Ashland Independent Film Festival

  • Ashland Independent Film Festival Unveils Complete 2019 Lineup of Over 150 Films

    Moonlight Sonata: Deafness in Three Movements by Irene Taylor Brodsky
    Moonlight Sonata: Deafness in Three Movements by Irene Taylor Brodsky

    The Ashland Independent Film Festival announced its lineup of over 150 films for the eighteenth annual festival, April 11-15, 2019, in Ashland, Oregon.

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  • First 10 Films Revealed for 2019 Ashland Independent Film Festival, incl. World Premiere of PHOENIX, OREGON 

    Phoenix, Oregon
    Phoenix, Oregon

    Thee world premiere of Ashland filmmakers Gary and Annie Lundgren’s Phoenix, Oregon, starring James Le Gros and Jesse Borrego as two friends who, defying midlife haze, seize an unlikely opportunity to reinvent their lives, quitting their jobs to restore an old bowling alley and serve the “world’s greatest pizza” along with nine additional films are the first titles revealed for the 18th Ashland Independent Film Festival.

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  • ‘América’ ‘Minding the Gap’ ‘Fort Maria’ ‘For Izzy’ Win at 17th Ashland Independent Film Festival [ Complete List of Winners]

    [caption id="attachment_28069" align="aligncenter" width="1200"]Director of América, Chase Whiteside, accepted the Les Blank Award: Best Feature Length Documentary. Photo by Darren Campbell/AIFF Director of América, Chase Whiteside, accepted the Les Blank Award: Best Feature Length Documentary. Photo by Darren Campbell/AIFF[/caption] The 17th Ashland Independent Film Festival (AIFF) officially came to a close today, and announced the highly anticipated juried and audience award-winning films for work screened at the festival, which ran April 12 to 16, 2018. “120 films made it into our program this year, and 15 of them are receiving the added recognition of a jury or audience award,” said festival director Richard Herskowitz. “I want to congratulate the makers of all 120 of our films for the delight and excitement they brought to our enthusiastic audiences.” The festival presented its coveted Rogue Award to actor Chris Cooper and director Lynn Shelton. Born in Kansas City, Missouri, Chris Cooper has given several notable performances in feature films, including as a union organizer in Matewan, the first of five films he appeared in directed by John Sayles. His performance as the eccentric plant collector John Laroche earned him an Academy Award® for Best Supporting Actor in Adaptation (2002). Cooper also served as executive producer and narrator of AIFF2018’s opening night film, Intelligent Lives, which explores how our society’s narrow views of intelligence have led to the segregation of people with intellectual disabilities. Lynn Shelton, proudly based in Seattle, had her first feature-length film, We Go Way Back, win the Grand Jury Award at the 2006 Slamdance Film Festival. After her acclaimed My Effortless Brilliance (AIFF2008) and Humpday, she was honored with the John Cassavetes Award at the Film Independent Spirit Awards in 2010. Your Sister’s Sister (AIFF2012) won Best Ensemble Performance at the 2012 Gotham Independent Film Awards. In recent years, Shelton has built a successful career as a television series director alongside her feature filmmaking. Her latest film, Outside In (AIFF2018), starring Edie Falco and Jay Duplass, screened at AIFF2018 and is being released by The Orchard. This year’s Pride Award was presented to Zackary Drucker. Drucker is an independent artist, cultural producer, and trans woman who breaks down the way we think about gender, sexuality, and seeing. She has performed and exhibited her work internationally in museums, galleries, and film festivals including the Whitney Biennial 2014, MoMA PS1, Hammer Museum, Art Gallery of Ontario, MCA San Diego, and SF MoMA, among others. Zackary is an Emmy-nominated Producer for the docuseries This Is Me, as well as a producer on the Golden Globe® and Emmy®-winning Amazon series Transparent. At the conclusion of the Awards Night Ceremony, Herskowitz was joined by Richard Blue, chair of the James Blue Alliance, for an announcement of AIFF’s new James Blue Emerging Filmmaker Award, which will offer a substantial cash award to a social justice filmmaker beginning in 2019. The specifications for this award will be announced in September in advance of the posting of AIFF’s next call for entries. On the heels of the 17th annual festival, MovieMaker Magazine has named the Ashland Independent Film Festival one of the Top 50 Films Worth the Entry Fee. This is the third time AIFF has been awarded this recognition (2014 and 2015). “We are thrilled and honored to be a part of this prestigious list,” said Herskowitz. The complete list of award-winning films follows:

    JURIED AWARDS

    BEST DOCUMENTARY FEATURE América Special Jury Recognition: Mr. Fish: Cartooning from the Deep End BEST DOCUMENTARY FEATURE EDITING Minding the Gap Special Jury Recognition: Five Seasons: The Gardens of Piet Oudolf BEST NARRATIVE FEATURE Fort Maria Special Jury Recognition: Wild Honey BEST NARRATIVE FEATURE CINEMATOGRAPHY Fort Maria Special Jury Recognition: The Last Hot Lick BEST DOCUMENTARY SHORT Commodity City Special Jury Recognition: The Last Honey Hunter BEST NARRATIVE SHORT So Much Yellow Special Jury Recognition: Game

    AUDIENCE AWARDS

    [caption id="attachment_28065" align="aligncenter" width="1200"]Director Alex Chu received the Varsity Audience Award for Best Narrative Feature for his film For Izzy. Photo by Darren Campbell/AIFF Director Alex Chu received the Varsity Audience Award for Best Narrative Feature for his film For Izzy. Photo by Darren Campbell/AIFF[/caption] Varsity Audience Award: Narrative Feature: For Izzy [caption id="attachment_28070" align="aligncenter" width="1200"]Director Aaron Kopptook home the Rogue Creamery Audience Award: Best Documentary Feature for his film Liyana. Photo by Darren Campbell/AIFF Director Aaron Kopptook home the Rogue Creamery Audience Award: Best Documentary Feature for his film Liyana. Photo by Darren Campbell/AIFF[/caption] Rogue Creamery Audience Award: Feature Length Documentary: Liyana and Skid Row Marathon (TIE) Jim Teece Audience Award: Narrative Short: Game Audience Award: Documentary Short: Little Potato

    SPECIAL TRIBUTES

    Rogue Awards: Chris Cooper and Lynn Shelton Pride Award: Zackary Drucker Indie Institutions: Milestone Films and International Documentary Association

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  • Ashland Independent Film Festival Rolls Out 2018 Program | ‘First Reformed’, ‘On Chesil Beach’, ‘Hearts Beat Loud’ and More ..

    [caption id="attachment_27690" align="aligncenter" width="1080"]On Chesil Beach On Chesil Beach[/caption] The Ashland Independent Film Festival announced its lineup for the five-day festival taking place April 12 to 16, 2018, and featuring over 120 films chosen from nearly a thousand films submitted to the festival, or specially selected by AIFF Artistic and Executive Director Richard Herskowitz. Special screenings include the upcoming features First Reformed (directed by Paul Schrader and starring Ethan Hawke), On Chesil Beach with Saoirse Ronan, Brett Haley’s Hearts Beat Loud with Nick Offerman, Andrew Haigh’s Oregon-filmed Lean on Pete, and Borg vs. McEnroe, starring Shia LeBoeuf, plus 2018 Sundance Film Festival award-winning documentaries Minding the Gap, On Her Shoulders, and Crime + Punishment.

    Award Recipients

    AIFF will present Rogue Awards to two special guests, Academy Award®-winning actor Chris Cooper and Seattle-based director Lynn Shelton. Cooper launched his film acting career with his role as a union organizer in Matewan, the first of five films he appeared in directed by John Sayles, and won the Academy Award in 2002 for his supporting role in Adaptation. In addition to participating in the TalkBack panel “Talking Acting with Chris Cooper,” Cooper will present on Opening Night the world premiere of a film he narrated and executive produced, Intelligent Lives, accompanied by director Dan Habib and executive producer Marianne Leone Cooper. Cooper met Marianne Leone in 1979 at an acting class in New York City. Their son, Jesse Lanier Cooper, was born three months prematurely in October 1987 and developed cerebral palsy and epilepsy. Chris and Marianne became advocates for inclusive education and champions of kids with special needs. Jesse was a mainstreamed student at Silver Lake Regional High School where he was an honor student. In 2005, Jesse died suddenly from a seizure at age 17. Intelligent Lives explores how our society’s narrow views of intelligence have led to the segregation of people with intellectual disabilities. AIFF will also present a Rogue Award to Lynn Shelton, who will present her sixth feature film, Outside In, starring Edie Falco and Jay Duplass and released by The Orchard. Shelton, proudly based in Seattle, has had a stellar career as an independent film director since winning the Grand Jury Award at the 2006 Slamdance Film Festival with her debut feature, We Go Way Back. Since then, Shelton’s films, including Humpday (2009), Your Sister’s Sister (AIFF2012), and Laggies (2012) have garnered awards and acclaim at Sundance, the Film Independent Spirit Awards, and the Gotham Independent Film Awards, as well as theatrical distribution from Magnolia and A24. Beginning with Mad Men in 2010, Lynn has directed over 25 episodes of television series including New Girl, Fresh Off the Boat, Master of None, Maron, and GLOW. The recipient of AIFF’s 2018 Pride Award, honoring filmmakers who have made significant contributions to LGBTQ media, is Zackary Drucker, an independent media artist and trans woman whose work crosses boundaries between the art world and popular culture. Drucker has performed and exhibited her work internationally in museums, galleries, and film festivals including the 2014 Whitney Biennial, MoMA PS1, Hammer Museum, and SF MoMA, among others. She is also a producer on the Golden Globe® and Emmy®-winning Amazon series Transparent. She will screen an episode of this series and two films featuring her late friend and mentor, Flawless Sabrina: Drucker’s video, She Gone Rogue and The Queen, Frank Simon’s rarely screened documentary of the 1967 Miss All-American Camp Beauty Pageant. Other special guests attending this year’s Festival include James Ivory, recipient of AIFF2017’s Lifetime Achievement Award and a 2018 Academy Award for his screenplay of Call Me By Your Name. Ivory will return to present the restored classic Shakespeare Wallah and join in a conversation after the screening with Oregon Shakespeare Festival’s Artistic Director Bill Rauch. AIFF is reaffirming its mission to promote independent filmmaking by honoring companies that have built the infrastructure of the independent film movement and challenged Hollywood’s dominance. This year, tribute will be paid to Milestone Films, which has gained an international reputation for releasing classic cinema masterpieces, groundbreaking documentaries, and American independent features. Since 2007, Milestone has concentrated on the restoration and worldwide distribution of films outside the Hollywood mainstream featuring “lost” films by and about African Americans, Native Americans, LGBTQ, and women. Milestone co-founders Dennis Doros and Amy Heller will present their recent restoration of No Maps on My Taps, accompanied by its director, George Nierenberg. The screening will be followed by a live performance and “tap-in” (with all audience members who bring tap shoes) led by dancer Suzanne Seiber. The second “Indie Institution” honoree will be the Independent Documentary Association (IDA). IDA’s educational, advocacy, production support, and exhibition programs, including the Pare Lorentz and Enterprise Documentary Funds and Documentary Magazine, provide resources, create community and defend rights and freedom for documentary artists, activists, and journalists. IDA’s Director of Programming and Policy, Claire Aguilar, joined by the films’ directors and subjects, will present The Blessing (an IDA Pare Lorentz Fund grantee) and Crime + Punishment (Enterprise Documentary Fund grantee, and winner of a jury prize at Sundance). Aguilar will also moderate the TalkBack panel “Seeking Justice in Documentary.” According to Festival director Richard Herskowitz, “The tribute to Milestone Films’ restoration and distribution is part of a larger programming focus this year on classic cinema that includes Shakespeare Wallah and No Maps on My Taps. Exposure to classic films, I believe, inspires indie film audiences and filmmakers (from James Ivory to Lynn Shelton) to question and reinvent filmmaking conventions.” The emphasis on classic film is highlighted in this year’s festival posters, based on images from the animated films of Stacey Steers. Steers’ sculptural media installations will be on view at the Schneider Museum of Art as part of an exhibition, The Animated Image ( April 12 – May 12) co-curated by Herskowitz and Schneider Museum director Scott Malbaurn. Also in this exhibition are animated media installations by Chris Doyle, Rick Silva, and Matt Bollinger. Steers’ trilogy of animated films featuring collages of silent film actresses in magical settings will be presented with new scores composed by Ashland-based composers Terry Longshore and Tessa Brinckman, which they will perform live on Saturday, April 14 at SOU Music Recital Hall. Also on that program will be a live performance accompanying the Russian silent film The Dying Swan, a Milestone Films release, with a score created by Ashland-based international opera and film score composer Joby Talbot. Talbot will perform on piano, joined by cellist Michal Palzewicz and violinist Jessica Lambert. Other classic film-themed screenings include Love, Cecil, the documentary on Academy Award-winning costume and set designer and photographer Cecil Beaton that will be accompanied by its director Lisa Immordino Vreeland. Film archivist Michael Zahs, the charismatic film archivist and subject of the documentary feature film Saving Brinton, will demonstrate an early Magic Lantern, a progenitor of the film projector, following Saving Brinton’s screening at the Historic Ashland Armory. Zahs will also demonstrate the Magic Lantern to kids during AIFF’s Family Day of film presentations and hands-on filmmaking activities at ScienceWorks Hands-On Museum on Saturday, April 14.

    2018Ashland Independent Film Festival Program Summary

    2018 Documentary Feature Selections

    América The Blessing Citizen Blue & The March Crime + Punishment Dark Money Five Seasons The Foreigner’s Home The Gospel of Eureka I Am Maris: Portrait of a Young Yogi Intelligent Lives Itzhak The King Liyana Love, Cecil Minding the Gap Modified Mr. Fish: Cartooning from the Deep End No Maps on My Taps On Her Shoulders One October The Queen The Reluctant Radical & Symphony for Nature: The Britt Orchestra at Crater Lake A River Below Saving Brinton Skid Row Marathon Sky and Ground A Tuba to Cuba Two Trains Runnin’

    2018 Narrative Feature Selections

    Back at the Staircase Borg v. McEnroe The Dying Swan First Reformed For Izzy Fort Maria Hearts Beat Loud The Last Hot Lick Lean on Pete On Chesil Beach Outside In People People The Rainbow Experiment Shakespeare Wallah Wild Honey

    SHORTS PROGRAMS

    Curated Programs CineSpace KidFlix: Best of the New York Children’s International Film Festival Animated Worlds: Stop-Motion Classics with Mark Shapiro Zackary Drucker: Trans Film Television Competition Program Short Stories 1: In the Light of Day Short Stories 2: After Hours Short Docs 1: About Work Short Docs 2: About Community Short Stories and Docs: About Family Locals Only Locals Only 1: Family Friendly – Launch Student Film Competition Locals Only 2: Ashland Roots Locals Only 3: On the River, On the Land

    PERFORMANCES

    Silent Scores: The Dying Swan and Stacey Steers’ Trilogy with Tessa Brinckman, Terry Longshore, and Joby Talbot Live Tap-in with Suzanne Seiber following No Maps on My Taps

    FAMILY DAY AT SCIENCEWORKS

    Saturday, April 14, 10am-5pm: Hands-on film activities and presentations by NASA’s Ralph Grau, archivist Michael Zahs, and LAIKA’s Mark Shapiro

    AIFF MEDFORD

    4 shows at Collaborative Theatre Project on March 21, April 14 and 16, and a special screening at Kids Unlimited of Dolores with Peter Bratt and Dolores Huerta (May 3)

    EXHIBITION AT SCHNEIDER MUSEUM OF ART: THE ANIMATED IMAGE

    Media installations by Stacey Steers, Chris Doyle, Matt Bollinger, and Rick Silva on view April 12 – May 12.

    TALKBACKS

    Talking Acting with Chris Cooper Seeking Justice in Documentary Composing Scores for Classic and Contemporary Films

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  • Hometown Film “Bastards y Diablos” Wins Best Film at Ashland Independent Film Festival

    [caption id="attachment_12086" align="aligncenter" width="1296"]Bastards y Diablos Bastards y Diablos[/caption] Bastards y Diablos, with several cast and crew members who hailed from nearby Medford, Oregon, swept both the juried and audience awards for Best Feature at the 2016 Ashland Independent Film Festival.The film is a voyage of self-discovery and reconciliation for two estranged half-brothers told in an unconventional manner. It was shot entirely on location in Columbia, on a budget of only $25,000. The co-star was Dillon Porter, who grew up in Medford. https://www.youtube.com/watch?v=A4NuLLJmHQo The documentary Mothering Inside by Portland director Brian Lindstrom won the audience award for Best Short Documentary, and the audience award for Best Feature length documentary went to Voyagers Without Trace, which was directed, produced and written by Ian McCluskey, also from Portland. The audience award for Short Film was awarded to The Stairs, which co-stars Oregon Shakespeare Festival (OSF) actor Anthony Heald. https://www.youtube.com/watch?v=tkS0bxwoF-k https://www.youtube.com/watch?v=Fig2VaOZmEc “As an Oregon filmmaker, I have always wanted to bring a film to the Ashland Independent Film Festival, which has built a reputation as a world-class festival, attended by engaged audiences,” McCluskey said. “We felt the energy in the small, historic Varsity Theater, with every ooh, aww, chuckle, and gasp. Each screening was followed by lively Q&As, and folks coming up to us throughout the festival to share their own stories. The heart of making an independent film is in its collaborative spirit, and that spirit is fully realized when shared with the audiences of Ashland.” “It was very satisfying to discover and program so many strong films emerging from our region,’’ said Richard Herskowitz, director of programming. “The enthusiastic response to these films, from both our audiences and our international jurors, testifies to the region’s cinematic vitality.” Other Pacific Northwest films also received warm receptions at the Ashland film festival, including , Honey Buddies, recently renamed Buddymoon, which was shot in the Columbia Gorge, and accompanied on opening night by a live performance by its star, DJ Flula Borg. The film co-stars David Guintoli of the Portland-based TV series Grimm. Other Oregon-connected films include: Christopher LaMarca and Jessica Dimmock’s The Pearl, a documentary that followed four people from the Pacific Northwest as they transition from man to woman; LaMarca’s Boone, a documentary about an organic goat farm in the Little Applegate Valley of Southern Oregon; and the short films 1985, The Child and the Dead, and Damn, What a Dame, made by students of the Southern Oregon University Film Club, and a winner of AIFF’s Launch student film competition. The complete list of award-winning films follows: JURY AWARDS BEST FEATURE Bastards y Diablos BEST ACTING Five Nights in Maine Honorable Mention: A Light Beneath Their Feet BEST SHORT FILM Killer Honorable Mention: El Tigre LES BLANK AWARD: BEST FEATURE LENGTH DOCUMENTARY Hooligan Sparrow Honorable Mention: The Birth of Saké BEST EDITING: FEATURE LENGTH DOCUMENTARY NUTS! Honorable Mention: In Pursuit of Silence BEST SHORT DOCUMENTARY 100 Years Show Honorable Mention: Greenwood AUDIENCE AWARDS VARSITY AUDIENCE AWARD FOR BEST NARRATIVE FEATURE Bastards y Diablos. ROGUE CREAMERY AUDIENCE AWARD FOR BEST FEATURE LENGTH DOCUMENTARY Voyagers Without Trace. JIM TEECE AUDIENCE AWARD FOR SHORT FILM The Stairs. BEST SHORT DOCUMENTARY Mothering Inside.

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  • Ashland Independent Film Festival Unveils Lineup, Opens with HONEY BUDDIES

    [caption id="attachment_11777" align="aligncenter" width="1000"]HONEY BUDDIES by Alex Simmons Honey Buddies[/caption] The 2016 Ashland Independent Film Festival will be celebrating its 15th anniversary this April by paying tribute to the roots of independent film. AIFF will give special emphasis to the intersection of live performance and film, beginning with the opening night screening, and Pacific Northwest premiere of Honey Buddies. Filmed in Oregon, the Slamdance award-winning comedy stars Flula Borg as the relentlessly upbeat best man who convinces David Giuntoli (Grimm), after his fiancée dumps him at the altar, to take him on his Columbia River Gorge honeymoon, instead. Borg, an online musical sensation thanks to his YouTube music videos and his striking performance in the recent Pitch Perfect 2, will perform a live DJ set in the Ashland Armory following the screening. The mainstay of the festival continues to be a rich assortment of documentary and narrative feature films and shorts, including many regional and several national premieres. Magali Noel’s Addicted to Sheep, Nick Hartanto and Sam Roden’s Traveler (which will be accompanied to the festival by its subject, photographer Nicholas Syracuse) and AIFF 2015 Audience Choice award winner Alexandria Bombach’s short film How We Choose are U.S. premieres. Ten feature films that opened at Sundance in January are receiving their regional premieres at AIFF, including Werner Herzog’s essay film on the Internet’s effect on society, Lo and Behold: Reveries of the Connected World; Maya Angelou: And Still I Rise, Uncle Howard, Cameraperson, NUTS!, Hooligan Sparrow, Trapped, and The Fits, along with Sonita and Norman Lear: Just Another Version of You. There are a number of films with regional connections, including two by rising Portland filmmaker Christopher LaMarca, whose films Boone and The Pearl (co-directed by Jessica Dimmock) just premiered at the South by Southwest (SXSW)and True/False Film Festivals. Boone is a sensory and unsentimental meditation on the lives of three young goat farmers living off the land in the Little Applegate Valley near Jacksonville, Ore. The Pearl delves into the experiences of older transgender women in the Pacific Northwest. The film will be accompanied by the filmmakers and two of their most striking subjects from Oregon, Krystal and Jodi, two sisters who were formerly brothers, and unaware of each other’s gender fluidity. Bastards y Diablos, about two half-brothers who go on a journey of self-discovery to Colombia, involved a crew based mostly out of Medford, Ore., including producer and co-star Dillon Porter. For lovers of the “other” Ashland festival, there are two films that highlight Shakespeare on the 400th anniversary of his death. Julie Taymor’s A Midsummer’s Night Dream, a theater performance inventively filmed by Rodrigo Prieto, is being touted as a visually spectacular adaptation, and will be accompanied by a Skype conversation with Taymor. Bill is a Monty Pythonesque tale of William Shakespeare’s “lost years”. In addition, a program of short films will feature current and former Oregon Shakespeare Festival actors, including Anthony Heald in The Stairs; and David DeSantos and Stephanie Beatriz in Closure. “It’s going to be an exciting and stimulating five days and nights,’ said Cathy Dombi, the festival’s executive director. “More than 50 visiting filmmakers and artists will attend the festival to engage in dialogues after screenings, with several artists accompanying their films with live music, art exhibits, and even virtual reality headgear for audiences to sample.” In his Ashland debut, Richard Herskowitz, the new director of programming, will honor two key indie film institutions by paying tribute to Kartemquin Films and Women Make Movies, organizations that have built an infrastructure for indie filmmakers working outside the mainstream. Kartemquin co-founder and artistic director Gordon Quinn will be joined by filmmakers Joanna Rudnick and Maria Finitzo for three screenings honoring Karteqmquin on its 50th anniversary. Accomplished documentarians Julia Reichert and Steven Bognar of New Day Films will screen three of their latest short films and join Quinn for a TalkBack panel on Activist Film Collectives. “Independent film’s social and cultural importance has been reaffirmed lately as Hollywood’s neglect of women’s and other minority voices has become painfully apparent,” said Herskowitz. This year, 24 of the 39 independent feature films are directed or co-directed by women, and the subject of one of the festival’s three “TalkBack” panel discussions will be Women Make Indie Movies, moderated by Women Make Movies’ executive director Debra Zimmerman. Zimmerman will also introduce her company’s acclaimed new release Sonita, winner of the Grand Jury and Audience Prize for international documentaries at Sundance. Sonita is about an Iranian teenager who creates an underground rap song to protest her family’s plan to sell her as a bride. This year’s Rogue Award will go to the esteemed directors Heidi Ewing and Rachel Grady (Detropia, Jesus Camp, The Boys of Baraka), who will screen their latest documentary, Norman Lear: Just Another Version of You, an homage to the 93-year-old American social activist and creator of the TV shows All in the Family, The Jeffersons, and Maude. Barbara Hammer, the pioneering director of queer cinema, will receive the festival’s Pride Award, supported by the Equity Foundation, and will present her latest film, Welcome to this House, on the life and poetry of Elizabeth Bishop. Herskowitz is introducing a new section titled Beyond, devoted to films that challenge and reinvent storytelling conventions. A highlight of this section will be MA, the debut feature by dance world sensation Celia Rowlson-Hall, a transfixing, artfully wordless narrative in which Rowlson-Hall stars as a reincarnation of the Virgin Mary. Rowlson-Hall was featured on the cover of Dance Magazine in 2014 and named one of 25 “new faces of independent film” in 2015 by Filmmaker Magazine. She is the winner of the festival’s first-ever Juice Award, given to an emerging female film director, with support from Tangerine Entertainment and the Faerie Godmother Fund of the Oregon Community Foundation. Other Beyond titles include The Fits, collective:unconscious, and He Hated Pigeons. At the TalkBack panel titled Transmedia & Virtual Reality Platforms for New Documentaries, filmmaker Helen de Michiel will present her latest transmedia projects, Lunch Love Community and Berkeley vs. Big Soda. Brad Lichtenstein will demo his virtual reality project, Across the Line, on the effect of anti-abortion protests on health centers and patients. Google VR headsets will be available for sampling after the panel. Vicki Callahan, a USC professor and an authority on digital culture and media strategies for social change, will moderate the discussion. 2016 AIFF FEATURE FILM SELECTIONS FILM; DIRECTOR Addicted to Sheep; Magali Pettier Bastards y Diablos; A.D. Freese Bill; Richard Bracewell Birth of Saké, The; Erik Shirai Boone; Christopher LaMarca Cameraperson; Kirsten Johnson Chicago Maternity Center Story, The; Jerry Blumenthal, Suzanne Davenport, Sharon Karp, Gordon Quinn, Jennifer Rohrer collective:unconscious; Lily Baldwin, Frances Bodomo, Daniel Patrick Carbone, Josephine Decker, Lauren Wolkstein Embers; Claire Carré Fits, The; Anna Rose Holmer Five Nights in Maine; Maris Curran Gesture and a Word; Dave Davidson He Hated Pigeons; Ingrid Veninger Honey Buddies; Alex Simmons Hooligan Sparrow; Nanfu Wang Hunky Dory; Michael Curtis Johnson In Pursuit of Silence; Patrick Shen In the Game; Maria Finitzo In Transit; Albert Maysles, Lynn True, Nelson Walker, Ben Wu, David Usui Light Beneath Their Feet; Valerie Weiss Lo and Behold: Reveries of the Connected World; Werner Herzog Louder than Bombs; Joachim Trier MA; Celia Rowlson Hall Maya Angelou: And Still I Rise; Bob Hercules & Rita Coburn Whack Midsummer Night’s Dream; Julie Taymor Neptune; Derek Kimball Norman Lear: Just Another Version of You; Heidi Ewing and Rachel Grady NUTS!; Penny Lane Pearl, The; Jessica Dimmock and Christopher LaMarca Secret Screening from Kartemquin Films; TBA Seventh Fire, The; Jack Pettibone Riccobono Sonita; Rokhsareh Ghaem Maghami Three Hikers, The; Natalie Avital Trapped; Dawn Porter Traveler; Nick Hartanto and Sam Roden Uncle Howard; Aaron Brookner Voyagers Without Trace; Ian McCluskey Welcome to This House; Barbara Hammer Women He’s Undressed; Gillian Armstrong Short Film Programs After Hours Shorts Animated Worlds with Mark Shapiro Art Docs Ashland Actors On Screen CineSpace Family Shorts: Kid Pix Family Shorts: TweenScreen Locals Only 1: Family Friendly Locals Only 2: Woman to Man Short Stories Short Docs TalkBack Panel Discussions Activist Film Collectives: Kartemquin and New Day Films Women Make Indie Movies Transmedia and Virtual Reality Platforms for New Documentaries

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  • 9 Films by Local Filmmakers Selected for 2016 Ashland Independent Film Festival’s Locals Category

    [caption id="attachment_11836" align="aligncenter" width="1136"]The Giantess The Giantess[/caption] Nine films by local filmmakers are Official Selections in the 2016 Ashland Independent Film Festival’s Locals category. The nine films chosen are all shorts or short documentaries created by filmmakers who live in the Siskiyou region. Two films by Medford director Ray Nomoto Robison (Dear Future Self and The Settling) were accepted. Robison is not a newcomer to the film festival. His film Model Rules screened at the 2009 film festival, and his three-minute short, Four Daughters screened in 2012. This will be the second time in the film festival for Cyle Ziebarth of Medford. Ziebarth’s animated short Climb of Competence, was accepted this year. His film Pizza Deliverance was screened in 2012. The list of selected directors also includes: Jacob Dalton, of Medford, for Loose Ends. Philip Kumsar, of Jacksonville; Jameson Collins, Lauren Dahl, and Violet Crabtreee, all of Arcata, CA., for The Giantess, an adaptation of a comic by Crabtree. Dade Barlow of Jacksonville, for Female to Male: Transgender. Cat Gould of Ashland, for Bernardina. Amirah David of Ashland, for As I Am. Libby Edson of Ashland, for YoMIND/ASH (Ashland High School) Yoga Program. “Our team of programmers was particularly impressed with these nine films, but the choice was tough, with a record number of submissions and so many strong entries to the festival this year,” said Richard Herskowitz, director of programming. “We hope that our local audiences will recognize the talented filmmakers among them and come out to cheer them on.” Kumsar, who submitted The Giantess, noted that the film was a project of passion: “We are beyond thrilled to be involved in a film festival.” Every year the Ashland Independent Film Festival presents local films for free to the public in the Locals Only program, but tickets are required. Deadline for submission is December and entry is free for residents of eligible counties within the Siskiyou region: Coos, Curry, Douglas, Jackson, Josephine, and Klamath in Oregon; Siskiyou and Del Norte in California.

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  • Experimental Animators, Laura Heit and Jeremy Rourke to Perform Live at Ashland Independent Film Festival

    [caption id="attachment_11813" align="aligncenter" width="1280"]Matchbox Show, Laura Heit Matchbox Show, Laura Heit[/caption] Two experimental animators, Laura Heit and Jeremy Rourke, will perform live with their films at this year’s Ashland Independent Film Festival, April 7 to 11, 2016. Animation and performance artist Laura Heit, whose work has been shown at MOMA and the Guggenheim, will perform her Matchbox Show on April 8 at 6:45p.m. at ScienceWorks Hands-On Museum, where one of her interactive media installations, Hypothetical Star, will be on view April 7-10. Heit’s second installation, Two Ways Down, along with a selection of her animated films, will be featured in the In Scene exhibition at the Schneider Museum of Art, April 6 – June 11. Also at ScienceWorks, Jeremy Rourke, a San Francisco-based animator and musician, will give two presentations of Stopping the Motion: An Expanded Cinema Performance on Saturday, April 9; one for families at 1p.m., and one for adults at 7 p.m. Heit’s and Rourke’s work exemplifies the festival’s new interest in blending film with music, visual art, and performance. “Laura Heit and Jeremy Rourke are producing wonderful examples of ‘expanded cinema,’ ” said Richard Herskowitz, the festival’s director of programming. “They are allowing us to extend our film festival beyond movie theaters and into gallery and concert venues. I think audiences will be charmed, entertained, and challenged by their works. In our 15th year, we are excited to bring these new explorations to Southern Oregon.” Heit, based in Portland, OR, works in animated art and performance and employs stop-motion, live-action puppetry, hand-drawing, and computer animation in her short films. Her work is screened extensively at museums, film festivals, and mass media around the world, including the London International Film Festivals and on PBS. She earned her MFA at the Royal College of Art in London and she was previously the co-director of the Experimental Animation Project at Cal Arts. She was the subject of an Oct. 8, 2015 Oregon Art Beat TV show, in which she explains how her art has developed to encompass film, art installation and performance. Heit’s Two Ways Down at the Schneider Museum of Art is a hand-drawn animated, sculptural installation and film that takes inspiration from the Hieronymus Bosch work: Garden of Heavenly Delights. It is part of In Scene, a group exhibition of eight artists who work in a variety of mediums such as video, installation, sculpture, and photograms in order to explore the state of the natural world in modern times. Hypothetical Star, at ScienceWorks, invites viewers to imagine a star system too deep inside or too far away to see. Heit animates images photographed through a digital microscope overlaid with raw footage taken form the Apollo 12 mission. Her piece uses thrown shadows from tabletop dioramas and reflected and refracted animated projections to create a universe of hypothetical stars, moons, and planets. Heit’s performance at ScienceWorks, titled Traveling Light: Animation, and her Matchbox Show will feature a selection of animated films curated by Heit, including some of her own films. Heit comments, “The films I’ve chosen to show are by filmmakers, cartoonists, and animators who have also found themselves creating work on paper, or on film, or in clay – using their hands as the translators and meaning makers of a deep and innate sense of the world.” Heit will end the evening with a 25-minute live performance in which she performs a variety of puppet shows within matchboxes. The performance is projected behind her on a big screen. Heit has toured her Matchbox Show for the past 15 years to locations as diverse as The Netherlands and the Walt Disney Concert Hall. Jeremy Rourke, a San Francisco artist who works with film, collage, animation, and music, will also perform at ScienceWorks Hands-On Museum in Ashland, OR. Rourke’s Stopping the Motion, an Expanded Cinema Performance, will feature, according to the artist, “stop motion animation, time lapse video, sound samples, audio loops, quotes, songs, singing bowls, and experimental interactions between myself and my media.” Rourke was selected as San Francisco Weekly’s Best New Animator/Musician of the Year in 2011, and he has performed at the S.F. Exploratorium, among many other venues. https://vimeo.com/110378394

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  • Imperial Dreams Win Top Awards at 2015 Ashland Independent Film Festival

    Imperial Dreams directed by Malik Vitthal The Ashland Independent Film Festival announced the 2015 juried and audience award winning films at an Awards Celebration gala at the Historic Ashland Armory. Imperial Dreams (pictured above), directed by Malik Vitthal was the big winner of this year’s festival, taking home both the Jury Award and Audience Award for Best Narrative Feature film. In Imperial Dreams,  21-year-old Bambi returns home to Los Angeles and his old stomping grounds in Watts, fresh off a 28-month stint in prison for gang activity, Now educated and eager to pursue his dream of becoming a published writer, he must first come to terms with his role as the sole caretaker of his 3-year-old son. To have any hope of reaching his goal and giving his son the upbringing he deserves, he needs to get a job and get off parole. Bambi’s dreams of a legitimate life are challenged by both the red tape of government bureaucracy and the pressure to return to his old gangster life. Even so, he finds hope where it is scarce, and learns what it really means to be a father. In total, twelve awards were presented to attending filmmakers, honoring their work screened at the 14th annual festival. The AIFF presented the 2015 Rogue Award to Olympic Champion Greg Louganis. In 1988, Louganis became the first man to sweep the diving events in consecutive Olympic games. His legendary grace, beauty, and courage sparked a worldwide fascination with diving. Louganis shared his story in the documentary Back on Board: Greg Louganis, directed by Cheryl Furjanic, which  screened Saturday evening. The film reveals the complicated life of the pioneering, openly gay athlete who revealed his HIV-positive status, at great risk to his career. Earlier in the week, the AIFF presented Award-winning Director Ondi Timoner with the inaugural AIFF “No Limits” Award in recognition of her fearless filmmaking and unique storytelling style in her latest film, BRAND: A Second Coming. The film follows comedian, author, and activist Russell Brand’s (Forgetting Sarah Marshall) evolution from a superficial Hollywood star and addict to a political disrupter and unexpected hero to the underserved. BRAND: A Second Coming screened Opening Night. Western, directed by Bill and Turner Ross, took home the Les Blank Award for Best Feature Length Documentary, bestowed by the festival’s jurors. This real-life western is a dazzling vérité portrait that puts a human face on an uncertain new reality of two border towns. Barge and Cartel Land received Honorable Mentions. It was a tie for The Rogue Creamery Audience Award for Best Documentary. Sharing the honor are FRAME BY FRAME and Batkid Begins: The Wish Heard Around the World. Imperial Dreams, directed by Malik Vitthal, received the festival’s jury award for Best Narrative Feature film and won the Varsity Audience Award for Best Feature. Another double winner was One Year Lease, taking home the Juried Best Short Documentary prize and the Audience Award for Best Short Documentary. Birthday took home the Jim Teece “Local Hero” Audience Award for Best Short Film. The Audience Family Choice Award went to The Dam Keeper. The jury award for Best Editing: Feature Length Documentary went to Kurt Cobain: Montage of Heck, directed by Brett Morgan. The juried award for Best Short Film went to SKUNK. Stop received an Honorable Mention. Wildlike won The Jim Giancarlo Award for Best Acting Ensemble and received the Gerald Hirschfeld A.S.C. Award for Best Cinematography. Proud Citizen received an Honorable Mention. Hirschfeld was the 2007 A.S.C President’s Award Honoree and Director of Photography for films such as Young Frankenstein and My Favorite Year. Most Juried and Audience Award-winning documentary, feature and short films will receive encore presentations, Monday April 13 at the Varsity Theatre in downtown Ashland.

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  • Ashland Independent Film Festival Gets A New Executive Director

    ashland independent film festival

    The Ashland Independent Film Festival has selected the CFO of High Sierra Music, Inc., Berkeley, CA to its top job. David Margulies of Ashland will succeed Anne Ashbey as the festival’s new executive director. Pam Notch, president of the AIFF board, described Margulies as “intelligent, dynamic and resourceful, with proven successes in his field. Dave brings over 19 years of festival experience to AIFF. During his professional tenure, Dave has developed deep relationships with key sponsors and partners, garnered numerous in-kind donations and demonstrated his acumen in fundraising.”

    “I am deeply honored to have been selected for this position,” Margulies said. “I’m a huge fan of the festival. I have a passion for the arts and bringing transformation through the lens of human experience. I look forward to collaborating with AIFF’s incredible staff, board, volunteers and community supporters to build upon the festival’s success and ensure a brighter future for independent film in Southern Oregon.”

    Margulies is well acquainted with AIFF, having served on the advisory board for two years from July 2012 to June 2014. “Dave’s incredible success in building and running a well-regarded music festival from the ground up has all the ingredients needed to not only strengthen AIFF but also take it to new levels,” Notch said. “Combine that with his existing experience and relationship with AIFF as an advisory council member, and he is a great fit for the film festival.”

    Ashbey resigned recently after two years in the festival’s top position. She will continue to be a part of the organization as a member of AIFF’s Board of Directors. Margulies, 55, a New Jersey native, is the CFO, Co-Owner and Co-Producer of High Sierra Music, Inc of Berkeley, CA, managing over 100 staff and 500 volunteers and an event budget exceeding $1 million. He will continue to work with the 4-day annual festival.

    Margulies has also worked for over five years at Sony Music Entertainment as their Regional Director of A & R, and as Managing Editor for College Media Journal of New York for seven years.

    “AIFF offers an unsurpassed festival experience that has become a vital part of our community and cultural life,” says Margulies. “You can expect me to be looking for opportunities to expand the audience, garner more support and build the exposure.”

    Margulies earned a degree in business management from Tulane University, New Orleans, LA. He moved to Ashland in 2005 with his family. “Coming from a business background, high on my list is to make the festival financially stronger,” he said. “We’re a non-profit arts organization, so we face the same financial challenges others do.”

    AIFF is a widely recognized and highly regarded festival, screening 80-plus independently made documentaries, features and shorts at the Varsity Theatre, the historic Ashland Armory and the Ashland Street Cinema each year. Praised by filmgoers for the intimate access it affords to filmmakers, and by filmmakers for its warm and intelligent reception given to the filmmakers, the Ashland Independent Film Festival was named one of the “Top 25 Coolest Festivals in the World” by MovieMaker magazine, and holds the number two spot in the “Best Places to Live and Work as a Moviemaker in 2014, Top Towns.” The National Academy of Motion Picture Arts and Sciences and the National Endowment for the Arts have each twice awarded AIFF with rare festival support grants.

    The 14th annual Ashland Independent Film Festival will be celebrated April 9-13, 2015.

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  • Ashland Independent Film Festival Announces 2014 Award Winners; ‘The Case Against 8’ Sweeps Awards for Best Documentary

    The Case Against 8The Case Against 8 The  Ashland Independent Film Festival  announced the 2014 juried and audience award winning films at an Awards Celebration gala at the Historic Ashland Armory.  The festival’s opening night film, The Case Against 8, directed by Ben Cotner and Ryan White, took home the Les Blank Award for Best Feature Length Documentary, given by the festival’s jurors, as well the Rogue Creamery Audience Award for Best Documentary, voted on by the audience. The film offers a behind-the-scenes look at the historic case to overturn California’s ban on same-sex marriage. The filmmakers and two of the plaintiffs attended the festival and participated in a lively Q&A with audiences following the screening of the film. 2014 Audience Award Winners Obvious Child won the Varsity Audience Award for Best Feature. Brooklyn Farmer received the Audience Award for Best Short Film: Documentary and Young Americans took home the Audience Award for Best Short Film: Narrative. The Audience Family Choice Award went to Macropolis. 2014 Juried Award Winners Hank and Asha, directed by James E. Duff received the festival’s jury award for Best Narrative Feature film. Bluebird received an Honorable Mention in the category. New for AIFF14, the jury award for Best Editing: Feature Length Documentary went to Marmato, directed by Mark Grieco. Bluebird won jury prize for Best Acting Ensemble, with Hank and Asha receiving an honorable mention.Before I Disappear received the Gerald Hirschfeld A.S.C. Award for Best Cinematography and Drunktown’s Finest received an Honorable Mention. Hirschfeld was the 2007 A.S.C President’s Award Honoree and Director of Photography for films such as Young Frankenstein and My Favorite Year. Best Short Documentary went to Rougarouing. The juried award for Best Short Film went to Yearbook.Verbatim received an Honorable Mention in the Best Short Film category. The 2014 Lifetime Achievement Award was presented to two-time Academy Award® winning Director Barbara Kopple. Kopple received an Oscar® in 1977 for Harlan County USA, which screened at the Festival, and again in 1991 for American Dream. Kopple’s many award-winning films include Shut Up and SingWoodstock: Now and Then; and Wild Man Blues. Kopple’s latest documentary, Running from Crazy, also screened at the Festival.  The film examines the personal journey of writer, model and actress Mariel Hemingway, the granddaughter of Ernest Hemingway, as she strives for a greater understanding of her complex family history. Earlier in the week, the AIFF presented a 2014 Rogue Award to Ty Burrell. Ty has appeared in blockbuster hits such as Black Hawk Down (2001), Dawn of the Dead (2004), and The Incredible Hulk (2008) and is the voice of Mr. Peabody in the upcoming Mr. Peabody & Sherman. Most know him as the funniest father on television, Phil Dunphy. But Ashland audiences got to know the man behind Phil, the Emmy Award® winning performer who grew up in Ashland, during A Conversation with Ty Burrell held on Saturday, April 5 at the Historic Ashland Armory. Ty and his childhood friend, Miles Inada, Professor of Art and Emerging Media at Southern Oregon University, engaged in an insightful and thoroughly entertaining discussion. Putting the spotlight on a filmmaker making a unique contribution to independent film, the AIFF presented Mark Monroe with a 2014 Rogue Award.  Monroe is the writing talent behind the Academy Award® winning film The Cove and the eye-opening Chasing Ice (AIFF12). Monroe was presented with his Rogue Award after the screening of his most recent film, Mission Blue.  Mission Blue is about legendary oceanographer, marine biologist, and environmentalist Sylvia Earle and her campaign to create a global network of protected marine sanctuaries. Monroe was also featured on the filmmaker TalkBack panel, Not the Same Old Story, examining the critical role of writing for documentary films.

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  • Ashland Independent Film Festival Announces 2014 Film Schedule Lineup

     THE CASE AGAINST 8THE CASE AGAINST 8

    The Ashland Independent Film Festival (AIFF) unveiled its complete program for the thirteenth annual Festival, to be held in the heart of historic downtown Ashland, Oregon, April 3 to 7, 2014. The Festival will open with THE CASE AGAINST 8, is a behind-the-scenes look inside the historic case to overturn California’s ban on same-sex marriage.

    The AIFF will honor two-time Academy Award® winning filmmaker Barbara Kopple with its 2014 Lifetime Achievement Award. Kopple received an Oscar® in 1976 for Harlan County USA, and again in 1991 for American Dream. Kopple’s many award-winning films include SHUT UP AND SING; WOODSTOCK: NOW and THEN; AND WILD MAN BLUES, about Woody Allen and his relationship with Soon-Yi Previn.   RUNNING FROM CRAZY, Kopple’s latest documentary, will screen at this year’s Festival.  The film examines the personal journey of writer, model and actress Mariel Hemingway, the granddaughter of Ernest Hemingway, as she strives for a greater understanding of her complex family history.

    This year, the AIFF will present a 2014 Rogue Award to a homegrown talent, Ty Burrell. Ty has appeared in blockbuster hits such as Black Hawk Down (2001), Dawn of the Dead (2004), and The Incredible Hulk (2008) and is the voice of Mr. Peabody in the upcoming Mr. Peabody & Sherman. Most know him as the funniest father on television, Phil Dunphy. But few know the man behind Phil, the Emmy Award® winning performer who grew up in Ashland.  In A Conversation with Ty Burrell on Saturday, April 5 at the Historic Ashland Armory, Ty and his childhood friend, Miles Inada, Professor of Art and Emerging Media at Southern Oregon University, will engage in what is sure to be an insightful and thoroughly entertaining discussion of acting (“the least rational career possible”), playing soccer in first grade together, plus a Q&A with the audience and other surprises.

    Putting the spotlight on a filmmaker making a unique contribution to independent film, the AIFF is also proud to present Mark Monroe with a 2014 Rogue Award.  Monroe is the writing talent behind the Academy Award® winning film THE COVE, the eye-opening CHASING ICE (AIFF12), and critically acclaimed THE TILLMAN STORY. Recently, Monroe penned MISSION BLUE, about legendary oceanographer, marine biologist, environmentalist and National Geographic Explorer-in-Residence Sylvia Earle and her campaign to create a global network of protected marine sanctuaries, which will screen at the Festival. Monroe will be featured on a free filmmaker TalkBack panel, NOT THE SAME OLD STORY, examining the critical role of writing for documentary films.

    Documentaries featured at the festival include the Opening Night Film, THE CASE AGAINST 8, a behind-the-scenes look inside the historic case to overturn California’s ban on same-sex marriage.  Other documentaries featured at the 13th annual AIFF include BURT’S BUZZ, an intimate portrait of the reclusive Burt’s Bees founder Burt Shavitz and RUNNING WILD, the story of legendary cowboy Dayton O. Hyde, author and protector of wild horses. From Emmy® Award–winning documentary filmmaker and AIFF Alum Director Rory Kennedy (Ethel, AIFF12) comes LAST DAYS IN VIETNAM, revealing the chaotic final days of the Vietnam War. IVORY TOWER examines the purpose of higher education in an era when the price of college has increased more than any other service in the U.S. economy since 1978.

    Four films nominated for Best Documentary Short Subject will be featured.  FACING FEAR follows a former neo-Nazi skinhead and the gay victim of his hate crime who meet by chance 25 years after the incident that dramatically shaped both of their lives. KARAMA HAS NO WALLS chronicles the 2011 Yemen uprising. A peaceful gathering by students turns deadly when pro-government snipers open fire on the protest.  CAVEDIGGER portrays Ra Paulette, an artist who creates cathedral-like caves in northern New Mexico with nothing but hand tools, grit and passion.  PRISON TERMINAL: THE LAST DAYS OF PRIVATE JACK HALL breaks through the walls of one of Americas oldest maximum-security prisons to tell the story of the final months in the life of a terminally ill prisoner.

    AIFF will also screen four Best Live Action Short nominated films.  DO I HAVE TO TAKE CARE OF EVERYTHING, a comedy about a chaotic morning in a family with kids, and a mother who is determined that it’s best to take care of everything herself.  IN JUST BEFORE LOSING EVERYTHING (AVANT QUE DE TOUT PERDRE), a getaway becomes essential for the survival of a mother and her children.  THAT WASN’T ME (AGUEL NO ERA YO) tells the story of Paula, a social worker, who accompanies her boyfriend to Sierra Leone to aid and rescue child soldiers.   THE VOORMAN PROBLEM follows Doctor Williams as he examines the enigmatic Mr. Voorman, a prisoner with a peculiar affliction: he believes he is a god that created the universe nine days ago.  

    The Festival’s “Animation Shorts” program will include the Academy Award® winning film MR. HUBLOT and Academy Award® nominee FERAL. MR. HUBLOT depicts the strange world of an obsessive-compulsive recluse with characters and objects fashioned from intricately detailed, salvaged materials. In FERAL, a young boy is found in the wild and brought back to civilization.

    Last year, the Festival expanded the “Family Shorts” program, a collection of delightful and engaging short films suitable for ages 5 and up, to a full weekend of showings at the Ashland Street Cinemas. This season, the AIFF continues to grow its family friendly programming with the Oscar®-nominated animated feature, ERNEST & CELESTINE. A curious and surprisingly open-minded mouse, Celestine, befriends Ernest, a down on his luck bear. The two take an immediate liking to each other in this charming, playful and beautifully animated film. Featuring Forest Whitaker, Lauren Bacall, Paul Giamatti, and William H. Macy, the film will enchant audiences of all ages.

    Sandra Boynton, one of America’s best-loved artists and children’s book authors, will be in Ashland during the Festival with her newest short film, ALLIGATOR STROLL, playing in the “Family Shorts” program.  A gallery exhibit of whimsical and original images from her new book, FROG TROUBLE, will be held at Houston’s Custom Framing and Fine Art during the Festival.

    The AIFF again presents some of the best new feature film work available on the festival circuit. BLUEBIRD, featuring Amy Morton and John Slattery, explores the interconnectedness of a small town in the northern reaches of Maine when the local school bus driver becomes distracted during her end-of-day inspection. In the romantic adventure JUST A SIGH, Alix (Emmanuelle Devos) embarks on a mysterious, off-kilter day with stranger (Gabriel Byrne), leading to what could be a new life for Alix.  Obvious Child is an unapologetically honest and authentic look at what happens when 27-year-old Brooklyn comedian Donna Stern gets dumped, loses her job, and discovers she’s pregnant — just in time for Valentine’s Day.

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