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  • 2017 imagineNATIVE Film + Media Arts Festival Announces Film + Video Line-Up of 115 Features + Shorts by Indigenous Artists

    [caption id="attachment_24175" align="aligncenter" width="1200"]Out of State (d. Ciara Lacy) Out of State (d. Ciara Lacy)[/caption] The 2017 imagineNATIVE Film + Media Arts Festival will present over 100 feature films, documentaries, shorts, and music videos created by Indigenous filmmakers with almost three quarters of the films (72%) made by Indigenous female directors. The festival will include Our People Will Be Healed, the 50th documentary in 50 years from revered filmmaker, Alanis Obomsawin, keeping on the subject of her last four films: children’s rights. Our People Will Be Healed focuses on the Cree community of Norway House, Manitoba, and their innovative approach to educating First Nations students. Documentary features receiving their world premieres at imagineNATIVE include Indictment: The Crimes of Shelly Chartier (d. Shane Belcourt, Lisa Jackson) that peels back the layers of the truecrime story revolving around a captivating reclusive woman from a small northern Manitoba reserve whose catfishing of an NBA superstar made international headlines; and Glwa: Resurgence of the Ocean-Going Canoe (d. Hillary Beattie, Vina Brown) that tells the story of Tribal Canoe Journeys – a decades old gathering on the Northwest Pacific coast. imagineNATIVE will present additional feature length documentaries including the Canadian premiere of Out of State (d. Ciara Lacy) following two Indigenous Hawaiian inmates incarcerated in Arizona; the North American premiere of Rio Verde. El Tiempo de los Yakurunas (d. Alvaro Sarmiento, Diego Sarmiento) which explores the perception of time in three small villages intertwined by the Amazon river; the international premiere of MANKILLER (d. Valerie Red-Horse Mohl) examining the legacy of the formidable Wilma Mankiller, who overcame rampant sexism to emerge as the Cherokee Nation’s first female Principal Chief; and Birth of a Family (d. Tasha Hubbard) about three sisters and a brother separated at birth reconnecting for the first time. imagineNATIVE will also present the world premieres of two dramatic features including Juliana & the Medicine Fish (d. Jeremy Torrie) which follows the story of 12-year old Juliana as she’s forced to repair an awkward relationship with her father (Adam Beach) following her mother’s death; and Kayaking for Beginners (d. Zoe Hopkins) where 14-year old Ella is determined to travel the length of the Inside Passage to testify against a proposed pipeline that would see oil tanker traffic through her beloved homeland waters. imagineNATIVE will also present Sweet Country, from director Warwick Thornton and starring Hamilton Morris and Sam Neill in a period western set on the Northern Territory frontier where justice itself is put on trial. imagineNATIVE will also screen a number of short film programmes with ten varied themes including the anticipated return of The Witching Hour, the annual midnight horror/comedy series; Receptors, a series of experimental, dramatic, and documentary shorts; Ambient Light, shedding a light on the polar region with five shorts from Sweden, Greenland and North America; and Channel 51 Igloolik, celebrating 30 years of Inuit video art with a world premiere screening of Bowhead Whale Hunt by Carol Kunnuk and Zacharias Kunuk – the first episode from the seven-part television series, Hunting with my Ancestors. The 18th Annual imagineNATIVE Film + Media Arts Festival will take place October 18 to 22, 2017 in Toronto, Canada.

    imagineNATIVE 2017 Programmed Film + Video

    • ᎤᎧᏖᎾ ᎠᎴ ᎠᏴᏓᏆᎶᏍᎩ (Uktena and Thunder), d. Joseph Erb
    • 2 Spirit Dreamcatcher Dot Com, d. Thirza Cuthand
    • A Prayer for the Lost, d. Natasha Francis
    • Amásání (The Grandma), d.  Stacy Howard
    • Anna Marina, d. Trevor Mack
    • Aqtuqsi (My Nightmare), d. Mary Kunuk
    • Atte munnje sáni saji  (Just Give Me the Word), d.  Sara Margrethe Oskal
    • Bayline, d. JJ Neepin
    • Believer, d.  Migizi Pensoneau
    • Birth of a Family, d. Tasha Hubbard
    • Blight, d. Perun Bonser
    • “Bowhead Whale Hunt” Hunting with My Ancestors, d. Carol Kunnuk, Zacharias Kunuk
    • Braids, d. Cole Stevens-Goulais
    • Brown Lips, d. Nakkiah Lui
    • Bzindan (Harmony), d. Nadia McLaren
    • CALVING (CAPS), d. Nathan Adler
    • Captivity Narrative, d. Jason Asenap
    • CARRY THE FLAG, d. Danielle MacLean
    • Creatura Dada, d. Caroline Monnet
    • Cry Wolf, d. Dianne Ouellette
    • Dear Hatetts, d. Kerry Barber
    • Demons, d. Morningstar Derosier
    • Dislocation Blues, d. Sky Hopinka
    • Empire State, d. Govind Deecee, Terry Jones
    • Experiments in Light, d. Jaene Castrillon
    • Flat Rocks, d. Courtney Montour
    • Fox in the Box, d. Travis Shilling
    • From Up North, d. Trudy Stewart
    • Glwa: Resurgence of the Ocean-Going Canoe, d. Hillary Beattie, Vina Brown
    • Gos leat don? (Where Are You?), d. Egil Pedersen
    • Guolli (Fish), d. Jouni West
    • Holy Angels, d. Jay Cardinal Villeneuve
    • I Will Always Love You Kingen, d. Amanda Kernell
    • In Moment, d. Samay Arcentales Cajas
    • Indictment: The Crimes of Shelly Chartier, d. Shane Belcourt, Lisa Jackson
    • Inuk Hunter, d. George Annanack
    • Issaituq (Waterproof), d. Bruce Haulli
    • J’aime les filles (I Like Girls), d. Diane Obomsawin
    • Juliana & The Medicine Fish, d. Jeremy Torrie
    • Just One Word, d. Jani Lauzon
    • Juuret On (Under Two Skies), d. Anssi Kömi, Suvi West
    • Ka Puta Ko Au, d. Amie Batalibasi, Renae Maihi, Kelton Stepanowich
    • Kat Waj, d. Teresa Jiménez
    • Kayaking For Beginners, d. Zoe Hopkins
    • Kchi-Nendizan (Big Pride), d. Lena Recollet, Miles Turner
    • Keepers for the Old People, d. Michael Keshane
    • Keeping the Legends at Heart, d.
    • KEEWAYDAH (Let’s Go Home), d. Terril Calder
    • Kéwku, d. Sean Stiller
    • Kia Tau (Be at Rest), d. Michelle Latimer, Chris Malloy, Yamin Tun
    • Last Drinks at Frida’s, d. Bjorn Stewart
    • Laundry, d. Becs Arahanga
    • Lelum’ (Home), d. Asia Youngman
    • MANKILLER, d. Valerie Red-Horse Mohl
    • MARIA, d. Jeremiah Tauamiti
    • Meke, d. Tim Worrall
    • Metal Road, d. Sarah Del Seronde
    • Mikinakay: Trail of the Turtle, d. Erica Daniels
    • Morit Elena Morit, d. Inga-Wiktoria Påve
    • My Father’s Tools, d. Heather Condo
    • MY SOUL REMAINER, d. Nanobah Becker
    • NATALIE, d. Qianna Titore
    • NDNs on the Airwaves, d. Jackson 2Bears
    • Nieiddaš ja guollečikŋa (Girl with a Fish Necklace), d. Egil Pedersen
    • No Reservations, d. Trevor Carroll
    • North of South, d. Francisco Huichaquo, Casey Koyczan, Alejandro Valbuena
    • Nutag-Homeland, d. Alisi Telengut
    • Nuuca (Take), d. Michelle Latimer
    • Occupation Of Memory, d. Jade Baxter
    • Ôtênaw, d. Conor McNally
    • Our People will be Healed, d. Alanis Obomsawin
    • Our Protection For Our Future Generations, d. Bella Brown, Trinity Hunt, Nathanial Mason-Brown
    • Out of State, d. Ciara Lacy
    • PaPa, d. Ryan Alexander Lloyd
    • People of the Pines, d. Shane Ghostkeeper, Joshua Whitford
    • Possum, d. Dave Whitehead
    • Qulliq (Oil Lamp), d. Susan Avingaq, Marie-Helene Cousineau, Madeline Ivalu
    • Rae, d. Kawennáhere Devery Jacobs
    • Raven, d. Razelle Benally
    • Ravggon – Goaikkanasat, d. Henry Kestilä
    • Red Card World: The Tree, d. Cara Mumford
    • Riiji Carver, d. Kimberley West
    • Rio Verde. El tiempo de los Yakurunas (Green River. The Time of the Yakurunas), d. Alvaro Sarmiento, Diego Sarmiento
    • ROTO (The Lake Within), d. Louise Potiki Bryant
    • Shaman, d. Echo Henoche
    • Slincraze – Stállu, d. Egil Pedersen
    • Snaglines, d. Howard Adler, Charlotte Hoelke
    • Snow, d. Nivi Pederse
    • STACK, d. Dana Claxton
    • Sunday Fun Day, d. Dianna Fuemana
    • Sweet Country, d. Warwick Thornton
    • The End of the World, d. Clayton Windatt
    • The Fire, d. Liselotte Wajstedt
    • The Importance of Dreaming, d. Tara Audibert
    • The Last Walk, d. Anna Hoover, Pipaluk K. Jørgensen, Mikisoq H. Lynge, Jerri Thrasher
    • The Mountain of SGaana, d. Christopher Auchter
    • Thirza Cuthand Is an Indian Within the Meaning of the Indian Act, d. Thirza Cuthand
    • This Wild Season, d. Jonathan Elliott
    • Three Thousand, d. Asinnajaq
    • Thunderbird Strike, d. Elizabeth LaPensee
    • TRENCH, d. Trevor Solway
    • Tsanizid (Wake Up), d. Beric Manywounds
    • Twilight Dancers, d. Paola Marino, Theola Ross
    • Under Your Always Light, d. Elle-Máijá Tailfeathers
    • Unikausiq (Stories), d. Mary Kunuk
    • Unintentional Mother, d. Mary Galloway
    • [untitled & unlabeled], d. Terry Jones
    • Versaearcolonion, d. Chandra Melting Tallow, Elle-Máijá Tailfeathers
    • Vulkan (Volcano), d. Ann Holmgren
    • Walk In Dreams, d. Jonathan Thunder
    • Water, d. John Harvey
    • Zaasaakwe (Shout with Joy), d. Madison Thomas

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  • Natalia Gurkina’s CONFESSION and Justin Wu’s OVERTIME Win TIFFxInstagram Shorts Festival

    2017 TIFFxInstagram Shorts Festival Winners Natalia Gurkina’s Confession and Justin Wu’s Overtime have been crowned the winners of TIFFxInstagram Shorts Festival which showcases 60-second micro-shorts. “This year’s festival attracted an impressively diverse and comprehensive group of entries, including 40 percent from female filmmakers,” said Piers Handling, Director and CEO of TIFF. “We are so glad the TIFFxInstagram Shorts Festival is able to provide a unique and inclusive platform for emerging filmmakers from around the world to create and showcase their work.” This year’s esteemed jury, including actor Isabelle Huppert, actor Ashton Sanders, music video visionary Director X, actor and director Lake Bell, director and producer Karan Johar and Fast Retailing’s President and Head of Global Creative John C. Jay have deliberated and selected their favourite film of the finalists. Natalia Gurkina’s Confession will be awarded the Jury’s Choice Award. Additionally, Justin Wu’s Overtime has been selected as the winner of the Fan Favourite Award by the public, who voted via Instagram likes throughout the festival. Both winners will be celebrated at the TIFFxInstagram Shorts Festival Awards Reception during the Toronto International Film Festival. The winner of the Jury’s Choice Award Presented by UNIQLO is: Confession, dir. Natalia Gurkina @madhatterzero Russia A love story within a love story, a nod to Russian melodrama and a film within a film shot on iPhone. Based in Moscow, Gurkina is a 26 year old filmmaker and comics writer. She studied filmmaking at Moscow Film School from 2014-2016. The idea for her short film Confession came to her completely spontaneously, and she shot it on an iPhone 5s days later. The winner of the Fan Favourite Award Presented by UNIQLO is: Overtime, dir. Justin Wu @justinwu France Overtime contrasts the tender love of a father with the brutal world in which he works. Justin Wu got his start as an art & fashion photographer, and more recently began his career in filmmaking. His work varies greatly from TV commercials, gallery art installations, and international fashion editorials. His first experimental film, Coup de grâce, was exhibited and screened at the modern art museum, Centre Pompidou, in Paris last fall. Following that, his first narrative short, Le devoir, won the 2014 Grand Prize for Best Emerging Director at an Academy Award qualifying film festival last summer.

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  • 2017 Santa Fe Independent Film Festival to Host Indie Film Legend John Waters’ Live One Man Show

    John Waters A special evening with John Waters will be a highlight of the 2017 Santa Fe Independent Film Festival on Saturday, October 21st. The main event of the evening will be John Waters’ LIVE with Meow Wolf as Presenting Sponsor, in his one-man-show, “John Water – This Filthy World: Dirtier & Filthier, as he highlights his impressive film career and perverse taste. The living independent film legend (Hairspray, Pink Flamingos) who William Burroughs dubbed “The Pope of Trash,” will follow his show with a book signing of his latest title Role Models. “Waters and Meow Wolf began as art on the edge and now are at the center of pop culture, like SFIFF, so we are honored to collaborate with Meow Wolf for such a special evening with Mr. Waters” said Liesette Paisner Bailey, Festival Director. John Waters grew up in Baltimore in the 1950s, obsessed by violence and gore, both real and on the screen. With his counterculture friends as his cast, Waters began making silent 8mm and 16mm films in the mid-’60s. By the early 1970s, he was making features, breaking into world-wide notoriety with Pink Flamingos (1972) – a bold exercise in ultra-bad taste. Waters successfully crossed over to Hollywood with Hairspray (1988). Waters continues to create daring independent films today. His film Hairspray was turned into the eight time Tony award-winning broadway musical. The 2017 Ninth Annual Santa Fe Independent Film Festival will begin on Wednesday October 18, 2017, and come to a close on Sunday October 22, 2017, holding five (5) days of independent film, interactive social events, and numerous instructive and exploratory workshops.

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  • SO HELP ME GOD, BEYOND WORDS Among Final Official Selections of San Sebastian International Film Festival

    [caption id="attachment_24161" align="aligncenter" width="1200"]SO HELP ME GOD SO HELP ME GOD[/caption] New films  SO HELP ME GOD by the Belgians Jean Libon and Yves Hinant, BEYOND WORDS by Polish helmer Urszula Antoniak, ALANIS by Argentine Anahí Berneri, MEMOIR OF PAIN by the French Emmanuel Finkiel, POROROCA by the Romanian Constantin Popescu and the THE CAPTAIN by German director Robert Schwentke, complete the Official Selection of the 65th edition of the San Sebastian International Film Festival, made up of 18 competing films, 3 movies participating out of competition and 4 special screenings. Emmanuel Finkiel (Boulogne-Billancourt, France, 1961) participates for the first time at San Sebastian with La douleur / Memoir of Pain, adaptation of the diary of anguish and desolation written by Marguerite Duras at the end of World War II, when no news was forthcoming of her husband, Robert Antelme, member of the Resistance and deported by the Gestapo. Among the films made by Finkiel, who was assistant director to Bertrand Tavernier, Krzysztof Kieslowski and Jean-Luc Godard, are Madame Jacques sur la Croisette (1997), César for Best Short Film; her debut, Voyages (1999), which garnered two César Awards and the Youth Award at Cannes; Nulle part terre promise (2008), Jean Vigo Award; and Je ne suis pas un salaud / A Decent Man (2016), winner of an award in Angoulême. In La douleur / Memoir of Pain she directs Mélanie Thierry (Babylon, A Perfect Day, Au revoir là-haut / See You Up There), Benoît Magimel (La Haine / Hate, La Pianiste / The Piano Teacher, Les petits mouchoirs / Little White Lies) and the musician and actor Benjamin Biolay (Stella, Personal Shopper). Constantin Popescu (Bucharest, 1973) directed the fragment Pig in Tales from the Golden Age (2009), by Christian Mungiu. His first feature, Portrait of the Fighter as a Young Man (2010), was selected for the Berlinale Forum and, with the second, Principles of Life (2010), he participated in Zabaltegi-New Directors at San Sebastian. In Pororoca, his third film, he narrates the transformation experienced by a family when one of their children disappears. Robert Schwentke (Stuttgart, Germany, 1968) debuted as a filmmaker in his native country with Tattoo (2002) and Eierdiebe (The Family Jewels, 2003). In 2005 he debuted with Flightplan, starring Jodie Foster, in the United States, where he has continued to work in the last decade: The Time Traveler’s Wife (2009), RED (2010) and the two instalments of the Divergente series, Insurgent (2015) and Allegiant (2016). In Der Hauptmann / The Captain he returns to Germany and to the last moments of World War II. The debut from Urszula Antoniak (Czestochowa, Poland, 1968), Nothing Personal (2009), bagged six awards at the Locarno Festival and was nominated for two European Film Academy Awards; her second work, Code Blue (2011), premiered at the Cannes Festival Directors’ Fortnight. Beyond Words, her fourth film, follows a young and ambitious lawyer whose father’s visit leaves him with painful memories of his roots. The first film by Anahí Berneri (Martínez, Argentina, 1975), Un año sin amor (A Year Without Love, 2005), won the Teddy Award at the Berlin Festival, to which she returned with Por tu culpa (It’s Your Fault, 2010). In San Sebastian she will compete for the third time after presenting Encarnación (Incarnation, 2007), winner of the Fipresci Prize, and Aire libre (Open Air, 2014), which had participated two years previously in the I Europe-Latin America Co-Production Forum. Berneri, who sat on the Festival’s Official Jury last year, describes in Alanis the difficulties experienced by a woman, mother of a young child, who works as a prostitute. In 1985, the graphic reporter and documentary-maker Jean Libon created the documentary series Strip-Tease, on which he was joined by the journalist Yves Hinant. Both directed, with Eric Cardot and Delphine Lehericey, the documentary Les arbitres (Kill the Referee, 2009), looking at the reality of referees in the 2008 European Championship. In Ni juge, ni soumise / So Help Me God the sardonic team behind the Strip-Tease series closely followed the anything-but-conventional examining magistrate in Brussels, Anne Gruwez. ALANIS ANAHÍ BERNERI (ARGENTINA) Cast: Sofía Gala Castiglione, Dante Della Paolera, Dana Basso, Silvina Sabater, Carlos Vuletich Alanis works as a prostitute. She has a baby and, with her friend Gisela, shares the flat in which she lives and attends to her clients, until two municipal inspectors close down her home and arrest Gisela, accused of procurement. Let down by everybody, Alanis heads for her aunt’s place, across from the Plaza Miserere. From this mixed race and violent neighbourhood, Alanis struggles to recover her dignity, help her friend and take care of her son. She offers her services in the street, but even that has its own rules and Alanis must fight for her place. BEYOND WORDS URSZULA ANTONIAK (POLAND – NETHERLANDS) Cast: Jakub Gierszał, Andrzej Chyra, Christian Löber Michael and his boss and best friend Franz feel at home in Berlin’s hip restaurants, bars and clubs. There is seemingly no difference between them, but Michael, who emigrated from Poland after the death of his mother several years ago, still pays extra attention to his accent. Michael is thrown into turmoil when a run-down Polish bohemian shows up on his doorstep and claims to be his father. Father and son, two complete strangers spend a weekend together, torn between empathy, rejection and mistrust. As Michael’s roots catch up with him, a painful crisis seems inevitable… DER HAUPTMANN / THE CAPTAIN ROBERT SCHWENTKE (GERMANY – FRANCE – POLAND) Cast: Max Hubacher, Milan Peschel, Frederick Lau, Alexander Fehling In the last moments of World War II, a 19 year old private, ragged and starving, steals a captain’s uniform. Impersonating an officer he gathers a group of deserters and proceeds to kill and plunder his way through a beaten Nazi Germany. The Captain marks writer/director Robert Schwentke’s return to Germany. LA DOULEUR / MEMOIR OF PAIN EMMANUEL FINKIEL (FRANCE) Cast: Mélanie Thierry, Benjamin Biolay, Benoît Magimel, Emmanuel Bourdieu When she finds two old notebooks in a forgotten box, Marguerite Duras remembers her past and the unbearable pain of waiting. In the 1944 Nazi-occupied France, the young and brilliant author is an active Resistance member with her husband Robert Antelme. When he is deported by the Gestapo, she throws herself into a desperate struggle to get him back. She develops a chilling relationship with local Vichy collaborator Rabier and takes terrible risks to save Robert, playing a cat-and-mouse game of unpredictable meetings all over Paris. Does he really want to help her? Or is he trying to dig up information about the anti-Nazi underground movement? Finally the war ends and camp victims return, an excruciating period for her, a long and silent agony after the chaos of the Liberation of Paris. But she continues to wait, bound to the torment of absence even beyond hope. NI JUGE, NI SOUMISE / SO HELP ME GOD JEAN LIBON, YVES HINANT (FRANCE – BELGIUM) The extraordinary, offbeat judge Anne Gruwez takes us behind the scenes of real life criminal investigations. For three years the satirical team behind the cult TV series Strip-Tease captured what no one had dared film before. Unapologetic and politically incorrect. You won’t believe your eyes. It’s not cinema: it’s worse! POROROCA CONSTANTIN POPESCU (ROMANIA – FRANCE) Cast: Bogdan Dumitrache, Iulia Lumanare, Costin Dogioiu, Stefan Raus, Adela Marghidan Cristina and Tudor Ionescu have founded a happy family with their two children, Maria and Ilie. He works for a phone company and she is an accountant. They are in their thirties and live in a nice apartment in a Romanian town. They live the life of an ordinary couple with their children. But one Sunday morning when Tudor takes his kids to the park, Maria disappears. Their lives abruptly change forever.

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  • Berlin Film Fest’s Christoph Terhechte to be Honored at Busan International Film Festival

    [caption id="attachment_24158" align="aligncenter" width="1200"]Christoph Terhechte (far right) with John Hurt, Park Chan-Wook at Berlin Film Festival Christoph Terhechte (far right) with John Hurt, Park Chan-Wook at Berlin Film Festival[/caption] Berlin International Film Festival exec Christoph Terhechte will be the recipient of this year’s Korean Cinema Award at the 22nd Busan International Film Festival. The Korean Cinema Award is granted to a notable figure that has made significant contributions in promoting Korean cinema worldwide, and will be presented at the opening ceremony of the 22nd Busan International Film Festival. Christoph Terhechte, a head of Berlin International Film Festival’s Forum, has constantly invited Korean films and contributed to the globalization of Korean cinema. Since he was assigned as a head of Berlin Forum in 2001, numerous films, including Take Care of My Cat by Jeong Jae-eun, Sympathy for Mr. Vengeance by Park Chan-wook and A Tale of Two Sisters by Kim Jee-woon, have been invited to the Berlin International Film Festival and raised the status of Korean cinema. Christoph Terhechte has maintained his focus on Korean up-and-coming directors and selected diverse Korean films over the past five years; 10 Minutes (2013) by Lee Yong-seung, Non-fiction Diary (2013) by Jung Yoon-suk, A Dream of Iron (2013) by Park Kyung Kun and End of Winter (2014) by Kim Daehwan. In 2017, he invited Autumn, Autumn by a rookie director Jang Woojin as well as Korean classic Aimless Bullet by Yu Hyun-mok and a restoration version of The Last Witness by Lee Doo Yong. Christoph Terhechte has consistently introduced Korean films from oldest to newest and played an essential role in making a wide range of Korean cinema available to global audiences and diverse film industries. Christoph TERHECHTEㅣHead of Berlin International Film Festival ForumㅣGermany Christoph Terhechte was born in 1961, in the city of Münster, Germany. He studied political science and journalism at the University of Hamburg and started his career as a film journalist in 1984. After he worked as a writer of “taz”, a daily newspaper in Germany, Christoph moved to Paris, working as a freelance journalist. He also worked as a head editor in the film section at the Berlin city magazine “tip”. He promoted European cinema by working on the film selection and editorial work of the European Low Budget Film Forum in Hamburg. Christoph Terhechte has been a member of the selection committee of the Berlin International Film Festival Forum since 1997 and was appointed head of the Berlinale section in 2001. Working as a head of the International Forum of New Cinema of the Berlin International Film Festival, Christoph Terhechte has actively introduced Korean cinema to European audiences. Past Recipients of the Korean Cinema Award (Position held at the time of the award presentation) 21st Laurence HERSZBERG (Director-general of Forum des Images, France) 20th Wieland SPECK (Director of the Berlin International Film Festival Panorama, Germany) 19th Corinne SIEGRIST-OBOUSSIER (Director of Filmpodium, Switzerland) 18th Charles TESSON (Artistic Director of Cannes International Film Festival Critics’ Week, France) 17th HAYASHI Kanako (Festival Director of Tokyo FILMeX, Japan) 16th Julietta SICHEL (Former Program Director of Karlovy Vary International Film Festival, Czech Republic) 15th Bruno BARDE (Festival Director of Deauville Asian Film Festival, France) 14th Riccardo GELLI (Director of Korea Film Festival in Florence, Italy) Jeannette Paulson HERENIKO (President of Asia Pacific Film.com, Former Director of Hawaii International Film Festival, USA) 13th Richard PEÑA (Director of the Film Society of Lincoln Center, USA) 12th Sabrina BARACETTI (Festival President of Udine Far East Film Festival, Italy) Jean-François RAUGER (Head Programmer of the Cinémathèque Française, France) 11th Martial KNAEBEL (Festival Director of Fribourg International Film Festival, Switzerland) TERAWAKI Ken (Former Director-General of Cultural Affairs Department of Japan, Japan) 10th Dieter KOSSLICK (Festival Director of Berlinale, Germany) Thierry FRÉMAUX (Artistic Director of Cannes International Film Festival, France) 9th YANO Kazuyuki (Festival Director of Yamagata International Documentary Festival, Japan) Phillip CHEAH (Festival Director of Singapore International Film Festival, Singapore) 8th PARK Byoung-yang (President of Asia Film Production, Japan) LEE Bong-ou (President of Cine Quanon, Japan) 7th Alain Jacques Louis PATEL (Festival Director of Deauville Asian Film Festival, France) 6th Eva ZAORALOVÁ (Festival Director of Karlovy Vary International Film Festival, Czech Republic) 5th Martin & Anna Louisa GIROD (Directors of Stadtkino Basel, Switzerland) 4th Serge LOSIQUE (Festival Director of Montreal International Film Festival, Canada) LEE Young-il (Film Critic, Korea) 3rd Gilles JACOB (Festival Director of Cannes International Film Festival, France) Moritz de HADELN (Festival Director of Berlinale, Germany) 2nd Aruna VASUDEV (Editor-in-Chief of CINEMAYA, India) SATO Tadao (Festival Director of Fukuoka Film Festival, Japan) 1st Adriano APRÀ (Festival Director of Pesaro International Film Festival, Italy) Tony RAYNS (Film Critic, UK) Alain JALLADEAU (Festival Director of Festival des 3 Continents, France) Ulrich GREGOR (Director of International Forum, Berlinale, Germany) Larry KADISH (Programmer of Museum of Modern Art, USA) Ancha FLUBACHER-RHIM (Deputy Festival Director of Jeonju International Film Festival, Korea) Simon FIELD (Festival Director of Rotterdam International Film Festival, UK)

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  • Zurich Film Festival 2017 Gala Premieres – BATTLE OF THE SEXES, THE FLORIDA PROJECT and More

    [caption id="attachment_23729" align="aligncenter" width="1200"]The Florida Project THE FLORIDA PROJECT[/caption] With the 13th Zurich Film Festival, taking place September 28 to October 8, 2017, about a month away, the festival is giving a first look at the 2017 Gala Premieres films. Films from Jonathan Dayton & Valerie Faris, Mike White, Claire Denis, Sean Baker, Ruben Östlund, Michael Haneke, Yorgos Lanthimos and Luca Guadagnino will be presented as Gala Premieres. The festival previously announced the inclusion of AN INCONVENIENT SEQUEL: TRUTH TO POWER with Al Gore and THE WIFE with Golden Icon Award recipient Glenn Close.

    2017 Zurich Film Festival Gala Premieres

    BATTLE OF THE SEXES Directed by: Jonathan Dayton & Valerie Faris Cast: Emma Stone, Steve Carell, Andrea Riseborough BRAD’S STATUS Directed by: Mike White Cast: Ben Stiller, Michael Sheen, Jenna Fischer, Luke Wilson, Austin Abrams UN BEAU SOLEIL INTERIEUR Directed by: Claire Denis Cast: Juliette Binoche, Xavier Beauvois, Philippe Katerine, Josiane Balasko, Nicolas Duvauchelle, Valeria Bruni-Tedeschi, Gérard Depardieu THE FLORIDA PROJECT Directed by: Sean Baker Cast: Willem Dafoe, Brooklynn Prince, Valeria Cotto, Christopher Rivera, Bria Vinaite, Macon Blair, Sandy Kane, Caleb Landry Jones, Karren Karagulian THE SQUARE Directed by: Ruben Östlund Cast: Claes Bang, Elisabeth Moss, Dominic West, Terry Notary, Christopher Laessø, Marina Schiptjenko, Elijandro Edouard, Daniel Hallberg, Martin Sööder HAPPY END Directed by: Michael Haneke Cast: Isabelle Huppert, Jean-Louis Trintignant, Mathieu Kassovitz THE KILLING OF A SACRED DEER Directed by: Yorgos Lanthimos Cast: Colin Farrell, Nicole Kidman, Barry Keoghan, Sunny Suljic, Raffey Cassidy, Alicia Silverstone CALL ME BY YOUR NAME Directed by: Luca Guadagnino Cast: Armie Hammer, Timothée Chalamet, Michael Stuhlbarg, Amira Casar, Esther Garrel, Victoire Du Bois, Vanda Capriolo, Antonio Rimoldi, Elena Bucci, Marco Sgrosso, André Aciman, Peter Spears

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  • 14 Short Films to Compete in International Film Students Meeting at San Sebastian Festival

    [caption id="attachment_24146" align="aligncenter" width="1200"]DE MADRUGADA (AT DAWN) INÊS DE LIMA TORRES (PORTUGAL) DE MADRUGADA (AT DAWN), INÊS DE LIMA TORRES (PORTUGAL)[/caption] Fourteen short films from Argentina, Belgium, Croatia, Czech Republic, France, Germany, Israel, Mexico, Portugal, Russia, Spain and the USA will compete in the International Film Students Meeting, at the 65th edition of the San Sebastian Festival. The event also includes masterclasses from filmmakers who will present their films in San Sebastian, such as Todd Haynes and Christine Vachon (Wonderstruck in Pearls), Raymond Depardon and Claudine Nougaret (12 jours / 12 Days in Zabaltegi-Tabakalera), José Luis Torres Leiva (El sueño de Ana / Ana’s Dream in Zabaltegi-Tabakalera), Marine Francen (Le Semeur / The Sower in New Directors) and Nobuhiro Suwa (Le lion est mort ce soir / The Lion Sleeps Tonight in the Official Selection). The Chilean filmmaker will also chair the Jury of the XVI Film Students Meeting.

    2017 International Film Students Meeting Short Films

    13+ NIKICA ZDUNIĆ (CROATIA) Academy of Dramatic Arts (Croatia) Janka is on the verge of puberty. One day she goes to dance practice with her friend Zorana. While Zorana is preoccupied with topics such as kissing, new clothes, and parties, Janka is trying to retain her childish innocence for as long as possible. But she can’t escape the inevitable changes every girl has to undergo. 212 BOAZ FRANKEL (ISRAEL) The Sam Spiegel Film and TV School- Jerusalem (JSFS) (Israel) Another nearly-ordinary winter day in the life of 64-year-old Doron, director of a municipal home for the aged: the rain is pouring, someone nabbed his reserved parking spot, and Bela Schorr, occupant of Room 212, passed away that morning. DE MADRUGADA (AT DAWN) INÊS DE LIMA TORRES (PORTUGAL) Escola Superior de Teatro e Cinema (Portugal) In the hot month of August, Alice and her siblings go to their grandmother’s summer house. As the days go by, the house becomes a hive of slow straying bodies, as Alice becomes more and more ingrained in her grandmother’s colonial past. DEUX ÉGARÉS SONT MORTS / TWO YOUTHS DIED TOMMASO USBERTI (FRANCE) La Fémis (France) In a wild landscape Vera and Matteo live their first date of love. The girl’s father surprises them and assaults the boy. At the end of a fierce fight Matteo knocks down man. Vera asks the boy to take her to dance. Matteo, shaken, runs away. FIND FIX FINISH SYLVAIN CRUIZIAT, MILA ZHLUKTENKO (GERMANY) Hochschule für Fernsehen und Film München (University for Television and Film Munich) (Germany) “In Afghanistan, I saw a couple making love on a roof”: we know very little of the day-to-day work of the pilots carrying out “targeted assassinations” with military drones. Three Americans agreed to testify in voiceover about their experience, which is paradoxically one of intimacy and cruelty, over aerial images that they could have filmed themselves, to “Find, Fix, Finish” FIORA MARTINA JUNCADELLA, MARTÍN VILELA (ARGENTINA) Programa de Cine de la Universidad Torcuato Di Tella (Argentina) Fiora and Martina are preparing lunch. The situation is a staging of the real ties that bind them. As they eat, Fiora comes back over a past occurrence. Martina wants to know more and decides to question her. HEIMAT / HOMELAND SAM PEETERS (BELGIUM) Royal Institute for Theatre, Cinema and Sound (Belgium) Right-wing populism is spreading through Western Europe like wildfire. It is most popular in quiet, white neighbourhoods where people are shielded from different cultures and lifestyles. In this unscripted documentary, Sam Peeters portrays an ironic caricature of life in the Flemish suburbs, which reflects the current European zeitgeist. L’HOME LLOP / THE WOLFMAN LLUÍS SELLARÈS (SPAIN) ESCAC (Spain) Nico is half of the couple who stays at home while Mar is working, looking out the window the vastness of the forest and seeking for new ways to procrastinate. MICROCASTILLO (MICROCASTLE) ALEJANDRA VILLALBA GARCÍA (MEXICO) Escuela Superior de Cine (ESCINE) (Mexico) A typical family is being watched in their own home. The father, an accomplice to the situation, obliges the other members of the family group to participate in the dynamic. The mother tries to escape with her daughters, but to no avail. THE JUNGLE KNOWS YOU BETTER THAN YOU DO JUANITA ONZAGA (BELGIUM – COLOMBIA) LUCA School of Arts (Belgium) Colombia is a land of ghosts. Two siblings roam these mystical landscapes in search of their dead father’s spirit. Their journey takes them from Bogota to the Colombian jungle, through realms of thought and deep into their haunted dreams. Here they will find some answers and attract unexpected company. VĚZENÍ / IMPRISONED DAMIÁN VONDRÁSEK (CZECH REPUBLIC) FAMU – Film and TV School of the Academy of Performing Arts in Prague (Czech Republic) An offer of a job as a prison educator could help unemployed teacher Jakub resolve a difficult family situation. His father-in-law exacerbates his already low self-confidence, and the man most certainly imagined a different kind of son-in-law. The claustrophobic feelings Jakub experiences at the prison, however, lead him to a single question: Does he want to control others the rest of his life or be controlled by them? WANDERVOGEL MINA FITZPATRICK (USA) Northwestern University (USA) Dan Daily lives in the middle of the Texas desert where, in 2009, he opened a retreat for children who had killed their parents. Wandervogel starts when two documentary-makers arrive at Dailey’s house to shoot a film and find him dead. YA OSTAYUS / I’M STAYING GRIGORY KOLOMYTSEV (RUSSIA) Russian State University of Cinematography (VGIK) (Russia) Filatov comes back home after a lengthy absence to bury his brother. He should pick up his brother’s body from the neighboring village and bring it home. ZEIT DER UNRUHE / NEWS 23/06/2016 ELSA ROSENGREN (GERMANY) Deutsche Film- und Fernsehakademie Berlin (DFFB) (Germany) It’s the 23rd of June 2016. In the UK, a critical referendum is well underway, and across the Atlantic, an ominous American presidential campaign is gathering force. In Sweden, news broadcasting is carrying on as usual. In Germany, however, an identical, yet distorted, news broadcast is simultaneously being constructed by the citizens themselves.

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  • Calgary International Film Festival Reveals 68 Short Films on 2017 Lineup

    [caption id="attachment_24135" align="aligncenter" width="1000"]WICKED GIRL (Kötü Kiz) WICKED GIRL (Kötü Kiz)[/caption] 68 shorts films will be screened across eight different shorts programs, and play before features at this year’s 2017 Calgary International Film Festival. The 11 Alberta short films selected this year will vie for a $2,500 cash prize for the Best Alberta Short. The festival has also added a new Audience Award for the Favorite Alberta Short. The Calgary International Film Festival is an Oscar-qualifying event for short films. The recipient of Calgary Film’s annual Best of Shorts Award is eligible for consideration in the Animated Short Film/Live Action Short Film category of the Academy Awards, without the standard theatrical run that a film typically needs to qualify for an Oscar nomination.

    2017 Calgary International Film Festival Shorts Programs

    (1) INTERSPECIES AND INTERGALACTIC

    ANIMAL (Heyvan) – Iran – 15 min – Bahman Ark / Bahram Ark A man becomes a beast in an attempt to cross a border. This deftly crafted Iranian student short questions a man’s worth within a flawed human system. THE NOISE OF LICKING (A Nyalintás Nesze) – Hungary – 9 min – Nadja Andrasev Every day, a cat watches a woman taking care of her exotic plants, but their voyeuristic ritual comes to an end when the cat disappears. The next spring a peculiar man pays her a visit. ANNA & THE ASTEROID – United States – 25 min – Scott Sherman Your classic “girl-loves-boy, boy-loves-girl, four-mile-wide talking asteroid also loves girl” story. When you only see the woman you love every 17 years, annihilating her and everyone she knows is sometimes on the table. LABORATORY CONDITIONS – United States – 16 min – jocelyn stamat A physician’s investigation into a missing body leads to the discovery of an unlawful experiment. Marisa Tomei and Minnie Driver square off in a battle about death and what lies beyond. PILLOW TALK – United States – 10 min – Tony Yacenda Rapper Lil Dicky’s post-sex conversation covers vegetarianism, aliens, dinosaurs, God as played by John C Reilly, and whether it is possible to compare fruit, among many other topics. SPIRITUS LEPUS – Sweden – 20 min – Kristofer Kiggs Carlsson Six rabbit-humanoid surgeons obsessed with the human spirit operate on a damaged soul in a grimy room hidden within a mythical forest. SEA MONSTER – Canada – 15 min – Dan Rocque / Kassandra Tomczyk Aria’s monstrous pain has become too much to digest, lurking in the depths of her subconsciousness until now. In a seaside motel, she transmutes trauma into empowerment.

    (2) FRAME BY FRAME

    THE LEGEND OF THE BUNNY PHANTOM – Canada – 5 min – Simon Chan / Vinson Chan In a race against time to save his city from imminent destruction, the Bunny Phantom must face his greatest challenge, Turtler. AMALIMBO – Estonia/Sweden – 15 min – Juan Pablo Libossart When a young girl’s father dies, her grief takes the form of a surreal limbo state in this beautiful and surreal short. NIGHTHAWK (Nocna Ptica) – Croatia/Slovenia – 8 min – pela Cadež A badger lies motionless on a road, and when a police patrol approaches, they soon realize that the animal is not dead; but dead drunk. A surreal cutout animation and multiple award-winner about the experience of drunk driving. UGLY – Germany – 11 min – Nikita Diakur / Redbear Easterman An ugly cat struggles to coexist in a fragmented and broken world, eventually finding a soulmate in a mystical chief. Inspired by the internet story ‘Ugly the Cat’. THE OGRE (L’ogre) – France – 9 min – Laurène Braibant An insecure giant politely holds back his appetite at a business banquet, in this colourful gluttonous fantasy of huge portions. POLES APART – United Kingdom – 11 min – Paloma Baeza In a harsh Arctic landscape, a hungry and solitary polar bear (voice by Helena Bonham Carter) has to decide if a naïve Canadian grizzly bear is her food or her friend. WICKED GIRL (Kötü Kiz) – France/Turkey – 8 min – AYCE KARTAL Expressed in exquisitely drawn line animation, this Annecy Award-winning short captures the free-flowing imagination of an eight-year old Turkish girl. Her seemingly carefree memories build to a darker picture of time spent at her grandparents’ village. AMONG THE BLACK WAVES (Sredi Chernyh Voln) – Russia – 11 min – Anna Budanova This stark and beautifully crafted award-winning animation is based on an ancient northern legend in which the souls of the drowned people turn into sea animals. When a hunter takes seal-girl’s skin, she can’t turn back into an animal – she becomes his wife, but still longs for the sea. SKIN FOR SKIN – Canada – 15 min – Carol Beecher / Kevin D.A. Kurytnik A visually stunning dark allegory of greed and spiritual reckoning, set during the early days of the fur trade. In man’s brutal world of profit and loss, animals are slaughtered to the brink of extinction, until the forces of nature exact their own terrible price.

    (3) REAL LIFE, REALIZED

    SEVEN DATES WITH DEATH – United States – 11 min – Mike Holland The story of Moreese Bickham, the oldest living survivor of Death Row in the United States. Committed to Death Row for the murders of two clansmen, Bickham’s story is one of justice, that captures a humble man’s inspirational view on life following almost four decades in prison. THE COLLECTION – United States – 11 min – Adam Roffman A joyous portrait of two women who discovered a unique collection of movie memorabilia, comprised of over 40,000 printer blocks and 20,000 printer plates used to create the original newspaper advertisements for virtually every movie released in the United States from the silent period through 1984. LOST HORIZONS: THE PHOTOGRAPHY OF GEORGE WEBBER – Canada – 18 min – Laura O’Grady Internationally renowned Canadian photographer George Webber delves into the little-known lives and stories of vanishing Western prairie towns. Returning to the same areas over several decades, Webber has created a remarkable black and white archive of Canada’s changing landscapes. AFTER LIFE – New Zealand – 15 min – Prisca Bouchet and Nick Mayow A compelling glimpse inside a New Zealand funeral home – a place where the daily work deals with our deepest fear. UMBRELLA – United States – 15 min – Rhys Ernst Four transgender individuals share their struggles for identity, validity and equality. Whether serving their country’s military, building successful businesses or advocating for policy advancements, they push for representation. VOICES OF KIDNAPPING (Voces Del Secuestro) – Canada – 14 min – Ryan McKenna Family members of kidnapping victims being held deep in the Amazon jungle attempt to reach them by submitting messages to a radio program that has served this purpose for more than 20 years. STATE OF (THE) ART – Canada – 20 min – Chris Dowsett Four Calgary-based artists (Mandy Stobo, Curtis Van Charles, Katie Green and Daniel J. Kirk), share their outlook on emerging technology and how it influences the creation of art, finding a balance between an analog mind and a digital skillset.

    (4) PROS AND CONSEQUENCES

    FRY DAY – United States – 16 min – Laura Moss In January 1989, Ted Bundy is set to be executed in Florida. As crowds gather for the last night in the life of America’s handsome nightmare, an adolescent girl comes of age. BALLET JAZZ – Canada – 16 min – Maxime Robin Two wannabe ballerinas share a dream: to dance in the musical Cats on Broadway. But every great adventure ultimately has bumps along the road. When a trip to New York goes awry, the ambitious dancers must use all their creativity to make curtain-up. LES MISERABLES – France – 15 min – Ladj Ly A new cop learns abusive policing practices while shadowing two veterans. When a young boy records them going too far, the community threatens to explode. ONE WEEK IN APRIL – United States – 9 min – Matthew Palmer On average, in America, a toddler shoots him or herself or someone else once a week. Some weeks are different. In April 2016, four American toddlers accidentally shot and killed themselves over the course of six days. DEAD COOL – United Kingdom – 19 min – Simon Ross Romance is in the air as Maurice hosts a dinner party for new friends, but when the police show up for a routine search, it becomes clear that all is not as it seems. DOLLAR KING – United States – 15 min – Andrew Pollins Three incompetent robbers attempt to hold up the Dollar King on Halloween. As the heist goes horribly wrong around them, the boys are ultimately confronted with a choice: accept the status quo they’ve been stuck in since high school, or finally make a change. DEKALB ELEMENTARY – United States – 20 min – Reed Van Dyk This multiple award-winner was inspired by a 911 call placed during a school shooting incident in Atlanta, Georgia.

    (5) ROCK BOTTOM BLUES

    BREATHING THROUGH A STRAW – Canada – 18 min – Leigh Rivenbark A closeted gay man discovers an internet craze that might provide relief to his despair. A surprising text message puts him on a path of reflection, discovery and redemption. MORNING HAS BROKEN (Kobieta Budzi Sie Rano) – Poland – 15 min – Olga Chajdas The morning after a woman stabs her husband and drowns her daughter, she starts her daily routine. CANCEL THE F—ING INTERNET – Canada – 12 min – Ryan Kayet Gerald is a ruthless retention agent at an internet provider who does not hesitate to leverage his knowledge of Dan’s browsing history to meet his quotas. CONSUME – Canada – 18 min – Michael Peterson A residential school survivor struggles to feed his family and protect his ancestral land as he fights against the evil impulses of the wendigo spirit that wants to bring about his destruction. THE CEILING (Katto) – Finland – 14 min – Teppo Airaksinen A middle-aged man on the brink of divorce finds the ceiling of his cabin is becoming as restrictive as his mental state. An old friend may have the solution in this recipient of Special Jury Distinction at Cannes 2017. INDIAN GIVER – Canada – 10 min – Trevor Solway After a 15 year absence, a deadbeat dad goes on a journey to win back his lady’s heart, with a prized jingle dress. RETOUCH – Iran – 19 min – Kaveh Mazaheri When an accident puts Maryam’s husband between life and death she must make a decision that will forever alter her reality.

    (6) FAMILY FIRST

    UPSET BODY (Corps Contrarié) – Canada – 20 min – Delphine Le Courtois A young, independent woman believes she is in control of her life. Unexpected news changes her outlook and forces her to make difficult decisions THE LICENSE (Die Lizenz) – Germany – 10 min – Nora Fingscheidt Adam and Ella’s application for a license to procreate is in the final stages of review. The only thing standing in their way is the bureaucratic license clerk, and a spot-on performance. FRIGID – Canada – 14 min – Joe Kicak In the blurry, exhausting first days of motherhood, a woman’s maternal instincts sense a sinister threat to her newborn in her own home. THE CAMERAMAN – Canada – 16 min – Connor Gaston Filmmaker Connor Gaston adapts his father’s novel in a story of two brothers coming to terms with their abusive father who suffers from Huntington’s Disease. The youngest brother Ed records their dysfunctional lives with his Super 8 camera. LUNCH TIME – Iran – 15 min – Alireza Ghasemi In the wake of her mother’s death, a 16-year-old girl from a crime-ridden family with no legal guardian must identify the body. THROUGH THE SUPERMARKET IN FIVE EASY PIECES – Finland – 8 min – Anna-Maria Joakimsdottir-Hutri Parenthood is an elaborate dance, as a family tries to manage the weekly grocery shopping without disintegrating. A GENTLE NIGHT – China – 15 min – Qiu Yang A mother’s guilt spurs her to keep searching the night for her missing daughter. This taut and deceptively quiet drama from China was awarded the Cannes 2017 Short Film Palme d’Or. BONBONé – Lebanon/Palestine – 15 min – Rakan Mayasi A Palestinian couple reunites during a visit to the Israeli jail where the husband is held. The journey is far, dangerous, and infrequent, and the bold couple is determined to make the most of their visit.

    (7) SMALL VICTORIES

    BIRD – Canada – 11 min – Molly Parker When Sam, a woman mired in regret, goes to visit her aged parents, the disappearance of her mother’s pet bird threatens to unravel her tenuous hold on life. The nuanced and poetic directorial debut of Canadian actress Molly Parker (HOUSE OF CARDS). GLAMOROUS GLADYS – Canada – 11 min – Michal Lavi and Berkley Brady 93-year-old Gladys has an unfailing passion for music, and her life has been a consummate performance. An eternal optimist, her story is a testament to the indefatigable spirit of life. FACING MECCA – Switzerland – 25 min – Jan-Eric Mack In this poetic, multiple award winner from Palm Springs ShortsFest, a retiree comes to a Syrian refugee’s assistance when he is faced with the burial of his wife. Together they navigate bureaucracy and misconceptions in their small Swiss town. CALGARY “UGLY” – Canada – 13 min – Guillaume Carlier Calgary painter Chris Flodberg sees beauty in banality. Paintings of the often ugly city he calls home feature landscapes of pavement, desolation, and abstract inspiration. 40 WINTERS – Canada – 11 min – Simon Donato / Drew Goldsack In this exquisite Alberta short set in the iconic landscape of Banff National Park, three adventurers attempt to post the fastest time for a traverse of 11 peaks on Mt. Rundle’s ridge in a single winter’s day. It features interviews from mountain legends like Chic Scott, Charlie Lock, Will Gadd and Jack Firth, and breathtaking landscapes from our own backyard. RUBY FULL OF SHIT (Ruby Pleine De Marde) – Canada – 18 min – Jean-Guillaume Bastien Denis finds himself spending Christmas dinner with his lover Carl’s fiercely Catholic and traditional family. The family is completely unaware of their relationship, except for Ruby – a spoiled six-year-old. FIX AND RELEASE – Canada – 15 min – Scott Dobson An Ontario turtle trauma centre fights for the survival of turtles facing habitat loss and motorized vehicles. This visually stunning film shows turtles in a way that few have seen before, and how the centre is working to save the world one turtle at a time.

    (8) LOVERS IN A DIFFERENT TIME

    STATE OF EMERGENCY MOTHERFUCKER! – Belgium – 5 min – Sébastien Petretti In a society where police violence has become routine and banal, two young men focus on what’s really important – screwing on Valentine’s Day. NO DROWNING – France – 17 min – Mélanie Laleu In a pay-per-use future, it might just be love when a stripper mermaid and a thieving diver meet. TIME IS A PLACE – United States – 8 min – Tim Nackashi Katie loves Daniel, a man she’s never met. A surreal story of finding the love of your dreams. MEMENTO MORI – United Kingdom – 19 min – Scott James Bassett A blind dinner date takes an unexpected turn in this dark comedy about the notion of “til death do us part”. Featuring Joel Fry from GAME OF THRONES. STANDBY – Canada – 16 min – Daumoun Khakpour and Travis Pulchinski A man hopes smuggling his wife inside his luggage will lead to a better life. When the luggage does not arrive, his journey takes a detour to the surreal. #SELFIE – Germany – 7 min – David M. A boyfriend obsessed with selfies curates a picture-perfect online relationship while on vacation with his girlfriend in Berlin. Outside the lens, not everything is as it seems. COMPANIONSHIP – Canada – 16 min – Alex Loubert / Zach Ramelan A frustrated career woman tries a new dating app that promises the perfect match. But a perfect passionate relationship is a hard thing to manufacture. TRY A LITTLE TENDERNSA – United Kingdom – 10 min – Michelle Craig Marion is looking for love in all the analog places. She believes in the old-fashioned method – a mix of desperation, drastic measures, and dating without an online profile.

    SHORTS BEFORE FEATURES

    EINSTEIN-ROSEN – Spain – 9 min – Olga Osorio It’s the summer of 1982, and Teo claims he has found a wormhole. His brother Óscar does not believe him… at least, not for now. ICONOCLAST – United States – 5 min – Alex Haney In this magical realist take on coming out, a teen must navigate the intersectional identities of being African-American, Jewish, and gay. IMEDIUM – Spain – 6 min – ALFONSO GARCÍA iMedium is an app that connects you directly with dead people. What it reveals is not always comforting. MADRE BUENA, LA – Mexico/United Kingdom – 5 min – Sarah Clift A Mexican mother embarks on an epic journey through the countryside to find a Donald Trump pinata for her son’s birthday. PUNCHLINE – Switzerland – 8 min – Christophe M.Saber Two wannabe gangsters can’t decide on the coolest thing to say before shooting Michel. STORIES OF THE HIP: ONE NIGHT IN KINGSTON – Canada – 6 min – Braden Dragomir Three fans of the Tragically Hip take separate journeys to Kingston to be among the 30,000 there for the culmination of the band’s Man Machine Poem tour, a concert tuned into by almost 1/3 of Canadians. THE GOATMAN OF KANANASKIS – Canada – 8 min – Tristin Deveau A group of campers gather around the fire with scary stories about the legendary Goatman of Kananaskis. TRAIN TO PEACE (Zug Nach Peace) – Germany – 9 min – Jost Althoff / Jakob Weyde While travelling on a Berlin subway, a man’s recollections of his past in Iraq are drawn out by the sights and sounds around him.

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  • World Premiere of THE CHARMER to Open New Directors of San Sebastian International Film Festival

    [caption id="attachment_24122" align="aligncenter" width="1200"]CHARMØREN / THE CHARMER MILAD ALAMI THE CHARMER (CHARMØREN ) MILAD ALAMI[/caption] The world premiere of  The Charmer (Charmøren) by Iranian director Milad Alami, will open the New Directors section of the San Sebastian International Film Festival.  The Charmer, his first feature, stars a young Iranian desperately trying to meet women who can secure his stay in Denmark. Other films added to the lineup include Daniel Kokotajlo (Manchester, UK), first feature film, Apostasy that follows a family of Jehovah’s Witnesses; and Village Rockstars, the second feature from Rima Das (Assam, India) starring a 10 year-old girl desperate to own a guitar. These three films join the list of thirteen films already announced from Argentina, Belgium, Colombia, Chile, China, France, the Philippines, South Korea, Spain, Sweden, Switzerland and Taiwan, and will compete for the New Directors-Kutxabank Award. The films in this section are also candidates for the EROSKI Youth Award, voted by a jury of a maximum of 300 students between the ages of 18 and 25 years. CHARMØREN / THE CHARMER MILAD ALAMI (DENMARK) Cast: Ardalan Esmaili, Soho Rezanejad, Susan Taslimi, Lars Brygmann OPENING NIGHT FILM Charmøren / The Charmer is an intense psychological drama about Esmail, a young Iranian man who is desperately trying to meet women who can secure his stay in Denmark. As time runs out, he falls in love and his past catches up with him. The film deals with themes of race, class, and the struggle for a better life. APOSTASY DANIEL KOKOTAJLO (UK) Cast: Siobhan Finneran, Molly Wright, Sacha Parkinson, Robert Emms As devout Jehovah’s Witnesses, sisters Alex and Luisa and their mother, Ivanna, are united in The Truth. Alex looks up to her confident older sister, while striving to follow in Ivanna’s footsteps as a ‘good Witness’. But when Luisa starts to question the advice of the Elders, she makes a life-altering transgression that threatens to expel her from the congregation. Unless Ivanna and Alex can persuade her to return, they must shun her completely. This challenge becomes more painful when their family is faced with another heartbreaking test of faith. Written and directed by Daniel Kokotajlo, a former Jehovah’s Witness, Apostasy provides rare insight into the complex nature of faith, family, duty and love. VILLAGE ROCKSTARS RIMA DAS (INDIA) Cast: Bhanita Das, Basanti Das Ten year-old Dhunu lives in a remote village in Assam, India, amidst raging deprivation. She is a free spirit, while her widowed mother struggles daily to put food on the table and raise her children. But this doesn’t prevent her from having dreams, like owning a guitar for the tiny band she wants to put together with some local boys, the ‘Village Rockstars’. Dhunu considers herself to be as capable as boys her age. When the boys eventually relinquish their dream, Dhunu refuses to give up on her ambition to own a guitar.

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  • New York Film Festival FREE Convergence Section will Feature VR, Augmented Reality Projects

    [caption id="attachment_24118" align="aligncenter" width="1200"]Reality Jockeys Reality Jockeys[/caption] The sixth edition of the highly anticipated FREE Convergence section of the 2017 New York Film Festival delves into the world of immersive storytelling via interactive experiences, featuring virtual reality, augmented reality, live labs and demos, and more. The Convergence section will include three Virtual Reality horror experiences from Dark Corner Studios, highlighted by the World Premiere of their terrifying project Night Night; Sanctuaries of Silence, which takes viewers virtually through Olympic National Park in search of the quietest place in North America; Reality Jockeys, where audience members collaborate with the creators to form their own immersive, surreal virtual worlds; Virtual Virtual Reality, which imagines the purpose of humans in a future run by machines; and Look But With Love, Academy Award-winning filmmaker Sharmeen Obaid-Chinoy’s VR documentary series exploring the lives of Pakistani citizens. Complementing these experiential works is an exciting partnership with Lucasfilm to publicly present never-before-seen technology showcasing the future of Virtual Production, which harnesses the power of VR as a tool for filmmakers to compose shots, create virtual storyboards, and more. Its uses within the film community could be boundless, and creators of the technology will be on hand to participate in a conversation about its potential applications, followed by a demonstration allowing audiences to experience the system firsthand. As part of this, Convergence will also host a special workshop with handpicked industry creators, filmmakers, and cinematographers, allowing them to test out how it could be applied to their daily work. Other highlights of Convergence include the return of Gamescape, an exploration of narrative games and the artists who make them—which this year focuses on the comeback of Full Motion Video with a selection of new, playable work from a number of creators; and De-Escalation Room, a live lab with Columbia University’s Digital Storytelling Lab, where audiences will be allowed to take a peek into their process and actively participate in creating the group’s latest project, which tackles the negative behavior of social media. Convergence will take place Friday, September 29, 3-6pm, and Saturday and Sunday, September 30 and October 1, from 12-6pm in the Elinor Bunin Munroe Film Center. All Convergence events are free and open to the public!

    2017 New York Film Festival Convergence

    VIRTUAL REALITY PROJECTS

    Dark Corner VR: Night Night, Mule, & Catatonic The team at Dark Corner Studios have made a name for themselves on 360-degree virtual reality projects that explore the boundaries of horror cinema by placing audiences in the center of thrilling—and often terrifying—scenarios. Convergence will feature the world premiere of their latest piece Night Night as well Dark Corner’s Mule and Catatonic. Night Night Guy Shelmerdine, USA, 7m World Premiere Night Night takes you from the safety of your childhood bed to a clown filled nightmare dreamscape. A Dark Corner Studios, MPC, and Unit Sofa production. Mule Guy Shelmerdine, USA, 6m A thrilling, emotional journey through the last moments of a man’s life. Choose your ending—do you want to be buried or cremated? A Dark Corner Studios production. Catatonic Guy Shelmerdine, USA, 5m This pioneering horror experience places you in the POV of a new patient as you are welcomed into a sinister psychiatric hospital. A Dark Corner Studios & Here Be Dragons production.

    Look But With Love – Episodes 1 & 2 Sharmeen Obaid-Chinoy, USA, 2017 Directed by Academy Award-winning filmmaker Sharmeen Obaid-Chinoy and presented by WITHIN, this documentary series follows extraordinary people in Pakistan actively working to change their communities through causes they care deeply about. From a doctor in the slums of Karachi who has dedicated his life to providing free emergency care to children, to a courageous community of women in Nowshera, the epicenter of the terrorist insurgency, Look But With Love explores the lives of Pakistan’s most fearless and passionate citizens one story at a time. Audiences are invited to experience the first two episodes of this exciting project, “A Story of Women” and “A Story of Dance.” The documentary is produced by SOC Films and Here Be Dragons, and will be available on the WITHIN app. Reality Jockeys Virtual Reality Experience Vizor, Finland, 2017 At parties, DJs control the mood by selecting the music, and VJs set the ambience by displaying visuals on screens. With VR headsets such as the Oculus Rift, the experience is more than that, as everything around you can be changed on the fly. Finnish visual artists Fthr and Lintu specialize in creating surreal worlds in real time while interacting with the audience. Using custom software (Vizor Patches) and a variety of materials, they guide you through a trip that starts from nothing and ends in a living, breathing virtual world. Each participant walks away with a personalized piece that is saved on the web and can be relived at home. Sanctuaries of Silence Adam Loften and Emmanuel Vaughan-Lee, USA, 2017 Virtual Reality Project One of the defining characteristics of virtual reality is its fully immersive nature: we gear up, covering our eyes and ears in order to briefly live another person’s story. In Loften and Vaughan-Lee’s piece, the story that we’re asked to experience is that of silence itself, as told through the unique perspective of acoustic ecologist Gordon Hempton. “Sanctuaries of Silence” invites its audience to join Hempton as he travels through Olympic National Park, one of the quietest places in North America, searching for a place not impacted by noise pollution—which is fast becoming as threatened as any endangered species. A New York Times Op-Docs production. Virtual Virtual Reality Tender Claws, USA, 2017 The brainchild of Tender Claws, the collective behind PRY (2015), Virtual Virtual Reality ponders humanity’s purpose in a future where our jobs have been co-opted by machines. Will we be little more than relics, reminders…even pets? Activitude, a Virtual Labor System, is here to help, creating an A.I. manager that’s a perfect match for your meaningfulness quotient. It’s Inception meets Hitchhiker’s Guide to the Galaxy meets The Wizard of Oz, only there is not just one wizard but a network of wizards living inside wizards, splitting themselves open like nesting dolls, pulling back infinite tiny curtains to reveal a churning multitude of unstable realities. VR and the Future of Virtual Production by Lucasfilm Demo and Talk Rachel Rose, Jose Perez and Nick Rasmussen From the depths of earth’s oceans to galaxies far, far away, VR allows us to be anyone, go anywhere, and see anything. Lucasfilm and its visual effects division, Industrial Light & Magic, have harnessed the power of this medium to create a new Virtual Production toolset, allowing filmmakers to build and scout a virtual set, manipulate props, puppeteer characters and vehicles, even compose shots to create virtual storyboards. It’s a game changing application that is easy to learn, allowing storytellers to focus on the elements that blend together to form great stories. The creators of the toolset will participate in a conversation about the development of the platform and its potential to impact the filmmaking process, followed on Saturday by a public demonstration that will allow audiences to experience the system first hand.

    EXPERIENCES AND TALKS

    Arilyn Augmented Reality Installation With Augmented Reality, which superimposes images, video, and other content onto our flesh and bone world, the line between the virtual and the real can blur to the point of being indistinguishable—with little more than a cell phone. Helsinki-based Arylin has created a number of installations and activations that leverage the power of AR to great effect: paintings that come to life and everyday objects that spawn interactive videos. A number of these pieces will be on display throughout the festival venues—simply download the Arilyn app to experience AR for yourself. Gamescape: The Revenge of Full Motion Video It’s 1983. You find yourself in an arcade in the ’burbs. Among the future classics—Galaga, Space Invaders, Donkey Kong—you find something different: Sega’s Astron Belt or Cinematronics’ Dragon’s Lair, games that eschewed pixelated sprites for video and vivid animation. Full Motion Video games were movies you could play—to a point: the technical execution left something to be desired. Games were unreliable, systems crashed, and FMV all but disappeared. But FMV is making a comeback as creators breathe new life into this 35-year-old form. The 2017 edition of Gamescape celebrates some of the best new FMV work and looks back on titles both famous and infamous from the golden age of the arcade. GameScape is co-curated by Clara Fernandez-Vara, of the NYU Game Lab. Featuring: Her Story (Sam Barlow, UK, 2015) Mind Trapped (Claire Carre, USA, 2017) Loop Record (Nicolai Troshinsky, Spain, 2017) PRY (Tender Claws, 2015) Cibele (Nina Freeman, 2016) Last Night (Dejobaan Games, 2018) De-Escalation Room: Live Lab with Columbia Digital Storytelling Lab Talk and Rapid Prototyping Session Presented by Lance Weiler Founded in 2014, Columbia University’s Digital Storytelling Lab was created to explore ways of telling stories that incorporate technology and disciplines from across the humanities. A champion of iterative, collaborative design, the DSL will pull back the curtain on its creative process during this special session, and invite the festival audience to become participants in developing the group’s next project, the De-Escalation Room. A collaboration with SAFELab, the De-Escalation Room aims to create an immersive storytelling space that reckons with the negative behaviors of social media, forcing its players to work together to defuse an otherwise dangerous situation.

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  • 6 Films on Calgary International Film Festival Late Shows Series Lineup, ‘BITCH’ and More

    [caption id="attachment_24104" align="aligncenter" width="1200"]BITCH – Directed by Marianna Palka BITCH – Directed by Marianna Palka[/caption] The Late Shows Series, known for presenting the darker, creepier side of Calgary International Film Festival will feature six films at this year’s festival. “This year’s lineup is a mix of genres,” said Brenda Lieberman, the Calgary International Film Festival’s Programming Manager and Late Shows Programmer. “We’ll be screening everything from comedy to horror, crime, thriller, docu-drama, and just different levels of fun. These films all push boundaries in different ways, and we’re looking forward to unleashing them on our audience. Keep an eye on calgaryfilm.com for late additions too!”

    2017 Calgary International Film Festival Late Shows Series

    BITCH – Directed by Marianna Palka Lonely housewife Jill is transformed by her monotonous lifestyle in this strange tragic comedy from the United States. Actor Jason Ritter stars alongside Marianna Palka, who multitasks as screenwriter and director. BUCKOUT ROAD – Directed by Matthew Currie Holmes (previously featured in our Alberta announcement) The first feature for this Calgarian director pays homage to the midnight movies of the ’80s while still freshening up its genre. FAKE BLOOD – Directed by Rob Grant Co-produced by local Calgary Film alumnus Mike Peterson (director of the 2017 short film selection CONSUME) and directed by Vancouver’s Rob Grant FAKE BLOOD is a compelling film that blurs the line between fiction and reality. LOWLIFE – Directed by Ryan Prows Three unlikely criminal allies must unite to save a pregnant woman in this wacky violent dark comedy. This first time feature took home the Silver Prize Audience Award and a special jury mention from the 2017 Fantasia Film Festival. THE MISANDRISTS – Directed by Bruce LaBruce Directed by Canadian filmmaker Bruce LaBruce (GERONTOPHILIA) this dark comedy was nominated for a Teddy for Best Feature Film at Berlinale and stars a cast of dynamic women, led by Susanne Sachße, Kita Updike, and Olivia Kundisch. TRAGEDY GIRLS – Directed by Tyler MacIntyre (previously featured in our Alberta announcement) In this dark satire from Alberta’s Tyler MacIntyre, two teen girls with a popular blog manipulate a local serial killer into doing their bidding.

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  • Actor Bill Pullman (THE BALLAD OF LEFTY BROWN) to Receive Acting Award at Woodstock Film Festival

    [caption id="attachment_20966" align="aligncenter" width="1200"]The Ballad of Lefty Brown Bill Pullman (THE BALLAD OF LEFTY BROWN)[/caption] Actor Bill Pullman will receive the 2017 Excellence in Acting Award at the Woodstock Film Festival on Saturday October 14. Director Jared Moshe (The Ballad of Lefty Brown) will present Bill Pullman with the award In addition to receiving the award, the Woodstock Film Festival will screen The Ballad of Lefty Brown in which Bill Pullman gives a tour de force performance as the title character. Festival attendees will also have the opportunity to interact with Pullman, at the annual Actor’s Dialogue on Sunday, October 15. Bill Pullman commented that he was “Honored to be receiving the Excellence in Acting Award at this year’s Woodstock film festival. I am particularly looking forward to screening The Ballad of Lefty Brown at the Woodstock Film Festival in October – audiences there are ready for an unusually intimate Western that is the coming of age story of a sixty-something sidekick. It was shot in the fall in Montana, so we can see how it stacks up against the foliage colors in Woodstock – both so spectacular.” Bill Pullman’s versatile acting spans from dramatic roles to comedic roles. Pullman’s acting career also led him into the role of Clyde in Andrew and Alex Smith’s Walking Out, which recently screened as part of the Woodstock Film Festival’s summer screening series. “Bill Pullman is one of the finest and most versatile actors today,” said Woodstock Film Festival executive director Meira Blaustein. “His performance in The Ballad of Lefty Brown is absolutely outstanding. It is a privilege to recognize his diverse body of work at this year’s festival and we look forward to having him here with us this fall”.

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