17 films makes up the 51st Berlinale Forum program and the Forum Expanded film selection consists of four short film selections, one medium-length film and two feature-length films, with a total of 18 films to be shown in March at the 2021 Berlin International Film Festival. Eight installations will also be shown in June.
Directed by award-winning filmmaker Chris Smith the six-part HBO Sports Documentary series 100 Foot Wave premiering this spring, intimately captures the decade-long odyssey of surfing pioneer Garrett McNamara, who, after visiting Nazaré, Portugal in hopes of conquering a 100-foot wave, pushed the sport to ever-greater heights and alongside locals helped transform the small fishing village into the world’s preeminent big-wave surfing destination.
Cristina Costantini and Darren Foster, the filmmakers behind the successful Emmy Award-winning, Sundance and SXSW audience film “Science Fair,” team up with National Geographic Documentary Films on the feature documentary “Own the Room”, which will premiere exclusively on Disney+ on March 12.
Berlinale Shorts 2021 program of the Berlin International Film Festival will showcase 20 short films from 16 countries featuring different languages and ranging from fictional formats to experimental films, animations, hybrid and documentary forms
Lee Isaac Chung’s Minari leads the nominations for the 2020 Seattle Film Critics Society Awards, honoring the year’s best in film with 8 nominations including Best Picture, Best Director, Best Actor (Steven Yeun), Best Supporting Actress (Yuh-jung Youn), Best Ensemble Cast, Best Original Score, and Best Youth Performance (Alan Kim). The Korean-American film also scored a Best Film Not in the English Language nomination.
AARP The Magazine announced the nominees for the upcoming Movies for Grownups® Awards, with Minari, Nomadland, and One Night in Miami, among the films contending for the Best Picture/Best Movie for Grownups category.
Netflix’s “Mank,” leads the film nominations for the 26th annual Critics Choice Awards with an impressive 12 nominations including Best Picture. “Minari” (A24) followed closely behind with 10 nominations including Best Picture, Best Actor for Steven Yeun, Best Supporting Actress for Yuh-Jung Youn, Best Young Actor/Actress for Alan Kim, Best Acting Ensemble, Best Director for Lee Isaac Chung, Best Original Screenplay for Lee Isaac Chung, Best Cinematography for Lachlan Milne, Best Foreign Language Film, and Best Score for Emile Mosseri.
The Palm Springs International Film Awards announced that Viola Davis is the recipient of the Desert Palm Achievement Award, Actress for Ma Rainey’s Black Bottom.
Berlinale revealed the 15 films including seven world premieres and six debuts for the Generation program in the two competitions Kplus and 14plus.
Nomadland was a hit with the Toronto Film Critics Association, taking three top awards at the organization’s annual vote. Nomadland was awarded Best Picture, Best Director for Chloé Zhao, and Best Actress for Frances McDormand.
The Washington, D.C. Area Film Critics Association (WAFCA) announced their top honorees for 2020 with Nomadland taking five wins including Best Film, Best Director, Best Actress for Frances McDormand, Best Adapted Screenplay, and Best Cinematography.
For the Retrospective of the 2021 Berlin International Film Festival, the festival will showcase a program of 27 comedies featuring three different American actresses under the title “No Angels – Mae West, Rosalind Russell & Carole Lombard”. The films were chosen with a focus on the strict morality rules of the Motion Picture Production Code, which were increasingly enforced after 1934. Officially adopted in 1930 and dubbed the “Hays Code”, it was a voluntary system by which the Hollywood Studios agreed to uphold moral standards in filmmaking to avoid the censors’ knife. But the Hays Office soon became an even stricter arbiter than the actual censorship office of what could and couldn’t be shown on screen. The code prohibited explicit depictions of sex and promiscuity, as well as the use of profanity. Yet during that period, these three women succeeded in shaping their own film roles, finding their own style, and subtly subverting the Hays Code rules.