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  • Natasha Kermani’s IMITATION GIRL, Starring Lauren Ashley Carter to World Premiere at Cinequest Film Festival | VIDEO

    [caption id="attachment_21019" align="aligncenter" width="1200"]IMITATION GIRL IMITATION GIRL[/caption] Iranian-American filmmaker Natasha Kermani’s film IMITATION GIRL, featuring indie horror actress Lauren Ashley Carter (DARLING, POD), will celebrate its world premiere at the Cinequest Film & VR Festival 2017. A mysterious being appears in the Southwestern desert and assumes the identity of the first person she sees – a woman on a magazine cover. Taken in by Iranian immigrants, she forms an understanding of her new surroundings, and comes to appreciate the beauty and the sadness of her new world. At the same time, Julianna, Imitation’s world-weary earthly double, knows both glitz and grit working as an entertainer in New York City, where her fraying life and relationships threaten her dreams for an audition that might finally set her on a happier path. On learning of Juliana’s existence, Imitation heads to New York, where only by sacrificing themselves to each other can the cosmic twins complete a full portrait of a woman.
    IMITATION GIRL is Brooklyn-based Kermani’s first feature film and is a co-production between Illium Pictures and Cup of Joe Film.  The film will World Premiere Saturday, March 4th at 7:30 PM at Cinequest in San Jose, California. The film will have repeat screenings Sun, March 5 at 4:05 PM, Tue, March 7 at 1:00 PM, Sat, March 11 at 6:30 PM and Sun, March 12 10:30 AM. [gallery type="rectangular" size="medium" ids="21017,21018,21019,21020"]

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  • LIFE Starring Jake Gyllenhaal, Ryan Reynolds to Close 2017 SXSW Film Festival

    [caption id="attachment_21010" align="aligncenter" width="1200"]Life directed by Daniel Espinosa Life directed by Daniel Espinosa[/caption] The World Premiere of Life directed by Daniel Espinosa has been selected as the Closing Night Film of the South by Southwest (SXSW) Conference and Festivals.  Life is a terrifying sci-fi thriller about a team of scientists aboard the International Space Station whose mission of discovery turns to one of primal fear when they find a rapidly evolving life form that caused extinction on Mars, and now threatens the crew and all life on Earth. The SXSW will take place March 10 to 19, 2017, with the closing night film screening on Saturday March 18, 2017 at the Zach Theatre. “We are thrilled to close out the 2017 SXSW Film Festival with such a special film as Life,” said Janet Pierson, Director of Film. “Our audiences will love this taut space thriller’s twists and turns as well as its amazing cast.” “I’m so honored that Life has been chosen as the closing film at South by Southwest,” added Daniel Espinosa. “The people that flock to Austin each year are some of the most engaged and passionate fans of film out there and are the perfect audience to introduce our visceral sci-fi thriller. I hope that, with Life, we find new ways to entertain them, terrify them, and thrill them.” Life features an ensemble cast of Jake Gyllenhaal, Rebecca Ferguson, Ryan Reynolds, Hiroyuki Sanada, Ariyon Bakare, Olga Dihovichnaya. The film is directed by Daniel Espinosa, written by Rhett Reese & Paul Wernick and produced by David Ellison, Dana Goldberg, Bonnie Curtis, and Julie Lynn. Columbia Pictures and Skydance will release the film on March 24, 2017. SXSW also announced several titles titles set to screen at the 2017 event, including world premieres Atomic Blonde directed by David Leitch and featuring an ensemble cast including Charlize Theron, James McAvoy and John Goodman, and Parker Smith’s Ramblin’ Freak. Another addition includes a celebratory 10th Anniversary screening of Gary Hustwit’s Helvetica, plus VR projects Miyubi and The People’s House by Félix Lajeunesse and Paul Raphaël. Late titles added to the 2017 SXSW Film Festival:

    HEADLINERS

    Big names, big talent: Headliners bring star power to SXSW, featuring red carpet premieres and gala film events with major and rising names in cinema. Atomic Blonde Director: David Leitch, Screenwriter: Kurt Johnstad, Based on the Oni Press graphic novel series by Antony Johnston Oscar® winner Charlize Theron explodes into summer in Atomic Blonde, a breakneck action-thriller that follows MI6’s most lethal assassin through a ticking time bomb of a city simmering with revolution and double-crossing hives of traitors. Cast List: Charlize Theron, James McAvoy, John Goodman, Til Schweiger, Eddie Marsan, Sofia Boutella and Toby Jones (World Premiere) Life (UK) Director: Daniel Espinosa, Screenwriters: Rhett Reese, Paul Wernick Life is a terrifying sci-fi thriller about a team of scientists aboard the International Space Station whose mission of discovery turns to one of primal fear when they find a rapidly evolving life form that caused extinction on Mars, and now threatens the crew and all life on Earth. Cast List: Jake Gyllenhaal, Rebecca Ferguson, Ryan Reynolds, Hiroyuki Sanada, Ariyon Bakare, Olga Dihovichnaya (World Premiere)

    VISIONS

    Visions filmmakers are audacious, risk-taking artists in the new cinema landscape who demonstrate raw innovation and creativity in documentary and narrative filmmaking. Ramblin’ Freak Director: Parker Smith In the wake of a devastating personal tragedy, a struggling would-be filmmaker finds a revealing home video in an old camcorder purchased on eBay and takes off with his cat on a cross-country road trip to find its owner: “The Man Whose Arms Exploded” Cast: Parker Smith, Gregg Valentino (World Premiere)

    VIRTUAL REALITY

    Virtual reality and augmented reality technologies are finding new ways to enhance our ability to perceive the world that surrounds us, and in many instances they are redefining how we experience the world. The 38 projects presented in our new Virtual Cinema emphasize storytelling, ingenuity and also showcase how other industries are embracing this new medium. Miyubi Directors: Félix Lajeunesse, Paul Raphaël Love in the age of obsolescence. The People’s House Directors: Félix Lajeunesse, Paul Raphaël An intimate tour of the White House that gives the viewer extraordinary access to explore the iconic institution’s profound history – from the past eight years of the Obama administration to defining events of the last two centuries.

    SPECIAL EVENTS

    Live soundtracks, cult re-issues and much more. Our Special Events section offers unusual, unexpected and unique one-off film events. Helvetica: 10th Anniversary Screening Director: Gary Hustwit The pioneering design documentary Helvetica premiered at SXSW in 2007, and kickstarted a wave of dozens of design films that have been released since. Join director Gary Hustwit for this special 10th Anniversary screening of Helvetica.

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  • SOME FREAKS, FIRST LADY OF THE REVOLUTION Among 2017 Oxford Film Festival Winners

    [caption id="attachment_16212" align="aligncenter" width="1200"]SOME FREAKS SOME FREAKS[/caption] The 2017 Oxford Film Festival celebrated the best of the fest, handing out Hoka awards for Ian MacAllister-McDonald’s SOME FREAKS for Best Narrative Feature, Andrea Kalin’s FIRST LADY OF THE REVOLUTION for Best Documentary Feature, Julie Sokolow’s WOMAN ON FIRE for Best LGBTQ Feature, and the presentation of the Lisa Blount Memorial Acting Award to Victoria Negri for her performance in GOLD STAR. There was a rare tie for the Audience Award honors with Raoul Peck’s I AM NOT YOUR NEGRO and Sally Sussman’s MIDNIGHT RETURN: THE STORY OF BILLY HAYES AND TURKEY sharing the award. Oxford Film Festival Executive Director Melanie Addington said, “For the past two years, the Oxford Film Festival has enjoyed larger audiences to go along with the increased number of films we have accepted and presented. There is a lot of satisfaction to see that, as this film festival continues to grow and adapt with our increased base of enthusiastic film fans and the local film community, that the ambition and quality of the films we present somehow continues to trend upward as well.”

    2017 OXFORD FF AWARD-WINNING FILMS

    SOME FREAKS – BEST NARRATIVE FEATURE Director: Ian MacAllister-McDonald Country: United States, Running Time: 95min When one-eyed high school senior Matt meets 250 lb. Jill, he falls more in love than he ever thought possible. However, when graduation comes and Jill moves cross-country to go to college, she then loses over 50 lbs. – much to Matt’s surprise when he arrives to visit her. While Matt struggles to accept Jill’s new body, Jill begins to question whether Matt is really the man she wants to date. As the distance widens between them, the characters are propelled onto a collision course with brutality and loss, forcing them to confront who they are, who they were, and who everyone thinks they’re supposed to be. FIRST LADY OF THE REVOLUTION – BEST DOCUMENTARY FEATURE Director: Andrea Kalin Countries: Costa Rica, United States, Running Time: 67min While visiting an aunt and uncle in the exotic countryside of Costa Rica, a young Southern belle from Alabama accepts a ride on the back of a motorcycle belonging to a charismatic local farmer—a ride that would propel her down narrow mountain roads and into history. DON’T COME AROUND HERE – BEST MISSISSIPPI FEATURE Director: Navid Sanati Country: United States, Running Time: 95min When he learns that his father may not have much longer to live, Chuck goes back to the home he ran away from. There he must come to terms with his troubled brother Lenny, his own fears, and a secret he has been hiding for years. SHAKE ‘EM ON DOWN – BEST MUSIC DOCUMENTARY Director: Joe York Country: United States, Running Time: 57min SHAKE ‘EM ON DOWN tells the story of Mississippi Fred McDowell, the godfather of the North Mississippi style of blues. WOMAN ON FIRE – BEST LGBTQ FILM Director: Julie Sokolow Country: United States, Running Time: 95min As a third-generation firefighter, Brooke Guinan has a passion for heroism that runs in her blood. But when Brooke transitions from male to female in her father’s workplace, it poses not only a challenge to a macho profession, but also to the customs of the people she cares about the most – her traditional family. GOODBYE NEENAW – BEST NARRATIVE SHORT Director: Donald Ian Black Country: United States, Running Time: 5:59min David and Jennifer are a brother and sister dealing with the recent and sudden loss of their grandmother who raised them from a young age in the absence of their parents. They are traveling deep into the California mountains to scatter Neenaw’s ashes when a mishap occurs. ON SUNDAY – SPECIAL JURY PRIZE – NARRATIVE SHORT Director: David Lea Country: United Kingdom, Running Time: 6:30min An old man and his dog make their routine walk to the isolated cliff tops of deepest Cornwall…but this time they’re not alone. REFUGE – BEST DOCUMENTARY SHORT Director: Matthew Firpo Country: Greece, Running Time: 20min REFUGE is a chronicle of human stories from the European Refugee Crisis, focused on humanity and hope. THROUGH THE WALL – SPECIAL JURY PRIZE – DOCUMENTARY SHORT Director: Tim Nackashi Country: United States, Running Time: 6:20min A short documentary about a family divided by the US/Mexico border. OTHA TURNER – BEST MISSISSIPPI SHORT FILM Director: Ava Lowrey Country: United States, Running Time: 6:02min In the late 1950’s, fife and drum legend Otha Turner began hosting annual Labor Day picnics at his property in Gravel Springs, Mississippi. This short documentary film digs into the archives to take us back in time to Labor Day 1978. PRISMA – SPECIAL JURY PRIZE – MISSISSIPPI SHORT FILM Director: Coop Cooper Country: United States, Running Time: 9:13min A corporate promotional VHS tape from 1984 conceals a hidden signal which is said to grant increased health, longevity and psychic powers to those who watch it. View at your own risk. BROKEN PATHS – BEST MISSISSIPPI MUSIC VIDEO Director: J.B Lawrence Country: United States, Running Time: 4:44min Debut music video filmed in Brandon, Miss. Created by Stace and Cassie and J. B. Lawrence. LESS HELL, MORE ANGEL – REEL SOUTH AWARD Director: Christian D’Andrea Country: United States, Running Time: 11:20min In Mississippi, I came across black and white biker clubs doing something surprising… hugging. And blessing each other. I, PHILLIP – BEST VIRTUAL REALITY (VR) Director: Pierre Zandrowicz Country: France, Running Time: 14min In early 2005, David Hanson is developing his first android human. His name is Phil and it is simply the copy of the famous science fiction author Philip K. Dick. THE TRADER – BEST EXPERIMENTAL FILM Directors: Manuel Alvarez Diestro, Sergio Belinchon Country: Spain, Running Time: 12:06min A successful stock trader decides to start a journey far from the trading floor. PACO – BEST NEW MEDIA Director: Catalina Jordan Alvarez Country: United States, Running Time: 12:10min He wants you to bounce on his lap. GUNNER JACKSON – SPECIAL JURY AWARD FOR ACTING – NEW MEDIA Christian Strevy Director: Christian Strevy Country: United States, Running Time: 8:52min My name is Jason Gunner Jackson, and I know without a doubt that I am a target of a multi-agency program that intends to surveil, track, and document my life. THE FOX AND THE WHALE – BEST ANIMATION Director: Robin Joseph Country: Canada, Running Time: 12:03min The tale of a curious fox who goes in search of an elusive whale. A journey of pursuit, longing and discovery. A LITTLE LOVE GOES A LONG CLAY – SPECIAL JURY AWARD FOR CONCEPT – ANIMATION Director: Juliet Buckholdt Country: United States (Mississippi), Running Time: 3:20min This video was made as a school project about stopping social media bullying. Victoria Negri (GOLD STAR) – Lisa Blount Memorial Acting Award Erin Heidenreich (GIRL UNBOUND) – Alice Guy-Blaché Female Filmmaker award Juliet Buckholdt (A LITTLE LOVE GOES A LONG CLAY) – Pat Rasberry Emerging Mississippi Filmmaker Award BREAKFAST – BEST EDITING Director: Tyler Byrnes Country: United States, Running Time: 9:44min When a young man suffering from anorexia is pressured to eat breakfast by his boyfriend, the couple are thrust into another world where their anxieties and frustrations are made horrifyingly real. I AM NOT YOUR NEGRO – AUDIENCE AWARD WINNER (TIE) Director: Raoul Peck Countries: United States, France, Running Time: 95min Writer James Baldwin tells the story of race in modern America with his unfinished novel, Remember This House. MIDNIGHT RETURN: THE STORY OF BILLY HAYES AND TURKEY – AUDIENCE AWARD WINNER (TIE) Director: Sally Sussman Country: United States, Running Time: 99min Documentary explores the emotional and political power of film, as seen through the lens of the blockbuster hit MIDNIGHT EXPRESS, a movie that turned the real Billy Hayes into an international celebrity and made him the enemy of Turkey. Join Hayes on a daring journey back to Turkey as he faces the country still haunted by MIDNIGHT EXPRESS.

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  • THE PREACHER’S SON to Open, EVERYTHING BUT A MAN to Close 2017 Hollywood Black Film Festival

    [caption id="attachment_20711" align="aligncenter" width="1200"]EVERYTHING BUT A MAN - Nnegest Likke EVERYTHING BUT A MAN[/caption] The 2017 Hollywood Black Film Festival (HBFF) will open on Wednesday February 22 with the feature film “The Preacher’s Son” and close on Saturday February 25 with “Everything But A Man.” The HBFF will feature an exciting line up of 100 films, along with panels, panelists and festivities over a four-day period.  HBFF happens February 22 to 26, 2017 and will be hosted at Hotel MdR, 13480 Maxella Ave, Marina Del Rey, CA 90292.  Known as one of the leading Black film festivals in the world, the Hollywood Black Film Festival (HBFF) is now in its fourteenth year, the upcoming edition of Hollywood Black Film Festival’s theme is “Festival at the Beach”. OPENING NIGHT THE PREACHER’S SON Director: Trey Haley Writer: Carl Weber Stars: Christian Keyes, Clifton Powell, Valarie Pettiford, Vanessa Bell Calloway and MORE… Based on the characters from New York Times bestselling author Carl Weber’s novel The Preacher’s Son. Bishop T.K. Wilson, his wife & two children are a well-respected family in their community — yet the Wilson kids are fighting temptations, and the bishop’s son, Dante, has plans that don’t include taking over his father’s church. Tri-Destined Studios
    CLOSING NIGHT EVERYTHING BUT A MAN Writer/director: Nnegest Likke Stars: Monica Calhoun, Jimmy Jean-Louis and Camille Winbush and MORE… She’s sexy, smart, successful… and still single. “Everything But A Man” explores the paradox modern career women face, having to think and act like a man in the work world, but still be expected to behave like “a lady” in order to keep a man. The story follows a high achieving but secretly lonely lawyer who despite all her material success is a failure when it comes to love. Things heat up for her when she meets a handsome, mysterious man from another culture. But his radical lifestyle differences threaten to shake up her world and challenge her beliefs on love, relationships and what it means to be a “strong” woman. Race, class, gender and culture all clash in this unconventional romantic comedy-drama. N’Vision Pictures, Jet Media Productions, Bek Films & Sneak Preview Entertainment

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  • Berlinale 2017: Karam Ghossein’s STREET OF DEATH Wins Audi Short Film Award

    [caption id="attachment_20708" align="aligncenter" width="1200"]The Audi Short Film Award goes to Lebanese director Karam Ghossein – here with Jason Lusty, Head of Marketing Germany at AUDI AG The Audi Short Film Award goes to Lebanese director Karam Ghossein – here with Jason Lusty, Head of Marketing Germany at AUDI AG[/caption] Lebanese director Karam Ghossein has won the Audi Short Film Award, along with its €20,000 cash prize at the 2017 Berlin International Film Festival for his short film Street of Death. Director and cameraman Karam Ghossein creates a stream of images from the present combined with stories from the past, occurring like a kaleidoscope along the highway to the Beirut International Airport. In the 22-minute-long firm, struggles for power and respect remain as persistent points throughout the ages. The international short film jury for 2017 includes Christian Jankowski, an artist and Professor at the State Academy of Art and Design in Stuttgart; Kimberly Drew, Curator and Social Media Manager at the Metropolitan Museum of Art New York; and Carlos Núñez, Artistic Director of the SANFIC Santiago International Film Festival. A total of 23 films from 19 countries competed in the Berlinale Shorts section. Under the title “Reframing the Image,” curator Maike Mia Höhne assembled a series of films focused on recalibrating one’s own perception, offering the filmgoer a unique new perspective. “The short film is the hotbed of creativity for the film industry. This is where directors execute their visions and provide food for thought, sometimes experimentally, sometimes essayistically. This gives rise to new trends – and that’s what we want to support with the Audi Short Film Award,” says Jason Lusty, Head of Marketing Germany at AUDI AG, explaining Audi’s involvement. The Audi Short Film Award is presented in the Berlinale Shorts section alongside the Golden and Silver Bears, and is among the world’s most lucrative short film awards.

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  • Berlinale 2017: Complete List of Awards – ON BODY AND SOUL Wins Golden Bear

    [caption id="attachment_20704" align="aligncenter" width="1200"]Testről és lélekről On Body and Soul by Ildikó Enyedi On Body and Soul (Testről és lélekről) by Ildikó Enyedi[/caption] A slaughterhouse in Budapest is the setting of a strangely beautiful love story, the Hungarian film On Body and Soul by Ildikó Enyedi, crowned winner of the Golden Bear for Best Film at the 2017 Berlin International Film Festival.  The film also is the winner of the Berliner Morgenpost Readers’ Jury Award.

    THE AWARDS OF THE 67th BERLIN INTERNATIONAL FILM FESTIVAL

    PRIZES OF THE INTERNATIONAL JURY

    GOLDEN BEAR FOR BEST FILM (awarded to the film’s producer) Testről és lélekről On Body and Soul by Ildikó Enyedi SILVER BEAR GRAND JURY PRIZE Félicité by Alain Gomis SILVER BEAR ALFRED BAUER PRIZE for a feature film that opens new perspectives Pokot Spoor by Agnieszka Holland SILVER BEAR FOR BEST DIRECTOR Aki Kaurismäki for Toivon tuolla puolen (The Other Side of Hope/Die andere Seite der Hoffnung) SILVER BEAR FOR BEST ACTRESS Kim Minhee in Bamui haebyun-eoseo honja (On the Beach at Night Alone) by Hong Sangsoo SILVER BEAR FOR BEST ACTOR Georg Friedrich in Helle Nächte (Bright Nights) by Thomas Arslan SILVER BEAR FOR BEST SCREENPLAY Sebastián Lelio and Gonzalo Maza for Una mujer fantástica (A Fantastic Woman) by Sebastián Lelio SILVER BEAR FOR OUTSTANDING ARTISTIC CONTRIBUTION in the categories camera, editing, music score, costume or set design Dana Bunescu for the editing in Ana, mon amour by Călin Peter Netzer

    GWFF BEST FIRST FEATURE AWARD

    GWFF BEST FIRST FEATURE AWARD Estiu 1993 Summer 1993 Sommer 1993 by Carla Simón

    GLASHÜTTE ORIGINAL DOCUMENTARY AWARD

    GLASHÜTTE ORIGINAL DOCUMENTARY AWARD Istiyad Ashbah Ghost Hunting by Raed Andoni

    PRIZES OF THE INTERNATIONAL SHORT FILM JURY

    GOLDEN BEAR FOR BEST SHORT FILM Cidade Pequena Small Town Kleine Stadt by Diogo Costa Amarante SILVER BEAR JURY PRIZE (SHORT FILM) Ensueño en la Pradera Reverie in the Meadow Träumerei in der Prärie by Esteban Arrangoiz Julien AUDI SHORT FILM AWARD Street of Death by Karam Ghossein SPECIAL MENTION Centauro Centaur Zentaur by Nicolás Suárez BERLIN SHORT FILM NOMINEE FOR THE EUROPEAN FILM AWARDS Os Humores Artificiais The Artificial Humors Die Künstlichen Humore by Gabriel Abrantes

    PRIZES OF THE JURIES GENERATION

    Children’s Jury Generation Kplus CRYSTAL BEAR for the Best Film Piata loď Little Harbour Das fünfte Schiff by Iveta Grófová SPECIAL MENTION Amelie rennt Mountain Miracle — An Unexpected Friendship by Tobias Wiemann CRYSTAL BEAR for the Best Short Film Promise Versprechen by Xie Tian SPECIAL MENTION Hedgehog’s Home Das Haus des Igels by Eva Cvijanovic

    International Jury Generation Kplus

    THE GRAND PRIX OF THE GENERATION KPLUS INTERNATIONAL JURY for the best feature-length film Becoming Who I Was Werden wer ich war by Chang-Yong Moon and Jin Jeon tie Estiu 1993 Summer 1993 Sommer 1993 by Carla Simón THE SPECIAL PRIZE OF THE GENERATION KPLUS INTERNATIONAL JURY for the best short film Aaba Grandfather Großvater by Amar Kaushik SPECIAL MENTION Sabaku by Marlies van der Wel

    Youth Jury Generation 14plus

    CRYSTAL BEAR for the Best Film Butterfly Kisses by Rafael Kapelinski SPECIAL MENTION Ceux qui font les révolutions à moitié n’ont fait que se creuser un tombeau Those Who Make Revolution Halfway Only Dig Their Own Graves by Mathieu Denis and Simon Lavoie CRYSTAL BEAR for the Best Short Film Wolfe by Claire Randall SPECIAL MENTION SNIP by Terril Calder

    International Jury Generation 14plus

    THE GRAND PRIX OF THE GENERATION 14PLUS INTERNATIONAL JURY for the best feature-length film, Shkola nomer 3 School Number 3 by Yelizaveta Smith and Georg Genoux SPECIAL MENTION Ben Niao The Foolish Bird by Huang Ji and Ryuji Otsuka THE SPECIAL PRIZE OF THE GENERATION 14PLUS INTERNATIONAL JURY for the best short film, The Jungle Knows You Better Than You Do by Juanita Onzaga SPECIAL MENTION U Plavetnilo Into the Blue by Antoneta Alamat Kusijanović

    PRIZES OF INDEPENDENT JURIES

    PRIZES OF THE ECUMENICAL JURY Competition Testről és lélekről (On Body and Soul) by Ildikó Enyedi Special Mention: Una mujer fantástica (A Fantastic Woman) by Sebastián Lelio Panorama Tahqiq fel djenna (Investigating Paradise) by Merzak Allouache Special Mention: I Am Not Your Negro by Raoul Peck Forum Maman Colonelle (Mama Colonel) by Dieudo Hamadi Special Mention: El mar la mar by Joshua Bonnetta and J.P. Sniadecki PRIZES OF THE FIPRESCI JURY Competition: Testről és lélekről (On Body and Soul) by Ildikó Enyedi Panorama: Pendular by Julia Murat Forum: Shu’our akbar min el hob (A Feeling Greater Than Love) by Mary Jirmanus Saba GUILD FILM PRIZE The Party by Sally Potter CICAE ART CINEMA AWARD Panorama: Centaur by Aktan Arym Kubat Forum: Newton by Amit V Masurkar LABEL EUROPA CINEMAS Insyriated by Philippe Van Leeuw TEDDY AWARD Best Feature Film: Una mujer fantástica (A Fantastic Woman) by Sebastián Lelio Best Documentary/Essay Film: Ri Chang Dui Hua (Small Talk) by Hui-chen Huang Best Short Film: Min Homosyster (My Gay Sister/Meine Homoschwester) by Lia Hietala Special Jury Award: Karera ga Honki de Amu toki wa (Close-Knit) by Naoko Ogigami Special Teddy Award: Monika Treut CALIGARI FILM PRIZE El mar la mar by Joshua Bonnetta and J.P. Sniadecki PEACE FILM PRIZE El Pacto de Adriana (Adriana’s Pact) by Lissette Orozco AMNESTY INTERNATIONAL FILM PRIZE La libertad del diablo (Devil’s Freedom) by Everardo González (Berlinale Special) HEINER CAROW PRIZE Fünf Sterne (Five Stars) by Annekatrin Hendel

    READERS’ JURIES AND AUDIENCE AWARD

    PANORAMA AUDIENCE AWARD Fiction Film Insyriated by Philippe Van Leeuw PANORAMA AUDIENCE AWARD Documentary Film I Am Not Your Negro by Raoul Peck BERLINER MORGENPOST READERS’ JURY AWARD Testről és lélekről (On Body and Soul) by Ildikó Enyedi TAGESSPIEGEL READERS’ JURY AWARD Maman Colonelle (Mama Colonel) by Dieudo Hamadi HARVEY – MÄNNER READERS’ JURY AWARD God’s Own Country by Francis Lee

    DEVELOPMENT AWARDS

    COMPASS-PERSPEKTIVE-AWARD Die beste aller Welten (The Best Of All Worlds) by Adrian Goiginger Special Jury Prize: Final Stage by Nicolaas Schmidt KOMPAGNON-FELLOWSHIP System Crasher (Systemsprenger) by Nora Fingscheidt (Berlinale Talents 2017) Der grüne Wellensittich by Levin Peter and Elsa Kremser (Perspektive Deutsches Kino 2016) ARTE INTERNATIONAL PRIZE Lost Country by Vladimir Perišić (Serbia), produced by KinoElektron (France), MPM Film (France) and Trilema Films (Serbia) EURIMAGES CO-PRODUCTION DEVELOPMENT AWARD Razor Film Produktion (Germany) for The Wife of the Pilot (Director: Anne Zohra Berrached) VFF TALENT HIGHLIGHT AWARD Producer Nefes Polat (Turkey) for The Bus to Amerika (Director: Derya Durmaz)

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  • Berlinale 2017: Fest Announces Winners of Generation Kplus Awards

    [caption id="attachment_20700" align="aligncenter" width="1200"]Little Harbour (Piata loď ) Little Harbour (Piata loď )[/caption] The members of the Children’s Jury awarded Little Harbour (Piata loď ) by Iveta Grófová the winner of the Crystal Bear for the Best Film in Generation Kplus program at the 2017 Berlin International Film Festival.   The Grand Prix of the Generation Kplus International Jury for the Best Film award is a tie – the prize went to Becoming Who I Was by Chang-Yong Moon, Jin Jeon, of Republic Korea, and Summer 1993 (Estiu 1993) by Carla Simón of Spain.

    Children’s Jury in Generation Kplus awards:

    Crystal Bear for the Best Film: Little Harbour (Piata loď ) By Iveta Grófová, Slovak Republic / Czech Republic 2017 We selected a film that is creative and authentic. It’s about two children who create a little world of their own, rules. We found the story very moving and the actors are very believable too. Special Mention: Mountain Miracle – An Unexpected Friendship (Amelie rennt) By Tobias Wiemann, Germany / Italy 2017 With great wit and fast-paced dialogue, this film describes the development of an unlikely friendship between two fascinating characters. Crystal Bear for the Best Short Film: Promise By Xie Tian, USA 2016 Set in a breath-taking landscape, this film tells the moving story of a Chinese boy. The convincing performances and masterful cinematography lend the film great authenticity. Special Mention Short Film: Hedgehog’s Home By Eva Cvijanovic, Canada / Croatia 2016 The message of this tale, that a home of one’s own is very important, is beautifully conveyed by the creative use of felt animation. We were also impressed by the unusual verse form of the narrative in this stop-motion film.

    International Jury Generation Kplus Awards:

    The Grand Prix of the Generation Kplus International Jury for the Best Film, endowed with € 7,500 by the Deutsches Kinderhilfswerk (The Children’s Charity of Germany): tie Becoming Who I Was By Chang-Yong Moon, Jin Jeon, Republic Korea 2017 In this beautifully shot tale we learn in a wonderful bittersweet way how much a parent and a child can learn from each other. The filmmaker achieved the most difficult: making the audience laugh and cry many times. The film gave the jury confidence in humanity and if the values of the young hero of this story would be only reflected a little bit by its audience the world will become a better place. Summer 1993 (Estiu 1993) By Carla Simón, Spain 2017 In this remarkable film we learn through the eyes of a little girl how to cope with loss. The lesson that this incredible heroine learns and that moved us to tears is that no matter how much it hurts, it is the unconditional love of the people around you that will ease your pain. Besides the outstanding performance of the young main actress the jury was also very impressed by the beautiful cinematography and sensual mise-en-scène! The Special Prize of the Generation Kplus International Jury for the Best Short Film, endowed with € 2,500 by the Deutsches Kinderhilfswerk (The Children’s Charity of Germany): Grandfather (Aaba) By Amar Kaushik, India 2016 It tells a story of the circle of life in an elegiac and slow pace with a beautiful cinematography. Special Mention: Sabaku By Marlies van der Wel, The Netherlands 2016 This very short film tells with simple but very efficient use of extremely skilled artistic animation technique the story of a bird that goes around the world to find a new friend. The jury was blown away by its pace and incredible joy of the filmmaker to entertain her audience.

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  • Berlinale 2017: INSYRIATED and I AM NOT YOUR NEGRO Win Audience Awards

    [caption id="attachment_20697" align="aligncenter" width="1200"]Insyriated Insyriated[/caption] The audience at the 2017 Berlin International Film Festival has cast its votes, and the Panorama Audience Awards go to Insyriated by Philipp Van Leeuw for best fiction film and I Am Not Your Negro by Raoul Peck for best documentary. Insyriated is a tautly-constructed chamber drama about trying to live a normal life in a war zone. It is the second film starring Hiam Abbass that has won the Panorama Audience Award (she also played the lead in Eran Riklis’s Lemon Tree in 2008). [caption id="attachment_20591" align="aligncenter" width="1200"]I Am Not Your Negro I Am Not Your Negro[/caption] Raoul Peck’s filmic essay I Am Not Your Negro about James Baldwin and his three assassinated friends – civil rights activists Medgar Evers, Martin Luther King, and Malcolm X – has also been nominated for an Academy Award as  Best Documentary Feature. The Panorama Audience Award has been given since 1999. Since 2011, not only the best fiction film but also the best documentary film have received awards. During the festival, moviegoers are asked to rate the films shown in Panorama on voting cards after the screenings. In 2017 a total of 29,000 votes were cast and counted. This year Panorama presented 50 feature-length films from 43 countries, of which 21 screened in the Panorama Dokumente series. Panorama Audience Award Winner Fiction Film 2017 Insyriated Belgium / France / Lebanon 2017 By Philippe Van Leeuw 2nd place Panorama Audience Award Fiction Film 2017 Close-Knit (Karera ga Honki de Amu toki wa) Japan 2017 By Naoko Ogigami 3rd place Panorama Audience Award Fiction Film 2017 1945 Hungary 2017 By Ferenc Török Panorama Audience Award Winner Panorama Dokumente 2017 I Am Not Your Negro France / USA / Belgium / Switzerland 2016 By Raoul Peck 2nd place Panorama Audience Award Panorama Dokumente 2017 Chavela USA 2017 By Catherine Gund, Daresha Kyi 3rd place Panorama Audience Award Panorama Dokumente 2017 Ghost Hunting (Istiyad Ashbah) France / Palestine / Switzerland / Qatar  2017 By Raed Andoni

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  • Berlinale 2017: Kompagnon Fellowships Go to Nora Fingscheidt, Levin Peter and Elsa Kremser

    Berlinale 2017: Kompagnon Fellowships The Kompagnon Fellowships and stipends of EUR 5,000 were awarded for the first time at the 2017 Berlin International Film Festival to System Crasher (Systemsprenger) by Nora Fingscheidt, and Der grüne Wellensittich by Levin Peter and Elsa Kremser. With the Kompagnon Fellowships, Berlinale Talents and Perspektive Deutsches Kino have joined forces to support talented directors and screenwriters residing in Germany. The initiative does not, however, merely intend to further concrete film projects. In addition to strengthening the artists’ signatures, the mentoring program will provide the winners with professional coaching and a chance to network with the industry. The jury commented on Systemsprenger (System Crasher) by Nora Fingscheidt, “Nora Fingscheidt’s Systemsprenger (System Crasher) outlines the story of nine-year-old Benni, a problem child whose mother, unable to cope, hands her over to the authorities. But Benni proves resistant to all corrective measures – that is, until social worker Micha decides to risk establishing a personal relationship with the child and in doing so crosses a line. A disquieting, sensitive, and very well researched portrayal of our educational system and a poignant humanistic plea for those labelled difficult, non-conformist, or dysfunctional. Nora Fingscheidt refrains from providing answers, but instead lets the questions she has raised resound in space. Systemsprenger touched our hearts and lastingly affected our thinking.” In its statement on Der grüne Wellensittich by Levin Peter and Elsa Kremser, the jury commented, “Der grüne Wellensittich plays in Belarus and recounts the story of 34-year-old Mischa. At night he works as an autopsy assistant, during the day he paints corpses in oils. Mischa gets to know 17-year-old Anna, whose suicide attempt made it possible for them to meet in the first place. For both of them, loneliness has led to an obsession with death – yet out of this situation, authors Levin Peter and Elsa Kremser unleash the most beautiful forms of feeling alive: creativity and love. This fiction film treatment has realistic protagonists, in particular Mischa, who is supposed to play himself. Interweaving documentary principles and staged components, this experimental hybrid exploration promises to produce an extraordinary film in both form and content. This is all the more so because the authors never seem to judge or interpret – neither the people, nor the world in which they are trying to define themselves. Instead they observe and let spaces emerge that are driven by compelling images and characters, and not by authorial narrative intentions. When a radical trust in one’s material is stronger than all fears of rejection, then it becomes possible for unforgettable films with a heartbeat to evolve. Der grüne Wellensittich has this potential.”

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  • Berlinale 2017: Adrian Goiginger’s THE BEST OF ALL WORLDS Wins Compass Perspektive Award for Best Film

    [caption id="attachment_20689" align="aligncenter" width="1200"]The Best of All Worlds (Die Beste aller Welten) by Adrian Goiginger The Best of All Worlds (Die Beste aller Welten) by Adrian Goiginger[/caption] Awarded for the first time this year and endowed with EUR 5,000, The Best of All Worlds (Die Beste aller Welten) by Adrian Goiginger is the winner of the 2017 Compass Perspektive Award for Best Film at the Berlin International Film Festival. The jury members watched the 14 films in the Berlinale’s Perspektive Deutsches Kino section, and after debating passionately, they picked their favorite – The Best of All Worlds. The jury commented, “The film is the story of seven-year-old Adrian, who lives in 1990s Salzburg with a heroin-addicted, but loving mother and her friends. His life is like an adventure playground – until both child services and the brutal reality of drug addiction threaten to destroy his world.” Director Adrian Goiginger’s film is based on his own childhood and is a disturbingly realistic portrayal of the seemingly hopeless battle between maternal love and addiction. Goiginger leaves open to interpretation whether it is the drug itself, or society’s way of dealing with it, that presents a greater threat to the child protagonist. With his sensitive direction of a brilliant ensemble cast, the film is touching without becoming kitschy; the unpretentious cinematography gets under your skin without being voyeuristic. The jury also spontaneously awarded a “special jury prize” to Final Stage directed by Nicolaas Schmidt. The jury commented, “Final Stage by Nicolaas Schmidt is an experiment in essayistic montage set in an urban consumer space. It comprises three sequences – separation, pain and reunion. The film turns cinema into an interactive space, in which the audience’s associations become the narrative. With this prize, we want to encourage young filmmakers to take structural-technical risks.”

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  • Berlinale 2017: BUTTERFLY KISSES and SCHOOL NUMBER 3 Win Top Generation 14plus Awards

    [caption id="attachment_20653" align="aligncenter" width="1200"]Butterfly Kisses Butterfly Kisses[/caption] Butterfly Kisses by Rafael Kapelinski, of the United Kingdom is the winner of the Crystal Bear for the Best Film by the Youth Jury Generation 14plus at the 2017 Berlin International Film Festival. The Generation 14plus International Jury awarded the Grand Prix of the Generation 14plus for the Best Film to School Number 3 (Shkola nomer 3) by Yelizaveta Smith and Georg Genoux. Crystal Bears and the Awards by the Bundeszentrale für Politische Bildung (Federal Agency for Civic Education) in Generation 14plus

    Youth Jury Generation 14plus Awards:

    Crystal Bear for the Best Film: Butterfly Kisses By Rafael Kapelinski, 2017, United Kingdom Propelled by the rhythm of its powerful soundtrack and imagery, this film awakens a terrifying suspicion in the viewer. Without resorting to simple accusations of guilt, it confronts us with an explosive issue which our society has so far been unable to resolve. The finely differentiated characterizations inspire profound empathy for the protagonists in the situations they face. From the kaleidoscopic opening sequence onwards, we are captivated by the haunting intensity of this electrifying feature film debut. Special Mention: Those Who Make Revolution Halfway Only Dig Their Own Graves (Ceux qui font les révolutions à moitié n’ont fait que se creuser un tombeau) By Mathieu Denis, Simon Lavoie, 2016, Canada With epic aspirations, this film is an accurate portrayal of destructive group dynamics. With brutal honesty, it gradually unleashes its hypnotic potential as the narrative unfolds. Contemporary footage, fictional life stories and performances fuse together to create a disturbing yet rousing cinematic work. Crystal Bear for the Best Short Film: Wolfe By Claire Randall, 2016, Australia By means of its authentic narrative and tactful approach to a sensitive subject, this documentary manages to demystify a taboo without sentimentality or judgment. With impressive honesty and intimacy, the protagonist discloses his experiences of psychological illness, accompanied by lovingly animated memory sequences. We thank the filmmaker for this factually informative and deeply moving work. Special Mention Short Film: SNIP By Terril Calder, 2016, Canada This film takes the viewer on a journey into a painful chapter of a country’s history. The synthesis of diverse animation styles provides for a compelling and emotionally direct exploration of this often neglected subject. We would like to thank the director for this unconventional approach to opening our generation’s eyes to the past as we head towards the future.

    Generation 14plus International Jury Awards:

    The Grand Prix of the Generation 14plus International Jury for the Best Film, endowed with € 7,500 by the Bundeszentrale für Politische Bildung (Federal Agency for Civic Education): School Number 3 (Shkola nomer 3) By Yelizaveta Smith, Georg Genoux, 2016, Ukraine / Germany We give the Grand Prix to a film that unpacked itself slowly involving the audience through details and personal account from the perspective of its protagonists, delivering with a range of tenderness, trauma, and even banality and humor. It has a sensitive approach and is direct in form without discourse or presumption. We admire the collaboration between director, cinematographer and protagonists and how they built a space of trust. This film doesn’t let the narrative of war take over the emotional world of its young characters, who allowed us to connect with the most precious and intimate details of their lives. Special Mention: Ben The Foolish Bird (Niao) By Huang Ji, Ryuji Otsuka, 2017, People’s Republic of China Our special mention goes to a film that haunted us with its mystery and how it speaks about human relationships that pave their way through detached modern tools of communications. What sets this film apart are the well planned ellipses and the remarkable performance of the young actress, Yao Honggui from China. Special Prize of the Generation 14plus International Jury for the Best Short Film, endowed with € 2,500 by the Bundeszentrale für Politische Bildung (Federal Agency for Civic Education): The Jungle Knows You Better Than You Do By Juanita Onzaga , 2016, Belgium / Colombia We give the special price for best short to a film that has a hybrid approach to the autobiographical. A film that hovers between the past and the present and yet has an intuitive way of showing us a character who couldn’t be closer to the filmmaker herself. Special Mention: U Plavetnilo (Into the Blue) By Antoneta Alamat Kusijanović, 2017, Croatia / Slovenia / Sweden Special mention goes to a film which reveals the complexities of adolescence, when its four characters must confront their expectations and desires against a dramatic seaside landscape.

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  • Documentary INVISIBLE WOMEN: BEING A BLACK WOMAN IN CORPORATE AMERICA to Screen at Hollywood Black Film Festival | TRAILER

    Invisible Women: Being a Black Woman in Corporate America The documentary Invisible Women: Being a Black Woman in Corporate America directed by Melody Shere’a will screen at the 2017 Hollywood Black Film Festival (HBFF).  The film which is executive produced by her talented sibling Monica Simmons, is the result of a year-long research study interviewing professional black women in the San Francisco Bay Area and New York City. Invisible Women uncovers and addresses issues around racism that profoundly affects black women in the corporate workplace. In the film, several women share respective experiences of disappointment and rejection when simply trying to earn a living and compete against women of other races for a higher step on the corporate ladder. The film will screen at the Hollywood Black Film Festival on Thursday, February 23rd at 2:15 p.m., hosted at the AMC Theater Marketplace 6 in Marina del Rey, CA. “For the production of Invisible Women: Being a Black Woman in Corporate America, we interviewed black women of varied professional levels who generously shared their previously untold stories and feelings around race-related issues on the job,” said Shere’a, HNTT Productions founder and CEO. “In conducting the research, we found the corporate practice of discrimination to be a common harsh reality faced by countless women of color. We also interviewed experts who provide employment reports and statistical data on this topic.” https://www.youtube.com/watch?v=IYztEMOuQ4Y According to Simmons, “Black women continue to experience racism on the job. We must be open to talking about this distressing issue to move toward a resolution. Obstacles that my sister and I have faced working in Corporate America were the inspiration behind Invisible Women: Being a Black Woman in Corporate America. Our film is meant to drive a movement for change in the workplace, especially the technology industry. ” “No longer should we be silenced. We need to speak up and call it what it is,” commented Shere’a. Unlike “Hidden Figures,” we are no longer in the 1950’s-60’s era. This racial discrimination against smart, educated, and powerful black women is unacceptable. We deserve a seat at the table, and we are demanding our place to exist, no longer will we continue to remain Invisible Women.” https://www.youtube.com/watch?v=EdUthH1rGhc&t=9s

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