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  • Hamptons International Film Festival Adds More Films to 2017 Lineup + GOODBYE CHRISTOPHER ROBIN is Centerpiece Film

    [caption id="attachment_24606" align="aligncenter" width="1200"]Goodbye Christopher Robin Goodbye Christopher Robin[/caption] The 2017 Hamptons International Film Festival has added more films including the North American premiere of Simon Curtis’ GOODBYE CHRISTOPHER ROBIN, a look into the life of author A.A. Milne and his relationship with his son, leading to the creation of the renowned character “Winnie the Pooh,” as the Friday Centerpiece film in Southampton. The film stars Domhnall Gleeson and Margot Robbie, and HIFF Honorary Board member Carter Burwell is the film’s composer. The East Coast Premiere of Martin McDonagh’s THREE BILLBOARDS OUTSIDE EBBING, MISSOURI, telling the story of a woman in conflict with her local police department in an attempt to solve her daughter’s murder case, will screen as the Saturday Centerpiece in East Hampton. The film stars Sam Rockwell and Frances McDormand and recently received the Venice Film Festival Award for Best Screenplay by Martin McDonagh. The festival also announced three additional films in the Spotlight Films section, including Guillermo del Toro’s THE SHAPE OF WATER, about a janitor working at a hidden high-security government laboratory when her life is changed forever upon discovery of a secret classified experiment, starring Sally Hawkins, Michael Shannon and Richard Jenkins, and winner of the Golden Lion award at the Venice Film Festival; Luca Guadagnino’s CALL ME BY YOUR NAME, a story of a young boy’s summer romance when a charming gentleman arrives in Italy to work with his family for the season, starring Armie Hammer and Timothée Chalamet, one of this year’s 10 Actors to Watch; and Fatih Akin’s IN THE FADE, about a woman struggling to overcome the loss of her family following a Neo-Nazi terrorist attack, starring Diane Kruger. The festival also announced the winner of HIFF’s adored 18-year-long signature program Conflict and Resolution: Greg Campbell’s HONDROS, which shares a glimpse of the life of Chris Hondros, one of the world’s most acclaimed war photographers, killed in action at the age of 41, and the legacy he left behind. The third year of HIFF’s successful Compassion, Justice, and Animal Rights section awards Allison Argo’s THE LAST PIG, which looks at a man in the crossroads of life during his final summer as a pig farmer, with the Zelda Panel “Giving Voice to the Voiceless” Award. Films in this year’s Documentary Competition include Gustavo Salmerón’s LOTS OF KIDS, A MONKEY AND A CASTLE, a portrait of a family’s various experiences over the course of 15 years while living in present-day Spain; Jennifer Peedom’s MOUNTAIN, a look at some of the most breathtaking summits around the world from the perspectives of ice climbers, snowboarders, and more, narrated by Willem Dafoe; Jason Kohn’s LOVE MEANS ZERO, about Nick Bollettieri, a controversial but passionate coach in the world of tennis; Jed Rothstein’s THE CHINA HUSTLE, about China’s role in the recovery of the United States following the 2008 stock market crash, as well as the previously announced 11/8/16, curated and produced by Jeff Deutchman. The Narrative Competition will include director Hafsteinn Gunnar Sigurðsson’s Icelandic narrative UNDER THE TREE, about a gentleman currently residing with his parents, who are embroiled in a passive aggressive argument with their neighbors over a tree in the lawn; Carla Simón’s SUMMER 1993, about a six-year-old from Barcelona struggling with the death of her parents and sent to live in the countryside with her uncle; Ali Asgari’s DISAPPEARANCE, about a couple in present-day conservative Iranian society and their determination to solve an impossible problem over the course of the night, starring Sadaf Asgari and Amir Reza Ranjbaran; Cory Finley’s THOROUGHBREDS, about the unlikely friendship of two teenage girls in Connecticut and the mischief they find along the way, starring Anya Taylor-Joy, Olivia Cooke and the late Anton Yelchin in one of his final films; as well as the previously announced OH, LUCY! directed by Atsuko Hirayanagi. The festival recently announced eight world premieres for the festival this year, including ITZHAK as the Opening Night film, as well as 11/8/16, THE FIRST TO DO IT, KILLER BEES, LARGER THAN LIFE: THE KEVYN AUCOIN STORY, THE MISOGYNISTS, THE TRIBES OF PALOS VERDES, and WANDERLAND. The festival also programmed Andy Serkis’ BREATHE as the Sunday Centerpiece in East Hampton, as well as Rob Reiner’s LBJ, Vincent Gagliostro’s AFTER LOUIE, Alexandre Moors’ THE YELLOW BIRDS, Ai Weiwei’s HUMAN FLOW, Ruben Östlund’s THE SQUARE. Emmy® Award-winning actor and Oscar®-nominated director Rob Reiner will also participate in the “A Conversation With…” series. This year the festival will honor Academy Award®-winning actress Julie Andrews with a Lifetime Achievement Award, including a special presentation of VICTOR/VICTORIA co-presented with the Academy of Motion Picture Arts and Sciences on Saturday, October 7, in East Hampton. The event will feature a post-screening conversation with Julie Andrews and Alec Baldwin. The festival will continue to co-present the annual 10 Actors to Watch List with Variety. The 2017 10 Actors to Watch are Timothée Chalamet, Hong Chau, Kiersey Clemons, Daveed Diggs, Ali Fazal, Daniel Kaluuya, Barry Keoghan, Danielle Macdonald, Kumail Nanjiani, and Grace Van Patten. The 25th annual Hamptons International Film Festival will take place over Columbus Day Weekend, October 5th to 9th, 2017.

    FILMS ADDED TO THE 2017 HAMPTONS INTERNATIONAL FILM FESTIVAL LINEUP:

    CALL ME BE YOUR NAME Director: Luca Guadagnino As another summer in his family’s Italian villa lazily drifts by for 17-year-old Elio (Timothée Chalamet, Variety’s 10 Actors To Watch), 24-year-old Oliver (Armie Hammer) seems at first to be little more than the latest in a long line of his father’s (Michael Stuhlbarg) research assistants. However, as the weeks wind on, a tender connection develops between the two in Luca Guadagnino’s sun-soaked masterpiece. Refining the stylistic splendor of his previous work into a lush exploration of desire and intimacy, CALL ME BY YOUR NAME is an intoxicating reminder of the tentative gestures and fleeting moments that mark our first steps into the unknown, and their lasting ability to soften the sting of changing seasons. THE CHINA HUSTLE U.S. Premiere Director: Jed Rothstein In the midst of the 2008 market crash, investors on the fringes of the financial world feverishly sought new alternatives for high-return investments in the global markets. With Chinese indexes demonstrating explosive growth, the country suddenly emerged as a gold rush opportunity with one caveat: US investors were prohibited from investing directly into the country’s market. Makeshift solutions led to a market frenzy, until one investor discovered the massive web of fraud left in its wake. Jed Rothstein’s documentary rings the the alarm on the need for transparency in an increasingly deregulated financial world by following those working to uncover the biggest heist you’ve never heard of. DISAPPEARANCE U.S. Premiere Director: Ali Asgari Rising Iranian filmmaker Ali Asgari, whose short film THE SILENCE took home the Best Narrative Short Competition prize at HIFF 2016, returns to the festival with his mesmerizing feature debut. Set against the backdrop of contemporary Iranian society, where conservative traditions often conflict with modern desires, DISAPPEARANCE is the tale of one couple’s race against time to solve an unsolvable problem over the course of one endlessly long night. Featuring outstanding performances from newcomers Sadaf Asgari and Reza Ranjbaran, and an impressively assured stylistic touch, DISAPPEARANCE establishes Asgari as one of the bold new voices in world cinema. GOODBYE CHRISTOPHER ROBIN North American Premiere Director: Simon Curtis Simon Curtis, director of MY WEEK WITH MARILYN (HIFF 2011), presents a heartfelt look into the complicated relationship between beloved children’s author A. A. Milne (Domhnall Gleeson) and his son Christopher Robin (newcomer Will Tilston), whose collection of toys and unbridled imagination inspired the enchanting world of Winnie The Pooh. As the whimsical adventures of this honey-loving bear quickly capture the attention of a traumatized, post-war England, the family suddenly finds themselves swept up in the international success—though not without paying the price that often accompanies such fame. While his mother (Margot Robbie) revels in the spotlight, her son struggles with the abrupt loss of his childhood. With great empathy, GOODBYE CHRISTOPHER ROBIN explores the complexities of family, war, and celebrity. HONDROS Director: Greg Campbell Known for his probing and humane coverage of countries ravaged by conflict, Chris Hondros was one of the world’s most acclaimed war photographers when killed in action at the age of 41. Director Greg Campbell thoughtfully retraces Hondros’s numerous assignments to war-torn nations, with a visceral understanding of the invaluable power of photojournalism. Featuring interviews with Chris’s colleagues and subjects, Campbell creates a stirring portrait of the life of a pioneering photographer who committed himself to bearing witness to the human condition, to ennobling the suffering of others, and to telling their stories with compassion. IN THE FADE U.S. Premiere Director: Fatih Akin Selected as Germany’s official submission for the Academy Awards® Best Foreign Language Film, Fatih Akin’s tightly-wound revenge thriller stars Diane Kruger as a woman struggling to overcome her profound grief in the wake of a neo-Nazi terrorist attack that leaves her husband and son dead. Awarded the Best Actress prize at this year’s Cannes Film Festival, Kruger provides a stunningly fearless and grounded lead performance as the victim of an increasingly prevalent form of violence, pushed to the edge and forced to find her own justice in the wake of a failed judicial system. THE LAST PIG New York Premiere Director: Allison Argo A moving meditation on a man’s crisis of faith, THE LAST PIG follows Bob Comis as he concludes his last season as a pig farmer. Peppered with reflections on his decade with the pigs, farmer Bob’s introspective voiceover guides us through the changing seasons on the farm, and the images, often filmed at ground-level, merge us with the drove. Director Allison Argo masterfully gives weight to what at first appear to be mundane daily rituals, and as an ethical question swells for farmer Bob, it does for us as well. In this intimate portrayal of a man at a crossroads, we are welcomed into the sacred moment of choice. LOTS OF KIDS, A MONKEY AND A CASTLE New York Premiere Director: Gustavo Salmerón Julita Salmerón’s biggest wishes in life were to have lots of children and a pet monkey, and to live in a castle. Gustavo Salmerón’s humorously candid film follows his mother, and the rest of their family, as they rummage through the vast family archive over a period of fifteen years. She reflects on the dreams she managed to fulfill, along with the lingering effects of the economic crisis that forced her to almost lose it all. Filled with moments of warmth and sincerity, LOTS OF KIDS, A MONKEY, AND A CASTLE is a touching documentary about an eccentric, otherworldly family facing up to the harsh economic realities of living in contemporary Spain. LOVE MEANS ZERO New York Premiere Director: Jason Kohn With his notorious no-nonsense approach to coaching, Nick Bollettieri is regarded as controversial figure in the world of tennis—but also, crucially, as a mentor with the know-how to push players to greatness. Director Jason Kohn balances the pointed questions to his subject, who remains intransigent throughout, with interviews with many of Bollettieri’s students—Boris Becker and Jim Courier among them—to shed light on the enigmatic figure. What emerges is a story of a coach fiercely determined to win at all costs, and a compelling look at what it takes to compete at the highest level. MOUNTAIN U.S. Premiere Director: Jennifer Peedom Narrated by Willem Dafoe, MOUNTAIN takes the viewer on a sweeping journey to the most awe-inspiring summits on earth. A collaboration between BAFTA-nominated director Jennifer Peedom and Richard Tognetti’s Australian Chamber Orchestra, the film glorifies our species’ pursuit of peril: from ice climbers, snowboarders, and wingsuiters, the thrill-seekers’ daredevil antics will leave audiences gasping for breath. Filmed in 15 countries and assembled from 2,000 hours of hypnotizing footage, MOUNTAIN is a beautifully scored and visually stunning work that vividly captures the fear and reverence inspired by the world’s highest peaks. THE SHAPE OF WATER East Coast Premiere Director: Guillermo del Toro As the Cold War reaches its peak in the early 1960s, Elisa (Sally Hawkins), a mute janitor working at a US government facility, finds a strange creature held deep within the laboratory. Guillermo del Toro’s THE SHAPE OF WATER is a mesmerizing continuation of his fascination with on-screen monsters and their real-world counterparts, wonderfully realized through a brilliant cast (including Michael Shannon, Octavia Spencer, and Richard Jenkins), and jaw-dropping production design and cinematography. In creating perhaps the most realized synthesis of his many preoccupations to date, del Toro has created a wondrous take on the classic monster movie that seems to exist at once out of time and inseparable from our own. SUMMER 1993 New York Premiere Director: Carla Simón Following the death of her parents in Barcelona, six-year-old Frida (the haunting Laia Artigas) is sent to her uncle’s (David Verdaguer) picturesque countryside home, in Carla Simon’s autobiographical feature debut SUMMER 1993. Frida battles with a sense of loneliness and displacement while also yearning to fit into the picture with her new family. Punctuated by moments of youthful exuberance and mature ruminations, this coming-of-age drama, set amongst summery hues, is an extraordinarily moving snapshot of being a child in an adult world, anchored by a flawless performance by its young star. THOROUGHBREDS East Coast Premiere Director: Cory Finley Two wealthy teenage girls with violent impulses seek to inject excitement into their boring suburban lives in THOROUGHBREDS, Cory Finley’s deliciously twisted filmmaking debut. When Lily’s (Anya Taylor Joy, THE WITCH) stepfather threatens to send the troubled teen off to reform school, she recruits her equally unstable childhood friend, Amanda (Olivia Cooke, ME AND EARL AND THE DYING GIRL), in a dangerous plot that serves both of their interests. Featuring electrifying performances from its young leads—including the late Anton Yelchin, in his final appearance—this stylish neo-noir establishes newcomer Finley as a filmmaker to watch. THREE BILLBOARDS OUTSIDE EBBING, MISSOURI East Coast Premiere Director: Martin McDonagh With the local police force no closer to finding a culprit in the months following her daughter’s murder, Mildred (Academy Award® winner Frances McDormand) decides to make a statement of her own when she posts three signs leading into the town with a blatant message for the town’s chief of police (Woody Harrelson) and his rough-hewn second-in-command (Sam Rockwell). With the same bitingly dark and comedic tone of his previous two films, IN BRUGES and SEVEN PSYCHOPATHS (HIFF 2012), Academy Award® winning writer-director Martin McDonagh returns to feature filmmaking with this wildly entertaining and unpredictable story of a divided community simmering with tension and ready to blow. UNDER THE TREE East Coast Premiere Director: Hafsteinn Gunnar Sigurðsson “Love thy neighbor” does not apply in the Iceland suburbs of UNDER THE TREE. After his wife kicks him out of the house, Atli (Steinþór Hróar Steinþórsson) stays with his parents—just as the passive aggressive hostility with their neighbors is ramping up over a large tree in the yard. Director Hafsteinn Gunnar Sigurðsson establishes character dynamics with jabs to the gut and enough dark humor to quell the uneasiness in your stomach. With a moody score and sound design that sways between the tension and release of the scenes, you may find yourself nervously laughing the next time you want to talk to your neighbors about the noise.

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  • Rob Reiner to Receive Award + World Premiere SHOCK AND AWE at Zurich Film Festival

    Rob Reiner Director, actor and writer Rob Reiner will receive the A Tribute to…Award at this year’s 2017 Zurich Film Festival which takes place from September 28 to October 8, 2017. Reiner will be in Zurich to receive the prestigious award in person on Saturday September 30. ZFF will host the World Premiere of his latest film SHOCK AND AWE. Reiner will also take part in a special ZFF Masters session on the same day, and as part of the A Tribute to… award, ZFF will present a retrospective featuring several of Reiner’s most iconic films including THIS IS SPINAL TAP, STAND BY ME, WHEN HARRY MET SALLY, MISERY, A FEW GOOD MEN and THE AMERICAN PRESIDENT (the latter two both written by fellow ZFF honoree Aaron Sorkin).

    SHOCK AND AWE

    In the immediate aftermath of the terrorist attacks of September 11, 2001, the government of the United States, led by President George W. Bush and Vice President Dick Cheney, began maneuvering and mobilizing for an invasion of Iraq. In the absence of concrete evidence, the White House and its allies concocted a platform for invasion justified almost entirely on questionable intelligence and misleading information. The media bought their tale. Every media organ in America became a megaphone for the hawks in Washington, amplifying the Administration’s hysteria and pushing its propaganda; every major news organization became complicit in the path to war – except one. Knight Ridder was a consortium of 31 newspapers across the country. Based in Washington, D.C., its newsroom counted among its millions of readers a sizable number of soldiers and their families at dozens of military bases nationwide. This is the untold true story of an intrepid team of four reporters who dared to ask the questions their colleagues did not. They tapped sources which others ignored. They remained sceptical when others were easily convinced. They wrote stories disputing the Administration’s claims that Iraq was complicit in the attacks of 9/11 and that Iraq possessed weapons of mass destruction. They were called anti-American. They were labelled traitors. They were told time and again that they were wrong – by the government, by pundits, and by colleagues. Reporters Jonathan Landay (Woody Harrelson) and Warren Strobel (James Marsden), working with the support of their editor John Walcott (Rob Reiner) and famous war correspondent Joe Galloway (Tommy Lee Jones), set forth to sift through the chaos and official lies, uncover the truth, and report it to the public. In the face of intense scrutiny and pressure, during a time of pro-invasion cheerleading by the majority of their media colleagues, they dared to uphold the best tenets of their profession. Theirs is a story of speaking truth to power – and the public – in a time when America needed it the most. The government got its war, but these reporters got it right.

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  • SUSANNE BARTSCH: ON TOP to Open, BECKS to Close NewFest – LGBTQ Film Fest in NYC

    [caption id="attachment_24586" align="aligncenter" width="1200"]Susanne Bartsch: On Top Susanne Bartsch: On Top[/caption] The New York premiere of Anthony&Alex’s highly anticipated and acclaimed film SUSANNE BARTSCH: ON TOP will kick off this year’s 2017 NewFest.The documentary is an inside look at the legendary New York City party promoter and LGBTQ advocate Susanne Bartsch and features a who’s who of NYC nightlife heroes, including RuPaul, Amanda Lepore, Michael Musto and Bill Cunningham. Following the screening, Michael Musto will moderate a special talkback with Susanne Bartsch and Anthony&Alex. Continuing in the cross-generational vein is the New York premiere of Vincent Gagliostro’s AFTER LOUIE, which will screen as the festival’s New York Centerpiece film. Starring Alan Cumming and Zachary Booth (KEEP THE LIGHTS ON), AFTER LOUIE is a touching and lyrical cross-generational look at the effect the early years of the HIV/AIDS epidemic had on individuals and their art as well as at how that history informs and influences the most recent generation of creative LGBTQ New Yorkers. GOD’S OWN COUNTRY is the award-winning feature-length debut from writer/director/actor Francis Lee and serves as the fest’s International Centerpiece film. This New York premiere introduces audiences to a bold new voice in LGBTQ filmmaking with this masterful story of longing, loneliness and love. GOD’S OWN COUNTRY continues to rack up awards, including the Sundance Film Festival’s World Cinema Directing Award and the Michael Powell Award for Best British Feature Film at the Edinburgh International Film Festival, among many others. Daniel Powell and Elizabeth Rohrbaugh’s BECKS, starring Tony Award winner Lena Hall (Hedwig and the Angry Inch), Oscar winner Christine Lahti (Best Live Action short film Lieberman in Love) and Mena Suvari, will bring NewFest to a close with the New York premiere of this award-winning romantic drama. Inspired by the life of singer and songwriter Alyssa Robbins, BECKS brings the festival themes of uncovering unity and compassion through artistic self-expression full circle and features an extraordinary lead performance from Hall. A special live acoustic performance by Lena Hall will follow the screening of the film, which won the US Fiction Award at this year’s Los Angeles Film Festival . NewFest will run run from October 19 – 24, 2017 at New York’s SVA Theatre, Cinépolis Chelsea, and The LGBT Community Center. OPENING NIGHT FILM SUSANNE BARTSCH: ON TOP New York Premiere Thursday, October 19 A mesmerizingly expressive portrait of a fiercely individual New York counterculture icon, SUSANNE BARTSCH: ON TOP candidly captures the titular “Queen of the Night” and patron saint of LGBTQ inclusion and advocacy with a commanding voice and sharp wit, much like its subject. More than just a tribute to the “Queen of the Night” and staunch LGBTQ advocate, this dynamic debut from directing duo Anthony&Alex captures the essence of Bartsch’s everyday balance between compassion and control. As Bartsch prepares for an FIT exhibit of her nightlife fashions, she faces the challenges of a changing New York City landscape (as well as the construction within her homestead of many decades, the iconic Chelsea Hotel) while reconciling how her legacy lives on today. Her ability to bring communities together while promoting LGBT rights and self-expression reached its apex with the star-studded Love Ball in 1989, which she hosted to raise money to fight AIDS and celebrated the Harlem Vogue scene before “Paris is Burning” was released. And she continues to gather and inspire multi-generational crowds at her parties to this day. Featuring superstars and LGBTQ nightlife luminaries RuPaul, Simon Doonan, Michael Musto, and Amanda Lepore, this dazzling documentary homecoming for a living icon who has unapologetically been a champion for all things New York and queer. The screening will be followed by a talkback with Anthony&Alex and Susanne Bartsch, and moderated by Michael Musto. INTERNATIONAL CENTERPIECE GOD’S OWN COUNTRY New York Premiere Saturday, October 21 Gritty yet tender, austere yet beautiful, carnal yet romantic–GOD’S OWN COUNTRY is masterfully directed with powerful focus and authenticity by first-time feature filmmaker Francis Lee. Johnny Saxby (Josh O’Connor) is an overworked 25-year-old sheep farmer who feels as though life has already passed him by. He whiles away the time with drunken hookups in his small community in Northern England. When his ailing father takes a turn for the worse, handsome Romanian migrant Gheorghe (Alec Secareanu) is brought in to assist Johnny. Although Johnny resents Gheorghe at first, the two are quickly drawn to each other, and during an excursion to the highlands, they forge an even deeper connection. Winner of Sundance’s World Cinema Directing Award for its beautiful depiction of the English countryside—this assured new milestone marks a bold new epoch in textured, LGBTQ storytelling. NEW YORK CENTERPIECE AFTER LOUIE New York City Premiere Sunday, October 22 Sam (Alan Cumming) is an artist and activist from ACT UP who lived through the early years of HIV/AIDS, struggling with survivor’s guilt. He’s bewildered by the younger generation of gay men, until he meets the seductive Braeden (Zachary Booth, KEEP THE LIGHTS ON) at a bar late one night. Their pants quickly come down and, eventually, so does Sam’s guard. An intergenerational relationship blossoms between them—reawakening Sam’s artistic soul and reviving his wilted heart. Beyond the beautifully evocative performances and setting, Vincent Gagliostro’s AFTER LOUIE is a love letter to New York City: engaging its rich backdrop while honoring the history of the gay rights movement and the progress that’s been made–reconciling the past so we as a community can look forward to the future. CLOSING NIGHT FILM BECKS New York City Premiere Tuesday, October 24 Following a NYC to LA cross country move that ends in a breakup, singer-songwriter Becks (Lena Hall, a Tony Winner for Hedwig and the Angry Inch) returns to her Midwestern hometown, reluctantly moving back in with her mom. The time-warp sensation of being back in her childhood home is interrupted by an unexpected whirlwind affair with self-proclaimed “lonely housewife” Elyse (tenderly played with exceeding warmth by Mena Suvari) who finds inspired new life through the guitar lessons and generous spirit Becks provides. This electrifyingly effusive film from co-directors Daniel Powell and Elizabeth Rohrbaugh features strong supporting turns by Dan Fogler as her old classmate-turned-drinking- buddy and Christine Lahti as Becks’ former nun mother who is still coming to terms with her daughter’s homosexuality. But it’s Lena Hall, who contributed original songs to the film and delivers a beautifully assured, live-in performance that makes BECKS really sing. Special live acoustic performance by Tony Award winner and Grammy Award nominee Lena Hall, the star of BECKS.

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  • World Premiere of “In the Name of Peace: John Hume in America” to Open Boston Film Festival

    [caption id="attachment_24565" align="aligncenter" width="1200"]In the Name of Peace: John Hume in America In the Name of Peace: John Hume in America[/caption] The 33rd Boston Film Festival, taking place September 21 to 24, will open with the world premiere of “In the Name of Peace: John Hume in America,” a documentary narrated by Liam Neeson that weaves the dramatic efforts of Nobel-Prize winning John Hume to secure peace in Northern Ireland. Hume, who was inspired by Martin Luther King Jr., rose from the riot-torn streets of Northern Ireland to enlist vital aid from American Presidents Jimmy Carter and Bill Clinton.  The film includes interviews with both presidents and various U.S. senators and congressmen who assisted in securing the accord.  Interviews also include Irish leaders and former British prime ministers Tony Blair and John Major.  This is a timely film that reveals the steady leadership and international cooperation that are needed to win the peace.  Also interviewed are U2 singer Bono and Tom O’Neill, former lieutenant governor of Massachusetts. Maurice Fitzpatrick directs and Bill Whelan (Riverdance) wrote the score. The festival’s diverse lineup includes five documentaries: the poignant “Augie,” “In the Name of Peace: John Hume in America,” “What Haunts Us,” “Heal,” and “The Bullish Farmer.” The world premiere of “Damascus Cover”  stars Jonathan Rhys Meyers (“Mission: Impossible III,” “The Tudors”), Olivia Thirlby (“Juno”), John Hurt (in his final performance) and Navid Negahban (“American Sniper”), as written and directed by Daniel Berk (a Brandeis University graduate).  After the fall of the Berlin Wall in 1989, a veteran spy is sent undercover into Syria to smuggle a chemical weapons scientist and his family out of Damascus.  However, the spy soon realizes that he’s being followed, his partner doesn’t show up, his local contact disappears – and a group of men are trying to kill him. Another world premiere is “What Haunts Us” produced by Kennedy Marshall, Frank Marshall and Matt Tolmach (“Spiderman”).   Within 35 years after their graduation from the 1979 class of Porter Gaud High School in Charleston, S.C., six of the 49 boys have committed suicide.  When Paige Goldberg Tolmach gets word that another former student from her beloved high school has killed himself, she delves into her past to uncover the surprising truth and release the ghosts that still haunt her hometown.  Goldberg Tolmach directs from Mark Monroe’s script. The documentary, “Augie”  is from James Keach, the director of the Grammy-winning and Oscar-nominated “Glen Campbell…I’ll Be Me.” Buoyed by an irreverent humor and a boundless love of life, paralysis has done little to slow down Augie Nieto twelve years post diagnosis – a genius visionary and founder of LifeFitness, who has channeled his entrepreneurial spirit into finding a cure for ALS. “American Satan” centers on a young Anglo-American rock band whose members drop out of college and move to the Sunset Strip to chase their dreams. Living in a van, their passion and talent exceed their means of survival, and they find themselves caught up in a Faustian web when they meet an enigmatic stranger who manipulates them during a time of weakness. Can the lads re-claim their own destiny before it’s too late? Malcolm McDowell (“A Clockwork Orange”), John Bradley (“Game of Thrones”), Booboo Stewart (“X-Men: Days of Future Past”) and Rhode Island native Olivia Culpo (2012 Miss America), Andy Biersack (“Black Veiled Brides”). The scripted film “Dabka” is directed and written by Massachusetts native Bryan Buckley and produced by Matt Lefebvre (a New Hampshire native).  The true story concerns a rookie reporter (Jay Bahadur) who forms a half-baked plan in 2008 to embed himself among the pirates of the Somalia coast.  He ultimately succeeds in providing the first close-up of who the men are, how they live and the forces that drive them.  Bahadur wrote the book “Pirates of Somalia.”  Oscar winner Al Pacino, Melanie Griffith and Barkhad Abdi (“Captain Phillips”) also star. In the documentary “Heal” , director Kelly Noonan embarks on a scientific and spiritual journey where discoveries indicate that our thoughts, beliefs and emotions greatly impact our health and ability to heal. Citing the latest science, the film argues that people have more power over their health and life itself than we believe. Among the many featured speakers are Dr. Deepak Chopra, Dr. Bruce Lipton, Marianne Williamson, Dr. Michael Beckwith and Rob Wergin ”The Bullish Farmer” tells the story of John Umbaldo (as himself), a successful Wall Street investment banker who quits his job after the loss of a friend in the September 11 terrorist attacks – and trades his former life for one as a farmer on 185 acres in upstate New York. Umbaldo soon transforms into a passionate activist who lobbies for GMO labeling, animal rights and the reduction of chemical fertilizers to help preserve small farms and rural America. Ken Marsolais is the director and co-producer and Nancy Vick is the writer and co-producer Written by New Hampshire native Jeremy Catalino and produced by William Horberg (“Milk”) and Alexander Payne (“The Descendants”), Crash Pad” is a smart, laugh-out-loud battle of the sexes that finds a sentimental slacker and a misfit. Stensland (Domhnall Gleeson) is caught up in a love triangle between Morgan (Christina Applegate, “Anchorman”) and her alpha-male husband (Thomas Haden Church, “Sideways”). What begins as a one-night stand leads to blackmail, revenge and drunken debauchery as Grady moves into Stensland’s apartment and takes over his life. But Stensland knows that his survival depends on reuniting the married couple. Kevin Trent directs and Nina Dobrev (“The Vampire Diaries”) also stars. In addition, the Boston Film Festival (BFF) will welcome NBC’s “The Brave,” an all-new drama brought to the festival in conjunction with NBC Boston, starring Anne Heche and Mike Vogel who will be on hand for the screening. The BFF also will showcase the riveting “Tales of Suspense,” a one-man live show presented by bestselling author and master storyteller Casey Sherman. Sherman, who is the author of “Boston Strong: A City’s Triumph Over Tragedy” (which became the film “Patriot’s Day”) and “The Finest Hours,” and will share gripping behind-the-scenes stories about those New England-based projects.

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  • 8 Films Competing for ‘Cooperación Española Award’ at San Sebastian Film Festival

    [caption id="attachment_24570" align="aligncenter" width="1200"]ALANIS ALANIS[/caption] Eight films at the 2017 San Sebastian Film Festival will compete for the Cooperación Española Award, an award created to acknowledge the producer of the Ibero-American film that best contributes to human development, the eradication of poverty and the full exercise of human rights. The Award comes with a prize of 10,000 euros.

    Films competing for the Cooperación Española Award

    OFFICIAL SELECTION

    ALANIS ANAHÍ BERNERI (ARGENTINA) Alanis works as a prostitute. She has a baby and, with her friend Gisela, shares the flat in which she lives and attends to her clients, until two municipal inspectors close down her home and arrest Gisela, accused of procurement. Let down by everybody, Alanis heads for her aunt’s place, across from the Plaza Miserere. From this mixed race and violent neighbourhood, Alanis struggles to recover her dignity, help her friend and take care of her son. She offers her services in the street, but even that has its own rules and Alanis must fight for her place. UNA ESPECIE DE FAMILIA (A SORT OF FAMILY) DIEGO LERMAN (ARGENTINA – BRAZIL – POLAND – FRANCE) Malena is a middle-class doctor in Buenos Aires. One afternoon she receives a call from Dr Costas, telling her she must leave immediately for the north of the country: the baby she was expecting is about to be born. Suddenly and almost without a thought, Malena decides to set out on an uncertain voyage, packed with crossroads at which she has to deal with all sorts of legal and moral obstacles to the extent that she constantly asks herself to what limits she is prepared to go to get the thing she wants most.

    NEW DIRECTORS

    MATAR A JESÚS (KILLING JESUS ) LAURA MORA (COLOMBIA – ARGENTINA) Paula, a 22 year-old student, witnesses the murder of her beloved father, a popular political sciences professor at a public university in Medellin. From the distance, she catches a glimpse of the murderer as he beats a hasty retreat on a motorcycle. Devastated by the pain of their loss, Paula and her family will have to deal with official lethargy. The authorities will make no effort to clarify the events and the case is soon archived and abandoned. When Christmas comes round, a couple of months after the murder, Paula accidentally bumps into Jesús, the young man who killed her father. So what happens when revenge becomes a real possibility? Paula decides to approach the man, initially motivated by an almost primitive instinct to get answers and eventually to find the courage to cross the moral and ethical line of killing a man, thereby avenging her father’s death. PRINCESITA (PRINCESS) MARIALY RIVAS (CHILE – SPAIN – ARGENTINA) Films in Progress 28 In a far-off country at the end of the world Tamara, aged 12, lives under the wing of charismatic cult leader Miguel, a man she adores. That summer the girl will be given a mission: to have a holy child with him immediately she has her first period. Tamara realises that the life she wants for herself is not the same as the fate imposed on her. Her disobedience will lead to her violent development from child to woman, forcing her to gain her freedom in a way she had never imagined.

    HORIZONTES LATINOS

    UNA MUJER FANTÁSTICA (A FANTASTIC WOMAN) SEBASTIÁN LELIO (CHILE- GERMANY – SPAIN – USA) OPENING FILM (IN COMPETITION) Marina is a young waitress and wannabe singer; Orlando owns a printing company. Together they plan their future. When Orlando dies suddenly, Marina has to stand up to his family and society to show them what she truly is: a complex, strong, forthright and… fantastic woman. LA EDUCACIÓN DEL REY (REY’S EDUCATION) SANTIAGO ESTEVES (ARGENTINA – SPAIN) Films in Progress 30 Bolting from his first ever heist, Reynaldo Galíndez, alias ‘Rey’, lands in the patio of the house inhabited by Carlos Vargas, a retired security guard. Vargas offers a deal: the young boy will repair the damage to his home in return for not being handed over to the police. The lessons given to the teenager by the former guard develop into a relationship not unlike the old legends of educating a king (for the “Rey” of his name, meaning “king”). But the agreement will start to fall apart when the loose ends of the robbery Reynaldo had been involved in start closing in around them. Films in Progress Industry Award and CAACI / Ibermedia TV Films in Progress Award in 2016. LA FAMILIA GUSTAVO RONDÓN CÓRDOVA (VENEZUELA – CHILE – NORWAY) Films in Progress 30 Twelve year-old Pedro roams the streets with his friends in the violent urban atmosphere of a working-class district of Caracas. When Pedro seriously injures another boy in a fight, his single father, Andrés, decides that they must make a run for it and hide. Although Andrés will realise that as a father he is incapable of controlling his son, the situation will bring them closer than they have ever been. LOS PERROS MARCELA SAID (CHILE – FRANCE) Films in Progress 31 Mariana (42) belongs to the Chilean upper class; she spends her days managing an art gallery and learning how to ride a horse. Her riding instructor, Juan, 20 years her senior, is an ex-cavalry officer known as El Coronel, under investigation for human rights abuses committed during the Chilean dictatorship. When Mariana embarks on a romance with her mysterious teacher, she finds herself caught up in a complex situation from which she is loathe to escape on discovering her father’s close relationship with the man being investigated.

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  • New Orleans Film Festival Debuts “Change Makers” Strand – Featuring Stories of Social Activism and Advocacy

    [caption id="attachment_24557" align="aligncenter" width="1200"]Small Town Rage by  Raydra Hall and David Hylan; Small Town Rage[/caption] The 2017 New Orleans Film Festival will debut a new strand, titled “Change Makers” that brings to the forefront stories of social activism and advocacy. From farm workers’ union activists in the 60s, to the front lines of AIDS activism in the 80s and recent protests against Confederate monuments, Change Makers will feature nine feature-length documentary films and ten documentary short films. Additional strands in the festival include the return of Caribbean Cinema in its third incarnation. This strand of five feature films and ten short films recognizes the historical and cultural ties between the Caribbean and New Orleans—oftentimes called the northernmost Caribbean city—and showcases the vibrant and varied landscapes and cultures of the Caribbean and Caribbean Diaspora, featuring stories from Cuba, the Dominican Republic, Puerto Rico, Trinidad and Tobago, and Haiti. Longtime festival-goers will remember previous film strands OUTakes, which spotlighted LGBTQ content, and keeping{SCORE}, which focused on music-themed films. While these strands will not be formally part of this year’s festival, the content reflected in both strands will continue to be folded into the programming in important ways.

    Change-Makers Films

    ACORN and the Firestorm USA | 2017 | 84 mins DIR: Reuben Atlas & Sam Pollard; PRD: Reuben Atlas, Sam Pollard; DP: Natalie Kingston, Frank Larson, Spencer Chumbley, Naiti Gamez; ED: Francisco Bello, Paul Greenhouse Before it was associated with all things wrong with liberalism during the fateful 2008 election, the Association of Community Organizations for Reform Now wielded more power than just about any anti-poverty community rights group in American history. ACORN and the Firestorm chronicles the dramatic rise and ignominious fall of this agent of social change, as a video smear campaign from a proto-alt-right, Breitbart-backed activist takes down the group and its New Orleans-based founder Wade Rathke. Directors Reuben Atlas and NOFF alum Sam Pollard have created a work that feels like both a time capsule and a warning shot, a potent lesson in the power of media and a harrowing blueprint for our current era of alternative facts and fake news. -NS Small Town Rage USA | 2016 | 98 mins DIR: Raydra Hall & David Hylan; PRD: Raydra Hall, David Hylan; ED: Clint McCommon Narrated by Lance Bass, is an independent documentary examining the work and influence of ACT UP Shreveport in the conservative Deep South. During the early years of the AIDS pandemic, ACT UP Shreveport sought to change the way the government and the medical community handled the crisis through the same attention-grabbing protest tactics that were so successful in cities such as New York and San Francisco. As their individual stories will attest, their actions may not have made them popular, but their courage did lead to changes in the way local hospitals, government agencies, and even the public at large responded to the AIDS epidemic. The Organizer United States, Canada, Honduras, India, UK | 2017 | 101 mins DIR: Nick Taylor; PRD: Joey Carey; WRI: Nick Taylor; DP: Joey Carey; ED: Nick Taylor The Organizer charts the life, times, and philosophy of controversial community organizer Wade Rathke. As the founder and Chief Organizer of ACORN, the largest organization of low and moderate-income people in US history, Rathke grew the organization from a small group of welfare mothers in Little Rock, Arkansas in 1970 to a 500,000 member-strong political force some 30+ years later. With the sweep of an American epic, the film moves from the Vietnam War and Civil Rights movement up to the precarious present day for low-income communities. Sick to Death! USA, Belgium | 2016 | 86 mins DIR: Maggie Hadleigh-West; PRD: Elizabeth Dunnebacke, Catherine Reirson; WRI: Maggie Hadleigh-West; ED: Ilko Davidov, Kim Connell, David Bear One of the most commonly misdiagnosed afflictions for women in the US is thyroid disease. The thyroid has a hand in nearly every major function in the body, making symptoms difficult to pin down, as they are comprised of common issues such as fatigue, weight gain, dry skin, and depression. Through director Maggie Hadleigh-West’s own medical journey, Sick to Death investigates the political and medical reasons thyroid disease is so often looked over and the serious health complications that can occur when left untreated. Using personal video, interviews with medical professionals and women who grapple with thyroid problems every day, Maggie seeks answers that have the potential to better her own life and those of the women around her. -AL Tell Them We Are Rising USA | 2017 | 90 mins DIR: Stanley Nelson; PRD: Cyndee Readdean, Marco Williams, Stacey L. Holman; WRI: Marcia Smith; ED: Kim Miille A haven for Black intellectuals, artists and revolutionaries—and path of promise toward the American dream—Black colleges and universities have educated the architects of freedom movements and cultivated leaders in every field. They have been unapologetically Black for more than 150 years. For the first time ever, their story is told. Directed by award-winning documentary filmmaker Stanley Nelson, Tell Them We Are Rising: The Story of Black Colleges and Universities examines the impact Historically Black Colleges and Universities (HBCUs) have had on American history, culture, and national identity. On Our Watch USA | 2017 | 59 mins DIR: Jonathan Evans; PRD: Bruno Steiner; WRI: Jonathan Evans, Caroline Taylor; DP: Ryan Martin; ED: Jonathan Evans This documentary presents the problem of coastal land loss in Southern Louisiana with honesty, directness, and urgency. The film features interviews with activists, professors, and community leaders who demonstrate how we got here and where we are going. The effects of sea rise and erosion in the wetlands touch down on numerous industries and influence the lives of residents throughout the Delta, including New Orleans. Solutions have been placed on the table, but they are underfunded, and civic engagement on a small scale appears to be the only route to sustainability on a larger one. But even that might be wishful thinking. Nothing Without Us USA | 2016 | 70 mins DIR: Harriet Hirshorn; PRD: Harriet Hirshorn; WRI: Hilary Brougher; DP: Nadia Hallgren; ED: Mary Patierno Since the early 90s, AIDS has largely been painted as affecting mainly white, gay males. Rich with stories, facts, and moments of hope, Nothing Without Us brings light to those who this narrative passes over. Viewers are brought to locations as close as New Orleans, LA and Oakland, CA and as far as Nigeria, Burundi, and Spain to meet the women who stand on the front lines in the fight for equal rights and medical protection against AIDS. These women have banded together in organizations to bring medication, counseling, and—perhaps most importantly—attention to the women of color that are most afflicted by the ongoing crisis. The fight may not be over, but Nothing Without Us is threaded with the hope an end is possible. Quest USA | 2017 | 105 mins DIR: Jonathan Olshefski; PRD: Sabrina Schmidt Gordon; DP: Jonathan Olshefski; ED: Lindsay Utz Christopher and Christine’a Rainey (known as Quest and Ma to their friends and visitors to their recording studio) are an ordinary couple straining under the weight of economic hardship and a violent corner of North Philadelphia. But in the hands of director Jonathan Olshefski, they take on near-mythic status, pulling and loving their family through devastating illness, wrenching violence and the tumultuous Obama years. Intimate but never invasive, Quest is an empathetic look at coming of age, black love, poverty, race and family that takes its place among verité greats of any era. Richly illuminating a decade in the life of an extraordinary family, Quest emerges as a song of determined resilience in a time of deep uncertainty. Dolores USA | 2017 | 95 mins DIR: Peter Bratt; PRD: Brian Benson; WRI: Peter Bratt, Jessica Congdon; DP: Jesse Dana; ED: Jessica Congdon Dolores Huerta is among the most important, yet least known, activists in American history. An equal partner in co-founding the first farm workers unions with Cesar Chavez, her enormous contributions have gone largely unrecognized. Dolores tirelessly led the fight for racial and labor justice alongside Chavez, becoming one of the most defiant feminists of the twentieth century—and she continues the fight to this day, at 87. With intimate and unprecedented access to this intensely private mother to eleven, the film reveals the raw, personal stakes involved in committing one’s life to social change. Our 100 Days Created through a collaboration between Firelight Media and Field of Vision, this collection of seven documentary short films explores threats to U.S. democracy and the stories of its most vulnerable communities in the current highly polarized political climate, all made by filmmakers of color. The Magnifying Glass Funded through a grant from Artless Media, these three documentary short films from Louisiana-based filmmakers look at social injustices within the communities that the filmmakers are part of, with a focus on racial justice. More than Monuments This program of three short documentary films focuses on the removal of Confederate monuments in New Orleans. Films include: Divided City – World Premiere dir. Andrea B. Scott and Katie Mitchell | 2017 | 30 mins New Orleanians see history differently in this short documentary that examines the gap between those who see their city’s legacy of white supremacy and those who choose to ignore it. Interviews with members of the Monumental Task Committee and the Sons of Confederate Silent Parade or the Soul Rebels Vs. Robert E. Lee – North American Premiere dir. William Cordova | 2017 | 10 mins The Soul Rebels, one of New Orleans’ most revered brass bands, confronts the legacy of slavery in a powerful rooftop performance across from Robert E. Lee’s statue in this moving short film. Goodbye Old Glory – World Premiere dir. Jordan Haro | 2017 | 17 mins Mid-City’s statue of Jefferson Davis, former president of the Confederacy, serves as the battleground for the argument over the removal of the Confederate monuments. During the course of one night, those who seek to defend their ancestors’ effigies stand, scream, and salute with flags and rifles. Meeting them with emotional response, protesters denounce them as outsiders and racists whose perspective is outmoded. In this contentious stand-off, Louisianans camp out with hot trays of food and lawn chairs, and while they argue over history, passions intensify and violence looms large.

    Caribbean Films

    Samba’ Dominican Republic | 2017 | 90 mins DIR: Laura Amelia Guzman, Israel Cardenas; PRD: Ettore D’Alessandro, Carolina Encarnación; WIR: Ettore D’Alessandro; DP: Andrei Bowden Schwartz; ED: Andrea Kleinman After doing time in a United States prison, Cisco returns home to the Dominican Republic to find his alcoholic mother is in delicate health conditions. The only way for him to get some money is to fight on the streets. When Nichi, a former Italian boxing promise, sees Cisco during a fight, he decides he is a diamond in the rough to be polished to get out of the debt caused by Nichi’s gambling addiction. During the training process he discovers there is atonement for both of them in the game. They have to make it to the final match and make the dream inside the ring come true. Serenade for Haiti USA | 2016 | 110 mins DIR: Owsley Brown; PRD: Christy McGill; DP: Marcel Cabrera; ED: Gina Leibrecht For his third feature, director Owsley Brown spins a gorgeous and soulful symphony of a city, Port-au-Prince, sprung to life through the performances and words of the students and teachers at Sainte Trinité Music School. Beginning three years before the devastating earthquake of January 2010 that left 300,000 dead and 1.5 million homeless, music’s saving grace takes on new meaning in the aftermath of the horror that leaves the school in ruins. Serenade for Haiti never wallows in sorrow, though: it’s a visual feast and celebration of a musical and cultural heritage whose fingerprints can be found all over New Orleans. -NS Play the Devil Trinidad & Tobago, The Bahamas, USA | 2016 | 89 mins DIR: Maria Govan; PRD: Maria Govan, Abigail Hadeed, Jonathon Grey, Chris Mortimer; WIR: Maria Govan; DP: James Wall; ED: Thomas A. Kreuger Dancing deftly between the confusion and possibilities of youth, Play the Devil offers a story of Gregory, a teenager on the cusp of graduation in the town of Paramin, Trinidad. He is torn between meeting the expectations of his family by studying medicine abroad and his passion to study the world’s beauty through photography. Amid this choice and the return of his father—a recovering addict—his artistic spirit catches the attention of an affluent businessman who attempts to foster Greg’s talent until the relationship goes too far. Tender moments intertwine with the lush cliff sides and vistas of Trinidad and Tobago, toppling one into the next until a choice with dire consequences is made during the year’s Carnival festivities. Coming and Going Haiti and USA | 34 mins | DIR: Annie Huntington & Clay Thomas A young translator from a small Haitian city considers his future.  Should he stay in the community where he grew up, or join the exodus abroad in search of other opportunities? Adolescencia Puerto Rico and USA | 10 mins | DIR: José Fernando Rodriguez Comprised of Hi8 videos, Adolescencia presents a portrait of a teenage boy in 2002 Puerto Rico who films odd and unusual movie vignettes by himself – and tries to get a girl’s attention in the process. Days of Wholesome Joy Cuba | 18 mins | DIR: Claudia Muñiz Zayda has taken care of her grandma afflicted with dementia for a long time, but on the eve of her birthday Zayda tries to get back her previous life. Cuban Shorts Parade DIR: Kira Akerman Jazz students from New Orleans travel to Cuba on a cultural exchange and collaborate on a parade, celebrating open borders. Connection (Conectifai) DIR: Horizoe Garcia A portrait of a park in Havana where, thanks to public Wi-Fi, a new kind of meeting place has arisen. Charlie DIR: Kadri Koop Four decades after hijacking a plane to Cuba to avoid charges of killing a state trooper, a former black power militant reflects on his past in a letter to his nine-year-old Cuban son. Manuel DIR: Gabriela Cavanagh By the train tracks in Havana, Cuba, 87-year-old Manuel brews an aphrodisiac juice called pru. Forever, Comandante (Hasta Siempre, Comandante) DIR: Faisal Attrache Living in the shadow of the revolutionary generation’s unrelenting Cuban ideals, Ernesto, a 14 year old barber, wants to get a tattoo despite his father’s adamant objection to it. Fighting Cuba’s Boxing Ban DIR: Ora DeKornfeld In Cuba, where women are banned from competitive boxing, a thirteen-year-old girl steps into the ring. Prince of Smoke DIR: Matthew Gelb Cuban tobacco farmer and artisanal cigar maker, Hirochi Robaina, follows in his legendary grandfather’s footsteps as he fights to preserve a 171-year old family legacy.

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  • BLACK LIVES MATTER Documentary Tackles South African Miners Working Conditions | Trailer

    Black Lives Matter Joseph Oesi Black Lives Matter is a documentary on the tens-of-thousands of miners working and living in abysmal conditions across South Africa.  The film has been selected to screen at the Montreal International Black Film Festival, and has been nominated in the Best Documentary Feature Category. The film that screened last year at the Durban International Film Festival puts the Canadian based mining firm Ivanhoe in the spotlight, taking the Marikana Massacre as its starting point, but digging deep into the history of the mining sector as well as the political backstory that led up to the tragedy. Director Joseph Oesi, a South African filmmaker and TV journalist, was moved to produce the film after witnessing the devastating events of August 16th 2012 play out on TV screens across South Africa and the world. He explains his motivation for making the film, “South Africa has certainly set a course, fueled by a betrayal to the original course set by the original struggle heroes and to the Freedom Charter. Mining, at the heart of the country’s economy, has underpinned the course in the interest of big business. In essence the struggles, sufferings from Colonialism and Apartheid still persist in modern day South Africa to the disappointment of the vast majority.” Black Lives Matter, powerfully demonstrates that even since this defining moment, nothing has changed for most miners, and mining communities across South Africa. Oesi explains the message of the film further, ““Black Lives Matter explores how the mineral wealth, rightfully belonging to the people of South Africa, has been sold to capitalist interests for the enrichment of a few elite and at the expense of the country. It also shows how traditional communities have been divided by this process. The corruption at all levels of society impacts not only on the moral fabric of our society, but also on the working class poor.” In South Africa, 22 years ago, the African National Congress came to power. This, many believed, would signify an end to racism and oppression, and our people would prosper. But today inequality and economic disempowerment are still rife. The corruption and power grabbing at all levels of society impacts not only on the moral fabric of our society but, more importantly, on the working class poor. The massacre of 34 striking mineworkers at a mine called Marikana brought these issues into sharp focus. Now, in an area called Mokopane in South Africa’s Limpopo province, tensions between the community and the mining companies, and communities and their traditional leaders, seem set to explode, with equally dire consequences. Black Lives Matter explores how the mineral wealth, rightfully belonging to the people of South Africa, has been sold to capitalist interests for the enrichment of a few elite and at the expense of the country – and how traditional communities have been divided in this process. This film takes us on a journey through three rural communities – the Mogales, the Kekanas, and the Mapelas. What they have in common is that the richest platinum bearing reef in the world runs underneath their land – and that international mining companies have made dubious deals with traditional leaders whose very legitimacy is questioned by the communities they supposedly serve. https://vimeo.com/168244259

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  • Zurich Film Festival Spotlights Home Grown Swiss Films in Special Screenings’ Lineup

    [caption id="attachment_24540" align="aligncenter" width="1200"]DANIEL HOPE – DER KLANG DES LEBENS DANIEL HOPE – DER KLANG DES LEBENS[/caption] The Zurich Film Festival will spotlight homegrown Swiss films, three documentary films and two feature films in its Special Screenings’ section. The Special Screenings’ section also includes a line-up of eight short films put together by the Swiss Cancer League (Krebsliga). The 39-year-old, Hamburg-born filmmaker Nahuel Lopez accompanies the British violinist Daniel Hope, who was appointed Music Director of the Zurich Chamber Orchestra last year, on a cinematic journey through his musical career. DANIEL HOPE – DER KLANG DES LEBENS is the portrait of an extraordinarily talented violinist whose career is as closely linked to Yehudi Menuhin as Yehudi is to Switzerland. She was a muse, model and performer, a dazzling star that shone bright and intensely: Lady Shiva went from street prostitute to muse of such artists as Ursula Rodel, Lou Reed and David Bowie. She lived life in the fast lane and died tragically young. Zurich-born filmmaker Gabriel Baur’s documentary GLOW goes in search of an irrepressible woman with, ultimately, a self-destructive desire for freedom.   Mikhail Gorbachev, former General Secretary of the Communist Party and President of the Soviet Union, is the father of the political reform movements Glasnost and Perestroika. His brave politics earned him the Nobel Peace Prize in 1990. US filmmaker Leila Conners’ Swiss co-production THE ARROW OF TIME is the portrait of a Russian politician, who still continues in his tireless quest for global peace. Born in Zurich in 1936, Rolf Lyssy is regarded as the ‘old master’ of Swiss filmmaking. His film DIE SCHWEIZERMACHER, which he made in 1978, remains at the top of Switzerland’s list of greatest box-office successes in the last 50 years. His most recent comedy DIE LETZTE POINTE highlights the less light-hearted subject of assisted suicide. Monica Gubser excels in her role as a life-weary pensioner. 37-year-old, Berne-born Juri Steinhart’s LASST DIE ALTEN STERBEN also falls into the tragicomedy category. His most recent film is the portrait of a present-day generation’s malaise brought on by living in a cotton-candy world – what is there to rebel against when everything is accepted and permitted? Lead actor Max Hubacher plays the wannabe young revolutionary. The Swiss Cancer League (Krebsliga) presents eight short films about cancer. Filmmakers from around the word highlight in five short fiction films, two animation films and a short documentary film what it means to live with cancer. The project was initiated and supported by the Swiss Cancer League. Each director has tackled a different aspect of the illness. Topics raised include dealing with extreme experiences, saying goodbye and the fears a cancer diagnosis can trigger, for example the fear of no longer being able to cope with everyday life or the fear of losing ones own parents. The films also demonstrate how cancer affects a person’s whole social setting. The aim of the Swiss Cancer League’s film programme is to encourage greater understanding and increase public awareness of the plight faced by cancer sufferers and their loved ones. The Swiss Cancer League informs, accompanies and supports people during and after the diagnosis of cancer, and is committed to making sure their concerns are heard both socially and politically. Flavio undergoes a mammography out of solidarity for his wife – with surprising results for both. A Turkish girl loses her grip when her mother is sent home from hospital, (apparently) showing no sign of having healed. Regina’s reoccurring dream sees her battle a mysterious beast – she finally manages to escape its clutches. A young woman refuses to accept that her partner is ill and finds comfort in daydreaming. SIE offers an unembellished peek at the experiences of two men whose partners both suffer from cancer. Béa sees the metamorphosis of a caterpillar into a butterfly as the symbol of her imminent death. An unusual friendship develops when a stubborn old man and a nervous young girl are forced to share a hospital room. And a mother, who lies dying, gradually says goodbye to her loved one.

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  • PURGE THIS LAND, Docu on Racism in America, Wins London’s Open City Documentary Festival

    [caption id="attachment_24536" align="aligncenter" width="1200"]Purge This Land Purge This Land[/caption] Lee Anne Schmitt’s Purge This Land documentary on racism in America is the winner of the Grand Jury Award at London’s Open City Documentary Festival. The film which received its UK Premiere at the Festival, retells the history of racism and slavery in modern America through the prism of John Brown – a white, militant abolitionist – who was sentenced to death in 1859 for a failed attempt to start an armed revolution. The Grand Jury said: “This film is brave in tackling a subject so relevant and poignant. Lee Ann Schmitt is self-aware of her perspective and shows total control in her authorship. Hypnotic narration interlaced with carefully composed shots, archival footage and imagery asks the viewer to address the subject in a new way. The documentary projects the infinite complexities of the subject to the landscape, and so introduces the notion of the landscape itself being guilty. Schmitt centers the narrative around a white abolitionist and her own whiteness in relation to her family, which reveals the dark side of American history as inescapable, and as in need of confrontation as ever.” Lee Anne Schmitt said: “I am thrilled. I would like to thank the Open City jury for this incredible honor. Having worked on the film for 6 years I’m keen to talk about it and share it with the world. As the film begins its journey this is a huge affirmation.” Special Mention went to the film From a Year of Non-Events, by Ann Carolin Renninger & René Frölke The Grand Jury said: “This is a charming film that surprised us with its playful editing. It offers a cinematically sensory experience.” Open City’s Emerging International Filmmaker Award went to Ziad Kalthoum’s Taste Of Cement. An inventively cinematic portrait of exiled Syrian workers trapped in a skyscraper that they are building in Beirut and unable to shake off memories of the shelling of their own homes. The film also received its UK Premiere at the Festival. The Emerging International Filmmaker Jury said: “An ambitious and powerful film with a formalism and distinct cinematic approach which captures the lives of Syrian workers in exile. Offering a meditation on construction and destruction set in modern day Lebanon. Yet presenting a timeless narrative of labour and of longing that resonates the world over. The film underlines the talent and promise of Ziad Kalthoum on the international documentary stage and we hope marks a new era in cinematic storytelling from the Middle East.” Ziad Kalthoum said: “When a war breaks out, it means that language and logic among humans have failed, but what I found is that I can create a new language that speaks to people through cinema during wartime. Thank you to the Open City Documentary Festival to give me this valuable opportunity to present the film Taste of Cement here in London, and special thanks to the jury and festival director Mr. Michael Stewart.” Special Mention went to Memory Exercises by Paz Encina. The Grand Jury said: “A film which connects audiences with the forgotten story of the Paraguayan dictatorship through a multi layered and visceral cinematic language. Merging an intimate, personal story with the history of a region that is still confronting haunting memories from the recent past.” The Best UK Short Award went to Alexithymia by Duncan Cowles.  The Best UK Short Award Jury said: “An engaging and complex non-fiction short film. Well-crafted and edited with a creative approach to the documentary form. The jury is looking forward to watching this filmmaker’s career progress, and consider them an exciting new UK talent to watch.” Duncan Cowles said: “I’m absolutely delighted that the film has been honored in this way. I made the film for absolutely zero money, and everyone who worked on it did so for free, so for it to be as well received as this feels great. Thanks very much to Open City for playing the film, nominating it and to the judges for awarding it.” London’s Open City Documentary Festival hosted 36 UK Premieres and took place over 6 days, from September 5 to 10, 2017, with screenings and events spanning 13 London venues.

    2017 London’s Open City Documentary Festival Award Winners

    GRAND JURY AWARD Winner: Purge This Land, by Lee Anne Schmitt Special Mention: From a Year of Non-Events, by Ann Carolin Renninger & René Frölke EMERGING INTERNATIONAL FILMMAKER AWARD Winner: Taste of Cement by Ziad Kalthoum Special Mention: Memory Exercises by Paz Encina BEST UK SHORT AWARD – Supported by the British Council Winner: Alexithymia by Duncan Cowles  

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  • Guillermo del Toro’s THE SHAPE OF WATER Wins Golden Lion at Venice International Film Festival

    Guillermo del Toro 2017-venice international film festival awards Guillermo del Toro fairy tale drama The Shape of Water, set against the backdrop of Cold War era America circa 1962 won the Golden Lion for Best Film at the 2017 Venice International Film Festival.  The film, starring Sally Hawkins, Michael Shannon, Richard Jenkins, Doug Jones, Michael Stuhlbarg, Octavia Spencer, also won the Future Film Festival Digital Award, C. Smithers Foundation Award – CICT-UNESCO, and the Soundtrack Stars Award. https://www.youtube.com/watch?v=XFYWazblaUA The Silver Lion – Grand Jury Prize went to Foxtrot by Samuel Maoz, and the Silver Lion – Award for Best Director went to Xavier Legrand  for his film Custody (Jusqu’à la Garde).  Custody also won the award for  Lion of The Future “Luigi de Laurentiis” Venice Award for a Debut Film.

    2017 Venice International Film Festival Awards

    VENEZIA 74

    GOLDEN LION for Best Film to: THE SHAPE OF WATER by Guillermo del Toro (USA) SILVER LION – GRAND JURY PRIZE to: FOXTROT  by Samuel Maoz (Israel, Germany, France, Switzerland) SILVER LION – AWARD FOR BEST DIRECTOR to: Xavier Legrand  for the film JUSQU’À LA GARDE (France) COPPA VOLPI for Best Actress: Charlotte Rampling in the film HANNAH by Andrea Pallaoro (Italy, Belgium, France) COPPA VOLPI for Best Actor: Kamel El Basha in the film THE INSULT by Ziad Doueiri (Lebanon, France) AWARD FOR BEST SCREENPLAY to: Martin McDonagh for the film THREE BILLBOARDS OUTSIDE EBBING, MISSOURI by Martin McDonagh (Great Britain) SPECIAL JURY PRIZE to: SWEET COUNTRY by Warwick Thornton (Australia) MARCELLO MASTROIANNI AWARD for Best Young Actor or Actress to: Charlie Plummer in the film LEAN ON PETE by Andrew Haigh (Great Britain)

    ORIZZONTI

    ORIZZONTI AWARD FOR BEST FILM to: NICO, 1988 by Susanna Nicchiarelli (Italy, Belgium) ORIZZONTI AWARD FOR BEST DIRECTOR to: Vahid Jalilvand for BEDOUNE TARIKH, BEDOUNE EMZA (NO DATE, NO SIGNATURE) (Iran) SPECIAL ORIZZONTI JURY PRIZE to: CANIBA by Véréna Paravel and Lucien Castaing-Taylor (France, USA) ORIZZONTI AWARD FOR BEST ACTRESS to: Lyna Khoudri in LES BIENHEUREUX by Sofia Djama (France, Belgium, Qatar) ORIZZONTI AWARD FOR BEST ACTOR to: Navid Mohammadzadeh in BEDOUNE TARIKH, BEDOUNE EMZA (NO DATE, NO SIGNATURE) by Vahid Jalilvand (Iran) ORIZZONTI AWARD FOR BEST SCREENPLAY to: Alireza Khatami for LOS VERSOS DEL OLVIDO by Alireza Khatami (France, Germany, Netherlands, Chile) ORIZZONTI AWARD FOR BEST SHORT FILM to: GROS CHAGRIN by Céline Devaux (France) VENICE SHORT FILM NOMINATION FOR THE EUROPEAN FILM AWARDS 2017 to: GROS CHAGRIN by Céline Devaux (France)

    VENICE AWARD FOR A DEBUT FILM

    LION OF THE FUTURE “LUIGI DE LAURENTIIS” VENICE AWARD FOR A DEBUT FILM to: JUSQU’À LA GARDE by Xavier Legrand (France) VENEZIA 74

    VENICE CLASSICS

    VENICE CLASSICS AWARD FOR BEST DOCUMENTARY ON CINEMA to: THE PRINCE AND THE DYBBUK by Elwira Niewiera and Piotr Rosołowski (Poland, Germany) VENICE CLASSICS AWARD FOR BEST RESTORED FILM to: IDI I SMOTRI (COME AND SEE) by Elem Klimov (USSR, 1985)

    VENICE VIRTUAL REALITY

    BEST VR AWARD to: ARDEN’S WAKE (EXPANDED) by Eugene YK Chung (USA) BEST VR EXPERIENCE AWARD (FOR INTERACTIVE CONTENT) to: LA CAMERA INSABBIATA by Laurie Anderson and Hsin-Chien Huang (USA, Taiwan) BEST VR STORY AWARD (FOR LINEAR CONTENT) to: BLOODLESS by Gina Kim (South Korea, USA)

    COLLATERAL AWARDS

    Arca CinemaGiovani Award Venezia 74 Best Film: FOXTROT by Samuel Maoz Best Italian Film: BEAUTIFUL THINGS by Giorgio Ferrero BNL People’s Choice Award – Giornate degli Autori GA’AGUA (LONGING) by Savi Gabizon Brian Award LES BIENHEUREUX by Sofia Djama Circolo del Cinema di Verona Award – 32nd Venice International Film Critics’ Week TEAM HURRICANE by Annika Berg Civitas Vitae Award IL COLORE NASCOSTO DELLE COSE by Silvio Soldini Fair Play Cinema Award EX LIBRIS – THE NEW YORK PUBLIC LIBRARY by Frederick Wiseman Special Mention: HUMAN FLOW by Ai Weiwei Fedeora Award (Federazione dei Critici Europei e dei Paesi Mediterranei) Best Film: EYE ON JULIET by Kim Nguyen Best Director of a Debut Film: SARA FORESTIER for M Best Actor: REDOUANNE HARJANE for M FEDIC Award LA VITA IN COMUNE by Edoardo Winspeare Special Mention: NICO, 1988 by Susanna Nicchiarelli Mention FEDIC – Il giornale del cibo: LE VISITE by Elio Di Pace FIPRESCI Award EX LIBRIS – THE NEW YORK PUBLIC LIBRARY by Frederick Wiseman Best Debut Film: LOS VERSOS DEL OLVIDO by Alireza Khatami Fondazione Mimmo Rotella Award GEORGE CLOONEY, MICHAEL CAINE and AI WEIWEI Enrico Fulchignoni – CICT-UNESCO Award HUMAN FLOW by Ai Weiwei Future Film Festival Digital Award THE SHAPE OF WATER by Guillermo del Toro Special Mention: GATTA CENERENTOLA by A. Rak, I. Cappiello, M. Guarnieri, D. Sansone GdA Director’s Award – Giornate degli Autori CANDELARIA by Jhonny Hendrix Hinestroza Green Drop Award  FIRST REFORMED by Paul Schrader HRNs Award – Special Prize for Human Rights THE RAPE OF RACY TAYLOR by Nancy Buirski Special Mention: L’ORDINE DELLE COSE by Andrea Segre Special Mention: HUMAN FLOW by Ai Weiwei Interfilm Award LOS VERSOS DEL OLVIDO by Alireza Khatami Label Europa Cinemas Award M by Sara Forestier Lanterna Magica Award (CGS) L’EQUILIBRIO by Vincenzo Marra La Pellicola d’Oro Award Best Production Manager in an Italian Film: DANIELE SPINOZZI for Ammore e Malavita Best Production Manager in an International Film: RICCARDO MARCHEGIANI for Mektoub My Love: Canto Uno Best Stagehand: ROBERTO DI PIETRO for Hannah Leoncino d’Oro Agiscuola Award THE LEISURE SEEKER by Paolo Virzì Cinema for UNICEF Award: HUMAN FLOW by Ai Weiwei Lizzani Award GÉRÔME BOURDEZEAU and DOMINIQUE BATTESTI IL COLORE NASCOSTO DELLE COSE by Silvio Soldini Lina Mangiacapre Award LES BIENHEUREUX by Sofia Djama Mouse d’Oro Award MEKTOUB, MY LOVE: CANTO UNO by Abdellatif Kechiche Mouse d’Argento Award: GATTA CENERENTOLA by A. Rak, I. Cappiello, M. Guarnieri, D. Sansone NuovoImaie Talent Award FEDERICA ROSELLINI for Dove cadono le ombre MIMMO BORRELLI for L’equilibrio Open Award GATTA CENERENTOLA by A. Rak, I. Cappiello, M. Guarnieri, D. Sansone Francesco Pasinetti Award – SNGCI AMMORE E MALAVITA by Manetti Bros. Special Award: GATTA CENERENTOLA by A. Rak, I. Cappiello, M. Guarnieri, D. Sansone Special Award: NICO, 1988 by Susanna Nicchiarelli Gillo Pontecorvo Award – Arcobaleno Latino MIAO XIAOTIAN, CEO of China Film Coproduction Corporation Queer Lion Award MARVIN by Anne Fontaine Mario Serandrei – Hotel Saturnia Award for the Best Technical Contribution – 32nd Venice International Film Critics’ Week LES GARÇONS SAUVAGES by Bertrand Mandico Sfera 1932 Award LA MÉLODIE by Rachid Hami SIAE Audience Award – 32nd Venice International Film Critics’ Week TEMPORADA DE CAZA by Natalia Garagiola SIGNIS Award LA VILLA by Robert Guédiguian Special Mention: FOXTROT by Samuel Maoz C. Smithers Foundation Award – CICT-UNESCO THE SHAPE OF WATER by Guillermo del Toro Sorriso Diverso Venezia 2017 Award – Ass Ucl IL COLORE NASCOSTO DELLE COSE by Silvio Soldini Soundtrack Stars Award ALEXANDRE DESPLAT for The Shape of Water Special Award: AMMORE E MALAVITA by Manetti Bros. Lifetime Achievement Award to ANDREA GUERRA UNIMED Award LA VILLA by Robert Guédiguian Special Mention: BRUTTI E CATTIVI by Cosimo Gomez image via Twitter

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  • HUNTING SEASON, TEAM HURRICANE Win Top Awards at Venice International Film Critics’ Week

    TEAM HURRICANE by Annika Berg Hunting Season (Temporada de Caza) directed by Natalia Garagiola won the SIAE Audience Award, the top prize at the 32nd Venice International Film Critics’ Week.The film tells the story of a respected hunting guide in Patagonia faced with the education of his biological son recently expelled from school. Team Hurricane by Annika Berg about eight teenage girls and their summer at a youth club, was awarded the Verona Film Club Award, and The Wild Boys (Les Garçons Sauvages) by Bertrand Mandico won the Award for the Best Technical Contribution. The Venice International Film Critics’ Week (SIC) is the independent and parallel section organized by the National Union of Italian Film Critics (SNCCI) during the 74th Venice International Film Festival which ran August 30th to  September 9th, 2017. SIAE Audience Award HUNTING SEASON (TEMPORADA DE CAZA) by Natalia Garagiola (Argentina, USA, Germany, France, Qatar) Award realized thanks to the support of SIAE – Italian Society of Authors and Publishers and consisting of a € 5,000 prize. Verona Film Club Award TEAM HURRICANE by Annika Berg (Denmark) Bestowed by a jury composed of the members of the Verona Film Club and awarded to the most innovative film in the section. Mario Serandrei – Hotel Saturnia Award for the Best Technical Contribution THE WILD BOYS (LES GARÇONS SAUVAGES) by Bertrand Mandico (France) The General Delegate Giona A. Nazzaro commented: “An edition marked by women. An edition that celebrated the many diverse forms of talent and of new cinema. An edition embraced with great esteem and affection by the audience. An edition that revealed seven new filmmakers that will be talked about for years to come. This is the work and the mission of the Venice International Film Critics’ Week”.  

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  • Aaron Sorkin to Receive Career Achievement Award + Premiere MOLLY’S GAME at Zurich Film Festival

    Aaron Sorkin Aaron Sorkin will receive the Festival’s Career Achievement Award at this year’s Zurich Film Festival (ZFF), which takes place from September 28 to October 8, 2017. The Academy-Award® winning screenwriter and renowned playwright will receive the Award for his life’s work on October 4 at the Corso Cinema. The presentation will be followed by a Gala Premiere screening of his latest film and directorial debut Molly’s Game, which will have it’s European premiere at the ZFF. Molly’s Game stars Jessica Chastain, Idris Elba and Kevin Costner. Molly’s Game is based on the true story of Molly Bloom, an Olympic-class skier who ran the world’s most exclusive high-stakes poker game for a decade before being arrested in the middle of the night by 17 FBI agents wielding automatic weapons. Her players included Hollywood royalty, sports stars, business titans and finally, unbeknownst to her, the Russian mob. Her only ally was her criminal defense lawyer Charlie Jaffey, who learned that there was much more to Molly than the tabloids led us to believe. Said the Festival’s Co-Directors Nadja Schildknecht and Karl Spoerri: “Aaron Sorkin is not only regarded as one of US cinema’s greatest screenwriters, he is also widely acknowledged as the writer of several legendary plays and as the celebrated creator of The West Wing, one of the most acclaimed TV series ever made, which began in 1999 and sees Martin Sheen play the US President. We are immensely proud to welcome Aaron Sorkin to Zurich, screen his directorial debut Molly’s Game and present him with this year’s ZFF Career Achievement Award.” https://www.youtube.com/watch?v=Vu4UPet8Nyc

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