Half Brother[/caption]
6 films, 5 of them début films, have been selected for Films in Progress 31, the professional platform that supports the production of Latin American feature-length films, organized by the San Sebastian and Cinelatino, Rencontres de Toulouse festivals. Films in Progress fosters the meeting, dialogue and interaction among Latin American and European film professionals, promoting the diversity and talent of independent film makers. The Toulouse edition will be held on March 23 and 24, 2017.
JASMINES IN LÍDICE (JAZMINES EN LÍDICE)
RUBÉN SIERRA SALLES (VENEZUELA – MEXICO)
Meche has not got over the absence of his son Raúl; His room remains intact, his clothes are still in the closet. Challenged by an imminent danger, her daughters Dayana and Anabel try to convince her to leave Lídice, the neighborhood where she has lived her entire life. With Dayana’s birthday for excuse, the family gathers, even Raúl’s wife comes over. The meeting becomes painful, bursting with complaints and open wounds, before the feeble gaze of whom who feels responsible for the misery of those who stayed behind. Debut feature.
MARILYN
MARTÍN RODRÍGUEZ REDONDO (ARGENTINA – CHILE)
Marcos, a seventeen years farm worker, discovers his sexuality in a hostile environment. Nicknamed Marilyn by other teenagers in town, he becomes the target both of human desire and discrimination. Marcos feels himself pushed into a corner more and more. Debut feature.
HALF BROTHER (MEIO IRMÃO)
ELIANE COSTER (BRAZIL)
Sandra (16) is looking for her mother who’s been missing for days. As time goes by, difficulties pile up and she has to seek her half brother Jorge, with whom she has little contact. Jorge lives and works with his father, they install surveillance systems. At the point Sandra finds him, he’s being threatened not to leak a video he made on his phone of a homophobic attack on a male friend to whom he’s secretly attracted to. Debut feature.
THE DESERT BRIDE (LA NOVIA DEL DESIERTO)
CECILIA ATÁN, VALERIA PIVATO (ARGENTINA – CHILE)
Teresa (54) has worked for decades as a live-in maid in Buenos Aires. When the family sells the house, she is forced to take a job in a distant town. Although feeling uncomfortable, she embarks on a journey through the desert. During her first stop, in the land of the miraculous “Saint Correa”, she loses her bag with all her belongings. This incident leads her to cross paths with a traveling salesman, the only one who can help her. What seemed like the end of her world will prove her salvation. Debut feature.
LOS PERROS
MARCELA SAID (CHILE – FRANCE – ARGENTINA – PORTUGAL – GERMANY)
Mariana (42), is a slightly off-the-wall woman, who stands out from the Chilean upper class to which she belongs. Her father, Francisco, has raised her with love and kindness, but also with a strong grip. Pedro, her husband, is a workaholic architect who doesn’t seem to make her happy. She finds solace in the company of Juan (60), a riding teacher and a former colonel with a shady past.
HUNTING SEASON (TEMPORADA DE CAZA)
NATALIA GARAGIOLA (ARGENTINA – FRANCE – USA)
Nahuel has almost finished high school in Buenos Aires when his mother suddenly dies. He is legally obliged to spend the last three months before turning 18 with his father Ernesto, a respected hunter who lives in a small village near the mountains. They haven’t seen each other for more than a decade. As the journey begins and wilderness becomes his new environment, Nahuel is confronted with his ability to love and kill. Debut feature.Terry P.
VIMOOZ is for lovers of independent films + foreign film + documentary + film festivals. We love championing the little films.
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6 Latin American Films Selected for San Sebastian Film Festival’s Films in Progress 31
[caption id="attachment_21349" align="aligncenter" width="1200"]
Half Brother[/caption]
6 films, 5 of them début films, have been selected for Films in Progress 31, the professional platform that supports the production of Latin American feature-length films, organized by the San Sebastian and Cinelatino, Rencontres de Toulouse festivals. Films in Progress fosters the meeting, dialogue and interaction among Latin American and European film professionals, promoting the diversity and talent of independent film makers. The Toulouse edition will be held on March 23 and 24, 2017.
JASMINES IN LÍDICE (JAZMINES EN LÍDICE)
RUBÉN SIERRA SALLES (VENEZUELA – MEXICO)
Meche has not got over the absence of his son Raúl; His room remains intact, his clothes are still in the closet. Challenged by an imminent danger, her daughters Dayana and Anabel try to convince her to leave Lídice, the neighborhood where she has lived her entire life. With Dayana’s birthday for excuse, the family gathers, even Raúl’s wife comes over. The meeting becomes painful, bursting with complaints and open wounds, before the feeble gaze of whom who feels responsible for the misery of those who stayed behind. Debut feature.
MARILYN
MARTÍN RODRÍGUEZ REDONDO (ARGENTINA – CHILE)
Marcos, a seventeen years farm worker, discovers his sexuality in a hostile environment. Nicknamed Marilyn by other teenagers in town, he becomes the target both of human desire and discrimination. Marcos feels himself pushed into a corner more and more. Debut feature.
HALF BROTHER (MEIO IRMÃO)
ELIANE COSTER (BRAZIL)
Sandra (16) is looking for her mother who’s been missing for days. As time goes by, difficulties pile up and she has to seek her half brother Jorge, with whom she has little contact. Jorge lives and works with his father, they install surveillance systems. At the point Sandra finds him, he’s being threatened not to leak a video he made on his phone of a homophobic attack on a male friend to whom he’s secretly attracted to. Debut feature.
THE DESERT BRIDE (LA NOVIA DEL DESIERTO)
CECILIA ATÁN, VALERIA PIVATO (ARGENTINA – CHILE)
Teresa (54) has worked for decades as a live-in maid in Buenos Aires. When the family sells the house, she is forced to take a job in a distant town. Although feeling uncomfortable, she embarks on a journey through the desert. During her first stop, in the land of the miraculous “Saint Correa”, she loses her bag with all her belongings. This incident leads her to cross paths with a traveling salesman, the only one who can help her. What seemed like the end of her world will prove her salvation. Debut feature.
LOS PERROS
MARCELA SAID (CHILE – FRANCE – ARGENTINA – PORTUGAL – GERMANY)
Mariana (42), is a slightly off-the-wall woman, who stands out from the Chilean upper class to which she belongs. Her father, Francisco, has raised her with love and kindness, but also with a strong grip. Pedro, her husband, is a workaholic architect who doesn’t seem to make her happy. She finds solace in the company of Juan (60), a riding teacher and a former colonel with a shady past.
HUNTING SEASON (TEMPORADA DE CAZA)
NATALIA GARAGIOLA (ARGENTINA – FRANCE – USA)
Nahuel has almost finished high school in Buenos Aires when his mother suddenly dies. He is legally obliged to spend the last three months before turning 18 with his father Ernesto, a respected hunter who lives in a small village near the mountains. They haven’t seen each other for more than a decade. As the journey begins and wilderness becomes his new environment, Nahuel is confronted with his ability to love and kill. Debut feature.
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Pat Healy’s TAKE ME, Starring Taylor Schilling to World Premiere at Tribeca Film Festival, and in Theaters on May 5th
[caption id="attachment_21342" align="aligncenter" width="1200"]
Pat Healy as Ray Moody and Taylor Schilling as Anna St. Blair in TAKE ME. Photographer: Nathan M. Miller.[/caption]
Pat Healy’s feature debut Take Me, starring Taylor Schilling opposite Healy will world premiere at the upcoming 2017 Tribeca Film Festival, followed by a theatrical and digital release via The Orchard on May 5th.
In Take Me, Ray is in the boutique simulated abduction business. An understandably threadbare market, he jumps at the chance when a mysterious call contracts him for a weekend kidnapping with a handsome payday at the end. But the job isn’t all that it seems. A black comedy that threads the needle between crime thriller and slapstick farce, Take Me is as twisty as it is funny.
The filmmaking team of Take Me recently set up a website promoting the faux-company “Kidnap Solutions LLC” which claims to be a fully immersive exposure therapy that has been known to cure alcoholism, drug addiction, overeating, nicotine addiction, sex/love addiction and bad habits.
Actor, writer and director, Pat Healy began his career on stage at Chicago’s famed Steppenwolf Theatre Company, and went on to appear in over forty feature films and dozens of television series. As a writer, he has authored a dozen feature film screenplays including Snow Ponies, currently in pre-production starring Gerard Butler and directed by Darrin Prescott. He also wrote several episodes of HBO’s critically acclaimed drama series In Treatment. His first short film Mullitt, which he wrote, directed and starred in, premiered at the 2001 Sundance Film Festival.
Pat Healy commented “I was too lazy and/or afraid to direct a feature film for years until I read Mike Makowsky’s inspired script. I knew I had to do it. Thankfully Jay, Mark & Taylor agreed and gave me the chance to make this crazy thing. It’s the weird/funny movie I hope audiences would expect I’d unleash on the world.”
The script for Take Me was penned by Mike Makowsky, with the Duplass Brothers serving as executive producers, and while Mel Eslyn along with Sev Ohanian serving as producers of the film
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Watch Trailer for BURNING SANDS from Sundance 2017, Set to Premiere on Netflix on March 10
[caption id="attachment_19877" align="aligncenter" width="1200"]
Malik Bazille, Trevor Jackson, Tosin Cole, Octavius Johnson and DeRon Horton appear in Burning Sands by Gerard McMurray, an official selection of the U.S. Dramatic Competition at the 2017 Sundance Film Festival. © 2016 Sundance Institute | photo by Isiah Donté Lee.[/caption]
Netflix has released the trailer for Burning Sands, a powerful, coming-of-age drama that explores the bonds of fraternity and exposes how far some are willing to go in the name of brotherhood.
The film was selected for the 2017 Sundance Film Festival US Dramatic Competition and will be available to Netflix members worldwide on Friday, March 10.
Burning Sands stars Trevor Jackson (ABC’s American Crime) in a breakout performance, along with Alfre Woodard, Steve Harris, Trevante Rhodes, Tosin Cole, DeRon Horton, Imani Hakim and Serayah. It is directed and co-written by Gerard McMurray (producer, Fruitvale Station).
The film was produced by Stephanie Allain (Beyond the Lights), Jason Michael Berman (Birth of a Nation), Reginald Hudlin (Django Unchained) and Mel Jones (Dear White People). Common also contributed an original song, “The Cross”.
Burning Sands takes you on a raw, voyeuristic journey of fraternity pledging through the eyes of one favored pledgee, who is torn between honoring a code of silence or standing up against the intensifying violence of underground hazing. Led by a breakthrough performance by Trevor Jackson, director Gerard McMurray’s feature directorial debut brings an emotional honesty to the classic tale of “rites of passage” and the complicated bonds of brotherhood.
https://www.youtube.com/watch?v=7t-ZivjczEs
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GET ME ROGER STONE, Documentary on Controversial Republican Political Consultant to World Premiere at Tribeca Film Festival
[caption id="attachment_21299" align="aligncenter" width="1200"]
Roger Stone in GET ME ROGER STONE. Photo credit: Barbara Nitke/Netflix.[/caption]
Get Me Roger Stone, a documentary on the controversial Republican political consultant, lobbyist, and strategist, will have its world premiere at the 2017 Tribeca Film Festival.
The whole world was riveted by the rise of Donald Trump, but there is only one man who has been with the mogul since the beginning, plotting his improbable ascent. Ever since political consultant Roger Stone became the youngest person called before the Watergate grand jury, his career as a master in the dark arts of politics has intersected many momentous low points in modern political history.
Stone, the subject of the documentary, has had an unconventional political career from engineering political scandals to upending the establishment. His relationship to Trump began in the 1980s, when Stone began planting the seed for the businessman to enter politics, culminating in 2016 with one of the biggest election upsets in U.S. history. A chronicle of the infamous Roger Stone, Get Me Roger Stone gives an up-close look into his rise and the transformation of American Politics.
Get Me Roger Stone, a Netflix original documentary, is directed by Morgan Pehme, Daniel DiMauro, and Dylan Bank and executive produced by Blair Foster, Lisa Nishimura, Jason Spingarn-Koff and Adam Del Deo. The film will launch globally on Netflix in spring 2017.
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World Premiere of LOVE OFF THE CUFF, Part 3 of Pang Ho-cheung’s Romantic Comedy, to Open Hong Kong International Film Festival
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Love Off the Cuff[/caption]
The 41st Hong Kong International Film Festival (HKIFF41), will kick off on April 11, 2017, at the Hong Kong Cultural Centre Grand Theatre, with the World Premiere of Love Off the Cuff, directed by Hong Kong director Pang Ho-cheung.
Love Off the Cuff is a long-awaited reunion between Jimmy and Cherie in Pang Ho-cheung’s third installment of the romantic comedy since Love in a Puff (2010) and Love in the Buff (2012). Miriam Yeung and Shawn Yue reprise their popular roles as a star-crossed couple who strive to stay together happily ever after, only to find their already precarious relationship further strained by external circumstances. While the first and second films took place in Hong Kong and Beijing respectively, this time the action moves to Taiwan.
“Many people are very interested in the relationship between Cherie and Jimmy. In fact, their love story has not only spanned seven years, but also spanned different regions – Hong Kong, Beijing, and now Taiwan. I always think that a good relationship can cross borders and stand the test of time.” said director Pang Ho-cheung.
[gallery type="rectangular" ids="21261,21260,21264,21263,21262"]
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Film on Controversial Anti-Vaccine Filmmaker, Andrew Wakefield, to Open Manhattan Film Festival
The Pathological Optimist by director Miranda Bailey, will open the 11th Manhattan Film Festival on April 20, 2017. The documentary is a character study that features never-before-seen, full access footage, of the man at the center of one of the biggest medical and media controversies of our time – Andrew Wakefield – whose film Vaxxed: From Cover-Up to Catastrophe, screened at last year’s Manhattan Film Festival and sparked fierce debate.
“As a filmmaker, I was drawn to exploring a controversial subject so I’m grateful that the Manhattan Film Festival embraces provocative films, and I look forward to premiering The Pathological Optimist,” says Director Miranda Bailey.
The screening will also include a filmmaker Q & A with participants in the film to create an open discussion about the subject matter.
“MFF strongly feels part of the role for an independent film festival is to spark debate and give filmmakers a platform,” said Festival Director Philip Nelson. “We are thrilled and honored to open the festival with The Pathological Optimist, and look forward to the dialog to follow.”
Bailey made her directorial debut with the documentary Greenlit – a humorous documentary examining the hypocrisy inherent in Hollywood’s “green” movement – premiered at the 2010 SXSW Film Festival to critical acclaim and was acquired by IFC International. Additionally, she established herself as a prolific producer championing independent films as CEO of Cold Iron Pictures. In the last year, her film Swiss Army Man and Don’t Think Twice were released to box office success and critical acclaim. Her most recent film, Norman, will be released by Sony Classics April 14.
The 11th annual Manhattan Film Festival will take place April 19 to 30, 2017.
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WHITNEY. “CAN I BE ME,” Documentary to World Premiere at Tribeca Film Festival
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Whitney Houston in WHITNEY ‘CAN I BE ME.’ Photo by David Corio.[/caption]
WHITNEY. “CAN I BE ME,” a film exploring the incredible career and complicated life of the memorable singer, will World Premiere at the Tribeca Film Festival in New York City on April 26, and then air on SHOWTIME later this year. The powerful documentary is directed by acclaimed BAFTA Award winner Nick Broomfield (Kurt & Courtney, Tales of the Grim Sleeper).
Hers was the golden voice with the unmatchable range. Six-time Grammy(R) winner Whitney Houston was one of the most successful female recording artists of all time. After a troubled marriage to singer Bobby Brown and many years of struggles with addiction, Houston died suddenly and tragically at age 48. With behind the scenes materials, candid interviews and performance footage – including many of Houston’s greatest hits – WHITNEY. “CAN I BE ME” will offer a raw and uncensored look at Houston, exploring the impact her life and death had on the people around her and the world of music.
According to her band members, “Can I be me?” was Houston’s favorite expression, one she used so much that they sampled it to play at the start of rehearsals. The film explores Whitney’s central dilemma: even though she had made millions of dollars, had more consecutive number ones than The Beatles and was recognized as having one of the greatest voices of all time, she still couldn’t do what she wanted to do, either professionally or in her personal life.
WHITNEY. “CAN I BE ME” joins an esteemed list of projects under the Showtime Documentary Films banner that focus on the lives and legacies of culture-defining figures, including ERIC CLAPTON: A LIFE IN 12 BARS, which will screen at festivals and theaters this year before airing nationally on SHOWTIME this fall, and an upcoming documentary film on John Belushi‘s life and career.
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TRUMAN, I AM NOT YOUR NEGRO, MY LIFE AS A ZUCCHINI Win Top Prizes at Portland International Film Festival

Truman directed by Cesc Gay Truman, I Am Not Your Negro, My Life as a Zucchini, and Incendio were awarded the top prizes at the 40th Portland International Film Festival.
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Hip Hop Indie Film PATTI CAKE$ is Centerpiece of San Francisco International Film Festival Lineup
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Patti Cake$[/caption]
The 60th San Francisco International Film Festival‘s Centerpiece film will be Patti Cake$ (USA 2016), first-time feature director Geremy Jasper’s dynamic and inspiring film which tells the story of Patricia “Patti Cake$” Dombrowski, a big girl with a big mouth and big dreams of hip-hop superstardom. Patti Cake$ was a Spring 2014 SF Film Society / KRF Filmmaking Grant winner.
The celebratory Centerpiece screening will take place on Wednesday, April 12, 7:30 pm at the historic Castro Theatre.
In addition to Patti Cake$, three documentary features, one narrative feature, one narrative short and three documentary shorts-all of which received funding or creative support through various SF Film Society artist development programs-will be included in this year’s Festival lineup.
San Francisco native Peter Bratt’s feature documentary Dolores and Oakland-based filmmaker Peter Nicks’ feature documentary The Force both received Documentary Film Fund Awards. Directing and screenwriting team Alex and Andrew Smith’s Walking Out was a SF Film Society / KRF Filmmaking Grant winner, and Andrew Smith is a current FilmHouse Resident. Joe Talbot, director of the narrative short American Paradise, is a current FilmHouse Resident and the feature film expansion of his short recently won a SF Film Society / KRF Filmmaking Grant. Mohammad Gorjestani, director of the documentary shorts Happy Birthday Mario Woods and The Boombox Collection: Zion I, and Mario Furloni and Kate McLean, co-directors of the documentary short Gut Hack, were all FilmHouse Residents during the development of their films. McLean’s FilmHouse residency also included the development of Festival documentary feature Bill Nye: Science Guy, on which she is a producer.
SAN FRANCISCO FILM SOCIETY-SUPPORTED FILMS IN THE FESTIVAL PROGRAM
Centerpiece: Patti Cake$ (Geremy Jasper, USA)
The unqualified breakout hit of this year’s Sundance Festival, Geremy Jasper’s debut feature erupts with head-nodding beats from the opening scene and features the dynamic and stirring performance of Danielle Macdonald as the title character, a young woman who uses her lyrics to escape, daring to dream of something better outside of her New Jersey working class life. She gathers an emotionally damaged multi-racial motley crew around her to create funny and invigorating musical sequences.
Spring 2014 SF Film Society / KRF Filmmaking Grant winner for packaging
Bill Nye: Science Guy (David Alvarado, Jason Sussberg, USA)
The effortlessly charming, bow-tie sporting scientist Bill Nye is beloved by all generations who grew up watching his show Bill Nye the Science Guy, but vilified by climate change deniers and religious fundamentalists. Skilled documentarians (and fans!) David Alvarado and Jason Sussberg travel along with Nye as he works tirelessly to make the world a better place through science advocacy and education and reflects on his life and career as one of America’s most famous science minds.
Kate McLean, a producer on the film, was a SF Film Society FilmHouse Resident during its development.
Dolores (Peter Bratt, USA)
Lifelong community organizer Dolores Huerta founded the United Farm Workers with Cesar Chavez in 1962 and directed the decisive national boycott of Delano grapes. San Francisco native Peter Bratt’s vibrant historical documentary revisits those landmark accomplishments and Huerta’s tireless activism against poverty, pesticides, racism, and injustice. Huerta’s myriad battles and sacrifices as the lone woman on the UFW board and the mother of 11 children are integral to her story, and to the times.
2016 SF Film Society Documentary Film Fund winner for postproduction
The Force (Peter Nicks, USA)
For the powerful second chapter in his projected trilogy of films centered on the relationship between public institutions and community, Pete Nicks takes a powerful, immersive look at the Oakland Police Department. Filming from 2014-2016 with unprecedented access, Nicks captures a particularly turbulent time at the agency. Intended as a catalyst for conversation and change, Nick’s empathetic observational style avoids easy generalizations and upends expectations resulting in a rich, thought-provoking depiction of what policing looks like at a watershed moment.
2015 SF Film Society Documentary Film Fund winner for postproduction
Walking Out (Alex Smith, Andrew Smith, USA)
A moose hunting trip into Montana’s mountains, meant as a rite of passage and to bridge a growing divide between a divorced dad (Matt Bomer, A Normal Heart) and his young teenage son (Josh Wiggins, Hellion, Festival 2014), takes a dangerous turn under wintry conditions in Alex and Andrew Smith’s haunting adaptation of David Quammen’s short story, a thrilling, deceptively simple drama that packs an emotional wallop and features some of the year’s best performances.
Andrew Smith is a current SF Film Society FilmHouse Resident
Fall 2016 SF Film Society / KRF Filmmaking Grant winner for postproduction
SHORT FILMS
American Paradise (Joe Talbot, USA)
A desperate man plans a bank heist and comes up against the stark realities of white privilege in this extraordinary story inspired by true events.
Joe Talbot is a current SF Film Society FilmHouse Resident
Fall 2016 SF Film Society / KRF Filmmaking Grant for packaging of the feature film expansion of American Paradise
The Boombox Collection: Zion I (Mohammad Gorjestani, USA)
In this intimate portrait and performance piece, Oakland resident Stephen Gaines, frontman of underground hip-hop duo Zion 1, reflects on his legacy and the question of artistic integrity vs. mainstream success.
Mohammad Gorjestani was a SF Film Society FilmHouse Resident during the development of this film.
Gut Hack (Mario Furloni, Kate McLean, USA)
To treat his chronic gastro-intestinal problems, Josiah devises a bold biological experiment that involves the exchange of bodily excretions.
Mario Furloni and Kate McLean were SF Film Society FilmHouse Residents during the development of this film.
Happy Birthday Mario Woods (Mohammad Gorjestani, USA)
A bereaved mother in Oakland, CA, tends the grave of her son and remembers his life.
Mohammad Gorjestani was a SF Film Society FilmHouse Resident during the development of this film.
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THROW, CANYON SONG, VOYAGERS WITHOUT TRACE Among Winners of 2017 Flagstaff Mountain Film Festival
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Throw[/caption]
After screening nearly 100 films in six days, the Flagstaff Mountain Film Festival has announced the winners of the 15th Anniversary edition. Voyagers Without Trace directed by Ian McCluskey was awarded the prize for Best Feature, and Throw directed by Darren Durlach and David Larson won the People’s Choice award.
15th Flagstaff Mountain Film Festival Award Winners
People’s Choice: Throw Director(s): Darren Durlach, David Larson The first installment of Invisible Thread, an ongoing Early Light Media passion project series, Throw tells the story of an outsider from East Baltimore, an area challenged by gang violence and poverty. Often misunderstood, Coffin Nachtmahr found acceptance among a subculture of “throwers” and it turns out, he’s a virtuoso. He now helps others find a creative and social outlet by sharing the very toy that inspired him. The Invisible Thread series is fueled by our passion for telling people-driven stories and will be an ongoing project that explores human connectivity, life, death, and all the moments in between. We want it to be diverse, funny, serious, and informative. Director’s Choice: Canyon Song Director(s): Dana Romanoff and Amy Marquis Within the sacred walls of Canyon de Chelly National Monument, two young sisters, Tonisha and Tonielle Draper, learn about their Navajo culture and history. Above the rim, the girls compete in “royalty” pageants by singing songs in Navajo. But throughout the region, Navajo culture is fading. Beginning in the 1890s, native children were ripped out of their homes and forced into boarding schools in an effort to assimilate Indian tribes into the “American way of life.” Today, elders have less cultural knowledge to pass down to youth, and fewer than half of the country’s Navajo children entering school know their native language. This makes the Drapers’ story especially compelling. While their lives reflect many of the familiar aspects of a modern American family, they keep close ties to the land and work hard to teach their children the Navajo Way. This film illustrates the sacredness of a people and a place, the effort to define identities in both modern and traditional worlds, and the movement to honor Navajo culture for generations to come—all while reminding viewers of the critical role national parks play in preserving our country’s greatest stories, cultures, and landscapes. This is the second film in the National Park Experience film series. Tuckman Young Voice: To Scale: The Solar System Director(s): Wylie Overstreet, Alex Gorosh Every image of the solar system we ever encounter is not to scale: Nature’s real proportions will never fit within a textbook page or computer screen–they are simply too vast. The only way to see the real appearance of the solar system is to build a massive, physical scale model. [caption id="attachment_21186" align="aligncenter" width="1200"]
Voyagers Without Trace[/caption]
Best Feature: Voyagers Without Trace
Director(s): Ian McCluskey
With the help of a few friends, filmmakers Alex Gorosh and Wylie Overstreet did exactly that. Using the dry lakebed of Black Rock Desert in Nevada and an earth the size of the marble, they constructed the first complete model of the solar system, measuring over seven miles wide.
Do you know those stories where a kid finds a hidden treasure map in an attic or a lost letter in an old book? Growing up, I always dreamed someday I’d find a mysterious clue that set me on an adventure.
In the remote southwest corner of Wyoming, I came across a curious historic marker. On the sign was a faded photograph: two handsome men and a fetching blonde. They didn’t look like the rugged mountain men or explorers of the American West that I’d seen before on historic signs. Instead, they seemed like they could have been my friends. The sign hinted at an incredible voyage.
In the summer of 1938, newlyweds Genevieve and Bernard de Colmont and their friend, Antoine de Seynes, set off from France on the biggest adventure of their lives. They had a bold, perhaps even foolhardy plan: be the first to take kayaks down the mighty Green and Colorado rivers. They launched from Green River, Wyoming, and emerged 900 miles and two months later in Lee’s Ferry, Arizona, with their travels vividly documented on 16 millimeter color film—a year before Hollywood’s first color movie.
And Genevieve, just age 21, would become the first woman to paddle her own boat on these rivers. A vanguard of recreational adventurers, the French Trio’s journey offers a unique and previously unseen window into a transitional moment in America: the last chapter of the Wild West, and the first chapter of the Modern era.
What led an explorer, his new bride, and his best friend halfway around the world, on the eve of World War II? What ever happened to them? And what did these “Voyagers Without Trace” leave to be found? To go further on this search meant one unavoidable thing: I had to go down the river. There was just one problem: I didn’t know how to kayak! But that hadn’t stopped the French Trio; they weren’t professional kayakers, but just beginners. So I assembled my own trio, with acclaimed adventure athlete Paul Kuthe and his fiancée, Kate.
We set off down the dangerous whitewater to search for any remaining traces of this journey. What I found was more than I could have expected: the original color film documenting their 1938 trip, unseen photos, a diary… and even one of the original kayaks, held in a 16th century fortress in the peaks of the Pyrenees, with an unexpected connection to the French Resistance.
From my discoveries emerged a story more remarkable than I could have imagined, revealing the possibilities that free-spirited risk-taking offers to all.
Best Short: Dodo’s Delight
Director(s): Sean Villanueva-O’Driscoll, Josh Lowell, Nick Rosen, Peter Mortimer
Jump on board a madcap sailing adventure to the biggest rock walls in the Arctic Circle with a team of elite climbers as zany as they are talented. Sean Villanueva, Nico Favresse, Olivier Favresse and Ben Ditto have made cutting edge first ascents in remote mountain ranges around the world — climbing hard, making music and goofing off thousands of feet in the air. Now they embark on their greatest expedition yet, voyaging to the massive walls of Greenland and Baffin Island on the good ship Dodo’s Delight, skippered by the spry 79-year old Captain Bob Shepton. Amongst rough seas, falling rocks and freezing temperatures, this hilarious and badass gang of adventurers forge bold new routes and have the time of their lives.
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NEWTOWN, Documentary on Deadliest Mass Shooting of Schoolchildren in American History, to Air on PBS | Trailer
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Newtown[/caption]
Kim A. Snyder’s documentary Newtown that tells the story of the aftermath of the deadliest mass shooting of schoolchildren in American history will air on Independent Lens on PBS April 3.
On December 14, 2012, a disturbed young man committed a horrific mass shooting in Newtown, Connecticut, that took the lives of 20 elementary school children and six educators. Kim A. Snyder’s searing new documentary Newtown, filmed over the course of nearly three years, uses deeply personal, never-before-heard testimonies to relate the aftermath of the deadliest mass shooting of schoolchildren in American history. Through raw and heartbreaking interviews with parents, siblings, teachers, doctors and first responders, Newtown documents a traumatized community still reeling from the senseless tragedy, fractured by grief but driven toward a sense of purpose.
Newtown premieres on Independent Lens Monday, April 3, 2017, 10:00-11:30PM ET (check local listings) on PBS.
There are no words of compassion or reassurance that can bring back those who lost their lives during the shooting at Sandy Hook Elementary School. Instead, Snyder delves into the lives and homes of those who remain, all of whom have been indelibly changed by the events. They speak candidly about their grief, anger and disbelief over what occurred and their disappointment that nothing has truly changed with regard to the country’s legal response to gun violence. Newtown bears witness to their profound grief and allows it to reverberate within our collective conscience, exploring what happens to a community after it becomes the epicenter of a national discussion and what it must cope with after the cameras leave.
“Working with Kim on this film has been a deeply rewarding experience,” said Lois Vossen, Independent Lens executive producer. “The team was committed to making a film that was incisive without being exploitative. Newtown shows the impact of trauma on a community, the grief gun violence causes and how we begin to heal and move forward.”
About the Participants
in Alphabetical Order: Mark Barden, the father of Daniel, who at age seven was killed at Sandy Hook. Mark’s journey from isolation to reconnection with family, community and ultimately with his murdered son is intimate, raw and informed by strength. Dr. William Begg, ER doctor, Danbury Hospital. Sgt. Bill Cario, Connecticut State Trooper. Abbey Clements, Sandy Hook Elementary School teacher. Sarah Clements, daughter of surviving Sandy Hook Elementary School teacher. Nicole Hockley, mother of Dylan, one of the children murdered at Sandy Hook. Her son, Jake, a third grade survivor, is manifesting symptoms of PTSD. In the midst of all this, her unrelenting conviction to effect change connects her with fellow bereaved parent Mark Barden. Mary Ann Jacob, Sandy Hook Elementary School library clerk. Melissa Malin, Newtown resident and neighbor of the Barden family. Gene Rosen, Sandy Hook Elementary School neighbor. Rick Thorne, Sandy Hook Elementary School custodian. Laurie Veillette, volunteer EMT. David Wheeler, whose youngest son Ben was killed at Sandy Hook.Active in the Newtown community, he shares his story out of the desire to protect the rest of the world from going through what his family endured.About the Filmmakers
Kim A. Snyder (Director/Producer) Newtown, Kim Snyder’s most recent film, premiered in competition at the 2016 Sundance Film Festival and was hailed in Entertainment Weekly as among the “Best of Sundance.” The film will continue to screen at premiere festivals worldwide and is poised to have a theatrical release in September 2016, followed by a national broadcast on PBS’s Independent Lens. Snyder’s last feature documentary, Welcome to Shelbyville, was also nationally broadcast on Independent Lens. In 2007, Snyder co-founded the BeCause Foundation to direct and produce a series of socially conscious documentaries, which have won numerous awards with campaigns furthering the work of the social innovators they highlight. Her award-winning directorial debut feature documentary, I Remember Me, was theatrically distributed by Zeitgeist Films. In 1994, she associate produced the Academy Award-winning short film Trevor, directed by Peggy Rajski. Snyder graduated with a Masters in international affairs from the Johns Hopkins School of Advanced International Studies and resides in New York City. Maria Cuomo Cole (Producer) Maria Cuomo Cole is the award-winning producer of Newtown, which premiered at the 2016 Sundance Film Festival. In her career, she has tackled such subjects as gun violence, homelessness, veterans’ PTSD, domestic violence and sexual assault. Most recently, she executive produced The Hunting Ground, directed by Kirby Dick. This Emmy and Peabody Award-winning film has been lauded as a powerful investigation into the epidemic of sexual assaults on college campuses. In 2012, Cuomo Cole worked with the same film team, executive producing the 2014 Oscar®-nominated documentary The Invisible War. This groundbreaking documentary about the epidemic of rape and sexual violence in the U.S. military served as a catalyst for federal legislation and influenced federal policy reforms. Cuomo Cole’s 2011 documentary Living for 32, about gun laws in America, was short-listed for an Academy Award® and premiered at the 2011 Sundance Film Festival. In collaboration with national communities of gun violence survivors, faith leaders, political leaders and nonprofits, the film has served as a catalyst for awareness and advocacy on the subject of federal and state legislative reform across the country. Since 1992, she has led HELP USA, the national nonprofit leader in both homeless and permanent supportive service housing and employment programs for veterans, families and survivors of domestic violence. https://www.youtube.com/watch?v=6V0QuGuFf2k

Zuzana KrÛnerov· as Hana in ICE MOTHER.[/caption]
The Tribeca Film Festival today unveiled an exciting slate of films that will premiere at the 2017 festival. The Festival announced the feature films across the following programs: Competition, including U.S. Narrative, Documentary, and International Narrative categories; Spotlight, a selection of anticipated premieres from major talent; Viewpoints, which recognizes distinct voices in international and American independent filmmaking; and the popular Midnight Section, featuring the best in psychological thriller, horror, sci-fi, and cult cinema.
The 16th