Filmworker[/caption]
Filmworker, a documentary film directed by Tony Zierra about Stanley Kubrick’s long-time assistant Leon Vitali, will open at the Metrograph in New York on May 11th, and at the Nuart in Los Angeles on May 18th, followed by a national rollout. The film world premiered at the 2017 Cannes Film Festival and went on to screen at numerous international film festivals including Telluride, the New York Film Festival and the AFI Fest.
It’s a rare person who would give up fame and fortune to dedicated himself to someone else’s creative vision. Yet, that’s exactly what Leon Vitali did after his acclaimed performance as ‘Lord Bullingdon” in Stanley Kubrick’s Barry Lyndon. After appearing in Barry Lyndon, prestigious job offers poured in from film, television and stage, but Leon turned them all down to take on the role of assistant to the master filmmaker. It would prove to be an extraordinary, intense, often arduous journey that would push Leon to his limit and beyond. The young actor surrendered his thriving career to become Kubrick’s loyal right-hand man.
For more than two decades, Leon played a crucial role behind-the-scenes helping Kubrick make and maintain his legendary body of work. In Filmworker, Leon’s candid and often funny experiences in the company of the notoriously private Kubrick are woven together with rich and varied elements including previously unseen photos, videos, letters, notebooks, and memos from Leon’s private collection of Kubrick artifacts. Insightful, emotionally charged anecdotes from actors, family, crew members, and key film industry professionals who worked with Kubrick and Leon add an important layer of detail and impact to the story.
On what would turn out to be Kubrick’s final film, Eyes Wide Shut, Leon was stretched to the limit carrying out double duties. Not only did he attend to countless production tasks, he also gave a stellar performance as the imperious ‘Red Cloak’. Kubrick’s sudden death in the midst of putting the final touches on Eyes Wide Shut left chaos in its wake. Without Kubrick’s unassailable leadership, confusion reigned. Exhausted, ill, and grief-stricken over the loss of the man whose dynamic presence had been his driving force for decades, Leon threw himself into a tough and constant battle to keep Kubrick’s uncompromising standards alive.
Filmworker enters the world of Leon Vitali and Stanley Kubrick from a unique perspective that highlights the nitty-gritty of the creative process. By experiencing Leon’s journey we come to understand how the mundane gives rise to the magnificent as timeless filmmaking is brought to life at its most practical and profound level. Leon’s story is uniquely his own, but this chronicle of one artist who chose to serve another stands as a testament to the legions of unsung heroes whose names shine for a brief moment as the credits roll.Terry P.
VIMOOZ is for lovers of independent films + foreign film + documentary + film festivals. We love championing the little films.
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FILMWORKER -Documentary on Stanley Kubrick’s Long-Time Assistant Leon Vitali, Sets Release Date
[caption id="attachment_24418" align="aligncenter" width="1200"]
Filmworker[/caption]
Filmworker, a documentary film directed by Tony Zierra about Stanley Kubrick’s long-time assistant Leon Vitali, will open at the Metrograph in New York on May 11th, and at the Nuart in Los Angeles on May 18th, followed by a national rollout. The film world premiered at the 2017 Cannes Film Festival and went on to screen at numerous international film festivals including Telluride, the New York Film Festival and the AFI Fest.
It’s a rare person who would give up fame and fortune to dedicated himself to someone else’s creative vision. Yet, that’s exactly what Leon Vitali did after his acclaimed performance as ‘Lord Bullingdon” in Stanley Kubrick’s Barry Lyndon. After appearing in Barry Lyndon, prestigious job offers poured in from film, television and stage, but Leon turned them all down to take on the role of assistant to the master filmmaker. It would prove to be an extraordinary, intense, often arduous journey that would push Leon to his limit and beyond. The young actor surrendered his thriving career to become Kubrick’s loyal right-hand man.
For more than two decades, Leon played a crucial role behind-the-scenes helping Kubrick make and maintain his legendary body of work. In Filmworker, Leon’s candid and often funny experiences in the company of the notoriously private Kubrick are woven together with rich and varied elements including previously unseen photos, videos, letters, notebooks, and memos from Leon’s private collection of Kubrick artifacts. Insightful, emotionally charged anecdotes from actors, family, crew members, and key film industry professionals who worked with Kubrick and Leon add an important layer of detail and impact to the story.
On what would turn out to be Kubrick’s final film, Eyes Wide Shut, Leon was stretched to the limit carrying out double duties. Not only did he attend to countless production tasks, he also gave a stellar performance as the imperious ‘Red Cloak’. Kubrick’s sudden death in the midst of putting the final touches on Eyes Wide Shut left chaos in its wake. Without Kubrick’s unassailable leadership, confusion reigned. Exhausted, ill, and grief-stricken over the loss of the man whose dynamic presence had been his driving force for decades, Leon threw himself into a tough and constant battle to keep Kubrick’s uncompromising standards alive.
Filmworker enters the world of Leon Vitali and Stanley Kubrick from a unique perspective that highlights the nitty-gritty of the creative process. By experiencing Leon’s journey we come to understand how the mundane gives rise to the magnificent as timeless filmmaking is brought to life at its most practical and profound level. Leon’s story is uniquely his own, but this chronicle of one artist who chose to serve another stands as a testament to the legions of unsung heroes whose names shine for a brief moment as the credits roll.
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“Ice Mother” and “Science Fair” Win Top Audience Awards at 41st Portland International Film Festival
[caption id="attachment_27542" align="aligncenter" width="1200"]
Ice Mother[/caption]
Ice Mother (Czech Republic) directed by Bohdan Sláma and Cristina Costantini and Darren Foster’s Science Fair (United States) snagged the top audience accolades at the 41st Portland International Film Festival. Ice Mother won the award for Best Narrative Feature and Science Fair took the Best Documentary Feature award.
Director Ryôta Nakano is the winner of this year’s Best New Director award for his debut feature, Her Love Boils Bathwater (Japan). Tehran Taboo (Austria/Germany) director Ali Soozandeh takes home the Audience Award for Best Animated Feature. This year’s Best International Short Film Award goes to director Britt Raes for her film Catherine (Belgium). Portland-based director Dawn Jones Redstone’s film We Have Our Ways is the recipient of the Best Oregon Short Film Award.
Best Narrative Feature
1. Ice Mother / Czech Republic/France/Slovakia / dir. Bohdan Sláma *winner Best Narrative Feature 2. A Taxi Driver / South Korea / dir. Hun Jang 3. Foxtrot / Israel/Switzerland/Germany/France / dir. Samuel MaozBest Documentary Feature
1. Science Fair / United States / dir. Cristina Costantini, Darren Foster *winner Best Documentary Feature 2. Won’t You Be My Neighbor? / United States / dir. Morgan Neville 3. Soufra / Lebanon/United States/Singapore / dir. Thomas A. MorganBest New Director
1. Her Love Boils Bathwater / Japan / dir. Ryôta Nakano *winner Best New Director 2. Bad Genius / Thailand / dir. Nattawut Poonpiriya 3. The Rider / United States / dir. Chloé ZhaoBest Animated Feature
1. Tehran Taboo / Austria/Germany / dir. Ali Soozandeh *winner Best Animated Feature 2. The Big Bad Fox & Other Tales / France / dir. Benjamin Renner, Patrick Imbert 3. Big Fish & Begonia / China / dir. Xuan Liang, Chun ZhanBest International Short Film
1. Catherine / Belgium / dir. Britt Raes *winner Best International Short Film 2. World of Tomorrow Episode Two / United States / dir. Don Hertzfeldt 3. Edith & Eddie / United States / dir. Laura CheckowayBest Oregon Short Film
1. We Have Our Ways / Portland, OR / dir. Dawn Jones Redstone *winner Best Oregon Short Film 2. Lovely Legs / Portland, OR / dir. Abby Thompson 3. Two Balloons / Portland, OR / dir. Mark SmithBest of Masters sidebar
On Body and Soul / Hungary / dir. Ildikó EnyediBest of PIFF After Dark sidebar
Bodied / United States / dir. Joseph KahnBest of Ways of Seeing sidebar
The Nothing Factory / Portugal / dir. Pedro PinhoBest of Films for Families sidebar
Science Fair / United States / dir. Cristina Costantini, Darren FosterBest of Global Panorama sidebar
A Taxi Driver / South Korea / dir. Hun Jang
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2018 Bosnian-Herzegovinian Film Festival in NYC Announces Lineup, “Men Don’t Cry” “Birds Like Us” and More…
[caption id="attachment_25619" align="aligncenter" width="1200"]
Men Don’t Cry[/caption]
A total of 15 films will screen at the 2018 Bosnian-Herzegovinian Film Festival (BHFF), along with a series of Q&A and discussion panels with filmmakers. The festival will run from Wednesday, April 11 through Saturday, April 14 at two Manhattan venues.
The BHFF will kick off with a special event on Wednesday, April 11, with a screening and discussion panel at Anthology Film Archives before moving to the SVA Theatre for three exciting nights featuring screenings, events with with filmmakers, and much more.
This year’s program will feature the work of 7 women directors, and brings to New York City both innovative young filmmakers, as well as established regional names including renowned director and screenwriter Aida Begić, and legendary actor Emir Hadžihafizbegović.
The fifteenth annual BHFF and will consist of five narrative feature films, four narrative shorts and six documentary films. All films selected to screen at the 15th Annual BHFF program are eligible to win a number of honors including the Golden Apple audience and jury awards. Films in competition are:
FEATURE FILMS
Birds Like Us | Faruk Šabanović, Amela Ćuhara | 84 min A group of birds are unceremoniously evicted from their home tree after a brave couple attempts to disrupt the community’s unique and unsettling social contract. Featuring Oscar winners Jeremy Irons and Alicia Vikander, and music by Peter Gabriel. The Frog (Žaba) | Elmir Jukić | 78 Minutes Zeko, a barber and a veteran, finds himself prone to violent fits resulting from post-traumatic stress disorder. Zeko attempts to reassemble the pieces of his life by reaching out to his brother Braco, who struggles with his own demons. Men Don’t Cry (Muškarci ne plaču) | Alen Drljević | 98 Minutes Twenty years after the conclusion of the Bosnian War, a diverse group of men meet to discuss their experiences and process the events that shaped their lives decades ago. Never Leave Me (Bırakma Beni) | Aida Begić | 97 min A group of young Syrian children try to overcome war trauma, and adjust to refugee life in Turkey. Nothing but the Wind (Ništa, samo vjetar) | Timur Makarević | 87 min If home is where the heart is, Bosnian-born Swede Vedran is conflicted about both. Forced to revisit his hometown of Sarajevo 18 years after departing, he must accept the changes the visit brings to him.SHORT FILMS
Great Wall of China (Kineski zid) | Aleksandra Odić | 36 min The legacy of the conflicts of the 1990s lurks in the background of a family gathering in the Bosnian countryside, as experienced by Maja, a young girl. Hedgehog’s Home (Ježeva kućica) | Eva Cvijanović | 10 min An interpretation of Branko Ćopić’s story of the same name, this animated short focuses on a hedgehog who is both envied and respected by other animals. Hedgehog’s Home is narrated by Rade Šerbedžija of Eyes Wide Shut, and Mission impossible: 2. Pink Elephant | Ado Hasanović | 17 min A secret suddenly breaks open when a daughter returns home from abroad, in this laugh-out-loud funny short about generational clashes. Stalemate | Amir Karagić | 13 min Mike, a middle-aged chef from Amsterdam, sits down to a game of chess with his estranged millennial son. A power battle ensues. Winter Sun (Zimsko sunce) | Pilar Palomero | 37 min Nana, who is eighty years old, is in need of a surgery. To have it, she and her husband must leave their home in the small village of Hrsa, in this an intimate look at this couple’s struggles to navigate a daunting healthcare system.DOCUMENTARY FILMS
Što te nema | Rialda Zukić | 8 min This documentary reflects on the recent incarnation in Boston’s iconic Copley Square of Što te nema, a “nomadic monument” held each July 11 that is dedicated to the 8,372 victims of the Srebrenica genocide. Scream for Me Sarajevo | Tarik Hodžić | 95 min A look back at the 1994 Iron Maiden concert in Sarajevo and what it took to make it happen as the city and its inhabitants were struggling through the three-year siege. To Be Far (Biti daleko) | Samira Kameli, Sajra Subašić | 9 min Samira, a documentarian from Iran, has traveled to Sarajevo to make a film. Attempting to connect with the country and its people, she seeks out others who have traveled great distances to be there, but encounters difficulties upon attempting to film at a refugee center. Two Schools (Dvije škole) | Srđan Šarenac | 43 min This documentary explores the Travnik Gymnasium, which, following the war in Bosnia, has been divided into two separate schools that share the same building. The annual Christmas football tournament is the only time when children from both sides of the school get a chance to interact with one another. [caption id="attachment_27539" align="aligncenter" width="1024"]
Undercovered[/caption]
Undercovered | Nejra Latić Hulušić, Sabrina Begović-Čorić | 53 min
Undercovered deals with six young Bosnian women from different spheres of life who decide to wear the headscarf as expression of their religion and identity.
Winter Sun (Zimsko sunce) | Pilar Palomero | 37 min
Nana, who is eighty years old, is in need of a surgery. To have it, she and her husband must leave their home in the small village of Hrsa, in this an intimate look at this couple’s struggles to navigate a daunting healthcare system.
The BHFF also presents a jury award for Best Acting Performance, awarded to an actor or actress in a lead or supporting role in any of the narrative short and feature films. The festival extend the following nominations for the BHFF 2018 Jury Award for Best Acting Performance to:
Emir Hadžihafizbegović, lead actor in the role of Zeko in The Frog
Ermin Bravo, lead actor in the role of Ahmed in Men Don’t Cry
Elena Matić, lead actress in the role of Maja in Great Wall of China
Boris Glibusić, lead actor in the role of Vedran in Nothing but the Wind
Izudin Bajrović, supporting actor in the role of Sead in Pink Elephant
Jasna Žalica, supporting actress in the role of Zlata in Pink Elephant
Isa Demlakhi, lead actor in the role of Isa in Never Leave Me
Emir Hadžihafizbegović, lead actor in the role of Merim in Men Don’t Cry
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5 Scientists Explore Some of the Most Spectacular Places on Earth in Trailer for “The Serengeti Rules”
[caption id="attachment_27521" align="aligncenter" width="1200"]
“Bob Paine (played by Matthieson McCrae) explores the Pacific Northwest in search of a natural laboratory.” From THE SERENGETI RULES. Photo credit: Nicolas Brown.[/caption]
Check out the beautiful and breath-taking trailer for The Serengeti Rules, a film that follows five pioneering scientists exploring some of the most remote and spectacular places on Earth.
Directed by Emmy and BAFTA award-winning filmmaker Nicolas Brown, The Serengeti Rules, will world premiere at the 2018 Tribeca Film Festival.
Beginning in the 1960s, a small band of young scientists headed out into the wilderness, driven by an insatiable curiosity about how nature works. Immersed in some of the most remote and spectacular places on Earth—from the majestic Serengeti to the Amazon jungle; from the Arctic Ocean to Pacific tide pools—they discovered a single set of rules that govern all life. Now in the twilight of their eminent careers, these five unsung heroes of modern ecology—Bob Paine, Jim Estes, Mary Power, Tony Sinclair, and John Terborgh—share the stories of their adventures, and how their pioneering work flipped our view of nature on its head. Across the globe, they discovered that among the millions of species on our planet, some are far more important than others. They called these species “keystones,” because they hold the natural world together. The role of keystones is both revelatory and surprising: sea otters help kelp forests flourish, supporting everything from salmon to eagles; wolves enable rivers to run clear and help forests thrive; and the humble wildebeest controls the numbers of trees, butterflies, elephants, and even giraffes on the savanna.
Unfortunately, these deep connections also work in reverse. When keystones are removed, ecosystems unravel and collapse—a phenomenon no one had imagined—or understood until their revolutionary discoveries. But with new knowledge also comes new hope, and these same visionaries reveal the remarkable resilience of nature—and how the rules they discovered can be used to upgrade and restore the natural world. They give us the chance to reimagine the world as it could and should be.
Based on the book by Sean B. Carroll, The Serengeti Rules will forever change the way we see nature. The film will be accompanied by a media and impact campaign to shine a light on restoration projects across the world.
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25th Anniversary of THE FUGITIVE Starring Harrison Ford and Tommy Lee Jones will Open 2018 Ebertfest
[caption id="attachment_27518" align="aligncenter" width="1200"]
The Fugitive[/caption]
The Fugitive directed by Andrew Davis, and starring Harrison Ford and Tommy Lee Jones, will open this year’s 20th anniversary celebration of Roger Ebert’s Film Festival, co-founded and hosted by Chaz Ebert and also known as ‘Ebertfest.” The Fugitive celebrates its 25th anniversary of release having opened in theaters on August 6, 1993.
“We like to start the festival with a bang and Andy Davis’s award winning film The Fugitive will do just that as our projectionist, James Bond, lights it on our huge screen at the beautiful movie palace, the Virginia Theater,” said co-founder Chaz Ebert. “And that is just for starters. We are really going to celebrate Roger and cinema and the filmmakers and our guests and all that we have shared over these last twenty years. It will be glorious and joyful.”
Additionally, Ebertfest reavealed that 13TH (d. Ava DuVernay), BELLE (d. Amma Asante) and DAUGHTERS OF THE DUST (d. Julie Dash) as the initial films in this year’s slate. The remaining schedule will be announced in the coming weeks.
“What an honor to have these Three Queens of Cinema grace our festival,” said Chaz Ebert. “Ava DuVernay first met Roger outside of the practice arena for the Academy Awards when she was 8 years old. She was accompanied by her aunt whose death later inspired Ava’s poignant independent film, I WILL FOLLOW that Roger gave Thumbs Up. Now she is directing a 100 million dollar movie. But why I am especially thrilled to have her at our 20th anniversary is because of all of the good work she is doing in Hollywood to assure that women and people of color are having opportunities that were not available before. She didn’t stop at her own success, she reached out and invited others to come along.”
Special guests Director Andrew Davis (The Fugitive) Director, Writer and Producer Ava DuVernay (13TH), Director Amma Asante (BELLE) and Director Julie Dash (DAUGHTERS OF THE DUST) will be in attendance and participate in Q&As following their screenings.
The 20th Anniversary of Ebertfest will be held April 18 to 22, 2018 at the Virginia Theatre in Champaign, IL with related talks and panel discussions to be held at the Hyatt Place in Champaign and at the University of Illinois at Urbana-Champaign. This year’s event will be dedicated to its namesake and co-founder, Roger Ebert, and to the festival’s cherished friend, Mary Frances Fagan.
The Fugitive (1993) – Opening Night Film
Directed by Andrew Davis, 130 mins
Special Guest Andrew Davis will be in attendance
Wrongfully accused of murdering his wife, Richard Kimble (Harrison Ford) escapes from the law in an attempt to find her killer and clear his name. Pursuing him is a team of U.S. marshals led by Deputy Samuel Gerard (Tommy Lee Jones), a determined detective who will not rest until Richard is captured. As Richard leads the team through a series of intricate chases, he discovers the secrets behind his wife’s death and struggles to expose the killer before it is too late.
In his 4-star review, Roger Ebert called the film “one of the best entertainments of the year, a tense, taut and expert thriller that becomes something more than that, an allegory about an innocent man in a world prepared to crush him.”
13TH (2016)
Directed by Ava DuVernay, 100 Mins, DCP
Special Guest Ava DuVernay will be in attendance
The title of Ava DuVernay’s extraordinary and galvanizing documentary refers to the 13th Amendment to the Constitution, which reads “Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States.” The progression from that second qualifying clause to the horrors of mass criminalization and the sprawling American prison industry is laid out by DuVernay with bracing lucidity. With a potent mixture of archival footage and testimony from a dazzling array of activists, politicians, historians, and formerly incarcerated women and men, DuVernay creates a work of grand historical synthesis.
In his 4 star review on RogerEbert.com, Odie Henderson wrote that 13TH is “an unflinching, well-informed and thoroughly researched look at the American system of incarceration, specifically how the prison industrial complex affects people of color.”
BELLE (2014)
Directed by Amma Asante, 102 Mins, DCP
Special Guest Amma Asante will be in attendance
BELLE is inspired by the true story of Dido Elizabeth Belle (Gugu Mbatha-Raw), the illegitimate mixed race daughter of Admiral Sir John Lindsay (Matthew Goode). Raised by her aristocratic great-uncle Lord Mansfield (Tom Wilkinson) and his wife (Emily Watson), Belle’s lineage affords her certain privileges, yet her status prevents her from the traditions of noble social standing. While her cousin Elizabeth (Sarah Gadon) chases suitors for marriage, Belle is left on the sidelines wondering if she will ever find love. After meeting an idealistic young vicar’s son bent on changing society, he and Belle help shape Lord Mansfield’s role as Lord Chief Justice to end slavery in England.
“Amma Asante did something that no one ever thought possible, bringing a Jane Austen sensibility to historical issues of race in England in her film ‘Belle’,” said Chaz Ebert. “I can’t wait to welcome her to Ebertfest.”
DAUGHTERS OF THE DUST (1991)
Directed by Julie Dash, 112 Mins
Special Guest Julie Dash will be in attendance
At the dawn of the 20th century, a family in the Gullah community of coastal South Carolina — former West African slaves who adopted many of their ancestors’ Yoruba traditions — suffers a generational split. Young Haagar (Kaycee Moore) wants to move to the mainland away from tradition-bound matriarch Nana (Cora Lee Day). Former prostitute Yellow Mary (Barbara-O) gets a cold shoulder when she returns to the island with her female lover, especially from her sister Viola (Cheryl Lynn Bruce).
Roger Ebert called the film “a tone poem of old memories, a family album in which all of the pictures are taken on the same day” in his 3 star review. He went on to say that “at certain moments we are not sure exactly what is being said or signified, but by the end we understand everything that happened — not in an intellectual way, but in an emotional way.”
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See Poster + Trailer for Indie Action-Comedy GARLIC AND GUNPOWDER Starring Steven Chase, James Duvall, Vivica A. Fox
Check out the official trailer and poster for the indie slapstick action-comedy Garlic and Gunpowder starring Steven Chase, James Duvall, Lainie Kazan, Judy Tenuta, Martin Kove, Dean McDermott, Felissa Rose, Vivica A. Fox and Michael Madsen. The film is set for release in North American on Friday, March 16th by Global Digital Releasing.
Garlic and Gunpowder centers around a news report warning that a comet is on track to hit and possibly destroy the planet – or not, depending on who you talk too. However, some of the city’s super rich aren’t taking any chances and devise a plan to stash much of their wealth in bunkers….just in case. Ma (Rose), a 300 pound, cigar chompin’ Mob Boss, assigns her top two wise guys (Chase and Duvall) to hijack the convoy carrying all of the loot to the site. However, Ma is not the only one who sees this as an opportunity to get rich quick. While a public relations rep (Fox) tries to damage control the hysteria, a rival Chinese mafia leader, a clown, a porn star and even a couple of corrupt federal agents all formulate their own plan to steal the loot.
https://www.youtube.com/watch?v=rECoFJO-hxI
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Kevin Macdonald’s Authorized Whitney Houston Documentary Gets a Summer Theatrical Release Date
Whitney, Academy Award®-winning director Kevin Macdonald’s highly anticipated documentary about the life and career of legendary superstar Whitney Houston will be released this summer in the United States on July 6th by Roadside Attractions and Miramax, and also on July 6th in the UK and Ireland by Altitude Film Entertainment.
Whitney is the intimate, definitive account of the superstar’s life and career, authored by renowned Oscar®-winning filmmaker Kevin Macdonald. The only film officially supported by the late singer’s estate, it includes previously unreleased recordings, rare never-before-seen footage and live performances recorded by Houston at various stages her life, as well as original studio recordings and acapellas of some of the late singer’s greatest hits. Because the filmmakers had access to vast archives of the Houston estate, the film also contains personal home movie footage that has never been seen publicly before, offering a rare glimpse of Whitney’s life behind-the-scenes as known only to her closest relatives, friends and collaborators.
Director Macdonald says, “I approached Whitney’s life like a mystery story; why did someone with so much raw talent and beauty self-destruct so publicly and painfully? I was lucky enough to have the support of Pat Houston and the Whitney Houston estate in this quest. They entrusted me with the ‘keys to the vault’ while giving me complete freedom to follow the story wherever it went. At heart, Whitney is an intimate family story that reveals a new side to a woman that even her most die-hard fans never knew.”
“To tell Whitney’s story, you have to know her story,” says Patricia Houston, the late singer’s manager, sister-in-law and the executor of Houston’s estate. “We could not be more excited that Whitney’s fans will have this authoritative and definitive documentary chronicling the full arc or her career and the scope of Whitney’s entire life. This is an amazing retrospective that celebrates Whitney with never-before-seen footage and Kevin approaches her life with no blinders on. He captures all of Whitney’s magic, and he does not ignore the hard times. This is a film that will truly thrill all who knew and loved her as a musician, actress, model and so much more.”
Academy Award®-winner Kevin Macdonald (Marley, Touching The Void, One Day in September, The Last King of Scotland), Academy Award®-winning producer Simon Chinn (Man on Wire, Searching For Sugarman), and his Lightbox co-founder Emmy® Award-winning producer Jonathan Chinn (LA 92, Fantastic Lies) and multi-Emmy® Award nominated and Happy Street Entertainment co-founder Lisa Erspamer (“Running From Crazy”) tell the unvarnished and authentic story of the late icon’s life in a film that examines both the meteoric highs and devastating lows of her remarkable and unforgettable career. Patricia Houston, Nicole David, Zanne Devine, Rosanne Korenberg, Joe Patrick, and Altitude Film Entertainment’s Will Clarke, Andy Mayson, and Mike Runagall executive produced.
Often referred to simply as ‘The Voice’, Whitney Houston was a singular talent, blessed with an extraordinary vocal range and incredible technical skill. As one of music’s biggest selling artists ever, she broke more records than any other female singer in the history of pop music. With over 200 million album sales worldwide, and remaining the only artist to chart seven consecutive US No. 1’s, Whitney Houston became the voice of a generation and is the most awarded female singer in history. Coming from an esteemed lineage of singers, Whitney was destined to be plucked from her gospel-singing roots to rule the world stage. She inspired a generation of singers from Mariah Carey and Lady Gaga to Beyoncé and her unforgettable performance of ‘The Star-Spangled Banner’ moved the nation.
But all these achievements became overshadowed by a story of deep internal turmoil, addiction and self-destruction. With unprecedented access to friends, family and collaborators – some of whom have never told their story before, Kevin Macdonald offers the first comprehensive look at Whitney Houston’s life, work and creative process. The film reveals a woman who was both blessed and cursed with perhaps the greatest natural ability of any pop star in history.
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SXSW 2018: This Is Her Fight – Watch Trailer for Olivia Newman’s FIRST MATCH
Netflix today dropped the trailer for First Match, the first feature film from writer/director Olivia Newman, that is set to World Premiere at SXSW 2018. Following its debut, the film will launch on Netflix on March 30, 2018.
Hardened by years in foster care, a teenage girl from Brooklyn’s Brownsville neighborhood decides that joining the all-boys’ wrestling team is the only way back to her estranged father.
First Match stars Elvire Emanuelle, Yahya Abdul-Mateen II, Colman Domingo, Jharrel Jerome and Jared Kemp. From producers Chanelle Elaine, Veronica Nickel and Bryan Unkeless. https://www.youtube.com/watch?v=Xva2FWNdcD0
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WHEN GOD SLEEPS, Profile of Exiled Iranian Musician Shahin Najafji, Debuts on PBS Independent Lens | Trailer
Directed by Till Schauder, When God Sleeps is a rap-punk-rock documentary about Iranian musician Shahin Najafi, who is forced into hiding after hardline clerics issue a fatwa for his death, incensed by a rap song that focuses on the oppression of women and human rights abuses. Shahin’s frantic escape leads to an impossible romance with Leili Bazargan, granddaughter of the first prime minister of the Islamic Republic of Iran, who was handpicked for the job by none other than the late Ayatollah Khomeini. Risking his life every time he steps on a stage, Shahin refuses to stop performing as an act of resistance while living a modern day Romeo and Juliet romance. When God Sleeps premieres on Independent Lens on Monday, April 2, 2018, 10:00-11:30 PM ET (check local listings) on PBS.
In 2012, Najafi released a satirical rap song that triggered thousands to rally in a campaign for his assassination. Incensed by the song’s irreverent remarks about Ali al-Naghi, one of twelve imams revered by Shia Muslims, hardline clerics placed a $100,000 bounty on his head. “My songs didn’t make me famous,” said Shahin. “The fatwa did.”
German journalist Günter Wallraff, who gave refuge to Salman Rushdie after his death fatwa, offers shelter to Shahin too. Despite the threats against his life, Shahin insists on total freedom of expression. His stubborn refusal to back down in spite of death threats is reminiscent of a suicide mission, complicating long-term planning for his new romantic relationship. Ironically, his uncompromising stance is not unlike that of the religious hardliners who want him dead. Shahin sees it as his mission, indeed his life’s purpose, to stand up to oppressive religious leaders — even if he has to pay the ultimate price for it.
“Touching on hot topics like Islam, terrorism, protest, and the global refugee crisis, When God Sleeps checks off just about every newsworthy box as we immerse ourselves in the life of the ‘Salman Rushdie of Rap,’” said Lois Vossen, Independent Lens executive producer. “The human cost of resistance is at the core of this film, which explores nationalism and the growing hostility toward immigrants through the lens of a rebellious musician who occupies the complex role of both political activist and cultural bridge-builder.”
https://www.youtube.com/watch?v=sbk9nhUqmvs
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SXSW 2018: See New Poster + Trailer for AI Documentary “More Human Than Human”
Check out the new poster and trailer for More Human Than Human, the fascinating new documentary directed by Tommy Pallotta and Femke Wolting that delves into the increasing presence of Artificial Intelligence in our daily lives, and the existential questions it raises for humanity.
More Human Than Human premieres this Saturday March 10th, in the VISIONS section at SXSW 2018.
In this personal, playful and at times dramatic quest, filmmaker Tommy Pallota explores how much of his creativity and human values are at stake as he builds his own robot to replace himself as a filmmaker. The complexity of tasks that smart machines can perform is increasing at an exponential rate. Where will this ultimately take us? If a robot can learn to fold a towel on its own, will it someday be able to cook you dinner, perform surgery, and even conduct a war? This film instigates this debate between futurists and skeptics, about the potential of Artificial Intelligence. The filmmakers take us on a quest of understanding these innovations, opposing views and challenging our aspirations for the future of man and machine.
OFFICIAL SELECTION- SXSW 2018- VISIONS
MORE HUMAN THAN HUMAN
Directed By Tommy Pallotta & Femke Wolting
TRT: 78 min in English
Screening Times
Saturday, March 10 – 1:45 PM – Vimeo Theater
Monday, March 12 – 4:00 PM – Alamo Lamar D
Thursday, March 15 – 6:00 PM – Alamo Lamar A
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2018 Chattanooga Film Festival to Open with ROCK STEADY ROW and SUMMER OF ’84 | Trailers
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Caleb Emery, Cory Grüter-Andrew, Judah Lewis and Graham Verchere appear in Summer of ’84 by Francois Simard, Anouk Whissell and Yoann Whissell[/caption]
ROCK STEADY ROW and SUMMER OF ’84, have been selected as the opening night films of the 2018 Chattanooga Film Festival (CFF) slated for April 5 to 8, 2018. The festival will also screen the world premiere of the highly anticipated documentary LIFE AFTER FLASH.
LIFE AFTER FLASH is an inspiring and moving feature documentary that celebrates what makes that Mike Hodges enduring classic FLASH GORDON so iconic with audiences to this day. This film takes a looks at the real man behind the heroic mask, Sam J. Jones, including his successes, his battles, and his ultimate struggle for redemption. Director Lisa Downs, along with star Sam J. Jones and producer Ashley Pugh, will be in attendance for this once in a lifetime screening.
“The Chattanooga Film Festival has quickly grown over the last four years,” says festival executive director Chris Dortch. “Last year was our biggest, and for our fifth anniversary we weren’t going to settle for anything less than our best, most insane year yet.”
ROCK STEADY ROW | Director Trevor Stevens
Rock Steady Row centers around a young college freshman who, after his bike is stolen, lands on a college campus and is compelled to take action against the reigning fraternities and ultimately the dean.| Q&A with Trevor Stevens
https://www.youtube.com/watch?v=LJAEbawJZzg
SUMMER OF ’84 | Directors François Simard, Anouk Whissell, Yoann-Karl Whissell
After suspecting that their police officer neighbor is a serial killer, a group of teenage friends spend their summer spying on him and gathering evidence in, but as they get closer to discovering the truth, things get dangerous. | Q&A with François Simard, Anouk Whissell, Yoann-Karl Whissell
https://www.youtube.com/watch?v=6B46J7fY4PY
LIFE AFTER FLASH | Director Lisa Downs
*WORLD PREMIERE
LIFE AFTER FLASH explores the life of Sam J Jones since his iconic performance as ‘Flash Gordon’ in the 1980 classic of the same name, and the aftermath of the young stars’ clash with one of Hollywood’s biggest legends, producer Dino De Laurentiis. Q&A with star Sam J. Jones, Lisa Downs, and producer Ashley Pugh
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2018 Full Frame Documentary Film Festival Announces Lineup – “306 Hollywood” “Boom for Real” and More…
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306 Hollywood by Elan Bogarín and Jonathan Bogarín[/caption]
The Full Frame Documentary Film Festival, today announced its lineup of features and short films. The 21st annual festival will take place April 5 to 8, 2018, in Durham, North Carolina.
The NEW DOCS program includes 42 titles – 32 features and 10 shorts – selected from nearly 1,800 submissions from around the globe. These films are eligible for the Full Frame Audience Award and are shortlisted for a variety of additional juried awards offering a combined value of $40,000 in cash prizes. Award winners will be announced at the annual Awards Barbecue on Sunday, April 8. The Invited Program includes 22 feature films screening out of competition.
Renowned filmmaker Joe Berlinger will curate the 2018 Thematic Program, and the festival will honor Jehane Noujaim’s illustrious body of work with the 2018 Tribute. Delving into the fascinating genre of true crime, the Thematic Program will feature films that follow individual cases and consider the ways documentary uniquely represents the complexities, and limitations, of the American judicial system. For the Tribute, Full Frame will showcase Noujaim’s lauded films exploring themes of resilience, freedom, democracy, and free speech.
NEW DOCS
306 Hollywood (Directors: Elan Bogarin, Jonathan Bogarin) When their beloved grandmother dies, two siblings embark on an imaginative exploration of her home, sifting through her belongings, and their own cherished memories, to discover her essence. América (Directors: Erick Stoll, Chase Whiteside) When their father is unexpectedly arrested, three brothers come together to care for their aging grandmother, América. This sensitive portrait delicately captures the frustrations and connections that evolve as they navigate her physical decline and their expectations of one another. The Area (Director: David Schalliol) Charismatic activist Deborah Payne tirelessly battles developers of a new multibillion-dollar freight yard that threatens to destroy Englewood, her neighborhood on Chicago’s South Side. World Premiere The Bastard (Director: Floris-Jan van Luyn) The Hoeks are united in name but severed by history: Ethiopian-born Daniel and his estranged Dutch father, Joop, each tell their story, but who can be trusted in this tangled tale of regret and misdeed? Bending Lines: The Sculpture of Robert Wiggs (Directors: Peter DeHart, Allison Bohl DeHart) Inspired by the geometry of nature—from the cracks in dried mud to the structure of pine cones to the scales on armadillos—Wiggs’s artistic process reveals the intriguing interplay between mathematics and art. World Premiere The Blessing (Directors: Hunter Robert Baker, Jordan Fein) In this stunningly and candidly shot film, Lawrence, a Navajo coal miner, wrestles with his relationship to land to which he is spiritually bound but employed to destroy, while his daughter, Caitlin, forms her own identity amid cultural pressures. World Premiere Cielo (Director: Alison McAlpine) Enter a wondrous exploration of the meeting of heaven and Earth in this dynamic exchange between humans and the starry skies of Chile’s Atacama Desert. Crime + Punishment (Director: Stephen Maing) This powerful film follows twelve brave whistleblowers who speak out against illegal policing quotas in the NYPD and the retaliation they experience after refusing to make arrests targeting minority populations. David. The Return to Land (David. El regreso a la tierra) (Director: Anaïs Huerta) Haitian, French, and adopted by Jewish parents, 34-year-old David embarks on a mission to better understand who he is in this beautifully nuanced observation of self-discovery. North American Premiere The Deminer (Director: Hogir Hirori; Co-director: Shinwar Kamal) After the fall of Saddam Hussein, Colonel Fakhir of the Iraqi army devotes his life to disarming landmines, with only a pocket knife and wire cutters, in this deeply suspenseful film that makes use of Fakhir’s own extensive video footage. North American Premiere A Friendship in Tow/Toe (Director: Atsushi Kuwayama) In the brief ascent up a flight of stairs, a pair of strangers find a rapport across languages and generations. From Parts Unknown (Director: Michael T. Workman) The poignant experience of a young man who determines an unlikely outlet for his pain and hardships: In local wrestling, he finds catharsis, community, and a sense of purpose. The Good Struggle (Director: Celia Peterson) Although few words are spoken between themselves, monks at a Greek Orthodox monastery in Lebanon provide voiceovers to their daily routines—their devout thoughts echo the beauty of their solitude. World Premiere Hale County This Morning, This Evening (Director: RaMell Ross) Observational and impressionistic, this poetic film is a humanist exploration of an Alabama community, where mostly black, working-class families live, work, dream, celebrate, and struggle together. I Am Bisha ( انا% ةش) ( Director: Roopa Gogineni) As an act of pure creative resilience, Ganja and his friends film a humorous and satirical web series, Bisha TV, starring puppets to combat the violent, genocidal regime of Sudanese president Omar al-Bashir. World Premiere Inventing Tomorrow (Director: Laura Nix) Six young scientists from around the globe compete in the largest international high school science fair—with their ingenious solutions to environmental problems, they don’t just aim to bring home the top prize, they hope to change the world. The Issue of Mr. O’Dell (Director: Rami Katz) The work of Jack O’Dell, who once worked alongside Martin Luther King, Jr., is revealed through a conversation with the 94-year-old activist, who delves into his historical involvement in the civil rights struggle as well as the movement’s contemporary incarnation under the stewardship of groups like Black Lives Matter. Lovers of the Night (Director: Anna Frances Ewert) Seven elderly monks at a Cistercian abbey in Ireland humorously muse on their spiritual experiences, way of life, and the inevitable end to it all. Maj Doris (Director: Jon Blåhed) Ever-able, 74-year-old Maj Doris Rimpi is a renowned Sámi artist who lives alone in Sweden and tends to her home and herd of reindeer, but after another long winter she wonders, is it time to consider a new way of life? North American Premiere The Mauritania Railway: Backbone of the Sahara (Director: MacGregor) In this expansive, gorgeously composed short, ride atop the railway car that serves as a 704- kilometer-long lifeline that supplies goods and iron ore to people in different cities in the Sahara Desert. World Premiere MELTING SOULS (NORILSK, L’étreinte de glace) (Director: François-Xavier Destors) This exquisitely photographed portrait documents a remote Arctic city centered around a metal refinery, where residents endure extreme, subzero temperatures to survive on the resource that lies beneath the tundra. North American Premiere Messenger on a White Horse (El mensajero) (Director: Jayson McNamara) This homage to the fearless investigative reporting of the Buenos Aires Herald during the disappearances and murders of Argentinians between 1976 and 1983, utilizes impeccable archival footage and testimonies from surviving members of the Mothers of the Plaza de Mayo as well as lead newspaper editor Robert Cox. North American Premiere Minding the Gap (Director: Bing Liu) Skateboarding and strained family relationships bond three friends together in this introspective saga about the journey from youth to adulthood. Las Nubes (Director: Juan Pablo González) As a father drives through an unidentified countryside, his car becomes a space for reflection as he recounts the impact of cartel violence on his home and family. Of Fathers and Sons (Director: Talal Derki) With rare and chilling insights, this film takes us into the lives of a Syrian family, led by an Al-Nusra fighter, where we observe how swiftly the innocence of childhood can fade. Our New President (Director: Maxim Pozdorovkin) By turns provocative, disorienting, and astonishing, this feature weaves clips from Russian state-owned news coverage of the 2016 U.S. presidential election to portray the perils of bias, conspiracy theories, and manufactured narratives. Owned: A Tale of Two Americas (Director: Giorgio Angelini) This energetic film unpacks the complex history of home ownership in America to reveal the postwar housing economy’s racist underpinnings—the creation of a large middle class simultaneous with the systematic defunding and segregating of communities. World Premiere PATRIMONIO (Directors: Lisa F. Jackson, Sarah Teale) When a multinational corporation attempts to covertly develop plans to build a resort on the fishermen’s coast in Todos Santos, Mexico, the locals unite for a momentous and riveting fight for their resources and their heritage—their patrimonio. North American Premiere Personal Truth (Director: Charlie Lyne) Spurred from the fake “Pizzagate” scandal, this frenetic and provocative observational film about the power of fake news suggests that conspiracy theories may be more believable than one might like to admit. The Providers (Directors: Laura Green, Anna Moot-Levin) The El Centro Family Health system in northern New Mexico covers 22,000 square miles and suffers from a chronic shortage of health care providers. This film follows three dedicated practitioners in their daily work and private lives. World Premiere The Pushouts (Directors: Katie Galloway, Dawn Valadez) This inspiring film follows the transformative work of Dr. Victor Rios, a former gang member and high school dropout, as he works to support students, through tools for selfreflection and expression, in an educational system that is failing to reach them. World Premiere Rebuilding in Miniature (Director: Veena Rao) In this short, miniaturist Ali Alamedy, an Iraqi refugee, painstakingly creates exquisitely detailed dioramas of places he’s never been in an attempt to heal his disrupted relationship to home. The Rescue List (Directors: Alyssa Fedele, Zachary Fink) In a Ghanaian safe house, a team works to rehabilitate two young men who were trafficked into slavery to fisherman on Lake Volta. As it moves from rescue operation to healing process, this riveting film follows the men through their recovery and reveals the extraordinary dedication of their rescuer. Shirkers (Director: Sandi Tan) A film lover’s dream quickly turns to nightmare: Sandi Tan recounts making her first film in Singapore in 1992 and how she loses everything when her mentor, Georges Carandos, steals the footage. This unique diary is a bright ode to cinema, and a moving story of friendship, betrayal, and failure. A Singular Garden (Um Jardim Singular) (Director: Monica Klemz) This experimental documentary blends old and new images of the garden next to the presidential palace in Rio de Janeiro and incorporates natural sound as a way to connect past and present. World Premiere Sky and Ground (Directors: Talya Tibbon, Joshua Bennett) Incorporating a refugee family’s own footage, Sky and Ground follows a Syrian-Kurdish refugee family as they flee from a holding camp at the Greece-Macedonia border and take their chances at reaching asylum by foot on a perilous one-way trip to Berlin. Tempting Promises (Le allettanti promesse) (Directors: Chiara Campara, Lorenzo Faggi) A small town tucked quietly away in the Italian Alps is chosen to host the 2016 Wikimania conference—an annual meeting of international Wikipedia contributors—and the townspeople unite to welcome the newcomers and the new technological age. North American Premiere This Is Home (Director: Alexandra Shiva) Through brilliant observational filmmaking, This Is Home tells the story of four Syrian families on the path to self-sufficiency, and success, in a resettlement program in Baltimore, Maryland. Three Identical Strangers (Director: Tim Wardle) A chance encounter leads three teenagers to discover that they are in fact triplets. Sharing this undeniable bond, they become fast friends and embark upon living their lives together, but the roots of their separation prove to be more sinister than they could have imagined. Thy Kingdom Come (Director: Eugene Richards) A priest bears witness to the personal stories of people in a mid-American town: Heartbreak, regret, faith, resignation all resonate profoundly in this succession of exquisitely photographed scenes of intimate communion. Time Trial (Director: Finlay Pretsell) Former doper and Tour de France champion David Millar is clean and ready to win the right way. This sensory ride travels alongside him for every breath, turn, and fall, through the thrills and hardships of professional cycling. The Unafraid (Directors: Anayansi Prado, Heather Courtney) The gripping and vital stories of three DACA students unfold as they work for immigrant rights, and the future of their families, after being banned from attending Georgia’s top universities or receiving in-state tuition. World PremiereInvited Program
12th and Clairmount (Director: Brian Kaufman) Contemporary interviews bring to life scenes from home movies, newsreels, and photographs of one of the most violent civil disturbances in U.S. history, the 1967 Detroit riot, when police brutality against African American citizens ignited a five-day standoff. Bisbee ’17 (Director: Robert Greene) In 1917, a strike in an Arizona mining town culminated in the exile of over a thousand immigrant workers. One hundred years later, a large-scale reenactment of the shocking events serves as a catalyst for remembrance and reflection. Boom for Real: The Late Teenage Years of Jean-Michel Basquiat (Director: Sara Driver) This portrait of the pop culture icon revisits the years before he took the art world by storm. Archival footage and intimate stories from a circle of friends, lovers, and neighbors recall both a singular talent and the New York City scene that influenced his career. Capturing the Flag (Director: Anne de Mare) During the 2016 U.S. presidential election, three friends travel to North Carolina to do voter protection work at the polls. This on-the-ground look at their efforts to help potential voters navigate the new laws and requirements that may prevent their vote reveals shocking accounts of voter suppression in play. World Premiere The Cleaners (Directors: Hans Block, Moritz Riesewieck) In the Philippines, a team of “cleaners” specialize in identifying and eliminating obscene content from the internet. Their personal accounts of the pressures and personal judgements inherent in their work give way to a broader examination of the global impact of manipulating content on social media. Dark Money (Director: Kimberly Reed) This modern-day political thriller follows investigative reporter John Adams into Montana’s fight against corrupt campaign financing, a struggle that could alter the devastating effects of unlimited anonymous funding on elections nationwide. Generation Wealth (Director: Lauren Greenfield) For 25 years, Lauren Greenfield has documented affluence around the world. In this fascinating overview of her immense body of work, the photographer reconnects with subjects of her images to consider their relationships to money, then and now, and her own fascination with the topic. Hal (Director: Amy Scott) Hal Ashby’s controversial films about race, sex, politics, and unconventional love made him a Hollywood rarity in the 1970s—a director who made films outside studio control. This loving remembrance by his peers celebrates the iconoclastic filmmaker. The Jazz Ambassadors (Director: Hugo Berkeley) During the Cold War, the U.S. government deployed some of its greatest jazz musicians around the world to promote democracy, even as many of them suffered Jim Crow racism in their own country. Rich archival material and powerful interviews delve into the deep conflict at the heart of the story. World Premiere The Judge (Director: Erika Cohn) Devoted to the law and unwilling to mince words, Kholoud Al-Faqih, the West Bank’s first female judge, navigates Palestine’s family court system, providing a rare glimpse into Islamic courts and gendered justice. Larger Than Life: The Kevyn Aucoin Story (Director: Tiffany Bartok) In the 1980s, Kevyn Aucoin redefined the role of the makeup artist. Home movies and recollections from family, friends, and an impressive roster of famous clients retrace his meteoric rise and his lasting impact. Love Means Zero (Director: Jason Kohn) Tennis coach Nick Bollettieri trained some of the sport’s greatest champions, but his volatility and harsh methods came at a price. Conversations between director and subject revisit moments of triumph and anguish, including Bollettieri’s infamous falling out with Andre Agassi. MAYNARD (Director: Sam Pollard) Interviews with family, friends, and political luminaries combine with archival footage and photographs in this captivating portrait of Maynard Jackson, Atlanta’s first black mayor, whose extraordinary influence spanned three terms in office. A Murder in Mansfield (Director: Barbara Kopple) Twelve-year old Collier Boyle’s testimony put his father in jail for the 1989 murder of his mother. Still imprisoned more than 25 years later, the father maintains his innocence, and Boyle returns to his Ohio hometown, in this sensitive examination of reconciling with the past. On Her Shoulders (Director: Alexandria Bombach) When ISIS devastates her Yazidi community, survivor Nadia Murad becomes the prevailing voice for her people. Following Murad as she recounts her harrowing experience time and again, this film intimately details the burden of imploring the world to intervene. The Price of Everything (Director: Nathaniel Kahn) Moving between auction houses, collectors, artists, and coveted works, this analysis of the art market questions how we determine value, the impact of purchasing art as a form of financial investment, and the cultural implications when pieces are only available to the highest bidder. RBG (Directors: Betsy West, Julie Cohen) This triumphant look at the life and career of Supreme Court Justice Ruth Bader Ginsburg revisits landmark cases and decisions, but also reveals the woman behind the robe and the personal experiences that continue to shape her legacy. The Rape of Recy Taylor (Director: Nancy Buirski) In 1944, Recy Taylor, a 24-year-old black woman, was abducted and raped by six white men in Alabama. The film centers on her unprecedented response—a fight for justice, with the aid of Rosa Parks and other black activists—whose profound influence on the civil rights movement still reverberates today. Rodents of Unusual Size (Directors: Quinn Costello, Chris Metzler, Jeff Springer) Kill them as invasive pests destroying coastal wetlands or keep them as part of the region’s culture? In this quirky account, citizens are divided on what to do about nutria, the giant 20-pound rodents with protruding orange teeth who have made southern Louisiana their home for decades. Solitary Land (Tierra Sola) (Director: Tiziana Panizza) This innovative meditation on Easter Island and its indigenous inhabitants uses historical and present-day footage to illustrate the legacy of colonial exploitation in one of the world’s most remote inhabited locales—a place of beauty, isolation, and tradition. North American Premiere Studio 54 (Director: Matt Tyrnauer) Rare footage transports us back in time and behind the velvet rope into the famed Manhattan disco, as a collection of insiders, including one of the co-founders, recall the rise and fall of the pioneering nightclub and iconic cultural landmark. Won’t You Be My Neighbor? (Director: Morgan Neville) Fred Rogers revolutionized children’s television. This remarkable portrait of the visionary behind Mr. Roger’s Neighborhood reveals the origins of the groundbreaking show, the ways it connected to current events, and its impact on the lives of children, and adults, across the country.FULL FRAME TRIBUTE Jehane Noujaim
Control Room (Director: Jehane Noujaim) It’s 2003, and the United States is on the brink of war with Iraq. Control Room follows journalists of the Al Jazeera satellite channel—broadcasting news to some 40 million Arab viewers—as they try to cut through American rhetoric and awaken the viewers to the realities on the ground. Rafea: Solar Mama (Director: Jehane Noujaim) In this resounding global testament to the power and necessity of equal access to education, Rafea attends Barefoot College in India to become a solar engineer, learning with other women from developing areas how to create sustainable futures for their hometowns. The Square (Director: Jehane Noujaim) After the 2011 Egyptian revolution in Tahrir Square, citizens realize that former president Mubarak’s corrupt regime is still in power; they return to the streets to bring an end to the government, combatting controlled international media coverage, enduring violence, and navigating fragile relationships. Startup.com (Directors: Chris Hegedus, Jehane Noujaim) In the late 1990s, two high school friends attempt to turn the spark of an idea into a multimillion-dollar company. But when passion leads to tension, and the dot-com rush gives way to the dot-com bust, will they be able to deliver on their dream?THEMATIC PROGRAM Crime and Punishment
Curated by Joe Berlinger Brother’s Keeper (Directors: Joe Berlinger, Bruce Sinofsky) A murder trial ignites the small farming community of Munnsville, New York, when Delbert Ward, an eccentric and uneducated man, confesses to suffocating his brother in the isolated home they shared with two other brothers. Was the killing an act of mercy? Was Delbert’s confession coerced? In Brother’s Keeper, a surprisingly complicated story emerges. The Farm: Angola, USA (Directors: Liz Garbus, Jonathan Stack) In The Farm, life at the Louisiana State Penitentiary in Angola, the largest maximumsecurity prison in the United States, is seen through the eyes of both its wardens and its prisoners—many of whom will die there—with disturbing parallels to plantation life. Gone: The Forgotten Women of Ohio (Director: Joe Berlinger) After numerous women go missing, leaving their families and local law-enforcement officers with more questions than answers, this stunning series investigates whether or not a serial killer is responsible. In Cold Blood (Director: Richard Brooks) Mixing elements of reality and fiction, In Cold Blood delves into the real-life murders of the Clutter family at the hands of Perry Smith and Dick Hickock in this scripted true-crime cinematic narrative based on Truman Capote’s novel. Paradise Lost: The Child Murders at Robin Hood Hills (Directors: Joe Berlinger, Bruce Sinofsky) When three young boys are brutally murdered, three teenagers are accused of committing the crime as part of a satanic ritual, and are convicted by their community before they even reach the courtroom. Paradise Lost is the first film of the groundbreaking trilogy that documented the case of the West Memphis Three. Scenes of a Crime (Directors: Grover Babcock, Blue Hadaegh) When a four-month-old boy dies, officers are convinced he was killed by his father, who after more than ten hours of questioning, confesses to the crime. Medical experts, police officers, and lawyers offer their opinions on this controversial admission of guilt, but the film’s focal point is the videotaped interrogation itself. The Thin Blue Line (Director: Errol Morris) A man is sent to prison for shooting a Dallas police officer. The documentary questions the veracity of the verdict through interviews with detectives, lawyers, and the alleged murderer, who all paint very different accounts of events, which are represented in stunning reenactments. Titicut Follies (Director: Frederick Wiseman) An intense, purely observational look at the stark conditions of inmate life in the 1960s at the Bridgewater State Hospital for the criminally insane in Massachusetts.
