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  • Eight Films in Big Screen Competition at 2018 International Film Festival Rotterdam

    [caption id="attachment_26244" align="aligncenter" width="1200"]Pity by Babis Makridis Pity by Babis Makridis[/caption] Eight films have been selected for the Big Screen Competition at the 2018 International Film Festival Rotterdam (IFFR): three world premieres, one international premiere and four European premieres.  The three world premiere nominees are: Nina, Polish filmmaker Olga Chajdas’s feature film debut in which a couple’s love is tested as they struggle to find a surrogate mother for their child; Father to Son, the third feature by Taiwanese filmmaker Hsiao Ya-chuan (Mirror Image), a story of reconciliation in which a 60-year-old man goes to Japan to look for his father who abandoned him when he was 10, and An Impossibly Small Object by Dutch filmmaker David Verbeek, which confronts the relationship between maker and subject. In this meditative film, Verbeek himself plays a Dutch photographer transfixed by a picture he took of a girl in a Taiwanese parking lot. IFFR has screened many of Verbeek’s films in the past. His  Shanghai Trance and Dead & Beautiful were both selected for CineMart. The Big Screen Competition also includes the international premiere of Night Comes On, Jordana Spiro’s debut feature about an 18-year-old woman who takes her 10-year-old sister on a journey that could destroy their futures.
    Lastly, the four European premieres. British filmmaker Jim Hosking’s comedy An Evening with Beverly Luff Linn stars Aubrey Plaza as a woman whose unsatisfactory marriage is shaken when she sees a performance piece by a mysterious man from her past. Danish filmmaker Gustav Möller’s intense feature debut  The Guilty revolves around one emergency phone call – an initially disinterested police officer quickly jumps into action when he hears a woman being kidnapped. Pity by Greek filmmaker Babis Makridis (selected for CineMart in 2014) is about a man with such need for pity he’s willing to do absolutely anything to get it from others. IFFR previously screened Makridis’ film L, in 2012 in the Tiger Awards Competition. Sebastián Hofmann’s second feature Tiempo compartido was also selected for CineMart in 2014, and also received a grant from the Hubert Bals Fund. This satire follows the struggle of two paranoid men against the ever-smiling staff of an all-inclusive resort. Hofmann made his debut at IFFR 2013 with Halley, which also competed in the Tiger Awards Competition.
    In 2013, the VPRO Big Screen Award was inaugurated to promote the presence of quality films on the big screen and public television in the Netherlands. Of the €30,000 in prize money, €15,000 is spent towards the winning film’s theatrical release and €15,000 towards the production of the filmmaker’s next project. In 2017 the award was won by Kirsten Tan’s Pop Aye. Earlier winners were Les ogres by Léa Fehner in 2016, Second Coming by Debbie Tucker Green in 2015, Another Year by Oxana Bychkova in 2014 and Bellas mariposas by Salvatore Mereu in 2013. A jury of five experienced festival-goers picks the winner of the VPRO Big Screen Award, worth €30,000. The winning film will be released in Dutch cinemas and will be purchased by the Dutch public broadcasting network NPO to screen on national television.

    Full selection Big Screen Competition:

    An Evening with Beverly Luff Linn, Jim Hosking, UK/USA, 2018, European premiere
    Father to Son, Hsiao Ya-chuan, Taiwan, 2018, world premiere
    The Guilty, Gustav Möller, Denmark, 2018, European premiere
    An Impossibly Small Object, David Verbeek, Taiwan/Netherlands/Croatia, 2018, world premiere
    Night Comes On, Jordana Spiro, USA, 2018, international premiere
    Nina, Olga Chajdas, Poland, 2018, world premiere
    Pity, Babis Makridis, Greece/Poland, 2018, European premiere
    Tiempo compartido, Sebastián Hofmann, Mexico/Netherlands, 2018, European premiere

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  • 48 Feature Films Selected for Bright Future Main Program at 2018 International Film Festival Rotterdam

    [caption id="attachment_26231" align="aligncenter" width="1000"]Impermanence Impermanence[/caption] International Film Festival Rotterdam (IFFR) has selected 48 feature film titles for its Bright Future Main Program dedicated to young, emerging film talent. Within this line-up, all feature-length film debuts that are a world or international premiere in Rotterdam are eligible for the Bright Future Award, worth €10,000. Many of them are world premieres. In Impermanence by young Chinese filmmaker Zeng Zeng, three fascinating lost souls – a monk, an innkeeper and a father who has lost his son – are brought together by fate. The German film Ella und Nell by Aline Chukwuedo follows two Berlin women on a hike in the woods. August at Akiko’s is Christopher Makoto Yogi’s dreamy debut about a musician who returns to Hawaii trying to find his ‘ha’`– the spirit that links him to his birthplace. Other nominated world premieres include the harrowing Counting Tiles by Lebanese filmmaker Cynthia Choucair, following a group of clowns who set off for the island of Lesbos to deliver laughter to refugees; The Heart by Swedish filmmaker Fanni Metelius about an invisible conflict stirring between the sheets of two lovers (“If you love me then fuck me!”); and the Egyptian film Poisonous Roses by Ahmed Fawzi Saleh, in which a young man dreams of a life beyond his tannery job in the slums. Also in competition: Argentinian filmmaker Gustavo Biazzi’s charming and melancholy coming-of-ager Los vagos. Other world premieres in the Bright Future Main Program include YEAH by Japanese filmmaker Suzuki Yohei; Jonaki by celebrated Indian filmmaker Aditya Vikram Sengupta, whose Labour of Love screened at IFFR 2015; Permanent Green Light by Dennis Cooper and Zac Farley, about a teenager obsessed with the idea of blowing himself up in public; and La estrella errante by Spanish filmmaker Alberto Gracia about the wandering front man of a Galician underground punk band. Gracia won the FIPRESCI Award with his feature debut The Fifth Gospel of Kaspar Hauser at IFFR 2013.

    Bright Future Competition

    August at Akiko’s, Christopher Makoto Yogi, USA, 2018, world premiere Musician Alex Zhang Hungtai returns to Hawai‘i after years abroad. His search for home and roots intensifies when he forms a bond with local kupuna Akiko. Azougue Nazaré/Azougue Nazareth, Tiago Melo, Brazil, 2018, world premiere In the sugarcane country of North East Brazil, where Evangelicalism is on the rise, people start to disappear and other strange things start to happen as Maracatu carnival season gets underway. The Bangle Seller, Ere Gowda, India, 2018, world premiere In a small Indian village, Kempanna and his wife Saubaghya are unable to conceive. A scandal seems imminent. Counting Tiles, Cynthia Choucair, Lebanon , 2018, world premiere A group of clowns travel to the Greek island of Lesvos on a mission to bring laughter to the many people escaping war in February 2016. Ella und Nell/Ella & Nell, Aline Chukwuedo, Germany, 2018, world premiere Ella and Nell used to be best friends. Now grown apart and in their forties, they set out on a hike in order to reconnect. The mood changes as old wounds are reopened. The Heart, Fanni Metelius, Sweden, 2018, world premiere Mika and Tesfay. She’s a photographer. He’s a musician. Both are up-and-coming. The first true romance. But an invisible conflict, an unnameable shame, stirs between their sheets. Impermanence, Zeng Zeng, China, 2018, world premiere Fate brings together three fascinating lost souls – a monk with a sack of money, an innkeeper with a heavy conscience and a father who’s lost his son – in young Chinese director Zeng Zeng’s mysterious tale of guilt, punishment and ambiguous redemption. Poisonous Roses, Ahmed Fawzi Saleh, Egypt/France, 2018, world premiere Saqr dreams of a life beyond his tannery job in the slums, but his love for the sister he would leave behind keeps him tied there. Their Remaining Journey, John Clang, Singapore/USA/Taiwan, 2018, world premiere A tale of reincarnation unfolds through the stories of a dead actress, an ex-mistress and an unfaithful husband, somewhere between New York and Singapore. La torre/Tower, Sebastián Múnera, Colombia/Mexico, 2018, world premiere On March 17, 2004 an explosive device was activated at the Piloto Public Library in Medellín, where much of the photographic archive of Colombian history is kept. A photograph is the only evidence of this barbarism. Los vagos/Bums, Gustavo Biazzi, Argentina, 2017, international premiere High school sweethearts Ernesto and Paula return to their hometown, Misiones, for the summer. Ernesto’s rekindled friendship with los vagos (‘the bums’) triggers upheaval for the pair.

    Bright Future premieres

    Ambiguous Places, Ikeda Akira, Japan, 2017, international premiere A series of odd and mysterious dramas unfolds against ordinary backdrops in this new film from Tiger Award winner Ikeda. Blockage, Mohsen Gharaei, Iran, 2017, European premiere Fired from his job at the municipality for making deals on the side, Ghasem is forced to make changes. While is he making plans for his wife’s inheritance, a completely new opportunity arises. La estrella errante/Wandering Star, Alberto Gracia, Spain, 2018, world premiere The punk band Los Fiambres released one cult album in 1984. More than thirty years later, their lead singer, Rober Perdut, wanders around his Galician hometown in this sensory, melancholic film. Hit the Night, Jeong Gayoung, South Korea, 2017, international premiere Under the pretence of research, Ga-yeong pries into the personal and sexual life of a new acquaintance. Despite having a girlfriend, the acquaintance willingly participates. Is he unaware of her desire, or just impressed by her line of questioning? Inferninho/My Own Private Hell, Guto Parente, Pedro Diógenes, Brazil, 2018, world premiere In a bar called Inferninho, the staff dream of escape. A handsome sailor with a dream of finding home arrives. Jonaki, Aditya Vikram Sengupta, India/France/Singapore, 2018, world premiere While Jonaki, an 80-year-old woman, searches for love in a strange world of decaying memories, her lover, now old and grey, returns to a world she is leaving behind. The Pain of Others, Penny Lane, USA, 2018, world premiere A found-footage documentary about Morgellons, a mysterious illness whose sufferers say they have parasites under the skin and a host of other bizarre symptoms that could be taken from a horror film. Permanent Green Light, Dennis Cooper/Zac Farley, France, 2018, world premiere A young disabled guy wants to explode in public. He’s not suicidal or an extremist, he’s purely interested in this act’s effect. That he’ll die is unimportant, he just doesn’t want people to misinterpret the event. Sol alegria, Tavinho Teixeira, Brazil, 2018, world premiere An eccentric family on a mission travel through dictatorial Brazil to save humanity from annihilation. Cheerfully nihilistic film trip takes us past a colourful parade of sailors, whores, generals, corrupt priests and trigger-happy nuns. YEAH, Suzuki Yohei, Japan, 2018, world premiere A young woman, Ako, wanders around a sparsely populated housing estate in a rural city, Mito, where she spends her time speaking to objects and plants.

    Confirmed for Bright Future

    The Gulf, Emre Yeksan, Turkey/Germany/Greece, 2017 Leaving behind a ruined career and a bitter divorce, Selim returns to his hometown, Izmir. While wandering the city he runs into an old friend and finds himself gradually drawn into a new world. Those Who Are Fine, Cyril Schäublin, Switzerland, 2017 Using skills gained working in a call centre, Alice makes a sinister income posing as the granddaughter of Zurich’s many lonely grandmothers. Previously announced titles in the Bright Future Main Program

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  • 2018 Las Vegas Jewish Film Festival Unveils Lineup, Opens with “Sammy Davis Jr.: I’ve Gotta Be Me”

    Sammy Davis, Jr. takes aim in a backstage photo with his dancers in a scene from the documentary SAMMY DAVIS, JR.: I’VE GOTTA BE ME. Photo Credit: The Estate of Altovise Davis The 17th Las Vegas Jewish Film Festival (LVJFF), running January 13 to 28, 2018, will kick off with the Las Vegas premiere of “Sammy Davis Jr.: I’ve Gotta Be Me,” the first major film documentary to examine Davis’ vast talent and his journey for identity through the shifting tides of civil rights and racial progress during 20th-century America. Highlights of the 2018 LVJFF include “Ben-Gurion: Epilogue,” the winner of the Best Documentary Feature at the 2017 Ophir Awards (the Israeli Oscars), “1945” a new award winning Hungarian post-Holocaust drama, and “Bombshell: The Hedy Lamarr Story” about the beautiful and brilliant Jewish actress, winner of Best Documentary of the 2017 New York Film Critics, Online and San Francisco Jewish Film Festival. All LVJFF films will be accompanied by the filmmakers, or related experts in the subject matter, who will provide introductions and moderate post-screening discussions with the audience. “LVJFF shares insight into Jewish identity, history, and culture, and promotes solidarity with Israel and remembrance of the Holocaust. Everyone is encouraged to attend,” said Joshua Abbey, the festival’s director.   “Our 2018 LVJFF is dedicated to Heather Heyer who was killed while protesting against anti-Semitism and hate in Charlottesville, Virginia. May her memory be a blessing for love over hate.”

    2018 LVJFF PROGRAM SCHEDULE:

    “Sammy Davis Jr.: I’ve Gotta Be Me” 1/13/18 | 7:00 PM | Century Suncoast 16 Hosted by Vegas PBS and Neon Museum Moderated by Claytee White, Director, Oral History Research Center at UNLV Libraries with with Obba Babatunde, Actor and Sam Pollard, Director (via Skype) “One Night in Anzeria” 1/14/18 | 1:00 PM | Adelson Educational Campus Hosted by Israeli American Council Moderated by Nir Caspi, Former Israeli Navy Seal “Ben-Gurion: Epilogue” 1/14/18 | 3:00 PM | Adelson Educational Campus Hosted by Israeli American Council Moderated by (TBA) “Look About You” 1/18/18 | 7:00 PM | Brenden Theatres, Palms Casino Resort Hosted by Jewish National Fund and Friends of Israel Gospel Ministries Moderated by Janet Wellish, Board President JNF with Ty Perry, G’sherim Trainer FIGM “A Place of Hope” | “Pista” 1/21/18 | 3:00 PM | Adelson Educational Campus Hosted by Dam Short Film Festival Moderated by Barbara Tabach, Project Manager, UNLV Oral History Research Center with Holocaust Survivors Henry Kronberg, Ben Lesser and Stephen “Pista” Nasser “1945” 1/25/18 | 7:00 PM | Brenden Theatres Palms Casino Resort Hosted by Jewish Community Center Moderated by Mark Hall-Patton, Museum Administrator, Clark County Museum System, “Bombshell: The Hedy Lamarr Story” 1/27/18 | 7:00 PM | Adelson Educational Campus Hosted by Las Vegas Review-Journal Moderated by Ed Cassidy, VP Marketing Las Vegas Review-Journal with Alexandra Dean, Director (via Skype) “Wanderlust: Lesley Hazleton” 1/28/18 | 1:00 PM | Eclipse Theaters Hosted by The Believer Magazine and Black Mountain Institute Moderated by Kellen Braddock, Deputy Director, BMI and Publisher, The Believer Magazine with Lesley Hazleton “Heather Booth: Changing the World” 1/28/18 | 3:00 PM | Eclipse Theaters Hosted by Progressive Leadership Alliance of Nevada – Southern Nevada and Nevada Women’s Film Festival Moderated by Heather Booth and Lilly Rivlin, Film Director Image: Sammy Davis, Jr. takes aim in a backstage photo with his dancers in a scene from the documentary SAMMY DAVIS, JR.: I’VE GOTTA BE ME. Photo Credit: The Estate of Altovise Davis

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  • Filmmakers Diogo Costa Amarante, Jyoti Mistry and Mark Toscano Selected for Berlinale 2018 International Short Film Jury

    [caption id="attachment_26197" align="aligncenter" width="1200"]Diogo Costa Amarante, Jyoti Mistry and Mark Toscano Diogo Costa Amarante, Jyoti Mistry and Mark Toscano[/caption] Portuguese filmmaker and winner of the Golden Bear for Best Short Film at the Berlinale 2017, Diogo Costa Amarante; US filmmaker and curator Mark Toscano; and South African filmmaker and academic Jyoti Mistry will make up the International Short Film Jury of  2018 Berlin Film Festival. They will award the Golden and the Silver Bear, as well as the Audi Short Film Award. In addition, they will nominate a film for the European Film Awards in the category European Short Film 2018. “The diverse perspectives that Mark Toscano, Jyoti Mistry and Diogo Costa Amarante bring to the jury portend a well-versed, young and contemporary discussion on the 2018 selection,” comments Maike Mia Höhne, curator of Berlinale Shorts. Diogo Costa Amarante (Portugal) Diogo Costa Amarante completed his Master of Fine Arts at New York University / Tisch School of the Arts in 2016 with his film Cidade Pequena, which celebrated its international premiere at the 67th Berlinale in 2017 and received the Golden Bear for Best Short Film. Amarante is a member of the widely acclaimed third generation of Portuguese filmmakers, whose works have established an impressive position for Portugal in the cinematic world. His first film Jumate/Jumate received accolades at many festivals, and in 2007 he received a scholarship for documentary film and cinematography at the School of Cinema and Audiovisuals of Catalonia (ESCAC). In 2009, he was a participant at Berlinale Talents, and shot his second documentary film In January, perhaps. Jyoti Mistry (South Africa) Filmmaker Jyoti Mistry is an Associate Professor and Deputy Head of Division at the Wits School of Arts in South Africa. She received the CILECT Teaching Award (The International Association of Film and Television Schools) in 2016 in recognition of her outstanding achievements in film pedagogy and film practice research. Her research areas include cultural policy, questions of identity, and multiculturalism. Her experimental film The Bull On the Roof (2010) celebrated its debut at the Durban International Film Festival and was presented at the Galerie nationale du Jeu de Paume in Paris, among other institutions. Her feature film Impunity (2014) celebrated its premiere at the Toronto International Film Festival, and her most recent short film When I Grow Up I Want to Be a Black Man was a competition selection at the short film festival Winterthur in 2017. Her publications include “’we remember differently’: Race, Memory, Imagination” (2012), “Gaze Regimes: Film and Feminisms in Africa” (2015) and “Places to Play – Practice, Research & Pedagogy” (2017) which was adapted for the screen. Mark Toscano (USA) Mark Toscano has worked for many noted institutions such as The Museum of Modern Art, Arsenal – Institute for Film and Video Art, EYE Filmmuseum, Tate Modern, Los Angeles Filmforum, as well as for festivals in Rotterdam, London, Oberhausen, Zagreb and Bangalore, functioning as curator and presenter of stand-out programmes. In addition, he lectures on experimental film and archiving at numerous universities. At the California Institute of the Arts, he is an instructor in the area of Experimental Animation. A distinguished filmmaker and curator, Mark Toscano has been a contributor to the conservation of cinematic heritage at the Academy Film Archive since 2003, where he specialises in the conservation of noteworthy films, maintaining exchange with over 100 international filmmakers.

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  • Actress Cate Blanchett Named President of the Jury of 2018 Cannes Film Festival

    Cate Blanchett Actress Cate Blanchett will be the President of the Jury of the 71st edition of the Cannes Film Festival taking place May 8th to 19th, 2018. “I have been to Cannes in many guises over the years; as an actress, producer, in the marketplace, the Gala-sphere and in Competition,” she declared, “but never solely for the sheer pleasure of watching the cornucopia of films this great festival harbours.”v Cate Blanchett follows Pedro Almodóvar, Jury President of the 70th edition, whose jury awarded the Palme d’or to The Square by Swedish director Ruben Östlund. “I am humbled by the privilege and responsibility of presiding over this year’s jury,” she continued. “This festival plays a pivotal role in bringing the world together to celebrate story; that strange and vital endeavour that all peoples share, understand and crave.” Pierre Lescure, Festival de Cannes President and Thierry Frémaux, General Delegate, said: “We are delighted to welcome such a rare and unique artist whose talent and convictions enrich both screen and stage. Our conversations from this autumn tell us she will be a committed President, a passionate woman and a big-hearted spectator.” Cate Blanchett will next appear in Ocean’s 8; the highly-anticipated film adaptation of Maria Semple’s Where’d You Go Bernadette, directed by Richard Linklater; and in The House with a Clock in its Walls, directed by Eli Roth.

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  • UK Premiere of Wes Anderson’s Isle of Dogs to Open Glasgow Film Festival 2018

    Isle of Dogs Glasgow Film Festival 2018 will open on February 21 with the UK premiere of Wes Anderson’s Isle of Dogs. The animated adventure Isle of Dogs tells the story of Atari Kobayashi, 12-year-old ward to corrupt Mayor Kobayashi. When, by Executive Decree, all the canine pets of Megasaki City are exiled to a vast garbage-dump, Atari sets off alone in a miniature Junior-Turbo Prop and flies to Trash Island in search of his bodyguard-dog, Spots. There, with the assistance of a pack of newly-found mongrel friends, he begins an epic journey that will decide the fate and future of the entire Prefecture. The all-star voice cast includes Bryan Cranston, Koyu Rankin, Edward Norton, Liev Schreiber, Bill Murray, Bob Balaban, Jeff Goldblum, Scarlett Johansson, Kunichi Nomura, Tilda Swinton, Ken Watanabe, Akira Ito, Greta Gerwig, Akira Takayama, Frances McDormand, F. Murray Abraham, Courtney B. Vance, Yojiro Noda, Fisher Stevens, Mari Natsuki, Nijiro Murakami, Yoko Ono, Harvey Keitel and Frank Wood. Allan Hunter, Festival Co-director said: “Wes Anderson is one of the most imaginative, beguiling filmmakers working in world cinema and we are thrilled to open GFF 2018 with the UK premiere of his brand new film. Four years ago we opened the Festival by booking into The Grand Budapest Hotel. This year we invite audiences to set sail for the Isle Of Dogs. It will be a night to remember and the best possible start to a great Festival.” Fox Searchlight Pictures will release Isle of Dogs in UK cinemas on March 30, 2018. https://www.youtube.com/watch?v=dt__kig8PVU

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  • “Three Billboards Outside Ebbing, Missouri” “Get Out” and “Darkest Hour” Win Top Awards At Capri, Hollywood International Film Festival

    [caption id="attachment_23572" align="aligncenter" width="1000"]THREE BILLBOARDS OUTSIDE EBBING, MISSOURI Three Billboards Outside Ebbing, MissouriThree Billboards Outside Ebbing,[/caption] Get Out won the top prize for best picture at the Capri, Hollywood International Film Festival. Indie favorite Three Billboards Outside Ebbing, Missouri was also a big winner bagging three awards including best actress for Frances McDormand, best supporting actor for Sam Rockwell and best original screenplay for Martin McDonagh. Darkest Hour also won three awards including best film editing, best original score, and best makeup and hairstyling. Best foreign film went to Samuel Maoz’s Foxtrot and Clive Davis: The Soundtrack of Our Lives won the prize for best documentary film.

    2017 Capri, Hollywood International Film Festival Awards

    Best Picture – Get Out Best Director – Christopher Nolan – Dunkirk Best Actor – James Franco – The Disaster Artist Best Actress – Frances McDormand – Three Billboards Outside Ebbing, Missouri Best Supporting Actor – Sam Rockwell – Three Billboards Outside Ebbing, Missouri Best Supporting Actress – Melissa Leo – Novitiate Best Adapted Screenplay – The Disaster Artist Best Original Screenplay – Three Billboards Outside Ebbing, Missouri Best Animated Movie – Coco Best Documentary Feature – Clive Davis: The Soundtrack of Our Lives Best Foreign Language Film – Foxtrot (Israel) Best Cinematography – Hostiles Best Film Editing – Darkest Hour Best Make-up and Hairstyling – Darkest Hour Best Production Design – Blade Runner 2049 Best Original Song – “Remember Me” – Coco Best Original Score – Darkest Hour Best Sound Editing / Best Sound Mixing – Guardians of the Galaxy Vol. 2 Best Visual Effects – War for the Planet of the Apes Best Ensemble Cast – The Leisure Seeker Career Achievement Award – James Ivory

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  • World Premiere of JIMMIE by Jesper Ganslandt to Open + THE DEATH OF STALIN to Close International Film Festival Rotterdam

    [caption id="attachment_26164" align="aligncenter" width="1000"]Jimmie by Jesper Ganslandt Jimmie[/caption] The world premiere of Jimmie by Swedish filmmaker Jesper Ganslandt, a road movie with a truly original twist about a father and son on the run, will open the 47th International Film Festival Rotterdam (IFFR) on January 24, 2018.  The festival will close on February 3, 2018 with The Death of Stalin by Armando Iannucci. In Jimmie, the cast lends the film an interesting extra dimension: Ganslandt himself plays the father, with Ganslandt’s own son Hunter playing four-year-old Jimmie. Together, they embark on a journey through Europe that challenges our preconceptions in an unexpected way. According to producer Hedvig Lundgren: “the film shows that a child’s universe is both very small and bigger than an adult can imagine.” Festival Director Bero Beyer: “Ganslandt offers a truly new perspective in an intense cinematic experience that makes us view the world anew. The film is an honest and subtly executed take on one of the more pressing issues we face in today’s society, as seen through the eyes of a striking protagonist, a four-year-old boy. Jimmie is a remarkable, emotional and thought-provoking story and we’re proud it will open our 47th edition.” Ganslandt is one of the bold new voices in Scandinavian cinema. In his dreamy first feature Falkenberg Farewell (2006), five friends spend their last summer together in their hometown, Falkenberg. For his claustrophobic second feature The Ape, screened at IFFR 2010, Ganslandt did not let his lead actor Olle Sarri read the full script in advance. Ganslandt’s first English-language film is to be released later in 2018 – a thriller entitled Beast of Burden starring Daniel Radcliffe. [caption id="attachment_23440" align="aligncenter" width="1200"]The Death of Stalin Directed by Armando Iannucci The Death of Stalin[/caption] The closing film of IFFR 2018, The Death of Stalin, is also part of the festival’s theme program A History of Shadows, which investigates cinema’s powers to reevaluate and revisit the past. In his new film, Armando Iannucci – best known for his television series The Thick of It and Veep – employs his knack for lampooning the self-serving attitudes of authority figures to zoom in on the Kremlin power struggles that ensued following the death of Joseph Stalin in 1953. The result is a stylish, salient black comedy starring among others Michael Palin and Steve Buscemi.

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  • Actor Trevor Jamieson is Revelation Perth International Film Festival Ambassador + 3 Films Win City of Vincent Film Project

    [caption id="attachment_26158" align="aligncenter" width="1200"]Trevor Jamieson Trevor Jamieson[/caption] Actor Trevor Jamieson, soon to be seen in the upcoming remake of the classic Australian film Storm Boy playing the iconic character Fingerbone Bill, has been appointed the permanent ambassador of the Revelation Perth International Film Festival. As ambassador to the Revelation Perth International Film Festival, Trevor will become one Revelation’s most prominent supporters, lending his profile and his passion to promote the festival regarded by media, industry and audiences alike as the most individual and innovative screen culture events in the country. Revelation Film Festival director Richard Sowada says it’s a terrific collaboration. “Trevor is proudly West Australian with an international outlook, just like Rev,” said Richard. “We can’t think of a better person to help spread the word about what we do and what we are all about. “As an actor he’s of course deeply involved in the screen business, but he also brings a message of the place of the arts in our broader culture.” Trevor Jamieson says he’s humbled at the opportunity. “As someone who grew up in the arts industry and spent most of my life in Western Australia, I’ve gained witness to skills of strength and weakness within our state that have always given me experiences to share of stories and places, nationwide and internationally,” Trevor said. “I’m excited to celebrate the most simple viewpoints that can reveal great strengths within the awareness of our mindset for independent works and allowing for amazing collaboratives between national and international themes to understand the human common aspects of social justice. “Plus I’m looking forward to being back home again and becoming involved with a lot of well known and emerging artists. [caption id="attachment_26159" align="aligncenter" width="1200"]Revelation Perth International Film Festival - City of Vincent Film Project Revelation Perth International Film Festival – City of Vincent Film Project[/caption] Revelation Perth International Film Festival partnered with the City of Vincent for a film project which offered an opportunity for filmmakers to tell stories in and about the City of Vincent, with $15,000 being allocated to fund three short documentaries. Revelation Film Festival Director Richard Sowada said the grass-roots project has been enormously rewarding. “It’s about having a real creative impact at a community level and brings many of these emerging filmmakers into the international fold,” said Richard. The winning films are: The Beeman The buzz around local Beeman, Carl Maxwell, isn’t for nothing – he’s the best in the business – and that’s because he can communicate with the local honeybee population. The Beeman follows one man’s crusade to save the honeybees, one hive at a time. Producer Cody Greenwood, Directors Samantha Marlowe and Frances Elliott Neon Neon signs are everywhere in cities around the world. They liven the sky and streets with colour and atmosphere. In Perth, neon bending is a dying art. But one young man is taking on an apprenticeship that could change that. Producer Rachael Karotkin, Director Matt Sav Ghosts Of Vincent An expository-participatory documentary that looks at historical people and venues within the area of the City of Vincent. The film investigates the legend of ‘Kanga’ the ghost who haunts the newly renovated Leederville hotel, but also focuses on other venues and locations of interest in the Vincent area. Producer Paul Van Lieshout, Director Kimberly McGivern and Ellen Broadhurst Project Coordinator Ashleigh Nicolau said that the films were as eclectic as the City of Vincent itself. “A mixed bag of environmental, artistic and supernatural stories, I can’t wait to see these short documentaries take off!,” Ashleigh said. “The City is also keen to work closely with the filmmakers to create events surrounding the film subjects such as art exhibitions and ghost tours.” The record number of submissions received were considered by a panel of industry professionals, and representatives of the City of Vincent and the Revelation Perth International Film Festival. Successful applicants will commence production in January, and the three completed films will screen as part of the 2018 Revelation Perth International Film Festival in July.

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  • Inaugural Mammoth Film Festival Unveils First Round of Official Selections Lineup

    [caption id="attachment_25430" align="aligncenter" width="1200"]Sun Dogs by Jennifer Morrison Sun Dogs[/caption] The inaugural Mammoth Film Festival unveiled the first Round 1 of their star-studded Official Selections lineup for the upcoming festival taking place February 8 to 11, 2018.  Officially Selected feature films include: Jennifer Morrison’s Directorial feature film debut Sun Dogs, Tim Newfang’s Sons of St. Clair, a ground-breaking documentary highlighting the legendary members of Hip Hop group Bone Thugs-N-Harmony’s Krayzie Bone & Bizzy Bone (World Premiere) and Frederick Cipoletti’s solo directorial debut with the drama Desolate (World Premiere). The Mammoth Film Festival will also screen a number of Star-studded short films including; feature high level panels and think tanks; and host it’s first-ever Celebrity Charity Bowling Tournament benefitting the Mammoth Media Institute, Inc.

    Round 1 Officially selected feature films for the Inaugural Mammoth Film Festival

    A VIOLENT MAN/U.S.A (Director: Matthew Berkowitz. Screenwriters: Matthew Berkowitz and Justin Steele). A struggling mixed martial arts fighter finds himself in a fight for his life after his one night stand is found dead in her home. Cast: Anthony Bonaventura, Cheyenne Buchanan, Tyler Conklin. WORLD PREMIERE MIDNIGHT FILM. DESOLATE/U.S.A (Director and Screenwriter: Frederick Cipoletti). While trying to survive the worst drought in history, a family of farmers force their youngest brother down a path of destruction; betrayed and left for dead in an unfamiliar land, he must survive, endure and seek the revenge he deserves. Cast: Will Brittain, Callan Mulvey, Tyson Ritter. JOSIE/U.S.A (Director: Eric England. Screenwriter: Anthony Ragnone II). The residents of a small, southern town are forever changed when the tattooed, sweet-talking stranger Josie (Sophie Turner) struts into town.  Striking up relationships with a local young punk Marcus (Jack Kilmer) and her loner neighbor Hank (Dylan McDermott), she quickly becomes a hot topic of local gossip.  But her true intentions for arriving in town are far more sinister when her dark past comes to light. Cast: Sophie Turner, Dylan McDermott, Jack Kilmer.  WORLD PREMIERE OPENING NIGHT FILM. KHALI THE KILLER/Germany (Director and Screenwriter: Jon Matthews). After deciding to retire, an East L.A. hit man decides to take one last job to help support his ailing grandmother’s end of life care. But everything falls apart, when he develops empathy for the targets of his hit, and he’s forced to make the toughest decision of his life. Cast: Ryan Dorsey, Richard Cabral, Corina Calderon. MULLY/U.S.A (Director and Screenwriter: Scott Haze) A homeless orphan in Kenya becomes a lucrative businessman, only to give it all up and open an orphanage that today serves over 2000 Kenyan children. Cast: Charles Mully, Esther Mully, Isaac Mulli. SONS OF ST. CLAIR/ U.S.A. (Director and screenwriter: Tim Newfang (World Premiere) Thrilling Documentary chronicling the legendary Hip Hop group Bone Thugs & Harmony’s Krazie Bone & Bizzy Bone. WORLD PREMIERE. SYLVIO/U.S.A (Directors and Screenwriters: Kentucker). A small town gorilla joins a local TV program where a series of on-air mishaps send him on a journey of self-discovery. Cast: Sylvio Bernardi, Kentucker Audley, Steve Bauer. SUN DOGS/U.S.A (Director: Jennifer Morrison. Screenwriter: Anthony Tambakis). Intellectually limited from an accident at birth, Ned Chipley has failed time and time again at achieving his dream of ‘saving lives’. After a fourth thwarted attempt to join the marines, he pairs up with a young run away, Tally Peterson. Together they surveil a group of young men who they mistake as terrorists. Ned and Tally accidentally make the most improbable and unfortunate homeland security team. Their misadventures and misunderstandings lead to the unexpected discovery that sometimes the greatest purpose in life can present itself in the most unlikely of places. Cast: Mellisa Benoist, Allison Janney, Jennifer Morrison. CLOSING FILM GALA PRESENTATION. TIME TRAP/U.S.A (Directed by Mark Dennis and Ben Foster. Screenwriter: Mark Dennis). A group of students become trapped inside a mysterious cave where they discover time passes differently underground than on the surface. Cast: Andrew Wilson, Cassidy Gifford, Brianne Howey. TRUTH OR DARE/U.S.A-(Director: Nick Simon. Screenwriters: Thommy Hutson, Ethan Lawrence). Eight college friends head to a “Haunted Rental” for Halloween. But when they replay the game that made the house infamous, they awaken an evil spirit intent on stealing their souls. Cast: Cassandra Scerbo, Brytni Sarpy, Mason Dye. MIDNIGHT FILM.

    Round 1 Short Film Official Selections Inaugural Mammoth Film Festival

    APE by Josh Hutcherson The Circle by Sheldon Schwartz Euphoria – Indescribable Adventure by Linda Sanders and Alessandro Beltrame Companion by Matt Ferrucci Reckless Juliets by Skyler Barrett I Know Jake Gyllenhaal is Going to Fuck My Girlfriend by Nino Mancuso Scarlett-Angelina by Lorette Bayle The Visit by Romina Schwedler The Accomplice by John F. Beach & Jon Hoeg The Long Walk Home by Jarod Einsohn Zero-Zero by Randall Whittinghill Lunch Ladies by Clarissa Jacobson and JM Logan Girl Power by Ada Gorn Niles Canyon by Sallyanne Massimini Making it on Time by Sophia Banks LPM, Likes Per Minute by Alexandra Chando PRINCE OF SMOKE by Matthew Gelb Indigo Valley by Jaclyn Bethany Autopsy by Adam Long The Only People Who Have Ever Seen Rob’s Penis by  Christian Cerezo Nano by Mike Manning The Last Birthday by Jaclyn Bethany Madaran by Rayka Zehtabchi Vagabonds by Magaajyia Silberfeld Cops: Gotham by Tyler Shields The Gnome by Jason Neese

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  • International Ocean Film Festival Opens on International Women’s Day with KIM SWIMS

    Kim Swims Question: what would you do if your doctor told you your leg would be amputated in half an hour? For Kim Chambers the answer was this: swim 30 miles through shark infested waters. With exquisite timing, on International Women’s Day – March 8, 2018 – the San Francisco based International Ocean Film Festival opens its 15th anniversary year with Kim Swims – the stirring documentary based on Chamber’s epic journey. A special preview of the film will be shown on Saturday, February 10 during the Festival’s “Off the Reef” gala fundraiser at The Pearl (601 9th Street, San Francisco). The evening will feature food, fine wine and a silent auction: 5:30pm – 7pm cocktail reception; 7pm-9pm dinner and program; 9pm ’til 10:30pm music by DJ Bryce and remarks by this year’s “Ocean Champion” honoree, Academy Award®-winning filmmaker Louie Psihoyos. Individual tickets are $ 250 and can be purchased online. “It would be hard to find a greater example of personal heroism matched with a love of the ocean than the story of Kim Chambers,” said Ana Blanco, Executive Director for the International Ocean Film Festival. “As told on the screen by Kate Webber and David Orr alongside Oscar-and-Emmy-winner Brad Herschberger, it is the perfect film to open our 15th anniversary season.” Kim Swims is a documentary about the inspiring story of Chambers, once facing a radical amputation following a freak accident, and her attempt to become the first woman to complete a solo swim from the Farallon Islands to the Golden Gate Bridge – a 30-mile stretch of water known for frigid temperatures, swirling currents and the world’s largest Great White sharks. Many consider it to be the hardest marathon swim in the world, and rightfully so, as only four other men have completed the swim. Through the physically and emotionally challenging lead-up to the swim, the swim itself, and the candid interviews with her and others, we present a look into what propels Kim to conquer her fear, pursue her passion and achieve her greatest potential, and hopefully inspire others to do the same. Since its launch in 2004, the San Francisco-based International Ocean Film Festival has attracted thousands of spectators of all ages from around the world, including film enthusiasts, sea athletes, educators, and environmental supporters. Since then, the Festival has presented over 50 films from 15 different countries and featured post-film Q&A sessions with visiting filmmakers, special panel discussions with content experts, and the 11th Annual Free Student Education Program. It was the first event of its kind in North America, inspired by the well-established ocean festival in Toulon, France, which has continued to draw large audiences for more than 40 years. The full slate of films for the 15th Anniversary International Ocean Film Festival will be announced January 19. The 15th Annual International Ocean Film Festival will take place March 8 to 11, 2018 at San Francisco’s Cowell Theatre at Fort Mason Center for Arts and Culture.

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  • Berlin Film Fest Selects First 6 Films in 2018 Perspektive Deutsches Kino

    Victoria Schulz, Daniel Zillmann. Rückenwind von vorn (Away You Go). Regie/director: Philipp Eichholtz The Berlin International Film Festival has selected the first six films in the 2018 Perspektive Deutsches Kino section. The program will open with the new feature film by Philipp Eichholtz Rückenwind von vorn (Away You Go) (production: Von Oma gefördert). Staying true to himself, director Eichholtz lovingly and energetically tells the story of self-discovery against the wind. Headwind is uncomfortable and slows down forward motion unless you dress warmly, overcome the obstacles and occasionally change direction or take a detour. The young Berlin schoolteacher Charlie (Victoria Schulz) no longer wants to continue as usual on her chosen path and asks herself what she really wants and needs. “When confronted with powerful winds from ahead, one must push harder to achieve one’s goals. That’s the challenge we accept, and one that transforms the headwind into a mobilizing tailwind from ahead,” comments section head Linda Söffker on her selection. In Feierabendbier (After-work Beer), the directorial debut by Ben Brummer, and a production of the new Munich production company GAZE Film, barkeeper Magnus (Tilman Strauß) experiences an identity crisis when his precious classic car is stolen. Sporting a cool’n’casual attitude at all times, Magnus and especially his friend Dimi (Johann Jürgens) perfectly personify the hipster cliché: self-realisation through visible symbols of understatement. With the help of props, dress and music, director Brummer sketches a setting that creates a highly entertaining larger-than-life, comic-esque world for adults. Three mid-length fiction works delve into love and farewells, each approaching the themes with a different aesthetic: Kineski zid (Great Wall of China) by dffb student Aleksandra Odić is a poetic narrative on the Bosnian mentality and spirited warmth of a family as experienced through the eyes of eight-year-old Maja. They all meet one summer day and Maja is the only family member who understands that her favourite aunt Ljilja is secretly emigrating to Germany later that day. In Storkow Kalifornia by directing student Kolja Malik (Filmakademie Baden-Württemberg), 30-year-old outlaw Sunny (Daniel Roth) of Storkow is torn between his mother and his new love (Lana Cooper), and between staying and going. A film like a road trip: Goodbye Storkow, hello Berlin! Rå by Filmuniversität Babelsberg student Sophia Bösch is the story of an initiation. 16-year-old Linn (Sofia Aspholm) wants to be accepted into her father’s hunting group at all costs and realises, little by little, that she will never truly belong. A film on growing up and discovering how difficult it is for a woman to find her place in a community of men with antiquated hierarchies. The documentary film draußen (outside), produced by Titus Kreyenberg (unafilm) and directed by Johanna Sunder-Plassmann and Tama Tobias-Macht, paints a portrait of the homeless individuals Matze, Elvis, Filzlaus and Sergio with the help of personal objects laden with memories and emotions that act as witnesses to their lives. The film takes the viewer out onto the streets and opens our minds to ideas on alternative lifestyles. The complete Perspektive Deutsches Kino program will be available in January 2018. draußen (outside) By Johanna Sunder-Plassmann, Tama Tobias-Macht Documentary World premiere Feierabendbier (After-work Beer) By Ben Brummer With Tilman Strauß, Julia Dietze, Johann Jürgens, Christian Tramitz Feature film World premiere Kineski zid (Great Wall of China) By Aleksandra Odić With Elena Matić, Tina Keserović, Faketa Salihbegović-Avdagić, Anja Stanić, Mugdim Avdagić Medium-long feature film German premiere Rå By Sophia Bösch With Sofia Aspholm, Lennart Jähkel, Lars T. Johansson, Ingmar Virta, Ivan Mathias Petersson Medium-long feature film World premiere Rückenwind von vorn (Away You Go) By Philipp Eichholtz With Victoria Schulz, Aleksandar Radenković, Daniel Zillmann, Angelika Waller Feature film World premiere Storkow Kalifornia By Kolja Malik With Daniel Roth, Lana Cooper, Franziska Ponitz Medium-long feature film World premiere Image: Victoria Schulz, Daniel Zillmann. Rückenwind von vorn (Away You Go). Regie/director: Philipp Eichholtz 

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