Here is the powerful trailer for Daniel McCabe’s eye opening documentary This is Congo which will have its New York premiere at the upcoming DOC NYC 2017. The film had its world premiere at the 2017 Venice Film Festival and will also screen at the upcoming IDFA 2017.
After living in the Congo for 7+ years, McCabe gained unprecedented access to top military officials and well-connected locals, allowing him to give a truly unfiltered look into one of the longest conflicts in the world, and the people surviving within it. This is Congo examines multiple sides of the fractious war in the Democratic Republic of Congo, following a former rebel whistle blower, a beloved frontline Commander and Mama Romance, a charismatic mineral dealer working on the black market.
This is Congo is a highly-immersive, unfiltered look into one of the longest conflicts in the world. The Democratic Republic of the Congo has seen more than five million conflict-related deaths, multiple regime changes and the wholesale impoverishment of its people in the past two decades. This is Congo immerses the viewer onto the frontlines of battle with key players including a whistleblower and military commanders to provide a truly unfiltered and unique look into the conflict plaguing Congo.
https://www.youtube.com/watch?v=4WfWODjDYAkDOC NYC
Documentary storytelling is flourishing like never before. DOC NYC is at the center of celebrating and supporting this cultural movement. DOC NYC is also an Academy-qualifying festival for short films. DOC NYC’s winning short will qualify for consideration in the Documentary Short Subject category of the Annual Academy Awards® without the standard theatrical run, provided the film otherwise complies with the Academy rules.
DOC NYC started in 2005 and takes place in Manhattan, New York, USA
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VIDEO: Watch Daniel McCabe’s Eye Opening Documentary THIS IS CONGO Trailer
Here is the powerful trailer for Daniel McCabe’s eye opening documentary This is Congo which will have its New York premiere at the upcoming DOC NYC 2017. The film had its world premiere at the 2017 Venice Film Festival and will also screen at the upcoming IDFA 2017.
After living in the Congo for 7+ years, McCabe gained unprecedented access to top military officials and well-connected locals, allowing him to give a truly unfiltered look into one of the longest conflicts in the world, and the people surviving within it. This is Congo examines multiple sides of the fractious war in the Democratic Republic of Congo, following a former rebel whistle blower, a beloved frontline Commander and Mama Romance, a charismatic mineral dealer working on the black market.
This is Congo is a highly-immersive, unfiltered look into one of the longest conflicts in the world. The Democratic Republic of the Congo has seen more than five million conflict-related deaths, multiple regime changes and the wholesale impoverishment of its people in the past two decades. This is Congo immerses the viewer onto the frontlines of battle with key players including a whistleblower and military commanders to provide a truly unfiltered and unique look into the conflict plaguing Congo.
https://www.youtube.com/watch?v=4WfWODjDYAk
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NAILA AND THE UPRISING, Story of the Role Women Played in First Intifada, Premieres at DOC NYC
Naila And The Uprising
Directed by acclaimed filmmaker Julia Bacha (Budrus, My Neighbourhood), Naila And The Uprising tells the remarkable story of Naila Ayesh, who played a key role in the First Intifada, the most vibrant, nonviolent mobilization in Palestinian history.
Naila And The Uprising will World Premiere at the eighth annual DOC NYC festival on Sunday, November 12 at the SVA Theatre, 209 East 23rd Street.
When the uprising broke out in the late 1980s, Naila was living in Gaza. Faced with a choice between love, family and freedom, she embraced all three, joining a clandestine network of Palestinian women in a movement that forced the world and Israel to recognize the Palestinian right to self-determination for the first time. The film focuses on the power of women’s leadership in building a united front in the struggle for self-determination, equality and freedom in the Occupied Palestinian Territories. It inventively combines animation with archival footage to explore this hidden history.
Naila And The Uprising premieres in the month leading up to the 30th anniversary of the start of the First Intifada on December 9, 1987 and, following its DOC NYC screening, will launch internationally at IDFA in Amsterdam.
Julia Bacha said the film was a long-anticipated Just Vision production: “The First Intifada is an iconic moment in Palestinian history, when women took the helm of leadership positions at the grassroots and guided a civil resistance effort that was highly strategic, effective and creative and, in many ways, is an example of what civil resistance can achieve in the face of overwhelming repression. It’s a story that the media at the time missed—a trend that continues today as communities organize across the region for equality, freedom and justice—and we’re thrilled to finally bring it to light.”
As part of a newly announced deal with Fork Films and THIRTEEN/WNET, Naila And The Uprising will be included in the four-part Women, War & Peace II series, which is slated to have its exclusive US broadcast premiere on PBS in 2018, as well as broad international distribution. This is the second installment of the Women War & Peace series, which highlights how women in contemporary conflict zones risk their lives and lift their communities in pursuit of freedom and justice. The first installment of the series in 2011—which included groundbreaking films like Pray the Devil Back to Hell—exceeded the expectations of PBS and the series producers.
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Compelling Documentary WHAT HAUNTS US by Paige Goldberg Tolmach to Premiere at 2017 DOC NYC
The documentary What Haunts Us by Paige Goldberg Tolmach, tells the story about the 1979 class of Porter Gaud School in Charleston, South Carolina that graduated 49 boys. Within the last 35 years, six of these boys committed suicide.
Filmmaker Tolmach graduated from this school and now digs deep with the film in discovering the dark secrets that have lingered and haunted this community that she so loves.
What Haunts Us will premiere at the 2017 DOC NYC Film Festival on Monday Nov 13th.
The past is never dead. It’s not even past.’ William Faulkner
This is the central idea in What Haunts Us, Paige Goldberg Tolmach documentary about the horrific nightmare that happened at her seemingly perfect high school…that NO ONE wants to talk about to this day. When Paige hears about the suicide of yet another former schoolmate, she begins to take a deeper look at the past and starts to ask questions that almost no one in Charleston wants to answer. As she digs deeper, she begins to hear the awful truth about a beloved teacher who methodically manipulated and molested many of his students for years. It becomes her obsession to understand how it could have happened in plain view and, as it turns out, with the knowledge of the school. Her obsession becomes a story about our obligation to speak up and protect those who can’t protect themselves. It’s a story about how silence is complicity and about finding the courage to unearth what lies below the surface in order to shine a light on the truth of our own past.
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BIG TIME, Portrait of Bjarke Ingels, Architect of 2 World Trade Center, to Premiere at DOC NYC | Trailer
Big Time is an intimate portrait of the Danish starchitect – Bjarke Ingels – the architect of the 2 World Trade Center, as he tries to balance his professional ambition and personal life. The film will have its NYC Premiere at the 2017 DOC NYC in Art + Design section on Wednesday, November 15, 2017.
Big Time is spread over a period of six years while his architecture firm BIG works to complete their largest projects yet, the 2 World Trade Center and the New York skyscraper VIA 57W, which houses the newly opened multiplex Landmark at 57 West, where the film opens later this year for a week-long theatrical run.
Director Kaspar Astrup Schröder is a self-taught visual artist and designer. Though based in Copenhagen, he often works in Asia. Has exhibited visual work and released music in Copenhagen, Amsterdam, Brussels, New York, Shenzhen and Tokyo. His previous films THE INVENTION OF DR. NAKAMATS (2009) and MY PLAYGROUND (2010) were selected for the International Documentary Film Festival Amsterdam (IDFA). RENT A FAMILY INC. (2012) was honored with a Golden Eye Award in the category Best International Documentary at Zürich International Film Festival.
Astrup Schröder: “I wanted to convey architecture in a different, cinematic way. Bjarke’s business in New York evolved so quickly, it was as if he had put himself in the driver ’s seat in a train, which could never stop, and now he had to lay the tracks while managing the steering wheel. He ran into some health-related issues, and the pressure became even bigger. That’s when I started to feel that the film could be more universal and that it could also paint the greater picture of of how the little things in life – close relations, love and health – might be more important than we presume.”
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20 Pound Nutrias Invade Louisiana in Documentary RODENTS OF UNUSUAL SIZE | Trailer
Rodents Of Unusual Size takes us up-close into a large region south of New Orleans that survived hurricane Katrina and is now facing its latest threat—hordes of monstrous 20 pound rodents known as the nutria.
The documentary by award winning filmmaking team Chris Metzler and Jeff Springer (Plagues and Pleasures of the Salton Sea and Everyday Sunshine: The Story of Fishbone) & co-director Quinn Costello. The film will screen as part of 2017 DOC NYC at the IFC Film Center on November 15th at 7:15pm.
Louisiana’s coastal wetlands are one of the largest disappearing landmasses in the world and the voracious appetite of this curious and unexpected invasive species from South America is greatly accelerating coastal erosion, which in turn makes the area even more vulnerable to hurricanes. As the coastline disappears, the hunters and trappers, fishermen and shrimpers, storytellers and musicians that makes Louisiana a country unto itself are leaving en masse. Nonetheless, a stalwart few remain and are fighting back.
Rodents Of Unusual Size tells the story of one such diehard, Thomas Gonzales, and his community of Delacroix Island, as they resist the invasion of the rodents. The state of Louisiana has started a program that pays a $5 bounty for every nutria tail collected, which has helped the effort, by encouraging former trappers to hunt the nutrias for their tails instead of the fur. Others have tried business ventures to harvest the nutria for their fur and meat, in hopes that by creating a demand for this sustainable resource, they could help protect the wetlands and fight back the rodents.
And yet despite the havoc this invasive species has wrought on Southern Louisiana, it has also been embraced by the culture. The Audubon Zoo in New Orleans has opened a nutria exhibit, the local Triple-A baseball team has a nutria as a mascot, a fashion collective designs clothing made out of nutria promoting it as “sustainable fur” and even some Cajuns have nutria as pets.
Through the offbeat and unexpected stories of the people confronting the nutria problem, the film confronts issues surrounding coastal erosion, the devastation following hurricanes, loss of culture and homeland, and the resilience of the human spirit.
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Comedian Hari Kondabolu Confronts Minority Media Representation in THE PROBLEM WITH APU | Trailer
Brooklyn-based comedian Hari Kondabolu is the host of the popular podcast “Politically Re-Active” alongside W. Kamau Bell. In the new documentary, The Problem With Apu he tackles minority media representation and specifically Apu Nahasapeemapetilon, the Indian immigrant proprietor of the Kwik-E-Mart, a convenience store in Springfield – in the animated television series The Simpsons.
In this highly-personal, insightful and timely exploration of minority media representation, Kondabolu speaks with prominent South Asian actors about the damaging legacy of Apu – who is voiced by a white actor with a heavily exaggerated, stereotypical Indian accent.
Aziz Ansari, Kal Penn, Aasif Mandvi, Hasan Minjaj, Utkarsh Ambudkar, Aparna Nancherla, Russell Peters, Sakina Jaffrey and Maulik Pancholy share poignant stories about their own experiences with Apu and the broader questions about the comedy and representation he evokes.
With additional interviews with EGOT-winner Whoopi Goldberg, W. Kamau Bell, Surgeon General Vivek Murthy, Mallika Rao, and many more, The Problem With Apu takes a humorous look at how even a beloved television series can have a blind spot.
The Problem With Apu directed by Michael Melamedoff will World Premiere at DOC NYC 2017 on Tuesday, November 14, 2017; and will make its television premiere on truTV Sunday, November 19 at 10PM ET/PT.
https://www.youtube.com/watch?v=zGzvEqBvkP8
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SAVING BRINTON, Documentary on Discovery of Cinematic Treasures of Barnstorming Movie Man | Trailer
Saving Brinton follows eccentric collector Mike Zahs who discovers the showreels of the man who brought the moving picture to the Heartland. He begins a journey to restore the legacy of America’s greatest barnstorming movie man and save these irreplaceable cinematic treasures from turning to dust.
The documentary film, directed by Tommy Haines and Andrew Sherburn, will make its NYC premiere at 2017 DOC NYC on November 13 and 14, 2017.
The screenings of Saving Brinton are presented at DOC NYC with an additional 10-minute package of silent films from the collection with live narration by film subject Michael Zahs. Included among the shorts are films by Edison and the Lumière brothers as well as a rediscovered “lost film” from 1904 by George Méliés that premiered in October 2017 at the prestigious Pordenone Silent Film Festival.
In a farmhouse basement on the Iowa countryside, eccentric collector Mike Zahs makes a remarkable discovery: the showreels of the man who brought the moving picture to America’s Heartland. Among the treasures: rare footage of President Teddy Roosevelt, the first moving images from Burma, a lost relic from magical effects godfather Georges Méliés. These are the films that introduced movies to the world. And they didn’t end up in Iowa by accident.
Amid the old nitrate reels are the artifacts of William Franklin Brinton. From thousands of trinkets, handwritten journals, receipts, posters and catalogs emerges the story of an inventive farmboy who became America’s greatest barnstorming movieman.
As Mike uncovers this hidden legacy, he begins a journey restore the Brinton name and return the films to big screen glory in the same small-town movie theater where Frank first turned on a projector over a century ago.
By uniting community through a pride in their living history Mike embodies a welcome antidote to the breakneck pace of our disposable society. “Saving Brinton” is a portrait of this unlikely Midwestern folk hero, at once a meditation on living simply and a celebration of dreaming big.
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SOUFRA, Inspirational Story of Refugee Entrepreneur, Mariam Shaar, to Premiere at DOC NYC
[caption id="attachment_25077" align="aligncenter" width="1200"]
Mariam Shaar in Soufra[/caption]
The award-winning documentary film Soufra follows the inspirational story of intrepid social entrepreneur, Mariam Shaar – a refugee who has spent her entire life in the 69-year-old Burl El Barajneh refugee camp south of Beirut, Lebanon.
Soufra, directed by award-winning filmmaker Thomas Morgan (Storied Streets, Waiting for Mamu), will have its North American Premiere at the DOC NYC Film Festival in New York on November 12th.
[caption id="attachment_25078" align="aligncenter" width="1200"]
Manal Hassan and Maha Hajjaj vegetable shopping in SOUFRA[/caption]
The film chronicles Mariam and a diverse team of fellow refugee women, from throughout the Middle East who share the camp as their home as they set out to change their fate by launching a catering company, “Soufra,” and then expanding its reach (thanks to an astonishing Kickstarter campaign), outside the camp with a food truck business. Together, they heal the wounds of war through the unifying power of food while taking their future into their own hands.
Soufra is produced by Primetime Emmy®-winning filmmaker Kathleen Glynn (Bowling for Columbine, Fahrenheit 9/11, TV Nation), Rebelhouse President, Trevor Hall, Pilgrim Media Group President & CEO Craig Piligian, and executive produced by Academy Award®-winning actress Susan Sarandon.
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Sam Pollard’s Latest Film MAYNARD Profiles Maynard Holbrook Jackson, First Black Mayor of Atlanta | Trailer
The documentary Maynard, directed by the prolific filmmaker Sam Pollard, has wrapped as the film enters post production in Atlanta, Georgia.
He was Obama before Obama, Maynard Holbrook Jackson became first black Mayor of Atlanta, Georgia in 1973 and this film is an exploration into a man who had dreams and ambitions to be a public servant for his people seeing that it was the next logical step in the journey that had been started by Dr. King, and so many others who had blazed the trail during the years of horrific segregation.
Maynard interviews include President Bill Clinton, Al Sharpton, Vernon Jordan, Ambassador Andrew Young, Rev. Joseph Lowery, Jesse Jackson, former Atlanta Mayor’s Sam Massel and Shirley Franklin, and current Mayor Kasim Reed to name a few.
Directed by Academy Award nominee, Emmy winner and 4 time Peabody Award winner Sam Pollard (“Slavery by Another Name”, “Sammy Davis, Jr.: I’ve Gotta Be Me”, “Two Trains Runnin’”), Maynard is produced by Wendy Eley Jackson, Dolly Turner, and Winsome Sinclair with cinematography by Henry Adebonojo who worked on the Academy Award nominated documentary “I Am Not Your Negro”.
Update: MAYNARD will World Premiere at 2017 DOC NYC on Thursday, November 16th, 2017.
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Interview: Paul Hildebrandt Talks About His Documentary FIGHT FOR SPACE
“If you have ever looked up at the night sky and wondered what is out there, this is the film for you.” Director Paul Hildebrandt puts into perspective the danger and detachment of America’s growing apathy for astronomy in his documentary Fight for Space. Though the Space Race inspired several generations to chase space and seek careers in science and technology, we’ve seen a steady decline in educational pursuit of space exploration in recent years. Fight for Space urges viewers to reawaken the sense of wonder and discovery and includes interviews with big names such as Bill Nye and Apollo 13 astronaut Jim Lovell who share Hildebrandt’s vision for the future of the final frontier. We sat down with Paul, who’s love for astronomy, fascination with science fiction and concern for future generations galvanized this push to reinvest money and minds into space education.
What was your main motivation for making the documentary?
As an aspiring science fiction writer and soon-to-be father in 2012, I began to think of both how little the future seemed to be offering the next generation in terms of space flight. With the Space Shuttle just having been retired, and the Constellation program canceled, things were not looking up. I dropped the pen on trying to write a science fiction movie, believing that the Star Trek future would never exist until we figure out how to get out of low earth orbit. I had the idea to do a documentary on these issues as a way of bringing attention to them, and off we went.
Have you always been interested in Astronomy or is it something you came to later in life?
For as long as I can remember I’ve always been interested in space. Through both practical astronomy and science fiction. I’ve always wondered what could be out there.
Why do you think we lost interest in space education?
Interest in space education and space flight in general has had a bumpy road. In the 60s we were in a cold war with the Soviet Union and this spurred science education further than it had ever been before. Ever since then the focus has been mostly on earth bound problems which seem to resurface and repeat themselves constantly. Today space gets a few headlines and tv specials when NASA or SpaceX announces something, but we haven’t seen any of this come to be yet. To reignite interest in space we need to actually do something, not just talk about. Pulling back from the Moon and ending that program was I believe, a huge mistake and the ultimate answer to your question.
How long did it take to shoot? Did you run into any challenges while making it?
The film took about 4 years and change to make and it was incredibly challenging for me, both personally and professionally. NASA for example, did not want any part of the project because the question of “Why haven’t we gone back to the Moon?” Was too negative for their PR. I was given great help in finding footage and acquiring information but completely restricted from visiting any NASA facility or interviewing any NASA personnel officially. So a film that was originally going to be a film looking at how NASA was going to do all these great things in the future turned into more of a tragedy about why we stopped going and how messed up things are today. I learned a lot making this film and I’m excited to take these lessons into my next film, producing it quicker and more efficiently.
Can you tell our readers why they should see Fight for Space and what you want the audience to take away from the film?
Fight for Space is a film about the great things that we have done, and what we can do if we put our heads together and just do it. I’d like the audience to take away from this film all of the benefits that can be gained by doing space exploration and to see how badly it’s been messed up over the years. If you have ever looked up at the night sky and wondered what is out there, this is the film for you.
Can you give tips to any prospective Documentary film makers and what did you learn while making Fight for Space?
First, film making is collaborative, you can’t do everything yourself as much as you want to try. With that said it’s also important to follow your heart and make the film how you want to make it. Be expressive with your style of film making.
I learned more making Fight for Space than I ever did in any film class or formal training. Trial and error in both film making, dealing with people both close and far, public relations, technical requirements, archival research, the list is endless. I think the greatest way to learn how to make a movie is to make one. You can’t be told how to do it.
What’s next step for both you and the doc?
For the doc, I hope to continue showing it around the country and various festivals and then finally get it on some streaming services so everyone can see it as soon as possible.
As for me, after I wind down from this it’s off to make more documentaries, maybe about space, maybe not. Taking what I’ve learned and doing it better than I did last time, that’s what it’s about.
https://www.youtube.com/watch?v=e58zMy9kvuU
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Julie Sokolow Talks WOMAN ON FIRE, Her Documentary on NYC’s First Openly Transgendered Firefighter
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Woman On Fire[/caption]
In addition to the grueling physical and emotional strength it takes to be a firefighter, Brooke Guinan bore the weight of judgment and the weight of hormonal changes to carry out both her desire to be a firefighter and her destiny to transition from male to female. Woman On Fire documents the life and struggles Guinan went through to fulfill both sides of who she was meant to be. The documentary takes a powerful look at the path of transitioning your gender in an overwhelmingly macho profession. We interviewed the director Julie Sokolow to discuss the trials, tribulations, and triumphs of making the film and the message it gets across.
This is such an important and moving topic, can you briefly describe what Women on Fire is about?
Woman on Fire tells the story of Brooke Guinan, the first openly transgender firefighter in NYC. She’s also a third generation firefighter whose father and grandfather served in the FDNY. We follow Brooke as she emerges as a national role model – working against all odds to come out as transgender in an old-school, conservative workplace all while recruiting and training women and LGBTQ people for one of the most traditional jobs in the world.
What was your main motivation for making the documentary?
In 2014, an empowering photograph of Brooke went viral. She’s standing tall with her hands on her hips in a shirt that reads, “So Trans So What”. I thought, wow, she is the future. Her story sparked my imagination of a society in which we work peacefully alongside trans individuals in all sorts of professions. Brooke’s father George is a respected lieutenant with 35 years on the job. He’s also Republican, devoutly Christian, and very accepting of Brooke. To me, their relationship embodied the polarized political forces in America today. I wanted to explore that and celebrate Brooke’s unique life and family.
How long did it take to shoot? Did you run into any challenges while making it?
The film took about a year and a half to shoot. I was simultaneously editing while shooting towards the end. Brooke’s life was so dynamic, I didn’t want to leave anything out of the edit. She was busy working at FDNY headquarters and volunteering with the United Women Firefighters, all while buying a house with her partner Jim and considering marriage. So the film is all of these things – part family history, part love story, part expose.
Can you tell our readers why they should see Woman on Fire and what you want the audience to take away from the film?
You should see Woman on Fire because it is authentic, funny, sweet, and inspiring – just like Brooke. Brooke and I became great friends through the making of this film. I hope our friendship is contagious to audiences and people leave the theater with a sense of kindness for the trans people they encounter in their own lives.
Can you give tips to any prospective Documentary filmmakers?/What did you learn while making Woman on Fire?
One of the coolest parts of making this film was getting really close with Brooke and her family. I would stay at their house for weeks at a time while filming. I know that’s not possible for every documentary, but I really liked the intimacy. It wasn’t just me filming for a couple of hours and then running back home to my own life. Brooke became part of my life and I became part of hers. I think that helped me tell a better story. So I guess the advice is to be immersed and invested in the stories you tell as best you can.
What’s the next step for both you and the doc?
Woman on Fire premieres at DOC NYC on November 15th, followed by an encore screening on November 17th. After that, we’ll play more festivals, tour around, and try to share Brooke’s story as much as we can. The story is a beacon of hope in these tough times so I can’t wait for people to be able to see it and get inspired by Brooke the way she inspired me.

Eric Clapton: Life in 12 Bars[/caption]
DOC NYC announced the full lineup of over 250 films and events for its eighth edition, running November 9 to 16 at the IFC Center in Greenwich Village and Chelsea’s SVA Theatre and Cinepolis Chelsea.
Special Events include Closing Night Film, the NYC premiere of