The documentary Love Means Zero, which tells the story of celebrated yet controversial tennis coach Nick Bollettieri and explores the cost of his all-consuming drive for greatness, will make its television premiere on SHOWTIME on Saturday, June 23 at 9 p.m. ET/PT. Love Means Zero features interviews with his former students and tennis prodigies, including Jim Courier, Kathleen Horvath, Carling Bassett and Boris Becker. The documentary made its world premiere to critical acclaim at the 2017 Toronto International Film Festival.
Now 86, Bollettieri is a living legend. At his academy in Florida, he raised a generation of champions: Courier, Monica Seles, Andre Agassi and many more. No other coach has matched his success, his dominance or his fame. His greatness, though, came at a price. Eight marriages, financial upheaval and a dramatic break with his surrogate son and cherished student, Andre Agassi. Love Means Zero tells the intimate and complex story of how Bollettieri became arguably the most famous tennis coach of all time.
https://www.youtube.com/watch?v=Vz5xyeSFODE-
Documentary LOVE MEANS ZERO on Controversial Tennis Coach Nick Bollettieri to Premiere on Showtime [Trailer]
The documentary Love Means Zero, which tells the story of celebrated yet controversial tennis coach Nick Bollettieri and explores the cost of his all-consuming drive for greatness, will make its television premiere on SHOWTIME on Saturday, June 23 at 9 p.m. ET/PT. Love Means Zero features interviews with his former students and tennis prodigies, including Jim Courier, Kathleen Horvath, Carling Bassett and Boris Becker. The documentary made its world premiere to critical acclaim at the 2017 Toronto International Film Festival.
Now 86, Bollettieri is a living legend. At his academy in Florida, he raised a generation of champions: Courier, Monica Seles, Andre Agassi and many more. No other coach has matched his success, his dominance or his fame. His greatness, though, came at a price. Eight marriages, financial upheaval and a dramatic break with his surrogate son and cherished student, Andre Agassi. Love Means Zero tells the intimate and complex story of how Bollettieri became arguably the most famous tennis coach of all time.
https://www.youtube.com/watch?v=Vz5xyeSFODE
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13 Indie Feature Film Projects Selected to Attend Sundance Institute Directors and Screenwriters Labs 2018

Thirteen new independent feature projects from the U.S., Cuba, Kenya, Mexico, Morocco, and Palestine have been selected for the 2018 Sundance Institute Directors and Screenwriters Labs.
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Watch New Trailer for Lea Thompson’s THE YEAR OF SPECTACULAR MEN Starring Zoey Deutch and Madelyn Deutch
MarVista Entertainment has released the new trailer for The Year of Spectacular Men directed by Lea Thompson. The film starring Madelyn Deutch, Zoey Deutch, Lea Thompson, Avan Jogia, Melissa Bolona, Jesse Bradford, Brandon T. Jackson, Cameron Monaghan, Zach Roerig, and Nicholas Braun, opens in theaters on June 15th.
Izzy Klein has (barely) graduated from college, broken up (sorta) with her boyfriend, and is stranded in New York City with a bad case of pre-real-world millennial-itis. Unsure of what the next step is, her movie star little sister Sabrina convinces her to move back home to Los Angeles and into her shared apartment with movie star boyfriend Sebastian, where they can keep an eye on rudderless Izzy. Emotionally unable to deal with the loss of her father, and slightly distracted by her mother Deb’s newfound love affair with loopy yogi Amythyst, Izzy funnels her energy into dating a colorful bouquet of five complicated and spectacular men: Aaron, Ross, Logan, Mikey, and Charlie, over the course of the next year. Coping just barely with the help of her trusty notebook, she falls in and out of some not so romantic romances, and figures out that when it totally feels like the end of your story, it’s often just the beginning.
https://www.youtube.com/watch?v=_SWHlI8JSbU
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Watch Official Trailer for Indie Comedy BERNARD AND HUEY
The official trailer dropped for the indie comedy Bernard and Huey, directed by Dan Mirvish, co-founder of the Slamdance Film Festival. Freestyle will release Bernard and Huey in select theaters starting June 8th.
Bernard and Huey is the story of roguish Huey (David Koechner) and nebbishy Bernard (Jim Rash), who are unlikely friends in late 1980s New York. Years later, a bedraggled Huey crashes at Bernard’s upscale bachelor pad. As the two reconnect, Bernard starts a relationship with Huey’s estranged daughter Zelda (Mae Whitman), an aspiring graphic novelist. Huey slowly gets his mojo back and tries to seduce various women in Bernard’s life, while reconnecting with his family. As the two friends return to their old ways, at least one of them finds himself in danger of marrying a woman old enough to be his wife. Bernard and Huey is directed by American filmmaker Dan Mirvish, co-founder of the Slamdance Film Festival, and director of the films Omaha (The Movie), Stamp and Deliver, Open House, and Between Us previously. The screenplay is written by Oscar/Pulitzer-winner Jules Feiffer.
https://www.youtube.com/watch?v=t1AIDBQR1lg
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20 Feature Films Selected For 2018 IFP Filmmaker Labs
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Lost Bayou by Brian C Miller Richard[/caption]
The Independent Filmmaker Project (IFP) has selected 20 feature films for the IFP Filmmaker Labs, IFP’s year-long fellowship for first-time filmmakers currently in post-production on their debut feature. Combining documentary and narrative features together for the first time, the program begins today, running May 21-25 at the Made in NY Media Center by IFP located in DUMBO, Brooklyn.
The Filmmaker Labs continues its dedication to supporting underrepresented voices, with over 60% of this year’s attending Lab Fellows, and over 70% of the directors specifically, being diverse in regards to gender, ethnicity, sexual oreientation, and disability. Furthermore, this year’s Labs projects represent a range of creative visions from all over the world, with films shot around the United States, as well as Brazil, Costa Rica, Ghana, Lebanon, Mexico, Russia, South Korea, and the United Kingdom.
“In today’s independent film landscape, with modes of distribution and exhibition in seemingly constant flux, the Filmmaker Labs remain firm in their commitment to supporting the next generation of boundary-pushing filmmakers,” says Joana Vicente, IFP’s Executive Director. “By removing the boundaries between non-fiction and fiction storytelling labs, these ambitious, wildly diverse and highly international Lab projects will receive more opportunities than ever to have their voices heard.”
2018 IFP DOCUMENTARY LAB FELLOWS
512 Hours :For 512 hours, hundreds of thousands of visitors from around the world flocked to experience the latest exhibition by acclaimed performance artist, Marina Abramović. Her idea was simple: remove the distractions from everyday life and experience something new. What that experience would be, Abramović had no idea. It was an experiment, she recognized, that could succeed or fail. Adina Istrate (Director, Producer), Giannina La Salvia (Director, Producer), Irina Albita (Co-Producer) Bloodthicker :Bloodthicker is the story of Young Juve, T.Y. and Lil’ Soulja Slim, three young rappers and friends whose fathers were three of the most influential Southern rappers. Their journeys to success are fraught with the appeals of excess and the trappings of street culture, immutably influenced by their fathers’ distinct legacies. Zac Manuel (Writer, Director, DP, Editor), Chris Haney (Writer, Producer), Justin Fontenot (Executive Producer). Border South: Under intense U.S. pressure to stem immigration from Central America, Mexico cracks down on the old trails north, forcing migrants into more dangerous territory. Told against the backdrop of the North American migrant trail, Border South weaves together migrant stories from different vantage points. Raúl O. Paz Pastrana (Director, Producer, DP), Ellen Knechel (Editor, Co-Producer). The Burning Field: The Burning Field is a uniquely intimate portrait of life in an environmental wasteland, as seen through the eyes of four Ghanian children who spend their days burning computers and other electronic appliances in the largest unregulated e-waste dump on earth. Justin Weinrich (Writer, Director, Producer, DP, Editor). Charm Circle: Catalyzed by her sister’s upcoming polyamorous wedding, filmmaker Nira Burstein delves into the most significant partnership she’s been witness to—that of her parents, which is in a constant state of chaos. A meditation on love, family, dreams and sacrifice, Charm Circle explores what makes marriage a tie that binds. Nira Burstein (Writer, Director, DP), Jameka Autry (Producer). Chèche Lavi (Looking for Life): A month before the presidential election of 2016, thousands of Haitian refugees appear at the US-Mexico border in Tijuana. Among them are Robens and James, two friends whose American dream unravels in the eye of a complex geopolitical storm. With no way forward and no way back, what comes next for these travelers? Sam Ellison (Director, DP), Abraham Ávila (Producer), Rachel Cantave (Producer). Flood: A filmmaker tries to fix her problems with her evangelical father in a screenplay with a happy ending. When her plan backfires, she quits writing lines, starts to listen, and becomes a character in her own movie. Katy Scoggin (Writer, Director, Producer, DP) The In Between: At the intersection of northern Mexico and Southwest Texas exists a symbiotic community spanning two countries. Through a collection of interweaving vignettes, The In Between explores the border and is a poetic ode to the greater reality of it, offering a nuanced and intimate portrait of a place and its people at the heart of Mexican-American identity. Robie Flores (Director, Producer, DP, Editor), Alejandro Flores (Producer, DP). A Machine to Live In: This sci-fi documentary paints a complex portrait of life and myth in the space-age city of Brasilia, a sixties-era architectural mega-project, and the flourishing landscape of cults, religious movements, and transcendental spaces that have emerged around it. The film is assembled from found documents and texts from key figures who were called to chronicle this monumental social experiment. Yoni Goldstein (Writer, Director), Meredith Zielke (Director, Editor), Sebastian Alvarez (Producer). Socks on Fire — Uncle John and the Copper Headed Water Rattlers :A failed poet takes up cinematic arms when he returns home to Hokes Bluff, Alabama to discover that his aunt has locked his drag-queen uncle out of the family home. Through a series of stylized reenactments and an editorial investigation into family VHS footage, Socks on Fire documents the fluidity of identity, personality, and performance in one particular place, among one particular family. Bo McGuire (Writer, Director), Tatiana Bears (Producer), Max Allman (Editor).2018 IFP NARRATIVE LAB FELLOWS
1982: An 11-year-old boy is determined to tell a girl in his class that he loves her but has trouble finding the courage to do so until the unexpected occurs; an air invasion reaches Beirut and the school is being evacuated. He gets even more determined. Oualid Mouaness (Director, Writer). Aquí y Ahora: Lara’s world takes an unexpected turn when she decides to leave her home country of Costa Rica for the first time to join a dance company in Berlin. Paz León (Director, Writer). Clementine: A heartbroken woman steals away to her estranged lover’s lake house and becomes entangled with a teenage girl. Lara Jean Gallagher (Director, Writer), Aimee Lynn Barneburg (Producer), Alexander Morris (Editor). House of Hummingbird: Seoul, 1994 — In the year the Seongsu bridge collapsed, a teenage girl named Eunhee wanders the city searching for love. Bora Kim (Director, Writer, Producer), Zoe Sua Cho (Producer, Editor). Lost Bayou: After news of her mother’s death, a struggling addict ventures out into the Louisiana swampland to reconnect with her estranged “traiteur” (Cajun faith healer) father, only to discover he is hiding a troubling secret aboard his houseboat. Brian C Miller Richard (Director, Editor), Kenneth Reynolds (Producer), Hunter Burke (Producer, Writer). Nhomlaau: A young South Sudanese woman is staggering away from a past event that contradicts the way she was brought up. Tormented with guilt and condemnation, she tries to discover who she really is and seek liberty. Asantewaa Prempeh (Director, Writer), Natalie Eakin (Producer), Emily Iason (Producer). Noah Land: Omer struggles to fulfill his father’s dying wish to be buried under the “Noah Tree” – a tree his father swears he planted but the surrounding village believes that the tree was planted centuries ago by Noah the prophet. Cenk Ertürk (Director, Writer), Alp Ertürk (Producer). Sanzaru: As dementia engulfs her employer, a fragile home health aide begins to question her own sanity. Xia Magnus (Director, Writer), Alyssa Polk (Producer), Joshua Raymond Lee (Editor). Saul at Night: With an odd worldwide curfew in place, one man’s life of solitude is interrupted when he meets another woman who suffers from the same bizarre affliction that he does. Cory Santilli (Director), Kentucker Audley (Co-producer), Bart Breve (Editor). Siberia and Him: Two men fall into forbidden love in a rundown town of Siberia, Russia. Viatcheslav Kopturevskiy (Director, Writer), Anya Elnikova (Producer), Wayland Bell (Cinematographer).2018 Filmmaker Lab Leaders
Jennifer MacArthur, Producer (Whose Streets?) and Media Strategist (Borderline Media) Heidi Reinberg, Producer (93QUEEN) Shrihari Sathe, Producer (It Felt Like Love; A Woman, A Part) Pierce Varous, Producer (Always Shine, H.); Founder, Nice Dissolve Under the leadership of IFP Deputy Director & Head of Programming, Amy Dotson, Senior Director of Programming, Milton Tabbot, and Senior Program Manager & Producer, Zach Mandinach, the Labs will support the creative teams as they prepare to finish and release their films into the world. Now in its fourteenth year, the IFP Filmmaker Labs support first-time feature filmmakers when they need it most: through the completion, marketing, and distribution of their debut narrative and documentary features. Each year, IFP selects ten narrative feature films and documentary feature films currently in post-production for the Labs. Through their participation, Filmmaker Labs Fellows receive support from IFP Staff and mentorship from leading industry members and filmmakers. Selected Fellows take part in three modules of the Lab: the Time Warner Foundation Completion Lab in May, IFP Week in September, and a Marketing & Distribution Lab in November. Over the course of these first five days of the Lab program, known as the Time Warner Foundation Completion Lab, Lab Fellows will receive knowledge, resources and mentorship in regards to editing, music composing & supervison, sound design, post-production budget, as well as developing marketing materials and festival stratagies, sales & distribution plans, and building a sense of career sustainability as independent artists. Alumni of the IFP Labs recently came off a successful year, on the festival ciricuit and in theatrical release. Recent projects of note include Elan and Jonathan Bogarín’s 306 Hollywood, Christina Choe’s Nancy, Paula Eiselt’s 93QUEEN, Nijla Mu’min’s Jinn, RaMell Ross’ Hale County This Morning, This Evening, Sandi Tan’s Shirkers, Cathy Yan’s Dead Pigs, and more. Past Lab Fellows launching new work this past year include Dee Rees, Chloé Zhao, Alexandre Moors, Matt Ruskin, Nanfu Wang, Laura Checkoway, Penny Lane, and PJ Raval, as well as many others that continue to expand their careers in audio storytelling, new media, and television, with past Lab Fellows writing or directing for shows such as Atlanta, The Girlfriend Experience, Girls, Queen of the South, and Queen Sugar. image credit
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First Ever Lumbee Film Festival to Spotlight Films by American Indians
The first ever Lumbee Film Festival showcasing bold, original new films made by American Indians, especially members of the Lumbee Tribe living in North Carolina and across the United States takes place on Saturday, June 23, 2018 at the UNC Pembroke Entrepreneurship Incubator.
The Festival features a panel discussion with community organizers, filmmakers and tribe members discussing cultural extraction, cultural appropriation, and other issues faced by indigenous communities and their work within the cultural sector. The Festival also presents the “Lumbee Filmmaking Challenge” as the grand finale screening, in which every submitted film under three minutes — no jury, no rules — will be shown. The Lumbee Filmmaking Challenge encourages creativity and storytelling in many forms, from many voices – young and old, far and near – anyone with a cell phone can make a short video and send it in.
American Indian filmmakers can submit narrative, documentary or experimental films of any length or genre to the festival by June 7, 2018. Submissions can be made through the Cucalorus website . There is no entry fee – so submit a film for free!
“It is wonderful to have an opportunity for the community to come for free to see films made for and by American Indians, amplifying our voices, our challenges and our accomplishments. I think I am most excited about ‘What Lumbee Means To Me’ as we express our pride in our people, culture, place and traditions,” said Festival Director Kim Pevia.
Pevia is joined on the staff by graphic designer Chad Locklear and a programming committee including artist Ashley Minner and filmmaker Malinda Maynor Lowery.
The Lumbee Film Festival is a partnership between the Lumbee Tribe of NC, Cucalorus, and the NC Arts Council. It takes place at the UNCP Entrepreneurship Incubator at 202 Main Street- downtown Pembroke, NC on Saturday, June 23, 2018.
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PRISON LOGIC, MINDING THE GAP, WEED THE PEOPLE Among Winners of 2018 Nashville Film Festival
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Prison Logic[/caption]
The 49th Annual Nashville Film Festival concluded its 10-day festival on Friday with the highly-anticipated announcement of the 2018 Award Winners. The top feature film awards went to Prison Logic directed by Romany Malco, winning the Narrative Competition Grand Jury Prize, and Minding the Gap directed by Bing Liu taking the Documentary Competition Grand Jury Prize.
Feature Film Awards
Narrative Competition Grand Jury Prize – Romany Malco, Prison Logic Documentary Competition Grand Jury Prize – Bing Liu, Minding the Gap Belmont University New Directors Competition Grand Jury Prize – Jim Cummings, Thunder Road Animation Compeition Grand Jury Prize – Benjamin Renner & Patrick Imbert, The Big Bad FOX and Other Tales Music Films/Music City Grand Jury Prize – Scott Balcerek, Satan & AdamShort Film Awards
Live Action Short – Grand Jury Prize – Cyril Aris, The President’s Visit US Narrative Short – Julio O. Ramos, Debris International Narrative Short – Nicolas Boucart, Icarus Animated Short – Grand Jury Prize – Trevor Jiminez, Weekends Documentary Short – Grand Jury Prize – Gordon Quinn, ’63 Boycott Experimental Short – Grand Jury Prize – Douwe Dijkstra, Green Screen Gringo Student Short – Grand Jury Prize – Maria Eriksson-Hecht, Schoolyard Blues Young Filmmakers Short – Alex Alford & Zak Denley, The Hitchhiker’s Guide to SuburbiaEpisodic Awards
Short Form – The Passage Long Form – Tammy’s Tiny Tea Time – The Full SeriesVR | 360
Grand Jury Prize – I Am a Man, created by Derek Ham Honorable Mention – MicroGiants, created by Yifu ZhouGraveyard Shift Awards
Graveyard Shift Grand Jury Prize for Feature Film – Mickey Reece, Mickey Reece’s Alien Graveyard Shift Grand Jury Prize for Short Film – Bo MaGuire, Socks on Fire: Uncle John and the COPPER Headed Water Rattlers Graveyard Shift, Best Actress – Cate Jones, Mickey Reece’s Alien Graveyard Shift, Best Actor (tie) – C.J. Jones, Door in the Woods Graveyard Shift, Best Actor (tie) – Jacob Ryan Snovel, Mickey Reece’s Alien Special Jury Prize for Imagination Philosophical and Scientific Rigor and Visual Inventiveness, Graveyard Shift – The LaPlace’s DemonTennessee Awards
Tennessee First Grand Jury Prize Feature – Brett Hanover, Rukus Tennessee First Grand Jury Prize Narrative Short – Hillary Bell, Hunter Tennessee First Grand Jury Prize Documentary Short – Karen Bullis, Kathy Lee Heuston, Clarksville, 1937 Tennessee First Grand Jury Prize Student Short – Jason Luckett, PilotsSong
Best Original Song – “Talk to Me,” from Blindspotting. Written by Anthony HamiltonAudience Awards
Narrative Competition – Prison Logic Documentary Competition – Weed the People New Directors Competition – Mountain Rest Music Films/Music City Competition – If I Leave Here Tomorrow: A Film About Lynyrd Skynyrd (tie) Music Films/Music City Competition – Stay Human (tie) Special Presentations – Sammy Davis Jr.: I’ve Gotta Be Me Spectrum – Into the Okavango Graveyard Shift – The Odds Tennessee First – Other Versions of YouNon-Cash Awards
Honorable Mention, Narrative Competition – Robert Machoian, Rodrigo Ojeda-Beck, When She Runs Best Actor, Narrative Competition – Romany Malco, Prison Logic Best Actress, Narrative Competition – Elise Van’t Laar in Craving Best Screenplay – Vivien Qu, Angels Wear White Best Music – Carl Thiel, Prison Logic Special Jury Prize for Breakout Performances by a Young Actress – Meijun Zhou & Vicky Chen in Angels Wear White Honorable Mention, Documentary Competition – Laura Nix, Inventing Tomorrow Special Jury Prize for Openly and Honestly Expressing Love at a Critical Time – Ron Yassen, Crossroads Honorable Mention, New Directors Competition (tie) – Bierta Zeqiri, The Marriage Honorable Mention, New Directors Competition (tie) – Takashi Doscher, Still Honorable Mention, Music Films/Music City Competition – Stephen Kijack, If I Leave Here Tomorrow: A Film About Lynyrd Skynyrd Honorable Mention, Graveyard Shift Competition – Christopher Kirkley, Zerzura Honorable Mention, Best International Short – Estefania Cortés, Miss Wamba Honorable Mention, Best U.S. Short – Carey Williams, Emergency Honorable Mention, Best Animated Short – Florian Brauch, Kim Tailhades, Matthieu Pujol, Romain Thirion, Yohan Thireau, Hybrids Special Jury Prize, Actor in a Narrative Short – Tom Doran, Time Traveller Special Jury Prize, Actress in a Narrative Short – Shaquita Lopez, Audition Special Jury Prize for Unique and Important Storytelling – Fabien Gorgeart, The Devil is in the Details Honorable Mention, Documentary Short – Shelby Hadden, Tightly Wound Honorable Mention, Documentary Short – Maris Curran, While I Yet Live Honorable Mention, Experimental Short – Eve Duhame, Julian Vallée, Strangers Honorable Mention, Best Graveyard Shift Short – John Boisen, Björn Fävremark, Paralys Honorable Mention Colleg Student Short – Alireza Ghasemi, Lunch Time Honorable Mention, Best Tennessee Narrative Short – Chad Cunningham, The Order Special Jury Prize for Best Tennessee Animated Short – John McAmis, QWERTY Special Jury Prize for Cinematography – Luca Caruso-Moro, Every Grain of Rice Special Jury Prize for Music Films/Music City – Bathtubs Over BroadwaySponsored Awards
VER Prize for Cinematography – Ashley Connor, Mountain Rest Lipscomb University Prize of the Ecumenical Jury – Nicolo Donato, Across the Waters
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Rooftop Films Kicked off 2018 Summer Series with an Evening of Short Films at Green-Wood Cemetery [Photos]
After the rain caused the opening night to move to Sunday May 20, Rooftop Films opened up its Summer Series last night with the first ever outdoor film screening in Green-Wood Cemetery. Rooftop Films always kicks off the Summer Series with a program of short films, and this program included wild and adventurous works from all over the world, including three recipients of Rooftop Films Filmmakers Fund grants: Mauricio Arango’s To The Dead, Marc Johnson’s Ultraviolet, and Niki Lindroth Von Bahr’s award winning animated masterpiece, The Burden. Despite being pushed back a day due to weather, the event was a huge success, with more than 650 guests in attendance.
The screening took place along Sylvan Water, located in the scenic and historic Green-Wood Cemetery. The evening also included live music from L’Rain, gorgeous projection mapping on Green-Wood Chapel designed by Brendan Bercik, and an after-party featuring a DJ set from DJ Tara, courtesy of Lay’s Poppables, as well as drinks from Corona Extra, Ketel One Family Made Vodka, and Fever-Tree.
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Photos (Courtesy of Emily Hawkes) | Rooftop Films
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President Barack Obama and Michelle Obama to Produce Documentaries , Docu-series for Netflix
President Barack Obama and Michelle Obama have entered into a multi-year agreement to produce films and series with Netflix.
The Obamas will produce a diverse mix of content, including the potential for scripted series, unscripted series, docu-series, documentaries and features. These projects will be available to the 125 million member Netflix households in 190 countries.
The Obamas have established Higher Ground Productions as the entity under which they will produce content for Netflix.
“One of the simple joys of our time in public service was getting to meet so many fascinating people from all walks of life, and to help them share their experiences with a wider audience,” said President Obama. “That’s why Michelle and I are so excited to partner with Netflix – we hope to cultivate and curate the talented, inspiring, creative voices who are able to promote greater empathy and understanding between peoples, and help them share their stories with the entire world.”
“Barack and I have always believed in the power of storytelling to inspire us, to make us think differently about the world around us, and to help us open our minds and hearts to others,” said Mrs. Obama. “Netflix’s unparalleled service is a natural fit for the kinds of stories we want to share, and we look forward to starting this exciting new partnership.”
“Barack and Michelle Obama are among the world’s most respected and highly-recognized public figures and are uniquely positioned to discover and highlight stories of people who make a difference in their communities and strive to change the world for the better,” said Netflix Chief Content Officer Ted Sarandos. “We are incredibly proud they have chosen to make Netflix the home for their formidable storytelling abilities.”
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Netflix Acquires Cannes Film Festival Award Winners ‘Happy As Lazzaro’ and ‘Girl’
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Happy as Lazzaro[/caption]
Netflix has acquired Cannes Film Festival 2018 award winners “Happy As Lazzaro” and “Girl.” “Happy as Lazzaro” premiered in competition and was awarded Best Screenplay for Alice Rohrwacher, and the Camera d’Or for best first film was awarded to Lukas Dhont for “Girl.” “Girl” premiered in Un Certain Regard at the Cannes Film Festival where it was awarded Best Actor for Victor Polster
“HAPPY AS LAZZARO”
Alice Rohrwacher was awarded Best Screenplay for Happy as Lazzaro (it was a tie with Nader Saeivar for 3 Faces) Synopsis: This is the tale of a meeting between Lazzaro, a young peasant so good that he is often mistaken for simple-minded, and Tancredi, a young nobleman cursed by his imagination. Life in their isolated pastoral village Inviolata is dominated by the terrible Marchesa Alfonsina de Luna, the queen of cigarettes. A loyal bond is sealed when Tancredi asks Lazzaro to help him orchestrate his own kidnapping. This strange and improbable alliance is a revelation for Lazzaro. A friendship so precious that it will travel in time and transport Lazzaro in search of Tancredi. His first time in the big city, Lazzaro is like a fragment of the past lost in the modern world. Writer & Director: Alice Rohrwacher Cast: Adriano Tardiolo, Luca Chikovani, Alba Rohrwacher, Agnese Graziani, Tommaso Ragno, Sergi Lopez, Natalino Balasso, Gala Othero Winter, David Bennent, Nicoletta Braschi. Producer: Carlo Cresto-Dina Co-producers: Tiziana Soudani, Alexandra Henochsberg, Grégory Gajos, Arthur Hallereau, Pierre-François Piet, Michel Merkt, Michael Weber, Viola Fügen About Alice Rohrwacher Alice Rohrwacher directed Le Meraviglie (The Wonders), winner of the Grand Jury Prize at the 2014 Cannes Film Festival. Born in 1981 in Fiesole, she studied in Turin and Lisbon. She has worked in music and documentary projects. She has also worked as an editor and composer for theatre. Her first feature Corpo Celeste made its world premiere in the Directors’ Fortnight (Cannes 2011). [caption id="attachment_29317" align="aligncenter" width="1200"]
Girl by Lukas Dhont[/caption]
“GIRL”
The Camera d’Or, for best first film, was awarded to Girl Vincent Polster won the Best Actor Prize for Un Certain Regard for his performance in Girl Lukas Dhont’s Un Certain Regard entry Girl was awarded this year’s Queer Palm award. (The Queer Palm launched in 2010 and selects its winner from all LGBTQ-themed films across the official selection of the Cannes film festival, Un Certain Regard, Directors’ Fortnight, Critics’ Week and the unofficial ACID section.) Synopsis: Determined 15-year-old Lara is committed to becoming a professional ballerina. With the support of her father, she throws herself into this quest for the absolute at a new school. Lara’s adolescent frustrations and impatience are heightened as she realizes her body does not bend so easily to the strict discipline because she was born a boy. Director: Lukas Dhont Cast: Victor Polster, Arieh Worthalter, Oliver Bodart, Tijmen Govaerts, Katelijne Damen, Valentijn Dhaenens, Magali Elali, Alice de Broqueville Screenwriters: Lukas Dhont, Angelo Tijssens Producer: Dirk Impens Production companies: Menuet, Frakas Productions, Topkapi Films International Sales: The Match Factory About Lukas Dhont Lukas Dhont was born in Ghent, Belgium. He graduated with a diploma in audiovisual arts from the KASK School Of Arts in Ghent. His short films, Corps Perdu and L’Infini, received numerous prizes. L’Infini was the Belgian entry for the Academy Awards in 2015. Throughout his studies, he focused on fiction but also explored the possibilities of documentary. In 2016, Lukas Dhont participated in the Cannes Cinéfondation residency with the script for his first feature film, Girl. This film combines themes the filmmaker has already explored, like dance, transformation and identity. Lukas Dhont collaborates regularly with choreographer and dancer Jan Martens with whom he co-signed a performance titled “The Common People.”

THE PARTING GLASS[/caption]
Artistic Director Mark Adams today unveiled details of the program for the upcoming Edinburgh International Film Festival (EIFF), taking place next month between 20 June to 1 July. This year the Festival will screen around 121 new features, including 21 world premieres, from 48 countries across the globe.
Highlights include the long-anticipated Disney-Pixar animation INCREDIBLES 2, Q&A and IN PERSON events with guests including the award-winning English writer and director David Hare, the much-loved Welsh comedian Rob Brydon and star of the compelling Gothic drama THE SECRET OF MARROWBONE, actor George MacKay, as well as the Opening and Closing Gala premieres of the previously announced PUZZLE and SWIMMING WITH MEN. This year’s People’s Gala will be the World Premiere of Stephen Moyer’s directorial debut, THE PARTING GLASS, starring Melissa Leo, Cynthia Nixon, Denis O’Hare, Anna Paquin (who also produces), Rhys Ifans and Ed Asner.
Mark Adams, EIFF Artistic Director, said: “EIFF prides itself on offering films and events that entertain, challenge, provoke, illuminate and excite and 2018 is no exception! From the best of up-and-coming British filmmakers to striking new cinema from around the world, we offer something for everyone: from rare access to filmmakers, live events to experience and the opportunity to see films that may never appear in the country again. We remain one of the world’s most venerable and acclaimed film festivals and are delighted to be able to offer audiences the chance to see some of the most exciting and innovative new film talent, in a setting steeped in history.”
This year’s BEST OF BRITISH strand includes exclusive world premieres of Simon Fellows’ thriller STEEL COUNTRY, featuring a captivating performance from Andrew Scott as Donald, a truck driver turned detective; comedy classic OLD BOYS starring Alex Lawther; the debut feature of writer-director Tom Beard, TWO FOR JOY, a powerful coming-of-age drama starring Samantha Morton and Billie Piper; oddball comedy-drama EATEN BY LIONS; striking debut from writer and director Adam Morse, LUCID, starring Billy Zane and Sadie Frost; Jamie Adams’ British comedy SONGBIRD, featuring Cobie Smulders and Haifaa al-Mansour’s MARY SHELLEY, with Elle Fanning taking on the role of Mary Wollstonecraft Godwin. Audiences can also look forward to a special screening of Mandie Fletcher’s delightfully fun rom-com PATRICK.
This year the AMERICAN DREAMS strand will offer audiences the chance to delve deep into some of the very best new films from American independent cinema including: UNICORN STORE, the directorial debut of Oscar-winning actress Brie Larson in which she stars alongside Samuel L. Jackson and Joan Cusack; the heart-warming HEARTS BEAT LOUD starring Nick Offerman; glossy noir thriller, TERMINAL, starring and produced by Margot Robbie; the engaging comedy HUMOR ME from Sam Hoffman, starring Jemaine Clement and Elliott Gould; IDEAL HOME in which Paul Rudd and Steve Coogan play a bickering gay couple who find themselves thrust into parenthood; 1980s set spy thriller starring Jon Hamm, THE NEGOTIATOR; and PAPILLON, starring Charlie Hunnam and Rami Malek.
The EUROPEAN PERSPECTIVES strand, supported by James and Morag Anderson, will feature a wonderful selection of new films that are powerfully visionary and passionate about storytelling. Notable features include touching drama NEVER LEAVE ME highlighting how young Syrian lives have been affected by war; freewheeling Euro romp TULIPANI: LOVE, HONOUR AND A BICYCLE; actor-turned-director Mélanie Laurent’s fourth feature DIVING, the thought-provoking WHAT WILL PEOPLE SAY by writer-director Iram Haq; the wonderfully weird CHARLIE AND HANNAH’S GRAND NIGHT OUT; French ensemble comedy C’EST LA VIE! and the brooding and atmospheric drama THE SECRET OF MARROWBONE starring George MacKay, Anya Taylor-Joy, Charlie Heaton, Mia Goth and Matthew Stagg.
This year’s WORLD PERSPECTIVES strand offers audiences a fascinating snapshot of developing world-cinema themes and styles from talented filmmakers from around the world. Highlights include acclaimed epic Chinese drama AN ELEPHANT SITTING STILL; award-winning South American drama THE HEIRESSES; powerful political drama NO. 1 CHUNG YING STREET; GIRLS ALWAYS HAPPY, an unflinching but darkly funny tale of a Chinese mother and daughter and Brazilian comedy LOVELING. For lovers of the land down under there’s also raucous Aussie comedy FLAMMABLE CHILDREN (SWINGING SAFARI) starring native icons Kylie Minogue and Guy Pearce; THE BUTTERFLY TREE starring Melissa George and Ben Elton’s THREE SUMMERS starring Robert Sheehan and set at an Australian folk music festival.
This year’s EIFF program features a diverse selection of new DOCUMENTARIES which reflect the ability of documentary film to inspire and challenge audiences. There is a strong musical theme that runs through this year’s films from WHITNEY, the much-anticipated documentary about the life and times of superstar Whitney Houston; GEORGE MICHAEL: FREEDOM – THE DIRECTOR’S CUT narrated by George Michael himself and ALMOST FASHIONABLE: A FILM ABOUT TRAVIS directed by Scottish lead-singer Fran Healy. Audiences will be inspired by the creativity of Orson Welles in Mark Cousins’ THE EYES OF ORSON WELLES; HAL, a film portrait of the acclaimed 1970s director Hal Ashby; LIFE AFTER FLASH, a fascinating exploration into the life of actor Sam J. Jones the topical POSTCARDS FROM THE 48% will also screen followed by a Q&A with director David Wilkinson, who travelled the UK to meet people from all sides of the BREXIT debate.
As the sun sets, audiences will be able to journey into the dark and often downright strange side of cinema, with a selection of genre-busting edge-of-your-seat gems including: the gloriously grisly psychosexual romp PIERCING starring Mia Wasikowska; the world premieres of Matthew Holness’ POSSUM and SOLIS staring Steven Ogg as an astronaut who finds himself trapped in an escape pod heading toward the sun; dark and bloody period drama THE MOST ASSASSINATED WOMAN IN THE WORLD and the futuristic WHITE CHAMBER starring Shauna Macdonald.
The country focus for the Festival’s 72nd edition will be Canada and is supported by Telefilm Canada. FOCUS ON CANADA will allow audiences to take a cinematic tour of the country and its culture, offering insight as well as entertainment, from filmmakers new and already established. Selected by EIFF’s 2018 Young programrs are also a range of titles that explore the experiences of First Nations youth including INDIAN HORSE in which a young boy becomes a star ice-hockey player and KAYAK TO KLEMTU where a determined young girl, played by the charismatic Ta’kaiya Blaney, sets off to kayak the Inside Passage in British Colombia. The strand will also showcase a number of shorts in SPOTLIGHT ON CONTEMPORARY CANADIAN SHORT FILMS, a powerful combination of short fiction, documentary and animated films that focus on the central social, political and ethical issues prevalent within contemporary Canada.
Audiences are also invited to attend a number of talks in the Festival’s free lecture stand, Reel Talk, including: INTRODUCTION TO FILM STUDIES: FEMALE DIRECTORS IN AMERICAN CINEMA that will shine a spotlight on the acclaimed and ground-breaking female directors who shaped American cinema; Frank Cogliano and David Silkenat of the University of Edinburgh will record a live episode of their show Whiskey Rebellion, offering context for the history of paranoia in American politics and film, before answering questions from the audience in PARANOIA AND POLITICS IN AMERICAN FILM and FROM ROMERO TO GET OUT, OR: HOW HORROR HELPED WAKE ME UP TO THE AMERICAN NIGHTMARE which will explore the power and importance of the horror genre.
Audiences can look forward to four programs of short animation as part of the Festival’s dedicated ANIMATION strand, supported by Emperor and the Culture & Business Fund Scotland. The McLaren Award for Best New British Animation will return once again with two varied programs showcasing some of the most highly-anticipated new short animations from the UK and there will also be a special retrospective of unique talent Elizabeth Hobbs, the award-winning indie animator running as part of Anim18, a celebration of British animation taking place across the UK.
The world of experimental film is once again uncovered in the Festival’s ever-popular BLACK BOX strand. A selection of short and feature-length films that push the boundaries of visual communication will screen including the world premiere of PIG FILM, taking a look at the future of film, and a range of experimental short films from Canada that foreground the material properties of 16mm. Also, as part of this year’s FOCUS ON CANADA, the BLACK BOX strand will feature a special screening of short films by Joyce Wieland.
This year’s EIFF SHORTS will offer a thrilling showcase of the finest brand-new short films from across the globe including DREAM IMAGES; OPTICS; RESISTANT BODIES; SPECTRES; FIRECRACKER, celebrating the vibrant state of UK shorts; KALEIDOSCOPE drawn from the thriving Scottish short film scene and THE YOUNG & THE WILD, handpicked by the EIFF Young programrs. New in 2018 will be the inaugural NEW VISIONS program, introducing glowing new voices aged 14-25 from across Scotland to submit their newest works to EIFF’s newly developed short film competition for young people.
A number of special events will take place throughout the Festival including JAWS in Concert, a screening of Steven Spielberg’s seminal blockbuster with John Williams’ iconic score played live by the RSNO,a screening of the much-loved LOCAL HERO followed by a Q&A with writer director Bill Forsyth in conversation with Royal Lyceum Theatre Edinburgh’s Artistic Director, David Greig as well as an early preview of the upcoming season of the popular BBC Alba series BANNAN. Prior to the Festival on 27 May audiences will also have the chance to experience the vampire underworld in EIFF PLAY: BLADE, an immersive cinema experience built around a screening of the trailblazing comic-book adaptation of BLADE, in partnership with Hidden Door andThe List, in collaboration with New Media Scotland, and supported by Sir Ewan and Lady Brown. Continuing RETROSPECTIVE LIVE! – MONTEREY POP, DA Pennebaker’s brilliant concert film, will be played as if it were a real live gig as part of Summerhall’s brand new 10-day series, Southern Exposure.
Specially selected to showcase the very best in world cinema for younger audiences and the young at heart, FILM FEST JUNIOR boasts two UK Premieres, VITELLO and ZOMBILLENIUM as well as an exclusive preview of PRINCESS EMMY. As previously announced, the Festival’s expanded youth strand, The Young & the Wild will offer a range of masterclasses offering careers advice for filmmakers aged 15-25 years old, along with events and screenings for schools, as part of Scotland’s Year of Young People 2018 celebrations and supported by Baillie Gifford. The 2018 EIFF Young programrs, a group of 15-19 year olds who have curated their own shorts strand, The Young & the Wild, have also selected a number of films within this year’s program which are badged accordingly in the Festival brochure.