The Death of Stalin[/caption]
The 2017 Toronto International Film Festival unveiled its lineup of 12 films for this year’s Platform program. The program will open with the world premiere of The Death of Stalin, from award winning director-writer Armando Iannucci. The historical epic follows the final days leading up to the Soviet dictator’s death. Sweet Country, a period western from acclaimed Australian filmmaker Warwick Thornton will close the Platform section.
The films will compete for the Platform Prize, to be awarded by a jury comprising award-winning filmmakers Chen Kaige, Malgorzata Szumowska and Wim Wenders. Last year’s Platform included celebrated films such as William Oldroyd’s Lady Macbeth, Pablo Larrain’s Jackie and Barry Jenkins’s Academy Award Best Picture winner, Moonlight.
Platform titles are eligible for the Toronto Platform Prize ($25,000 CAD) made possible by Air France.
Terry P.
VIMOOZ is for lovers of independent films + foreign film + documentary + film festivals. We love championing the little films.
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World Premiere of THE DEATH OF STALIN Kicks Off Toronto International Film Festival’s Platform Program Lineup
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The Death of Stalin[/caption]
The 2017 Toronto International Film Festival unveiled its lineup of 12 films for this year’s Platform program. The program will open with the world premiere of The Death of Stalin, from award winning director-writer Armando Iannucci. The historical epic follows the final days leading up to the Soviet dictator’s death. Sweet Country, a period western from acclaimed Australian filmmaker Warwick Thornton will close the Platform section.
The films will compete for the Platform Prize, to be awarded by a jury comprising award-winning filmmakers Chen Kaige, Malgorzata Szumowska and Wim Wenders. Last year’s Platform included celebrated films such as William Oldroyd’s Lady Macbeth, Pablo Larrain’s Jackie and Barry Jenkins’s Academy Award Best Picture winner, Moonlight.
Platform titles are eligible for the Toronto Platform Prize ($25,000 CAD) made possible by Air France.
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San Sebastian Film Festival Reveals First Titles in Pearls and Zabaltegi-Tabakalera Lineup
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The Square by Ruben Östlund[/caption]
The Pearls and Zabaltegi-Tabakalera sections of the 2017 San Sebastian Film Festival will feature some of the year’s most important films. The Square, winner of the Golden Palm at the last Cannes Film Festival, will open the Zabaltegi-Tabakalera section.
The Hungarian filmmaker Ilkidó Enyedi, winner of the Golden Bear with the fable Teströl és lékekröl / On Body and Soul, will compete for the City of Donostia / San Sebastian Audience Award against the Jury Prize in Cannes, Nelyubov / Loveless, by Russian moviemaker Andrey Zvyagintsev (Leviafan / Leviathan) and the Jury Grand Prix at the French festival, 120 battements par minute (120 BMP) / 120 Beats Per Minute by Robin Campillo, screenwriter of Foxfire, which competed in San Sebastian’s Official Selection in 2012.
Also competing for the award decided by the audience are Wonderstruck, the adaptation of a story by Brian Selznick which competed at Cannes, in which Todd Haynes (Carol) directs Julianne Moore, Michelle Williams and child actors Oakes Fegley and Millicent Simmonds, and two films premiered at Sundance: The Big Sick, third film by Michael Showalter, about an interracial couple forced to deal with their cultural differences, and Call Me By Your Name by Luca Guadagnino (A Bigger Splash), screened at the Berlinale following its stop at the North American Festival. Loving Pablo will close the Pearls section.
Other titles in the Zabaltegi-Tabakalera section include Philippe Garrel with L’amant d’un jour / Lover for a Day; and Tesnota / Closeness, the debut by Kantemir Balagov, presented in Un Certain Regard. Saura(s), helmed by Félix Viscarret, a film from the Cineastas contados series; the directorial debut of Gustavo Salmerón, Muchos hijos, un mono y un castillo / Lots of Kids, a Monkey and a Castle, winner of Best Documentary at Karlovy Vary; the documentary No intenso agora / In the Intense Now, by the Brazilian filmmaker João Moreira Salles, which competed at Berlin; and the world premiere of Movistar+ series Vergüenza, written and helmed by Juan Cavestany and Álvaro Fernández Armero. This is the first time a television series will have competed for the Zabaltegi-Tabakalera Award.
The remaining titles making up both sections will be announced in the coming weeks.
ZABALTEGI-TABAKALERA (PREVIEW)
THE SQUARE RUBEN ÖSTLUND (SWEDEN) Cast: Claes Bang, Elisabeth Moss, Dominic West, Terry Notary, Christopher Læssø OPENING NIGHT FILM Christian is a divorced father devoted to spending time with his two daughters. He’s a curator at a contemporary art museum, and the kind of guy who drives and electric car and supports the big humanitarian causes. He’s currently working on his next show, entitled The Square, an installation inviting passers-by to altruism, reminding them of their role as responsible fellow human beings. But sometimes it’s hard to live up to your own ideals: Christian’s meltdown in response to the theft of his mobile phone doesn’t exactly leave him in the best light… Meanwhile, the museum’s PR agency has created an unexpected campaign for The Square. The response is overblown and propels Christian headlong into an existential crisis. Golden Palm at Cannes. L’AMANT D’UN JOUR / LOVER FOR A DAY PHILIPPE GARREL (FRANCE) Cast: Éric Caravaca, Esther Garrel A 23 year-old comes home after the breakdown of a relationship to find that a woman the same age as herself now features in her father’s life. MUCHOS HIJOS, UN MONO Y UN CASTILLO (LOTS OF KIDS, A MONKEY AND A CASTLE.) GUSTAVO SALMERÓN (SPAIN) Cast: Julia Salmerón, Antonio García Cabanes, Gustavo Salmerón, Nacho Salmerón, Ramón García Salmerón, David García Salmerón, Paloma García Cabanes This is the story about Julita, a matriarch whose three childhood wishes have been granted: lots of kids, a monkey, and a Spanish castle. At her 81 years old, one of her children needs to find the vertebra of his murdered great-grandmother, lost among the exorbitant amount of weird objects she has hoarded throughout her life, revealing a very picturesque family history. This unique old lady is about to find the meaning of life. Winner of the Award to the Best Documentary at Karlovy Vary. NO INTENSO AGORA / IN THE INTENSE NOW JOÃO MOREIRA SALLES (BRAZIL) Made following the discovery of amateur footage shot in China in 1966 during the first and most radical stage of the Cultural Revolution, No Intenso Agora / In the Intense Now speaks to the fleeting nature of moments of great intensity. Scenes of China are set alongside archival images of the events of 1968 in France, Czechoslovakia, and, to a lesser extent, Brazil. In keeping with the tradition of the film-essay, they serve to investigate how the people who took part in those events continued onward after passions had cooled. The footage, all of it archival, not only reveals the state of mind of those filmed – joy, enchantment, fear, disappointment, dismay – but also sheds light on the relationship between a document and its political context. What can one say of Paris, Prague, Rio de Janeiro, or Beijing by looking at the images of the period? Why did each of these cities produce a specific sort of record? SAURA(S) FÉLIX VISCARRET (SPAIN) Félix Viscarret is a young director. Carlos Saura is a living legend. United by the Cineastas contados initiative tribute to the genius from Aragon, Viscarret devises a plan for his personal portrayal of the veteran filmmaker. It’s brilliant. It will show the most intimate Saura through conversations between the master and his 7 children. All accept. Saura isn’t fond of talking about the past. Viscarret insists. Saura likes painting. And photography. TESNOTA / CLOSENESS KANTEMIR BALAGOV (RUSSIA) Cast: Darya Zhovner, Olga Dragunova, Artem Tsypin, Nazir Zhukov, Veniamin Kats 1998, Nalchik. A Jewish family is in a dangerous situation: a young man and his fiancée are kidnapped one night and the next morning his family receives a ransom note. The amount demanded is so high that the family is forced to sell its small business and seek help from the local community. Un Certain Regard FIPRESCI Prize. VERGÜENZA JUAN CAVESTANY, ÁLVARO FERNÁNDEZ ARMERO (SPAIN) Cast: Javier Gutiérrez, Malena Alterio, Vito Sanz Jesús and Nuria have a problem: no matter what they do, they’re always the laughing stock of their family and friends, stupidly making a fool of themselves. He is a wedding and christening photographer, but believes he has a calling to show his true talent in ‘artistic’ photography. She believes that after her temporary crises she’ll start to have a more interesting life. Together they must decide whether being so pathetic is just a passing virus or if they actually have a chronic disease. Vergüenza is a ten chapter television series.PERLAS (PREVIEW)
LOVING PABLO FERNANDO LEÓN DE ARANOA (SPAIN – BULGARIA) Cast: Javier Bardem, Penélope Cruz CLOSING NIGHT FILM Not in competition The true story of the notorious drug kingpin Pablo Escobar, who killed thousands, made billions and struck up an unlikely love affair with his polar opposite, a glamorous television host named Virginia Vallejo. CALL ME BY YOUR NAME LUCA GUADAGNINO (ITALY – FRANCE) Cast: Armie Hammer, Timothée Chalamet, Michael Stuhlbarg, Amira Casar, Esther Garrel North of Italy, Summer 1983. Elio Perlman, a 17-year-old American/French/Italian boy spends his days in his family’s 17th century villa lazily transcribing music and flirting with his friend Marzia. One day Oliver, an American 24-year-old, arrives to help Elio’s father in his academic activities while working on his doctorate on Heraclitus for a few weeks. Elio and Oliver will discover the beauty of desire slowly unfolding in the course of this unique summer. 120 BATTEMENTS PAR MINUTE (120 BPM) / 120 BEATS PER MINUTE ROBIN CAMPILLO (FRANCE) Cast: Nahuel Pérez Biscayart, Arnaud Valois, Adèle Haenel, Yves Heck, Emmanuel Ménard, Antoine Reinartz, François Rabette… Paris, in the early 1990s. A group of young activists multiply their actions to raise awareness of AIDS. Nathan, a newcomer to the group, has his world shaken up by the radical stance and energy of Sean, who throws the last of his strength into the struggle. Jury Grand Prix at Cannes. NELYUBOV / LOVELESS ANDREY ZVYAGINTSEV (RUSSIA – FRANCE – BELGIUM – GERMANY) Cast: Maryana Spivak, Alexey Rozin, Matvey Novikov A couple entangled in a messy divorce have no option but to join forces and search for their son when he disappears during one of their arguments. Jury Prize in Cannes. TESTRÖL ÉS LÉLEKRÖL / ON BODY AND SOUL ILDIKÓ ENYEDI (HUNGARY) Cast: Géza Morcsányi , Alexandra Borbély, Ervin Nagy, Pál Mácsai Two timid people make the chance discovery that they have the same dream every night. Confused and frightened by the revelation, they decide to accept the strange coincidence and set about recreating the experience in real life. A complicated task; the more they try, the further away their goal appears to be. In spite of it all, their clumsy attempts will topple their personal interior barriers and end up uniting them to one another. Golden Bear at Berlin. THE BIG SICK MICHAEL SHOWALTER (USA) Cast: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano The Big Sick tells the real-life story of Kumail and Emily, a couple who meet after one of his comedy sets. However, what they thought would be just a one-night stand blossoms into the real thing, despite their cultural differences. The situation complicates everyone’s lives given the expectations harboured by Kumail’s traditional Muslim parents. And to make matters worse, Emily is beset with a mysterious illness… SXSW Audience Award. WONDERSTRUCK TODD HAYNES (USA) Cast: Oakes Fegley, Julianne Moore, Michelle Williams, Millicent Simmonds Ben and Rose are children from two different eras who secretly wish that their lives were different. Ben longs for the father he’s never known, while Rose dreams of a mysterious actress whose life she chronicles in a scrapbook. When Ben discovers a puzzling clue and Rose reads an enticing headline, they both set out on epic quests to find what they’re missing.
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FIlmmakers: Forbes Announces Second Under 30 Short Film Festival
Forbes is now accepting submissions from filmmakers for its second annual Under 30 Short Film Festival, a short film competition for filmmakers, under the age of 30, who are innovating and using a variety of techniques to accomplish a range of missions, from entertainment to advocacy. Submissions will be accepted beginning today through August 18, 2017.
The next generation of great moviemakers will compete for the opportunity to show their short films at the 2017 Forbes Under 30 Summit in Boston, October 1 to 4, 2017. The summit is expected to bring together more than 6,000 of the world’s top entrepreneurs and game changers who are leading the way in industries such as media, technology, entertainment, social good and more.
“Film is a notoriously tough industry to break into,” said Forbes’ media and entertainment reporter Madeline Berg. “But there are so many young filmmakers creating impressive and important—or just plain entertaining—content. This is our opportunity to highlight some of those.”
Filmmakers can choose to submit their work in one of four categories: Animated, Live-Action/Theatrical, Documentary and Shot on Cellphone. Judges include industry insiders, as well as Forbes’ media and entertainment reporter Madeline Berg and associate editor Natalie Robehmed.
The judges will select one winner from each of the four categories. These winners will be announced on September 15. All four category winners will receive complimentary attendance to the Forbes Under 30 Summit in Boston, which will feature 200 world-class speakers and include keynote addresses, panels, pitch competitions, a music festival, a food festival and opportunities to meet and network with mentors from the entertainment world and beyond. At the summit, the four winning films will be shown and the audience will vote for the grand prize winner.
Last year’s Forbes Under 30 Short Film Festival received over 1,500 submissions, with live-action/theatrical short film , taking the grand prize. The animated Hum by Thomast Teller, the documentary Where Are We Now by Lucie Rachel and The Garbage, a cellphone filmed work by Kushtrim Aslanni, took the category prizes.
How to Apply for the 2017 Forbes Under 30 Short Film Festival Competition:
Filmmakers must be under 30 years of age at the time of the film festival (October 1, 2017) and will be required to provide proof of age with their submissions. All submissions must be under 10 minutes long, completed in 2016 or 2017, created by a filmmaker based in the United States and have subtitles if not in English. Please specify the category the film falls into at the time of submission. Films can be submitted through online or sent to Madeline Berg and Natalie Robehmed at Forbes Media, 499 Washington Blvd., Jersey City, NJ 07310. Image via Forbes
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“Meet the Press” Launches Its First-Ever Documentary Film Festival in Honor of Its 70th Anniversary
NBC News’ “Meet the Press with Chuck Todd” is joining forces with the American Film Institute (AFI) for an innovative documentary film festival premiere featuring must-watch untold stories of American politics.
Politics-themed and issue-oriented documentaries are more popular than ever. The groundbreaking November”Meet the Press” Film Festival pairs the gravity of NBC News’ political reporting with AFI’s revered industry history, celebrating the 70th and 50th anniversaries, respectively, of both historical institutions. The commanding journalism of “Meet the Press” is a powerful fit with AFI, an institute established in 1967 after President Johnson’s mandate to bring “together leading artists of the film industry, outstanding educators and young men and women who wish to pursue the 20th-century art form as their life’s work.” It is also known for its acclaimed Washington, D.C.-area documentary festival, AFI DOCS.
WHAT: The First-Ever “Meet the Press” Film Festival in Collaboration With AFI will feature seven short-length documentary films produced with a diversity of perspectives.
WHEN: This November in Washington, D.C. Exact dates to be announced.
HOW: Submissions are now being accepted.
More information on this first-ever film festival will be announced in the coming weeks.
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THY FATHER’S CHAIR, Vérité Documentary on Orthodox Jewish Twins Gets Fall Release Date | Trailer
Antonio Tibaldi and Alex Lora’s Thy Father’s Chair, a vérité documentary focused on Orthodox Jewish twins, who are extreme hoarders, is set for release in theaters in the Fall. The film opens Friday, October 13, 2017, at the Village East Cinema in New York City – a week before its Los Angeles theatrical premiere on Friday, October 20, at Laemmle’s Music Hall.
Thy Father’s Chair brings audiences into the world of Abraham and Shraga, Orthodox Jewish twins who live a secluded existence in their inherited Brooklyn home. Since the death of their parents, they have stopped throwing away anything, hosting stray cats and accumulating all sorts of stuff.
Enraged by the situation, the upstairs tenant threatens to stop paying them rent unless they proceed with a radical cleaning of their apartment, forcing Abraham and Shraga to open their doors to a specialized cleaning company.
What ensues seems, at first, a traumatic invasion of privacy, with the twins fighting to preserve their memories. But little by little, the relationship with the head of the cleaning company begins to deepen — and by painfully separating from most of their belongings, Abraham and Shraga discover a path to a new life.
By the end of the film, the twins are pushed to find new solutions to many unanswered questions: how free are you within the boundaries of your heritage? How do you begin to let go of the past and live your life in the present? How do you confront the loss of your parents and become responsible for yourself?
Thy Father’s Chair is the fourth collaboration between Antonio Tibaldi and Alex Lora. The previous films they made together, [S]comparse, Odysseus Gambit and Godka Cirka, played at Sundance and several top international film festival and won several awards. They are currently developing other nonfiction and fiction projects together.
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‘THE DIVINE ORDER’, ‘I AM EVIDENCE’ Among Winners of 2017 Traverse City Film Festival
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The Divine Order[/caption]
The 2017 Traverse City Film Festival (TCFF), founded by Michael Moore in 2005, wrapped after screening 115 feature films and 66 shorts in its 13th year. For the first time in TCFF history, Moore was unable to attend the festival due to a conflict with his Broadway show “The Terms of My Surrender,” which opened Friday, July 28.
Audience Awards went to “The Divine Order” for Best Fiction Film and “I Am Evidence” for Best Documentary. The Founders Grand Prize went to filmmaker Raoul Peck for his two TCFF selections, “I Am Not Your Negro” and “The Young Karl Marx.”
The 14th Annual Traverse City Film Festival will take place July 31 to August 5, 2018.
2017 TCFF AWARD WINNERS
AUDIENCE AWARDS
AUDIENCE AWARD FOR BEST FICTION FILM “The Divine Order” by Petra Volpe Runner Up: “Truman” by Cesc Gay AUDIENCE AWARD FOR BEST DOCUMENTARY FILM “I Am Evidence” by Trish Adlesic, Geeta Gandbhir Runner Up: “Chasing Coral” by Jeff Orlowski AUDIENCE AWARD FOR BEST NARRATIVE SHORT “Viola, Franca” by Marta Savina AUDIENCE AWARD FOR BEST DOCUMENTARY SHORT “Knife Skills” by Thomas Lennon AUDIENCE AWARD FOR BEST KIDS SHORT “Hola Llamigo” by Charlie Parisi and Christina ChangFOUNDERS AWARDS
FOUNDERS GRAND PRIZE Raoul Peck for “I Am Not Your Negro” and “The Young Karl Marx” FOUNDERS AWARD FOR BEST US FICTION FILM “Mr. Roosevelt” by Noël Wells FOUNDERS AWARD FOR BEST FOREIGN FICTION FILM “The Divine Order” by Petra Volpe FOUNDERS AWARD FOR BEST US DOCUMENTARY FILM “500 Years” by Pamela Yates FOUNDERS AWARD FOR BEST FOREIGN DOCUMENTARY FILM “Cause of Death: Unknown” by Anniken Hoel ROGER EBERT PRIZE FOR BEST FILM BY A FIRST TIME FILMMAKER Pau Faus for “Ada for Mayor” SPECIAL FOUNDERS PRIZE FOR CITIZEN JOURNALISM Raqqa is Being Slaughtered Silently in “City of Ghosts” Nori Sharif in “Nowhere to Hide” Curt Guyette in “Here’s to Flint” Myron Dewey in “Awake, a Dream from Standing Rock” KNOWLEDGE IS POWER SPECIAL FOUNDERS SCIENCE PRIZE “AlphaGo” by Greg Kohs SPECIAL FOUNDERS PRIZE “Long Strange Trip” by Amir Bar-Lev BUZZ WILSON PRIZE FOR BEST AVANT GARDE FILM “Austerlitz” by Sergei Loznitsa STUART J. HOLLANDER PRIZE FOR BEST FAMILY FILM “Fanny’s Journey” by Lola DoillonSHORT FILM AWARD WINNERS
BEST FICTION SHORT FILM “Retouch” by Kaveh Mazaheri BEST DOCUMENTARY SHORT FILM “Ten Meter Tower” by Maximilien Van Aertryck and Axel Danielson LARS KELTO PRIZE FOR BEST COMEDY SHORT FILM “Hot Winter: A Film by Dick Pierre” by Jack Henry Robbins SPECIAL MENTION SHORT FILM “Skull + Bone” by Victoria Rivera SPECIAL MENTION SHORT FILM “It’s Alright” by Nina Knag
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Toronto International Film Festival Launches 2017 Midnight Madness Lineup, Opens with Joseph Kahn’s BODIED
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Bodied[/caption]
Midnight Madness has just launched its lineup for the 42nd Toronto International Film Festival, and opens with Joseph Kahn’s provocative World Premiere of Bodied. Midnight Madness also presents the World Premiere of The Disaster Artist, directed by James Franco and based on the making of Tommy Wiseau’s 2003 cult film, The Room. Kuplowsky also welcomes back several Festival alumni, including David Bruckner, Ryuhei Kitamura, S. Craig Zahler, Hélène Cattet, and Bruno Forzani. A new film directed by Canadian musician Seth A. Smith of Dog Day will also screen, as well as the Canadian Premiere of the acclaimed short-film Great Choice, which will precede the World Premiere of Brian Taylor’s Mom and Dad, starring Nicholas Cage and Selma Blair. Finally, the section will introduce two new feature filmmakers with Coralie Fargeat’s Revenge and the section’s Closing Night presentation of Sôichi Umezawa’s Vampire Clay.
“We can’t wait to unleash Peter on Midnight Madness audiences,” said TIFF Artistic Director Cameron Bailey. “He’s tracked down 10 films that preserve the section’s legendary kick-out-the-jams approach, while still putting his own ruthless stamp on it. Just watch.”
“With my inaugural lineup, I’ve sought to assemble an eclectic group of films that expand and explode traditional definitions of genre and shock cinema,” said Peter Kuplowsky, Programmer for Midnight Madness. “Starting with Joseph Kahn’s proverbial mic-drop Bodied, a transgressive and self-critical battle rap satire produced by Eminem, and ricocheting between occult rituals and brutal brawls, the tropes across these 10 Midnights may be familiar, but the execution always innovates, be it in their distillation, fragmentation or subversion. Some will terrify, and others may mystify, but all will electrify audiences well past the witching hour.”
Under Kuplowsky’s new direction, Midnight Madness will continue to showcase the classically terrifying, as well as boundary-pushing, stylized and innovative films — wiring up and energizing its loyal late-night fang-club!
The 42nd Toronto International Film Festival runs from September 7 to 17, 2017.
Films screening as part of the Midnight Madness program include:
Midnight Madness Opening Film.
Bodied
Joseph Kahn, USA
World Premiere
Brawl in Cell Block 99
S. Craig Zahler, USA
North American Premiere
The Crescent
Seth A. Smith, Canada
World Premiere
The Disaster Artist
James Franco, USA
World Premiere
Downrange
Ryuhei Kitamura, USA
World Premiere
Great Choice
Robin Comisar, USA
Canadian Premiere
Let the Corpses Tan
Hélène Cattet, Bruno Forzani, Belgium/France
North American Premiere
Mom and Dad
Brian Taylor, USA
World Premiere
Revenge
Coralie Fargeat, France
World Premiere
The Ritual
David Bruckner, UK
World Premiere
Midnight Madness Closing Film.
Vampire Clay
Sôichi Umezawa, Japan
World Premiere
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European Premiere of Wim Wenders’ SUBMERGENCE to Open San Sebastian Festival
The European premiere of Wim Wenders’ Submergence will open the 65th edition of the San Sebastian Festival on September 22, 2017. The film which will world premiere at the 2017 Toronto International Film Festival stars Alicia Vikander and James McAvoy.
The story, shot in Berlin, Madrid, Toledo, different locations in France and Djibouti, was written by Erin Dignam (The Yellow Handkerchief, The Last Face) based on the famous novel of the same name by The Economist correspondent J.M. Ledgard (Giraffe). James McAvoy and Alicia Vikander embody a hydraulic engineer and a bio-mathematician who meet in a hotel on the French coast, where both are preparing their missions. While she works on a project of immersion in the Greenland Sea, he is taken hostage in Somalia.
Submergence is a love story that takes us into the extremely different worlds of our two protagonists, Danielle Flinders (Alicia Vikander) and James More (James McAvoy). They meet by chance in a remote hotel in Normandy where they both prepare for a dangerous mission. They fall in love almost against their will, but soon recognize in each other the love of their lives. When they have to separate, we find out that James works for the British Secret Service. He’s involved in a mission in Somalia to track down a source for suicide bombers infiltrating Europe. Danielle ‘Danny’ Flinders is a bio-mathematician working on a deep sea diving project to support her theory about the origin of life on our planet. Soon, they are worlds apart. James is taken hostage by Jihadist fighters and has no way of contacting Danny, and she has to go down to the bottom of the ocean in her submersible, not even knowing if James is still alive…
The German filmmaker, screenwriter and producer Wim Wenders (Düsseldorf, 1945) has worked during his career in both Europe and the United States, putting his name to some of the most relevant films in the last four decades, including Der Stand der Dinge (The State of Things, 1982), Golden Lion at Venice Festival; Paris, Texas (1984), screened at the San Sebastian Festival after receiving the Palme d’Or at the Cannes Festival; Der Himmel über Berlin (Wings of Desire, 1987), winner of Best Director in Cannes; and the documentaries Buena Vista Social Club (1999), which garnered over a dozen awards at the Seattle, New York and Los Angeles festivals; Pina (2011), premiered at Berlin and presented in the Zabaltegi Pearls section in San Sebastian, or Salt of the Earth, co-helmed with Juliano Ribeiro Salgado (1914), Un Certain Regard Special Prize and Audience Award in San Sebastian. Founder member of the European Film Academy, in 2002 he chaired the San Sebastian Festival Jury, which awarded the Golden Shell to Los lunes al sol (Mondays in the Sun) by Fernando León de Aranoa.
Scottish actor James McAvoy (Glasgow, 1979) plays the leading part in The Last King of Scotland (Kevin Macdonald, 2006), Atonement (Joe Wright, 2007), The Disappearance of Eleanor Rigby (Ned Benson, 2014, selected for the Festival’s Pearls section) and Split (M. Night Shyamalan, 2016), in addition to embodying a young Charles Xavier in three films of the X-Men saga.
Swedish actor Alicia Vikander (Gothenburg, 1988), remarkable for her performances of Kitty in Anna Karenina (Joe Wright, 2012), Queen Mathilde in En Kongelig Affære / A Royal Affair (Nikolaj Arcel, 2012) and Ex machina (Alex Garland, 2014), won the 2015 Academy Award as Best Supporting Actress for her part in The Danish Girl (Gerda Wegener) and will see her performance as Lara Croft take to the screen next year in the latest installment of Tomb Raider (Roar Uthaug, 2018).
The soundtrack is written by Fernando Velázquez (A Monster Calls, The Impossible), once again featuring the Basque National Symphony Orchestra.
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VIDEOS + PHOTOS: Dominican Republican Film WOODPECKERS Sets Release Date
Watch some video clips and photos from the Dominican film Woodpeckers (Carpinteros) directed by Jose Maria Cabral and set in the Dominican Republic’s Najayo Prison. The film which was an official selection at the 2017 Sundance Film Festival will open in theaters on Friday, September 15, 2017 in New York (AMC Empire 25) with a wider national release to follow.
Julián finds love and a reason for living in the last place imaginable: the Dominican Republic’s Najayo Prison. His romance, with fellow prisoner Yanelly, must defeat the distance that separates them by using a sign language created by the inmates in Najayo, called “Woodpecking,” enabling them to effectively communicate and develop personal and even intimate relationships without the knowledge of dozens of guards. Using real prison locations and non-actors throughout, WOODPECKERS is also based on real events.
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VIDEO: Watch New Clip from GOOK Featuring Comedian David So
Check out this brand new clip from GOOK, featuring comedian David So. In the scene, a group of female customers flirt with Daniel, played by David So, and receive the special manager discount.
GOOK directed by Justin Chon opens in Los Angeles August 18th and in NY and other cities on August 25th.
The film follows Eli and Daniel, two Korean American brothers that run their late father’s shoe store in a predominantly African American community of Los Angeles. These two brothers strike up a unique and unlikely friendship with an 11-year-old African American girl, Kamila. As Daniel dreams of becoming a recording artist and Eli struggles to keep the story afloat, racial tensions build to a breaking point in L.A. as the “infamous” L.A. Riots break out.
Gook Official trailer
https://www.youtube.com/watch?v=u_UxfY-wdaw

Eric Clapton: Life in 12 Bars[/caption]
Showtime will world premiere two riveting films, “
Love Means Zero[/caption]
Love Means Zero presents an in-depth look at famed tennis coach Nick Bollettieri. At 85 years old, Bollettieri is a living legend. At his academy in Florida, he raised a generation of champions. Courier. Seles. Agassi. No other coach has matched his success, his dominance or his fame. His greatness, though, came at a terrible price. Broken marriages, financial ruin and perhaps most devastating, a fractured relationship with his surrogate son and most cherished student, Andre Agassi. When Agassi refused to participate in a documentary about his ex-coach, a simple biographical film turned into an investigation of a relationship lost. Love Means Zero not only tells the story of this celebrated yet controversial coach, but also explores the cost of his all-consuming drive for greatness. The film is directed and produced by Jason Kohn. Amanda Branson Gill, Anne White, Jill Mazursky and David Styne also serve as producers.
Grace Jones: Bloodlight & Bami[/caption]
The Toronto International Film Festival’s 2017 documentary program presents a distinct collection of works from award-winning directors, and will open with Sophie Fiennes’ Grace Jones: Bloodlight & Bami, a film that captures the legendary performer on and off stage.
The lineup features celebrated filmmakers, including Morgan Spurlock, who reignites his battle with the food industry in Super Size Me 2: Holy Chicken!; Brett Morgen, with his portrait of primatologist Jane Goodall in Jane; Greg Barker, who grants viewers unprecedented access into President Barack Obama’s foreign policy team in The Final Year; Frederick Wiseman, who takes us behind the scenes of a New York institution in Ex Libris – The New York Public Library; and Heidi Ewing and Rachel Grady, who follow three Hasidic Jews who attempt to enter the secular world in One of Us. The TIFF Docs Program is made possible through the generous sponsorship of A+E IndieFilms.
“Resistance is a key theme in this year’s documentaries,” said TIFF Docs Programmer Thom Powers. “We pay witness to rebels challenging the status quo in art, politics, sexuality, religion, fashion, sports and entertainment. They speak powerfully to our times as audiences seek inspirations for battling powerful and corrupt systems.”
The theme of resistance plays out in a diverse range of films, including Jed Rothstein’s The China Hustle, executive produced by Alex Gibney and Frank Marshall, which confronts a new era of Wall Street fraud; Matt Tyrnauer’s Scotty and the Secret History of Hollywood, which profiles the sexual taboo breaker Scotty Bowers; Anjali Nayar and Hawa Essuman’s Silas, which portrays Liberian activist Silas Siakor; and Erika Cohn’s The Judge, which follows the first female Shari’a judge, Kholoud Al-Faqih, practicing law in the West Bank.
We gain insights into high-profile figures in the worlds of entertainment and sports in films such as Chris Smith’s JIM & ANDY: the Great Beyond – the story of Jim Carrey & Andy Kaufman featuring a very special, contractually obligated mention of Tony Clifton, which examines Jim Carrey’s immersion into the role of Andy Kaufman; Lili Fini Zanuck’s Eric Clapton: Life in 12 Bars, which delivers the definitive biography of the rock legend; and Jason Kohn’s Love Means Zero, which investigates the controversial tennis coach Nick Bollettieri and his history with Andre Agassi.
Several films deepen our understanding of black cultural figures, including Sam Pollard’s Sammy Davis, Jr.: I’ve Gotta Be Me on the complex career of the multi-talented Rat Pack performer; Kate Novack’s The Gospel According to André on the trend-setting fashion writer André Leon Talley; and Sara Driver’s BOOM FOR REAL The Late Teenage Years of Jean-Michel Basquiat on the formative years of the acclaimed artist.
TIFF Docs upholds its tradition of featuring films and filmmakers from around the world with films such as Violeta Ayala’s Cocaine Prison on the drug trade in Bolivia; Mila Turajlić’s The Other Side of Everything on the dissident activism of her Serbian mother; Hüseyin Tabak’s The Legend of the Ugly King on the Kurdish filmmaker Yilmaz Güney; Sabiha Sumar’s Azmaish: A Journey through the Subcontinent on the politics of India and Pakistan; and Gustavo Salmerón’s Lots of Kids, a Monkey and a Castle on his eccentric family in Spain. The TIFF Docs closing film is Emmanuel Gras’ Makala, which won the Grand Jury prize at Cannes’ Critics Week and portrays the heroic struggles of a subsistence laborer in the Democratic Republic of Congo.
The 42nd Toronto International Film Festival runs September 7 to 17, 2017.