The retrospective for the 2017 Russian Resurrection Film Festival in Western Australia will celebrate the 80th birthday of film director, screenwriter and producer Andrei Konchalovsky.
Andrei Konchalovsky’s career in film spans over 45 years, kick starting in Russia in the 60’s and 70’s before moving to Hollywood in the 80’s where he directed a range of films including Runaway Train with Jon Voight and Tango & Cash starring Kurt Russell and Sylvester Stallone. Both be screening at Russian Resurrection Film Festival this year.
Andrei Konchalovsky has now returned to Russia where he continues to work today.
Currently living in Moscow, he still makes the occasional trip to Hollywood to work on mainstream TV productions including the Emmy-winning The Odyssey and The Lion in Winter.
He was named ‘Best Director’ at Russia’s prestigious Nika Awards held earlier this year in Moscow. His most recent film Rai (Paradise), a holocaust themed drama also took home the ‘Best Film’ award at the ceremony. Paradise will also be screening at the Russian Resurrection Film Festival.
Festival Director Nicholas Maksymow says the Russian Resurrection Film Festival looks forward to celebrating the incredible career of Andrei Konchalovsky with audiences.
“We are delighted to be celebrating the 80th birthday of legendary director Andrei Konchalovsky with a special retrospective at the Russian Resurrection Film Festival this year. Andrei is an incredibly talented Russian director who has achieved greatness in his career in Russia and Hollywood. Andrei’s critically acclaimed work in film, television and theatre has been influential to audiences across the globe and we look forward to bringing a selection of these fantastic films to screens across Australia and New Zealand.”
The selection of films screening as part of the Andrei Konchalovsky retrospective this year include Nest of the Gentry (1969), Uncle Vanya (1970), Runaway Train (1985), Tango & Cash (1989), Gloss (2007), Paradise (2016).
Nest of the Gentry (1969) is based on a novel by Ivan Turgenev. It is a tale about love, emotions and relationships and stars Nikita Mikhalkov.
Based on Chekhov’s much-loved play, Uncle Vanya (1970) is a powerhouse production featuring some of Russia’s best actors of the era including Irina Kupchenko, Innokenti Smoktunovsky, Sergei Bondarchuk and Irina Miroshnichenko. It is an exceedingly graceful, beautifully acted production that highlights Chekhov as Russia’s saddest, gentlest, funniest and most compassionate playwright.
Starring Jon Voight and Eric Roberts, Konchalovsky’s second American film Runaway Train (1985) is based on a screenplay by the Japanese master, Akira Kurosawa. The story follows two dangerous prisoners who escape from a desolate Alaskan maximum-security prison across the icy wilderness.
Sylvester Stallone and Kurt Russell star as Tango and Cash (1989), a typical 80’s Hollywood police blockbuster mixing thrilling action with hilarious characters and goofy jokes.
Gloss (2007) is described by many as a Russian spin on hit comedy The Devil Wears Prada. It is a canny satire on the modern fixation with fashion and celebrity culture. The film follows Galia, a seamstress from Rostov who moves to Moscow in the hope of becoming rich and famous.
As mentioned above, the multi-award winning Paradise (2016) will also be screening at the Russian Resurrection Film Festival; the film is an absorbing Holocaust drama built on the unlikely juncture of grace and despair, horror and rapture.
The Russian Resurrection Film Festival 2017 returns to Cinema Paradiso in Northbridge from October 27 to November 1 , 2017.Terry P.
VIMOOZ is for lovers of independent films + foreign film + documentary + film festivals. We love championing the little films.
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Russian Resurrection Film Festival to Honor Director Andrei Konchalovsky with Retrospective
The retrospective for the 2017 Russian Resurrection Film Festival in Western Australia will celebrate the 80th birthday of film director, screenwriter and producer Andrei Konchalovsky.
Andrei Konchalovsky’s career in film spans over 45 years, kick starting in Russia in the 60’s and 70’s before moving to Hollywood in the 80’s where he directed a range of films including Runaway Train with Jon Voight and Tango & Cash starring Kurt Russell and Sylvester Stallone. Both be screening at Russian Resurrection Film Festival this year.
Andrei Konchalovsky has now returned to Russia where he continues to work today.
Currently living in Moscow, he still makes the occasional trip to Hollywood to work on mainstream TV productions including the Emmy-winning The Odyssey and The Lion in Winter.
He was named ‘Best Director’ at Russia’s prestigious Nika Awards held earlier this year in Moscow. His most recent film Rai (Paradise), a holocaust themed drama also took home the ‘Best Film’ award at the ceremony. Paradise will also be screening at the Russian Resurrection Film Festival.
Festival Director Nicholas Maksymow says the Russian Resurrection Film Festival looks forward to celebrating the incredible career of Andrei Konchalovsky with audiences.
“We are delighted to be celebrating the 80th birthday of legendary director Andrei Konchalovsky with a special retrospective at the Russian Resurrection Film Festival this year. Andrei is an incredibly talented Russian director who has achieved greatness in his career in Russia and Hollywood. Andrei’s critically acclaimed work in film, television and theatre has been influential to audiences across the globe and we look forward to bringing a selection of these fantastic films to screens across Australia and New Zealand.”
The selection of films screening as part of the Andrei Konchalovsky retrospective this year include Nest of the Gentry (1969), Uncle Vanya (1970), Runaway Train (1985), Tango & Cash (1989), Gloss (2007), Paradise (2016).
Nest of the Gentry (1969) is based on a novel by Ivan Turgenev. It is a tale about love, emotions and relationships and stars Nikita Mikhalkov.
Based on Chekhov’s much-loved play, Uncle Vanya (1970) is a powerhouse production featuring some of Russia’s best actors of the era including Irina Kupchenko, Innokenti Smoktunovsky, Sergei Bondarchuk and Irina Miroshnichenko. It is an exceedingly graceful, beautifully acted production that highlights Chekhov as Russia’s saddest, gentlest, funniest and most compassionate playwright.
Starring Jon Voight and Eric Roberts, Konchalovsky’s second American film Runaway Train (1985) is based on a screenplay by the Japanese master, Akira Kurosawa. The story follows two dangerous prisoners who escape from a desolate Alaskan maximum-security prison across the icy wilderness.
Sylvester Stallone and Kurt Russell star as Tango and Cash (1989), a typical 80’s Hollywood police blockbuster mixing thrilling action with hilarious characters and goofy jokes.
Gloss (2007) is described by many as a Russian spin on hit comedy The Devil Wears Prada. It is a canny satire on the modern fixation with fashion and celebrity culture. The film follows Galia, a seamstress from Rostov who moves to Moscow in the hope of becoming rich and famous.
As mentioned above, the multi-award winning Paradise (2016) will also be screening at the Russian Resurrection Film Festival; the film is an absorbing Holocaust drama built on the unlikely juncture of grace and despair, horror and rapture.
The Russian Resurrection Film Festival 2017 returns to Cinema Paradiso in Northbridge from October 27 to November 1 , 2017.
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A GRAY STATE, Documentary on Mysterious Deaths of Filmmaker David Crowley and His Family, Gets US Release
A Gray State, the A&E IndieFilms acclaimed documentary feature from Erik Nelson and executive produced by Werner Herzog, has been acquired by First Run Features. The film, which had its world premiere at this past Tribeca Film Festival to critical praise, will receive a US theatrical release this November along with an awards push. Following the theatrical run “A Gray State” will make its television debut on A&E.
In 2010 David Crowley, an Iraq veteran, aspiring filmmaker and charismatic up-and-coming voice in fringe politics, began production on his film “Gray State.” Set in a dystopian near-future where civil liberties are trampled by an unrestrained federal government, the film’s crowd funded trailer was enthusiastically received by the burgeoning online community of libertarians, Tea Party activists as well as members of the nascent alt-right.
In January of 2015, Crowley was found dead with his family in their suburban Minnesota home. Their shocking deaths quickly become a cause célèbre for conspiracy theorists who speculate that Crowley was assassinated by a shadowy government concerned about a film and filmmaker that was getting too close to the truth about their aims. Directed by “Grizzly Man” producer Erik Nelson and Executive Produced by Werner Herzog, “A Gray State” combs through Crowley’s archive of 13,000 photographs, hundreds of hours of home video, and exhaustive behind-the-scenes footage of David’s work in progress to reveal what happens when a paranoid view of the government turns inward — blurring the lines of what is real and what people want to believe.
“’A Gray State’ is a deep dive into some of the fault lines that are fracturing America,” said Erik Nelson. “It’s a dark ride through the tunnel of conspiracy culture, the trauma experienced by many veterans, celebrity worship, gun obsession, and the unforeseen consequences of an addiction to social media. But it is a dark ride that tries to point a way to the light.”
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Kino Lorber to Release LET THE CORPSES TAN (Laissez bronzer les cadavres) | Trailer
Hélène Cattet and Bruno Forzani’s latest film Let The Corpses Tan (Laissez bronzer les cadavres), has been acquired by Kino Lorber for release in the US, following its North American debut at the 2017 Toronto International Film Festival.
The film stars acclaimed Romanian-American actress Elina Löwensohn (Schindler’s List, A Very Long Engagement), Stéphane Ferrara (Alexander) and Hervé Sogne (SK1, JCVD) and was photographed in cinemascope by Manuel Dacosse (Amer, Evolution, Axolotl Overkill), the directors’ longtime director of photography.
A gang of thieves absconding with 250kg of stolen gold arrives at the abode of a listless artist caught in a bohemian love triangle. The scenario quickly escalates into a desperate day-long firefight between cops and robbers throughout the remote ruins of a Mediterranean hamlet — and genre and art-house tropes collide in a relentless reverie of action spectacle, exquisitely photographed on Super 16mm film. TIFF
This eagerly anticipated follow up to Amer (2009) and The Strange Color of Your Body’s Tears (2013) had its world premiere at the 2018 Locarno International Film Festival and a U.S. premiere at Fantastic Fest, in Austin, TX.
Let The Corpses Tan will play at other upcoming fall and winter festivals before a summer 2018 theatrical release – followed by a fall SVOD, VOD and physical media launch.
https://www.youtube.com/watch?v=8Cx48AN5_y8
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VIDEO: Watch Indie Thriller MOST BEAUTIFUL ISLAND Trailer
Here is the new trailer for the indie thriller Most Beautiful Island written and directed by Ana Asensio, and winner of Grand Jury Prize at the 2017 SXSW. The film starring Ana Asensio, Natasha Romanova, David Little, Nicholas Tucci, Larry Fessenden, Caprice Benedetti will open in select cities on November 3rd.
Most Beautiful Island is a psychological thriller set in the world of undocumented female immigrants hoping to make a life in New York City. Shot on Super 16mm with an intimate, voyeuristic sensibility, Most Beautiful Island chronicles one harrowing day in the life of Luciana, a young immigrant woman struggling to make ends meet while striving to escape her past. As Luciana’s day unfolds, she is whisked, physically and emotionally, through a series of troublesome and unforeseeable extremes.
https://www.youtube.com/watch?v=J1AZFpQex3Q
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Ittetsu Nemoto Is Not Your Ordinary Monk in THE DEPARTURE | Trailer
The Departure directed by Lana Wilson (After Tiller) is described as poetic and deeply moving look at a former punk-turned-Buddhist priest in Japan who has made a career out of helping suicidal people find reasons to live.
The documentary film which premiered at the 2017 Tribeca Film Festival will open in New York at the Metrograph Theater on Friday, October 13. It will be followed by a release in Los Angeles on Friday, October 20, with other cities to follow.
A 44-year-old Tokyo native, Ittetsu Nemoto loves riding his motorcycle and dancing all night in clubs. But he’s also a Rinzai Zen priest, who lives with his wife, mother and baby son at a temple in the remote countryside of Gifu prefecture, Japan. There, over the last ten years, he has become famous for his work in combating suicide. But this work has come increasingly at the cost of his own family and health, as he refuses to draw lines between the people he counsels and himself. With astonishing access and artistry, Wilson’s camera captures Nemoto at a crossroads, when his growing self-destructive tendencies lead him to confront the same question his patients ask him: what makes life worth living?
https://www.youtube.com/watch?v=JnQNXOl8Nbw
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VIDEO: Watch Trailer for Indie Drama BARRACUDA Starring Allison Tolman
The official trailer debuted for Barracuda, directed by Julia Halperin and Jason Cortlund; and starring Allison Tolman, Sophie Reid and JoBeth Williams.
Orion Pictures and Samuel Goldwyn Films will release Barracuda in select cities on October 6th.
Merle (Allison Tolman, FX’s “Fargo”) finds her life beginning to splinter when Sinaloa (newcomer Sophie Reid), the musician half-sister she never knew existed, appears on her doorstep in Texas. Initially distrustful of this enigmatic woman, a bond quickly forms between the two.
As Merle allows her half-sister into her life, Sinaloa reveals a quiet fury through her music, and her fierce attachment begins to place Merle’s career aspirations, her relationship to her mother, and even her impending marriage, in jeopardy. Merle fights to keep her world together while Sinaloa’s increasingly intense and erratic behavior threatens to erupt into something darker.
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Philip Gelatt’s THEY REMAIN will World Premiere at Portland’s H. P. Lovecraft Film Festival
They Remain, the highly anticipated film, written and directed by Philip Gelatt (Europa Report) and adapted from Laird Barron’s short story “-30-”, will World Premiere at the 2017 H. P. Lovecraft Film Festival on Saturday, October 7th.
“We are extremely honored to be showing this genre-bending thriller to our highly engaged audience even before it makes its theatrical run next year,” said Brian Callahan, Festival Director. “The film has already been acquired for distribution by Paladin, and the producers of They Remain know that it is a perfect fit for the H. P. Lovecraft Film Festival. Laird Barron has been a guest at the festival in the past, and it’s only fitting that the feature film adaptation of his story premieres to the best audience in the world.”
They Remain defies categorization and journeys into the shadowy realm where nature, science, and the supernatural co-exist in horrific symbiosis. William Harper Jackson (“True Story”) and Rebecca Henderson (“Mistress America”) star as two scientists investigating the root of environmental changes and strange animal behavior at a remote site where a Manson Family-style cult committed atrocities. The isolated location, the unraveling of their relationship, and the biome itself begin to lead them down a path of doom where primeval forces threaten to consume them. Whether you’re a fan of author Laird Barron or a fan of cosmic horror cinema, you will not want to miss this screening.
Barron’s novels, short fiction, and poems have earned him a substantial readership among aficionados of fantasy, noir, horror, and sci-fi, and have twice won him the Shirley Jackson Award. Gelatt, similarly, combines multi-disciplinary experience as a graphic novelist and comic book creator for the “Indiana Jones” franchise, and for such companies as Dark Horse Comics and Oni Press, with his background as a video game writer for such companies as Crystal Dynamics and Frictional Games, and on “Rise of The Tomb Raider” (for which he won the WGA Award). With this pedigree, it is unsurprising that They Remain succeeds in splicing these various strains of pop culture DNA into a unique and imaginative cinematic hybrid.
The 22nd Annual H.P. Lovecraft Film Festival takes place October 6 to 8th at the historic Hollywood Theatre in Portland, Oregon.
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Austin Film Festival Announces 2017 Film Lineup, CHAPPAQUIDDICK to Close Fest
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Chappaquiddick[/caption]
The 24th Austin Film Festival (AFF) unveiled its lineup of feature films, and Chappaquiddick, a drama recounting Ted Kennedy’s infamous 1969 car accident resulting in the death of his campaign worker, will close out the Festival.
A staple of the Festival, AFF’s retrospective series this year will feature Philip D’Antoni’s 1973 drama The Seven-Ups presented by David Simon and George Pelecanos (The Deuce, The Wire), Jack Fisk’s 1981 film Raggedy Man—a tribute to Sam Shepard—presented by writer William D. Wittliff in partnership with the Wittliff Collections, and seminal 1987 action film Predator presented by Shane Black (Lethal Weapon, The Nice Guys) who is currently working on the film’s reboot. Additionally, already announced Extraordinary Contribution to Film awardee Walter Hill will present his cult classic The Warriors.
In addition to the slate of 150+ films, AFF will present premieres and retrospectives of television programming, including the season 2 premiere of Hulu’s darkly comedic psychic drama Shut Eye , and the premiere of the Season Finale of HBO’s drama The Deuce.
Also confirmed to attend is Dan Rather, who will help present the World Premiere of the documentary Fail State, chronicling the rise of predatory for-profit colleges. Writer/producer Gale Anne Hurd (The Terminator, The Walking Dead) will also be in attendance for AFF’s screening of documentary Mankiller about barrier-breaking female Cherokee leader Wilma Mankiller.
Other World Premieres include Wild Honey (Francis Stokes’ comedy about a phone sex operator searching for love), Coming to My Senses (a documentary following a man’s journey to regain his mobility after an accident), and Transformer (chronicling the transition of world-renowned body builder Matt Kroczaelski into Janae after being outed as transgender). Making its US Premiere at AFF is comedy Don’t Talk to Irene, which also won AFF’s Comedy Screenplay Award in 2013. Written and directed by Pat Mills, Irene premiered this month at Toronto International Film Festival to a receptive audience.
Austin Film Festival also revealed today their full Screenwriters Conference schedule, which will take place the first four days of the Festival, October 26-29. The Conference features a roster of prominent screenwriters in film and television, including Kenneth Lonergan, Keenen Ivory Wayans, Noah Hawley, Courtney A. Kemp, Lindsay Doran, Misha Green, Michael Arndt, Mark Frost, Michael Green, Sarah Gubbins, Christopher Vogler, Scott Frank, Megan Amram, John August, Eric Heisserer, and many more
Austin Film Festival’s 2017 slate:
Marquee Features:
Lady Bird – Opening Night Film Writer/Director: Greta Gerwig The Current War – Centerpiece Film Writer: Michael Mitnick Director: Alfonso Gomez Chappaquiddick – Closing Night Film Writers: Taylor Allen, Andrew Logan Director: John Curran 24 Hours to Live Writers: Zach Dean, Jim McClain, Ron Mita Director: Brian Smrz 42 Grams Director: Jack C. Newell An Ordinary Man Writer/Director: Brad Silberling The Boy Downstairs Writer/Director: Sophie Brooks Blame Writers: Laurie Shephard, Quinn Shephard Director: Quinn Shephard Call Me By Your Name *REGIONAL PREMIERE Writers: James Ivory, Andre Aciman Director: Luca Guadagnino Darkest Hour *REGIONAL PREMIERE Writer: Anthony McCarten Director: Joe Wright Endings: The Good, the Bad, and the Insanely Great – The Movie Special Presentation by Michael Arndt Into the Night: Portraits of Life and Death Director: Helen Whitney Please Stand By Writer: Michael Golamco Director: Ben Lewin Permanent Writer/Director: Colette Burson Mansfield 66/67 Directors: P. David Ebersole, Todd Hughes Three Billboards Outside Ebbing, Missouri **REGIONAL PREMIERE Writer/Director: Martin McDonagh The Upside *REGIONAL PREMIERE Writers: Jon Hartmere Director: Neil BurgerMarquee-TV Programming
HBO’s The Deuce-Season Finale Writers: George Pelecanos, David Simon, Chris Yakaitis Director: Michelle MacLaren YouTube Red’s Do You Want to See a Dead Body? Creator: Rob Huebel Hulu’s Shut Eye Season 2 Premiere Episode: “We’re Not in Kansas Anymore” (Season Premiere) Executive Producer/Showrunner: John Shiban Executive Producers: Mark Johnson, Melissa Bernstein Writer: Amy Berg New Form Original Premieres Small Talk Creator: Becca Gleason Love Me Do Creator: Gaby Dunn Press Start Creators: Evan Beamer and Dave ChildsRetrospective Programming
Confessions of a Serial Killer (1985) – Presented by Mark Blair Writer/Director: Mark Blair Predator (1987) – Presented by Shane Black Writers: Jim Thomas, John Thomas Director: John McTiernan Raggedy Man (1981) – Presented by William D. Wittliff Writer: William D. Wittliff Director: Jack Fisk The Seven-Ups (1973) – Presented by George Pelecanos and David Simon Writers: Albert Ruben, Alexander Jacobs, Sonny Grosso Director: Philip D’Antoni The Warriors (1979) – Presented by Walter Hill Writers: Walter Hill, David Shaber, Sol Yurick (novel) Director: Walter HillNarrative Features:
Amanda and Jack Go Glamping Writer/Director: Brandon Dickerson An American in Texas Writers: Anthony Pedone, Stephen Floyd Director: Anthony Pedone Beauty Mark Writer/Director: Harris Doran Cast: Laura Bell Bundy, Jeff Kober, Madison Iseman Bleed. Scream. Beat! Writers: Aldo Miyashiro, Ãrika Villalobos, Abril Cárdenas Director: Aldo Miyashiro Boost Writer/Director: Darren Curtis Dabka Writer/Director: Bryan Buckley Flock of Four Writer: Gregory Caruso, Michael Nader Director: Gregory Caruso Here We Are Writer/Director: David Bellarosa High & Outside: a baseball noir Writer: Dan O’Dair Director: Evald Johnson Hollow in the Land Writer/Director: Scooter Corkle In Blue Writers: Jan-Willem den Bok & Jaap van Heusden Director: Jaap van Heusden Kafou Writers: Jasmuel Andri, Bruno Mourral, Gilbert Mirambeau Director: Bruno Mourral Logndagen Writer/Director: Yaghoob Keshavarz Sarkar Meerkat Moonship Writer/Director: Hanneke Schutte Quality Problems Writer/Director: Brooke Purdy Quest Writers: Santiago Rizzo & Darren Anderson Director: Santiago Rizzo Southern Tale Writer/Director: Tel Royal Space & Time Writer/Director: Shawn Gerrard Sun Dogs Writer: Jennifer Morrison Director: Anthony Tambakis Tenn Writer: Stacey Miller Director: James Franco House of Tomorrow Writer/Director: Peter Livolsi Time Trap Writer: Mark Dennis Directors: Mark Dennis, Ben FosterComedy Vanguard Features
Chasing the Blues Writer: Scott Smith, Kevin Guilfoile Director: Scott Smith Don’t Talk To Irene *US PREMIERE Writer/Director: Pat Mills Dr. Brinks & Dr. Brinks Writer: Josh Crockett, Jonathan Pappas Director: Josh Crockett The Great Unwashed Writer: Louis Fonseca, Nick Horseman Director: Louis Fonseca The Outdoorsman Writer: Ryan Gilmour Director: David Haskell Shop of Little Pleasures Writer: Julia Frick, Alice Frick Director: Julia Frick Wild Honey Writer/Director: Francis StokesDark Matters Features
Bodies Writer: Joseph Baker Director: Tom Large Bullitt County Writer/Director: David McCracken Freddy/Eddy Writer/Director: Tini Tüllmann Ruin Me Writer: Trysta A. Bissett, Preston DeFrancis Director: Preston DeFrancis The Landing Writers/Directors: David Dodson and Mark Dodson Touched Writer/Director: Karl R. HearneDocumentary Feature
Augie Director: James Keach Beauty and Ruin Writer/Director: Marc de Guerre Coming to My Senses Director: Dominic Gill Fail State *WORLD PREMIERE Writers: Alexander Shebanow, Regina Sobel, Nicholas Adams Director: Alexander Shebanow Mankiller *REGIONAL PREMIERE Writer: Valerie Red-horse Mohl, Gale Anne Hurd Director: Valerie Red-horse Mohl Mr. Fish: Cartooning From the Deep End Director: Pablo Bryant Shot in the Dark Director: Dustin Nakao Haider Transformer Writer/Director: Michael Del Monte Triumph: The Untold Story of Perry Wallace Writers: Rich Gentile, Eli Spielman, Bruce Johnson What Haunts Us Writer: Mark Monroe Director: Paige Goldberg TolmachFamily Series
Earth: One Amazing Day Writers: Frank Cottrell Boyce, Richard Dale, Geling Yan Directors: Richard Dale, Lixin Fan, Peter Webber Into the Who Knows! Writers: Micah Barber, Tony Faia
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Video: Gross-Out Award Winning Comedy ASSHOLES Releases New Trailer
Assholes, the gross-out comedy from writer/director Peter Vack, and winner of the Adam Yauch Hörnblowér Award at SXSW 2017, has released a new trailer. The film will be released in New York City on October 6th, LA on October 13th and on Cable+Digital VOD on October 24th.
In Assholes, Adah and Aaron are sober drug addicts who meet in their psychoanalyst’s waiting room. They have sex, discover they share an anal fetish, relapse on poppers, conjure a demon, and kill Adah’s brother. When their faces turn into Assholes, Adah’s parents stage a reality show intervention to get the couple sober again.
https://www.youtube.com/watch?v=-mzk0XtjeGo
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VIDEO: Lena Olin Captivates in MAYA DARDEL Trailer + Film Sets Release Date
Here is the trailer for Maya Dardel, the story of poet and novelist, Maya Dardel, who announces she is going to kill herself and needs an heir and executor. Young male writers drive up the mountain to compete for the position. The film that world premiered at 2017 SXSW Film Festival, will open in theaters on October 27, 2017 in New York at Village East Cinema, on October 27. 2017 in Los Angeles at Laemmle Santa Monica. Additional cities nationwide to follow.
Maya Dardel is directed by Zachary Cotler and Magdalena Zyzak, and stars Lena Olin, Rosanna Arquette, Nathan Keyes, Alexander Koch, Jordan Gavaris and Chris Voss.
Maya Dardel depicts the final weeks leading to the ambiguous disappearance of Maya Dardel (Olin), an internationally respected poet and novelist, who lived until 2016 in the Santa Cruz Mountains of California. Maya announces on National Public Radio that she intends to end her life and that young male writers may compete to become the executor of her estate. They are challenged intellectually, emotionally, erotically, until one of them begins to fathom Maya’s end game.
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Insightful and Funny Docu Film TAKE MY NOSE… PLEASE! Sets Release Date | Trailer
The insightful and funny Take My Nose… Please! by Joan Kron goes in depth with a comedic take from the top female comedians on the subject of women and plastic surgery and their career as artists. Interviews, clips and commentary from some of our legendary comics including Roseanne Barr, Phyllis Diller, the late Joan Rivers,Judy Gold, Julie Halston, Kathy Griffin, Margaret Cho, Wanda Sykies, Lisa Lampanelli, Giulia Rozzi, and Adrianne Tolsch add to the magic of this film.
Take My Nose… Please! is the debut feature film from longtime former Allure Magazine editor now turned filmmaker, Joan Kron. For Joan, at the amazing age of 89 years-old, documentary film making is now her new career.
The film will open exclusive one week engagements in New York on October 6 at the Village East Cinemas, and then October 13 in Los Angeles at the Laemmle Monica in Santa Monica. It will open nationally following these cities.
Take My Nose… Please! is a seriously funny and wickedly subversive look at the role comedy has played in exposing the pressures on women to be attractive and society’s desire/shame relationship with plastic surgery. More than 15 million cosmetic procedures were performed in the US in 2014. And 90% of them on were done on women. Yet, for those who elect to tinker with Mother Nature, especially for high-profile women, plastic surgery is still a very dark secret. Funny women, though, are the exception. From Phyllis Diller and Joan Rivers to Roseanne Barr and Kathy Griffin, comedians have been unashamed to talk about their perceived flaws, and the steps taken to remedy them. For these dames, cosmetic surgery isn’t vanity, it is affirmative action – compensation for the unfair distribution of youthfulness and beauty.
By admitting what their sisters in drama deny, comic performers speak to women who feel the same pressures, giving them permission to pursue change (or not to) while entertaining us.
Take My Nose… Please! follows two comedians as they deliberate about going under the knife. Emily Askin, an up-and coming improv performer, has always wanted her nose refined. Jackie Hoffman, a seasoned headliner on Broadway and on TV, considers herself ugly and regrets not having the nose job offered in her teens. And maybe she’d like a face-lift, as well. As we follow their surprisingly emotional stories, we meet other who have taken the leap – or held out.
Putting it all in perspective are psychologists, sociologists, the medical community and cultural critics. And for comic relief and the profundity only comedians can supply. The film includes commentary from Roseanne Barr, Phyllis Diller, the late Joan Rivers,Judy Gold, Julie Halston, Lisa Lampanelli, Giulia Rozzi, Bill Scheft, and Adrianne Tolsch.
FESTIVALS AND AWARDS:
Audience Award – Miami International Film Festival Audience Award – Berkshire International Film Festival Official Selection – Newport Beach International Film Festival; San Francisco Doc Fest; Arizona International Film Festival; Middlebury New Filmmakers Festival; San Luis Obispo Film Festival; Martha’s Vineyard International Film Festival; and more
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VIDEO: Watch ALL I SEE IS YOU Trailer Starring Blake Lively as Blind Wife
Blake Lively and Jason Clarke play a couple with an almost perfect marriage in All I See Is You, which opens in select theaters on October 27th. All I See Is You is directed by Marc Forster, and also stars Danny Huston and Yvonne Strahovski.
Gina (Blake Lively) and husband James (Jason Clarke) have an almost perfect marriage. After being blinded as a child in a nearly fatal car crash that claimed her parent’s lives, Gina depends on James to be her eyes—a dependence that appears to solidify their passionate relationship. She sees her world in her own vivid imagination with help from James’ descriptions. Despite her disability, the two enjoy a colorful existence in Bangkok, Thailand where James works in insurance and Gina explores life in a foreign country. It seems the only real hardship this loving couple faces is difficulty conceiving a child but when Gina is given the opportunity to have a corneal transplant and regains her vision, their life and relationship are upended. Gina now sees the world with a new sense of wonder and independence which James finds threatening. It is only when Gina suddenly begins to lose her sight again that she finally realizes the disturbing reality of their marriage and their lives.
https://www.youtube.com/watch?v=zTTaFg2Sq9Y