L-R: Michelle Rodriguez, Viola Davis, and Elizabeth Debicki star in Twentieth Century Fox’s WIDOWS. Photo Credit: Courtesy Twentieth Century Fox.[/caption]
The international premiere of Academy Award-winner Steve McQueen’s Widows will open this year’s 62nd BFI London Film Festival on Wednesday October 10 at the Cineworld, Leicester Square.
Co-written by McQueen and best-selling novelist and screenwriter Gillian Flynn and starring Academy Award-winner Viola Davis, Widows is a complex thriller about a group of women with nothing in common except a debt left behind by their dead husbands’ criminal activities. A star-studded ensemble cast includes: Viola Davis, Michelle Rodriguez, Elizabeth Debicki, Cynthia Erivo, Colin Farrell, Daniel Kaluuya and Jacki Weaver with Robert Duvall and Liam Neeson.
From Steve McQueen (12 Years a Slave) and co-writer Gillian Flynn (Gone Girl) comes a blistering, modern-day thriller set against the backdrop of crime, passion and corruption. Taking place in contemporary Chicago, amid a time of political and class turmoil, tensions build when Veronica (Oscar-winner Viola Davis), Alice (Elizabeth Debicki), Linda (Michelle Rodriguez) and Belle (Cynthia Erivo) take their fate into their own hands and conspire to forge a future on their own terms. Widows also stars Liam Neeson, Colin Farrell, Robert Duvall, Daniel Kaluuya, Lukas Haas and Brian Tyree Henry. Based on the TV series “Widows” by Lynda La Plante, the film sees Steve McQueen serve as producer, together with Iain Canning, Emile Sherman and Arnon Milchan.
Widows will be released in cinemas across the UK and Ireland on November 9, 2018.
The 62nd BFI London Film Festival in partnership with American Express takes place from Wednesday October 10 – Sunday October 21, 2018.
https://www.youtube.com/watch?v=6S3phVSi0tIFilm Festivals
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Steve McQueen’s WIDOWS Starring Viola Davis to Open BFI London Film Festival [Trailer]
[caption id="attachment_30734" align="aligncenter" width="1200"] L-R: Michelle Rodriguez, Viola Davis, and Elizabeth Debicki star in Twentieth Century Fox’s WIDOWS. Photo Credit: Courtesy Twentieth Century Fox.[/caption]
The international premiere of Academy Award-winner Steve McQueen’s Widows will open this year’s 62nd BFI London Film Festival on Wednesday October 10 at the Cineworld, Leicester Square.
Co-written by McQueen and best-selling novelist and screenwriter Gillian Flynn and starring Academy Award-winner Viola Davis, Widows is a complex thriller about a group of women with nothing in common except a debt left behind by their dead husbands’ criminal activities. A star-studded ensemble cast includes: Viola Davis, Michelle Rodriguez, Elizabeth Debicki, Cynthia Erivo, Colin Farrell, Daniel Kaluuya and Jacki Weaver with Robert Duvall and Liam Neeson.
From Steve McQueen (12 Years a Slave) and co-writer Gillian Flynn (Gone Girl) comes a blistering, modern-day thriller set against the backdrop of crime, passion and corruption. Taking place in contemporary Chicago, amid a time of political and class turmoil, tensions build when Veronica (Oscar-winner Viola Davis), Alice (Elizabeth Debicki), Linda (Michelle Rodriguez) and Belle (Cynthia Erivo) take their fate into their own hands and conspire to forge a future on their own terms. Widows also stars Liam Neeson, Colin Farrell, Robert Duvall, Daniel Kaluuya, Lukas Haas and Brian Tyree Henry. Based on the TV series “Widows” by Lynda La Plante, the film sees Steve McQueen serve as producer, together with Iain Canning, Emile Sherman and Arnon Milchan.
Widows will be released in cinemas across the UK and Ireland on November 9, 2018.
The 62nd BFI London Film Festival in partnership with American Express takes place from Wednesday October 10 – Sunday October 21, 2018.
https://www.youtube.com/watch?v=6S3phVSi0tI
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13 Filmmakers to Compete for Kutxabank-New Directors Award at 2018 San Sebastián Film Festival
[caption id="attachment_30728" align="aligncenter" width="1000"]
Apuntes para una película de atracos (Notes for a Heist Film).[/caption]
Thirteen first or second films by European, Asian and Latin American directors that will be competing for the Kutxabank-New Directors Award at the 2018 San Sebastián Film Festival.
Koldo Almandoz (San Sebastián, 1973) has had an intense career in the world of short films, linked to the Kimuak programme and to the San Sebastián Festival, which programmed his first short, Razielen itzulera (The Return of Raziel), in 1997 in Zabaltegi, the section in which two decades later he presented his first full-length film, Sipo Phantasma (Ghost Ship), after premiering it in Rotterdam. Oreina (The Deer) is his second feature film.
Elías León Siminiani (Santander, Spain, 1971), nominated for a Goya for Mapa (Map), is now presenting Apuntes para una película de atracos (Notes for a Heist Film). For her part, Nataliia Meshchaninova (Krasnodar, Russia, 1982), who competed in Rotterdam with her first full-length film, Kombinat ‘Nadezhda’ / The Hope Factory, focuses on the vet on a farm in Serdtse Mira / Core of the World. And after Ama Doren / Hold my hand, Ismet Sijarina in Nëntor i ftohtë / Cold November returns to the War in the Balkans, in this case to its background, when Kosovo’s autonomy was suppressed.
Hadrian Marcu (Brăila, Rumanía, 1976) will be presenting Un om la locul lui / A Decent Man, about a man who is torn by an emotional conflict, that was selected last year in the first Glocal in Progress, the industry activity at the Festival aimed at European films in non-hegemonic languages. It stars Bodgan Dumitrache, who won the Silver Shell for best actor last year for his performance in Pororoca.
The selection also includes the first film by Francisco Marise (La Plata, Argentina, 1985), Para la Guerra (To War), coproduced by the filmmaker, Javier Rebollo, who also takes part in the editing process, and the first film by Hiroshi Okuyama (Japan, 1996), the award-winning music video director, who makes his debut with Boku wa Iesu-sama ga kirai / Jesus.
The short by Inés María Barrionuevo (Córdoba, Argentina, 1980), La quietud (2012), competed in the official section at Locarno, and her first feature film, Atlántida (2014), was selected at the Berlinale in the Generation 14plus section. In Julia y el zorro (Julia and the Fox) she deals with a woman and her twelve-year-old daughter who are going through a mourning process. The director, producer and actress Lila Avilés (Mexico, 1982), after working in theatre and presenting shorts at international festivals, in her first full-length film, entitled La camarista (The Chambermaid), describes the everyday life of one of the so-called ‘chambermaids’.
After winning awards in his short-film career (with films like Teneriffa), Hannes Baumgartner (Männedorf, Switzerland, 1983) has been inspired in his first feature film Der läufer / Midnight Runner, by the true story of an athlete who starts to commit robberies and lead a double life.
Snow, the graduation film by Laurits Flensted-Jensen (Aarhus, Denmark, 1985), was selected at Rotterdam and was chosen as best documentary short by the Danish Academy. His fictional short Melon Rainbow was once again programmed at the Dutch festival and won the most important award at Odense. Neon Heart is his first full-length film.
After taking part in the Short Film Corner at Cannes with Grasshopper, the Vietnamese director Ash Mayfair (Ho Chi Minh City, 1985) is presenting her feature-film debut at San Sebastián with The Third Wife, whose screenplay was chosen by Spike Lee as the winner of his Spike Lee Film Production Fund Award in 2014.
The short film Luisa no está en casa (Luisa is not Home) by Celia Rico Clavellino (Seville, 1982) was chosen in the Short Film Corner at Cannes and at Venice and won the Gaudí award for best short. Her first full-length film, Viaje al cuarto de una madre (Journey to a Mother’s Room), whose screenplay took part in the Berlinale Talents Script Station Lab, stars Lola Dueñas and Anna Castillo.
The remaining titles making up the New Directors section will be announced in the coming weeks.
APUNTES PARA UNA PELÍCULA DE ATRACOS (NOTES FOR A HEIST FILM)
LEÓN SIMINIANI (SPAIN)
Elías is a film director who dreamed of making a heist movie. During the summer of 2013 he reads a news story about the arrest of ‘The Vallecas Robin Hood’, the leader of ‘the sewers gang’. He then feels that he has found the opportunity to make his dream come true. He sends him a letter to the prison where he is serving his sentence. Against all odds, Elías receives a reply three weeks later. Robin Hood agrees for him to come and visit him in prison.
BOKU WA IESU-SAMA GA KIRAI / JESUS
HIROSHI OKUYAMA (JAPAN)
Cast: Yura Sato, Riki Okuma
Yura is a young boy whose family leaves Tokyo to live with his grandmother in the snowy countryside. Not only must he fit in at a new school, but it’s a Christian one. At first he is puzzled when he and his classmates are called to ‘worship’, but he gradually adjusts to his new environment. One day, in the middle of a prayer, he sees a very small Jesus appear before him. Each wish Yura makes to Jesus comes true, and he starts to have faith in the power of the Lord.
DER LÄUFER / MIDNIGHT RUNNER
HANNES BAUMGARTNER (SWITZERLAND )
Cast: Max Hubacher, Annina Euling, Luna Wedler, Sylvie Rohrer, Christophe Sermet, Saladin Dellers
Jonas Widmer is one of the best runners in Switzerland and his focus is to attend the Olympic games. Besides the sport Jonas is a successful cook and plans to move in with his girlfriend Simone. But Jonas perfect life gets disturbed by the increasing memories of his late brother. He starts a tragic double life by robbing young women at night. After a true story.
JULIA Y EL ZORRO (JULIA AND THE FOX)
INES MARÍA BARRIONUEVO (ARGENTINA)
Cast: Umbra Colombo, Pablo Limarzi, Victoria Castelo Arzubialde
Julia, an ex-actress, and her daughter Emma move into a mansion in a village in Córdoba, Argentina. It is winter and Julia needs to fix up the house so she can sell it. Quite a while has gone by since the death of her husband and Emma’s father, but they are still in mourning. The days go gloomily by. Grief has made Julia quiet and cool with her daughter. One night Julia meets Gaspar, a life-long friend of hers. Gaspar tries to convince Julia to take part in a theatre competition. Julia, Emma and Gaspar find a way to rebuild their lives by starting a rather uncertain project to form a new type of family.
LA CAMARISTA (THE CHAMBERMAID)
LILA AVILÉS (MEXICO – USA)
Cast: Gabriela Cartol, Teresa Sánchez
Eve is a young chambermaid working in one of the most luxurious hotels in Mexico City, an exclusive glass tower inhabited by guests so wealthy she can only imagine their lives through intimate fantasies of the belongings they’ve left behind. Long, laborious shifts prevent Eve from caring for her child while she helps guests with their own children, but she believes her situation will improve if she gets promoted to work at executive-level suites, for which she accepts a grueling schedule. In keeping with this goal, she also enrolls in the hotel’s adult education program…
NËNTOR I FTOHTË / COLD NOVEMBER
ISMET SIJARINA (KOSOVO – ALBANIA – FORMER YUGOSLAV REPUBLIC OF MACEDONIA)
Cast: Kushtrim Hoxha, Adriana Matoshi, Emir Hadzihafizbegovic, Fatmir Spahiu, Majlinda Kosumovic, Bislim Mucaj, Lum Veseli, Aurita Agushi
In the beginning of the ’90s, Yugoslavian Government cancelled the autonomy of Kosovo, dissolved its Parliament and closed down the National Television. Whole institutional life was reorganized by new authorities, while the majority of citizens responded with peaceful demonstrations. During this evil time, Fadili who is working as an archivist has to choose between two options, being aware that both of them are wrong. In this way, he involuntarily and unwillingly, ‘swallows’ the shame, endures the pressure coming from all sides and deals with the bad reputation for just one reason: to provide welfare for his family.
NEON HEART
LAURITS FLENSTED-JENSEN (DENMARK)
Cast: Victoria Carmen Sonne, Niklas Herskind, Noah Skovgaard Skands
Neon Heart is a story about three people chasing life and each other. Laura is on her way to a porn film casting. Niklas is trying to take care of two men with Down’s Syndrome, and Frederik is out to gain respect as a hooligan. In glimpses and fragments of past and present, we follow the three characters on a journey full of taboos and desires. With a cast of mainly non-actors in authentic environments, Neon Heart confronts its audience with a world we would rather not look at.
OREINA (THE DEER)
KOLDO ALMANDOZ (SPAIN)
Cast: Laulad Ahmed, Patxi Bisquert, Ramón Agirre, Iraia Elías, Erika Olaizola
Khalil is a rootless young man who lives on the edge of town, where the industrial estates merge into the river and the marshes. Khalil gets by as best he can and spends his time with an old poacher, who shares a house on the riverbank with a brother who he hasn’t spoken to in years. On the banks of the marshes, the tides mark the time for love and heartbreak, friendship and revenge.
PARA LA GUERRA (TO WAR)
FRANCISCO MARISE (CUBA – ARGENTINA – SPAIN)
Para la guerra explores the memory and loneliness of a Cuban former internationalist soldier by observing his body and (extra)ordinary gestures. This is a bloodless war film without any shooting; a film about a wound, that ‘Sledgehammer’, ‘ El Rayado’, Andrés, has, this special forces veteran who tries to find his colleagues from the commando that survived their last mission 30 years ago.
[caption id="attachment_30730" align="aligncenter" width="1000"]
Core of the World (Serdtse Mira[/caption]
SERDTSE MIRA / CORE OF THE WORLD
NATALIIA MESHCHANINOVA (RUSSIA)
Cast: Stepan Devonin, Dmitriy Podnozov, Jana Sekste
Egor is a veterinarian on a rural farm which doubles as a hunting dog training center. He is a grown man, but deep inside he is a child who has been hurt and abandoned by everyone, including his own mother. All he wants is to care for the animals and to feel part of the close-knit family he works for. When animal rights activists invade this fragile microcosm, throwing off its delicate balance, Egor’s world begins to crumble… Or so it seems.
THE THIRD WIFE
ASH MAYFAIR (VIETNAM)
Cast: Trần Nữ Yên Khê, Mai Thu Hường, Nguyễn Phương Trà My, Nguyễn Như Quỳnh
In 19th century rural Vietnam, 14-year-old May becomes the third wife of wealthy landowner Hung. Soon she learns that she can only gain status by asserting herself as a woman who can give birth to a male child. May’s hope to change her status turns into a real and tantalizing possibility when she gets pregnant. Faced with forbidden love and its devastating consequences, May finally comes to an understanding of the brutal truth: the options available to her are few and far between.
UN OM LA LOCUL LUI / A DECENT MAN
HADRIAN MARCU (ROMANIA)
Cast: Bogdan Dumitrache, Ada Gales, Madalina Constantin, Iulian Postelnicu, Adrian Titieni
Petru is a drilling engineer living in a community of oil industry workers. Petru is quite conflicted. On one hand he is about to get married to his pregnant girlfriend Laura, on the other he is involved with the wife of one of his colleagues, Sonia, who had a serious work-related accident. His new life seems to begin while she feels hers is ending. Everything is thrown into chaos when Laura finds out about his relationship with Sonia. He feels guilt-ridden but also responsible for the upcoming baby. Participant in the first edition of Glocal in Progress.
VIAJE AL CUARTO DE UNA MADRE (JOURNEY TO A MOTHER’S ROOM)
CELIA RICO CLAVELLINO (SPAIN- FRANCE)
Cast: Lola Dueñas, Anna Castillo, Pedro Casablanc
Leonor wants to leave home, but she doesn’t dare to tell her mother. Estrella doesn’t want her to leave but is unable to keep her by her side either. Mother and daughter will have to face this new stage in life in which the world that they share starts to fall apart.
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THE TALE Starring Laura Dern to have South African Premiere at Durban International Film Festival [Trailer]
The Tale, starring Laura Dern will have its South African Premiere at this year’s Durban International Film Festival. The director Jennifer Fox will be in attendance at the DIFF to present her film, and at the Durban FilmMart where she will be participating in a panel session entitled The Medium is the Message, where she will be discussing the transition from documentary film-making to narrative film-making. The Tale will screen on Saturday, July 21 at 14:15 at Suncoast CineCentre followed by a screening on July 23 at 16:00 at Musgrave Ster Kinekor.
The Tale chronicles one woman’s powerful investigation into her own childhood memories, as she is forced to reexamine her first sexual experience – and the stories we tell ourselves in order to survive. The film is written and directed by Sundance Grand Prize winner and Emmy® nominee Jennifer Fox, who based it on her own true story.
Starring Laura Dern (Oscar® nominee for “Wild” and “Rambling Rose”; Emmy® winner for HBO’s “Big Little Lies”; Emmy® nominee for HBO’s “Enlightened,” “Recount” and “Afterburn”), together with Isabelle Nélisse (“Mama”), Elizabeth Debicki (“The Night Manager”), Jason Ritter (“Kevin (Probably) Saves the World”), Frances Conroy (Emmy® nominee for HBO’s “Six Feet Under”) and John Heard (Emmy® nominee for HBO’s “The Sopranos”), with Common (Oscar® winner for “Selma”) and Ellen Burstyn (Academy Award® winner for “Alice Doesn’t Live Here Anymore”).
An accomplished documentarian working in New York, Jennifer (Laura Dern) is completing her latest project about the lives of women around the world. She receives a series of phone calls from her mother, Nettie (Ellen Burstyn), who has found a short story Jennifer wrote at age 13, in which she describes various encounters with her riding instructor, Mrs. G (Elizabeth Debicki), and her running coach, Bill (Jason Ritter), while at summer camp. Nettie is unnerved by the implications of her daughter’s writing, but Jennifer is nonplussed. She has always looked back with fondness on the time she spent with these two charismatic adults.
Egged on by Nettie and encouraged by her supportive fiancé (Common), Jennifer yearns to know more and sets out on a journey, 30 years later, to find those people from her past – the children, now adults, who also attended the camp back then – and eventually the coaches themselves. But the more she learns, the more her memories shift and the more questions she unearths. As Jennifer’s frustration mounts, she finds herself turning inward to get to the truth, imagining conversations with her 13-year-old self (Isabelle Nélisse) and even Mrs. G and Bill in an effort to understand how and why events occurred so long ago.
An unforgettable meditation on the elusive nature of memory, The Tale is the first narrative feature from Jennifer Fox, whose documentary films have earned international acclaim for their groundbreaking artistry and unflinching honesty. Based on Fox’s own life story, THE TALE sees the filmmaker bravely pushing forward the boundaries of conventional storytelling, creating a dialogue between past and present to illustrate the interplay between memory and trauma.
“My goal was not to ask, ‘Did this happen?,’ because I always remembered it,” explains writer and director Fox. “It was, ‘How and why did it happen, and how and why did I spin it as a positive story?’ There was a lightbulb moment when I was making another film about women all around the world, and it seemed that every other woman – regardless of class, culture or color – had an abuse story to tell. Their stories just floored me, because they had a system or a paradigm that looked like my story. Suddenly, I couldn’t see it as my own private little narrative and knew that it was time to investigate what happened in the open space of a fictional film.”
[caption id="attachment_30723" align="aligncenter" width="1200"]
The Tale Director Jennifer Fox[/caption]
The Tale is produced by Jennifer Fox, Oren Moverman, Laura Rister, Mynette Louie, Simone Pero, Lawrence Inglee, Sol Bondy, Regina K. Scully, Lynda Weinman and Reka Posta. Julie Parker Benello, Dan Cogan, Geralyn Dreyfous, Wendy Ettinger, Abigail E. Disney, Robert & Penny Fox, Jayme Lemons, Amy Rodrigue, Ali Jazayeri, Jason Van Eman, David Van Eman, Ross Marroso and Ben McConley are executive producers.
https://www.youtube.com/watch?v=tXpYsr3AL4U
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MIDNIGHT RUNNER – First FOCUS Competition Film Confirmed for 14th Zurich Film Festival
Based on a real-life crime that took place in Berne, Midnight Runner (2018) will screen at the 14th Zurich Film Festival. The Swiss production is one of twelve films to compete for the Golden Eye in the festival’s FOCUS competition section. Director Hannes Baumgartner and the producers Stefan Eichenberger and Ivan Madeo from Contrast Film will be in Zurich to present their film.
Midnight Runner tells the story of successful long-distance runner Jonas Widmer, who, in addition to training for the Olympic marathon, is a hard-working chef and forms one half of a stable relationship. Jonas becomes increasingly haunted by memories of his dead brother after failing to defend a home-race title. Unable to express his inner suffering in words, the protagonist’s growing despair leads him to live a tragic double life.
Zurich-born director Hannes Baumgartner based his feature film on a real-life Swiss crime. Transposed to the present day, Baumgartner’s interpretation of the actual case is subjective. He presents an ambivalent on-screen character, the actions of whom he attempts to understand as a result of a densely woven network comprising formative experiences, repressive processes and inner turmoil.
Midnight Runner is Hannes Baumgartner’s debut feature film. Baumgartner worked on the screenplay together with author Stefan Staub. Actor Max Hubacher, recent winner of the Swiss Film Award for Best Actor for his role in MARIO (2018), plays the lead. Luna Wedler can be seen in a supporting role. This up-and-coming Swiss actress was a guest at last year’s Zurich Film Festival with the winning film BLUE MY MIND (2017).
Midnight Runner celebrates its world premiere screening at San Sebastian Film Festival, the Zurich Film Festival’s partner festival. The film hits Swiss cinemas on October 4, 2018, distributed by Filmcoopi Zürich.
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Sarajevo Film Festival Announces 2018 Feature Film Competition Program Lineup
[caption id="attachment_30801" align="aligncenter" width="1200"]
LEMONADE[/caption]
The Sarajevo Film Festival announced the lineup of its 2018 Feature Film Competition Program. The lineup includes the World Premieres of ALL ALONE, LOVE 1. DOG, ONE AND A HALF PRINCE and THE PIGEON THIEVES.
WORLD PREMIERES
ALL ALONE / SAM SAMCAT Croatia, Netherlands, Serbia, Montenegro, B&H, 2018, 88 min. Director: Bobo Jelčić LOVE 1. DOG / DRAGOSTE 1. CÂINE Romania, Poland, 2018, 103 min. Director: Florin Șerban ONE AND A HALF PRINCE / UN PRINȚ ȘI JUMĂTATE Romania, 2018, 103 min. Director: Ana Lungu THE PIGEON THIEVES / GÜVERCIN HIRSIZLARI Turkey, 2018, 82 min. Director: Osman DoğanINTERNATIONAL PREMIERE
MALI Croatia, 2018, 90 min. Director: Antonio NuićREGIONAL PREMIERES
ÁGA Bulgaria, Germany, France, 2018, 96 min. Director: Milko Lazarov HORIZON / HORIZONTI Georgia, Sweden, 2018, 105 min. Director: Tinatin Kajrishvili LEMONADE Romania, Canada, Germany, Sweden, 2018, 88 min. Director: Ioana Uricaru ONE DAY / EGY NAP Hungary, 2018, 99 min. Director: Zsófia Szilágyi THE LOAD / TERET Serbia, France, Croatia, Iran, Qatar, 2018, 98 min. Director: Ognjen Glavonić
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Documentary THE FUN’S NOT OVER on South African Musician James Phillips to Premiere at Durban International Film Festival
Durban filmmaker Michael Cross’ award-winning documentary film, “The Fun’s Not Over – The James Phillips Story” will have its local premiere at the Durban International Film Festival on Saturday July 21, 2018.
The film, which recently won the Audience Award when it premiered at this years 20th Encounters South African International Documentary Film Festival, tells the story of the life and untimely death of James Phillips who died aged 36 in July 1995.
He was a composer, musician, bandleader and the voice and conscience of a generation of white South Africans. Cross’ film examines his extraordinary journey and his multiple musical incarnations.
Phillips’ Afrikaans alter ego Bernoldus Niemand’s 1983 single, “Hou My Vas Korporaal” (“Hold Me Tightly, Corporal”) became an anthem of the End Conscription Campaign and spawned “alternative” Afrikaans rock music and the Voëlvry movement.
In 1985, with his beloved Cherry Faced Lurchers, he recorded the gut-wrenching “Shot Down” that addressed both white privilege and the violence of the apartheid state.
James Phillips’ legacy is that of one of this country’s most aware, articulate and passionate artists. He was a genius, a satirist, a poet and probably one of the most accomplished songwriters that South Africa has ever produced.
“The Fun’s Not Over” tells James’ story in his own words and through the voices of journalists like Max du Preez, satirists Zapiro and Pieter Dirk Uys, his musical collaborators and label-mates like Koos Kombuis and Vusi Mahlasela, contemporary artists like Jack Parow and his friends and family.
[caption id="attachment_30690" align="aligncenter" width="1200"]
Filmmaker Michael Cross of “The Fun’s Not Over – The James Phillips Story”[/caption]
“The Fun’s Not Over – The James Phillips Story” will screen in competition, for Best South African Documentary Feature at the 39th Durban International Film Festival on Saturday July 21, 2018 at Musgrave 3 at 20:00 and Wednesday July 25, 2018 at Musgrave 3 at 18:00.
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71st Locarno Festival Announces Complete Film Program Lineup, Jury + Tributes
[caption id="attachment_30681" align="aligncenter" width="1023"]
I FEEL GOOD by Benoît Delépine, Gustave Kervern[/caption]
The official program of the 71st edition of the Locarno Festival was announced at a press conference today, Wednesday July 11, 2018. The line-up for the official juries was also announced as were tributes to Wolf-Eckart Bühler, Pierre Rissient, Francis Reusser and Claude Lanzmann. The 71st Locarno Festival will take place from August 1 to 11, 2018.
In the program introduction, Carlo Chatrian, Artistic director, notes “This year’s program also includes films that, instead of portraying the conflicts raging around the world, concentrate on private stories, while allowing the present to resonate like the echoes of a thunderstorm. Examples are Yara by Abbas Fahdel, who following his epic Homeland (Iraq Year Zero) has left the war zone to plunge into the Lebanese countryside; or the portrait which Ethan Hawke – Excellence Award 2018 – dedicates in the eponymous film to the musician BLAZE, conflicted but charming hero, a rebel against the system and a profoundly free spirit, fated for a tragic end. These are just two films that create a bond between the self and the world, between the details of an individual life and the universal truths revealed by their story. Another of their common traits is also found in many other titles: the courage shown by their protagonists when faced with an insurmountable obstacle. Perhaps that’s why these and so many other films this year simply take a name for their title (Diane, Alice T., M., Menocchio, Sibel, Ray & Liz, Siyabonga). It may well be a sign of renewed trust in film as an art form capable of telling the stories of men and women without filtering them through symbolism, proof that the human face may be back as the be-all and end-all of a film. If so, I should like to present this year’s program as a single, magnificent and very long portrait gallery of unique faces, disarming even when well aware of the artfulness of their fiction. From Stan Laurel to the young Israeli Menahem and his disturbing statements in M.; from Mae West’s opulence to the sublime beauty of Julio Bressane’s muse in Sedução da Carne; from the discreet charm of Ingrid Bergman to the appeal of Noée Abita in Genèse; from the madcap elegance of Irene Dunne to the disenchanted appeal of Mary Kay Place in Diane.”
Official Juries
The Jury of the Concorso internazionale
President: Jia Zhang-ke, Filmmaker (China) Emmanuel Carrère, Writer (France) Sean Baker, Filmmaker (United States of America) Tizza Covi, Filmmaker (Italy/Austria) Isabella Ragonese, Actress (Italy)The Jury of the Concorso Cineasti del presente
President: Andrei Ujică, Filmmaker (Romania) Ben Rivers, Filmmaker (United Kingdom) Lætitia Dosch, Actress (Switzerland/France)The Jury of the Pardi di domani
President: Yann Gonzalez, Filmmaker (France) Deepak Rauniyar, Filmmaker (Nepal) Marta Mateus, Filmmaker (Portugal)The Jury of Signs of Life
Emilie Bujès, Festival Director (Switzerland) Josh Siegel, Curator (United States of America) Tiziana Finzi, Curator (Italy)The Jury of the First Feature
Funa Maduka, Creative and Acquisitions Executive (United States of America) Susan Vahabzadeh, Film Critic (Germany) Kieron Corless, Film Critic (United Kingdom)Piazza Grande
BLACKKKLANSMAN by Spike Lee USA – 2018 – 135’ with John David Washington, Adam Driver, Topher Grace, Corey Hawkins, Laura Harrier, Ryan Eggold, Jaspar Pääkkönen, Ashlie Atkinson Production: Focus Features Swiss distributor: Universal Pictures International Switzerland BLAZE by Ethan Hawke USA – 2017 – 128’ with Ben Dickey, Alia Shawkat, Josh Hamilton, Charlie Sexton Production: Under the Influence Productions, Ansgar Media/Village Studios, Cinetic Media Swiss distributor: Look Now! Film Distribution International Premiere COINCOIN ET LES Z’INHUMAINS by Bruno Dumont France – 2018 – 4×52’ with Alane Delhaye, Bernard Pruvost, Philippe Jore, Julien Bodart, Christophe Verheeck, Alexia Depret, Lucy Caron, Marie-Josée Wlodarczack, Jason Cirot, Nicolas Leclaire, Priscilla Benoist Production: Taos Films Co-production: ARTE France Cinéma World Sales: Doc & Film International Swiss distributor: Praesens-Film World Premiere Closing Film I FEEL GOOD by Benoît Delépine, Gustave Kervern France – 2018 – 103’ with Jean Dujardin, Yolande Moreau Production: JD PROD, No Money Productions Co-production: ARTE France Cinéma, Hugar Prod World Sales: Wild Bunch Swiss distributor: Praesens-Film World Premiere LE VENT TOURNE by Bettina Oberli Switzerland/France – 2018 – 86’ with Mélanie Thierry, Pierre Deladonchamps, Nuno Lopes, Anastasia Shevtsova Production: Rita Productions Co-production: Silex Films World Sales: Be for Films Swiss distributor: Filmcoopi Zürich World Premiere Opening Film LES BEAUX ESPRITS by Vianney Lebasque France – 2017 – 93’ with Ahmed Sylla, Olivier Barthelemey, Jean-Pierre Darroussin, Camélia Jordana Production: Monkey Pack Films, M.E.S Productions World Sales: SND Distribution Swiss distributor: Impuls Pictures World Premiere LIBERTY by Leo McCarey USA – 1929 – 23’ – Intertitles English with Stan Laurel, Oliver Hardy, Tom Kennedy, Sam Lufkin, James Finlayson Production: Hal Roach Studios L’ORDRE DES MÉDECINS by David Roux France – 2018 – 93’ with Jérémie Renier, Marthe Keller, Zita Hanrot Production: ElianeAntoinette, Reboot Films World Sales: Pyramide International World Premiere, First Feature L’OSPITE by Duccio Chiarini Italy/Switzerland/France – 2018 – 94’ with Daniele Parisi, Silvia D’Amico, Anna Bellato, Thony ., Sergio Pierattini, Milvia Marigliano, Daniele Natali, Guglielmo Favilla Production: Mood Film Co-production: House on Fire, Cinédokké, Relief World Sales: Urban Distribution International Swiss distributor: First Hand Films World Premiere MAYNILA SA MGA KUKO NG LIWANAG (Manila in the Claws of Light) by Lino Brocka Philippines – 1975 – 126’ with Hilda Koronel, Bembol Roco, Lou Salvador Jr., Joonee Gamboa Production: Cinema Artists PÁJAROS DE VERANO (Birds of Passage) by Cristina Gallego, Ciro Guerra Colombia – 2018 – 125’ with Carmina Martinez, José Acosta, John Narváez, José Vicente Cotes, Juan Martinez, Natalia Reyes Production: Ciudad Lunar Bogota World Sales: Films Boutique Swiss distributor: trigon-film RUBEN BRANDT, COLLECTOR by Milorad Krstic Hungary – 2018 – 94’ with Gabriella Hámori Hámori, Iván Kamarás, Csaba “Kor” Márton Production: Ruben Brandt LLC. World Premiere, First Feature SE7EN by David Fincher USA – 1995 – 127’ with Morgan Freeman, Brad Pitt, Gwyneth Paltrow, John C. McGinley Production: Cecchi Gori Pictures, Juno Pix, New Line Cinema World Sales: Park Circus SEARCHING by Aneesh Chaganty USA – 2018 – 101’ with John Cho, Debra Messing, Joseph Lee, Michelle La, Sara Sohn Swiss distributor: Sony Pictures Releasing Switzerland First Feature THE EQUALIZER 2 by Antoine Fuqua USA – 2018 – 121’ Swiss distributor: Sony Pictures Releasing Switzerland with Denzel Washington, Pedro Pascal, Bill Pullman, Melissa Leo, Jonathan Scarfe UN NEMICO CHE TI VUOLE BENE by Denis Rabaglia Italy/Switzerland – 2018 – 97’ with Denis Rabaglia, Diego Abatantuono, Antonio Folletto, Mirko Trovato, Sandra Milo, Roberto Ciufoli, Annabella Calabrese, Gisella Donadoni Production: Falkor Production Co-production: Turnus Film Swiss distributor: Filmcoopi Zürich World Premiere WAS UNS NICHT UMBRINGT by Sandra Nettelbeck Germany – 2018 – 110’ with August Zirner, Johanna Ter Steege, Barbara Auer, Oliver Broumis, Jenny Schily, Christian Berkel Production: Sommerhaus filmproduktion Co-production: Zdf, Cine Plus Filmpoduktion, RuhrsoundStudios World Sales: Beta Cinema World PremiereConcorso internazionale
A FAMILY TOUR by YING Liang Taiwan/Hong Kong/Singapore/Malaysia – 2018 – 107’ with An Nai, Zhe Gong, Pete Teo, Xin Yue Tham Production: Taiwan Public Television Service, 90 Minutes Film Studio, Potocol, Shine Pictures World Sales: Golden Scene World Premiere A LAND IMAGINED by YEO Siew Hua Singapore/France/Netherlands – 2018 – 95’ with Peter Yu, Xiaoyi Liu, Luna Kwok, Jack Tan, Ishtiaque Zico Production: Akanga Film Asia, mm2 Entertainment, Films de Force Majeure, Volya Films World Premiere ALICE T. by Radu Muntean Romania/France/Sweden – 2018 – 105’ with Andra Guti, Mihaela Sîrbu, Cristine Hămbăşanu, Ela Ionescu, Bogdan Dumitrache Production: Multi Media Est Co-production: Les Film de l’apres-Midi, Chimney, Film i Väst World Sales: Films Boutique World Premiere DIANE by Kent Jones USA – 2018 – 94’ with Mary Kay Place, Jake Lacy, Andrea Martin, Estelle Parsons, Deirdre O’Connell, Joyce van Patten, Phyllis Somerville, Glynnis O’Connor Production: AgX, Sight Unseen Pictures World Sales: Visit Films International Premiere GANGBYUN HOTEL (Hotel by the River) by HONG Sangsoo South Korea – 2018 – 96’ with KI Joobong, KIM Minhee, SONG Seonmi, KWON Haehyo, YU Junsang Production: Jeonwonsa Film World Sales: Finecut World Premiere GENÈSE by Philippe Lesage Canada – 2018 – 130’ with Noée Abita, Théodore Pellerin, Édouard Tremblay-Grenier, Pier-Luc Funk, Émilie Bierre, Maxime Dumontier, Paul Ahmarani, Jules Roy Sicotte, Antoine Marchand-Gagnon Production: Productions l’unité centrale World Sales: Be For Films World Premiere GLAUBENBERG by Thomas Imbach Switzerland – 2018 – 115’ with Zsofia Körös, Francis Meier, Milan Peschel, Bettina Stucky, Morgane Ferru, Nikola Šošić, Ilayda Akdoğan, Gonca De Haas, Erol Afşin Production: Okofilm Productions World Premiere LA FLOR by Mariano Llinás Argentina – 2018 – 815’ with Elisa Carricajo, Pilar Gamboa, Valeria Correa, Laura Paredes Production: El Pampero Cine International Premiere M by Yolande Zauberman France – 2018 – 106’ with Menahem Lang Production: CG Cinema, Phobics World Premiere MENOCCHIO by Alberto Fasulo Italy/Romania – 2018 – 103’ with Marcello Martini Production: Nefertiti Film Co-production: RAI Cinema, Hai Hui Entertainment World Premiere RAY & LIZ by Richard Billingham United Kingdom – 2018 – 108’ with Ella Smith, Justin Salinger, Patrick Romer, Deirdre Kelly, Sam Gittins, Joshua Millard-Lloyd Production: Primitive Film World Sales: Luxbox World Premiere, First Feature SIBEL by Çağla Zencirci, Guillaume Giovanetti Turkey/France/Germany/Luxembourg – 2018 – 95’ Production: Les Films du Tambour Co-production: Riva Filmproduktion, Bidibul Productions, Mars Production, Reborn Production World Sales: Pyramide International World Premiere TARDE PARA MORIR JOVEN by Dominga Sotomayor Chile/Brazil/Argentina/Netherlands/Qatar – 2018 – 110’ with Demian Hernández, Antar Machado, Magdalena Tótoro, Matías Oviedo, Antonia Zegers, Alejandro Goic, Mercedes Mujica, Eyal Meyer, Gabriel Cañas, Andrés Aliaga Production: Cinestación, RT Features Co-production: Ruda Cine, Circe Films World Premiere WINTERMÄRCHEN by Jan Bonny Germany – 2018 – 125’ with Thomas Schubert, Ricarda Seifried, Jean-Luc Bubert Production: Heimatfilm World Premiere YARA by Abbas Fahdel Lebanon/Iraq/France – 2018 – 101’ with Michelle Wehbe, Elias Freifer, Mary Alkady, Elias Alkady, Charbel Alkady Production: Stalker Production World PremierConcorso Cineasti del presente
ALLES IST GUT by Eva Trobisch Germany – 2018 – 93’ with Aenne Schwarz, Andreas Döhler, Hans Löw, Tilo Nest, Lisa Hagmeister, Lina Wendel Production: TRIMAFILM Co-production: Starhaus FilmproduktionInternational International Premiere, First Feature CEUX QUI TRAVAILLENT by Antoine Russbach Switzerland/Belgium – 2018 – 102’ with Olivier Gourmet, Adèle Bochatay, Delphine Bibet, Michel Voïta, Pauline Schneider Production: Box Productions Co-production: Novak Prod World Sales: Be For Films Swiss distributor: Outside the Box World Premiere, First Feature CHAOS by Sara Fattahi Austria/Syria/Lebanon/Qatar – 2018 – 100’ Production: Little Magnet Films World Premiere CLOSING TIME by Nicole Vögele Switzerland/Germany – 2018 – 116’ with KUO Chung-Shu, LIN Li-Jiao Production: Beauvoir Films Co-production: Filmakademie Baden-Württemberg World Sales: Taskovski Films Swiss distributor: Xenix Filmdistribution World Premiere FAMILIA SUMERGIDA by María Alché Argentina/Brazil/Germany/Norway – 2018 – 91’ with Mercedes Morán, Marcelo Subiotto, Esteban Bigliardi, Diego Velazquez, Laila Maltz Production: Pasto Cine Co-production: Bubbles Project, Pandora Film Produktion, 4 1/2 World Premiere, First Feature FAUSTO by Andrea Bussmann Mexico/Canada – 2018 – 70’ with Victor Pueyo, Fernando Renjifo, Ziad Chakaroun, Alberto Núñez, Gabino Rodríguez World Premiere, First Feature HATZLILA (The Dive) by Yona Rozenkier Israel – 2018 – 90’ with Yoel Rozenkier, Micha Rozenkier, Yona Rozenkier, Claudia Dulitchi, Miki Marmor, Daniel Sabag, Shmuel Edelman Production: Gaudeamus Productions World Sales: Stray Dogs International Premiere, First Feature JIAO QU DE NIAO (Suburban Birds) by QIU Sheng China – 2018 – 118’ with LEE Mason, HUANG Lu Production: Chan Films Co-production: Flash Forward Entertainment World Sales: Luxbox, Flash Forward Entertainment International Premiere, First Feature L’ÉPOQUE by Matthieu Bareyre France – 2018 – 94’ Production: Artisans du Film Co-production: Alter Ego, ADF L’Atelier World Sales: BAC Films World Premiere, First Feature LIKEMEBACK by Leonardo Guerra Seràgnoli Italy/Croatia – 2018 – 80’ with Angela Fontana, Denise Tantucci, Blu Yoshimi, Goran Marković Production: Nightswim, Essentia, RAI Cinema, Indiana Production Co-production: Antitalent World Sales: Media Luna World Premiere NEBULA (DEAD HORSE NEBULA) by Tarık Aktaş Turkey – 2018 – 73’ with Barış Bilgi, Ali Beyazit, Ömer Bora, Serkan Aydın, Dilara Topuklular, Hasan Türker, Mümin Süren Production: Hay Film World Premiere, First Feature SIYABONGA (We are thankul) by Joshua Magor SouthAfrica/United Kingdom – 2018 – 93’ with Siyabonga Majola, Sabelo Khoza, Xolani Malinga, Percy Zulu, Amanda Ncube, Ntokozo Mkhize, Sibusiso Nzama, Luthando Ngcobo, Mancane Dlomo, Nkanyiso Ndumiso, Nonduh Zuma, Mondli Ndlovu, Joshua Magor Production: Other People World Sales: Other People World Premiere, First Feature SOPHIA ANTIPOLIS by Virgil Vernier France – 2018 – 98’ with Dewi Kunetz, Sandra Poitoux, Hugues Njiba-Mukuna, Bruck , Lilith Grasmug Production: Kazak Productions World Sales: mk2 Films World Premiere TEGNAP (Hier) by Bálint Kenyeres Hungary/Germany/France/Netherlands/Morocco/Sweden – 2018 – 119’ with Vlad Ivanov, Feodor Atkine, Jo Prestia, Rainer Kühn, Djemel Barek, Nadia Niazi, Amine Ennaji, Salah Bensalah, Gamil Ratib, Oussama Oussous, Mohamed Rabiaa, Abdelhamid Ait Abbou Ali, Milhoudia Nassih, Toulou Kiki, Johanna Ter Steege, Issaka Sawadogo, Jacques Weber Production: Mirage Film Co-production: One Two Films, Les Films de l’Après-Midi, Film i Väst, Chimney, La Prod, Saarländischer Rundfunk, Eye-Lite, Travissss Film, Rotterdam Films World Premiere, First Feature TEMPORADA (Long way Home) by André Novais Oliveira Brazil – 2018 – 112’ with Grace Passô, Russo APR, Rejane Faria, Renato Novaes, Juliana Abreu, Hélio Ricardo Production: Filmes de Plástico World Sales: FiGa Films World Premiere TROTE by Xacio Baño Spain/Lithuania – 2018 – 83’ with María Vázquez, Celso Bugallo, Diego Anido, Tamara Canosa Production: Frida Films Co-production: M-Films World Premiere, First FeaturePardi di domani
Concorso internazionale
3 ANOS DEPOIS by Marco Amaral – Portugal – 2018 – 13’ A COLD SUMMER NIGHT by Yash Sawant – India – 2018 – 21’ D’UN CHÂTEAU L’AUTRE by Emmanuel Marre – Belgium/France – 2018 – 40’ EL LABERINTO by Laura Huertas Millán – France/Colombia/USA – 2018 – 21’ FRASE D’ARME by Federico Di Corato – Italy/France – 2018 – 30’ FUCK YOU by Anette Sidor – Sweden – 2018 – 15’ GRBAVICA by Manel Raga Raga – Portugal/Bosnia and Herzegovina/Spain – 19’ HEART OF HUNGER by Bernardo Zanotta – Netherlands – 2018 – 29’ HI I NEED TO BE LOVED by Marnie Ellen Hertzler – USA – 2018 – 11’ JE SORS ACHETER DES CIGARETTES by Osman Cerfon – France – 2018 – 13’ KAUKAZAS (Caucasus) by Laurynas Bareisa – Lithuania – 2018 – 14’ LA CARTOGRAPHE by Nathan Douglas – Canada – 2018 – 34’ LA MÁXIMA LONGITUD DE UN PUENTE by Simón Vélez – Colombia/Argentina – 2018 – 13’ LAST YEAR WHEN THE TRAIN PASSED BY by HUANG Pang-Chuan – France – 2018 – 17’ LUNAR-ORBIT RENDEZVOUS by Mélanie Charbonneau – Canada – 2018 – 15’ MALO SE SJEĆAM TOG DANA (I Can Barely Remember the Day) by Leon Lučev – Croatia – 2018 – 21’ MY EXPANDED VIEW by Corey Hughes – USA – 2018 – 8’ OUT by Alon Sahar – Israel – 2018 – 27’ PATUL LUI PROCUST (Bed of Procustes) by Andrian Împărățel – Romania – 2018 – 17’ REKONSTRUKCE (Reconstruction) by Jiří Havlíček, Ondřej Novák – Czech Republic – 2017 – 16’ RENEEPOPTOSIS by Renee Zhan – USA/Japan – 2018 – 9’ SARAS INTIME BETROELSER (Sara’s Intimate Confessions) by Emilie Blichfeldt – Norway – 2018 – 22’ SASHLELI (Eraser) by Davit Pirtskhalava – Georgia – 2018 – 18’ SMERT MENYA (The Death of Father Men) by Mikhail Maksimov – Russia – 2018 – 12’ THE SILENCE OF THE DYING FISH by Vasilis Kekatos – Greece/France – 2018 – 19’ TOURNEUR by Yalda Afsah – Germany – 2018 – 14’ VIOLETA + GUILLERMO by Óscar Vincentelli – Spain/Venezuela – 2018 – 6’ WORDS, PLANETS by Laida Lertxundi – USA/Spain – 2018 – 11’ ZHI SHUO YI CI (Dream Speaking) by CHAN Paine – China – 2018 – 19’Concorso nazionale
ABIGAÏL by Magdalena Froger – Switzerland – 2018 – 20’ CIRCUIT by Delia Hess – Switzerland – 2018 – 8’ EVA by Xheni Alushi – Switzerland – 2018 – 15’ FAIT DIVERS by Léon Yersin – Switzerland – 2018 – 17’ HIER by Loïc Kreyden – Switzerland – 2018 – 4’ ICI LE CHEMIN DES ÂNES by Lou Rambert Preiss – Switzerland – 2018 – 22’ IN LOVING MEMORY OF THE FUTURE by Laurence Favre – Switzerland/Germany – 2018 – 8’ LA SOURCE by Yatoni Roy Cantù – Switzerland – 2018 – 16’ LE SENS DE LA MARCHE by Jela Hasler – Switzerland – 2018 – 9’ LES ÎLES DE BRISSOGNE by Juliette Riccaboni – Switzerland – 2018 – 23’ LOS QUE DESEAN by Elena López Riera – Spain/Switzerland – 2018 – 24’ MONTE AMIATA by Tommaso Donati – Switzerland – 2018 – 22’ SELFIES by Claudius Gentinetta – Switzerland – 2018 – 4′Signs of Life
Awards The Jury awards the following prizes: Signs of Life Award ELECTRONIC-ART FOUNDATION to the Best Film 5,ooo CHF to the director. Casa Wabi-Mantarraya Award Fundación Casa Wabi and Mantarraya Productions, in partnership with Festival Internacional de Cine de Morelia, will support the Fundación Casa Wabi – Mantarraya Award, consisting in a residence at Casa Wabi – Puerto Escondido (Mexico) lasting between 1 to 1.5 months. These prizes can not be awarded ex aequo. A ROOM WITH A COCONUT VIEW by Tulapop Saenjaroen Thailand – 2018 – 28’ Production: Electric Eel Films World Premiere COMMUNION LOS ANGELES by Adam R. Levine, Peter Bo Rappmund USA – 2018 – 68’ World Premiere COMO FERNANDO PESSOA SALVOU PORTUGAL by Eugène Green Portugal/France/Belgium – 2018 – 27’ with Eugène Green, Carloto Cotta, Manuel Mozos, Diogo Dória, Alexandre Pieroni Calado, Ricardo Gross, Mia Tomé Production: Les Films du Fleuve, Noodles Production, O Som E A Fúria World Sales: Agencia – Portuguese Short Film Agency International Premiere DULCINEA by Luca Ferri Italy – 2018 – 66’ with Vincenzo Turca, Naomi Morello, Dario Bacis Production: ENECE FILM World Premiere GULYABANI by Gürcan Keltek Netherlands/Turkey – 2018 – 32’ with Zeynep Kumral Production: 29P Films BV World Premiere HAI SHANG CHENG SHI (The Fragile House) by LIN Zi China – 2018 – 81’ with ZENG Xiaolian, WOO Hye Kyung, XIAO Jie, SANG Guosheng, REN Yue World Premiere, First Feature JING LI DE REN (Man in the Well) by Hu Bo China – 2017 – 16’ with ZHANG Xiaoqian, QU Yiyi, GAO Tieguang Production: FIRST International Film Festival World Sales: Rediance World Premiere LA CASA DE JULIO IGLESIAS by Natalia Marín Spain – 2018 – 12’ World Premiere LE DISCOURS D’ACCEPTATION GLORIEUX DE NICOLAS CHAUVIN by Benjamin Crotty France – 2018 – 26’ with Ragnar Arni Agustsson, Alexis Manenti, Pauline Jacquard, Caroline Deruas, Antoine Cholet, Rei Yazaki Production: Les Films du Bal World Premiere SEDUÇÃO DA CARNE by Júlio Bressane Brazil – 2018 – 70’ with Mariana Lima Production: TB Produções World Premiere SOBRE TUDO SOBRE NADA by Dídio Pestana Portugal – 2018 – 90’ Production: Kintop World Sales: Kintop World Premiere, First Feature THE GRAND BIZARRE by Jodie Mack USA – 2018 – 60’ World Premiere, First Feature TIRSS, RIHLAT ALSOO’OUD ILA ALMAR’I (Erased, Ascent of the Invisible) by Ghassan Halwani Lebanon – 2018 – 74’ World Sales: mec film World Premiere, First Feature VESLEMØY’S SONG by Sofia Bohdanowicz Canada – 2018 – 9’ with Deragh Campbell, Joan Benac, Steve Benac World PremiereFuori concorso
AMUR SENZA FIN by Christoph Schaub Switzerland – 2018 – 91’ with Rebecca Indermaur, Bruno Cathomas, Tonia Maria Zindel, Beat Marti, Murali Perumal, Marietta Jemmi, René Schnoz Production: Zodiac Pictures, SRG SSR World Premiere DE CHAQUE INSTANT by Nicolas Philibert France/Japan – 2018 – 105’ Production: France 3 Cinéma, Longride, Archipel 35 World Sales: Doc & Film International World Premiere INSULAIRE by Stéphane Goël Switzerland – 2018 – 92’ Production: Climage World Premiere MUDAR LA PIEL by Ana Schulz, Cristóbal Fernández Spain – 2018 – 89’ with Juan Gutierrez, Frauke Schulz Utermöhl, Ana Schulz, Mingo Rafols Production: Sr. y Sra. Co-production: Labyrinth Films World Premiere, First Feature MY HOME, IN LYBIA by Martina Melilli Italy – 2018 – 66’ with Mahmoud , Antonio Melilli, Narcisa Bertipaglia Production: Stefilm World Sales: Deckert Distribution World Premiere, First Feature NARCISSISTER ORGAN PLAYER by Narcissister USA – 2017 – 92’ with Narcissister , Sarah Lumpkin, Oscar Lumpkin, Bernard Lumpkin, Carmine Boccuzzi Production: Narcissister International Premiere, First Feature ORA E SEMPRE RIPRENDIAMOCI LA VITA by Silvano Agosti Italy – 2018 – 94’ with Bernardo Bertolucci, Dario Fo, Franca Rame, Nuto Revelli, Massimo Cacciari Production: Edizioni l’Immagine World Sales: Edizioni l’Immagine, Istituto Luce Cinecittà World Premiere RŪGŠTUS MIŠKAS (Acid Forest) by Rugilė Barzdžiukaitė Lithuania – 2018 – 63’ Production: neon realism World Sales: neon realism World Premiere, First Feature SEMBRA MIO FIGLIO by Costanza Quatriglio Italy/Croatia/Belgium – 2018 – 103’ with Basir Ahang, Tihana Lazovic, Dawood Yousefi Production: Ascent Film Co-production: Caviar Films, Antitalent World Sales: True Colours World Premiere THE SENTENCE by Rudy Valdez USA – 2018 – 87’ Production: Park Pictures World Sales: Cinetic Media International Premiere, First Feature WALKING ON WATER by Andrey Paounov USA/Italy – 2018 – 100’ with Christo, Vladimir Yavachev Production company: Kotva Films C-production company: Ring Film World Sales: CAA (Creative Artists Agency) World PremiereShorts
SHORT POLAR COLLECTION CANAL+ / SO FILM 4 “thriller” short films from the Canal+ / So Film genre À NOUS DEUX ! by Marie Loustalot – France – 2018 – 20’ DIVERSION by Mathieu Mégemont – France – 2018 – 23’ LA BELLE AFFAIRE by Constance Meyer – France – 2018 – 23’ TOMATIC by Christophe Saber – France/Switzerland – 2018 – 20Open Doors Screenings
The Open Doors Screenings (1 – 11 August 2018) will present to the Locarno audience a selection of shorts and feature films that are particularly representative of the world of contemporary cinema in a particular area of the South and East world. This year, the section will end its three-year cycle on South Asia, bringing to Locarno films from the contemporary scene of Afghanistan, Bangladesh, Bhutan, Myanmar, Nepal, Pakistan and Sri Lanka.Full-length features
DEMONS IN PARADISE by Jude Ratnam – Sri Lanka/France – 2017 – 93’ LAILA AT THE BRIDGE by Gulistan Mirzaei, Elizabeth Mirzaei – Canada/Afghanistan – 2018 – 97’ LIVE FROM DHAKA by Abdullah Mohammad Saad – Bangladesh – 2016 – 91’ MUNMO TASHI KHYIDRON (Honeygiver Among the Dogs) by Dechen Roder – Bhutan – 2016 – 132’ SETO SURYA (White Sun) by Deepak Rauniyar – Nepal/USA/Qatar/Netherlands – 2016 – 89’ THE ROAD TO MANDALAY by Midi Z – Taiwan/Myanmar/France/Germany – 2016 – 108’ THUNDENEK (Her. Him. The other) by Asoka Handagama, Vimukthi Jayasundara, Prasanna Vithanage – Sri Lanka – 2018 – 153’ ZINDA BHAAG (Run for your Life) by Meenu Gaur, Farjad Nabi – Pakistan/India – 2013 – 115’Short films
298-C by Nida Mehboob – Pakistan – 2018 – 15’ – World Première A SONG OF SILENCE by Kelzang Dorjee – Bhutan – 2016 – 16’ DADYAA: THE WOODPECKERS OF ROTHA by Pooja Gurung, Bibhusan Basnet – Nepal/France – 2016 – 17’ DEATH OF A READER by Mahde Hasan – Bangladesh – 2017 – 9’ DIA by Hamza Bangash – Pakistan/United Kingdom – 2018 – 24’ – World Première SILVER BANGLES by Roshan Bikram Thakuri – Nepal – 2017 – 15’ SORKHE TIRAH (Dark Red) by Diana Saqeb – Afghanistan – 2017 – 19’ – World Première SUPERMONK by Shenang Gyamjo Tamang – Nepal/Taiwan – 2018 – 19’ – World Première THE LAST POST OFFICE by Aung Rakhine – Bangladesh – 2018 – 20’ – World Première THE OPEN DOOR by Jamyang Jamtsho Wangchuk – Bhutan/United Kingdom – 2018 – 15’ – World Première TRADITION by Lanka Bandaranayake – Sri Lanka – 2016 – 11’ WITT YONE (The Robe) by WeRa – Myanmar – 2016 – 19’ YAR-THI MOE (Seasonal Rain) by Aung Phyoe – Myanmar – 2016 – 30’
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1st North Bend Film Festival Is Ready, Unveils Lineup, SHIRKERS is Centerpiece Film
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Shirkers[/caption]
The North Bend Film Festival is right around the corner and yesterday announced the full line-up for its inaugural edition, including Cinema Vista and Something Strange feature and short film programs. In addition to the films, the weekend of August 23rd to the 26th will be rich with events that embrace the town of North Bend, once the original shooting location for David Lynch’s Twin Peaks, such as a special Twin Peaks Tour, a scenic mountainside hike (offering attendees a rare chance for excursion!), and ‘Damn Fine Coffee’ mixers to kick off the mornings just right.
Cinema Vista offers a spectrum of vanguard cinema with centerpiece screening SHIRKERS and retro screening of the iconic Pacific Northwest queer feature MY OWN PRIVATE IDAHO.
Centerpiece Film
Shirkers (Washington Premiere)
USA | 2018 | 96 Min | Dir. Sandi Tan
Cinema-loving teenager Sandi Tan and two friends had a big idea in 1992: They’d shoot their own super-low-budget assassin thriller on their native streets of Singapore, along with help from an American mentor named Georges. Then, one day, Georges disappeared along with all of their work. Twenty-five years later, Tan has turned her investigation into Georges’ motives, using newly recovered footage and firsthand accounts, into one of 2018’s best documentaries, an autobiography turned love letter to filmmaking dreams, especially those that have gone unfulfilled.
My Name is Myeisha
USA | 2018 | 84 Min | Dir. Gus Krieger
A bold and visionary musical unlike anything on screen today, Gus Krieger’s MY NAME IS MYEISHA blends hip-hop, beat-boxing, dance and spoken word lyricism to tell the heartbreaking story of a teenage girl killed by police while she sat unconscious in a locked car. It’s essential filmmaking in a dynamic and energetic combination of storytelling methods precisely executed from beginning to end.
Sarah Plays A Werewolf (West Coast Premiere)
Switzerland/Germany | 2017 | 86 Min | Dir. Katharina Wyss
Off the stage, 17-year-old Sarah drifts through her community in anonymity. But on her high school’s theater’s stage? The shy girl unleashes torrents of fiery passion, stemming from personal secrets mostly involving her unpleasant home life. As Sarah falls deeper into her performances, though, her loneliness intensifies, causing the troubled teenager to lose herself in multiple ways. Drenched in an overriding sense of despair, Swiss filmmaker Katharina Wyss’ devastating feature-length debut is a coming-of-age stunner.
My Own Private Idaho (1991)
USA | 1991 | 104 Min | Dir. Gus Van Sant
Set in the 1990’s runaway-dominated streets of the Pacific Northwest and loosely based on Shakespeare’s Henry IV, this seminal film by Gus Van Sant (GOOD WILL HUNTING, MILK) tells the tale of a narcoleptic street kid named Mike (River Phoenix) who befriends a fellow hustler (Keanu Reeves) on his journey to find his estranged mother. Film presented in collaboration with Three Dollar Bill Cinema
Closing Night Film
Anna and the Apocalypse (West Coast Premiere)
United Kingdom | 2018 | 92 Min | Dir. John McPhail
For Anna and her friends, high school graduation can’t come soon enough. Unfortunately for them, they must face a horde of yuletide undead creatures before passing on to adulthood. A zombie apocalypse-Christmas-comedy-musical (yes, you read that right), “Anna” is a salute to a genre you didn’t think you needed, while keeping you on the edge of your seat with its hilarity and heart.
Piercing (Pacific Northwest Premiere)
USA | 2018 | 81 Min | Dir. Nicolas Pesce
After kissing his wife and baby goodbye for a seemingly normal business trip, Reed (Christopher Abbott) checks himself into a hotel room to accomplish something he’s always dreamed of: the perfect murder. As his sinister plans unfold, he soon realizes he might be in over his head with a mysteriously unhinged call girl named Jackie (Mia Wasikowska).
Relaxer (Washington Premiere)
USA | 2018 | 91 Minutes | Dir. Joel Potrykus
Joel Potrykus’ latest film follows an obsessive couch potato slacker taking on his most epic challenge yet: to beat the impossible final level of PAC-MAN without ever leaving the couch. His desperate quest is fraught with gross-out humor and darkly comedic perils as all sense of time is lost and takes a turn towards downright mania in a satisfyingly exhilarating conclusion.
Don’t Leave Home (Pacific Northwest Premiere)
USA | 2018 | 86 Min | Dir. Michael Tully
For her latest exhibition, American artist Melanie Thomas is focused on an old Irish myth surrounding Father Alistair Burke, whose portrait of an 8-year-old Siobhan led to the little girl’s unexplained disappearance. After receiving an invite from the enigmatic Burke to visit him in Ireland, Melanie finds that reality and myth aren’t mutually exclusive. Drenched in classical Euro-horror dread and other strange flourishes, writer-director Michael Tully’s genre hybrid is a delightfully unnerving head trip. Director Michael Tully in attendance. Screening presented by Snoqualmie Valley Real Estate.
Time Share (Washington Premiere)
Mexico/Netherlands | 2018 | 96 Minutes | Dir. Sebastian Hoffman
A father’s holiday from Hell begins when a clerical mix-up forces his family to share their vacation home with another family. But lurking beneath the paradise resort is a shady organization with designs far worse than double bookings. Director Sebastian Hoffman’s psychological thriller expertly juxtaposes terror and surrealist comedy through weaving stories of the family man and a beaten down employee setting out for revenge from within. Screening presented by Snoqualmie Valley Real Estate.
Billy (North American Premiere)
Netherlands | 2018 | 90 Min | Dir. Theo Maassen
Ventriloquist Gerard de Groot and his puppet Billy have been inseparable for the last ten years. Until the moment they fall in love with different women and Gerard decides to take a break from his wild dummy. Easier said than done. Theo Maassen’s promising debut is a sharp tragic comedy mixing raunchy humor and deep thoughts about a career as an artist.
CINEMA VISTA SHORTS BLOCK
Boundaries are made to be pushed. This visionary group of shorts showcases the work of some of today’s most innovative and forward-thinking filmmakers. Across all genres, these films represent the vanguard of cinema with stories of life, death, justice and injustice, monsters both real and imagined, and the horror and beauty that reside inside the human heart. At times tragic, fantastical, terrifying, rousing, but always exhilarating, these shorts are at the forefront of filmmaking. MOBIUS, dir. Sam Kuhn In the wake of her lover’s death, a high school student comes to terms with her suburban malaise in this dreamlike and TWIN-PEAKS-esque dose of small-town oddness. BIOPHILIA, dir. Marina Michelson Rachel and her boyfriend, a pair of Brooklynites, decide to try their hand at farming. But when a sheep dies on their watch, Rachel must make a tough decision. EUPHORIA, dir. Wynter Rhys Too focused on his adoring followers and eager paparazzi, a famous artist constantly neglects his 6-year-old daughter. His rabid fan base is ready to change that. JOUSKA, dir. Wynter Rhys A man’s dark past and guilt-ridden thoughts come to a head as he navigates a nightmare land that’s like ALICE IN WONDERLAND laced with PCP. BAILAORA, dir. Rubin Stein Clearing out bodies on the streets of a war-torn Spain, a group of soldiers encounter a young dancer whose moves have an effect beyond explanation. THE DAY MUM BECAME A MONSTER, dir. Joséphine Hopkins Divorces are extremely tough on all children, but especially for young Candice. As if being abandoned by her father isn’t hard enough, her mother begins exhibiting some very troubling new behavior.SOMETHING STRANGE SHORTS BLOCK
Sometimes stories are told to make sense of a nonsensical world, to impose logic on life’s confusion. Sometimes stories celebrate this bewilderment, utilizing the strange and unexpected instead of explaining it. These surreal short films feature superheroes, tampon monsters, vengeful robots, hungry forests, ghastly futures and purgatorial loops. Collected together, this block captivates as much as it challenges convention. END TIMES, dir. Bobby Miller After randomly stumbling across a dying squirrel in a public park, a man’s day goes from odd to WTF in this delightfully morbid comedy from the director of THE CLEANSE. LOVELY LEGS, dir. Abby Thompson In an isolated forest, a young man is ready to finally part ways with his female sex robot. As they say, though, it’s always hard to say goodbye. OVUM, dir. Cidney Hue Undergoing a mind-altering medical procedure, a woman is forced to make the toughest decision of her life. A FOREST, dir. Thomas Geffrier Ready to keep the good times going, Marie leaves a party with a couple en route to a hot threesome. She’ll soon wish that she’d have just gone home alone. CIRCLE, dir. Martin Melnick Loosely based on the myth of Eurydice, this off-kilter, genre-bending allegory follows a woman whose past traumas send on a fateful and dangerous trip through Purgatory. ALLEN ANDERS: LIVE AT THE COMEDY CASTLE – CIRCA 1987, dir. Laura Moss During an infamous on-stage performance in 1987 at New York City’s Comedy Castle, stand-up comic Allen Anders lost his mind. This is the uncovered footage. BFF GIRLS, dir. Brian Lonano A trio of nerdy American girls transform into powerful and fearless Japanese superheroes in order to take down a villainous tampon monster. A coming-of-age tale like none other.JURY
FEATURES JURY: Cinema Vista Program
Haleigh Foutch Horror Editor, Collider Matt Ralston Producer, LOVE AND SAUCERS Vanessa Meyer Programming Manager, FrontièresFEATURES JURY: Something Strange Program
Shannon McGrew Owner, Nightmarish Conjurings Nick Bruno, Programmer, Portland Int’l Film FestivalSHORTS JURY
William Day Frank Producer, PSYCHOPATHS, MODEL HOME Ryan Oliver Journalist, The Playlist Emily Von Seele Journalist, Bloody DisgustingVR JURY:
Dumeetha Luthra Founder, Take Pause VR Jesse Damiani Journalist, VR Scout, ForbesPreviously announced titles for 2018 include:
Profile (West Coast Premiere) Cyprus, Russian Federation, UK, USA | 2018 | 103 Min | Dir. Timur Bekmambetov Amy, a struggling freelance journalist looking for her next big story, pitches her editor on investigating the recruitment of European women by ISIS. Pretending to be recently converted to Islam and using an alias, she creates an incriminating Facebook profile where she begins to like and share posts themed around Islamic extremism. It doesn’t take long for Bilel, a Jihad fighter in Syria, to set his eyes on this seemingly vulnerable prey. Black Mother (Pacific Northwest Premiere) USA | 2018 | 77 Min | Dir. Khalik Allah Powerfully hypnotic and formally singular, filmmaker/photographer Khalik Allah’s second feature is documentary storytelling at its boldest. Fueled by reflective voiceovers and dreamlike visuals, presented in digital, Super 8mm and black-and-white Bolex, BLACK MOTHER transports the viewer into a Jamaica populated by clergymen and prostitutes. The result is an examination of religion, sex, and national identity that’s one truly unforgettable cinematic meditation. Braid (West Coast Premiere) USA | 2018 | 82 Min | Dir. Mitzi Peirone Two fugitive women elude capture and seek refuge at the estate of their rich and very much psychotic childhood friend where they enter a terror fueled game of make believe. A candy color, hallucinogen-fueled lunacy binge, writer-director Mitzi Peirone’s feature debut takes you on an entrancing journey of insanity through its gorgeously framed imagery, vibrant palette and cryptic narrative riddles. Model Home (World Premiere) USA | 2018 | 82 Minutes | Dir. Patrick Cunningham For a Latina single mother and her imaginative young son, being allowed to live in a dream house rent free seems too good to be true. As the mother’s obsessive and unstable mental state emerges, so too does living the American Dream devolve into a waking nightmare. Director Patrick Cunningham’s fascinating debut is a horrifying singular vision that speaks to Hispanic American identity.
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Melbourne International Film Festival Unveils 2018 Program Lineup of 374 Films
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The Merger[/caption]
The Melbourne International Film Festival (MIFF) today unveiled its 2018 program featuring 254 feature films, 120 shorts and 19 virtual reality experiences over 18 action-packed days of cinema.
In addition to Paul Dano’s highly anticipated Wildlife, as the Opening Night Gala film, for its middle weekend Centrepiece Gala, the festival revealed that uproarious Australian comedy The Merger would have its world premiere.
Based on comedian Damian Callinan’s acclaimed stage show of the same name, The Merger is the tale of a struggling small town footy team that recruits refugees to survive. Starring John Howard, Josh McConville, Fayzaal Bazzi, Kate Mulvany and Callinan himself, The Merger is a film with big laughs, a big heart and lashings of sweet and sour chicken kiev.
MIFF will screen The Coming Back Out Ball Movie to bring the festival to a close. Directed by Sue Thomson and supported through the MIFF Premiere Fund, The Coming Back Out Ball Movie is a triumphant and life-affirming love letter to Australia’s original fighters for queer equality – a film that will have audiences laughing, crying and ready to dance, darling.
Reflecting an extraordinary year of filmmaking, this year’s 15 Headliners represent the most buzzed about international cinema:
After receiving a 15-minute standing ovation, Nadine Labaki – one of 90 female directors in this year’s program – offers Capharnaüm, winner of this year’s Jury Prize at Cannes. Centred on a 12-year-old child attempting to divorce himself from his parents, Labaki’s neorealist fable is notable for the astonishing performances she draws out from her cast of non-professional actors.
In Burning, South Korean auteur Lee Chang-dong adapts author Haruki Murakami’s short story of romantic longing into a riveting and dramatic thriller. Wildly praised at Cannes, Burning set a new record for the highest-ever score in Screen International’s poll of critics at the festival.
Doubling down on the sensory experience of their past works, Colombian-born filmmakers Ciro Guerra and Cristina Gallego bring a distinct perspective to the time-honoured rags-to-riches drug saga. Mythical in its storytelling, Birds of Passage combines eye-popping traditional costumes and culture, an immersive atmosphere of surreal imagery and glorious widescreen cinematography.
Equally intense in its visceral qualities, Climax is an ecstatic and nightmarish orgy of sex, drugs and 90s club music from legendary provocateur Gaspar Noé. Winner of the Art Cinema Award at Cannes, Climax reaffirms Noé as modern cinema’s most incisive and inventive observer of humanity’s animal darkness.
Oscar nominated Debra Granik – a guest of this year’s festival – returns to feature filmmaking with Leave No Trace, a humane depiction of the bond between father and daughter and the universal desire to live by your own rules.
Recipient of the Cannes Best Director prize, Pawel Pawlikowski’s Cold War is a love story that wends its way through a partitioned Europe. Inspired by Pawlikowski’s own parents’ story, Cold War offers audiences a lyrical and emotional work replete with virtuosic black-and-white visuals and a keen sense of music.
Decades in the making, director Terry Gilliam’s near-mythical riff on Cervantes’ fantastic tale, The Man Who Killed Don Quixote, finally makes its way to Melbourne. Starring Adam Driver alongside Gilliam stalwart Jonathan Pryce, it’s the story of a cynical ad man trapped in the delusions of an old shoemaker who believes himself to be Don Quixote.
The 2018 festival program highlights the rise of Australia’s next generation of filmmakers. Alena Lodkina’s visually stunning feature debut Strange Colours is a story of family and estrangement set amid the alien landscape of Australia’s opal miners. With most of the characters played by actual opal miners, it’s a hypnotic dusky reverie, filled with quiet grace and power. Fellow Lab alumnus Ted Wilson however, delivers a feel-good film of family, cricket and one man’s hunt for David Boon, in his delicately poised Under the Cover of Cloud.
The MIFF Premiere Fund-supported Acute Misfortune is the debut feature from renowned independent theatre director, Thomas M. Wright. A lyrical adaptation of journalist Erik Jensen’s acclaimed biography of infamous Archibald Prize-winning artist Adam Cullen played by Daniel Henshall, who will return from New York for the film’s world premiere. Also supported through the Fund, director Miranda Nation’s Undertow is a psychological thriller of grief, abuse and obsession set against the backdrop of local footy culture.
From rising filmmaker Ben Hackworth comes Celeste, a literally operatic character study of loss and power and the things that tear us apart. A sumptuously shot psychological thriller starring Radha Mitchell and Nadine Garner, Celeste is a riveting statement of intent from one of Australia’s boldest cinematic voices.
The stories of Australia’s Indigenous population will be brought to life in one of the most dynamic showcases of Indigenous content in the festival’s history.
An exhilarating and immersive film that will be shown at Melbourne’s Planetarium, Carriberrie tells the expansive story of Indigenous Australian song and dance. Featuring Aboriginal dance theatre group Bangarra and actors Jack Charles and David Gulpilil, Carriberrie is an intimate and breathtaking showcase of Aboriginal performance and Australian landscape.
A starkly different documentary and a powerful call to action, the MIFF Premiere Fund-supported Undermined: Tales from the Kimberley, from award-winning director Nicholas Wrathall (Gore Vidal: The United States of Amnesia), unearths the true cost of doing business in Australia’s world-famous Kimberley region; a place where mega-mining and pastoral developments threaten not just the environment but more than 200 Indigenous communities and their peoples’ sacred links to Country.
In a ground-breaking work of interactive filmmaking, Thalu: Dreamtime is Now takes audiences on a journey into the modern Dreamtime stories of the western Pilbara-based Ngarluma. Directed by award-winning Ngarluma man Tyson Morwarin, this is a rare opportunity for audiences to hear these stories and to experience them through the medium of virtual reality.
A tribute to an outcast musical genius; the astonishing story of three identical triplets separated at birth; the tale of a motorcycling legend; an unrestrained insight into one of music’s most provocative stars; and the story of Australia’s original working class man, all mark out this year’s documentary selection.
In a coup for Melbourne audiences, MIFF will screen the world premiere of Jimmy Barnes: Working Class Boy – Mark Joffe’s captivating and compassionate portrait of one of Australia’s most well-known musical figures. Based on the best-selling memoir of the same name, the film joins Jimmy as he retraces his earliest steps through the hard streets of Glasgow and revisits childhood ghosts in South Australia. It’s a raw, yet darkly funny story set against a backdrop of never-seen-before archival footage and interviews along with captivating musical moments.
Equally unflinching and honest, MATANGI/MAYA/M.I.A. presents outspoken musician M.I.A at her most candid. Winner of the Special Jury Award (World Cinema Documentary) at Sundance, this film is as dynamic, eclectic and electrifying as the artist herself.
In his feature documentary debut, director Jeremy Sims turns his lens on Australia’s greatest ever professional motorcyclist – Wayne “The Wollongong Whiz” Gardner. In a film that’s as free-spirited, introspective, honest and cheeky as the man himself, Wayne offers a revealing portrait of a man who, during his career, was certainly hard to miss.
Like something out of The Twilight Zone, Three Identical Strangers tells the incredible true story of triplets separated at birth…but that’s just the beginning of an even more astonishing saga. Having taken Sundance by storm, Three Identical Strangers is both a remarkable real-life tale and bona fide thriller, which will leave audiences gobsmacked.
Inspired by former Prime Minister Paul Keating’s searing eulogy for Geoffrey Tozer, the Premiere Fund-supported The Eulogy explores the remarkable and tragic story of Australia’s greatest-ever, and perhaps most overlooked, pianist. Directed by Janine Hosking, the film includes Keating re-staging his famous funeral oration, as celebrated conductor Richard Gill AO embarks on a journey to restore Tozer’s legacy.
From Givenchy to Gaultier, Armani to Alpha60, fashion design and style have long been influenced by cinema. In 2018, MIFF brings some of the most iconic style films to the big screen; films that launched style icons and influenced style for decades to come. In a program specially curated by Artistic Director Michelle Carey, Fashion x Cinema covers multiple genres, with each film unified by a sense of timelessness and jaw-dropping beauty.
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McQueen[/caption]
This programming strand features: McQueen, director Ian Bonhôte’s ode to one of fashion’s most storied designers; Yellow is Forbidden, where veteran documentarian Pietra Brettkelly tells the haute couture Cinderella story of China’s Guo Pei – the designer behind the famed yellow dress worn by Rihanna at the 2015 Met Gala; and Westwood: Punk, Icon, Activist – an observational look at the orange-haired punk icon who rewrote the rules for the generation of designers who followed in her footsteps. Retrospective titles include: Funny Face, the film that saw Audrey Hepburn join forces with Givenchy; Berry Gordy’s rarely screened Mahogany, where Diana Ross plays an aspiring fashion designer torn between activism and a career of luxury; and Peter Weir’s inimitable Australian classic, Picnic at Hanging Rock.
African Film Rediscovered is a retrospective program of recently restored and newly recovered classic African films, showcasing films from three decades and ten countries to celebrate the diversity and unique perspective of African cinema.
Featuring Chronicle of the Years of Embers, the stirring, 1975 Palme d’Or winner by Mohammed Lakhdar-Hamina (Algeria); Selma Baccar’s pioneering feminist essay-film, Fatma 75 (Tunisia); and Shadi Abdel Salam’s haunting classic The Night of Counting the Years (Egypt). African Film Rediscovered is an in-depth look at the continent’s most seminal filmmaking.
The Italo-Crime retrospective takes a focused look at Eurocrime and poliziotteschi – a genre of Italian crime thrillers from the 60s and 70s.
Considered a defining moment in the poliziotteschi genre, the retrospective kicks off with The Violent Four, a down and dirty cinema vérité-inspired thriller set in the seedy Milan underworld. Other films include: Confessions of a Police Captain, an anti-buddy cop classic that quite literally cuts the red tape and leaves it full of bullet holes; Milan Caliber 9, one of Quentin Tarantino’s greatest inspirations; and the Oscar-winning Investigation of a Citizen Above Suspicion – a Kafkaesque collision of fascist noir and absurdist satire that trails the powerful police chief hunting down a vicious killer: himself.
Spearheaded by this year’s Palme d’Or winning Australian film, All These Creatures, MIFF Shorts will feature 90 films, as well as a specially curated (by the Harvard Film Archive) program of the intimate diary films of Bostonian artist, Anne Charlotte Robertson. Winner of the Grand Jury Prize at this year’s Sundance, director Álvaro Gago delivers Matria; Israel’s Miki Polonski offers Shmama, the story of a mother and her daughter trapped in their own relationship; Australian Kerinne Jenkins brings the festival Cattle, a narrative of unspoken fears and inexplicable occurrences; and Iranian director Mojtaba Mousavi presents Mr. Deer – the tale of a deer attempting to rekindle the humanity of his fellow train passengers.
In its largest iteration to date, the 2018 program has left no stone unturned. Presenting its core international and local selections alongside their regular programming strands – Experimentations, Music on Film, Night Shift, Retrospectives, Special Events and Talks – MIFF 2018 will beckon audiences everywhere to come and see another side of film.
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Mozilla Firefox + Rooftop Films to Present a Film Screening About Society’s Relationship With The Internet on July 21 in NYC
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The Birth of the Camera Phone – Jonathan Ignatius Green[/caption]
Mozilla, the non-profit organization behind the Firefox browser, is partnering with Rooftop Films to bring a memorable evening of film and discussion called “Terms of Service”to the roof and courtyard of The Old American Can Factory, in beautiful Brooklyn, New York on Saturday, July 21 at 8PM ET. “Terms of Service” is free with RSVP on the Rooftop Films website.
The July 21st screening in New York will be the first of four free screenings in different cities featuring short films relating to the internet. Rooftop Films and Mozilla will also bring short film programs to Austin, Toronto, and Berlin in the fall.
“Mozilla’s not-for-profit mission is to ensure the Internet is a global public resource, open and accessible to all,” said Michaela Smiley, Senior Brand Strategist at Mozilla. “Film is a powerful way to communicate what’s at stake when the web gets unhealthy, which is why we are incredibly excited to partner with Rooftop Films to bring these stories to New Yorkers and beyond.”
“As the subtitle for Mozilla’s IRL podcast states, online life is real life,” said Dan Nuxoll, artistic director of Rooftop Films. “Too often we speak of the internet as if it is something that exists separate from our lived reality, when in fact it is a network interwoven with nearly every aspect of our daily life. The films that we have chosen for this program explore some of the many unexpected connections made possible by the networked world, and we are excited to be partnering with such an innovative organization as Mozilla to connect these films with bigger audiences in New York and all over the world.”
Featured Films
Ok Google Now – Brett Gaylor and Darren Pasemko The Birth of the Camera Phone – Jonathan Ignatius Green Kiem Holijanda – Sarah Veltmeyer A Day in the Park – Diego Porral Cellular – Christian Kozlowski Wave – Benjamin Cleary Artifice – Kevin Bryne
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Sam Elliott in THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT to World Premiere at Fantasia International Film Festival
Robert D. Krzykowski’s The Man Who Killed Hitler and Then the Bigfoot will World Premiere on July 20th, 2018 at the 22nd edition of Montreal’s Fantasia International Film Festival.
Screen legend Sam Elliott (TOMBSTONE, ROAD HOUSE) stars as Calvin Barr, a legendary World War II veteran who many years ago assassinated Adolf Hitler – an incredible secret that he’s frustratingly unable to share with the world. One day, just as he’s coming to terms with rounding out his life, Calvin gets a visit from the FBI and Royal Canadian Mounted Police. They need him to take out Bigfoot.
A wondrous feature debut from writer/director Robert D. Krzykowski, featuring visual effects by celebrated two-time Academy Award Winner Douglas Trumbull (2001: A SPACE ODYSSEY, BLADE RUNNER), who also co-produced alongside genre icons John Sayles and Lucky McKee.
A fantastical discourse on the melancholia of old age and a singular blast of entertaining wit, The Man Who Killed Hitler and Then the Bigfoot also stars Aidan Turner, Caitlin FitzGerald, Ron Livingston, and Larry Miller.
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2018 Durban International Film Festival Announces Films in Competition and Jury
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Spell Reel[/caption]
The Durban International Film Festival today announced the films and jury members for competition at this year’s 39th edition of the festival, which takes place from July 19 to 29, 2018.
Award categories are Best Feature Film, Best South African Feature Film, Best Documentary, Best SA Documentary, Best Short Film, Best African Short Film, Best South African Short Film, Best Actor Award, Best Actress, Best Direction, Best Cinematography, Best Screenplay, Best Editing, Artistic Bravery, Audience Choice Award, Wavescape Audience Choice Award and the Amnesty International Durban Human Rights Award.
Feature films in competition are Clint (India) directed by Harikumar Ramakrishna Pilla, Farewell Ella Bella (SA) directed by Lwazi Mvusi, The Foolish Bird (Ben Niao) (China) directed by Ji Huang, Otsuka Ryuji, High Fantasy (SA) directed by Jenna Bass, Mayfair (SA), directed by Sara Blecher, The Movie Of My Life (O Filme Da Minha Vida) (Brazil) directed by Selton Mello, Pororoca (Romania, France) directed by Constantin Popescu, Rafiki (Kenya, South Africa) directed by Wanuri Kahiu, The Recce (SA) directed by Ferdinand Van Zyl, The Reports on Sarah and Saleem (Palestine, Netherlands, Germany, Mexico) directed by Muayad Muayad, Supa Modo (Germany, Kenya), directed by Likarion Wainaina, The Tale (USA) directed by Jennifer Fox, A Trip To The Moon (Un Viaje A La Luna) (Argentina) directed by Joaquín Cambre.
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Silas[/caption]
Documentary films in competition are We could be Heroes (Denmark, Morocco, Tunisa, Brazil) directed by Hind Bensari, Silas (Canada/South Africa/Kenya) directed by Anjali Nayar and Hawa Essuman, Whispering Truth To Power (South Africa/Netherlands) directed by Shameela Seedat, New Moon directed by Philippa Ndisi-Herrmann, Kinshasa Makambo (Democratic Republic Of The Congo/France/Switzerland/Germany/Norway) directed by Dieudo Hamadi, Amal (Egypt/Lebanon/Germany) directed by Mohamed Siam, Spell Reel, (Germany/Portugal/France/Guinea-Bissau) directed by Filipa César, Shakedown (Usa) directed by Leilah Weinraub, The Silk and the Flame (Fei’e Pu Huo) (United States) directed by Jordan Schiele, The State Against Nelson Mandela and the Others (France) directed by Nicolas Champeaux and Gilles Porte.
All SA documentaries and features are also eligible for the SA Best Documentary and SA Best Feature awards.
Fiction section jurors are Bongiwe Selane, the award-winning SA producer with a string of credits behind her including her debut SA block buster feature Happiness is a Four-Letter- Word; Hakeem Kae Kazim, the well-known British-Nigerian actor who has gained international acclaim for his performance in the Oscar nominated film Hotel Rwanda. He has countless credits in major international films such as The Triangle with Sam Neill, Pirates of the Caribbean III, X-Men Origins: Wolverine with Hugh Jackman and many more. Nse Ikpe-Etim Nigerian is a multiple award-winning actress who DIFF audiences will remember from her role in the celebrated Meg Rickards’ film Tess.
The documentary film jury includes Uzanenkosi on of the SA’s busiest and most prolific producers, who created InterSEXions the award-winning first of its kind, world over drama series that won an unprecedented 11 SAFTA awards. Nakai Matema, a veteran Zimbabwean Producer who has produced several ground-breaking documentaries including Rehad, Desai’s My Land, My Life and Leo Phiri’s A Fighting Spirit from the STEPS for the Future series. Nigerian filmmaker Mahmood Ali-Balogun who has directed numerous films including multiple award-winning film Tango With Me, and has been on the juries of numerous festivals such as Cairo International Film Festival, Toronto International Film Festival, Abuja International Film Festival and African International Film Festival (AFRIFF). Dorothee Wenner is a Berlin-based freelance filmmaker, writer and curator who has been on the selection committee of Berlin’s International Forum since 1990 and serves as the Berlinale’s Delegate for India and sub- Saharan Africa.
The Shorts Jury includes Alicia Price, Head of the Film Department at SAE Cape Town and Leon Van Der Merwe, a founding member, Chief Operating Officer, board member and director of the Cape Town International Film Market and Festival (CTIFMF).
The Amnesty International Durban jury is convened by its chair Coral Vinsen with members Professor Margaret Daymond, Lazola Kati , Betty Rawheath and Nelvia Rawheath.