The actor Nelsan Ellis known for his work on the HBO series True Blood, has died aged 39.
His manager Emily Gerson Saines told the Hollywood Reporter “Nelsan has passed away after complications with heart failure.” He continued, “He was a great talent, and his words and presence will be forever missed.”
Ellis appeared in many films, including The Soloist (2009), Secretariat (2010), The Help (2011) The Butler (2013), and most recently, in the independent film Little Boxes (2016).
https://www.youtube.com/watch?v=VK7jkBkvqVo
Ellis credits his work on the documentary Damn Wonderful, about gay suicide, with helping to prepare for his role on True Blood. In an interview with Vulture, he explained “You have to be open. But more importantly, you make a statement when you do something like that. I did a documentary called Damn Wonderful, about gay suicide, and you make a statement, a big statement, when you go, “I don’t want to play this part because it’s gay.” If you have a child, if you have a son, and he comes out as gay, what are you going to do? If you have a daughter who comes out gay …? You just made a statement, and it has ripple effects. First of all, this show, it’s True Blood, and shit, we get scared when we read scripts! Excuse my language. When scripts come, we’re like, “What are they going to have us do this week?” But when you make a statement that is a judgment … I was kind of like, “Have you met Alan Ball?” I’m supposed to do what my boss tells me to do, as an actor. I can’t approach a character with judgment. I certainly can’t tell my boss, “I can act what I want to act, but not what you tell me to act,” especially on a show where you come in, knowing what it is. I was like, “Okay… I guess?” I just thought that, having just done the documentary, I didn’t like what he did because he made a statement, and sometimes you have to take responsibility.”
https://www.youtube.com/watch?v=01LcPeWuEW4Terry P.
VIMOOZ is for lovers of independent films + foreign film + documentary + film festivals. We love championing the little films.
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RIP: ‘True Blood’, LITTLE BOXES Actor Nelsan Ellis Dies at 39
The actor Nelsan Ellis known for his work on the HBO series True Blood, has died aged 39.
His manager Emily Gerson Saines told the Hollywood Reporter “Nelsan has passed away after complications with heart failure.” He continued, “He was a great talent, and his words and presence will be forever missed.”
Ellis appeared in many films, including The Soloist (2009), Secretariat (2010), The Help (2011) The Butler (2013), and most recently, in the independent film Little Boxes (2016).
https://www.youtube.com/watch?v=VK7jkBkvqVo
Ellis credits his work on the documentary Damn Wonderful, about gay suicide, with helping to prepare for his role on True Blood. In an interview with Vulture, he explained “You have to be open. But more importantly, you make a statement when you do something like that. I did a documentary called Damn Wonderful, about gay suicide, and you make a statement, a big statement, when you go, “I don’t want to play this part because it’s gay.” If you have a child, if you have a son, and he comes out as gay, what are you going to do? If you have a daughter who comes out gay …? You just made a statement, and it has ripple effects. First of all, this show, it’s True Blood, and shit, we get scared when we read scripts! Excuse my language. When scripts come, we’re like, “What are they going to have us do this week?” But when you make a statement that is a judgment … I was kind of like, “Have you met Alan Ball?” I’m supposed to do what my boss tells me to do, as an actor. I can’t approach a character with judgment. I certainly can’t tell my boss, “I can act what I want to act, but not what you tell me to act,” especially on a show where you come in, knowing what it is. I was like, “Okay… I guess?” I just thought that, having just done the documentary, I didn’t like what he did because he made a statement, and sometimes you have to take responsibility.”
https://www.youtube.com/watch?v=01LcPeWuEW4
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LITTLE CRUSADER Wins Best Film at 52nd Karlovy Vary International Film Festival
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Director Václav Kadrnka, 52nd Karlovy Vary IFF[/caption]
The awards were presented at the closing ceremony of the 52nd Karlovy Vary IFF, and the fatherhood drama Little Crusader by Václav Kadrnka was awarded the Grand Prize – Crystal Globe and $25,000.
The directing prize was won by Slovak filmmaker Peter Bebjak, who was presenting his film The Line at the festival. In the competition East of the West, the road movie How Viktor “the Garlic” took Alexey “the Stud” to the Nursing Home by Russian director Alexander Hant won that award.
The award for best feature-length documentary went to the Spanish film Lots of Kids, a Monkey and a Castle. And the Právo Audience Award was awarded to the American crime drama taking place on a Native American reservation Wind River starring Jeremy Renner.
The 53rd Karlovy Vary IFF will be held from June 29th to July 7th, 2018.
OFFICIAL SELECTION – COMPETITION
GRAND PRIX – CRYSTAL GLOBE (25 000 USD) The financial award is shared equally by the director and producer of the award-winning film. Little Crusader Directed by: Václav Kadrnka Czech Republic, Slovak Republic, Italy, 2017 SPECIAL JURY PRIZE (15 000 USD) The financial award is shared equally by the director and producer of the award-winning film. Men Don’t Cry Directed by: Alen Drljević Bosnia and Herzegovina, Slovenia, Croatia, Germany, 2017 BEST DIRECTOR AWARD Peter Bebjak for the film The Line Slovak Republic, Ukraine, 2017 BEST ACTRESS AWARD Jowita Budnik and Eliane Umuhire ex-aequo for their roles in the film Birds Are Singing in Kigali Directed by: Joanna Kos-Krauze, Krzysztof Krauze Poland, 2017 BEST ACTOR AWARD Alexander Yatsenko for his role in the film Arrhythmia Directed by: Boris Khlebnikov Russia, Finland, Germany, 2017 SPECIAL JURY MENTION For the best First Feature Film Keep the Change Directed by: Rachel Israel USA, 2017 SPECIAL JURY MENTION For the Best Newcomer Voica Oltean, actress Breaking News Directed by: Iulia Rugin Romania, 2017 EAST OF THE WEST – COMPETITION EAST OF THE WEST GRAND PRIX (15 000 USD) The financial award is shared equally by the director and producer of the award-winning film. How Viktor “the Garlic” Took Alexey “the Stud” to the Nursing Home Directed by: Alexander Hant Russia, 2017 EAST OF THE WEST SPECIAL JURY PRIZE (10 000 USD) The financial award is shared equally by the director and producer of the award-winning film. Dede Directed by: Mariam Khatchvani Georgia, Qatar, Ireland, Netherlands, Croatia, 2017 DOCUMENTARY FILMS – COMPETITION GRAND PRIX FOR BEST DOCUMENTARY FILM (5 000 USD) The financial award goes to the director of the award-winning film. Lots of Kids, a Monkey and a Castle Directed by: Gustavo Salmerón Spain, 2017 DOCUMENTARY SPECIAL JURY PRIZE Atelier de conversation Directed by: Bernhard Braunstein Austria, France, Liechtenstein, 2017 PRзVO AUDIENCE AWARD Wind River Directed by: Taylor Sheridan USA, 2016 CRYSTAL GLOBE FOR OUTSTANDING ARTISTIC CONTRIBUTION TO WORLD CINEMA Ken Loach, United Kingdom CRYSTAL GLOBE FOR OUTSTANDING ARTISTIC CONTRIBUTION TO WORLD CINEMA Paul Laverty, United Kingdom CRYSTAL GLOBE FOR OUTSTANDING ARTISTIC CONTRIBUTION TO WORLD CINEMA James Newton Howard, USA FESTIVAL PRESIDENT’S AWARD Uma Thurman, USA FESTIVAL PRESIDENT’S AWARD Casey Affleck, USA FESTIVAL PRESIDENT’S AWARD Jeremy Renner, USA FESTIVAL PRESIDENT’S AWARD FOR CONTRIBUTION TO CZECH CINEMATOGRAPHY Václav Vorlíček, Czech Republic NON-STATUTORY AWARDS AWARD OF INTERNATIONAL FILM CRITICS (FIPRESCI) Awarded by The International Federation of Film Critics (FIPRESCI). Keep the Change Directed by: Rachel Israel USA, 2017 THE ECUMENICAL JURY AWARD The Cakemaker Directed by: Ofir Raul Graizer Israel, Germany, 2017 FEDEORA AWARD Awarded by the Federation of Film Critics of Europe and the Mediterranean (FEDEORA) to the best film from the East of the West – Competition Mariţa Directed by: Cristi Iftime Romania, 2017 Special Mention Blue Silence Directed by: Bülent Öztürk Turkey, Belgium, 2017 EUROPA CINEMAS LABEL AWARD For the best European film in the Official Selection – Competition and in the East of the West – Competition. Men Don’t Cry Directed by: Alen Drljević Bosnia and Herzegovina, Slovenia, Croatia, Germany, 2017 THE WINNERS OF WORKS IN PROGRESS AWARD AND EURIMAGES LAB PROJECT AWARD @ KVIFF WORKS IN PROGRESS AWARD @ KVIFF At the 14th edition of Works in Progress @KVIFF, eight selected projects (plus one out of competition) were presented from a total of 77 submissions from Central and Eastern Europe, the Balkans, Turkey, Greece and post-Soviet territories. The 2017 award, with a total value of EUR 100,000, includes post-production services at UPP and Soundsquare and a EUR 10,000 cash award from Barrandov Studio. Censor 80 min, Slovak Republic Directed by: Peter Kerekes Cast: Irina Alexandrovna, Jura Car, Ljubov Vassilina EURIMAGES LAB PROJECT AWARD @ KVIFF The Karlovy Vary IFF is one of four international festivals to present this award. The final eight projects were selected from 45 submitted projects from Eurimages countries that are currently in production or post-production, are being made outside the traditional filmmaking framework, and involve international co-operation. The best project receives an award of EUR 50,000. The Stand-In 70 min, Italy, France, Morocco Directed by: RК di Martino Scriptwriter: RК di Martino Producer: Marco Alessi Camera: Gianclaudio Giacomini, Giulio Squillacciotti, Hasnae el Ouarga Cast: Valeria Gollino, Filippo Timi, Corrado Sassi, Younes Bouad, Nadia Kounda, Nisrine Adam Image: Director Václav Kadrnka, photo credit: Jan Handrejch
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KEEP THE CHANGE, THE CAKEMAKER Among Winners of Karlovy Vary IFF Non-Statutory Awards
The non-statutory awards of the 52nd Karlovy Vary International Film Festival were announced today, with the international film critics prize FIPRESCI award going to Keep the Change by Rachel Israel.
Other awards included the Ecumenical Jury award going to The Cakemaker, by Ofir Raul Graizer; FEDEORA award by Federation of Film Critics of Europe and the Mediterranean going to Romanian film Mariţa by Cristi Iftime; and Men Don’t Cry by Alen Drljević won the Europa Cinemas Label award for the best European film in the Main Competition or the East of the West Competition.
AWARD OF INTERNATIONAL FILM CRITICS
Awarded by The International Federation of Film Critics (FIPRESCI).
Keep the Change
Directed by: Rachel Israel
USA, 2017
For a glorious first feature which tells the story of a colorful group of New Yorkers, who in any other film would be labelled as ‘outsiders’. Instead Israel lets us experience their world from the inside, and it’s a wondrous place to be.
It is a tender film with a simple narrative, driven by complex emotions. By letting herself be inspired by her magnificent actors’ personal experiences of life on the autism spectrum, writer/director Rachel Israel has created a work that is inclusive, fresh and thoroughly engaging.
It also has one of the funniest scripts we have ever come across, with a sense of humor that ranges from the crude jokes of conflicted protagonist David, to the no-nonsense cut-offs by its leading lady Sarah – a female character with a personal brand of vivaciousness never before seen on the cinema screen.
We were deeply affected by this heartfelt story of coming of age and finding love, proving there is nothing wrong with being weird.
THE ECUMENICAL JURY AWARD
The Cakemaker
Directed by: Ofir Raul Graizer
Israel, Germany, 2017
With a gentle approach, the film portrays a journey towards acceptance and the pursuit of love. The unique bond formed between the characters strengthens a healing process that brings them a new life. It allows the viewer to connect to the most important of human values, something that overcomes all prejudices: love.
FEDEORA AWARD
Federation of Film Critics of Europe and the Mediterranean for the best film from
East of the West – Competition section
Mariţa
Directed by: Cristi Iftime
Romania, 2017
For the simplicity in directing his debut feature film, focused on the everyday life of a family, whose members, no matter that the family is separated after the divorce of the parents, at their reunion, celebrate the meeting and enjoy it in a spontaneous and friendly way that brings positive energy into their lives.
Special Mention
Blue Silence
Directed by: Bülent Öztürk
Turkey, Belgium, 2017
To Bulent Özturk for “Blue Silence” for its strong, courageous take both in visuals, sounds and silences on how violence and war eats the soul.
EUROPA CINEMAS LABEL AWARD
For the best European film in the Official Selection – Competition and in the East of the West – Competition.
Men Don’t Cry / Muškarci ne plaču
Directed by: Alen Drljević
Bosnia and Herzegovina, Slovenia, Croatia, Germany, 2017
Europe has learned throughout its difficult history that wars, particularly those that have seen neighbor fight against neighbor, do not end when the violence stops. There are difficulties to be faced in healing a divided society, when bitterness and anger must be set aside in favor of compromise and forgiveness in the name of reconciliation. In Alen Drljević’s powerful Men Don’t Cry a disparate group of former combatants representing all factions of the Balkan War of the 1990s gather in a deserted hotel to begin this process. Common ground is found, but hard-gained trust is easily and quickly lost when old resentments come to the surface. The jury was struck by the film’s nonjudgemental stance on the characters’ different perspectives, brought to vivid life by its fine cast, the universality of its theme of the value of forgiveness not just of others, but of ourselves, for past actions, its relevance to Europe’s future as a community, and its subtle commentary on the negative aspects of masculinity.
Image: Brandon Polansky as David Cohen and Samantha Elisofon as Sarah Silverstein in KEEP THE CHANGE. Photographer: Giacomo Belletti.
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Human Trafficking Documentary Thriller THE WRONG LIGHT In Theaters July 14th | Trailer
The Wrong Light, a documentary thriller set in Northern Thailand on harrowing tales of girls rescued by hero that fall apart, will open in theaters on Friday, July 14th, 2017.in New York at Cinema Village, and on Friday, July 21, 2017 in Los Angeles at Laemmle’s Monica Film Center.
The film directed by Josie Swantek Heitz and Dave Adams won the Grand Jury Prize – NJ Films at the Montclair Film Festival.
Amidst growing international concern about human trafficking, a nonprofit organization named COSA was founded in 2005 by Mickey Choothesa with the stated mission of serving as a refuge for at-risk and trafficked girls in Northern Thailand. Mickey, a self-described war photographer-turned-activist with an “upstream” prevention approach to trafficking, promoted COSA as a sanctuary providing educational opportunities for young girls. His work drew international donors, a steady stream of western visitors, and global press attention.
Filmmakers Josie Swantek Heitz and Dave Adams were fascinated by the story of two young girls who had been sold into the sex trade by their parents and were later rescued by COSA. They believed they had found a harrowing and uplifting story of heroism worthy of a feature-length documentary. With this in mind, they traveled to Thailand where they interviewed many of the rescued girls at COSA and travelled to their villages to speak with their families.
Unexpectedly, their conversations with both the girls and their families contradicted Mickey’s version of their stories, making the truth that much more elusive. Reluctantly, they became subjects in the film, revealing the story as it unfolded for them. THE WRONG LIGHT is the fascinating and troubling account of their quest to find answers and tell the real story of COSA, its work, and its impact on the young girls.
Who is Mickey Choothesa? Who are these girls? And who is responsible for their representation and exploitation?
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Actress Julianne Moore to Be Honored with François Truffaut Award at Giffoni Film Festival
Actress Julianne Moore will receive the François Truffaut Award at the 7th Giffoni Film Festival taking place July 14 to 22, 2017 in Southern Italy.
Moore got her start off-Broadway and has worked extensively in television as well, but the remarkably prolific actress is best known for her work in feature films. During the course of her career, Moore has worked with some of the most well-respected and iconic directors in the industry including Robert Altman, Steven Spielberg, Joel and Ethan Coen, Paul Thomas Anderson, Gus Van Sant and Todd Haynes.
In 2015, Moore won an Academy Award and a Golden Globe for her performance in Still Alice, in which she played Alice Howland, a linguistics professor diagnosed with Alzheimer’s Disease. Moore has been nominated an additional four times for an Academy Award for her work in Far from Heaven (2002), The Hours (2002), The End of the Affair (1999) and Boogie Nights (1997). She has won two additional Golden Globes (one for the HBO television movie Game Change (2012) and a special ensemble award for Short Cuts (1994)) and has another seven Golden Globe nominations to her credit. Moore’s work in Game Change also earned her a Primetime Emmy Award.
In addition to the above, Moore is well known to audiences around the world for her memorable performances in films including The Hunger Games: Mockingjay – Parts 1 & 2 (2014 and 2015, respectively); Maggie’s Plan (2015); Maps to the Stars (2014); Don Jon (2013); Carrie (2013); Crazy, Stupid, Love. (2011); The Kids Are All Right (2010); A Single Man (2009); Blindness (2008); Children of Men (2006); Hannibal (2001); Magnolia (1999); Psycho (1998); The Big Lebowski (1998) and The Lost World: Jurassic Park (1997), among many others.
This year, Moore re-teamed with her Far from Heaven director Todd Haynes for the American drama Wonderstruck, based on the 2011 novel of the same title by Brian Selznick. The film was presented in competition at the 70th Cannes Film Festival earlier this year and opens in the U.S. in October. Julianne Moore also stars in Kingsman: The Golden Circle opposite Colin Firth and Halle Berry, which will debut in the states this September, and Suburbicon alongside Matt Damon directed by George Clooney which is expected to hit cinemas in November.
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Michael Moore’s Traverse City Film Festival will Close with Kathryn Bigelow’s DETROIT | Trailer
Detroit, the highly anticipated new film by Academy Award-winning director Kathryn Bigelow, will be the Closing Night Film for this year’s 13th annual Traverse City Film Festival. Following the film’s July 25 premiere at the Fox Theater in Detroit, the Traverse City Film Festival will screen the film in its historic movie palace, the State Theatre, at 6 pm on July 30.
“This captivating, vital film resonates strongly today, 50 years after the events took place,” said Academy Award-winning director Michael Moore, the festival’s founder, president and programmer. “We aim to bring great movies that can move, inspire, and change audiences. There could be no better way to close this year’s festival than with ‘Detroit.’”
The film focuses on the Algiers Motel killings, a brutal incident that has become synonymous with the systemic racism that helped spark the 1967 Detroit uprising. Piecing together the horrifying, true events of that evening, when a group of teenagers ducked into the Algiers to avoid the chaos outside, and police later stormed the building, Bigelow has delivered another riveting powerhouse of a film.
The new film from Bigelow and screenwriter and frequent collaborator Mark Boal stars John Boyega (“Star Wars: The Force Awakens”), Will Poulter (“The Revenant”), Jason Mitchell (“Straight Outta Compton”), Hannah Murray (HBO’s “Game of Thrones”), John Krasinski (NBC’s “The Office”) and Anthony Mackie (“Captain American: Civil War”) and Detroit native Algee Smith.
https://www.youtube.com/watch?v=HFeWsDpy9y0
https://www.youtube.com/watch?v=yv74LqiumXE
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Ben Elton’s THREE SUMMERS to World Premiere as Centrepiece Gala of Melbourne International Film Festival
The world premiere of Ben Elton’s Three Summers will screen as this year’s Centrepiece Gala of the 2017 Melbourne International Film Festival.
“We are delighted that MIFF is presenting the world premiere of Three Summers. With a big heart and soul that is sure to bring some sunshine to our winter festival, Three Summers is the perfect Centrepiece Gala film. The film radiates wit and social observation and has a terrific cast. We congratulate Ben Elton and the entire team and look forward to welcoming them to The Comedy Theatre this August,” said MIFF Artistic Director, Michelle Carey.
Ben Elton said, “It’s a great thrill and also a great honour to have Three Summers selected as this year’s MIFF Centrepiece Gala Presentation. I cannot think of a better start for our movie than to be centre stage at this famous festival, which is such a true champion of Australian filmmaking. It’s also very exciting the film will be screened in such a beautiful and aptly named theatre before an audience of 1000 people. What could be better for a comedy!”
With his first Australian film as a director, internationally renowned writer and comedian Ben Elton delivers a big hearted, of-the-moment, multi-story comedy with a sterling ensemble cast featuring Michael Caton, Magda Szubanski, Deborah Mailman, Jacqueline McKenzie and John Waters. Set over three summers at a fictional folk music festival in WA, it stars Robert Sheehan (perhaps best known as from UK series Misfits) and Rebecca Breeds (Home and Away, Molly), as young musicians falling in love.
Elton brings his trademark satirical wit, ensuring that Three Summers is able to stir the pot around some of Australia’s social and political issues whilst remaining generous, tender and always entertaining. Elton last attended MIFF in 1993 for the premiere screening of Stark.
One of MIFF’s most popular special events, the Centrepiece Gala is a cinematic celebration both of local filmmaking and of the festival’s halfway point.
Ben Elton and Three Summers cast will also speak with director Natalie Bailey (Princess Pictures, The Thick of It) at Three Summers: In Conversation on Sunday 13 August, 1:30pm at the Wheeler Centre.
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Dixie State University’s Docutah International Documentary Film Festival Announces 2017 Lineup
The 2017 film lineup for Dixie State University DOCUTAH International Documentary Film Festival, will showcase 40 feature length and 24 short films, and run from September 4 through 9, 2017.
The film, Tuacahn: Miracle in Padre Canyon, launches the Festival on September 4th with a gala evening at Tuacahn Amphitheatre. The film intertwines the history of Tuacahn with a behind the scenes look at how the complex production of Shrek the Musical came together.
This year the Festival also includes a special presentation of the first episode of award-winning filmmaker Ken Burns 10-part series The Vietnam War. This groundbreaking ten-part, documentary series tells the story of one of the most divisive and consequential events in American history.
“Our selections this year cover a wide range of subjects, but all of them will connect our audience through a range of emotions to a broader understanding of the common human experience,” said Phil Tuckett, Executive Director, DOCUTAH International Documentary Film Festival and Digital Film Professor at Dixie State University. “Documentary takes many forms and audiences are always surprised at the creativity these artists exhibit as they develop often complex ideas through the medium of film.”
Docutah audiences also have the opportunity to interact directly with filmmakers through post- screening Q&A sessions as well as daily DOCtalk events – intimate conversations which bring together these accomplished artists, allowing attendees and budding filmmakers to hear their thoughts on the joys, pitfalls, struggles and successes when tackling documentary filmmaking. During these talks, attendees have a chance to ask questions and get advice on the business of filmmaking from those who have been there, done that.
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UK Premiere of TASTE OF CEMENT to open London’s Open City Documentary Festival
Taste Of Cement, Ziad Kalthoum’s highly-acclaimed portrait of exiled Syrian construction workers building a skyscraper in Beirut while at the same time their own homes are being shelled, will open London’s Open City Documentary Festival. The film will receive its UK Premiere on Tuesday September 5, 2017, at Picturehouse Central.
Open City Documentary Festival champions new voices in non-fiction storytelling and the program offers a chance to see the best in contemporary, international documentary as well as filmmaker Q&As, industry panels, workshops, networking and parties. The 7th Open City Documentary Festival takes place over six days in venues across London from 5 September to 10 September 2017.
Michael Stewart, Founder of Open City Docs, said: “We are delighted to open this year’s festival with the beautiful, poignant Taste Of Cement. At Open City our aim is to create an open space to nurture and champion the most innovative and creative documentary filmmakers from across the globe and Ziad Kalthoum’s mesmerizing film epitomizes this perfectly.”
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Karlovy Vary International Film Festival Announces 2017 Winners of Works in Progress and Eurimages Lab Project Awards
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Censor (Cenzorka)[/caption]
The Slovakian film Censor (Cenzorka), directed by Peter Kerekes and written by Ivan Ostrochovský, is the winner of the Works in Progress Award at the Karlovy Vary International Film Festival. The film received the award for “its original and vivid human portrait of a lonely woman.”
In the film, Irina Alexandrovna works as a censor in an Odessa prison. The inspection of letters is required by law in order to prevent the continuation of criminal activity. But the real criminals use smartphones, and old-fashioned letters are only used for declarations of love. So Irina spends eight hours a day in her office reading love letters. Through her, we follow various love affairs that only she can observe. Although she sees how women being used, and how the relationships end in disaster for them, she cannot take any action. Our heroine is a single woman and after twelve years of reading love letters full of the lies men tell, she is not capable of any relationship. If a guy on a date says “You are special,” she feels sick. But of course even she dreams of love.
The film, also produced by Peter Kerekes, is based on real situations and real characters and involved in-depth research conducted by the filmmakers at numerous prisons. The script was distilled from these materials, stories and characters. The plot follows the tragicomic micro-love stories between jailed men and women on the outside, as seen through the main protagonist. The film was shot with actors and non-actors (prisoners and ex-prisoners), mostly in a real setting, a real prison. The film’s expected premiere is in 2018.
The Stand-In (La Controfigura), directed and written by Rä di Martino was awarded the Eurimages Lab Project Award for its “ironic visual experimental approach to innovative narrative and for being an intersection of art and film.”
In The Stand-In, a small crew has been traveling around Marrakech and its surroundings looking for swimming pool locations for the remake of an American movie in which a man crosses the county, pool by pool, to reach his home. The filmmakers rehearse the shots to find the path through the city and the pools that the main actor will run and swim through. As we watch his struggles to become more than just a stand-in figure, the real actors and film crew burst onto the scene on a set where nobody seems to be in the right place. A film in search of itself, looking for where the real film is.
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10 Films Selected for 2017 European Parliament LUX Film Prize | Trailers
[caption id="attachment_22969" align="aligncenter" width="1200"]
SUMMER 1993[/caption]
The ten films selected for the 11th European Parliament’s LUX Film Prize were revealed on Sunday at the 52nd Karlovy Vary International Film Festival.
From the 10 films in the Official Selection, 3 entries will be selected and announced at the Venice Days press conference in Rome at the end of July 2017 as those taking part in the LUX Film Prize Competition. These films will compete to be the winner of the 2017 LUX Film Prize, and will become the core of the 2017 LUX Film Days.
The 2017 LUX Film Prize winner will be awarded on November 15 in Strasbourg.
The LUX FILM PRIZE Official Selection (in alphabetical order)
A CIAMBRA by Jonas Carpignano (Italy/Brazil/United States/France/Germany/Sweden)
BPM (BEATS PER MINUTE) by Robin Campillo (France)
GLORY by Kristina Grozeva and Petar Valchanov (Bulgaria/Greece)
HEARTSTONE by Guðmundur Arnar Guðmundsson (Iceland/Denmark)
KING OF THE BELGIANS by Peter Brosens and Jessica Woodworth (Belgium/Netherlands/Bulgaria)
SÁMI BLOOD by Amanda Kernell (Sweden/Denmark/Norway)
SUMMER 1993 by Carla Simón (Spain)
THE LAST FAMILY by Jan P Matuszyński (Poland)
THE OTHER SIDE OF HOPE by Aki Kaurismäki (Finland/Germany)
WESTERN by Valeska Grisebach (Germany/Bulgaria/Austria)
More about the 10 films…
SUMMER 1993 is an intimate, autobiographical study of how hard it can be to fit in; it portrays a child’s experience of learning to live with grief and harsh reality after she finds herself orphaned at just six years old.
https://www.youtube.com/watch?v=YAnezFuhUBs
HEARTSTONE tells the story of two teenagers from rural Iceland getting to grips with their own identity and sexuality, as well as with the delicate and cruel transition to adulthood.
https://www.youtube.com/watch?v=R9Tcw-_SrcA
A CIAMBRA traces the rite of passage to adulthood of a 14-year-old Roma boy living in the neighborhood of the same name in Calabria, a marginalized community described by journalists as a real ghetto.
https://www.youtube.com/watch?v=cizugv2Y1AY
SÁMI BLOOD tells the vibrant tale of a young Lapp girl who dreams of a different life and distances herself from her community with great anguish because of the racist attitudes they have to face.
https://www.youtube.com/watch?v=0zpt2yf0nCM
BPM (BEATS PER MINUTE) follows a group of Act Up activists who fight to lend the AIDS problem more visibility in 1992 France and encourage faster progress to be made in terms of research and prevention.
https://www.youtube.com/watch?v=2fhO2A4SL24
WESTERN injects a story about German workers on a construction site for a hydroelectric power station in Bulgaria with ingredients from the cowboys-and-Indians classics, addressing the issues of economic immigration and integration.
https://www.youtube.com/watch?v=p8f8zHDwv_c
THE OTHER SIDE OF HOPE weaves together the stories of two men who have both struck out in search of a new life: an old Finnish man who buys a restaurant and a young Syrian immigrant who struggles to find a safe haven in Europe.
https://www.youtube.com/watch?v=-I5Tnaf28kk
GLORY follows a poor, middle-aged linesman for Bulgaria’s national railway company, who decides to hand piles of banknotes he finds on the rails one day in to the police, triggering a fight against corruption, as well as one for justice and dignity.
https://www.youtube.com/watch?v=BeEs2_6-AXU
THE LAST FAMILY shows the lives of the family of Polish painter Zdzisław Beksiński, in what could be described as a compact version of a 28-year reality show, as he recorded most of his day-to-day life.
https://www.youtube.com/watch?v=XfFt9RfO9Bc
KING OF THE BELGIANS follows a fictitious King of Belgium forced to come back from an official trip when Wallonia suddenly declares its independence, while a solar storm causes communications to collapse and airspace to shut down.
https://www.youtube.com/watch?v=NG9vmzUIOSk

A TAXI DRIVER[/caption]
Fantasia will close its 2017 edition with the International Premiere of A TAXI DRIVER, by director Jang Hoon. On May 18th, 1980, one of the darkest chapters in South Korea’s recent history began. Protesting against Chun Doo-hwan’s dictatorship, hundreds of citizens of Gwangju, particularly students, were beaten, arrested or killed by the army who was hiding behind a well-orchestrated propaganda campaign blinding the entire nation. So when struggling single-father Man-seob decides to take a German journalist from Seoul to Gwangju in his taxi to clear off his debts, he has no idea how dangerous their journey will be. Director Jang Hoon has established himself as one of the most talented and versatile Korean filmmakers with award winning films like ROUGH CUT and THE FRONT LINE. Reteaming with Hoon after the action thriller THE SECRET REUNION, legendary actor Song Kang-ho (THE HOST, SNOWPIERCER) delivers one of the strongest performances of his career in this unforgettable historical drama.
The Fantasia Film Festival announced the remainder of its mammoth 2017 film lineup, in addition to its juries and special events.
A tense, nocturnal odyssey of poor decision-making that escalates to a nearly unbearable pitch, the Safdie brothers’ Cannes Competition sensation GOOD TIME is a high-wire exercise in intensity, starring Robert Pattinson in a career-best performance. Tipping their hats to ’70s thrillers, the Safdies’ new film also builds beautifully on their previous effort, HEAVEN KNOWS WHAT – here’s another maddeningly bleak vision of New York City’s underbelly, nonetheless beaming with humanity and authenticity. North American Premiere. Directors in Attendance.
Directed by David Leitch (JOHN WICK, the upcoming DEADPOOL 2), ATOMIC BLONDE, screening in the Action! section, is a blistering blend of sleek action, gritty sexuality, and dazzling neon-drenched style with a cast that includes Charlize Theron, John Goodman, Til Schweiger, and Sofia Boutella. The film boasts one thrilling fight sequence in particular – set in a stairwell and with no cuts – that has already entered the annals of action film history. Official Selection: SXSW 2017. Special Screening.
Fantasia’s Camera Lucida section is back! Dedicated to the most original and singular visions, at the outer edges of genre cinema, it will close this year’s selection with the World Premiere of Robert Morin’s LE PROBLÈME D’INFILTRATION (INFILTRATION), also screening during the festival’s closing night on August 2, 2017. An experimental film and formal experiment only Morin could have made, LE PROBLÈME D’INFILTRATION (INFILTRATION) is a unique, angst-ridden portrait composed of a series of distinctive, surrealistic long takes, that brilliantly convey the existential crisis and downward spiral of Dr. Louis Richard (Christian Bégin), a plastic surgeon specializing in burn victims. A bold film that simultaneously evokes German Expressionist art and avant-garde video. See below for the rest of the Camera Lucida line-up. Director, Cast, and Crew in Attendance.
The big-screen return of one of Polish Cinema’s national treasures, Agnieszka Holland (EUROPA EUROPA, THE SECRET GARDEN), still such a vibrant filmmaker at nearly 70 years of age, SPOOR took home a richly deserved award at the Berlinale earlier this year. Unconventional, poetic and beguiling, it is a genuinely radical film – some have even called it dangerous – that is one part fantastical murder mystery, one part eco-thriller. A retired teacher who speaks truth to power to protect the region’s wildlife finds herself at the center of a surreal series of happenings, with hunters and authority figures found murdered, various animal tracks near the bodies. Could the animals be having their revenge? One of the most subversive genre works we’ve seen in years. North American Premiere.
Following the 2015 International Premiere of Sion Sono’s Red Light District-set yakuza/talent agency action-drama film SHINJUKU SWAN, Fantasia will unveil the International Premiere of its sequel, SHINJUKU SWAN II! Reuniting maverick filmmaker Sion Sono (TAG, LOVE EXPOSURE, the upcoming Amazon series TOKYO VAMPIRE HOTEL) with superstar Go Ayano (RAGE, LUPIN THE THIRD), this sequel adapts the arc “Yokohama Kingdom” from Ken Wakui’s popular seinen manga series of the same name, and finds the titular, energetic talent scout going head-to-head with a rival Yokohama agency, led by boss Taki (the one and only Tadanobu Asano of SURVIVE STYLE 5+, JOURNEY TO THE SHORE, and ICHI THE KILLER)! International Premiere.
Fantasia audiences may best remember him from THE MAN WHO SAVED THE WORLD (aka TURKISH STAR WARS), but to international audiences, Cüneyt Arkın is a legendary icon whose career spanned 50 glorious years and nearly 300 films. He’s done every conceivable genre from grand historical epics and martial arts to romantic comedies, westerns, and hard-boiled crime flicks. He’s played an Ottoman warrior, cop, heartbreaker, pirate, and even a Turkish Davy Crockett. Over his five decades in cinema, the incredible Arkın was his country’s Jackie Chan – acting, writing, directing, and performing his own stunts!
Fantasia will present a Lifetime Achievement Award to Mr Arkın, and will celebrate his extraordinary career with special repertory screenings of THE MAN WHO SAVED THE WORLD, Çetin İnanç’s WILD BLOOD (aka the Turkish FIRST BLOOD!), and the ninjasploitation head-exploder DEATH WARRIOR.
These events, in addition to the World Premiere screening of Emir Mavitan’s NOMAD and a free outdoor projection of Ceyda Torun’s documentary sensation KEDI are presented with the support of the Republic of Turkey Ministry of Culture and Tourism.
Luchador films hold a special place in Fantasia-goers hearts. In the early editions of the festival, screenings of numerous luchador films were held in front of sold out crowds at the 900-seat Imperial Theater. This year marks a very special occasion, as the fest will be graced by one of lucha libre’s most famous heroes, the legendary Mil Máscaras. With Blue Demon and El Santo, this legendary masked wrestler was part of a trio of athletes who, in the 60’s and early 70’s, turned this unique brand of Mexican superhero film into a worldwide phenomenon.
Mil Máscaras will be awarded a Fantasia Lifetime Achievement Award for his extraordinary career as a Mexican film icon and one of the greatest professional wrestlers of all time. The award will be presented before the presentation of a double bill of two features starring Mil Máscaras: 1972’s LAS MOMIAS DE GUANAJUATO, arguably the most famous luchador film of all time (co-starring El Santo and Blue Demon), and AZTEC REVENGE, Aaron Crozier’s recently-produced American feature from writer Jeffrey Uhlmann, who will be in attendance.
A sensation on the 2017 festival circuit – first unveiled at Sundance, then swerving by SXSW, and recently closing the prestigious Director’s Fortnight (Quinzaine des Réalisateurs) section of the Cannes Film Festival – PATTI CAKE$ now stops at Fantasia for its Canadian Premiere! Starring the amazing newcomer Danielle Macdonald in the lead role of Patricia Dumbrowski, a.k.a. Killa P, a.k.a. Patti Cake$, this is a first feature film from acclaimed music video director Geremy Jasper. Reminiscent of films like LITTLE MISS SUNSHINE, 8 MILE, and 2016 Fantasia discovery SOME FREAKS, PATTI CAKE$ is a brilliant cult classic in the making; an empowering outsider story told with unparalleled heart and conviction. Canadian Premiere.
Following a mysterious car crash, a man with no memory of his past becomes inexplicably lethal to anyone in his path. His bizarre death force only appears to be neutralized when in the very close vicinity of Jane, a woman who suffers a similarly clouded memory. Together, they’ll try to recall their past and understand the tie that that seems to bind them. But they can’t ever be more than 50 feet apart or people will die. Directed by SANS DESSEIN filmmakers Caroline Labrèche and Steeve Léonard, RADIUS is the latest project seeing the light because of Frontières, Fantasia’s international co-production market. It’s our pleasure to present the World Premiere of this unique Quebec-made genre work. Directors in Attendance.
Beloved director Takashi Miike (AUDITION, ICHI THE KILLER) may have received a Lifetime Achievement Award at last year’s edition of Fantasia, but he won’t stop delivering over the top crowd pleasers! Reteaming with screenwriter Kankuro Kudo, who also directed last year’s Audience Award winner TOO YOUNG TO DIE!, Miike delivers a crazier and funnier sequel to THE MOLE SONG: SECRET AGENT REIJI loaded with unambiguous sex jokes, strange action scenes, crotch injuries and gorgeous set pieces. Actor Toma Ikuta (THE TOP SECRET: MURDER IN MIND) delivers an incredible physical performance in the role of the libidinous mole Reiji who is now tracked down by the police, the yakuza boss he work for, and a lethal Chinese gang. Miike is back in all his mischievous glory with the Canadian Premiere of THE MOLE SONG: HONG KONG CAPRICCIO!
During one of his many Asian adventures, Patrick (François Arnaud), a visual artist who specializes in Chinese art, encounters a mysterious man who makes him discover his latent gift for time travel. Stunningly directed and compellingly intimate, ORIGAMI is a UFO on the landscape of Quebec cinema that succeeds in applying sci-fi genre markers to a primarily human story. World Premiere. Directors in Attendance.
Fantasia will be presenting the World Premieres of Jenna Cavelle’s BLOOD HEIST – about DIY filmmakers who simultaneously commit a star-crossed armed robbery and shoot a vérité film of it – and Melanie Aitkenhead’s BLOOD RIDE – which depicts the violence and avenging of a ferocious female biker gang lead by Pollyanna McIntosh – as a special rip-roaring indie double bill. Both femme-made, revivalist – nay, revisionist – exploitation films were spearheaded by producer/co-star James Franco and producers Vince Jolivette (SPRING BREAKERS) and Jay Davis. Get ready for blood… and more blood! World Premieres.
After slaying Sundance at its debut and knocking out Cannes (where it had its European Premiere in Director’s Fortnight), BUSHWICK will be making its first Canadian stand at Fantasia 2017! The couldn’t-be-more-timely sophomore feature from directors Cary Murnion and Jonathan Milott (Fantasia 2015’s COOTIES) sees Bushwick, New York erupt into a war zone as Southern nationalist militia forces attack the city. Starring Dave Bautista and Brittany Snow, BUSHWICK almost never stops moving, as Murnion and Milott employ long, fluid takes (shot on real Brooklyn locations) that follow its characters from one hoped-for sanctuary to the next, punctuated by bursts of startling, caught-on-the-fly violence. Canadian Premiere.
To reward himself for his new teaching gig in Sapporo, 29-year-old Manabu decides to celebrate New Year’s Eve with a little treat at a local sex club. On the verge of… climaxing, he’s struck by a brain hemorrhage and ends up buck naked at the hospital surrounded by his worried family who want to know how this happened. Based on the autobiographical manga from Manabu Nakagawa, ALMOST COMING, ALMOST DYING is a funny and endearing independent film from first time filmmaker Toshimasa Kobayashi. With its witty dialogues delivering family interactions worthy of WHAT A WONDERFUL FAMILY! and its creepy bat-wielding giant teddy bear (?!?), Kobayashi perfectly transposes the blend of everyday life situations and weird creativity that made Nakagawa’s manga so popular. International Premiere.
As part of the closing night events, Fantasia will be showcasing the first public screening of Synapse Films’ long anticipated 4K restoration of Dario Argento’s SUSPIRIA, just in time for its 40th anniversary. A Grand Guignol fairy tale from the darkest recesses of creative brilliance, SUSPIRIA remains one of the most visually and sonically breathtaking genre works in the history of film, its complex aesthetics all but impossible to reproduce with accuracy on any non-Technicolor – let alone non-photochemical – medium to date. For the past three years, Synapse Films have been working on the definitive restoration of Argento’s masterpiece, with the full cooperation, supervision and approval of its celebrated cinematographer Luciano Tovoli, who spared no effort to accurately reproduce the film’s original IB Technicolor visuals. With all the love and obsession that this extraordinary film commands, SUSPIRIA has been restored from the fully uncut, original 35mm Italian camera negative and will be presented with the legendary 4.0 discrete sound mix not heard since its 1977 theatrical release.