Gina’s Journey: The Search for William Grimes[/caption]
Gina’s Journey: The Search for William Grimes, narrated by Keith David, follows the quest of one woman, Regina Mason, in tracing the steps of her ancestor, who traveled along the Underground Railroad to freedom and authored the first fugitive slave narrative in U.S. history. The film will world premiere at the 2017 Pan African Film Festival in Los Angeles February 17-18, 2017.
Produced by Your Media 2, the film is based on the Afterword of the authoritative edition of the book, Life of William Grimes, the Runaway Slave, written by Regina Mason and published in 2008 by Oxford University Press. The Afterword, “My Long Road Back to William Grimes” reveals Mason’s 15-year path to authenticate her ancestor’s story and the intense personal sacrifices that made editing and publishing a new edition of the Grimes narrative possible.
In making the film, Director and Producer Sean Durant sought to convey not only Mason’s long road to uncover her past, but also the unimaginable conditions that faced William Grimes as he struggled to free himself from slavery. To this end, Durant chose to use artfully-crafted re-enactments combined with current-day Mason reflecting on her own story and a masterful narration by Keith David. The result is a compelling and provocative documentary film from first time feature filmmaker Durant.
“Gina’s Journey: The Search for William Grimes” is an Official Selection of the 2017 Pan African Film Festival, which runs February 9th through 20th.
https://vimeo.com/119890622Film Festivals
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Documentary GINA’S JOURNEY: THE SEARCH FOR WILLIAM GRIMES to World Premiere At Pan African Film Festival | TRAILER
[caption id="attachment_20585" align="aligncenter" width="1200"] Gina’s Journey: The Search for William Grimes[/caption]
Gina’s Journey: The Search for William Grimes, narrated by Keith David, follows the quest of one woman, Regina Mason, in tracing the steps of her ancestor, who traveled along the Underground Railroad to freedom and authored the first fugitive slave narrative in U.S. history. The film will world premiere at the 2017 Pan African Film Festival in Los Angeles February 17-18, 2017.
Produced by Your Media 2, the film is based on the Afterword of the authoritative edition of the book, Life of William Grimes, the Runaway Slave, written by Regina Mason and published in 2008 by Oxford University Press. The Afterword, “My Long Road Back to William Grimes” reveals Mason’s 15-year path to authenticate her ancestor’s story and the intense personal sacrifices that made editing and publishing a new edition of the Grimes narrative possible.
In making the film, Director and Producer Sean Durant sought to convey not only Mason’s long road to uncover her past, but also the unimaginable conditions that faced William Grimes as he struggled to free himself from slavery. To this end, Durant chose to use artfully-crafted re-enactments combined with current-day Mason reflecting on her own story and a masterful narration by Keith David. The result is a compelling and provocative documentary film from first time feature filmmaker Durant.
“Gina’s Journey: The Search for William Grimes” is an Official Selection of the 2017 Pan African Film Festival, which runs February 9th through 20th.
https://vimeo.com/119890622
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First 11 Films Revealed for 2017 Dallas International Film Festival
[caption id="attachment_20108" align="aligncenter" width="1200"]
Strad Style[/caption]
The Dallas International Film Festival revealed the first eleven official selections for the upcoming 11th edition of the festival. Led by Stefon Avalos’s Slamdance Film Festival award-winner, STRAD STYLE, the list of titles include François Ozon’s FRANTZ , Sarah Adina Smith’s BUSTER’S MAL HEART, and James Gray’s THE LOST CITY OF Z (NYFF).
This year’s Texas Competition, which promotes the state’s impressive home-grown filmmaking talent by focusing on films produced and shot in Texas, includes the world premiere of Jameson Brooks’s drama BOMB CITY, about a controversial hate-crime that took place in a small, conservative Texas town. Also competing in the category is Jason Headley’s comedy A BAD IDEA GONE WRONG about two would-be thieves that bungle their way into a hostage situation during a poorly-planned break-in.
The second announced world premiere selection, Micah Barber’s INTO THE WHO KNOWS! about a boy and his best friend, Felix the Fox, that escape summer camp to embark on a big mystical adventure, will make its debut as part of DIFF’s Family Friendly section. Also screening will be Tony Shaff’s documentary 44 PAGES, which tells the surprising story of Highlights Magazine, and screens at DIFF immediately following its debut at SXSWedu in March.
DIFF’s Premiere Series will include; Smith’s mind-bender BUSTER’S MAL HEART, which stars Mr. Robot’s Rami Malek as a mountain man drifter who had a life-changing run-in with a stranger obsessed with a conspiracy theory; Ozon’s drama FRANTZ, about a woman coming to terms with the death of her fiancé in World War I; and Gray’s true-life epic THE LOST CITY OF Z, which follows the tale of British explorer Col. Percival Fawcett, who disappeared in the Amazon in the 1920s.
Avalos’s STRAD STYLE, which won both the Grand Jury Prize and the Audience Award for Best Documentary at the recently concluded Slamdance Film Festival, and Matt Schrader’s SCORE: A FILM MUSIC DOCUMENTARY, are the first two selections announced from DIFF’s beloved Deep Ellum Sounds section. The music-themed documentary section hails back to the film festival’s roots in the colorful music-infused neighborhood with the Deep Ellum Film Festival, which was the precursor to the Dallas International Film Festival. STRAD STYLE follows the efforts of a man in Ohio, who decides he can build a classic Stradivarius violin, and SCORE: A FILM MUSIC DOCUMENTARY, looks at the art of film scoring via interviews with nearly every prominent film composer on the scene today.
Rounding out the first selections revealed to the public are Steve James’s ABACUS: TOO SMALL TO JAIL, about the only U.S. bank to face criminal charges in the wake of the 2008 financial crisis, and Alejandro Molina’s THE PRESENT ONES (Los Presentes), about an actress having identity issues after returning to play a character that gets under her skin just as she faces a relationship crisis. ABACUS: TOO SMALL TO JAIL will screen as part of DIFF’s Documentary Showcase, and marks the fourth of James’s films to be a part of the festival. THE PRESENT ONES is part of DIFF’s Latino Cinema Showcase.
The film festival will present the Studio Movie Grill Silver Heart Award to the film that best addresses Human Rights issues. A $5,000 cash prize will be presented by the Schultz Family during the Dallas Film Society Honors event presented by the Arthur E. Benjamin Foundation on Friday, April 7, as DIFF continues its decade-long tradition of looking beyond the artistic value of film to the impact on the community, either via environmental, or in this case, human rights issues, as well. The Silver Heart Award is bestowed on an individual or film for their dedication to fighting injustices and/or creating social change for the improvement of humanity.
The eleven official selections include:
ABACUS: SMALL ENOUGH TO JAIL
Director: Steve James
Country: USA, Running Time: 88min
ABACUS: SMALL ENOUGH TO JAIL tells the incredible saga of the Chinese immigrant Sung family, owners of Abacus Federal Savings of Chinatown, New York. Accused of mortgage fraud by Manhattan District Attorney Cyrus R. Vance, Jr., Abacus becomes the only U.S. bank to face criminal charges in the wake of the 2008 financial crisis. The indictment and subsequent trial forces the Sung family to defend themselves – and their bank’s legacy in the Chinatown community – over the course of a five-year legal battle.
A BAD IDEA GONE WRONG
Director: Jason Headley
Country: USA, Running Time: 85min
A BAD IDEA GONE WRONG is a comedy about two would-be thieves who accidentally arm the alarm system and have to break out of the house they just broke into. When they discover an unexpected house sitter, they suddenly have to deal with a hostage situation, double crosses, sexual tensions, and discoveries that make their difficult escape even more dubious.
BOMB CITY
Director: Jameson Brooks
Country: USA, Running Time: 93min
BOMB CITY is a gritty-drama, about the hatred and oppression of a group of punk revolutionaries in a conservative Texas town. Their ongoing battle with a rival clique leads to one of the most controversial hate crimes the U.S. has ever seen. Based on the true story of Brian Deneke.
BUSTER’S MAL HEART
Director: Sarah Adina Smith
Country: USA, Running Time: 96min
In this bold thriller spiked with dark humor, Rami Malek (Mr. Robot) is Buster, a family man whose chance encounter with a conspiracy-obsessed drifter leaves him on the run from the police and an impending event known as The Inversion.
44 PAGES
Director: Tony Shaff
Country: USA, Running Time: 97min
44 PAGES is a portrait of Highlights Magazine following the creation of the cultural phenomenon’s 70th Anniversary issue, from the first editorial meeting to its arrival in homes, and introducing the quirky people who passionately produce the monthly publication for “the world’s most important people,”…children. Along the way, a rich and tragic history is revealed, the state of childhood, technology, and education is explored, and the future of print media is questioned.
FRANTZ
Director: François Ozon
Country: France/Germany, Running Time: 113min
A haunting tale of love and reconciliation begins in a small town in Germany in the immediate aftermath of World War I when a young woman mourning the death of her fiancé encounters a mysterious Frenchman laying flowers on her beloved’s grave.
INTO THE WHO KNOWS!
Director: Micah Barber
Country: USA, Running Time: 72min
Ten-year old Thomas has a best friend: Felix the Fox. But his parents want him to make “real friends”, so they send him to summer camp. However, he hates it, so he and Felix make a midnight escape. Deep in the forest of the Who Knows they pursue a mythical being called the Totem, and decide to catch it.
THE LOST CITY OF Z
Director: James Gray
Country: USA, Running Time: 141min
A true-life drama, centering on British explorer Col. Percival Fawcett, who disappeared while searching for a mysterious city in the Amazon in the 1920s.
THE PRESENT ONES (LOS PRESENTES)
Director: Alejandro Molina
Country: Mexico, Running Time: 90min
Ana, a former actress, gets the chance to reunite herself with Ophelia, a character she played years ago on the stage, when she met and fell for the man who is her husband now. However, at this point in her life, her marriage is facing a difficult time, tenuously kept together is their 6-year old son. By playing the character, and “becoming” Ophelia once again, and under stressful circumstances, Ana suffers a personality split which leads her to an extreme and life changing juncture, something she has never faced before.
SCORE: A FILM MUSIC DOCUMENTARY
Director: Matt Schrader
Country: USA, Running Time: 93min
SCORE: A FILM MUSIC DOCUMENTARY brings Hollywood’s premiere composers together to give viewers a privileged look inside the musical challenges and creative secrecy of the world’s most widely known music genre: the film score.
STRAD STYLE
Director: Stefan Avalos
Country: USA, Running Time: 104min
STRAD STYLE follows a backwoods dreamer from Ohio with an obsession for ‘Stradivari’ and all things violin, who, through the magic of social-media, convinces a famous European concert violinist that he can make a copy of the most famous and valuable violin in the world. Fighting time, poverty, and most of all – himself – Danny Houck puts everything on the line for one shot at glory.
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Berlinale 2017: Three Films Awarded Prizes at the Berlinale Co-Production Market
Three monetary prizes were awarded to selected narrative film projects at the 2017 Berlinale Co-Production Market which runs February 12 to 15.
The Eurimages Co-Production Development Award, with an endowment of 20,000 euros, was awarded to The Wife of the Pilot (director: Anne Zohra Berrached), which Razor Film Produktion from Germany presented here. The prize money is intended as a development grant from the European film fund Eurimages.
The three members of this year’s jury were renowned industry professionals Pablo Pérez de Lema (Spain), Leontine Petit (The Netherlands) and Manfred Schmidt (Germany).
Two additional prestige prizes were also awarded. The VFF – Verwertungsgesellschaft der Film und Fernsehproduzenten from Munich awarded its VFF Talent Highlight Award, with an endowment of 10,000 euros, to the project The Bus to Amerika, presented at the market by producer Nefes Polat from Turkey and director Derya Durmaz. Since 2004, the VFF has each year honored a promising project by up-and-coming filmmakers from the “Talent Project Market”, organized by the Berlinale Co-Production Market in cooperation with Berlinale Talents. Nominated for the VFF Talent Highlight Award this year in addition to Nefes Polat were Cuban producer Maria Carla del Rio, with her project Shock Labor, and producer Jeremy Chua from Singapore, with Tomorrow is a Long Time. Each project received a recognition of 1,000 euros as well as the opportunity to pitch their projects to participants of the Berlinale Co-Production Market.
This year, the renowned ARTE International Prize, which has been presented since 2011, was awarded to the project Lost Country by Serbian director Vladimir Perišić, which is represented by KinoElektron (France), MPM Film (France) and Trilema Films (Serbia). ARTE bestows the 6,000 euro prize on an artistically outstanding project drawn from the entire Berlinale Co-Production Market.
The 14th Berlinale Co-Production Market, which runs until February 15, is a place where the producers of the 36 selected narrative film projects can also meet with potential co-producers and funding partners. Over the four days, some 600 participants take a total of more than 1,200 individual meetings. More than 240 films that came to the market looking for partners have since become completed films, and seven of those are screening this year alone in the film festival programme.
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Australia’s Monster Fest Announces 2017 Dates + Call For Submissions
Monster Fest, Australia’s premier genre film festival celebrating cult, horror and the fantastic, returns for its seventh edition November 22 to 26, 2017 at the Lido Cinemas in Melbourne.
These dates include the festival’s industry component, The Swinburne University Media and Communication Monster Academy, which will kick off the festival November 22 and 23.
Submissions are now open for Features, Short Films and Expanded Cinema Projects, with an Early Bird Deadline of April 21, a Regular Deadline of June 16 and a final, Extended Deadline of August 4, 2017.
“We had a huge increase in submissions in 2016,” says Festival Director Kier-La Janisse. “And it really diversified our approach to programming. In addition to horror, which is always a staple at Monster Fest, we brought in more crime films, westerns, documentary and animation than ever before, and our audience really went with it – we ended up having our most successful year to date.”
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Berlinale 2017: Protest for Arrested Director Oleg Sentsov
Agnieszka Holland, Volker Schlöndorff, the European Film Academy, and Amnesty International staged a protest against the incarceration of the Ukrainian director Oleg Sentsov at a Berlin International Film Festival screening of THE TRIAL – THE STATE OF RUSSIA VS. OLEG SENTSOV by Askold Kurov,
Presented by the Berlinale and the European film Academy as part of the Berlinale Special section, the Berlinale premiere had filmmakers team up with with the 650 spectators holding up signs demanding the release of the director.
Moderated by EFA Deputy Chairman Mike Downey, the discussion saw director Askold Kurov point out: “The story of making this film is a story of solidarity,” adding his hope that the film makes Oleg less of an abstract person. While the filmmaker’s cousin had no optimistic news to report, his lawyer Dmitrii Dinze stated that if an international campaign continues, “it will push the legal regime in Russia.” To much applause, EFA Chairwoman Agnieszka Holland said: “Oleg needs us but we also need Oleg. His courage is very relevant in times like these, maybe more so than two years ago!”
In May 2014, the Ukrainian filmmaker Oleg Sentsov, who was involved in supporting the Euro Maidan protests in Kiev and who has opposed the annexation of Crimea by Russia, was arrested by the Federal Security Service of the Russian Federation (FSB) in his house in Simferopol (Crimea). Eventually, at the end of what Amnesty International describes as “an unfair trial in a military court”, Oleg Sentsov was sentenced to 20 years in jail for having committed “crimes of a terrorist nature”. In his documentary Askold Kurov investigates the truth behind this political show trial. He was joined in a conversation after the screening by EFA Chairwoman Agnieszka Holland, Oleg Sentsov’s cousin Natalya Kaplan and his lawyer Dmitrii Dinze.
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2017 Santa Barbara International Film Festival Awards: MY HERO BROTHER Wins Audience Award and Best Documentary
[caption id="attachment_20554" align="aligncenter" width="1200"]
My Hero Brother[/caption]
The Santa Barbara International Film Festival announced the 2017 winners -MY HERO BROTHER won both the The Audience Choice Award and Best Documentary Award. The documentary follows a group of young people with Down syndrome as they embark on a demanding trip through the Himalayas, accompanied by their “normal” brothers and sisters.
The Nueva Vision Award for Spanish / Latin American Cinema went to Elia Schneider’s TAMARA, chosen by jury members for being so bold and straightforward with such an important and relevant issue as transitioning genders, and for electrifying filmmaking with powerful and emotional performances.
Paul Shoulberg’s THE GOOD CATHOLIC took home the Panavision Spirit Award for Independent Cinema. Jury members Joanna Kerns and Richard Harris commented that “”Every once in awhile you get the privilege to watch a film that pulls you in emotionally from the opening moment, THE GOOD CATHOLIC is that movie. Economically written, flawlessly directed, cast and performed, this intimate film about a young priest’s crisis of faith after meeting a woman in confessional, takes you on that journey.”
The Social Justice Award for Documentary Film went to ANGRY INUK, directed by Althea Arnaquq-Baril. Jury members chose the controversial film for its deep dive into the central role of seal hunting in the lives of the Inuit, and the negative impact that international campaigns against the seal hunt have had on them.
Jury members chose THE CONSTITUTION as the recipient of the Jeffrey C. Barbakow Award for Best International Film. Jury members praised the performances of the actors and applauded the film as a richly conceived and ambitious look at multiple characters that live in the same building but avoid each other because of their differences in assets, sexual habits, nationality, and religion.
The ADL Stand Up Award went to Wiktor Ericsson’s STRAWBERRY DAYS. The purpose of the ADL Stand Up Award is to recognize and celebrate the impact that storytelling can have in fostering mutual understanding and respect. “Strawberry Days” was chosen for its brave portrayal of the exploitation of foreign workers, and its depiction of the touching bond that forms between a 15-year-old worker and The Farmer’s daughter.
The Valhalla Award for Best Nordic Film was awarded to SÁMI BLOOD, directed by Amanda Kernell. The film was selected for its powerful and vivid representation of racism in the 1930s and compelling story of a 14-year-old girl determined to leave her life behind.
Winners of the 2017 Santa Barbara International Film Festival
Audience Choice Award MY HERO BROTHER Directed by Yonatan Nir Best Documentary Award MY HERO BROTHER Directed by Yonatan Nir Jeffrey C. Barbakow Award – Best International Feature Film THE CONSTITUTION Directed by Rajko Grlić Panavision Spirit Award for Independent Cinema THE GOOD CATHOLIC Directed by Paul Shoulberg Nueva Vision Award for Spain/Latin America Cinema TAMARA Directed by Elia K. Schneider Social Justice Award for Documentary Film ANGRY INUK Directed by Althea Arnaquq-Baril ADL Stand Up Award STRAWBERRY DAYS Directed by Wiktor Ericsson Valhalla Award for Best Nordic Film SÁMI BLOOD Directed by Amanda Kernell Best Documentary Short Film Award REFUGE Directed by Matthew K. Firpo Best Documentary Short Film Award REFUGEE Directed by Joyce Chen and Emily Moore Bruce Corwin Award – Best Live Action Short Film IT’S BEEN LIKE A YEAR Directed by Cameron Fay Bruce Corwin Award – Best Animated Short Film CONFINO Directed by Nico Bonomolo
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Sarasota Film Festival Unveils 2017 Artwork Designed by Tyler Mathis
The Sarasota Film Festival unveiled its 2017 artwork created by Tyler Mathis, a Motion Design student at Ringling College of Art and Design.
This is the second consecutive year the Sarasota Film Festival and the Ringling College of Art and Design have partnered together to develop the concept and design to help market and brand the upcoming festival. This is the first time three different posters will be used to market the festival, each one donning the slogan in a multidimensional- play on words, “See and Be Seen”, “Sea and Be Seen” and “See and be Scene”.
The three images selected will be featured on SFF banners throughout Main Street in Sarasota starting February 15th. They will also be seen on all major festival materials such as mailings, play bills, and sponsorship ads.
“This year’s artwork not only represents the festival but the entire community of Sarasota,” said Mark Famiglio, President of the Sarasota Film Festival. “The slogan this year “See and Be Scene” invites our audience to attend the festival and participate in our community. Collaborating with the Ringling College of Art and Design has proven once again that a community can create beautiful work by working together.”
“We greatly value our relationship with Sarasota Film Festival, as it presents incredible opportunities for our students—both through our Collaboratory and our rising Film program,” says Dr. Larry R. Thompson, President of Ringling College of Art and Design. “We view the SFF as a vital partner in further developing our creative region as a hub for emerging and established filmmakers, and we celebrate the opportunity for our students at Ringling to create artwork that supports our shared initiatives—always keeping creativity right at the center.”
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Berlinale 2017: Sony Pictures Classics Acquires Spanish Trans Drama A FANTASTIC WOMAN
[caption id="attachment_20524" align="aligncenter" width="1200"]
A Fantastic Woman (Una Mujer Fantástica)[/caption]
Chilean filmmaker Sebastian Lelio’s trans drama A Fantastic Woman (“Una Mujer Fantástica”) has been acquired by Sony Pictures Classics for release in North America, Australia and New Zealand. The film starring Daniela Vega and Francisco Reyes, will have its world premiere at the 2017 Berlin International Film Festival.
Daniela Vega plays Marina, a waitress and singer, and Francisco Reyes plays Orlando, an older man, who is in love with Marina, and planning for the future. After Orlando suddenly falls ill and dies, Marina is forced to confront his family and society.
Marina and Orlando are in love and plan to spend their lives together. She is working as a waitress and adores singing. Her lover, twenty years her senior, has left his family for her. One night, when they return home after having exuberantly celebrated Marina’s birthday at a restaurant, Orlando suddenly turns deathly pale and stops responding. At the hospital, all the doctors can do is confirm his death. Events follow thick and fast: Marina finds herself facing a female police inspector’s unpleasant questions, and Orlando’s family shows her nothing but anger and mistrust. Orlando’s wife excludes Marina from the funeral; she also orders her to leave the apartment – which on paper at least belonged to Orlando – as soon as possible. Marina is a transgender woman. The deceased’s family feels threatened by her sexual identity. With the same energy she once used to fight for her right to live as a woman Marina, with head held high, now insists on her right to grieve. Even if her environment conspires against her, the film at least is entirely on her side, showing us a protagonist who, although increasingly side-lined, is nonetheless strong and worldly-wise – a truly fantastic woman.
“I’m thrilled Sony Pictures Classics will be releasing ‘A Fantastic Woman,’ and am excited by their passion for Marina’s story,” Lelio said in a statement. “The story is one of great human strength, which I hope will invite and challenge audiences to explore the limits of their own empathy. For me, Marina is an inspiration.”
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58 Films on Lineup for 2017 Boulder International Film Festival
[caption id="attachment_20521" align="aligncenter" width="1200"]
Rumble: The Indians Who Rocked the World[/caption]
The 13th Boulder International Film Festival (BIFF) announced its program, which includes 58 films from around the world and three Sundance Film Festival award-winning films. This year, the festival will screen four films nominated for a 2017 Oscar. The Festival takes place from March 2-5, 2017.
“We are so excited about this year’s program,” said Robin Beeck, Festival Executive Director. “This is a stellar lineup with award-winning films from the world’s greatest directors and from fresh, new filmmakers just hitting the scene. We’re thrilled to be able to present a feast of the best films today.”
The festival kicks off on Thursday, March 2nd with an Opening Night Red Carpet Gala and screening of Their Finest, a rousing romantic comedy about a female screenwriter during World War II. The film stars Gemma Arterton, Sam Clatlin and Bill Nighy.
Fresh from winning the Audience Award: U.S. Documentary at Sundance 2017, the closing night film, Chasing Coral follows a team of divers, photographers and scientists on a thrilling ocean adventure to discover why coral reefs are vanishing around the world. Directed by Jeff Orlowski.
New this year is the VR Pavilion displaying Virtual Reality, an entirely new film language.
Film highlights include Rumble: The Indians Who Rocked the World, Maurizio Cattelan: Be Right Back and Dean.
Rumble: The Indians Who Rocked the World
Jimi Hendrix was proud of his Cherokee grandmother, and Mohawk guitarist Robbie Robertson (The Band) remembers being told in the ‘50s when he started out in rock ‘n’ roll: “Be proud you’re an Indian, but don’t tell anybody.” Rumble is about the role of Native Americans in popular music history, a missing chapter. Winner at Sundance 2017. Directed by Catherine Bainbridge.
Maurizio Cattelan: Be Right Back
Italian sculptor Maurizio Cattelan has become a superstar in the art world, with a major retrospective at the Guggenheim Museum. His sculptures—for example, an oversized Pinocchio floating face down in a pool—sell for millions of dollars. In this funny, mind-bending and visually beautiful film, Boulder director Maura Axelrod tries to find the “real” Cattelan, a task that is complicated by the fact that the artist is elusive, to say the least.
Dean
Writer/director/comedian Demetri Martin stars alongside Academy Award winner Kevin Kline in this comedic and heartfelt tale about a father and son coming to terms with love, loss and everything in between. Both father and son set out on their own paths, as unexpected circumstances and potential new love interests threaten to thwart all plans. A CBS Films release. Directed and written by Demetri Martin
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Hamptons International Film Festival to Celebrate its 25th anniversary with ’25 Years: 25 Films’
[caption id="attachment_20518" align="aligncenter" width="1200"]
THE PIANO[/caption]
The Hamptons International Film Festival (HIFF) will celebrate its 25th anniversary with 25 Years: 25 Films, screening one film from each year of the festival. 24 screenings throughout The Hamptons, Palm Beach, New York City, and Los Angeles will lead up to one final screening and Lifetime Achievement Award presentation before the annual October Festival. The 25 Years: 25 Films series will kick off on February 17th at Guild Hall in East Hampton with THE PIANO from HIFF 1993, and then head to Palm Beach on February 23rd for BLACK SWAN from HIFF 2010.
The films in the 25 Years: 25 Films series have all previously screened with HIFF. These include Oscar®-winning films such as the aforementioned THE PIANO and BLACK SWAN, SLUMDOG MILLIONAIRE, STILL ALICE, THE ARTIST, THE COVE, SEARCHING FOR SUGARMAN, Oscar®-nominated films such as THE DIVING BELL AND THE BUTTERFLY, EMBRACE OF THE SERPENT, I AM NOT YOUR NEGRO, and other critically acclaimed films such as OPEN WATER and HEAVENLY CREATURES.
“The festival has seen 25 years of unforgettable films from both first-time directors, as well as recognized masters,” said HIFF Artistic Director David Nugent. “To look back on the works that made the festival so enticing is to recognize a quarter-century of incredible cinema.”
The 25th Hamptons International Film Festival will take place over Columbus Day Weekend: October 5 – 9, 2017
Full list of films below:
WINTER
1993 | The Piano – The Hamptons
2010 | Black Swan – Palm Beach – Presented by The Norton Museum of Art and The Breakers Palm Beach
2016 | I Am Not Your Negro – The Hamptons
1997 | Winter Guest – The Hamptons
1996 | Gray’s Anatomy – The Hamptons
SPRING
1998 | The Life and Times of Hank Greenberg – The Hamptons
1994 | Heavenly Creatures – NYC
1999 | Judy Berlin – The Hamptons
2002 | Nowhere in Africa – The Hamptons
2004 | Kinsey – The Hamptons
2001 | No Man’s Land – The Hamptons
2014 | Still Alice – The Hamptons
1995 | Last Summer in the Hamptons – The Hamptons
SUMMER
2012 | Searching for Sugarman – NYC
2013 | 20 Feet from Stardom – LA
2009 | The Cove – The Hamptons
2015 | Embrace of the Serpent – The Hamptons
2007 | The Diving Bell and the Butterfly – NYC
2008 | Slumdog Millionaire – The Hamptons
2005 | Boynton Beach Club – The Hamptons
2006 | The Fountain – The Hamptons
2003 | Open Water – The Hamptons
2011 | The Artist – The Hamptons
2000 | Pollock – The Hamptons
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AGAINST THE LAW, Factual Drama on Decriminalization of Homosexuality in England, to Open London LGBT Film Festival
[caption id="attachment_20515" align="aligncenter" width="1000"]
AGAINST THE LAW[/caption]
The world premiere of AGAINST THE LAW, a powerful and timely factual new British drama, directed by Fergus O’Brien and starring Daniel Mays, will open the 31st edition of BFI Flare: London LGBT Film Festival. The cast also features Mark Gatiss, Richard Gadd and Charlie Creed-Miles.
2017 sees the 50th anniversary of the 1967 Sexual Offences Act which decriminalized homosexual acts in England and Wales between adult males, in private. While it would take several decades before homosexuals would reach anything like full equality in this country, this legislation marks the beginning of this journey.
AGAINST THE LAW is a timely and sensitive biopic based on Peter Wildeblood’s bestseller which tells the story of his affair with a handsome serviceman he met in Piccadilly and the devastating consequences of their relationship. Wildeblood had been a celebrated and wellconnected journalist on the Daily Express, with a range of acquaintances that included Lord Montagu of Beaulieu. He is played by Daniel Mays, in a beautifully nuanced performance that charts his journey from Fleet Street via public vilification to his imprisonment under the same legislation that sent Oscar Wilde to Reading Gaol. Mark Gatiss gives a chilling performance as a prison doctor charged with administering therapeutic measures to homosexuals acquiescing to the idea that they can be ‘changed’.
The importance of Peter Wildeblood’s case (jointly brought against him, Lord Montagu and Michael Pitt-Rivers) is that it brought the debate about homosexuality into the public domain. It led the way to the creation of the Wolfenden Committee on sexual law reform that eventually resulted in the passing of the 1967 Sexual Offences Act, which changed the lives of thousands of gay men with its partial decriminalization of homosexual acts. This film offers a profoundly moving portrait of what it meant to be gay in the 1950s, underlining the importance of understanding our recent history
Director Fergus O’Brien said: “Making this film for the BBC not only allowed us to tell a powerful and important story in the evolution of LGBT rights in this country but also to capture for posterity the voices of some of the men who lived through these dark days in gay history. Their story, and the story of Peter Wildeblood, are timely reminders of the difficult journey it took to arrive at the rights enjoyed by gay people today and why it’s so important that we safeguard them. I’m delighted and honored that the film will be the Opening Night of BFI Flare“.
The 31st edition of BFI Flare: London LGBT Film Festival will take place March 16th to 26th, 2017 at BFI Southbank.
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DISGRACED, Documentary on Basketball Star Patrick Dennehy to World Premiere at SXSW 2017
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DISGRACED – Former Baylor basketball coach Dave Bliss. | Credit: M. Andrew Barrera[/caption]
The documentary DISGRACED, which recounts the shocking murder of Baylor University men’s basketball star Patrick Dennehy as well as an attempted cover-up of NCAA rule violations, will world premiere at the 2017 SXSW Film Festival, followed by its debut on SHOWTIME on March 31.
DISGRACED examines the tragic events surrounding the 2003 murder of Dennehy, to which fellow teammate and friend Carlton Dotson pled guilty in the only known instance in the history of the NCAA where one student-athlete was convicted of murdering another. Through first-hand accounts from students, investigators, family and friends, DISGRACED calls into question the plea and conviction of Dotson.
The film also includes exclusive and revealing interviews with former head coach Dave Bliss, who directly addresses the attempted cover-up and secretly recorded statements he made in 2003 that implicated him in NCAA rule violations. The violations, revealed in part by whistle blower and then assistant coach Abar Rouse, ultimately led to Bliss’ resignation and a partial ban on NCAA play for the Baylor Bears basketball team.
“This is a complex story, told through powerful first-person accounts, about both a senseless murder and an attempted cover-up of NCAA rule violations that still reverberate within Baylor University and collegiate athletics to this day,” said Stephen Espinoza, Executive Vice President and General Manager, SHOWTIME Sports. “DISGRACED is yet another provocative, compelling and culturally relevant documentary delivered with the inside perspective that has become the hallmark of unscripted programming from SHOWTIME Sports.”
Recruited by Coach Bliss, Dennehy was a standout player with a bright future until the 6-foot-10 forward went missing under a set of bizarre circumstances. The murder and then the attempted cover-up of improper payments to players rocked the Baptist university in Waco, Texas. Ultimately, Dotson pled guilty and the university and Bliss were cited for multiple NCAA rule violations. Bliss essentially was ousted from NCAA basketball for 10 years.
In contemplating his involvement in the attempted cover-up, his 2003 resignation and his religious faith, Bliss said, “A question that a man always has to ask himself when he goes through something like I went through, are you in a better spot than you were before? Was it worth it? And the answer to me is yes.”
Bliss recently returned to coaching at Southwestern Christian University in Oklahoma competing in the National Association of Intercollegiate Athletics (NAIA).