Kill Your Idols – Yeah Yeah Yeahs[/caption]
Scott Crary’s influential rock documentary, Kill Your Idols will be re-released with special event theatrical screenings and 2xDVD set by Submarine Deluxe. The roc doc will be available on VOD for the first time ever with a rollout across multiple platforms planned for October 2018.
A chronicle of New York City’s diverse art punk and no wave music scenes across three decades, the documentary includes original interviews and performances with bands and artists like Suicide, Lydia Lunch, the late Glenn Branca, Sonic Youth, Swans, and the Yeah Yeah Yeahs. The 2xDVD expanded edition will include over 90 minutes of bonus content, including 20 minutes of never-before-seen footage from the original production, commentaries and two brand new featurettes, produced exclusively for the reissue.
Produced by Crary and executive produced by Submarine’s own Dan Braun and Josh Braun, Kill Your Idols was distributed in 2006 by Palm Pictures and Showtime/Sundance Channel. The film won the award for Best Documentary at the 2004 Tribeca Film Festival and also screened at SXSW, the BFI London Times Film Festival, among others. The doc has been called “iconic” by Black Book, “still shocking” by Uncut and, in 2013, was included in the permanent archives of the Rock & Roll Hall of Fame.-
Influential Rock Doc KILL YOUR IDOLS to be Re-Released in October 2018
[caption id="attachment_30510" align="aligncenter" width="1066"]
Kill Your Idols – Yeah Yeah Yeahs[/caption]
Scott Crary’s influential rock documentary, Kill Your Idols will be re-released with special event theatrical screenings and 2xDVD set by Submarine Deluxe. The roc doc will be available on VOD for the first time ever with a rollout across multiple platforms planned for October 2018.
A chronicle of New York City’s diverse art punk and no wave music scenes across three decades, the documentary includes original interviews and performances with bands and artists like Suicide, Lydia Lunch, the late Glenn Branca, Sonic Youth, Swans, and the Yeah Yeah Yeahs. The 2xDVD expanded edition will include over 90 minutes of bonus content, including 20 minutes of never-before-seen footage from the original production, commentaries and two brand new featurettes, produced exclusively for the reissue.
Produced by Crary and executive produced by Submarine’s own Dan Braun and Josh Braun, Kill Your Idols was distributed in 2006 by Palm Pictures and Showtime/Sundance Channel. The film won the award for Best Documentary at the 2004 Tribeca Film Festival and also screened at SXSW, the BFI London Times Film Festival, among others. The doc has been called “iconic” by Black Book, “still shocking” by Uncut and, in 2013, was included in the permanent archives of the Rock & Roll Hall of Fame.
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SHOWTIME Sets Premiere Date for Concert Documentary JEFF LYNNE’S ELO: WEMBLEY OR BUST [Trailer]
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JEFF LYNNE’S ELO: WEMBLEY OR BUST[/caption]
The concert documentary, JEFF LYNNE’S ELO: WEMBLEY OR BUST, will make its U.S. television premiere on SHOWTIME on Friday, July 27 at 9 p.m. ET/PT on-air, on demand and over the internet. Celebrating Lynne’s enduring and ongoing musical legacy, director Paul Dugdale documents Lynne’s ELO performance in England’s famed Wembley Stadium in front of a sold-out crowd of 60,000 fans.
JEFF LYNNE’S ELO: WEMBLEY OR BUST gives viewers a behind-the-scenes look into the concert of recent Rock & Roll Hall of Fame inductee Lynne – one of the most successful recording artists, songwriters and producers of all-time. The film is complete with bells, whistles and spaceships, and most importantly, many of the most beloved songs of all time, from vintage ELO classics like “Mr. Blue Sky,” “Livin’ Thing” and “Evil Woman” to “Do Ya” from his days with The Move, “Handle With Care” which he recorded with the Traveling Wilburys, right through “When I Was A Boy” from his latest ELO album, Alone In The Universe. “I love it,” says Lynne. “This might be my favorite gig ever, so it’s a very good one to get to share.”
JEFF LYNNE’S ELO: WEMBLEY OR BUST is directed by Paul Dugdale and produced by Simon Fisher. Julie Jakobek and Craig Fruin serve as executive producers.
https://www.youtube.com/watch?v=iDL54-Euqg8
image via screengrab
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CALIBRE, THOSE WHO ARE FINE, WHITNEY and NEVADA Win Top Awards at 2018 Edinburgh International Film Festival
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CALIBRE[/caption]
After screening 121 new features, including 20 world premieres, from 48 countries across the globe, the Edinburgh International Film Festival (EIFF) announced the Award Winners for this year’s 72nd edition. Commenting on the incredibly high standard of entries at this year’s Festival and the outstanding quality of the submissions they were judging, the juries stressed that they had some tough decisions to make in choosing one winner in each category, giving Special Mentions to several films.
AWARDS WINNERS
THE MICHAEL POWELL AWARD FOR BEST BRITISH FEATURE FILM
The winner of the prestigious Michael Powell Award for Best British Feature Film, which honors imagination and creativity in British filmmaking, went to British filmmaker Matt Palmer’s debut feature, CALIBRE, which received its World Premiere at the Festival. The winner was chosen by the Michael Powell Jury comprised of Ana Ularu, Jason Connery and Iain de Caestecker. The Michael Powell Jury said: “Being part of the Edinburgh International Film Festival through the lens of serving on the Michael Powell Award jury has been an extraordinary experience. Art should not leave its reviewers unimpressed or passive, and we hope these awards named after a titan of the industry will have a far-reaching effect. A particular theme that featured in the films in competition this year was of children carrying the burden of adulthood. It has been fantastic to see a range of diverse films acknowledging the wealth of talent and craft in British filmmaking. We present the Michael Powell Award to CALIBRE, which unanimously made the biggest impact on us. Beautifully shot, technically accomplished, with a fantastic ensemble performance, director and screenwriter Matt Palmer pitches the tension and emotional journey flawlessly. We are fully invested in the characters and their dilemmas as the choices they make lead to a shattering conclusion.” Director Matt Palmer said: “We’re so honoured for CALIBRE to win this prestigious award, particularly considering the incredible list of previous winners. We’ve been completely thrilled by the amazing response from Edinburgh International Film Festival audiences and had a fantastic experience at the Festival, which has been the perfect lead up to CALIBRE’S global release on Netflix today.”THE AWARD FOR BEST PERFORMANCE IN A BRITISH FEATURE FILM
The award for Best Performance in a British Feature Film went jointly to actresses Liv Hill and Sinead Matthews for their roles in JELLYFISH and was also selected by the Michael Powell jurors. The jury said: “In the category of Best Performance in a British Feature Film, the Michael Powell jury recognises an actress who carries their character in every bone of their body and on whose shoulders rests the ultimate success of the film. Liv Hill’s performance in JELLYFISH encompasses a wide range of superbly delivered emotion, from acute comedy to the depths of despair. As her story unfolds, we see a 15-year old girl dealing with so much that we are completely invested, and the intensity, intelligence and nuance of her portrayal made us shed a tear. The award also goes to Sinead Matthews who creates a visceral character of abysmal highs and lows with assured powerful and elegant touches. In less capable hands, the character could have been detrimental to the movie but her thoughtful and complex portrayal of a woman in the grip of mental health issues was extraordinary.” Liv Hill said: “”I am absolutely thrilled to receive this award and even more delighted to be sharing it with the extraordinary Sinead Matthews. JELLYFISH was a very special experience for me and I still feel so lucky to have worked with James Gardner on his first feature – and mine! Thank you to the jury and Edinburgh International Film Festival for supporting the film.” Sinead Matthews said: “I am so completely thrilled and honoured to be given a prestigious award like this and to share it with Liv Hill makes it all the more special.”THE AWARD FOR BEST INTERNATIONAL FEATURE FILM
The award for Best International Feature Film went to Cyril Shäublin’s THOSE WHO ARE FINE, which received its UK Premiere at this year’s Festival. The winner was chosen by the International Jury comprised of Gráinne Humphreys, Simin Motamed-Arya and Yung Kha. The International Jury said: “The international jury were united in their decision to award best film to THOSE WHO ARE FINE. We agreed that the film was a playful and engaging commentary on contemporary society; elements and ideas were unified with a minimalist elegance by the director and cinematographer. A fresh and vital new talent.” Cyril Shäublin said: “Edinburgh welcomed us and our film warmly, both the people and the sun were beaming. It was great how people from the audience started talking to us about our film, after the screenings outside the cinema, questioning the movie and sharing with us their own ways of looking at things. That’s the best we can ask for. To get this award on top of that all is just wonderful. Thank you so much EIFF for all the support, from the heart!” The International Jury also gave a Special Mention to Likarion Wainaina’s SUPA MODO for its “excellent portrait of community and family.”THE AWARD FOR BEST DOCUMENTARY FEATURE FILM
The award for Best Documentary Feature Film went to Kevin Macdonald’s much-anticipated WHITNEY. This year’s jury was comprised of Gaston J-M Kaboré, Nada Cirjanic and Kate Muir. The Documentary Jury said: “An assured film which delivers on every count, from narrative momentum to superb journalism and flawless editing, exposing a story which has timely and timeless resonance.” Director Kevin Macdonald said: “It’s great to win Best Documentary at Edinburgh particularly as I started my life in documentaries at the Festival 20 years ago working as a documentary programmer. It means a lot to me.” A Special Mention went to ISLAND OF THE HUNGRY GHOSTS with the jury saying: “Our special jury mention goes to ISLAND OF THE HUNGRY GHOSTS, directed by Gabrielle Brady. We wanted to recognise this new voice and Brady’s fresh, radical, visually stunning take on the refugee crisis.”THE AWARD FOR BEST SHORT FILM
The award for Best Short Feature Film went to Emily Ann Hoffman’s NEVADA. Special Mentions were also given to SOULS OF TOTALITY and COSMIC KALEIDOSCOPE. The Short Film Jury said: “This stop-motion animation was commended for its originality and in particular for its depiction of intimacy. It tackled an interesting and important subject in a unique and charming way.” Emily Ann Hoffman said: “Thank you so much to the film festival and the jury for this honour. I truly wish I could be there to celebrate with you all in person. NEVADA is about intimacy and vulnerability, but more importantly, it is about a woman exercising her right to govern her own body. I’m so happy to have this message be received and celebrated internationally. Cheers to all the other filmmakers and thank you again!”THE EIFF WORKS IN PROGRESS WINNER
The winner of this year’s EIFF Works in Progress and recipient of the £2,500 prize is RIDING THE WAVE by Martyn Robertson. Martyn Robertson said “Pitching amongst so many other strong fiction and non-fiction projects was daunting but a very worthwhile experience. The chance to meet sales agents and distributors along with potential financiers was great too. This award means I can continue following Ben & Marti’s story in the immediate future. This award solves the problem of continuing filming a time sensitive documentary while we piece together completion financing. It’s also welcome recognition for a project that I’ve been working on for nearly two years now and gives me added confidence in my story and quest to complete this film. Thanks to everyone in the Industry & Talent Development team at EIFF for the opportunity to participate and for selecting my project to receive this year’s award!” The aforementioned Award winners were announced today ahead of Sunday’s Closing Night Gala, which concludes the 12-day Festival with the UK Premiere of SWIMMING WITH MEN. The winner of the Festival’s Audience Award will be announced at the Closing Night Gala.
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WIDE TIDE: THE LEGEND OF CULEBRA to Open 20th Sidewalk Film Festival
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Wide Tide: The Legend of Culebra[/caption]
Wide Tide: The Legend of Culebra, directed by Theo Love, will open the 20th Annual Sidewalk Film Festival, on Friday, August 24 at the beautiful Alabama Theatre. White Tide tells the larger-than-life story of a desperate Florida familyman who goes on a wild treasure hunt for $2 million worth of cocaine. The fast-paced, stylish, fun and poignant rollercoaster ride of a documentary is the perfect kickoff to Birmingham’s best weekend of the year. Director Theo Love is a Sidewalk Film Festival alum and Producer Bryan Storkel, a regular attendee since 2007, has screened 6 films at Sidewalk.
The festival revealed the first feature film selections – Support the Girls directed by Andrew Bujalski, If I Leave Here Tomorrow: A Film About Lynyrd Skynard directed by Stephen Kijak and Damsel directed by David Zellner and Nathan Zellner.
Support the Girls
Director: Andrew Bujalski
Narrative / Run Time: 90 Minutes / USA
Starring: Regina Hall, Haley Lu Richardson, Dylan Gelula, James Le Gros
The general manager at a highway-side ”sports bar with curves” has her incurable optimism and faith, in her girls, her customers, and herself, tested over the course of a long, strange day.
If I Leave Here Tomorrow:A Film About Lynyrd Skynard
Director: Stephen Kijak
Documentary / Run Time: 95 Minutes / USA
The authorized documentary explores the music and backstory of the legendary American band.
Damsel
Directors: David Zellner, Nathan Zellner
Narrative / Run Time: 113 Minutes / USA
Starring: Robert Pattinson, Mia Wasikowska and David Zellner
It’s the Wild West, circa 1870. Samuel Alabaster, an affluent pioneer, ventures across the American frontier to marry the love of his life, Penelope. As his group traverses the west, the once-simple journey grows treacherous, blurring the lines between hero, villain and damsel.
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Rasmus Kloster Bro’s Claustrophobic Thriller CUTTERHEAD to World Premiere at Neuchâtel Fantastic Film Festival [Trailer]
Rasmus Kloster Bro’s ‘Cutterhead’ will be making its world premiere in the International Feature Film Competition at the 18th Neuchâtel Fantastic Film Festival, the Swiss festival dedicated to fantasy and related genres.
The story in Rasmus Kloster Bro’s feature debut follows Rie, a PR-coordinator visiting a tunnel boring machine to portray the well-oiled European cooperation in the Copenhagen Metro construction. When an accident occurs, she is unable to escape and takes refuge in an airlock with Croatian miner Ivo and Bharan, a worker from Eritrea. They put their lives and bodies in each other’s hands to survive the heat, pressure and mud in the claustrophobic cutterhead.
‘Cutterhead’ is written by the director in collaboration with Mikkel Bak Sørensen, producer is Amalie Lyngbo Quist for Beo Starling, and the cast includes Christine Sønderris, Samson Semere and Krešimir Mikic.
Director Rasmus Kloster Bro graduated from the alternative Danish film school Super16. His work includes radio fiction, music videos, video installation and short films, of which ‘Kiss My Brother’ (2010) and ‘Barvalo’ (2012) have won a number of awards.
https://vimeo.com/277629882
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Watch Official Trailer + Poster for JULIET, NAKED Starring Rose Byrne, Ethan Hawke, Chris O’Dowd
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Rose Byrne and Ethan Hawke in JULIET NAKED[/caption]
Roadside Attractions today released the official trailer and poster for Juliet, Naked directed by Jesse Peretz and starring Rose Byrne, Ethan Hawke, Chris O’Dowd. Juliet, Naked will open in theaters on August 17, 2018.
Annie (Rose Byrne) is stuck in a long-term relationship with Duncan (Chris O’Dowd) – an obsessive fan of obscure rocker Tucker Crowe (Ethan Hawke). When the acoustic demo of Tucker’s hit record from 25 years ago surfaces, its release leads to a life-changing encounter with the elusive rocker himself. Based on the novel by Nick Hornby, Juliet, Naked is a comic account of life’s second chances.
https://www.youtube.com/watch?v=oMjSNkAaABs
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Madeline got the Part! MADELINE’S MADELINE Trailer Is Here Redefining The Trailer Formula
Oscilloscope Laboratories today released the trailer for Madeline’s Madeline from writer/director Josephine Decker, and starring newcomer newcomer Helena Howard. Madeline’s Madeline will open in theaters in New York on August 10th and Los Angeles on August 17th.
Madeline got the part! She’s going to play the lead in a theater piece! Except the lead wears sweatpants like Madeline’s. And has a cat like Madeline’s. And is holding a steaming hot iron next to her mother’s face – like Madeline is.
Madeline (newcomer Helena Howard) has become an integral part of a prestigious physical theater troupe. When the workshop’s ambitious director (Molly Parker) pushes the teenager to weave her rich interior world and troubled history with her mother (Miranda July) into their collective art, the lines between performance and reality begin to blur. The resulting battle between imagination and appropriation spirals out of the rehearsal space and rips through all three women’s lives.
Writer/director Josephine Decker has long been an independent filmmaker to admire, utilizing a welcome expressionistic approach that imbues her subjects with a vibrant sense of urgency. Anchored by a commanding performance from newcomer Helena Howard, Decker’s exploration of the thin lines between illness and artistry displays a rare sensitivity for capturing the struggles of discovering a sense of one’s self that defies easy narrative categorization.
https://www.youtube.com/watch?v=S_ezPTjSSPw
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Arrested Development’s Alia Shawkat to Attend Melbourne International Film Festival
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Alia Shawkat[/caption]
Actress Alia Shawkat, best known for playing droll teenage con-artist Maeby Fünke in cult TV comedy series Arrested Development, is set to delight Australian fans as a guest of this year’s Melbourne International Film Festival.
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Benjamin Dickey and Alia Shawkat star in BLAZE[/caption]
In town for the screening of Ethan Hawke-directed biopic Blaze (which tells the story of country and western songwriter Blaze Foley and stars Shawkat as Foley’s love interest), the accomplished former child star will participate in a special In Conversation event at the Comedy Theatre – discussing her life and career and sharing some of the inspiration behind her multi-disciplinary creative course, which has seen her develop as a talented jazz singer, pianist, painter and illustrator.
Since wrapping the first iteration of Arrested Development in 2006 and appearing in its more recent Netflix reprisal, the highly sought-after actor has continued to make her mark in film and television: most recently returning to the role of Dory in the cult hit Search Party as well as executive producing, co-writing and starring in the independent psychodrama Duck Butter. Other notable film roles include Green Room, 20th Century Women, Nasty Baby (MIFF 2015) and Whip It, while television appearances include Transparent, Drunk History, Portlandia and Broad City.
Moderated by author and broadcaster Lorin Clarke, Alia Shawkat in Conversation will be Shawkat’s only Australian appearance – a not-to-be-missed event for fans of the actress and popular culture alike.
https://www.youtube.com/watch?v=sXvwFdTTwhI
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Documentary A WHALE OF A TALE on Controversy Surrounding Whaling Sets Release Date
In 2010, Taiji, a sleepy fishing town in Japan, suddenly found itself in the worldwide media spotlight. The Cove, a documentary denouncing the town’s longstanding whale and dolphin hunting traditions, won an Academy Award and almost overnight, Taiji became the go-to destination and battleground for activists from around the world.
Can a proud 400-year-old whaling tradition survive a tsunami of modern animal-rights activism and colliding forces of globalism vs. localism?
A Whale of a Time reveals the complex story behind the ongoing debate. Told through a wide range of characters including local fishermen, international activists and anAmerican journalist (and long time Japanese resident), this powerful documentary unearths a deep divide in eastern and western thought about nature and wildlife and cultural sensitivity in the face of global activism.
A Whale of a Time will open theatrically in New York on Friday, August 17 (The Quad) and Los Angeles on Friday, August 24 (Laemmle Music Hall) with a nationwide release to follow.
In 2008, Filmmaker Megumi Sasaki directed and produced her first feature-length documentary Herb & Dorothy, about legendary New York art collectors Herb and Dorothy Vogel. The film went on to win top honors at many international film festivals and was released theatrically nationwide and as a part of PBS’s Independent Lens series. In 2013, Megumi completed the highly anticipated follow-up Herb & Dorothy 50X50, focusing on the next (and final) chapter in the lives of the beloved couple. The film had a nationwide theatrical release and continues to screen in theaters, museums and art fairs around the globe.
A Whale of a Time is her third feature length and had its world premiere at the Busan International Film Festival in South Korea and has won awards in many other festivals worldwide. In August 2017, Sasaki published her first book with the same title of the film in Japanese, OKUJIRASAMA depicting behind the scenes of the film’s production and the in-depth historical and religious background information of the whaling controversy that won the Science Journalist Award in 2018.
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Documentary HITLER’S HOLLYWOOD on German Film Industry Under Third Reich Gets DVD Release [Trailer]
Hitler’s Hollywood is a new documentary directed by Rüdiger Suchsland and narrated by Udo Kier, that traces the rise and fall of Nazi Germany through its national cinema of 1933-1945, illustrated with clips from the many big spectacles, colorful fantasies and lavish costume films that Nazi Minister of Propaganda Joseph Goebbels conceived of to rival Hollywood.
An Official Selection of the Telluride Film Festival, this critically-acclaimed film opened at New York’s Film Forum earlier this year before moving on to engagements in national markets including Los Angeles, Chicago and Atlanta.
Kino Lorber will release Hitler’s Hollywood on DVD on July 10.
Hitler’s Hollywood, narrated by Udo Kier, asks what the Nazi cinema of the Third Reich reveals about its period and its people. About 1000 feature films were made in Germany in the years between 1933-1945: musicals, melodramas, romances, costume dramas and war films. Only a few were overtly Nazi propaganda films. But by the same token, even fewer of them can be considered harmless entertainment.
How did the open lies and hidden truths in these films affect the future of German cinema? Director Rüdiger Suchsland (From Caligari to Hitler) presents these films and the people behind them. It explains how propaganda works: how stereotypes of the “enemy” and values of love and hate managed to be planted into viewers’ heads through the screen.
https://www.youtube.com/watch?v=XVeFBjVcglU
Hitler’s Hollywood is Suchsland’s follow-up to his 2014 film From Caligari to Hitler, a documentary adaptation of Siegfried Kracauer’s ground-breaking 1947 psychological study of silent German cinema that argues the rise of Nazism was anticipated in many of the films from that period.
Kino Lorber also recently released Forbidden Films: The Hidden Legacy of Nazi Film on DVD. This documentary by Felix Moeller examines those films made in Nazi Germany that were conceived and presented explicitly as propaganda, and explores questions of whether they should be shown for the purposes of study, or locked away for their dangerous (and powerful) ideological messages.
Together, these three documentaries present a comprehensive view of the cinema in Germany just before and during the Third Reich, posing challenging questions about cinema as an indicator of larger historical currents, the power of film as propaganda, and how even seemingly harmless entertainment films can be used to convey dangerous ideology.
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Bradford Baruh’s ‘Wild and Blood-Soaked’ DEAD NIGHT Drops Official Trailer + Poster
Bradford Baruh’s directorial debut, Dead Night with genre icon Barbara Crampton as lead actress and producer, today released the official trailer and poster. Dark Sky Films will release Dead Night starring Brea Grant, AJ Bowen, Sophie Dalah, Elise Luthman, Joshua Hoffman, and Daniel Roebuck in theaters and digital/VOD on July 27, 2018.
James and his wife Casey load up their two teenage kids and head out to a remote cabin in Oregon for a weekend trip. When James heads into the snowy forest in search of firewood, he encounters an enigmatic woman passed out in the snow. Bringing her back to the cabin for help, the family has no way of knowing that the woman’s presence is the catalyst for a series of events that will change their lives forever.
Mixing original storytelling with timeless supernatural elements, Bradford Baruh’s directorial debut features a stellar cast of genre favorites including AJ Bowen and Barbara Crampton and delivers a wild and blood-soaked weekend away.
https://www.youtube.com/watch?v=tyKyboTBsU4
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Baby Mamas, The Tale, Rafiki Among Durban International Film Festival 2018 Program Lineup
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Baby Mamas[/caption]
This year’s 2018 Durban International Film Festival will offer a focused fare of 180 features films, documentaries, and shorts, along with an insightful industry program that includes Isisphethu for emerging and micro-budget filmmakers, the 11th Talents Durban, in partnership with Berlinale Talents, for pre-selected, semi-established filmmakers as well as the co-production and finance forum the 9th Durban FilmMart, the festival’s partner program with the Durban Film Office.
Opening the festival is the first feature film from South African director Jerome Pikwane, the horror flick The Tokoloshe. The LGTBI love-story Rafiki, directed by Kenyan Wanuri Kahiu, will close the festival.
Manager of DIFF Chipo Zhou, explains the choice of these two diverse films that have women as their focus. “We wanted to book-end DIFF with films that tell stories about women, their strength and their resilience. We also want to showcase the fact that there are many ways to tell these stories from a cinematic point of view,” said Zhou.
“We are in a time of diversity, where women, racial minorities and LGBTI communities who have traditionally been underrepresented in film are having their voices brought to the fore,” says Zhou. “Referencing this global narrative, the films in this year’s festival will reflect these new voices as much as possible.”
Among the features in competition this year are South African films Farewell Ella Bella directed by Lwazi Mvusi, which follows a young woman on a journey to bury her father; High Fantasy directed by Jenna Bass, in which a group of young South Africans have to navigate a personal-political labyrinth when they wake up to discover they have swapped bodies; Sara Blecher’s Mayfair, a gangster film about a father and son; and The Recce by Ferdinand van Zyl, which explores the pain and suffering families endured during and after South Africa’s 20-year border war.
International features in competition include The Tale (USA) directed by Jennifer Fox, which chronicles one woman’s powerful investigation into her own childhood memories as she is forced to re-examine her first sexual experience; Clint (India) by Hari Kumar, which tells the story of prodigious artist child who died before his seventh birthday, leaving behind 25000 pictures; and the closing film Rafiki (Kenya), directed by Wanuri Kahiu, which is set in Nairobi and tells the touching tale of two very different girls who fall in love.
Competition titles in the documentary section include the South African film Silas, a global tale directed by Anjali Nayar and Hawa Essuman which warns of the power of politics and celebrates the capacity of individuals to fight back, and Whispering Truth to Power, directed by human rights lawyer Shameela Seedat, which tracks Thuli Madonsela, South Africa’s first female Public Protector, as she builds her second case against President Jacob Zuma.
International documentaries in competition include New Moon (Kenya), directed by Phillippa Ndisi-Herrmann, who explores her journey to Sufi Islam; Amal (Lebanon, Egypt, France, Germany, Norway, Denmark), directed by Mohamed Siam, which follows a teenager as she comes to terms with her identity and sexuality in a post-revolutionary police state; Shakedown (USA) directed by Leilah Weinraub, which chronicles explicit performances in an underground queer club in Los Angeles; and The State Against Nelson Mandela and the Others (France) by Nicolas Champeaux and Gilles Porte, which offers archival recordings that include Mandela’s co-accused at the Rivonia Treason Trial hearings, and which transports the audience back into the courtroom battles.
Other South African films on the billing include Durban filmmaker Michael Cross’ award-winning The Fun’s Not Over, about the life of musician James Philips, and Eubulus Timothy’s warm, coming-of-age surf love story Deepend. Sisters of the Wilderness is Karin Slater’s inspiring film which is set in the iMfolozi Wilderness and follows five young Zulu women on a journey of self-discovery. Then there is Oscar-nominated director Darrel Roodt’s horror Siembamba, Stephina Zwane’s comedy Baby Mamas, which revolves around the daily lives and loves of four women and their own real-life baby mama drama, Leli Maki’s comedy Table Manners, in which a wife and mother finds solace and hope in cooking, learning that all she needs is life’s three courses – family, food and love.
Prior to each screening, public service announcements will be shown. These are themed around an industry campaign #thatsnotok created by SWIFT (Sisters Working in Film and Television), the SA-based non-profit that works to protect and advance the cause of women in the industry.
In 2018 DIFF continues its endeavours to grow cinema audiences and this year free community-based screenings will take place at Solomon Mahlangu Hall (New Germany/Clermont), KwaMashu Fan Park, Umlazi W Section Library and The Workshop Amphitheatre. Other screenings take place at Community ZA (formerly Artspace Gallery in Umgeni) and KZNSA Gallery, Musgrave Ster Kinekor, Suncoast Cine Centre and Elizabeth Sneddon Theatre, as well as Ushaka Marine World, where the popular free ocean-focused film festival Wavescapeswill take place in the public area.
“With about 400 film-makers in attendance, the public can look forward to a feast of film and some fascinating insights into the world of cinema,” concludes Zhou.
The DIFF is organised by the University of KwaZulu-Natal’s Centre for Creative Arts in partnership with the eThekwini Municipality, KwaZulu-Natal Film Commission, National Film and Video Foundation, Durban Film Office and other valuable partners.
DIFF opens at The Playhouse on July 19 and runs until July 29. The closing film will be screened on July 28, after the competition awards.
