Whitney Houston in WHITNEY ‘CAN I BE ME.’ Photo by David Corio.[/caption]
WHITNEY. “CAN I BE ME,” a film exploring the incredible career and complicated life of the memorable singer, will World Premiere at the Tribeca Film Festival in New York City on April 26, and then air on SHOWTIME later this year. The powerful documentary is directed by acclaimed BAFTA Award winner Nick Broomfield (Kurt & Courtney, Tales of the Grim Sleeper).
Hers was the golden voice with the unmatchable range. Six-time Grammy(R) winner Whitney Houston was one of the most successful female recording artists of all time. After a troubled marriage to singer Bobby Brown and many years of struggles with addiction, Houston died suddenly and tragically at age 48. With behind the scenes materials, candid interviews and performance footage – including many of Houston’s greatest hits – WHITNEY. “CAN I BE ME” will offer a raw and uncensored look at Houston, exploring the impact her life and death had on the people around her and the world of music.
According to her band members, “Can I be me?” was Houston’s favorite expression, one she used so much that they sampled it to play at the start of rehearsals. The film explores Whitney’s central dilemma: even though she had made millions of dollars, had more consecutive number ones than The Beatles and was recognized as having one of the greatest voices of all time, she still couldn’t do what she wanted to do, either professionally or in her personal life.
WHITNEY. “CAN I BE ME” joins an esteemed list of projects under the Showtime Documentary Films banner that focus on the lives and legacies of culture-defining figures, including ERIC CLAPTON: A LIFE IN 12 BARS, which will screen at festivals and theaters this year before airing nationally on SHOWTIME this fall, and an upcoming documentary film on John Belushi‘s life and career.Film Festivals
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WHITNEY. “CAN I BE ME,” Documentary to World Premiere at Tribeca Film Festival
[caption id="attachment_21232" align="aligncenter" width="1200"]
Whitney Houston in WHITNEY ‘CAN I BE ME.’ Photo by David Corio.[/caption]
WHITNEY. “CAN I BE ME,” a film exploring the incredible career and complicated life of the memorable singer, will World Premiere at the Tribeca Film Festival in New York City on April 26, and then air on SHOWTIME later this year. The powerful documentary is directed by acclaimed BAFTA Award winner Nick Broomfield (Kurt & Courtney, Tales of the Grim Sleeper).
Hers was the golden voice with the unmatchable range. Six-time Grammy(R) winner Whitney Houston was one of the most successful female recording artists of all time. After a troubled marriage to singer Bobby Brown and many years of struggles with addiction, Houston died suddenly and tragically at age 48. With behind the scenes materials, candid interviews and performance footage – including many of Houston’s greatest hits – WHITNEY. “CAN I BE ME” will offer a raw and uncensored look at Houston, exploring the impact her life and death had on the people around her and the world of music.
According to her band members, “Can I be me?” was Houston’s favorite expression, one she used so much that they sampled it to play at the start of rehearsals. The film explores Whitney’s central dilemma: even though she had made millions of dollars, had more consecutive number ones than The Beatles and was recognized as having one of the greatest voices of all time, she still couldn’t do what she wanted to do, either professionally or in her personal life.
WHITNEY. “CAN I BE ME” joins an esteemed list of projects under the Showtime Documentary Films banner that focus on the lives and legacies of culture-defining figures, including ERIC CLAPTON: A LIFE IN 12 BARS, which will screen at festivals and theaters this year before airing nationally on SHOWTIME this fall, and an upcoming documentary film on John Belushi‘s life and career.
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TRUMAN, I AM NOT YOUR NEGRO, MY LIFE AS A ZUCCHINI Win Top Prizes at Portland International Film Festival

Truman directed by Cesc Gay Truman, I Am Not Your Negro, My Life as a Zucchini, and Incendio were awarded the top prizes at the 40th Portland International Film Festival.
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Hip Hop Indie Film PATTI CAKE$ is Centerpiece of San Francisco International Film Festival Lineup
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Patti Cake$[/caption]
The 60th San Francisco International Film Festival‘s Centerpiece film will be Patti Cake$ (USA 2016), first-time feature director Geremy Jasper’s dynamic and inspiring film which tells the story of Patricia “Patti Cake$” Dombrowski, a big girl with a big mouth and big dreams of hip-hop superstardom. Patti Cake$ was a Spring 2014 SF Film Society / KRF Filmmaking Grant winner.
The celebratory Centerpiece screening will take place on Wednesday, April 12, 7:30 pm at the historic Castro Theatre.
In addition to Patti Cake$, three documentary features, one narrative feature, one narrative short and three documentary shorts-all of which received funding or creative support through various SF Film Society artist development programs-will be included in this year’s Festival lineup.
San Francisco native Peter Bratt’s feature documentary Dolores and Oakland-based filmmaker Peter Nicks’ feature documentary The Force both received Documentary Film Fund Awards. Directing and screenwriting team Alex and Andrew Smith’s Walking Out was a SF Film Society / KRF Filmmaking Grant winner, and Andrew Smith is a current FilmHouse Resident. Joe Talbot, director of the narrative short American Paradise, is a current FilmHouse Resident and the feature film expansion of his short recently won a SF Film Society / KRF Filmmaking Grant. Mohammad Gorjestani, director of the documentary shorts Happy Birthday Mario Woods and The Boombox Collection: Zion I, and Mario Furloni and Kate McLean, co-directors of the documentary short Gut Hack, were all FilmHouse Residents during the development of their films. McLean’s FilmHouse residency also included the development of Festival documentary feature Bill Nye: Science Guy, on which she is a producer.
SAN FRANCISCO FILM SOCIETY-SUPPORTED FILMS IN THE FESTIVAL PROGRAM
Centerpiece: Patti Cake$ (Geremy Jasper, USA)
The unqualified breakout hit of this year’s Sundance Festival, Geremy Jasper’s debut feature erupts with head-nodding beats from the opening scene and features the dynamic and stirring performance of Danielle Macdonald as the title character, a young woman who uses her lyrics to escape, daring to dream of something better outside of her New Jersey working class life. She gathers an emotionally damaged multi-racial motley crew around her to create funny and invigorating musical sequences.
Spring 2014 SF Film Society / KRF Filmmaking Grant winner for packaging
Bill Nye: Science Guy (David Alvarado, Jason Sussberg, USA)
The effortlessly charming, bow-tie sporting scientist Bill Nye is beloved by all generations who grew up watching his show Bill Nye the Science Guy, but vilified by climate change deniers and religious fundamentalists. Skilled documentarians (and fans!) David Alvarado and Jason Sussberg travel along with Nye as he works tirelessly to make the world a better place through science advocacy and education and reflects on his life and career as one of America’s most famous science minds.
Kate McLean, a producer on the film, was a SF Film Society FilmHouse Resident during its development.
Dolores (Peter Bratt, USA)
Lifelong community organizer Dolores Huerta founded the United Farm Workers with Cesar Chavez in 1962 and directed the decisive national boycott of Delano grapes. San Francisco native Peter Bratt’s vibrant historical documentary revisits those landmark accomplishments and Huerta’s tireless activism against poverty, pesticides, racism, and injustice. Huerta’s myriad battles and sacrifices as the lone woman on the UFW board and the mother of 11 children are integral to her story, and to the times.
2016 SF Film Society Documentary Film Fund winner for postproduction
The Force (Peter Nicks, USA)
For the powerful second chapter in his projected trilogy of films centered on the relationship between public institutions and community, Pete Nicks takes a powerful, immersive look at the Oakland Police Department. Filming from 2014-2016 with unprecedented access, Nicks captures a particularly turbulent time at the agency. Intended as a catalyst for conversation and change, Nick’s empathetic observational style avoids easy generalizations and upends expectations resulting in a rich, thought-provoking depiction of what policing looks like at a watershed moment.
2015 SF Film Society Documentary Film Fund winner for postproduction
Walking Out (Alex Smith, Andrew Smith, USA)
A moose hunting trip into Montana’s mountains, meant as a rite of passage and to bridge a growing divide between a divorced dad (Matt Bomer, A Normal Heart) and his young teenage son (Josh Wiggins, Hellion, Festival 2014), takes a dangerous turn under wintry conditions in Alex and Andrew Smith’s haunting adaptation of David Quammen’s short story, a thrilling, deceptively simple drama that packs an emotional wallop and features some of the year’s best performances.
Andrew Smith is a current SF Film Society FilmHouse Resident
Fall 2016 SF Film Society / KRF Filmmaking Grant winner for postproduction
SHORT FILMS
American Paradise (Joe Talbot, USA)
A desperate man plans a bank heist and comes up against the stark realities of white privilege in this extraordinary story inspired by true events.
Joe Talbot is a current SF Film Society FilmHouse Resident
Fall 2016 SF Film Society / KRF Filmmaking Grant for packaging of the feature film expansion of American Paradise
The Boombox Collection: Zion I (Mohammad Gorjestani, USA)
In this intimate portrait and performance piece, Oakland resident Stephen Gaines, frontman of underground hip-hop duo Zion 1, reflects on his legacy and the question of artistic integrity vs. mainstream success.
Mohammad Gorjestani was a SF Film Society FilmHouse Resident during the development of this film.
Gut Hack (Mario Furloni, Kate McLean, USA)
To treat his chronic gastro-intestinal problems, Josiah devises a bold biological experiment that involves the exchange of bodily excretions.
Mario Furloni and Kate McLean were SF Film Society FilmHouse Residents during the development of this film.
Happy Birthday Mario Woods (Mohammad Gorjestani, USA)
A bereaved mother in Oakland, CA, tends the grave of her son and remembers his life.
Mohammad Gorjestani was a SF Film Society FilmHouse Resident during the development of this film.
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THROW, CANYON SONG, VOYAGERS WITHOUT TRACE Among Winners of 2017 Flagstaff Mountain Film Festival
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Throw[/caption]
After screening nearly 100 films in six days, the Flagstaff Mountain Film Festival has announced the winners of the 15th Anniversary edition. Voyagers Without Trace directed by Ian McCluskey was awarded the prize for Best Feature, and Throw directed by Darren Durlach and David Larson won the People’s Choice award.
15th Flagstaff Mountain Film Festival Award Winners
People’s Choice: Throw Director(s): Darren Durlach, David Larson The first installment of Invisible Thread, an ongoing Early Light Media passion project series, Throw tells the story of an outsider from East Baltimore, an area challenged by gang violence and poverty. Often misunderstood, Coffin Nachtmahr found acceptance among a subculture of “throwers” and it turns out, he’s a virtuoso. He now helps others find a creative and social outlet by sharing the very toy that inspired him. The Invisible Thread series is fueled by our passion for telling people-driven stories and will be an ongoing project that explores human connectivity, life, death, and all the moments in between. We want it to be diverse, funny, serious, and informative. Director’s Choice: Canyon Song Director(s): Dana Romanoff and Amy Marquis Within the sacred walls of Canyon de Chelly National Monument, two young sisters, Tonisha and Tonielle Draper, learn about their Navajo culture and history. Above the rim, the girls compete in “royalty” pageants by singing songs in Navajo. But throughout the region, Navajo culture is fading. Beginning in the 1890s, native children were ripped out of their homes and forced into boarding schools in an effort to assimilate Indian tribes into the “American way of life.” Today, elders have less cultural knowledge to pass down to youth, and fewer than half of the country’s Navajo children entering school know their native language. This makes the Drapers’ story especially compelling. While their lives reflect many of the familiar aspects of a modern American family, they keep close ties to the land and work hard to teach their children the Navajo Way. This film illustrates the sacredness of a people and a place, the effort to define identities in both modern and traditional worlds, and the movement to honor Navajo culture for generations to come—all while reminding viewers of the critical role national parks play in preserving our country’s greatest stories, cultures, and landscapes. This is the second film in the National Park Experience film series. Tuckman Young Voice: To Scale: The Solar System Director(s): Wylie Overstreet, Alex Gorosh Every image of the solar system we ever encounter is not to scale: Nature’s real proportions will never fit within a textbook page or computer screen–they are simply too vast. The only way to see the real appearance of the solar system is to build a massive, physical scale model. [caption id="attachment_21186" align="aligncenter" width="1200"]
Voyagers Without Trace[/caption]
Best Feature: Voyagers Without Trace
Director(s): Ian McCluskey
With the help of a few friends, filmmakers Alex Gorosh and Wylie Overstreet did exactly that. Using the dry lakebed of Black Rock Desert in Nevada and an earth the size of the marble, they constructed the first complete model of the solar system, measuring over seven miles wide.
Do you know those stories where a kid finds a hidden treasure map in an attic or a lost letter in an old book? Growing up, I always dreamed someday I’d find a mysterious clue that set me on an adventure.
In the remote southwest corner of Wyoming, I came across a curious historic marker. On the sign was a faded photograph: two handsome men and a fetching blonde. They didn’t look like the rugged mountain men or explorers of the American West that I’d seen before on historic signs. Instead, they seemed like they could have been my friends. The sign hinted at an incredible voyage.
In the summer of 1938, newlyweds Genevieve and Bernard de Colmont and their friend, Antoine de Seynes, set off from France on the biggest adventure of their lives. They had a bold, perhaps even foolhardy plan: be the first to take kayaks down the mighty Green and Colorado rivers. They launched from Green River, Wyoming, and emerged 900 miles and two months later in Lee’s Ferry, Arizona, with their travels vividly documented on 16 millimeter color film—a year before Hollywood’s first color movie.
And Genevieve, just age 21, would become the first woman to paddle her own boat on these rivers. A vanguard of recreational adventurers, the French Trio’s journey offers a unique and previously unseen window into a transitional moment in America: the last chapter of the Wild West, and the first chapter of the Modern era.
What led an explorer, his new bride, and his best friend halfway around the world, on the eve of World War II? What ever happened to them? And what did these “Voyagers Without Trace” leave to be found? To go further on this search meant one unavoidable thing: I had to go down the river. There was just one problem: I didn’t know how to kayak! But that hadn’t stopped the French Trio; they weren’t professional kayakers, but just beginners. So I assembled my own trio, with acclaimed adventure athlete Paul Kuthe and his fiancée, Kate.
We set off down the dangerous whitewater to search for any remaining traces of this journey. What I found was more than I could have expected: the original color film documenting their 1938 trip, unseen photos, a diary… and even one of the original kayaks, held in a 16th century fortress in the peaks of the Pyrenees, with an unexpected connection to the French Resistance.
From my discoveries emerged a story more remarkable than I could have imagined, revealing the possibilities that free-spirited risk-taking offers to all.
Best Short: Dodo’s Delight
Director(s): Sean Villanueva-O’Driscoll, Josh Lowell, Nick Rosen, Peter Mortimer
Jump on board a madcap sailing adventure to the biggest rock walls in the Arctic Circle with a team of elite climbers as zany as they are talented. Sean Villanueva, Nico Favresse, Olivier Favresse and Ben Ditto have made cutting edge first ascents in remote mountain ranges around the world — climbing hard, making music and goofing off thousands of feet in the air. Now they embark on their greatest expedition yet, voyaging to the massive walls of Greenland and Baffin Island on the good ship Dodo’s Delight, skippered by the spry 79-year old Captain Bob Shepton. Amongst rough seas, falling rocks and freezing temperatures, this hilarious and badass gang of adventurers forge bold new routes and have the time of their lives.
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2017 Boston Underground Film Festival Unleashes First Wave of Films – PREVENGE, THE VOID, BITCH and More
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THE VOID[/caption]
The 19th Boston Underground Film Festival returns to Harvard Square with what the festival describes as a “smorgasbord of phantasmagoria, dark comedy, thrillers, killers, and chillers” from March 22nd through the 26th, 2017.
Veteran actress, co-writer of 2012’s Sightseers, and first-time director/writer/star Alice Lowe’s bloody British baby bump (off) slasher comedy Prevenge will open the festival on Wednesday March 22nd, and filmmaking triple-threat director/writer/actor Marianna Palka’s delightfully disturbing dive into dissociative doggone delirium, Bitch will close out the festival on March 26th.
Bubbling up from down-under, also coming to Boston fresh from SXSW 2017, is not-to-be-missed Aussie crime thriller Hounds of Love, a masterful feat of tension, terror, and restraint from Perth-based, wildly talented first-time feature filmmaker Ben Young. In stark contrast to some of BUFF’s darker fare, prepare to meet your new obsession with first-time filmmaker Bill Watterson’s Slamdance 2017 standout Dave Made a Maze, which will beguile and a-maze with its hilarious odyssey through one man’s intricately crafted, booby trapped, living room box fort labyrinth; awe-inspiring stop-motion animation and strong lulz await.
BUFF will also host the East Coast Premiere of 68 Kill from mad genius Trent Haaga, director of BUFF’s 2011 Director’s Choice Award-winner Chop and writer of 2013’s Cheap Thrills & 2008’s Deadgirl. Haaga’s highly anticipated punk rock heist film unites BUFF regulars AnnaLynne McCord & Matthew Gray Gubler in the ultimate highway to hell road film.
2017 BOSTON UNDERGROUND FILM FESTIVAL FIRST WAVE OF FILMS
BITCH – East Coast Premiere Marianna Palka | USA | 2017 Caged in the suburbs of our discontent, a woman (Marianna Palka) snaps and enters a fugue state, consumed by the psyche of a vicious dog. Her philandering, stay-at-work husband (Jason Ritter) must grudgingly assume the role of family caretaker, forcing him to engage with his four children and sister-in-law (Jaime King) as they attempt to strengthen their familial unit and entice mom back to reality. Marianna Palka writes, directs, and stars in her bitingly funny and profound fourth feature. DAVE MADE A MAZE – East Coast Premiere Bill Watterson | USA | 2017 Dave (Nick Thune) is an artist who has yet to complete anything of significance in his short career; out of frustration, he builds an elaborate box fort in his living room. When his girlfriend and friends (including Kirsten Vangsness, Adam Busch, and Meera Rohit Kumbhani) enter against his protests, he must save them all from a series of fantastical pitfalls, booby traps, and creatures of his own creation. Actor Bill Watterson writes and directs his hilarious and idiosyncratic first feature. HOUNDS OF LOVE – East Coast Premiere Ben Young | Australia | 2016 In Ben Young’s tense, chilling feature debut, 17-year-old Vicki Maloney is randomly abducted from a suburban street by a disturbed couple and held prisoner in their home. As she observes the volatile dynamic between her captors, she soon realizes the key to survival lies in driving a wedge between them. PREVENGE – East Coast Premiere Alice Lowe | UK | 2016 In her directorial debut, Alice Lowe (Sightseers, Hot Fuzz, Garth Marenghi’s Dark Place) writes, directs and stars in a pitch black comedic tale of vengeance about seven-months-pregnant Widow Ruth and the unborn serial killer that compels her on her homicidal rampage. SAINT BERNARD – North American Premiere Gabe Bartalos | USA/France | 2013 Prolific creature designer Gabe Bartalos (Brain Damage, Tim and Eric’s Billion Dollar Movie, Gremlins 2, and the Leprechaun series) crafts a phantasmagoric vision of a classical music conductor descending into insanity with his sophomore feature. Seemingly vanished from a short-lived run on the festival circuit in 2014, BUFF is proud to give this must-see nightmare, and the visionary filmmaker who created it, a proper North American premiere. 68 KILL – East Coast Premiere Trent Haaga | USA | 2017 Trent Haaga (writer of Deadgirl, Cheap Thrills) returns to the director’s chair following 2011’s Chop with a punk-rock after hours thriller about femininity, masculinity and the theft of $68,000. When Liza (AnnaLynne McCord) asks her boyfriend Chip (Matthew Gray Gubler) to help her rob her wealthy sugar daddy, he can’t say no. Once they step into the man’s home, Chip & Liza embark on a breakneck roadtrip to hell. Adapted from Bryan Smith’s 2013, no-holds-barred crime novel of the same name. THE VOID – New England Premiere Jeremy Gillespie, Steven Kostanski | Canada | 2016 ASTRON-6’s Jeremy Gillespie & Steven Kostanski return with a Carpenteresque saga of brutal, cosmic dread, packed with creatures straight out of hell. In the middle of a routine patrol, officer Daniel Carter (Aaron Poole) happens upon a blood-soaked figure limping down a deserted stretch of road in the middle of the night. When he rushes the young man to a nearby rural hospital, he finds that patients and personnel are transforming into something… inhuman. As the horror intensifies, Carter must lead the other survivors into the subterranean depths of the hospital in a desperate bid to save their lives and end the nightmare before it’s too late. TRINITY – Boston Premiere Skip Shea | USA | 2016 Award-winning Massachusetts-based filmmaker, writer, artist and actor Skip Shea brings to life a deeply personal and disturbing first feature based on the true story about a moment in the life of a clergy abuse survivor. While at a coffee shop, a man accidentally bumps into the priest who abused him when he was a child, triggering a surreal, PTSD-induced dissociative moment that sends him on a twisted journey through his past.
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2017 Big Sky Documentary Film Festival Announces Winning Films
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100 YEARS: ONE WOMAN’S FIGHT FOR JUSTICE[/caption]
The 2017 Big Sky Documentary Film Festival announced the winning films, awarding the Big Sky Award to 100 YEARS: ONE WOMAN’S FIGHT FOR JUSTICE by Melinda Janko.
Says Festival Director Rachel Gregg: “We’re extremely proud to have been able to share these incredibly accomplished films with the people of Montana and all our visiting guests. We’re thrilled to provide an opportunity for these movies to find an even larger audience thanks to the reach of these prestigious awards. Thanks to our juries for making the hard decisions!”
With over 200 films in the festival, the following competition films have been given awards in the four categories.
Big Sky Award: Presented to one film that artistically honors the character, history, tradition and imagination of the American West
WINNER: 100 YEARS: ONE WOMAN’S FIGHT FOR JUSTICE
Melinda Janko, 2016, USA, 76 minutes / Montana Premiere
100 Years is the David vs. Goliath story of Elouise Cobell’s courageous fight for justice for 300,000 Native Americans whose mineral rich lands were mismanaged by the United States Government. For 30 years Elouise Cobell fought “the good fight.” This is the compelling true story of how she prevailed and made history.
Big Sky Artistic Vision Award
WINNER: OYATE
Dan Girmus , 2016, USA, 73 minutes / World Premiere
OYATE is a film about life on the Pine Ridge Indian Reservation in southwestern South Dakota. It follows two families as they go about their daily activities over the course of a single summer. They attend rodeos, shoot clay pigeons, and participate in pow wows. Family members get married, have children, and celebrate the 4th of July. All the while, the difficult, often intractable realities of modern reservation life threaten to encroach upon them.
Jury statement: In recognition of the film’s artistic merit, approach and cinematography, the jury presents Dan Grimus’s OYATE the Artistic Vision Award for its cinematic eye, observational gaze, and ability to capture the beauty in the everyday.
Mini-Doc Competition – films 15 minutes and under
WINNER: THE FOURTH KINGDOM
Alex Lora, Adan Aliaga, 2017, Spain, USA, 14 minutes / World Premiere
The Fourth Kingdom is the kingdom of plastics, a redemption center in NY for immigrants and underdogs where the American Dream becomes possible indeed.
Short Competition – films between 15 and 40 minutes in length
WINNER: KAYAYO: THE LIVING SHOPPING BASKETS
Mari Bakke Riise, 2016, Norway, 32 minutes / North American Premiere
In the capital of Ghana, 10,000 girls from the ages of 6 work as real life shopping baskets – called Kayayo, carrying heavy loads on their head (from 130 to 220 pounds), earning very little and some end up in prostitution to make ends meet. This documentary is about Bamunu, an 8-year old girl who hasn’t seen her family since she was sent away from home two years ago to work as a Kayayo to support her family. We follow her incessant longing to get away from the harsh markets, her journey back home and what awaits there.
Shorts Competition Artistic Vision Award
WINNER: THE RAIN WILL FOLLOW
Eugene Richards, 2016, USA — 15 minutes / Northwest Premiere
Though confined to a nursing home, 90-year-old Melvin Wisdahl lives an interior life, filled with images of the war he fought in, the struggles of the early Norwegian settlers of North Dakota, his ghost town of a home, his love of the ever-evolving and threatened land.
Jury Statement: The jury presents an Artistic Vision Award to THE RAIN WILL FOLLOW, which beautifully marries internal and external landscape imagery in a way that infuses the whole film with a third complete and powerful through line.
Feature Competition – films over 40 minutes in length
WINNER: CRADLE OF CHAMPIONS
Bartle B Bull, 2017, USA, 100 minutes / Northwest Premiere
Fighting for your life in the city of dreams. Three extraordinary young people battle to change their lives through the three-month odyssey of the New York Daily News Golden Gloves—the biggest, oldest, most important amateur boxing tournament in the world.
Feature Competition Artistic Vision Award
WINNER: LET THERE BE LIGHT
Mila Aung-Thwin, 2017, Canada, 100 minutes / World Premiere
LET THERE BE LIGHT follows the story of dedicated scientists working to build a small sun on Earth, which would unleash perpetual, cheap, clean energy for mankind. After decades of failed attempts, a massive push is now underway to crack the holy grail of energy.
Jury Statement – In recognition of the film’s artistic merit and educational value, the jury presents LET THERE BE LIGHT with an Artistic Vision Award for its cinematic eye, innovative animation, and engaging (passionate) investigation into the future of fusion (clean energy).
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SXSW Documentary MISSION CONTROL: THE UNSUNG HEROES OF APOLLO Sets Release Launch Date | Trailer
The documentary Mission Control: The Unsung Heroes of Apollo, directed by David Fairhead, about the NASA team that guided the United States’ early astronauts, has been acquired by Gravitas Ventures for release in the U.S.
Mission Control: The Unsung Heroes of Apollo, which is set for its world premiere on March 14 at the South by Southwest (SXSW) festival in Austin, will be released in select U.S. theaters and through video on demand (VOD) on April 14.
Featuring archival and on-site footage and stories from the men who lived it, “Mission Control” includes interviews with the founder of NASA’s Mission Control Center (and now its namesake) Chris Kraft and Apollo-era flight directors Gene Kranz (portrayed by Ed Harris in the 1995 film “Apollo 13”), Glynn Lunney and Gerry Griffin. Also appearing in the film are Apollo flight controllers Jerry Bostick, John Aaron and Sy Liebergot, and astronauts James Lovell (played by Tom Hanks in “Apollo 13”), Charles Duke, and the late Eugene Cernan, the last man to walk on the moon. Through their testimony, the movie explores the journey in Mission Control, from the Mercury and Gemini trailblazing flights to the tragic Apollo 1 fire and, ultimately, the glories of the moon landings.
“To make this film of the unsung heroes [of NASA Mission Control] has been a fantastic experience,” Fairhead said.
https://www.youtube.com/watch?v=n7maQ_-k6DI
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Gasparilla International Film Festival Announces 2017 Lineup, and World Premiere of ALL NIGHTER Starring J.K. Simmons
[caption id="attachment_21069" align="aligncenter" width="1200"]
All Nighter[/caption]
The 2017 Gasparilla International Film Festival (GIFF) taking place March 2 to March 9, at the Tampa Theater and AMC Centro Ybor in Tampa, Florida, announced its official selection. The festival will open with Burn Your Maps and close with Unleashed.
The festival will also host the world premiere for All Nighter starring Academy Award winner J.K. Simmons and directed by Gavin Wiesen.
https://www.youtube.com/watch?v=y0pNVrNLasI
There will be 35 films and over 70 shorts, in which it will host international and regional premieres of narrative features, documentaries and short films around the world.
2017 Gasparilla International Film Festival Film Line up:
OPENING NIGHT FILM:
Burn Your Maps: A nine-year-old boy, grieving with his parents over the recent loss of his baby sister, becomes obsessed with the idea that he’s a Mongolian goat herder who belongs back home in his small village in Mongolia. Cast: Vera Farmiga, Jacob Tremblay, Virginia Madsen, Suraj Sharma. Directed by Jordan RobertsCLOSING NIGHT FILM:
Unleashed: When a cosmic event turns Emma’s dog and cat into two perfect guys, Emma reconsiders her outlook on dating, hilariously works out her trust issues, and ultimately learns to love herself. Cast: Justin Chatwin, Steve Howe, Sean Astin, Kate Micucci. Directed by Finn TaylorSPOTLIGHT SCREENINGS:
Breakable You: The film follows the Wellers, a dynamic New York City family as they come to terms with themselves and each other. Cast: Holly Hunter, Tony Shalhoub, Alfred Molina, Cristin Milloti. Directed by Andrew Wagner Danger Close: (Documentary) Female war reporter Alex Quade’s daring missions to tell soldiers’ stories during a series of unprecedented embeds with Conventional Forces and US Special Ops Forces at the height of the Wars in Iraq and Afghanistan. Directed by Christian Tureaud and David Salzberg The Last Word: Retired businesswoman Harriet, controlling to the end, writes her own obituary, but the newspaper writer tasked with the piece insists on learning the truth about Harriet’s life and the two become reluctant partners and friends. Cast: Shirley MacLaine, Amanda Seyfried, Tom Everett Scott, Anne Heche, Philip Baker Hall. Directed by Mark Pellington The Lost City of Z: Based on author David Grann’s nonfiction bestseller, The Lost City of Z tells the incredible true story of British explorer Percy Fawcett. Cast: Charlie Hunnam, Sienna Miller, Robert Pattinson. Directed by James GrayLATE NIGHT FUN & THRILLS:
First Round Down: Tim Tucker, a former hockey prodigy, returns home to take care of his younger brother having spent the last ten years as a hit man for the mob. Tim now lives on the straight and narrow, but his checkered past catches up to him faster than he can deliver pizza. Cast: Dylan Bruce, Rachel Wilson, John Kapelos. Directed by Brett Butler and Jason Butler Veras Mantel: A successful writer, Veras Martel, is prevented from leaving her house by agoraphobia. Sinister threats from a fan eventually lead her uncovering the secret of her illness. Cast: Lea Fassbender, Nico Zitek, Charlotte Ulrich. Directed by Ronald Unterberger Women Who Kill: Commitment phobic Morgan and her ex-girlfriend Jean, hosts of a female serial killer-centric podcast, still show all the signs of being a couple. But everything changes when Morgan falls hard and fast for the mysterious Simone, who may or may not be a killer. Cast: Ingrid Jungermann, Ann Carr, Sheila Vand, Annette O’toole. Directed by Ingrid Jungermann.US NARRATIVE FEATURES:
American Wrestler: The Wizard: In 1980, a teenage boy escapes the unrest in Iran only to face more hostility in America, due to the hostage crisis. Determined to fit in, he joins the school’s floundering wrestling team. Cast: Jon Voight, William Fichter, Ali Afshar. Directed by Alex Ranarivelo The Architect: When a couple sets out to build their dream house, they enlist the services of an uncompromising modernist architect, who proceeds to build HIS dream house instead of theirs. Cast: Parker Posey, James Frain, Eric McCormack. Directed by Jonathan Parker AWOL: A young woman Joey is in search of direction in her small town. A visit to an army recruiting office appears to provide a path, but when she meets and falls in love with Rayna that path diverges in ways that neither woman anticipates. Cast: Lola Kirke, Breeda Wool, Dale Soules, Ted Welch. Directed by Deb Shoval Carrie Pilby: Carrie is person of high intelligence who graduated from Harvard at 19, and struggles to make sense of the world as it relates to morality, relationships, sex and leaving her apartment. Cast: Bel Powley, Nathan Lane, Gabriel Byrne, Jason Ritter. Directed by Susan Johnson Dean: An illustrator falls hard for an LA woman while trying to prevent his father from selling the family home in the wake of his mother’s death. Cast: Demetri Martin, Asif Ali, Jesaiah Baer, Katherine Barnes. Directed by Demetri Martin Future 38: A 1938 screwball comedy set in the far future year of 2018. Cast: Betty Gilpin, Robert John Burke, Sean Young. Directed by Jamie Greenberg So B. It: A 12-year-old girl decides to take a cross-country trip by herself, leaving the safety of her home with her mentally-challenged mother and agoraphobic neighbor. Cast: Alfre Woodard, Dash Mihok, Jacin Barrett, John Heard, Cloris Leachman. Directed by Stephen GyllenhaalINTERNATIONAL NARRATIVE FEATURES:
About Us: Diego, a hopeless romantic desperately trying to salvage his relationship with long- time girlfriend Sofía, plans a beach getaway to propose and clear the air. A ‘chance’ encounter with Sofía’s old friend Malena will cast doubts on his relationship and skewed understanding of love, quickly turning a perfect weekend in paradise into Diego’s worst nightmare. Cast: Hernan Jimenez, Noelia Castano, Marina Glezer. Directed by Hernan Jimenez Frantz: In the aftermath of WWI, a young German who grieves the death of her fiancé in France meets a mysterious Frenchman who visits the fiancé’s grave to lay flowers. Cast: Paula Beer, Pierre Niney, Ernst Stotnzer. Directed by Francois Ozon Handsome Devil: Two opposites, a loner and the top athlete at a rugby-obsessed boarding school, become friends until the authorities test their friendship. Cast: Fionn O’Shea, Nicholas Galitzine, Andrew Scott. Directed by John Butler Past Life: In the 1970s, two sisters try to solve a wartime mystery that has cast a shadow over their lives. Cast: Nelly Tagar, Joy Rieger, Doron Tavory. Directed by Avi Nesher Queen of the Desert: A chronicle of Gertrude Bell’s life, a traveler, writer, archaeologist, explorer, cartographer, and political attaché for the British Empire at the dawn of the twentieth century. Cast: Nicole Kidman, James Franco, Damian Lewis, Robert Pattinson. Directed by Werner Herzog The Sense of an Ending: A reclusive older man must face the flawed recollections of his younger self and his long buried secrets. Cast: Jim Broadbent, Michelle Dockery, Emily Mortimer. Directed by Ritesha BatraDOCUMENTARIES:
Disturbing the Peace: The film explores people born into conflict, sworn to be enemies, who challenged their fate by taking extraordinary actions by standing for what they believe in. It challenges us all to decide what role we will play in creating a more humane world, starting with our willingness to disturb the peace. Directed by Stephen Apkon and Marcina Hale Finding Oscar: Feature length documentary about the search for justice in the devastating case of the Dos Erres massacre in Guatemala. That search leads to the trail of two little boys who were plucked from a nightmare and offer the only living evidence that ties the Guatemalan government to the massacre. Directed by Ryan Suffern, Executive Produced by Steven Spielberg Good Fortune: Homeless, Gang member, Billionaire, Philanthropist; this film reflects “conscious capitalism.” Interviewees include Robert Kennedy Jr., Cheech Marin, Dan Akroyd, Arianna Huffington and Danny Trejo. Directed by Josh Tickell and Rebecca Harrell Tickell Lea and Mira: The film tells the story of two elderly women living in Argentina. As children, they were taken to the Auschwitz concentration camp. The movie depicts the thoughts of these women who, in the twilight of their lives, transmit their wisdom, their resilience, and their way of looking at life after trauma. Directed by Poli Martinez Kaplun Score: This documentary brings Hollywood’s premier composers together to give viewers a privileged look inside the musical challenges and creative secrecy of one the world’s most widely known music genre: the film score. Interviewees include Hans Zimmer, Danny Elfman, John Williams, James Cameron and Quincy Jones. Directed by Matt SchraderFLORIDA FOCUS:
World premiere of independent films made in Florida Joey’s Show Will Go On: Tampa drag queen legend Joey Brooks, the ‘First Lady Of Ybor City’, talks about her decades-long female-impersonator career and judges a whacky contest to choose a new diva for her Christmas show. Cast: Joey Brooks. Directed by Marcus Kempton King Charles: A shady DEA agent does everything in his power within and outside the law to catch a cocaine kingpin. During a city’s crime investigation the DEA’s partner is gunned down. TC will now stop at nothing to catch his man and what he’s about to do next is pure justice. Cast: Rod Grant, Nicholas Naylor and Buddy Winsett. Directed by Nicholas Taylor The Lost Digit: After accidentally cutting off his finger, a man can’t escape the dire feeling that something important in his life is missing. As a dangerous obsession takes hold his career, marriage and grasp on reality suffer. The best part of his life gone, he ends up in a nursing home devoid of love and utterly alone. Cast: Christopher Rutherford, George Cassermey, Hillary Pyles, Jim Wicker. Directed by Garrett Brown Turtle Tale: TURTLE TALE is inspired by events that took place at the George C. McGough Nature Park in Largo, Florida – the story of JR the OWL as witnessed and told by the nature park’s first inhabitants, ‘THE TURTLES’. The turtles, HANK, RAFI and GOLIATH, and their community live in a beautiful pond with nice clean water, lots of food and are witnesses to all the events of the park as they get ready for another busy summer camp season, never suspecting what is about to happen at the park and to themselves. Cast: Mary Rachel Dudley, Noah Schnacky, Lily Cardone, Isiah McCaffrey. Directed by Luc Campeau There will also be Industry Panels featuring Meet The Press, Casting Directors, Special Effects, The Pitch and the Performance Actor’s panel.
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2 Live & Onstage Programs Featuring Performances by Will Oldham and Terence Nance Added to San Francisco International Film Festival
[caption id="attachment_21052" align="aligncenter" width="1200"]
A still from experimental filmmaker Jerome Hiler’s BAGATELLE II, who’s work will be played alongside Will Oldham, aka Bonnie ‘Prince’ Billy’s original musical compositions during the Headlands and San Francisco Film Society special program PARALLEL SPACES: WILL OLDHAM AND JEROME HILER.[/caption]
“Parallel Spaces: Will Oldham and Jerome Hiler” and “18 Black Girls / Boys Ages 1-18 Who Have Arrived at the Singularity and Are Thus Spiritual Machines” have been added to the popular Live & Onstage section of the 60th San Francisco International Film Festival.
Composer Will Oldham, aka Bonnie ‘Prince’ Billy (Headlands Artist in Residence, 2008), and Chicago-based Bitchin Bajas (Drag City) present Parallel Spaces: Will Oldham and Jerome Hiler, a special program of improvised music to be performed live alongside the projection of experimental films created by Bay Area artist Jerome Hiler. Joining Oldham and the Bajas is Bay Area-based Cornelius Boots, known as both a virtuosic clarinetist, and a burgeoning master of the shakuhachi flute of Zen Buddhism. Screenings of Hiler’s 16mm films, recognized for their mastery of visual composition, is an all too rare thing, and Hiler and Oldham have selected three that will be shown: Words of Mercury (2011), Marginalia (2015), and Bagatelle II (2016). Each film displays a different approach to the poetics of moving imagery and the deceptively simple, yet powerful, practice of viewing light passing through celluloid. This program will take place Monday April 10, 8:00 pm, at the historic Castro Theatre.
Artist and filmmaker Terence Nance (Headlands Artist in Residence, 2014; An Oversimplification of Her Beauty, Festival 2012) presents his compelling, interactive dual live programs, 18 Black Girls / Boys Ages 1-18 Who Have Arrived at the Singularity and Are Thus Spiritual Machines. Accompanied by his brother, multidisciplinary artist Norvis Junior, and by local musicians and dancers, Nance investigates the predispositions of our culture and media by taking audiences through a tour of the ways in which various narratives of black youth, beginning with age one and progressing through year 18, are presented via simple internet search functions. Using Google’s autocomplete algorithms and responding to audience feedback, Nance’s project presents a virtual self-portrait of our society that reflects our biases and norms back to us. Featuring live music, personal digressions, improvisation, and chance, Nance’s unique, and at turns heartwarming, heartbreaking, and insightful presentations will unfold at the Victoria Theatre over two consecutive days. The “girls” program will be featured on Sunday, April 16 at 5:00 pm, and the “boys” program on Monday, April 17 at 6:00 pm.
“We’re delighted to be partnering with Headlands Center for the Arts to bring these dynamic performers to the Festival,” said Rachel Rosen, San Francisco Film Society’s director of programming.”Artists in creative dialogue with moving images make the Live & Onstage section one of our most thrilling offerings at the Festival, and it’s especially gratifying to be able to collaborate with an organization that supports such creative exploration.”
“We’re excited to join San Francisco Film Society in sharing new work from Headlands’ Artist in Residence alumni Terence Nance and Will Oldham with Festival audiences,” says Sean Uyehara, Headlands Center for the Arts Director of Programs. “Supporting artists with opportunities for this kind of thoughtful, cross-disciplinary collaboration is what we’re all about.”
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2017 Toronto International Film Festival Will Eliminate Vanguard and City to City + Reduce Numbers of Films on Lineup
The Toronto International Film Festival organizers today revealed its plan to retire the Vanguard and City to City sections and reduce the overall number of films in the 2017 lineup by 20 percent. The festival also announced their 2017 lineup of programs and programmers – unveiling 14 diverse programs and a programming team of 22, including two new additions.
“As we build on the success of the Festival’s past four decades, we’re challenged to balance providing a generous choice of movies for over 400,000 festival-goers with maintaining strong curatorial focus,” said Cameron Bailey, Artistic Director of TIFF. “For 2017 we’re offering a refreshed, more tightly curated edition. In addition to trimming the lineup, we’re excited to introduce two new Festival programmers to the TIFF team.”
2017 Toronto International Film Festival Programs
Contemporary World Cinema Compelling stories, global perspectives. Discovery Directors to watch. The future of world cinema. Gala Presentations Movie stars. Red-carpet premieres. Major audience interest. In Conversation With… Engaging onstage conversations with leaders in the film industry and beyond. Masters The latest from the world’s most influential art-house filmmakers. Midnight Madness The wild side: midnight screenings of the best in action, horror, shock and fantasy cinema. Platform Directors’ cinema now. Launched in 2015, this juried programme shines a light on up to 12 selections that demonstrate directorial vision from international filmmakers. Primetime Serial storytelling: television in its artistic renaissance. Short Cuts The world. In short form. Special Presentations High-profile premieres and the world’s leading filmmakers. TIFF Cinematheque Curated gems from the history of Canadian and international cinema. TIFF Docs Candid and unscripted: the best non-fiction cinema from around the world. TIFF Kids and TIFF Next Wave For the next generation of movie lovers. Wavelengths Daring, visionary and autonomous voices. Works that expand our notions of the moving image.2017 Toronto International Film Festival Programmers
Piers Handling Western Europe, Italy, Poland; Gala Presentations, Platform Cameron Bailey South Asia, Gala Presentations, Special Presentations, Platform Michèle Maheux Ireland, the Netherlands; Gala Presentations Kerri Craddock Western Europe, USA, Turkey, Gala Presentations, Special Presentations Brad Deane TIFF Cinematheque Dimitri Eipides Central and Eastern Europe, Central and Western Asia Giovanna Fulvi East and Southeast Asia Steve Gravestock Canada, the Philippines, Nordic Region Peter Kuplowsky* Midnight Madness Michael Lerman Primetime Elizabeth Muskala TIFF Kids Andrea Picard Wavelengths Thom Powers TIFF Docs Kiva Reardon* Africa and the Middle East Diana Sanchez Spain, Portugal, Latin America, Caribbean Theresa Scandiffio In Conversation With… Jane Schoettle Australia, New Zealand, Israel, USA Magali Simard Canada Jesse Wente TIFF Cinematheque Jason Anderson Short Cuts Danis Goulet Short Cuts Karina Rotenstein Industry programming *new to the programming team.
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Toronto’s 14th Human Rights Watch Film Festival Unveils Lineup, Opening with A SYRIAN LOVE STORY
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A Syrian Love Story[/caption]
Toronto’s 14th annual Human Rights Watch Film Festival, presented by TIFF and Human Rights Watch, will feature an eight-film lineup that galvanizes an impassioned call for social change through extraordinary stories of struggle, survival and hope. Showcasing brave cinematic works at the forefront of the human rights movement, the festival presents documentary feature films from Afghanistan, Canada, China, Egypt, France, the United States, Hong Kong, Lebanon, Syria, Mexico, Netherlands, Norway, Sweden, and the United Kingdom.
Running from March 29 to April 6 at TIFF Bell Lightbox, the festival kicks off with an opening night fundraising reception followed by a screening of A Syrian Love Story — a documentary that dives into the refugee experience through the telling of a love story between a Palestinian freedom fighter and a Syrian revolutionary who met as political prisoners — and closes with Nick de Pencier’s Black Code, which follows cyber stewards who travel the world to expose unprecedented levels of global digital espionage. Additional highlights include the Toronto premiere of Tickling Giants, which follows a popular television show host who has been dubbed “The Egyptian Jon Stewart,” and Alanis Obomsawin’s We Can’t Make the Same Mistake Twice, an epic documentary chronicle of a legal battle waged against the injustices inflicted on Indigenous children in Canada.
Complete film lineup
Opening Night Film.
A Syrian Love Story
dir. Sean McAllister | UK/France/Lebanon/Syria 2015 | 76 min. | 14A
International Documentary Film Festival Amsterdam 2015
Comrades and lovers Amer and Raghda met in a Syrian prison cell 15 years ago. When director Sean McAllister first meets their family in 2009, Raghda is back in prison, leaving Amer to look after their four boys alone; but as the Arab Spring sweeps the region, the family’s fate shifts irrevocably. Filmed over five years, the film charts their incredible odyssey to political freedom. For Raghda and Amer, it is a journey of hope, dreams and despair: for the revolution, their homeland and each other.
Wednesday, March 29 at 8 p.m.
Complicit
dirs. Heather White and Lynn Zhang
China/Hong Kong/USA/Netherlands 2017 | 88 min. | PG | North American Premiere
A courageous factory worker struggling with leukemia helps a group of young Chinese workers who have also been poisoned while making our favourite cell phones and electronic gadgets. Filmed over four years, this lushly photographed film takes the audience on an 8,000-mile journey to the world’s electronics factory floors and the neighbourhoods and hospitals surrounding the world’s largest electronics supplier, Foxconn. Complicit reveals the human costs of global outsourcing while highlighting the choices made by a group of inspired activists seeking change. Thursday, March 30 at 6:30 p.m.
Nowhere to Hide
dir. Zaradasht Ahmed | Norway/Sweden 2016 | 86 min. | 14A | Canadian Premiere
International Documentary Film Festival Amsterdam 2016
Nowhere to Hide follows male nurse Nori Sharif through five years of dramatic change, providing unique access into one of the world’s most dangerous and inaccessible areas: the “triangle of death” in central Iraq. Initially filming stories of survivors as American and Coalition troops retreat from Iraq in 2011, conflicts continue with Iraqi militias, and the population flees accompanied by most of the hospital staff; Nori is one of the few who remains. When ISIS advances on Jalawla in 2014 and takes over the city, he too must flee with his family at a moment’s notice, and turns the camera on himself.
PRECEDED BY:
Fantassút / Rain on the Borders
dir. Federica Foglia | Canada 2016 | 16 min. | 14A
Over 11,000 refugees from Syria, Iran, Iraq, Pakistan, Afghanistan and other countries lived for months in dismal conditions hoping for the borders to open, and to continue their journey through the Balkan route. Friday, March 31 at 6:30 p.m.
Tickling Giants
dir. Sara Tacksler | Egypt 2016 | 111 min. | 14A | Toronto Premiere
In the midst of the Egyptian Arab Spring, Bassem Youssef makes a decision that’s every mother’s worst nightmare: he leaves his job as a heart surgeon to become a full-time comedian. Dubbed “The Egyptian Jon Stewart,” Bassem creates the most-viewed television program in the Middle East: he has 30 million viewers per episode, compared to The Daily Show with Jon Stewart’s 2 million. In a country where free speech is not settled law, Bassem comes up with creative ways to non-violently challenge abuses of power. He endures physical threats, protests and legal action, all because of jokes. No unicorns or falafel were harmed in the making of this film. Saturday, April 1 at 6:30 p.m.
Introduction and Q&A by filmmaker Sara Tacksler.
We Can’t Make the Same Mistake Twice
dir. Alanis Obomsawin | Canada 2016 | 163 min. | PG
Toronto International Film Festival 2016
In 2007, the Child and Family Caring Society of Canada and the Assembly of First Nations filed a landmark discrimination complaint against Indian Affairs and Northern Development Canada. They argued that child and family welfare services provided to First Nations children on reserves and in Yukon were underfunded and inferior to services offered to other Canadian children. Veteran director Alanis Obomsawin’s We Can’t Make the Same Mistake Twice documents this epic court challenge, giving voice to the tenacious childcare workers at its epicenter. Sunday, April 2 at 2 p.m.
Introduction and Q&A by filmmaker Alanis Obomsawin.
Girl Unbound: The War to be Her
dir. Erin Heidenreich | Afghanistan 2016 | 80 min. | PG
Toronto International Film Festival 2016
In Waziristan, “one of the most dangerous places on earth,” Maria Toorpakai defies the Taliban by disguising herself as a boy so she can play sports freely. But when she becomes a rising star, her true identity is revealed, bringing death threats on her and her family. Undeterred, they continue to fight for their freedom. Tuesday, April 4 at 6:30 p.m.
No Dress Code Required
dir. Cristina Herrera Borquez | Mexico 2016 | 92 min. | PG | Canadian Premiere
International Documentary Film Festival Amsterdam 2016
Victor and Fernando are stylists in Mexicali, Mexico who are the go-to professionals for the city’s socialites. To their customers, they were a lovely couple — until they decided to legally marry. Losing the support of customers and friends and confronting a backlash of criticism, through their fight they woke up members of Mexicali’s society to fight homophobia and inequality. Wednesday, April 5 at 6 p.m.
Introduction by Kyle Knight, Researcher, Lesbian, Gay, Bisexual, and Transgender Rights Program, Human Rights Watch.
Closing Night Film.
Black Code
dir. Nick de Pencier | Canada 2015 | 90 min.
Toronto International Film Festival 2016
Based on the book by Prof. Ron Deibert, Black Code is the story of how the internet is being controlled and manipulated by governments in order to censor and monitor their citizens. As they battle for control of cyberspace, ideas of citizenship, privacy and democracy are challenged to the core. Thursday, April 6 at 6:30 p.m.
Introduction and Q&A by filmmaker Nicholas De Pencier, with guest speaker Prof. Ron Deibert.

Zuzana KrÛnerov· as Hana in ICE MOTHER.[/caption]
The Tribeca Film Festival today unveiled an exciting slate of films that will premiere at the 2017 festival. The Festival announced the feature films across the following programs: Competition, including U.S. Narrative, Documentary, and International Narrative categories; Spotlight, a selection of anticipated premieres from major talent; Viewpoints, which recognizes distinct voices in international and American independent filmmaking; and the popular Midnight Section, featuring the best in psychological thriller, horror, sci-fi, and cult cinema.
The 16th