• VIDEO: Watch First Trailer for THE KILLING OF A SACRED DEER Starring Colin Farrell and Nicole Kidman

    The Killing Of A Sacred Deer A24 today released the first trailer for psychological horror-thriller film The Killing Of A Sacred Deer from Academy Award-nominated filmmaker Yorgos Lanthimos (THE LOBSTER, DOGTOOTH), and starring Colin Farrell and Nicole Kidman. The film also starring Barry Keoghan, Raffey Cassidy, Sunny Suljic, Bill Camp and Alicia Silverstone will be released in theaters on October 27. The Killing Of A Sacred Deer Poster The film’s synopsis: A prominent surgeon adopts a teenager into his family, but as the teen’s actions grow increasingly sinister, the doctor is forced to make a terrible decision. https://www.youtube.com/watch?v=CQFdGfwChtw

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  • 6 Films in Films in Progress 32 at 2017 San Sebastian International Film Festival

    [caption id="attachment_23805" align="aligncenter" width="1200"]FERRUGEM / HUST FERRUGEM / HUST[/caption] Six films have been selected for Films in Progress 32 at 2017 San Sebastian International Film Festival: Agosto by Armando Capó (Costa Rica – Cuba – France); Ferrugem / Hust by Aly Muritiba (Brazil), Kairos, by Nicolás Buenaventura (France – Colombia), Familia sumergida (Immersed Family) by María Alche (Argentina – Brazil – Germany), Niña errante (Wandering Girl) by Rubén Mendoza (Colombia – France) and Rodantes (Wanderers) by Leandro Lara (Brazil – USA). Some of the directors presenting their works in Films in Progress have already participated in San Sebastian, such as Armando Capó, whose project Agosto (August) was selected for the III Europe-Latin America Co-Production Forum where it won the EGEDA Award for Best Project, and Aly Muritiba, selected for the I Co-Production Forum with his project Para minha amada morta / To my Beloved (formerly O homen que matou a minha amada morta / To my Beloved Dead), which went on to participate in Films in Progress 26 and later in Horizontes Latinos 2015. Muritiba also revisited the Forum in 2016 with his project Barba ensopada de sangue / Blood-Drenched Beard. Films in Progress is the program of subsidies to Latin American cinema which, held twice yearly, is organized jointly by the San Sebastian Festival and Cinélatino, Rencontres de Toulouse. Created in 2002, the event has become a platform for the international launch of new talents and a mandatory meeting place for the Latin American audiovisual industry. In total, eight of the films presented at past editions in San Sebastian and Toulouse will be screened in New Directors and Horizontes Latinos. Two of the films which participated in Films in Progress 31 in Toulouse, La novia del desierto (The Desert Bride), by first-time directors Cecilia Atán and Valeria Pivato, and Los Perros, second feature from Marcela Said, were selected respectively for Un Certain Regard and the Critics’ Week at the last Festival de Cannes. Furthermore, La familia, first work by Gustavo Rondón, screened at Films in Progress 30, also participated in this last section. As well as those already mentioned, Medea by Alexandra Latishev, Las olas (The Waves) by Adrián Biniez and La Educación del Rey (Rey’s Education) by Santiago Esteves, winner of the Industry Award, participated in the last edition of Films in Progress at San Sebastian; and Temporada de caza (Hunting Season) by Natalia Garagiola – Films in Progress Toulouse 2017 – will participate in Horizontes Latinos. Princesita (Princess) by Marialy Rivas, selected for Films in Progress in 2015, will compete in the New Directors section.

    2017 San Sebastian International Film Festival Films in Progress 32

    AGOSTO (AUGUST) ARMANDO CAPÓ RAMOS (COSTA RICA – CUBA – FRANCE) August, 1994, Cuba. Carlos (aged 14) was expecting a normal summer, but the country is thrown into chaos: the government policies change and thousands of Cubans take to the sea, hoping to escape. Friends leave, families separate, emotions are experienced for the first time. Nothing will be as it was before. FAMILIA SUMERGIDA (IMMERSED FAMILY) MARÍA ALCHÉ (ARGENTINA – BRAZIL – GERMANY) Marcela’s world becomes strange and fragile when her sister Rina dies. She feels lost in her own home and the connections with her close family circle are disjointed. One day her daughter’s young friend Nacho arrives at the house when his business trip is cancelled, and together they share conversations and strolls. Marcela is summoned to a meeting by a distant relation, while in her home she has discussions with members of her family who are in another dimension. FERRUGEM / HUST ALY MURITIBA (BRAZIL) Tati and Renet were already trading pics, videos and music by their cell phones, and on the last school trip they started making eye contact. However, what could have been the beginning of a love story becomes the end. KAIROS NICOLÁS BUENAVENTURA (FRANCE – COLOMBIA) Cali, Colombia. Amaranto, 60, was made redundant from his job as a cashier in a bank several years ago, yet he continues to come to his former workplace to perform menial tasks. The day an armoured van has to urgently deliver an important amount of cash, Amaranto is presented with the opportunity to commit a robbery as simple as it is extraordinary. NIÑA ERRANTE (WANDERING GIRL) RUBÉN MENDOZA (COLOMBIA – FRANCE) Angela is 12 and has 3 step-sisters approaching their thirties; the four meet for the first time when summoned for the death of a charismatic waster: their daddy. Angela has never lived with anyone other than her daddy and has no recollection of her mummy. Her sisters will leave her on the other side of the country with an aunt to prevent the social services from taking her in. On this voyage of mourning, particularly while sharing a room in a rundown roadside hotel, Angela, whose body is starting to wake up, recognises in each of her sisters their feminity, their sensuality, the mysteries of pleasure and pain, the body, misfortune and the challenge of being a woman on these roads. RODANTES (WANDERERS) LEANDRO LARA (BRAZIL – USA) Rodantes chronicles the lives of three characters: Tatiane, a young woman who leaves São Paulo in an attempt to rebuild her life after an unresolved past; Odair, a young man in the midst of sexual discoveries who takes risks when he leaves his parental home; and Henry, a Haitian immigrant who, after the death of his wife, struggles to survive with his two young children amid the progress and poverty of Brazil. They occasionally meet in the state of Rondônia, in the middle of chaos, with no other involvement than their condition of wanderers.

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  • 2017 Brooklyn Horror Film Festival Unveils First Wave of Films, Can Evrenol’s HOUSEWIFE to Open Fest

    [caption id="attachment_23809" align="aligncenter" width="1200"]HOUSEWIFE HOUSEWIFE[/caption] The 2017 Brooklyn Horror Film Festival returns to New York City October 12th till the 15th, announced the first wave of the line-up, which boasts exciting films, dynamic events and more venues, expanding the festival’s activities. “This year we’ve grown to a four-day festival and are very excited to be extending our reach to audiences beyond North Brooklyn, into Downtown Brooklyn and Crown Heights,” says fest director Justin Timms. “Starting with our opening night at the new Alamo Drafthouse in downtown Brooklyn we’ve also added Nitehawk Cinema, LIU Kumble Theater, Film Noir Cinema & Video Revival this year to go along with our key theaters from last year Wythe Hotel Cinema, Videology Bar & Cinema and Spectacle Theater.” Opening the festival is the North American Premiere of HOUSEWIFE, the newest film from director Can Evrenol who showed immense promise with his brutal 2015 breakthrough BASKIN. HOUSEWIFE tells the tale of a woman – haunted by a horrific childhood incident – who struggles with separating her nightmares from reality after she meets a charismatic psychic with a secret agenda. This year BHFF will present the inaugural FEAR IN FOCUS program! Fear in Focus shines a spotlight on various themes or ideas that are important today. With the current political and global climate, the festival is “beyond excited” to launch this with the Mexican horror program. FEAR IN FOCUS: MEXICO will showcase the hotly anticipated North American Premiere of horror anthology follow-up MEXICO BARBARO 2. Segment director Sergio Tello will be in attendance. Also in the block is the US Premiere of VERONICA, the erotically charged mystery with echoes of early Polanski by directors Carlos Algara & Alejandro Martinez Beltran in which a twisted battle for psychological dominance ensues between a retired psychologist and her patient whom she treats in her isolated home in the woods. Not to be missed is the East Coast Premiere of Victor Dryere’s genuinely unnerving found footage film 1974 which reveals the bizarre and terrifying fate of a missing young couple through a collection of 8 mm tapes and home movies. A much-needed shot in the arm for a tired horror style, Dryere’s film deserves mention alongside found-footage gems like [REC] and PARANORMAL ACTIVITY. BHFF also announced an additional five competition features, starting with Tyler MacIntyre’s highly acclaimed TRAGEDY GIRLS. Status obsession has a body count when BFFs Sadie (Brianna Hildebrand, DEADPOOL’s Negasonic Teenage Warhead) and McKayla (Alexandra Shipp, X-MEN APOCALYPSE’s Storm) capture a serial murderer whose exploits they’ve been chronicling on their blog. How do they keep the slaughter spree going so they have more to report on? The answers are both giggly and grisly in a film also featuring a fun supporting turn by comedy big-timer (and producer) Craig Robinson. ​ Festival fans may remember Graham Skipper, star of last year’s Audience Award Winning BEYOND THE GATES, who now returns to BHFF to share his directorial debut, SEQUENCE BREAK, a surreal, absorbing homage to the body-horror cinema and video games of the ’80s. Chase Williamson plays an arcade-game repairman who finds love with a customer (Fabianne Therese) and terror from a mysterious game with a lot more powering it than pixels. Director Graham Skipper will be in attendance for the screening. Surrounded by heightened paranoia and superstition, an evil presence threatens a mother and her infant child in the Alps of 15th century Austria in HAGAZUSSA – A HEATHEN’S CURSE. Is this ancient malevolence an outside force or a product of her psychosis? With stunningly gorgeous photography and atmosphere for days, Lukas Fiegelfeld’s gothic horror fever dream illustrates the dangers associated with dark beliefs and the infestation of fear. A young woman traumatized by a savage attack from her husband begins to hear voices in her apartment. CLEMENTINA, Jimena Monteoliva’s solo directorial debut expertly builds tension, maintaining a sense of unease from the start that creeps higher until the frightening and suffocating shocker of a third act. Cecilia Cartasegna delivers with a classically terrifying portrait of a woman on the edge. Lead actress Cecilia Cartasegna and screenwriter Diego Fleischer will be in attendance for the screening. Take a stroll into despair with the East Coast Premiere of José Pedro Lopes THE FOREST OF LOST SOULS, as two suicidal strangers explore the dark woods together, looking for the best spot to commit suicide all the while debating, what’s the best way to kill yourself? It soon becomes clear that one person isn’t who they say they are. This Portuguese black-and-white-shot nightmare is a unique and disturbing modern take on the slasher film. To start off the 2017 STAGE FRIGHTS program the festival announced two of this year’s live events where the panels of experts will be dissecting fear with sharp wit, whether they’re intoxicated or not. Even the best slasher villain has a better half — a final girl. Final girls are a crucial part of the horror ecosystem, but which one is the best? Which is the funniest? And which has the most questionable taste in weapons? Come hear horror experts make the case for everyone from Jamie Lee Curtis in HALLOWEEN to Neve Campbell in SCREAM to Sigourney Weaver in ALIEN. Participants: Aja Romano (Vox), Kristen Kim (GQ/Village Voice/Vice), Hazel Cills (Jezebel), and Teo Bugbee (Daily Beast). Hosted by Eric Thurm (The Guardian/GQ/The A.V. Club), Drunk Education (the show formerly known as Drunk TED Talks) is pretty much exactly what it sounds like: writers/comics/artists make slideshows about stuff they’re really into, get drunk, and deliver them. Whether it’s the horniness of St. Augustine, the history of mansplaining relayed through the plot of Love Actually, or the way teen girl organizers could have prevented the Triangle Shirtwaist Fire, Drunk Ed has you covered. To celebrate the release of Canadian micro-publisher Spectacular Optical’s new book about French fantastique filmmaker Jean Rollin, the book’s curator and editor Samm Deighan will be on hand to introduce a special screening of Rollin’s 1971 LE FRISSON DES VAMPIRES, recently restored in HD by Kino Lorber. LOST GIRLS is the first book about the director to be written entirely by women critics, scholars, and film historians. This collection of essays covers the wide range of Rollin’s career from 1968’s LE VIOL DU VAMPIRE through his 2010 swansong, LE MASQUE DE LA MÉDUSE, touching upon his horror, fantasy, crime and sex films—including many lesser seen titles. Before the film, Samm will give a brief introduction examining Rollin’s core themes: his focus on overwhelmingly female protagonists, his use of horror genre and exploitation tropes, his reinterpretations of the fairy tale and fantastique, the influence of crime serials, Gothic literature, the occult and more. 2017 Brooklyn Horror Film Festival Poste HOUSEWIFE (NORTH AMERICAN PREMIERE) Turkey / Dir. Can Evrenol Sponsored by Birth.Movies.Death Haunted by the bloodstained memories of a horrific childhood incident, Holly’s struggles with separating her nightmares from reality derail after she meets charismatic psychic with a secret agenda. Capitalizing on the immense promise shown by his brutal 2015 breakthrough BASKIN, writer-director Can Evrenol solidifies himself as horror’s future with this hypnotic and gruesome ode to Bava-esque Italian horror. 1974 (EAST COAST PREMIERE) Mexico / Dir. Victor Dryere Sponsored by El Buho Mezcal Shortly after getting married in 1974, the young couple Altair and Manuel disappeared without a trace in Mexico. Through a collection of 8 mm tapes and home movies, the newlyweds’ fates are revealed in all of their bizarre and terrifying glory. A much-needed shot in the arm for a tired horror style, Mexican filmmaker Victor Dryere’s genuinely unnerving 1974 deserves mention alongside found-footage gems like [REC] and PARANORMAL ACTIVITY. MEXICO BARBARO II (NORTH AMERICAN PREMIERE) Mexico / Dir. Lex Ortega, Sergio Tello, Diego Cohen, Fernando Urdapilleta, Michel Garza, Carlos Melendez, Ricardo Farías, Christian Cueva, Abraham Sanchez Sponsored by El Buho Mezcal In 2014, the truly demented Mexican filmmaker Lex Ortega assembled his country’s best horror filmmakers for the shocking anthology MEXICO BARBARO. But if you thought that film was gnarly, wait until you get a load of this crazier and wonderfully unhinged follow-up, helmed by an all-new lineup of on-the-rise Mexican horror voices and touching on cannibalism, porn, and historical demons. VERONICA (US PREMIERE) Mexico / Dir. Carlos Algara & Alejandro Martinez Beltran Sponsored by El Buho Mezcal A retired psychologist agrees to take on one more patient under the condition that the young lady move into her isolated home in the woods. A game of secrets and lies ensues as the two women battle for psychological dominance. Mexican co-directors Carlos Algara and Alejandro Martinez-Beltran’s feature debut is an erotically charged mystery with echoes of early Polanski. CLEMENTINA (NORTH AMERICAN PREMIERE) Argentina / Dir. Jimena Monteoliva A young woman traumatized by a savage attack from her husband begins to hear voices in her apartment. Jimena Monteoliva’s solo directorial debut expertly builds tension, maintaining a sense of unease from the start that creeps higher until the frightening and suffocating shocker of a third act. Cecilia Cartasegna delivers with a classically terrifying portrait of a woman on the edge. THE FOREST OF LOST SOULS (EAST COAST PREMIERE) Portugal / Dir. José Pedro Lopes Two suicidal strangers explore the Forest of Lost Souls together, looking for the best spot to commit suicide all the while debating, what’s the best way to kill yourself? It soon becomes clear that one person isn’t who they say they are. This black-and-white-shot nightmare is a unique and disturbing modern take on the slasher film. HAGAZUSSA – A HEATHEN’S CURSE (EAST COAST PREMIERE) Germany / Dir. Lukas Fiegelfeld Surrounded by heightened paranoia and superstition, an evil presence threatens a mother and her infant child in the Alps of 15th century Austria. But is this ancient malevolence an outside force or a product of her psychosis? With stunningly gorgeous photography and atmosphere for days, Lukas Fiegelfeld’s gothic horror fever dream illustrates the dangers associated with dark beliefs and the infestation of fear. SEQUENCE BREAK (NY PREMIERE) USA / Dir. Graham Skipper Sponsored by Brooklyn Fireproof Stages Busy genre actor Graham Skipper (RE-ANIMATOR: THE MUSICAL, BEYOND THE GATES, THE MIND’S EYE) makes his feature writing/directing debut with a surreal, absorbing homage to the body-horror cinema and video games of the ’80s. Chase Williamson plays an arcade-game repairman who finds love with a customer (Fabienne Theresa) and terror from a mysterious game with a lot more powering it than pixels. TRAGEDY GIRLS (NY PREMIERE) USA / Dir. Tyler Macintyre Co-Presented by Nitehawk Cinema Status obsession has a body count when BFFs Sadie (Brianna Hildebrand, DEADPOOL’s Negasonic Teenage Warhead) and McKayla (Alexandra Shipp) capture a serial murderer whose exploits they’ve been chronicling on their blog. How do they keep the slaughter spree going so they have more to report on? The answers are both giggly and grisly in a film also featuring a fun supporting turn by Craig Robinson (also a producer). THE SHIVER OF THE VAMPIRES (1971) France / Dir. Jean Rollin In conjunction with the launch of Spectacular Optical’s LOST GIRLS: THE PHANTASMAGORICAL CINEMA OF JEAN ROLLIN, book editor Samm Deighan will host a special screening of Rollin’s SHIVER OF THE VAMPIRES. Originally released in 1971, the French auteur’s psycho-sexual masterwork demonstrates all of Rollin’s cinematic touchstones: erotic scares, drop-dead-gorgeous bloodsuckers, and ornately shot kink. It’ll turn you into a Rollin disciple if you aren’t one already.

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  • 2017 Kew Gardens Festival of Cinema Winners: Zachary Raines’ ACCIDENTS Wins Top Awards

    [caption id="attachment_23801" align="aligncenter" width="1200"]2017 Kew Gardens Festival of Cinema Winners Left to right: Mia Arfuso, Francesco Calogero, Rankin Hickman, Zachary Raines, John Siciliani, Jermaine Manigault and Erika Citrin. Photo by Patrick Conti.[/caption] The 2017 Kew Gardens Festival of Cinema which ran August 4 to 13 in Kew Gardens, Queens, and at the Queens Museum in nearby Flushing Meadows Corona Park announced this year’s winners.  Accidents directed Zachary Raines was the big winner, snagging the awards for Best Feature Narrative, Best Director of Raines, and Best Supporting Actor for John Siciliani. Accidents is a comedy which follows James, a 17 year-old who has never known his father. He lives upstate with his mother Kate and her boyfriend Nick. Hoping to strengthen their bond, Nick takes James to NYC to meet his father. When this ill-conceived scheme goes awry, James flees to wander the city alone, pursued by two flawed father-figures. From a pool of nearly 400 film submissions, the festival presented over 150 remarkable films from 24 countries. Winners for each competitive category were chosen by the festival’s specially selected jury, and received a unique statuette at the Grand Awards Gala on Sunday, Aug. 13 during a dinner ceremony that took place on the rooftop penthouse of the world-famous Terrace on the Park in Flushing Meadows Corona Park. The jurors who selected the winners were: Rodney Ferrer, director of the critically acclaimed web series “City of Mercy”; actress Marlene Forte (“Fear the Walking Dead,” “Dallas”); Sam Adelman, assistant editor on “Donnie Brasco,” “Practical Magic” and “Desperately Seeking Susan”; Tassos Rigopoulos, award-winning Forest Hills filmmaker and assistant professor at the Borough of Manhattan Community College; Nicole Tsien, associate producer of the PBS multiple Emmy Award-winning documentary series “POV”; and Allan Knee, writer of “Little Women” on Broadway and the film and stage versions of “Finding Neverland.”

    2017 Kew Gardens Festival of Cinema Winners

    Best Feature Narrative: ACCIDENTS Best Feature Documentary: THE LAST STOP Best Short Narrative: THE IMMACULATE MISCONCEPTION Best Short Documentary: ALL OR NOTHING Best Experimental/Animation: ONE WAY TOWN Audience Choice Award, Best Feature: SECOND SPRING Audience Choice Award, Best Short: LANGUAGE IS DEAD Best Director: Zachary Raines, ACCIDENTS Best Actress: Elaine Partnow, SLIPAWAY Best Actor: Jordi Vilasuso, THIS MODERN MAN IS BEAT Best Supporting Actress: Melissa Center, ALL I WANT Best Supporting Actor: John Siciliani, ACCIDENTS Best Screenplay: GRAND UNIFIED THEORY Best Cinematography: STANLEY A MAN OF VARIETY Best Editing: DARK MERIDIAN Best Sound Editing: STREETWRITE Best Makeup & FX: STANLEY A MAN OF VARIETY

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  • VIDEO: Watch Trailer for Documentary SAMMY DAVIS, JR.: I’VE GOTTA BE ME World Premiering at Toronto Film Festival

    [caption id="attachment_23794" align="aligncenter" width="1024"]Sammy Davis, Jr. takes aim in a backstage photo with his dancers in a scene from the documentary SAMMY DAVIS, JR.: I’VE GOTTA BE ME. Photo Credit: The Estate of Altovise Davis Sammy Davis, Jr. takes aim in a backstage photo with his dancers in a scene from the documentary SAMMY DAVIS, JR.: I’VE GOTTA BE ME. Photo Credit: The Estate of Altovise Davis[/caption] The trailer premiered today for the new documentary Sammy Davis, Jr.: I’ve Gotta Be Me directed by the legendary documentary filmmaker Sam Pollard, which will have it’s world premiere this September at the 2017 Toronto International Film Festival. Sammy Davis, Jr.: I’ve Gotta Be Me is the first major film documentary to examine Davis’ vast talent and his journey for identity through the shifting tides of civil rights and racial progress during 20th-century America. Sammy Davis, Jr. had the kind of career that was indisputably legendary, so vast and multi-faceted that it was dizzying in its scope and scale. And yet, his life was complex, complicated and contradictory. Davis strove to achieve the American Dream in a time of racial prejudice and shifting political territory. He was the veteran of increasingly outdated show business traditions trying to stay relevant; he frequently found himself bracketed by the bigotry of white America and the distaste of black America; he was the most public black figure to embrace Judaism, thereby yoking his identity to another persecuted minority. Featuring new interviews with such luminaries as Billy Crystal, Norman Lear, Jerry Lewis, Whoopi Goldberg, Quincy Jones and Kim Novak, with never-before-seen photographs from Davis’ vast personal collection and excerpts from his electric performances in television, film and concert, Sammy Davis, Jr.: I’ve Gotta Be Me explores the life and art of a uniquely gifted entertainer whose trajectory blazed across the major flashpoints of American society from the Depression through the 1980s. I want to live, not merely survive And I won’t give up this dream Of life that keeps me alive. I’ve gotta be me, I’ve gotta be me The dream that I see makes me what I am. I’m Puerto Rican, Jewish, colored, and married to a white woman. When I move into a neighborhood, people start running in four ways at the same time. –Sammy Davis, Jr.

    Sammy Davis, Jr.: I’ve Gotta Be Me Trailer

    https://www.youtube.com/watch?v=qu8AV81ANTw

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  • 2017 Milwaukee Film Festival Unveils Cine Sin Fronteras Lineup, WOODPECKERS, CHAVELA and More

    WOODPECKERS (CARPINTEROS) The Cine Sin Fronteras program returns to the 2017 Milwaukee Film Festival for the second year, showcasing the rich and vibrant Latinx diaspora from around the world.  This year’s program includes seven feature films and the new shorts program CSF Shorts: Menos es Más. The films come from eight different countries and include Carpinteros (Woodpeckers), the first Dominican film to screen at the Sundance Film Festival; Chavela, a portrait documentary chronicling the dramatic career of legendary singer Chavela Vargas; and Dolores, a documentary exploring the extraordinary life of one of America’s most important labor activist. The 2017 Milwaukee Film Festival will take place at the Landmark Oriental Theatre, Landmark Downer Theatre, Fox-Bay Cinema Grill, Times Cinema, and Avalon Theater from September 28th to October 12th.

    2017 Milwaukee Film Festival Cine Sin Fronteras

    Carpinteros (Woodpeckers) (Dominican Republic / 2017 / Director: José María Cabral) A love story unlike any other – prisoners in the Dominican Republic’s Najayo prison, separated by concrete, barbed wire, and hundreds of yards, falling for one another without ever speaking a word between them. Dubbed ‘woodpeckers’ for the created language of hand signals that allows men and women to bridge this physical divide (100% real, by the way), star-crossed lovers Julian and Yanelly pursue love despite guards, worsening conditions, and a murderous ex that remains on the inside. Verite grit combines with sensual performances to make Carpinteros a pulse-pounding romantic delight. https://vimeo.com/198679519   Chavela (USA / 2017 / Directors: Catherine Gund, Daresha Kyi) If you’ve yet to acquaint yourself with the iconoclastic, stereotype-defying career of singer Chavela Vargas, prepare yourself for a documentary that ensures you will never forget her journey from fame to alcohol-fueled obscurity and back again. Taking the masculine world of Mexico’s ranchera music by storm with her unmistakable voice (fiercely passionate and deeply moving) while challenging gender norms with her mode of dress and stage presentation (with partners such as Frida Kahlo), Chavela’s singular personality is given proper tribute by this riveting and soulful portrait. https://vimeo.com/202123182   CSF Shorts: Menos es Más El Buzo (México / 2015 / Director: Esteban Arrangoiz) Hermanas En Ruedas (USA / 2017 / Director: Amberly Alene Ellis) Leche (USA / 2015 / Director: Gabriella A. Moses) La Madre Buena (México / 2016 / Director: Sarah Clift) El Maquinador (Argentina / 2015 / Director: Pablo Latorre) Otro Corto (Puerto Rico / 2016 / Director: Heixan Robles) Undesirables (USA / 2016 / Director: Angela Rosales Challis) Divinas Divas (Brazil / 2016 / Director: Leandra Leal) In 1960’s Brazil, the iconic first generation of drag queens took the stage at the Rival Theatre, one of the only venues that gave shelter to these performers, many of whom became famous the world over. 50 years later, eight of these magnificent drag performers are returning to the Rival for a cabaret curtain call, a celebration of those that helped challenge gender norms and smash gender roles in a repressive society, in this ravishing documentary filled with show-stopping performance and tender insight. https://www.youtube.com/watch?v=SDetz7OSTjA Dolores (USA / 2017 / Director: Peter Bratt) Trailer: http://bit.ly/2w3zYRD Dolores Huerta is the most important activist in American history that you’ve never heard of. An equal partner alongside Cesar Chavez in organizing the first farmworkers unions (eventually becoming the UFW), Huerta fought ceaselessly to protect the rights of jornaleros, mujeres, and all whom those in power would seek to exploit. Even at the age of 87, she remains a stridently feminist, uncompromising firebrand. Combining archival footage with unprecedented intimate access, Dolores finally gives this titan of American activism the tribute she so richly deserves.
    Esteban (Cuba / 2016 / Director: Jonal Cosculluela) Nine-year-old Esteban ekes out an existence with his single mother on the streets of Havana, but he dreams of a brighter future thanks to his natural affinity for music. When a cantankerous old piano instructor makes his way into the young boy’s life, Esteban looks to seize this opportunity even if it means going against his mother’s wishes. A winning portrait of perseverance with an absurdly charming performance at its center, Esteban is a story for anyone who believes in the power of music to change one’s life. https://youtu.be/cYwCngfWZQ8 Extra Terrestres (Puerto Rico / Venezuela / 2016 / Director: Carla Cavina) Teresa, returning to her Puerto Rican home after seven years away studying astrophysics, has picked the worst possible time to come out by revealing her impending nuptials to her traditional family: Their poultry business is under attack from unscrupulous government officials and rival companies, while her sister struggles to reign in her precocious young son’s constant experimentation around the house. Cosmic interludes combine with intimate family drama to form a winning portrait of life and love that is literally out of this world. https://www.youtube.com/watch?v=m-8V4cB-D-k El Sueño de Mara’akame (Mara’akame’s Dream) (México / 2016 / Directors: Federico Cecchetti) While Nieri, a young native Huichol, sees his impending trip to Mexico City with his father as an opportunity to perform alongside friends in their beloved rock band, his dad has other ideas – he’s a Mara’akame, a Huichol shaman, and cultural tradition stipulates Nieri to undergo a spiritual journey in order to follow in his footsteps. Once in the big city, Nieri must settle the struggle between modernity and indigeneity in order to find himself in this eye-opening glimpse into the Huichol traditions. https://www.youtube.com/watch?v=9w72f67Zn9U

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  • Actress Susan Sarandon to Receive Honorary Maverick Award at 2017 Woodstock Film Festival

    Susan Sarandon in Blackbird
    Susan Sarandon in Blackbird

    Actress Susan Sarandon will receive the honorary Maverick Award at this year’s 2017 Woodstock Film Festival.  

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  • THE WORK, Documentary Set Inside California’s Folsom Prison, Gets Release Date

    The Work The Work is a documentary film that follows a group of outsiders into California’s Folsom Prison to join inmates in an intense four-day therapy session intended to help prepare them to succeed back outside prison. The film was the winner of the Grand Jury Prize for Best Documentary Feature at South by Southwest (SXSW) Film Festival 2017, and Audience Award for Best Documentary Feature at Sheffield Doc/Fest 2017. Directed by Jairus McLeary and Gethin Aldous, The Work will open in New York on Friday, October 20, and in Los Angeles on Friday, October 27, with a national rollout to follow. The Work Poster Set inside a single room in Folsom Prison, The Work follows three men from outside as they participate in a four-day group therapy retreat with level-four convicts. Over the four days, each man in the room takes his turn at delving deep into his past. The raw and revealing process that the incarcerated men undertake exceeds the expectations of the free men, ripping them out of their comfort zones and forcing them to see themselves and the prisoners in unexpected ways. The Work offers a powerful and rare look past the cinder block walls, steel doors and the dehumanizing tropes in our culture to reveal a movement of change and redemption that transcends what we think of as rehabilitation. [gallery size="medium" type="rectangular" ids="23770,23771,20986"]  

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  • BATTLE OF THE SEXES, Starring Emma Stone and Steve Carell, to Have its European Premiere at BFI London Film Festival | Trailer

    Battle Of The Sexes The Battle Of The Sexes, starring Emma Stone and Steve Carell, will receive its European Premiere as the American Express Gala at the 2017 BFI London Film Festival on Saturday October  7 at London’s Odeon Leicester Square.   Emma Stone, Andrea Riseborough, Elisabeth Shue, directors Valerie Faris and Jonathan Dayton, and the legendary Billie Jean King are expected to attend the premiere. In the wake of the sexual revolution and the rise of the women’s movement, the 1973 tennis match between women’s world champion Billie Jean King (Emma Stone) and ex-men’s-champ and serial hustler Bobby Riggs (Steve Carell) was billed as the Battle Of The Sexes and became one of the most watched televised sports events of all time, reaching 90 million viewers around the world. As the rivalry between King and Riggs kicked into high gear, off-court each was fighting more personal and complex battles. The fiercely private King was not only championing for equality, but also struggling to come to terms with her own sexuality, as her friendship with Marilyn Barnett (Andrea Riseborough) developed. And Riggs, one of the first self-made media-age celebrities, wrestled with his gambling demons, at the expense of his family and wife Priscilla (Elisabeth Shue). Together, Billie and Bobby served up a cultural spectacle that resonated far beyond the tennis court, sparking discussions in bedrooms and boardrooms that continue to reverberate today. Starring Academy Award® winner Emma Stone and Academy Award® nominee Steve Carell as 1970’s tennis greats Billie Jean King and Bobby Riggs, Battle Of The Sexes is directed by Valerie Faris and Jonathan Dayton from a screenplay by Academy Award® winner Simon Beaufoy.  Battle Of The Sexes also stars Andrea Riseborough, Sarah Silverman, Bill Pullman, Alan Cumming and Academy Award® nominee Elisabeth Shue. Twentieth Century Fox will release the film across the UK and Ireland on November 24, 2017. The 61st BFI London Film Festival takes place from Wednesday October 4 to Sunday October 15, 2017. https://www.youtube.com/watch?v=o3NCf0GUwFo

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  • John Ridley’s ‘Let It Fall: Los Angeles 1982-1992’ Among 10 Films on 2017 Milwaukee Film Festival Black Lens Lineup

    [caption id="attachment_23765" align="aligncenter" width="1200"]Let It Fall: Los Angeles 1982-1992 Let It Fall: Los Angeles 1982-1992[/caption] The Black Lens program returns to the 2017 Milwaukee Film Festival featuring documentary and fiction films by African American filmmakers that explore a range of topics rooted in the black community and are relevant to all. The lineup includes Academy Award winner and Milwaukee Film Board Member John Ridley’s new documentary Let It Fall: Los Angeles 1982-1992, a 20th anniversary, 35mm screening of the classic film Love Jones, and two shorts programs titled Black Lens Shorts: Family Matters and Black Lens Shorts: Lost & Found. Geraud Blanks, Black Lens co-programmer states, “Adding additional films, including two shorts programs, means a greater diversity of voices and perspectives. We have more women and mixed-race directors, writers, and producers than ever before, in-large part because of our ability to expand our programming this year. The added room also made honoring Love Jones and bringing Let It Fall: Los Angeles 1982-1992 back to Milwaukee possible without eliminating deserving films from emerging filmmakers.” “The addition of a second shorts program is exciting, as it helps us to strengthen the mission of Black Lens,” states Donte McFadden, Black Lens co-programmer. “We want to make Black Lens a destination for African American filmmakers to screen their work. The shorts program allows for us to introduce many emerging filmmakers from across the country and allows Milwaukee residents the chance to see films that they wouldn’t see anywhere else.” The 2017 Milwaukee Film Festival will take place at the Landmark Oriental Theatre, Landmark Downer Theatre, Fox-Bay Cinema Grill, Times Cinema, and Avalon Theater from September 28th – October 12th.

    2017 Milwaukee Film Festival Black Lens Program

    72 Hours: A Brooklyn Love Story? (USA / 2017 / Director: Raafi Rivero) Three short days separate 18-year-old Caesar from leaving Brooklyn for a prestigious upstate university. But between his long-time girlfriend calling it quits and his crew already planning for his imminent exit, Caesar finds himself pulled between the comfort of a world he’s always known and the exciting promise of a bright future. A vibrant, textured work that powerfully captures the dizzying nuance of teen love and the thrum of a rapidly-changing borough, 72 Hours is an exacting portrait of what it means to be young, gifted and black. ACORN and the Firestorm (USA / 2017 / Directors: Reuben Atlas and Sam Pollard) It’s a story whose reverberations will be felt across the political landscape for many years to come: ACORN, America’s largest grass-roots community organization (teaching low- and medium-income families across the nation to advocate for themselves), shuttered by a pair of amateur journalists posing as a pimp and prostitute, igniting a media firestorm that helped spawn the Breitbart News empire. This real-life political thriller does much to explain our current divisive state, persuasively drawing a line from ACORN’s bankruptcy to our polarized present and its constant cries of “fake news.” Black Lens Shorts: Family Matters An evening of shorts that tackle the notion of family in all of its complicated glory – whether it’s protecting the ones you love, leaning on them for support, bringing each other together or tearing each other apart, these shorts (alternately funny, thrilling and sad – just like family itself!) have something for everyone! Amelia’s Closet (USA / 2016 / Director: Halima Lucas) Cul-De-Sac (USA / 2016 / Director: Damon Russell) Gema (USA / 2016 / Director: Kendrick Prince) The Homecoming (USA / 2016 / Director: Paulina Bugembe) Night Shift (USA / 2017 / Director: Marshall Tyler) New Neighbors (USA / 2017 / Director: E. G. Bailey) Black Lens Shorts: Lost & Found This second series of Black Lens shorts at this year’s MFF showcase the infinite possibilities in the world of contemporary black filmmaking – watch these characters undergo a journey of discovery (in search of acceptance, love, recognition, and more) while covering a wide array of topics ranging from gun violence and love to classic folklore and the radical art of self-acceptance. A fascinating night at the movies. 90 Days (USA / 2016 / Directors: Jennia Fredrique Aponte, Nathan Hale Williams) Dear Mr. Shakespeare (USA / 2016 / Director: Shola Amoo) The Forever Tree (UK / 2017 / Director: Alrick Brown) Hold On (USA / 2017 / Director: Christine Turner) See You Yesterday (USA / 2017 / Director: Stefon Bristol) #WhereIsBeauty (USA / 2016 / Director: Angela McCrae) You Can Go (USA / 2016 / Director: Christine Turner) Destined (USA / 2016 / Director: Qasim Basir) One unforgettable moment in a young man’s childhood in Detroit creates two startlingly alternate paths: in one, he’s Rasheed, an ambitious architect seeking to ascend the corporate ladder, while in the other he’s Sheed, a drug kingpin who has remained on the streets of his childhood, seeking to exert his will over them. A gripping urban crime thriller with a unique approach to cinematic storytelling, Destined weaves between these two stories, each echoing and diverging from one another in mysterious ways, with both Rasheed and Sheed moving inexorably towards their ultimate fate. Let It Fall: Los Angeles 1982-1992 (USA / 2017 / Director: John Ridley) 25 years later, the Rodney King verdict and the subsequent riots are still etched in our minds. Culminating a decade of struggle with a justice system unequipped to deal with issues of race and class, the riots seem both entirely preventable and utterly unavoidable. Director John Ridley (Jimi: All Is By My Side, MFF14; Milwaukee Film Board Member) avoids simple moralizing or tidy conclusions as he examines the lead-up to and events of that day, instead letting those who lived through the experience speak for themselves in this heartbreaking portrait whose power is only magnified on the big screen. https://www.youtube.com/watch?v=6JGY-GjzKp4 Like Cotton Twines (USA / 2016 / Director: Leila Djansi) American volunteer Micah sees his teaching job in Ghana as an opportunity to reconnect with his ancestral roots while also helping young Ghanaians reach their fullest potential. But when 14-year-old Tuigi, one of his brightest students, must abandon her studies in exchange for a life as a sex slave as recompense for her father’s transgressions, Micah finds himself stuck in the middle of a culture clash, desperate to extricate Tuigi from the cycles of history and tradition that threaten to swallow her whole. https://www.youtube.com/watch?v=9AKgApSQohI Love Jones (USA / 1997 / Director: Theodore Witcher) Nina (Nia Long) is not looking for love when she meets Darius (Larenz Tate) at a poetry slam. Despite the scorching chemistry that instantly ignites, both insist the relationship is purely physical and certainly not a case of the love jones. A witty, sexy portrait of young Black love and romance (set in a middle-class, bohemian milieu that Hollywood still struggles to showcase 20 years on) that is a generational classic, this film will receive a rare 35mm screening at the historic Oriental Theatre! https://www.youtube.com/watch?v=xNMoQ_Cqt4E Tell Them We Are Rising: The Story of Black Colleges and Universities (USA / 2017 / Director: Stanley Nelson) Over the course of 150 years, Historically Black Colleges and Universities (HBCUs) have paved the way for Black intellectuals, revolutionaries, and artists alike to pursue higher education and defy stereotypes among their peers in an unapologetically Black environment. Now the remarkable story of their role in African-American history is finally told. Fest alum Stanley Nelson (The Black Panthers: Vanguard of the Revolution, MFF15) returns with this captivating panorama of HBCUs from their conception to the modern day, a stirring portrait of perseverance in pursuit of knowledge. https://www.youtube.com/watch?v=u8hmqpAzjRo Unrest (USA / 2017 / Director: Jennifer Brea) 28-year-old Jennifer Brea is in the prime of her life as a PhD student and soon-to-be newlywed, when a sudden fever leaves her perpetually bedridden and desperate for answers. A host of unsatisfactory diagnoses lead her to discover an abandoned online community of those similarly afflicted (with what is commonly known as Chronic Fatigue Syndrome). A medical mystery nestled in an intensely personal portrait of a husband and wife’s healing journey, Unrest shines a light on a condition that confounds the medical community through its panoply of personal perspectives on suffering.

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  • Napa Valley Film Festival Announces Narrative and Documentary Feature Films in Competition

    [caption id="attachment_23761" align="aligncenter" width="1200"]I Can I Will I Did I Can I Will I Did[/caption] The 7th annual Napa Valley Film Festival (NVFF), scheduled to take place November 8 – 12, today announced its Narrative and Documentary Feature Film lineups in core competition. The 18 films in NVFF’s core competition categories will vie for the titles of Best Narrative Feature and Best Documentary Feature, as determined by the juries. The directors of these 18 films will participate in NVFF’s unique Artists-in-Residence (AIR) Program that includes a six-night stay at the luxury resort Meadowood Napa Valley. The residency includes master classes and break out sessions with industry leaders as well as social and networking opportunities at special events throughout the festival. “We’re excited about the creative storytelling, diverse story lines, and inspirational themes represented in the narrative and documentary features in our core competition films this year,” said Marc Lhormer, NVFF Co-Founder and Artistic Director. “We look forward to hosting these talented filmmakers for the seventh installment of our unique Artists-in-Residence Program at Meadowood Napa Valley and introducing them and their films to our appreciative audiences.”

    NARRATIVE FEATURES COMPETITION

    American Folk – Two strangers, both folk musicians stranded in California, embark on a road trip to New York in the days following 9/11. Starring Joe Purdy and Amber Rubarth. Directed by David Heinz. Northern California Premiere. The Boy Downstairs – A young woman is forced to reflect on a past relationship when she inadvertently moves into her ex-boyfriend’s apartment building. Starring Zosia Mamet and Matthew Shear. Directed by Sophie Brooks. Napa Premiere. The House of Tomorrow – The House of Tomorrow conveys the incredible story of futurist, architect, and inventor R. Buckminster through one teen’s quest to join a punk bank and survive high school. Starring Maude Apatow, Ellen Burstyn, Asa Butterfield, Nick Offerman, Alex Wolff. Directed by Peter Livolsi. Napa Premiere. I Can I Will I Did – Ben, a dejected young man in the foster system, finds himself immobilized after a horrible accident. His recovery process is slow until he meets a fellow patient at the hospital who breathes hope into his life and introduces him to her grandfather, Taekwondo Master Kang. Starring Mike Faist, Ik Jo Kang, Ellie Lee. Directed by Nadine Truong. Northern California Premiere People You May Know – People You May Know follows Jed, a 30-something introvert who has managed to abstain from social media, until he realizes that the life he can fake is much more interesting than the life he actually leads. Starring Nicholas Rutherford, Halston Sage, Kaily Smith Westbrook, Nick Thune and Usher. Directed by Sherwin Shilati. Napa Premiere. The Sounding – On a remote island off the coast of Maine, Liv, after years of silence, weaves a unique language out of Shakespeare’s words. A driven neurologist, brought to the island to protect her, commits her to a psychiatric hospital where she fights for her voice and her freedom. Starring Catherine Eaton, Teddy Sears and Harris Yulin. Directed by Catherine Eaton. Napa Premiere. Stuck – A New York City subway train stops in the tunnel beneath the city with six complete strangers stuck inside the rear car. The emotions of the trapped, frustrated passengers explode, as the subway car becomes a kind of magical, musical, conduit cell. Starring Ashanti, Omar Chaparro, Arden Cho, Giancarlo Esposito and Amy Madigan. Directed by Michael Berry. Northern California Premiere. Tater Tot & Patton – A wayward millennial is sent into isolation on a South Dakota ranch, derailing her Uncle’s alcoholic spiral and forcing him to face his consuming grief. Starring Jessica Rothe, Forrest Weber and Bates Wilder. Directed by Andrew Kightlinger. Northern California Premiere Quest – Mills, an abused 12-year-old graffiti addict, and Tim, a humble middle school teacher, form an uneasy friendship when Tim recognizes that Mills poor behavior is merely a cry for help. Tim is willing to sacrifice his job, reputation and relationships in order to win the child’s trust. Starring Betsy Brandt, Dash Mihok, Lou Diamond Phillips and Lakeith Stanfield. Directed by Santiago Rizzo. West Coast Premiere

    DOCUMENTARY FEATURES COMPETITION

    ACORN and the Firestorm – ACORN, America’s largest grassroots community organizing group, became a major player in the 2008 presidential election that resulted in Barack Obama’s victory. Big businesses, Republicans, and Right-wing activists took issue with the group and attempted to strike back. The ensuing political drama has served as a prescient foreshadowing of today’s political climate. Directed by Reuben Atlas and Samuel D. Pollard. California Premiere Catching Sight of Thelma & Louise – Catching Sight of Thelma & Louise investigates themes of female friendship, personal freedom, harassment, rape and empowerment. Our guides on this journey are female and male filmgoers who, in 1991, wrote letters sharing their thoughts and feelings about Thelma & Louise. They revisit their original impressions, comparing them with how they feel today. Directed by Jennifer Townsend. Northern California Premiere Coyote – Coyote documents the inspiring story of legendary American sailor, Mike Plant. Despite all that he accomplishes in sailing, Plant’s heart is never satisfied. His final creation, Coyote, a radically designed vessel built on the edge of speed and safety, symbolizes Plant’s course in life: running before the wind, always with an eye to the sea. Directed by Thomas Simmons. Northern California Premiere A Fine Line – A Fine Line explores why on 6% of head chefs and restaurant owners are women, when traditionally women have always held the central role in the kitchen and influenced many of the greatest male chefs. This opens a dialogue on gender inequality, motherhood and career balance, and how this inequity in the kitchen is representative of industries across the board. Directed by Joanna James. West Coast Premiere The Gateway Bug – Over 2 billion people on earth eat insects for protein. The Gateway Bug explores how changing daily eating habits can feed humanity in an uncertain age, one meal at a time. Directed by Johanna B. Kelly. Napa Premiere. Laddie: The Man Behind the Movies – The undisclosed story of Alan Ladd Jr., producer and former 20th Century Fox chairman, the movie mogul who green lit films such as Star Wars, Blade Runner and Alien. Directed by Amanda Ladd-Jones (Ladd’s daughter). Northern California Premiere Mighty Ground – With the help of unlikely friendships along the way, a homeless songwriter tries to kick a hard-core crack addiction and escape the grisly streets of skid row via his love of music. Directed by Delila Vallot. Northern California Premiere Skid Row Marathon – A criminal court judge starts a running club comprised of homeless drug addicts, a recovering single mom and a paroled murderer on L.A.’s notorious skid row. As they train together to run in international marathons, they learn to dream big as they are re-acquainted with their own dignity. Directed by Mark Hayes. Northern California Premiere The Untold Tales of Armistead Maupin – The Untold Tales of Armistead Maupin honors beloved storyteller Armistead Maupin, and chronicles his evolution from a conservative son of the Old South into a gay rights pioneer whose novels inspired millions to re-claim their lives. Directed by Jennifer M. Kroot. Napa Premiere.

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  • RAINBOW – A PRIVATE AFFAIR plus 10 More Films Among 2017 Toronto International Film Festival Masters Program

    [caption id="attachment_23755" align="aligncenter" width="1200"]Rainbow - A Private Affair Rainbow – A Private Affair[/caption] The lineup for the Masters program of the 2017 Toronto International Film Festival will feature a slate of 11 films, including an outstanding list of prolific filmmakers known for taking stylistic and thematic risks with their work, including Alanis Obomsawin, the first and only First Nations female filmmaker to be featured in the Masters program. “These are some of the greatest and most respected filmmakers working today, and we are excited to bring their latest films to TIFF audiences,” said Cameron Bailey, Artistic Director of TIFF. “This year’s Masters programme is a master class in creating bold, groundbreaking films that leave a mark on our cultural landscape.” Paolo and Vittorio Taviani bring the World Premiere of Rainbow – A Private Affair to TIFF. This classical piece of filmmaking tells the story of a young love triangle in Italy during the Second World War. Now in their 80s, the Taviani brothers have written or directed more than 20 films together and have won the Palme d’Or at the Cannes Film Festival and the Golden Bear at the Berlin International Film Festival. Lucrecia Martel, one of the most important filmmakers from Latin America and a reference point for international cinema, is also featured in the lineup. Her latest offering, Zama, is a cinematic masterpiece with a unique language and a particular point of view that reinforce her status as a master of the craft. Finnish master Aki Kaurismäki’s latest film, The Other Side of Hope (Toivon tuolla puolen), is a timely and touching film that follows a young Syrian seeking refuge in Finland as he searches for his sister. The film earned Kaurismäki the Silver Bear for Best Director at the 2017 Berlin International Film Festival. Veterans of the industry, these filmmakers bring decades of experience as screenwriters, directors, producers, film critics and actors. Collectively, they have produced feature films, documentaries, short films, television series, theatre productions and art installations. Many have received or been nominated for jury prizes at international film festivals, while others have served as members of juries. Known to challenge audiences, these filmmakers are true masters of the craft and are sure to excite and inspire audiences with their latest entries in the 2017 TIFF Masters programme. The 42nd Toronto International Film Festival runs from September 7 to 17, 2017.

    2017 Toronto International Film Festival Masters Program

    The Day After (Geu-hu) Hong Sangsoo, South Korea North American Premiere Faces Places (Visages Villages) Agnès Varda, JR, France Canadian Premiere First Reformed Paul Schrader, USA Canadian Premiere Happy End Michael Haneke, France/Austria/Germany North American Premiere The House by the Sea (La Villa) Robert Guédiguian, France North American Premiere Loveless (Nelyubov) Andrey Zvyagintsev, Russia/France/Belgium/Germany Canadian Premiere The Other Side of Hope (Toivon tuolla puolen) Aki Kaurismäki, Finland/Germany Canadian Premiere Our People Will Be Healed Alanis Obomsawin, Canada World Premiere *Previously announced with the Canadian feature lineup Rainbow – A Private Affair (Una questione privata) Paolo Taviani, Vittorio Taviani, Italy/France World Premiere The Third Murder (Sandome no Satsujin) Hirokazu Kore-eda, Japan North American Premiere Zama Lucrecia Martel, Argentina/Brazil/Spain/France/Netherlands/Mexico/Portugal/USA North American Premiere

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