largest employer of transgender people in the country – the U.S. military – and the efforts of four brave people as they come forward to demand much-needed change. The Closing Night film, The Unafraid, introduces three high school students in Georgia, banned by the state from attending top state universities due to their unauthorized immigration status, and their passionate fight to pursue their dreams of higher education.

    2018 Human Rights Watch Film Festival Film Lineup

    Opening Night Film and Reception* On Her Shoulders Alexandria Bombach, 2018, 94 min., Arabic, English, Kurdish Nadia Murad is a 23-year-old lifeline to the Yezidi community. A survivor of the 2014 atrocities against the Yezidi in northern Iraq, Nadia escaped sexual slavery at the hands of the Islamic State (also known as ISIS) and witnessed the murder of those closest to her. With the love of her people propelling her forward, Nadia is determined to turn her pain into international action. She now shoulders immense burdens as a key public figure whose supporters are pushing her further into the spotlight – from testifying at the United Nations Security Council and having endless meetings with government officials to giving soul-baring media interviews and emotionally draining speeches. On Her Shoulders tells the story of a multi-layered and selfless activist who once dreamed of opening a beauty salon in her village as she becomes an essential voice in the fight to bring ISIS to justice and save her people from extinction. New York Premiere “This moving film highlights the journey for justice, and how elusive it has been and continues to be for Yezidis, despite the world acknowledging their suffering.” – Rothna Begum, Researcher, Women’s Rights Division, Human Rights Watch US Documentary Directing Award, Sundance Film Festival 2018. Opening in theaters this October from Oscilloscope Laboratories. Closing Night Film The Unafraid Anayansi Prado and Heather Courtney, 2018, 85 min., English, Spanish “We have years of activism under our belts. Now we just fight harder, we fight smarter, and we fight as one.” – Alejandro, film subject, The Unafraid High School seniors Alejandro, Silvia and Aldo, like most of their friends, are eager to go to college and pursue their education. However, their home state of Georgia not only bans them from attending the top five public universities, but also deems them ineligible for in-state tuition at public colleges due to their immigration status as DACA (Deferred Action for Childhood Arrivals) recipients. In response, these three ambitious and dream-filled students divert their passions toward the fight for education in the undocumented community. As President Donald Trump’s campaign rhetoric against immigrants gains momentum, and with the three students under constant threat of losing their DACA status and being deported, The Unafraid follows these inspirational members of the generation of “undocumented, unapologetic and unafraid” young people who are determined to overcome and dismantle oppressive policies and mindsets. New York Premiere A Thousand Girls Like Me Sahra Mani, 2018, 76 min., Farsi “Every woman in this country has a hundred owners. Fathers, brothers, uncles, neighbors: They all believe they have the right to speak on our behalf and make decisions for us. That’s why our stories are never heard, but buried with us.” – Sahra Mani, director, A Thousand Girls Like Me When Khatera, a 23-year-old Afghan woman, forces her father to stand trial after a lifetime of sexual abuse, she risks her family, freedom and personal safety to expose a judicial system that incriminates the very women who seek protection. In a country where the systematic abuse of girls is rarely discussed, Afghan filmmaker Sahra Mani presents an awe-inspiring story of one woman’s battle against cultural, familial and legal pressures as she embarks on a mission to set a positive example for her daughter and other girls like her. U.S. Premiere Angkar Neary Adeline Hay, 2018, 71 min., French, Khmer “We called it the Angkar, ‘The Organization’ in Khmer. The nebulous wielder of power. Something shapeless, without a head, without a face. Angkar made the rules. Angkar had eyes everywhere.” – Khonsaly Hay, film subject, Angkar Khonsaly Hay returns to his lush, serene village in Cambodia after over 40 years living in France and comes face-to-face with his former Khmer Rouge persecutors. Pol Pot’s regime of extreme violence and torture between 1975-1979 turned neighbor against neighbor and resulted in the deaths of nearly 2 million people. Decades later, survivors find themselves living next door to the very people responsible for their suffering. In this beautifully personal and artfully crafted testimony of survival, Khonsaly travels the country, confronting his past and seeking what remains of the family and friends he was forced to leave behind. Directed by Khonsaly’s daughter, Neary Adeline Hay, this deeply immersive film juxtaposes past and present to tenderly reveal unreconciled traumas haunting Cambodians today. New York Premiere Anote’s Ark Matthieu Rytz, 2018, 77 min., English, Kiribati “I want to emphasize that climate change is not a political issue. It’s not entirely an economic issue. It’s an issue of survival. Maybe today for countries like mine. But in the future, for the planet as a whole.” – Anote Tong, film subject, Anote’s Ark What if your country was swallowed by the sea? The idyllic Pacific nation of Kiribati will be submerged within decades due to climate change. As President Anote Tong passionately embarks upon a race against time to save his people and 4,000 years of Kiribati culture, islanders are already feeling the pressure to relocate. Sermary, a young mother of six, must decide whether to use a sought-after lottery visa and leave her children behind to build a future for her family overseas. Set against the backdrop of international climate negotiations and the fight to recognize climate displacement as an urgent human rights issue, Anote’s Ark presents personal stories that serve as cautionary tales for the entire world. New York Premiere Official Selection, Sundance Film Festival 2018 Charm City Marilyn Ness, 2018, 106 min., English During three years of unparalleled violence in Baltimore, Maryland, award-winning filmmaker Marilyn Ness takes viewers beyond the headlines and into the lives of community members, police and government officials as they attempt to reclaim the future of their city. A young City Councilman, Brandon Scott, calls for diverting funds from policing to programs that build opportunities and combat poverty. A Senior community leader, “Mr. C,” and his colleague Alex Long spend their days in the streets working with youth to provide a positive environment and safety. Charm City speaks to a nationwide crisis, where the grit and compassion of citizens offer humanity as a way forward. “This film is extremely well made. It asks, rather than answers, questions, and doesn’t tell the viewer how to think.” – John Raphling, Senior Researcher, U.S. Program, Human Rights Watch The Cleaners Hans Block and Moritz Riesewiek, 2018, 88 min., English, Tagalog “The companies have more and more power … They take advantage of our desire for ease, our resistance to effort, our resistance to challenge, and I think, over time, if we’re not already there, it will interfere with our ability to have critical thinking.” – David Kaye, UN Special Rapporteur on Freedom of Expression, film subject, The Cleaners Who controls what you see on the internet? Welcome to a hidden industry of digital cleaning where content determined as inappropriate is deleted from the internet. This fascinating documentary follows five “cleaners” in the Philippines whom social media giants, including Facebook and Twitter, hire to undertake the highly sensitive work of viewing and removing millions of images and videos from online platforms every day. Exposing the extreme and often life-threatening impact of censorship capable of disappearing entire conversations, perspectives and events from world view, The Cleaners expertly reveals the impact on critics of the U.S. president, activists in Turkey and the Rohingya in Myanmar from Silicon Valley’s control over free speech. New York Premiere Please be advised this film contains material that may be disturbing to some viewers. Official Selection, Sundance Film Festival 2018 The Distant Barking of Dogs Simon Lereng Wilmont, 2017, 90 min., Ukrainian This film is fully subtitled and ASL interpretation will be provided for the Q&A. “We have days of silence. But they are so deadly – even worse than explosions. It’s the lull before the storm.” – Grandmother Alexandra, film subject, The Distant Barking of Dogs The life of a 10-year-old child includes a healthy dose of curiosity and adventure. But the days of Oleg, who lives in the Donetsk region of eastern Ukraine – just minutes from where Ukrainian and pro-Russian forces are at war – are often interrupted by echoes of anti-aircraft fire and missile strikes. Oleg and his cousin Yarik are young boys whose play fights and restlessness often lead them toward dangerous discoveries. But, as this touching and intimate film evolves, it bears witness to the unique pressures that come with living adjacent to a war zone, and the gradual erosion of innocence under intense psychological burdens. As the world shakes around Oleg and Yarik, the beauty of childhood friendship becomes ever more important for survival. New York Premiere First Appearance Award, International Documentary Festival Amsterdam (IDFA) 2017 Facing the Dragon Sedika Mojadidi, 2018, 80 min., Dari “We have a responsibility to speak on behalf of every woman, from the remote mountains of Pamir to Nuristan. Advocating for women’s rights should not be a political game.” – Dr. Nilofar Ibrahimi, film subject, Facing the Dragon As the U.S. withdraws forces and aid from Afghanistan, the Taliban are regaining their hold and the stability of the country’s fragile democracy is unclear. Afghan-American filmmaker Sedika Mojadidi joins two awe-inspiring women on the front lines: Nilofar, a successful doctor-turned-member of parliament, driven in her mission to secure peace and well-being for women; and Shakila, a top investigative journalist committed to exposing the truth about what is happening in her troubled country. Under increasing threats of violence, these two women are soon forced to choose between their sense of duty and love for Afghanistan, and the safety of their families. New York Premiere Winner of the 2018 Human Rights Watch Film Festival Nestor Almendros award for courage in filmmaking. Naila and the Uprising Julia Bacha, 2017, 76 min., Arabic, English, Hebrew, French “We can’t be free as women unless we’re in a free country. And even if we are free of the occupation, we can’t know freedom as long as we are subjugated in our own society.” – Sama Aweidah, film subject, Naila and the Uprising When an uprising breaks out in the Occupied Palestinian Territories in 1987, a young woman in Gaza must make a choice between love and family and freedom. Naila and the Uprising chronicles the remarkable real-life journey of Naila Ayesh, a key figure in the First Intifada, which forced the world to recognize the Palestinian right to self-determination. Using evocative animation, intimate interviews, and exclusive archival footage, this film tells the story the mainstream media missed: of a courageous women’s movement at the head of Palestinians’ struggle for freedom, bringing out of anonymity the bold women activists whose contributions and sacrifices changed history, but whose stories have remained untold until now. The Silence of Others Almudena Carracedo and Robert Bahar, 2018, 96 min., Spanish A 1977 amnesty law in Spain known as “the pact of forgetting” prohibits legal action related to the oppression, torture and murder of an estimated 100,000 people during Franco’s 40-year dictatorship. But for much of the population – including the survivor who passes his torturer’s home every day on the way to market, the children of forcibly disappeared parents found buried in mass graves, and parents still searching for their children seized at birth and handed to Franco’s allies – there is no peace in silence. Taking strength and inspiration from justice-seekers in Chile and Guatemala, the characters in The Silence of Others fight an urgent battle to get recognition and admissions of guilt against state-imposed amnesia. From award-winning directors and Executive Producer Pedro Almodovar comes a powerful film about a country still divided four decades into democracy. New York Premiere “The film shows why victims need justice, even decades after the crimes, and why forgetting simply isn’t an option.” – Param-Preet Singh, Associate Director, International Justice Program, Human Rights Watch Panorama Audience Award for Best Documentary and Peace Film Prize winner, Berlin International Film Festival 2018 TransMilitary Gabriel Silverman and Co-director Fiona Dawson, 2018, 92 min., English “It is our time now to step forward and say, ‘OK, it’s not about what gender I am, it’s about if I can get the job done. And we for years have shown that, so why not acknowledge us?’” – Laila Villanueva, film subject, TransMilitary The military is the largest employer of transgender people in the United States. Amid rapidly changing policies that technically bans them from serving, 15,500 troops identify as transgender. TransMilitary documents four brave men and women who risk their families’ livelihoods by coming out to the Pentagon’s top brass in the hope of attaining the equal right to serve. With a new commander-in-chief at the helm, they must traverse a series of successes and defeats, as their careers hang in the balance. New York Premiere Audience Award for Documentary, South by Southwest Film Festival 2018 Voices of the Sea Kim Hopkins, 2018, 99 min., Spanish “‘For the humble, by the humble.’ … That was the goal. But the humble don’t have access to anything that other people have. It will improve for those on top. And for us down here it will be the same or worse.” – Mariela Mora Quintana, film subject, Voices of the Sea In this tiny, remote Cuban fishing village, Mariela, a mother of four young children, longs for a better life. The families in her village are utterly dependent on the day’s catch, which changes with the tide. The shops are empty, school is repeatedly shut down due to a lack of resources, and basic transportation is non-existent. With the relationship between the U.S. and Cuba in flux, Mariela, like many Cubans, is afraid that her only chance to escape to the U.S. will soon close. Her husband, Pita, loves his community, cherishes his friendships, and is loyal to his craft as a fisherman. The tension between husband and wife — one desperate to leave, the other content to stay — increases after her brother and neighbors flee the country, risking their lives to chase the American Dream. New York Premiere What Will People Say? Iram Haq, 2017, 106 min., Norwegian, Urdu Sixteen-year-old Nisha lives a double life. At home with her conservative Pakistani family, she is the perfect, compliant daughter. But when out with her friends, she is a typical Norwegian teenager – partying and exploring relationships. When her father discovers her deception, Nisha’s two worlds brutally collide. Trapped between countries and perceptions of honor, Nisha is forced to find her own way in life. This gripping and powerfully acted drama from Norwegian-Pakistani filmmaker Iram Haq untangles the complex relationship between a father and daughter and presents an empathetic perspective on family, community and culture. New York Premiere “This film powerfully highlights some of the abuses Pakistani women and girls face, which include forced marriage, barriers to education, and violence, including in the name of family ‘honor,’ which all too frequently goes unpunished.” – Heather Barr, Senior Researcher, Women’s Rights Division, Human Rights Watch Official Selection, Toronto International Film Festival 2017 Women of the Venezuelan Chaos Margarita Cadenas, 2017, 83 min., Spanish This film is fully subtitled and ASL interpretation will be provided for the Q&A Embodying strength and stoicism, five Venezuelan women from diverse backgrounds each draw a portrait of their country as it suffers under the worst crisis in its history amid extreme food and medicine shortages, a broken justice system, and widespread fear. The women share what life is really like for them and their families while the government repeatedly denies the country’s difficulties. Featuring stunning visuals and creative soundscapes, Women of the Venezuelan Chaos presents a uniquely beautiful country and people, who remain resilient and resourceful despite the immense challenges they face. New York Premiere “This is one of the best films I have seen on Venezuela. It is extraordinary, very accurate, very balanced, moving, powerful. It delves into all the issues Human Rights Watch covers in Venezuela: the humanitarian crisis, lack of medicines and food, exile, police abuses, lack of justice, impunity, abuse of power, violence.” – José Miguel Vivanco, Executive Director, Americas Division, Human Rights Watch

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