The 2015 Seattle International Film Festival announced the winners of the 2015 Golden Space Needle Audience and Competition Awards. The Dark Horse, directed by James Napier Robertson is the big winner, taking the Golden Space Needle Audience Award for Best Film, and Best Actor for Cliff Curtis. In The Dark Horse – winner of six New Zealand Film Awards including Best Picture, Director, and Actor – Cliff Curtis (Whale Rider) gives a stunning and inspirational performance as New Zealand legend Genesis Potini, a bipolar speed chess champion who helps turn around the lives of some 15,000 Maori children by teaching them the intricacies the game.
Other winners include Alfonso Gomez-Rejon of “Me and Earl and the Dying Girl” wins Best Director, “Romeo is Bleeding” wins Best Documentary; Nina Hoss (“Phoenix”) wins Best Actress, “Liza, The Fox-Fairy,” “The Great Alone,” and “Chatty Catties” Win Grand Jury Prize Awards for Best New Director, Documentary and New American Film
Carl Spence, SIFF’s Artistic Director, says, “Our 41st Festival was another fantastic celebration of storytelling in all its forms. We presented everything from the storied cinematic past (archival screenings celebrating Martin Scorsese’s The Film Foundation and live read of the late Stewart Stern’s Rebel Without a Cause), to the iconic (Kevin Bacon!), to the independent (Jason Schwartzman and his new comedy 7 Chinese Brothers). With a record 92 countries represented this year and sold-out shows every night, this year’s Festival was bigger than ever, but it also fittingly included a proper send-off of an iconic movie house, the Harvard Exit. It also highlighted Seattle’s great continuing movie houses including our own SIFF Cinema Egyptian and SIFF Cinema Uptown. And I love that we bookended the Festival this year with two stellar comedies, kicking off with our Opening Night film Spy (the number one movie in America this weekend) and finishing with our hilarious Closing Night indie The Overnight. Starting and ending with laughter while traveling the world in between is a great way to mark another whirlwind 25-day celebration of cinema.”
SIFF 2015 GOLDEN SPACE NEEDLE AUDIENCE AWARDS
SIFF celebrates its films and filmmakers with the Golden Space Needle Audience Awards. Selected by Festival audiences, awards are given in five categories: Best Film, Best Documentary, Best Director, Best Actor, and Best Short Film. This year, nearly 90,000 ballots were submitted.
GOLDEN SPACE NEEDLE AWARD – BEST FILM
The Dark Horse, directed by James Napier Robertson (New Zealand 2014)
First runner-up: Inside Out, directed by Pete Docter (USA 2015)
Second runner-up: Me and Earl and the Dying Girl, directed by Alfonso Gomez-Rejon (USA 2015)
Third runner-up: Shaun the Sheep, directed by Richard Starzak, Mark Burton (UK 2015)
Fourth runner-up: Good Ol’ Boy, directed by Frank Lotito (USA 2015)
GOLDEN SPACE NEEDLE AWARD – BEST DOCUMENTARY
Romeo is Bleeding, directed by Jason Zeldes (USA 2015)
First runner-up: Paper Tigers, directed by James Redford (USA 2015)
Second runner-up: The Glamour & The Squalor, directed by Marq Evans (USA 2015)
Third runner-up: The Great Alone, directed by Greg Kohs (USA 2015)
Fourth runner-up: Frame by Frame, directed by Mo Scarpelli, Alexandria Bombach (Afghanistan 2014)
GOLDEN SPACE NEEDLE AWARD – BEST DIRECTOR
Alfonso Gomez-Rejon, Me and Earl and the Dying Girl (USA 2015)
First runner-up: George Ovashvili, Corn Island (Georgia 2014)
Second runner-up: Peter Greenaway, Eisenstein in Guanajuato (Netherlands 2015)
Third runner-up: Susanne Bier, ASecond Chance (Denmark 2014)
Fourth runner-up: Ross Partridge, Lamb (USA 2015)
GOLDEN SPACE NEEDLE AWARD – BEST ACTOR
Cliff Curtis, The Dark Horse (New Zealand 2014)
First runner-up: Ian McKellen, Mr. Holmes (UK 2015)
Second runner-up: Jason Segel, End of the Tour (USA 2014)
Third runner-up: Victor Andrés Trelles Turgeon, Henri Henri (Canada (Québec) 2014)
Fourth runner-up: Jacir Eid, Theeb (Jordan 2014)
GOLDEN SPACE NEEDLE AWARD – BEST ACTRESS
Nina Hoss, Phoenix (Germany 2014)
First runner-up: Kalki Koechlin, Margarita, with a Straw (India 2014)
Second runner-up: Rebecka Josephson, My Skinny Sister (Sweden 2015)
Third runner-up: Regina Case, The Second Mother (Brazil 2015)
Fourth runner-up: Ghita Nørby, Key House Mirror (Denmark 2015)
GOLDEN SPACE NEEDLE AWARD – BEST SHORT FILM
Even the Walls, directed by Sarah Kuck, Saman Maydáni (USA 2015)
First runner-up: Submarine Sandwich, directed by PES (USA 2014)
Second runner-up: Stealth, directed by Bennett Lasseter (USA 2014)
Third runner-up: Personal Development, directed by Tom Sullivan (Ireland 2015)
Fourth runner-up: Bihttoš, directed by Elie-Máijá Tailfeathers (Canada 2014)
LENA SHARPE AWARD FOR PERSISTENCE OF VISION
Frame by Frame, directed by Mo Scarpelli, Alexandria Bombach (Afghanistan 2014)
This award is given to the female director’s film that receives the most votes in public balloting at the Festival. Lena Sharpe was co-founder and managing director of Seattle’s Festival of Films by Women Directors and a KCTS-TV associate who died in a plane crash while on assignment. As a tribute to her efforts in bringing the work of women filmmakers to prominence, SIFF created this special award and asked Women in Film Seattle to bestow it.
SIFF 2015 COMPETITION AWARDS
SIFF announced three Competition Awards for Best New Director, Best Documentary, and Best New American Film (FIPRESCI). Winners in each juried competition received $2,500 in cash, while the New American Cinema competition winner was also awarded the FIPRESCI prize.
SIFF 2015 BEST NEW DIRECTOR
GRAND JURY PRIZE
Liza, the Fox-Fairy (Hungary 2015), directed by Károly Ujj-Mészáros
JURY STATEMENT: For its lively, inventive visual wit and offbeat look at romantic delusion involving a haunted Hungarian nurse, a long-suffering police sergeant, and the ghost of a ’50s Japanese pop singer, we have given this year’s New Directors Prize to Károly Ujj-Mészáros.
SPECIAL JURY MENTION
Corrections Class (Russia/Germany 2014), directed by Ivan I. Tverdovsky
JURY STATEMENT: For the director’s brave and unflinching handling of a young ensemble.
Festival programmers select 12 films remarkable for their original concept, striking style, and overall excellence. To be eligible, films must be a director’s first or second feature and without U.S. distribution at the time of their selection. The New Directors Jury is comprised of Brandon Harris (Filmmaker Magazine), Amy Nicholson (L.A. Weekly), and Alison Willmore (Buzzfeed).
2015 Entries:
A Blast (d: Syllas Tzoumerkas, Greece/Germany/Netherlands 2014, North American Premiere)
Bonifacio (d: Enzo Williams, Philippines 2014, North American Premiere)
Corrections Class (d: Ivan I. Tverdovsky, Russia/Germany 2014, North American Premiere)
Liza, the Fox-Fairy (d: Károly Ujj-Mészáros, Hungary 2015, North American Premiere)
Love, Theft and Other Entanglements (d: Muayad Alayan, Palestine 2015, North American Premiere)
A Matter of Interpretation (d: Kwang-kuk Lee, South Korea 2014, North American Premiere)
Morbayassa (d: Cheick Fantamady Camara, Guinea 2015, North American Premiere)
My Skinny Sister (d: Sanna Lenken, Sweden/Germany 2015, North American Premiere)
Short Skin (d: Duccio Chiarini, Italy 2014, North American Premiere)
Under Construction (d: Rubaiyat Hossain, Bangladesh 2015, World Premiere)
Vincent (d: Thomas Salvador, France 2014)
Waterline (d: Michal Otlowski, Poland 2014, North American Premiere)
SIFF 2015 BEST DOCUMENTARY
GRAND JURY PRIZE
The Great Alone (USA 2015), directed by Greg Kohs
JURY STATEMENT: Our Grand Jury Prize goes to a film that stopped all of us in our tracks. One of the joys of the film festival experience is discovering a film that works so well on every level. This is an inspiring film about one man’s story that is both intimate and epic – we were knocked out by the filmmaker’s achievement in crafting a visually stunning, completely engrossing narrative about one extraordinary human being.
SPECIAL JURY PRIZES
Romeo is Bleeding (USA 2015), directed by Jason Zeldes
JURY STATEMENT: For its strength in demonstrating the power of art to change lives.
Sergio Herman: F**king Perfect (Netherlands 2015), directed by Willemiek Kluijfhout
JURY STATEMENT: Which we found to be an exquisitely made film about a FUCKING PERFECT artist.
Unscripted and uncut, the world is a resource of unexpected, informative, and altogether exciting storytelling. Documentary filmmakers have, for years, brought these untold stories to life and introduced us to a vast number of fascinating topics we may have never known existed-let alone known were so fascinating. The Documentary Jury is comprised of Jannat Gargi (Vulcan Productions), Janet Pierson (SXSW), and Anne Rosellini (producer, Stray Dog, Winter’s Bone).
2015 Entries:
Cooking Up a Tribute (d: Luis González & Andrea Gómez, Spain 2015, North American Premiere)
Dreams Rewired (d: Martin Reinhart, Thomas Tode, & Manu Luksch, Austria 2015, North American Premiere)
The Glamour & The Squalor (d: Marq Evans, USA 2015, World Premiere)
The Great Alone (d: Greg Kohs, USA 2015, World Premiere)
In Utero (d: Kathleen Gyllenhaal, USA 2015, World Premiere)
License to Operate (d: James Lipetzky, USA 2015, World Premiere)
Mountain Spirits (d: Singing Chen & Kuo-Liang Chiang, Taiwan 2014, US Premiere)
Paper Tigers (d: James Redford, USA 2015, World Premiere)
Romeo Is Bleeding (d: Jason Zeldes, USA 2015)
Sergio Herman, F**KING PERFECT (d: Willemiek Kluijfhout, Netherlands 2015, North American Premiere)
War of Lies (d: Matthias Bittner, Germany 2014, US Premiere)
SIFF 2015 BEST NEW AMERICAN CINEMA
GRAND JURY PRIZE
Chatty Catties (USA 2015), directed by Pablo Valencia
JURY STATEMENT: The FIPRESCI jury at the 41st edition of the Seattle International Film Festival bestows its International Critics’ Prize to a film that – with an enormous amount of risk-taking – innovatively expands stylistic and narrative boundaries. With a fresh view on intimate relationships, director Pablo Valencia creates an unexpected and utterly original emotional landscape in Chatty Catties.
Festival programmers select 9 films without U.S. distribution that are sure to delight audiences looking to explore the exciting vanguard of New American Cinema and compete for the FIPRESCI Award for Best New American Film. The New American Cinema Jury is comprised of members of the International Federation of Film Critics (FIPRESCI): Pamela Cohn, André Roy, and Dennis West.
2015 Entries:
Chatty Catties (d: Pablo Valencia, USA 2015, World Premiere)
Circle (d: Aaron Hann & Mario Miscione, USA 2015, World Premiere)
Fourth Man Out (d: Andrew Nackman, USA 2015, World Premiere)
Front Cover (d: Ray Yeung, USA 2015, World Premiere)
Good Ol’ Boy (d: Frank Lotito, USA 2015, World Premiere)
Happy 40th (d: Madoka Raine, USA 2015, World Premiere)
Me Him Her (d: Max Landis, USA 2015, World Premiere)
A Rising Tide (d: Ben Hickernell, USA 2015, World Premiere)
Those People (d: Joey Kuhn, USA 2015, World Premiere)
SIFF 2015 FUTUREWAVE AND YOUTH JURY AWARDS
YOUTH JURY AWARD FOR BEST FUTUREWAVE FEATURE
Seoul Searching (USA/South Korea 2015), directed by Benson Lee
JURY STATEMENT: For its diverse and relatable characters, quality mix of emotion and comedy, and accurate and respectful representation of teens, the 2015 FutureWave Youth Jury Prize goes to Seoul Searching.
YOUTH JURY AWARD FOR BEST FILMS4FAMILIES FEATURE
When Marnie Was There (Japan 2014), directed by Hiromasa Yonebayashi
JURY STATEMENT: For its beautiful and detailed animation, realistic sound design, and original, bittersweet tale of mystery the Films4Families Jury awards When Marnie Was There.
WAVEMAKER AWARD (GRAND PRIZE)
In recognition of superior artistic and technical achievement.
Audio Input(USA), directed by Sho Schrock-Manabe
JURY STATEMENT: For its insightful and engaging portrait of podcasting, an audio art form, through a collage of interviews and images.
FUTUREWAVE AUDIENCE AWARD
Minimum Max (USA), directed by Josh Ovalle
PRODIGY CAMP SCHOLARSHIPS
Each winner will be awarded a $1000 scholarship to the Prodigy Camp.
I’m Not Here (South Africa), directed by Jack Markovitz
Minimum Max (USA), directed by Josh Ovalle
SIFF 2015 SHORT FILM JURY AWARDS
All short films shown at the Festival are eligible for both the Golden Space Needle Audience Award and Jury Award. Jurors will choose winners in the Narrative, Animation, and Documentary categories. Each jury winner will receive $1,000 and winners in any of the three categories may also qualify to enter their respective films in the Short Film category of the Academy Awards®.
LIVE ACTION
GRAND JURY PRIZE
The Chicken (Croatia, Germany), directed by Una Gunjak
JURY STATEMENT: An expertly crafted narrative that explores life and death through the eyes of a young girl. With a film full of authentic performances, Iman Alibalic is extraordinary as the six-year-old protagonist who receives a live chicken from her father for her birthday, and soon realizes it’s meant for dinner. This is an emotional film with a production quality that continues to move the story along and underscore the realities of life in a war zone.
SPECIAL JURY PRIZE
Hole (Canada), directed by Martin Edralin
JURY STATEMENT: Hole is a brave exploration of human sexuality and yearning for intimacy through the eyes of a lonely, forgotten, disabled man in the heart of Toronto. Ken Harrower delivers a captivating performance that transcends any labels or limitations and speaks to the need for human connection.
DOCUMENTARY
GRAND JURY PRIZE
Bihttos (Canada), directed by Elle-Máijá Tailfeathers
JURY STATEMENT: For its ambitious approaches to visual storytelling and imaginative recounting of an exceptional family history.
ANIMATION
GRAND JURY PRIZE
The Mill at Calder’s End (USA), directed by Kevin McTurk
JURY STATEMENT: There exists a tendency to laud the new-new stories, new techniques, new talent. With the animation award, the jury is pleased to celebrate a film that is decidedly old-school, breathing life into a bygone style, iterating in a story tradition that is centuries old. For this fusion of the modern and classic, we are happy to award Kevin McTurk for The Mill at Calder’s End.
Short Film Juries 2015:
Live Action: Stefanie Malone (NFFTY), Bobby McHugh (World Famous), and Tracy Rector (Longhouse Media).
Documentary and Animation: Courtney Sheehan (Northwest Film Forum), Jason Sondhi (Vimeo curator), Alex Stonehill (Seattle Globalist).Film Festivals
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2015 New York Asian Film Festival Unveils Lineup, Opens With PORT OF CALL
The 2015 New York Asian Film Festival (NYAFF), which will take place from June 26 to July 8 at the Film Society and July 9 to 11 at SVA Theatre (333 W. 23rd Street) unveiled the film lineup, which will showcase 52 feature films, including 1 World Premiere, 3 International Premieres, 13 North American Premieres, 5 U.S. Premieres, and 14 films making their New York City debuts. The festival will be attended by 18 international filmmakers and celebrity guests traveling from Hong Kong, Japan, South Korea, Taiwan, and the U.S. The New York Asian Film Festival is presented by the Film Society of Lincoln Center and Subway Cinema.
NYAFF’s Opening Night presentation will be the North American Premiere of Philip Yung’s Port of Call (pictured above). The film centers on the brutal murder of a 16-year-old Hunan girl who moves to Hong Kong with her family and falls into prostitution. Winding through time and grounded by Christopher Doyle’s gauzy cinematography, the film follows both the story of the young girl’s descent into sex work and the grizzled detective (Aaron Kwok) who obsessively works to solve the murder. Kwok is astonishing here in a career-best performance, with all the tics and haggard body language of a man beaten down by the violence that threatens to drown him at every turn.
The Centerpiece Presentation will be the North American premiere of Sabu’s Chasuke’s Journey, which was in Competition at this year’s Berlin Film Festival. According to Variety, the film finds “Sabu in his most fun-loving element, stirring Okinawa’s magical folk art into a Capraesque yarn that flirts with ideas of fate and self-determination, but really just revels in a rich tapestry of human experience. [The film is also] full of whimsical twists and high-octane action.”
The lineup also includes the World Premiere of Fire Lee’s black comedy Robbery; the International Premiere of Anh Sang-hoon’s erotic period actioner Empire of Lust; the North American Premieres of Chen Jiabin’s directorial debut A Fool, Daihachi Yoshida’s fantasy-drama Pale Moon, Lau Ho-leung’s action-comedy Two Thumbs Up, and Nobuhiro Yamashita’s slacker/rock drama La La La at Rock Bottom (previously announced); and the U.S. premiere of Yee Chih-yen’s high-school noirMeeting Dr. Sun. Other exciting highlights include Kulikar Sotho’s gorgeous meditation on Cambodia’s tragic Khmer Rouge past and its impact on the present, The Last Reel; Ryuichi Hiroki’s ensemble love-and-sex drama Kabukicho Love Hotel; Boo Ji-young’s superb labor-rights underdog drama Cart; and Sion Sono’s berserk rap musical Tokyo Tribe.
The 14th edition of the NYAFF will feature five focus programs: “Hong Kong Panorama”; “New Cinema from Japan”; “Taiwan Cinema Now!”; “Myung Films: Pioneers and Women Behind the Camera in Korean Film”; and “The Last Men in Japanese Film,” a joint tribute to Ken Takakura and Bunta Sugawara, both of whom passed away last November.
https://www.youtube.com/watch?v=-v3Ghk52i4o
The 2015 New York Asian Film Festival lineup
OPENING NIGHT FILM
NORTH AMERICAN PREMIERE
PORT OF CALL | 踏血尋梅
PHILIP YUNG, 2015 | CAST: AARON KWOK, MICHAEL NING, JESSIE LI
HONG KONG | CANTONESE WITH ENGLISH SUBTITLES | FORMAT: DCP | 121 MINUTES
A police detective (Aaron Kwok, in a career-defining role) tracks down the murderer of a young prostitute in this brutal thriller directed by Philip Yung and shot by master cinematographer Christopher Doyle.
CENTERPIECE PRESENTATION
NORTH AMERICAN PREMIERE
CHASUKE’S JOURNEY | 天の茶助
SABU, 2015 | CAST: KENICHI MATSUYAMA, ITO OHNO, REN OHSUGI, YUSUKE ISEYA
JAPAN | JAPANESE WITH ENGLISH SUBTITLES | FORMAT: DCP | 105 MINUTES
A celestial tea server descends to Okinawa in order to save a young girl, falls in with a gang of losers, enjoys ramen, finds unwarranted celebrity, and fights against predestination written by heavenly hacks who copy Hollywood blockbusters.
CLOSING NIGHT FILM
To be announced
ABASHIRI PRISON | 網走番外地
TERUO ISHII, 1965 | CAST: KEN TAKAKURA, KOJI NANBARA, TETSURO TAMBA, TORU ABE
JAPAN | JAPANESE WITH LIVE ENGLISH SUBTITLES | FORMAT: 35MM | 92 MINUTES
The first entry in Toei’s hugely successful Abashiri Prison yakuza film series, directed by Teruo Ishii, established Ken Takakura’s superstar status. If you want to understand Ken’s enormous popularity, this is the film that started it all. In many ways, this is the invention of the Japanese man.
INTERNATIONAL PREMIERE
BANGLASIA 孟加拉殺手
NAMEWEE, 2015 | CAST: NIRAB HOSSAIN, SAIFUL APEK, NAMEWEE, ATIKAH SUHAIME
MALAYSIA | MALAY, ENGLISH, MANDARIN, AND HOKKIEN WITH ENGLISH SUBTITLES | FORMAT: DCP | 91 MINUTES
From the director of festival fave foodie flick Nasi Lemak 2.0 comes this wild and crazy Western full of musical numbers and humor so slaphappy it’ll leave your head spinning. It was banned in Malaysia for being too political, so we’re proud to screen it.
NORTH AMERICAN PREMIERE OF THE NEW DIGITAL REMASTER
BATTLES WITHOUT HONOR AND HUMANITY | 仁義なき戦い
KINJI FUKASAKU, 1973 | CAST: BUNTA SUGAWARA, HIROKI MATSUKATA, NOBUO KANEKO, KUNIE TANAKA, GORO IBUKI
JAPAN | JAPANESE WITH LIVE ENGLISH SUBTITLES | DCP | 99 MINUTES
Quite possibly the ultimate yakuza movie, Kinji Fukasaku’s dark, gritty classic stars Bunta Sugawara (in the role that made his career) as a former soldier who turns to organized crime and claws his way up the yakuza underworld in postwar Hiroshima. .
BROTHERHOOD OF BLADES | 繡春刀
LU YANG, 2014 | CAST: CHANG CHEN, CECILIA LIU, WANG QIANYUAN, ETHAN LI, NIE YUAN
CHINA | MANDARIN WITH ENGLISH SUBTITLES | FORMAT: DIGITAL PROJECTION | 106 MINUTES
One of the best Chinese period action films in recent memory, this overlooked blood-red gem is packed with superbly choreographed fight scenes, riveting drama, and performances to match.
NORTH AMERICAN PREMIERE
CAFÉ. WAITING. LOVE | 等一個人咖啡
CHIANG CHIN-LIN, 2014 | CAST: VIVIAN SUNG, BRUCE, MEGAN LAI, MARCUS CHANG
TAIWAN | MANDARIN WITH ENGLISH SUBTITLES | FORMAT: DCP | 120 MINUTES
Three years after his record-breaking debut, You Are the Apple of My Eye, writer-director Giddens Ko penned this irresistibly zany romantic comedy, based on his book of the same name—but this time with Chiang Chin-lin in the director’s seat.
NEW YORK PREMIERE
CART | 카트
BOO JI-YOUNG, 2014 | CAST: YUM JUNG-AH, MOON JUNG-HEE, KIM YOUNG-AE, KIM KANG-WOO, HWANG JEONG-MIN, CHUN WOO-HEE
SOUTH KOREA | KOREAN WITH ENGLISH SUBTITLES | FORMAT: DCP | 103 MINUTES
In this pro-union flick, the 99% rise up after a bunch of female employees at a chain retail giant (think Wal-Mart) get laid off via text message. When they decide to go on strike, management calls in the thugs…
CITY ON FIRE | 龍虎風雲
RINGO LAM, 1987 | CAST: CHOW YUN-FAT, DANNY LEE, SUEN YUET, ROY CHEUNG
HONG KONG | CANTONESE WITH ENGLISH SUBTITLES | FORMAT: 35mm | 100 MINUTES
Ringo Lam’s classic heist-gone-bad flick is the movie that made Chow Yun-fat (playing an undercover cop) a star and provided Quentin Tarantino with the basis for Reservoir Dogs. The film features heartbreak to spare for the little people trying to eke out a living at the end of a gun.
COLD WAR | 寒戰
LONGMAN LEUNG, SUNNY LUK, 2012 | CAST: AARON KWOK, TONY LEUNG KAR-FAI, ANDY LAU
HONG KONG | CANTONESE WITH ENGLISH SUBTITLES | DCP | 102 MINUTES
Winner of nine Hong Kong Film Awards, including “Best Film,” Best Director,” “Best Screenplay,” “Best Actor,” and “Best New Performer,” COLD WAR was Hong Kong’s 2012 box office sensation. This cop thriller stars Aaron Kwok and Tony Leung Kar-Fai as two high-ranking officers whose rivalry leads to an intense power struggle over an explosive rescue operation.
COPS VS. THUGS | 県警対組織暴力
KINJI FUKASAKU, 1975 | CAST: BUNTA SUGAWARA, HIROKI MATSUKATA, KEN TAKAKURA, MIKIO NARITA, NOBUO KANEKO
JAPAN | JAPANESE WITH ENGLISH SUBTITLES | 35MM | 100 MINUTES
Bunta Sugawara plays a cop so corrupt he’s basically a member of the yakuza—delivering witnesses to his criminal buddies and looking the other way when they murder rivals. But now a war is breaking out and this bad lieutenant is going to have to choose sides.
INTERNATIONAL PREMIERE
EMPIRE OF LUST | 순수의시대
AHN SANG-HOON, 2015 | CAST: SHIN HA-KYUN, JANG HYUK, KANG HANNA, KANG HA-NEUL
SOUTH KOREA | KOREAN WITH LIVE ENGLISH SUBTITLES | DCP | 113 MINUTES
A gorgeous period actioner set during the founding days of Joseon Dynasty in the early 14th century, Empire of Lust follows three men who engage in a power struggle within the palace walls, caught in the whirlwind of love, lust, greed, betrayal, and revenge.
NORTH AMERICAN PREMIERE
A FOOL | 一個勺子
CHEN JIANBIN, 2014 | CAST: CHEN JIAN BIN, WANG XUEBING, JIN SHIJIA
CHINA | MANDARIN WITH ENGLISH SUBTITLES | FORMAT: DCP | 105 MINUTES
Chen Jianbin’s directorial debut is a harsh noir about an honest farmer’s efforts to help a young homeless man that instead set off a chain of disasters, serving as a reminder of man’s inhumanity when faced with greed.
FULL ALERT | 高度戒備
RINGO LAM, 1997 | CAST: LAU CHING-WAN, FRANCIS NG, AMANDA LEE, MONICA CHAN, JACK KAO
HONG KONG | CANTONESE WITH ENGLISH SUBTITLES | FORMAT: 35MM | 98 MINUTES
Ringo Lam’s last great movie before his 12-year retirement is a dark, glittering gem of a police procedural that works both as a heist flick and as a tombstone for both pre-Handover Hong Kong and the action genre.
U.S. PREMIERE
FULL STRIKE | 全力扣殺
DEREK KWOK & HENRI WONG, 2015 | CAST: JOSIE HO, EKIN CHENG, RONALD CHENG, TSE KWAN-HO, ANDREW LAM, WILFRED LAU
HONG KONG/CHINA | CANTONESE, HAKKA, AND ENGLISH WITH ENGLISH SUBTITLES | FORMAT: DCP | 108 MINUTES
Racquet sport becomes martial art when a down-and-out gang of has-beens form a badminton team to win back their self-respect in this hyperactive, totally surreal comedy from Derek Kwok, the co-director of Stephen Chow’s Journey to the West.
FUNUKE, SHOW SOME LOVE YOU LOSERS! | 腑抜けども、悲しみの愛を見せろ
DAIHACHI YOSHIDA, 2007 | CAST: ERIKA SATO, MASATOSHI NAGASE, HIROMI NAGASAKU
JAPAN | JAPANESE WITH ENGLISH SUBTITLES | FORMAT: 35MM | 112 MINUTES
Seduction, persecution, prostitution, suicide, and more greet the Wago family’s three siblings who return home for their parent’s funeral after they’re killed while trying to save a kitten. Yoshida’s twisted, smart, and deftly handled first film is as black as a comedy can get, yet wrapped in a lighthearted exterior.
NORTH AMERICAN PREMIERE
INSANITY | 暴瘋語
DAVID LEE, 2014 | CAST: LAU CHING-WAN, HUANG XIAOMING, ALEX FONG, FIONA SIT, NINA PAW
HONG KONG | CANTONESE WITH ENGLISH SUBTITLES | FORMAT: DCP | 99 MINUTES
In this psychological thriller produced by Derek Yee (The Great Magician,One Night in Mongkok), a psychiatrist (Huang Xiaoming) is lured to the dark side of the mind by his patient and convicted murderer (Lau Ching-Wan).
THE ISLE | 섬
KIM KI-DUK, 2000 | CAST: CHO JAE-HYUN, SUH JUNG, PARK SEONG-HEE, JANG HANG-SEON
SOUTH KOREA | KOREAN WITH ENGLISH SUBTITLES | FORMAT: 35MM | 85 MINUTES
Kim Ki-duk helped put Korean cinema on the map with this art-house exploitation shocker about a cop on the run who winds up at a floating hotel owned by a woman who might be insane, or just really in love. You are not prepared.
NEW YORK PREMIERE
IT’S ALREADY TOMORROW IN HONG KONG
EMILY TING, 2014 | CAST: JAMIE CHUNG, BRYAN GREENBERG, RICHARD NG
HONG KONG/USA | ENGLISH | FORMAT: DCP | 78 MINUTES
This compelling walk-and-talk romance à laRichard Linklater, centered on two Hong Kong expats who randomly cross paths one night, is as much about the attraction between the leads as it is about the love of Hong Kong.
NEW YORK PREMIERE
KABUKICHO LOVE HOTEL | さよなら歌舞伎町
RYUICHI HIROKI, 2014 | CAST: SHOTA SOMETANI, ATSUKO MAEDA, LEE EUN-WOO, ROY (SON IL-KWON)
JAPAN | JAPANESE AND KOREAN WITH ENGLISH SUBTITLES | FORMAT: DCP | 136 MINUTES
Taking place over 24 hours in a Tokyo love hotel, this steamy and poignant character-driven ensemble drama from director Ryuichi Hiroki (Vibrator) looks at ordinary people as they experience life-changing events.
NORTH AMERICAN PREMIERE
LA LA LA AT ROCK BOTTOM | 味園ユニバース
NOBUHIRO YAMASHITA, 2015 | CAST: SUBARU SHIBUTANI, FUMI NIKAIDO, SARINA SUZUKI, KATSUMI KAWAHARA
JAPAN | JAPANESE WITH ENGLISH SUBTITLES | FORMAT: DCP | 103 MINUTES
From Nobuhiro Yamashita (director of Linda Linda Linda and Tamako in Moratorium) comes this romantic comedy about an amnesiac man who, as the memory of his criminal past slowly returns, tries to find redemption and love through rock music.
NEW YORK PREMIERE
THE LAST REEL |ដុំហ្វីលចុងកាាយ
KULIKAR SOTHO, 2014 | CAST: MA RYNET, ROUS MONY, DY SAVETH, HUN SOPHY
CAMBODIA | KHMER WITH ENGLISH SUBTITLES | FORMAT: DCP | 106 MINUTES
This gorgeous and engaging drama about a rebellious Cambodian girl determined to shoot the missing ending of a 40-year-old movie starring her mother is a meditation on Cambodia’s past and present, and the power of art.
LITTLE BIG MASTER | 五個小孩的校長
ADRIAN KWAN, 2015 | CAST: MIRIAM YEUNG, LOUIS KOO, WINNIE HO
HONG KONG/CHINA | CANTONESE WITH ENGLISH SUBTITLES | FORMAT: DCP | 112 MINUTES
Hong Kong’s runaway box-office hit is a powerful drama based on the true story of a principal assigned to a failing rural kindergarten with only five students: if one of them drops out, the school closes.
THE MAN WHO STOLE THE SUN | 太陽を盗んだ男
KAZUHIKO HASEGAWA, 1979 | CAST: BUNTA SUGAWARA, KENJI SAWADA
JAPAN | JAPANESE WITH ENGLISH SUBTITLES | FORMAT: 35MM | 147 MINUTES
A ballsy satire about a high-school science teacher (rock-star Kenji Sawada) who builds an atomic bomb at home and uses it to try to get The Rolling Stones to play in Japan, all the while playing cat and mouse with a police detective sporting a buzz cut (Bunta Sugawara).
U.S. PREMIERE
MEETING DR. SUN | 行動代號孫中山
YEE CHIH-YEN, 2014 | CAST: ZHAN HUAI-TING, MATTHEW WEI, JOSEPH CHANG, BRYAN CHANG
TAIWAN | MANDARIN AND TAIWANESE WITH ENGLISH SUBTITLES | FORMAT: DCP | 94 MINUTES
A deadpan high-school noir about two gangs of impoverished boys competing to steal a statue of Dr. Sun Yat-sen (the founding father of the Republic of China) so they can sell it as scrap metal. Schoolyard slapstick becomes a call for Taiwan’s youth to wake up.
NEW YORK PREMIERE
MY LOVE, DON’T CROSS THAT RIVER | 님아, 그강을건너지마오
JIN MO-YOUNG, 2014 | CAST: JO BYEONG-MAN, KANG KYE-YEOL
KOREA | KOREAN WITH ENGLISH SUBTITLES | FORMAT: DCP | 85 MINUTES
In Jin Mo-young’s critically acclaimed documentary—which is also the most successful independent film in Korean history—a couple who have been married for 76 years face death with dignity and the strength of love.
NIHON KYOKAKU-DEN (TALES OF CHIVALRY IN JAPAN) | 日本侠客伝
MASAHIRO MAKINO, 1964 | CAST: KEN TAKAKURA, KINNOSUKE NAKAMURA, HIROKI MATSUKATA
JAPAN | JAPANESE WITH ENGLISH SUBTITLES | 35MM | 98 MINUTES
The first film in Toei’s immensely popular ninkyo film series chronicles a bitter feud that brews and breaks out between two rival yakuza clans. Honor is stained, blood is shed, hilarity does not ensue.
U.S. PREMIERE
PALE MOON | 紙の月
DAIHACHI YOSHIDA, 2014 CAST: RIE MIYAZAWA, MITSUYO KAKUTA, SOSUKE IKEMATSU
JAPAN | JAPANESE WITH ENGLISH SUBTITLES | FORMAT: DCP | 126 MINUTES
A housewife turns to a sophisticated embezzlement scheme to support an affair with a college student in NYAFF director-in-focus Daihachi Yoshida’s mesmerizing fantasy-drama.
NEW YORK PREMIERE
PARTNERS IN CRIME | 共犯
CHANG JUNG-CHI, 2014 | CAST: WU CHIEN-HO, TENG YU-KAI, CHENG KAI-YUAN, YAO AI-NING
TAIWAN-HONG KONG | MANDARIN WITH ENGLISH SUBTITLES | FORMAT: DCP | 88 MINUTES
Director Chang Jung-chi’s second feature and follow-up to Touch of the Light (Taiwan’s foreign-language Oscar entry in 2012) is an atmospheric and taut high-school mystery-drama centered on the apparent suicide of a student.
NEW YORK PREMIERE
PERMANENT NOBARA | パーマネント野ばら
DAIHACHI YOSHIDA, 2010 | CAST: MIHO KANNO, EIKO KOIKE, CHIZURU IKEWAKI, YOSUKE EGUCHI
JAPAN | JAPANESE WITH ENGLISH SUBTITLES | FORMAT: HDCAM | 99 MINUTES
A happy-go-wacky relationship film about a recently divorced woman (Miho Kanno) who returns with her young daughter to her tiny hometown. There, she reunites with her mother (Mari Natsuki) who runs the only hair salon in town, Permanent Nobara, an extraordinary place that provides a signature perm and a shame-free confessional for the local women to discuss their most personal love and sex issues.
THE PRESIDENT’S LAST BANG | 그때그사람들
IM SANG-SOO, 2005 | CAST: HAN SUK-KYU, BAEK YOON-SIK, SONG JAE-HO
SOUTH KOREA | KOREAN WITH ENGLISH SUBTITLES | FORMAT: 35MM | 104 MINUTES
One of the most controversial Korean movies of all time, Im Sang-soo’s black comedy tells the tale of the 1979 assassination of military dictator President Park by the head of the Korean CIA. It’s all the more relevant today because Park’s daughter is currently president of Korea.
NEW YORK PREMIERE
RED AMNESIA |闖入者
WANG XIAOSHUAI, 2014 | CAST: LU ZHONG, SHI LIU, FENG YUANZHENG, QIN HAO, AMANDA QIN
CHINA | MANDARIN WITH ENGLISH SUBTITLES | FORMAT: DCP | 115 MINUTES
Beijing Bicycle director Wang Xiaoshuai’s latest film is a blood-curdling mystery about the harassment of an elderly widow, and her haunting by a mysterious young boy who brings back ghosts of past choices, moral compromises, and the long shadows of the Cultural Revolution.
NEW YORK PREMIERE
REVIVRE | 화장
IM KWON-TAEK, 2014 | CAST: AHN SUNG-KI, KIM QYU-RI, KIM HO-JUNG
SOUTH KOREA | KOREAN WITH ENGLISH SUBTITLES | FORMAT: DCP | 93 MINUTES
Legendary 78-year-old Korean filmmaker Im Kwon-taek (Beyond the Years, Chihwaseon: Painted Fire) delivers a powerful and vital film—his 102nd!—about the indignities of old age and the inferno of suppressed desire, anchored by a commanding performance from veteran actor Ahn Sung-gi (Nowhere to Hide) as a marketing director who finds himself attracted to a younger employee while dutifully tending to his dying wife.
U.S. PREMIERE
RIVER ROAD | 家在水草丰茂的地方
LI RUIJIN, 2014 | CAST: TANG LONG, GUO SONGTAO
CHINA | YUGUR WITH ENGLISH SUBTITLES | FORMAT: DCP | 103 MINUTES
Bartel and Adikeer, two Yugur ethnic minority brothers, set out with their camel across the deserts of northwestern China in search of their parents in this masterfully lensed nomadic road movie.
WORLD PREMIERE
ROBBERY | 老笠
FIRE LEE, 2015 | CAST: DEREK TSANG, J. AIRE, LAM SUET, STANLEY FUNG
HONG KONG | CANTONESE WITH ENGLISH SUBTITLES | FORMAT: DCP | 90 MINUTES
An absurdist blood-soaked Grand Guignol with attitude to burn, Fire Lee’s indie black comedy about an overnight shift in a convenience store starts with a simple robbery, then moves on to mass murder, terrorist bombings, police shoot-outs, and even the afterlife.
NEW YORK PREMIERE (U.S. CONTINENTAL PREMIERE)
THE ROYAL TAILOR | 상의원
LEE WON-SUK, 2014 | CAST: HAN SUK-KYU, KO SOO, PARK SHIN-HYE, YOO YEON-SEOK
SOUTH KOREA | KOREAN WITH ENGLISH SUBTITLES | FORMAT: DCP | 127 MINUTES
An eye-popping historical comedy about the king’s tailor (played by Korean icon Han Suk-kyu) encountering a younger rival. It’s a stylish fashion showdown as the queen favors the younger needle-slinger, while the king sticks with his more stately (and stodgy) designer.
NEW YORK PREMIERE
RUINED HEART: ANOTHER LOVE STORY BETWEEN A CRIMINAL AND A WHORE
KHAVN (aka KHAVN DE LA CRUZ), 2014 | CAST: TADANOBU ASANO, NATHALIA ACEVEDO, ELENA KAZAN
THE PHILIPPINES/GERMANY | FORMAT: DCP | 73 MINUTES
Neon-smeared pop poetry materializes on screen in this (almost) dialogue-free gangland art flick shot in the slums of Manila and starring Tadanobu Asano (Ichi the Killer) and shot by longtime Wong Kar Wai cinematographer Christopher Doyle.
EAST COAST PREMIERE
SECOND CHANCE | 逆轉勝
KUNG WEN-YEN, 2014 | CAST: WEN SHANG-YI, P.J. HUANG, ANGEL YAO, JASON WANG
TAIWAN | MANDARIN AND TAIWANESE WITH ENGLISH SUBTITLES | FORMAT: DCP | 105 MINUTES
Like Rocky except for billiards instead of boxing, and if Rocky Balboa was a Type-A, overachieving schoolgirl, this flick features a who’s who of billiard champs as it becomes a fist-pumping sports movie.
U.S. PREMIERE
SOCIALPHOBIA | 소셜포비아
HONG SEOK-JAE, 2014 | CAST: BYUN YO-HAN, LEE JOO-SEUNG
SOUTH KOREA | KOREAN WITH ENGLISH SUBTITLES | FORMAT: DCP | 100 MINUTES
Four friends track down a cyberbully only to find that she’s hung herself. But two of them are convinced it’s murder, and the film becomes a grungy, realistic murder mystery set in the twitchy world of social media.
NORTH AMERICAN PREMIERE
SOLOMON’S PERJURY PART 1: SUSPICION | ソロモンの偽証 前編
IZURU NARUSHIMA, 2015 | CAST:RYOKO FUJINO, ANNA ISHII, TOMITA MIU, SHIMIZU HIROYA
JAPAN | JAPANESE WITH ENGLISH SUBTITLES | FORMAT: DCP | 121 MINUTES
In the first of a twisty two-parter, high-school students find the dead body of one of their classmates in the snow. Not convinced by the conclusion that he killed himself, they begin an investigation that eventually leads them to conducting a mock trial at school.
NORTH AMERICAN PREMIERE
SOLOMON’S PERJURY PART 2: JUDGEMENT | ソロモンの偽証 後編
IZURU NARUSHIMA, 2015 | CAST: RYOKO FUJINO, ANNA ISHII, MIU TOMITA, HIROYA SHIMIZU
JAPAN | JAPANESE WITH ENGLISH SUBTITLES | FORMAT: DCP | 149 MINUTES
Wrapping up the multitude of mysteries from the first part, the second film focuses on the trial, where both shocking and subtle revelations send irrevocable tremors through the high school and the adults surrounding the case.
THE TAKING OF TIGER MOUNTAIN 3D | 智取威虎山
TSUI HARK, 2014 | CAST: ZHANG HANYU, TONY LEUNG KA-FAI, LIN GENGXIN, YU NAN, TONG LIYA, HAN GENG, CHEN XIAO
CHINA | MANDARIN WITH ENGLISH SUBTITLES | FORMAT: DCP | 141 MINUTES
Tsui Hark (Detective Dee and the Mystery of the Phantom Flame) is back doing what he does best: delivering a popcorn thrillride. This adaptation of Qu Bo’s adventure novel, set in the late 1940s, mixes elements of spy movies, Chinese civil war sagas, and Mainland People’s Liberation Army actioners into a 3D blockbuster spectacle that was custom-made for the big screen.
NORTH AMERICAN PREMIERE
TAKSU | 欲動
KIKI SUGINO, 2014 | CAST: YOKO MITSUYA, TAKUMI SAITOH, KIKI SUGINO, TOM MES
JAPAN | JAPANESE WITH ENGLISH SUBTITLES | FORMAT: DCP | 97 MINUTES
Two couples find their needs and desires driving them further apart in this intensely erotic and melancholy drama set in Bali.
NEW YORK PREMIERE
TOKYO TRIBE
SION SONO, 2014 | CAST: RYOHEI SUZUKI, DAIS YOUNG, NANA SEINO, SHUNSUKE DAITO, TAKUYA ISHIDA, YUI ICHIKAWA, MIKA KANO, SHOTA SOMETANI, SHOKO NAKAGAWA, RYUTA SATO
JAPAN | JAPANESE WITH ENGLISH SUBTITLES | FORMAT: DCP | 116 MINUTES
Told almost entirely in hip-hop, Sion Sono’s berserk rap musical about warring gangs in Tokyo is full of tanks, B-boy battles, and so many baroque visual flourishes that the entire movie feels like Versailles stabbing you in both eyes.
Tokyo Tribe will be released in the U.S. by XLrator Media in the Fall of 2015.
NEW YORK PREMIERE (INTERNATIONAL FESTIVAL PREMIERE)
TWENTY | 스물
LEE BYEONG-HEON, 2015 | CAST: KIM WOO-BIN, LEE JOON-HO, KANG HA-NEUL
KOREA | KOREAN WITH ENGLISH SUBTITLES | FORMAT: DCP | 115 MINUTES
Three friends enter their twenties with sex on the mind, easy access to soju, and absolutely no clue how to navigate college, money, or women… or really anything else in the world. A painfully hilarious reminder about how awkward the transition into adulthood can be.
NORTH AMERICAN PREMIERE
TWO THUMBS UP | 衝鋒車
LAU HO-LEUNG, 2015 | CAST: FRANCIS NG, SIMON YAM, PATRICK TAM, MARK CHENG
HONG KONG | CANTONESE WITH ENGLISH SUBTITLES | FORMAT: DCP | 102 MINUTES
Old-school Hong Kong action-comedy at its finest, Two Thumbs Up stars Simon Yam and Francis Ng as ex-cons who disguise themselves as policemen to pull a heist. But it turns out they kind of like being cops…
NORTH AMERICAN FESTIVAL PREMIERE
VENGEANCE OF AN ASSASSIN | เร็วทะลุเร็ว
PANNA RITTIKRAI, 2014 | CAST: CHUPONG CHANGPRUNG, NATHAWUT BOONRUBSU, PING LUMPRAPLOENG, NISACHON TUAMSUNGNOEN
THAILAND | THAI WITH ENGLISH SUBTITLES | DIGITAL PROJECTION | 99 MINUTES
The final film from action legend Panna Rittikrai (Ong-Bak films)—the kinetic master of mayhem—pulls out all the stops to deliver a rough-and-ready action flick sporting everything from badass games of soccer to gun fu.
NORTH AMERICAN PREMIERE
VIOLATOR
DODO DAYAO, 2014 | CAST: VICTOR NERI, ANTHONY FALCON, R.K. BAGATSING
THE PHILIPPINES | TAGALOG WITH ENGLISH SUBTITLES | FORMAT: DCP | 115 MINUTES
The sole horror movie in this year’s lineup, Violator sees five men become trapped at a police station during a typhoon with a young man who claims to be Satan. A barebones indie that achieves a kind of monumental evil majesty as it progresses.
WAIKIKI BROTHERS | 와이키키브라더스
YIM SOON-RYE, 2001 | CAST: LEE EOL, PARK WON-SANG, HWANG JUN-MIN
SOUTH KOREA | KOREAN WITH ENGLISH SUBTITLES | 35MM | 109 MINUTES
In this modern Korean classic, a failed cover band returns to the lead guitarist’s hometown to try to get a fresh start, but the past, women, booze, and drugs threaten to break them apart.
NORTH AMERICAN PREMIERE
THE WHISTLEBLOWER | 제보자
YIM SOON-RYE, 2014
SOUTH KOREA | KOREAN WITH ENGLISH SUBTITLES | FORMAT: DCP | 113 MINUTES
The All The President’s Men of bioresearch, Yim Soon-Rye (one of Korea’s few female directors) turns in a sharply suspenseful powerhouse thriller based on the true story of one of the biggest scientific frauds of the 21st century.
WOLVES, PIGS AND MEN | 狼と豚と人間
KINJI FUKASAKU, 1964 | CAST: KEN TAKAKURA, SANAE NAKAHARA, SHINJIRO EBARA, KINYA KITAOJI
JAPAN | JAPANESE WITH ENGLISH SUBTITLES | FORMAT: 35MM | 95 MINUTES
Kinji Fukasaku’s first yakuza masterpiece is an angry tale of three brothers who walk and work the mean streets of a postwar Tokyo slum and buy themselves a world of trouble over a bag of stolen cash.
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South African film AYANDA to Open 36th Durban International Film Festival
The South African film AYANDA, directed by Sara Blecher has been selected as the opening night film of the 36th Durban International Film Festival (DIFF) which takes place from July16 to 26 this year.
Set in the vibrant, Afropolitan community of Johannesburg’s Yeoville, Ayanda is a coming-of-age story of a twenty-one year old Afro-hipster, who embarks on a journey of self-discovery when she has to fight to save her late father’s legacy – a motor repair shop – when it is threatened with closure. She’s thrown into a world of greasy overalls, gender stereotypes and abandoned vintage cars once loved, now in need of a young woman’s re-inventive touch to bring them back to life again.
The film stars Fulu Mugovhani (of Scandal fame) and Nigerian actor OC Ukeje, with a star South African cast including Ntathi Moshesh, Kenneth Nkosi, Jafta Mamabola, Thomas Gumede, Sihle Xaba and veteran star of stage and screen Vanessa Cooke.
“We are pleased that this feel-good film will open this year’s festival,” says Pedro Pimenta, Director of the DIFF. “The opening film of this, the most prestigious international film event in SA, needs to reflect a clear priority established by the festival to reach and develop local audiences.”
This is the second opening night film at DIFF for director Sara Blecher. Her film Otelo Burning opened the 2011 edition of DIFF to critical acclaim. “We are very proud of Ayanda and are thrilled to have it selected as the opening film at this year’s festival. The film had a very successful screening in Cannes last monthwe look forward to screening it to festival-goers in Durban,” says Blecher.
“Ayanda offers an interesting and positive convergence of talents style , resources and distribution potential for the film market.” says Pimenta. “There is a real sense that reaching an audience has been the most important motivation equally shared by the filmmakers and their financiers in its creation.”
“Ayanda celebrates the diversity of our country and revels in the fact that we are a multi-cultural, colourful and exciting melting pot of Africa,” says co-producer Terry Pheto. “With this film we have tried to capture the Afropolitan nature of our country and the energy of its people.”
“What is also particularly encouraging in terms of the South African film industry is that the film, originally titled, Andani and the Mechanic, was a project in the 2013 Durban FilmMart, the co-production and finance forum of the DIFF and the Durban Film Office.” says Pimenta. “The film is one of five titles that have been part of the DFM process over the years that will be screened this year at DIFF.”
The festival includes more than 200 theatrical screenings and a full seminar and workshop programme, as well as the Wavescapes Film Festival, and various industry initiatives, including the 8th Talents Durban (presented in cooperation with the Berlinale Talents) and the 6th Durban FilmMart co-production market (presented in partnership with the Durban Film Office).
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Cinedigm to Release LIFE Starring Robert Pattinson in Fall 2015 | VIDEO
Following its premiere at the Berlin Film Festival, Cinedigm has acquired all U.S. distribution rights to Anton Corbijn’s LIFE, starring Dane DeHaan (Life After Beth; Kill Your Darlings; Place Beyond The Pines), Robert Pattinson (Twilight, Cosmopolis, Maps To The Stars), and Ben Kingsley (Gandhi, Sexy Beast, Schindler’s List ). LIFE will open with a theatrical, digital and television VOD release beginning in Fall 2015.
Corbijn’s follow-up to A Most Wanted Man, LIFE captures the nuances and complexities of the relationship between photographer and subject in a way rarely seen or understood by someone outside the business. In a nod to Corbijn’s own past experience, the film is told from the perspective of the Life photographer Dennis Stock (played by Pattinson) who meets and profiles Dean (DeHaan) for the magazine, turning out some of Dean’s most iconic photographs.
“Life gorgeously chronicles the back story behind the 1955 photo spread that brought moody young heartthrob James Dean to the attention of the American public seven months before his death,” said Yolanda Macias, Cinedigm’s Executive Vice President of Acquisitions. “Beautiful to look at, powerful to experience, Life, using an Eisenhower-era America as prism, brilliantly presages America’s coming celebrity culture.”
The film was produced by Iain Canning’s See-Saw Films (The King’s Speech, Slow West), and is the second project in an ongoing collaboration between Corbijn and Canning, following their work together on Control. The script was written by Luke Davies (Candy, Lion).
https://www.youtube.com/watch?v=D-0Zym0vFWw
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World Premiere of The Walk starring Joseph Gordon-Levitt to Open 53rd New York Film Festival | TRAILER
Robert Zemeckis’s The Walk starring Joseph Gordon-Levitt, will make its World Premiere as the Opening Night selection of the 53rd New York Film Festival taking place September 25 to October 11, 2015, and which will kick off at Alice Tully Hall.
A true story, the film is based on Philippe Petit’s memoir To Reach the Clouds and stars Golden Globe nominee Joseph Gordon-Levitt as Petit, the French high-wire artist who achieved the feat of walking between the Twin Towers in 1974. The Walk will be the second 3D feature selected for the Opening Night Gala since Ang Lee’s Life of Pi in 2012 and also marks Zemeckis’s return to the Festival after Flight, the 2012 Closing Night Gala selection. The film will be released in 3D and IMAX 3D on October 2, 2015.
The film also stars Academy Award® winner Ben Kingsley, James Badge Dale, Ben Schwartz, Steve Valentine, Charlotte Le Bon, Clement Sibony, Caesar Domboy and Benedict Samuel. Directed by Zemeckis, the screenplay is by Robert Zemeckis & Christopher Browne, based on the book To Reach the Clouds by Philippe Petit, and produced by Steve Starkey, Robert Zemeckis, and Jack Rapke.
Robert Zemeckis said: “I am extremely honored and grateful that our film has been selected to open the 53rd New York Film Festival. The Walk is a New York story, so I am delighted to be presenting the film to New York audiences first. My hope is that Festival audiences will be immersed in the spectacle, but also to be enraptured by the celebration of a passionate artist who helped give the wonderful towers a soul.”
https://www.youtube.com/watch?v=GR1EmTKAWIw
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SUFFRAGETTE Starring Meryl Streep to Open 59th BFI London Film Festival| TRAILER
SUFFRAGETTE, starring Carey Mulligan, Helena Bonham Carter and Meryl Streep, will receive its European premiere on Wednesday October 7, 2015, as the Opening Night film of the 59th BFI London Film Festival. SUFFRAGETTE is the first feature film to tell the story of the ordinary British women at the turn of the last century who risked everything in the fight for equality and the right to vote.
The film stars Carey Mulligan, Helena Bonham Carter, Brendan Gleeson, Anne-Marie Duff, Ben Whishaw and Meryl Streep. It is directed by Sarah Gavron, who returns to the Festival for a third time, re-teaming with her Brick Lane screenwriter Abi Morgan (The Iron Lady).
SUFFRAGETTE is an intense drama that tracks the story of the foot soldiers of the early feminist movement as they fought for the right to vote, women who were forced underground to pursue a dangerous game of cat-and-mouse with an increasingly brutal State. These women were not primarily from the genteel educated classes, they were working women who had seen peaceful protest achieve nothing. Radicalized and turning to violence as the only route to change, they were willing to lose everything in their fight for equality – their jobs, their homes, their children and their lives. The character of Maud, played by Carey Mulligan, is one such foot soldier. The story of her fight for dignity is both heart-breaking and inspirational.
The 59th BFI London Film Festival runs from Wednesday October 7, to Sunday October 18, 2015.
https://www.youtube.com/watch?v=-dVtVekGbjE
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2015 deadCENTER Film Festival to Open With ‘Best of Enemies’ and ‘Rolling Papers’
For the first time in its 15-year history, 2015 deadCENTER Film Festival will roll-out two official Opening Night films: “Best of Enemies,” at 6 p.m. and “Rolling Papers” at 8:30 p.m.at the Oklahoma City Museum of Art, 415 Couch Dr.
The 15th Annual deadCENTER Film Festival will take place from Wednesday, June 11 through Sunday, June 14 at five locations in downtown Oklahoma City.
“Best of Enemies” is a feature documentary directed by Robert Gordon and Oscar winner Moran Neville that follows William F. Buckley, leader of the new conservative movement, and Gore Vidal, leftist novelist and polemicist, as they battle for the soul of America in a series of debates hosted by ABC during the 1968 Presidential Conventions. The film was nominated for the Grand Jury Prize at the 2015 Sundance Film Festival. Running time: 87 min.
“Rolling Papers” (pictured above) is a feature documentary directed by Mitch Dickman about the Denver Post’s Ricardo Baca, the world’s first marijuana editor of a major newspaper. Policy news, strain reviews, parenting advice and edible recipes are the new norm on a new beat: pot journalism. Running time: 79 min.
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Oklahoma Film HOLLIS to Premiere at deadCENTER Film Festival
Filmed in rural Oklahoma, the feature film HOLLIS will premiere at Oklahoma City’s deadCENTER Film Festival taking place June 10 through 14, 2015
On Thursday, June 11, “Hollis” will be playing at Harkins Theater (150 East Reno Ave. Oklahoma City, OK 73104) at 7 p.m., with an encore showing Saturday, June 13 at noon. Individual tickets will go on sale 20 minutes before the showing.
The film follows a young man, Darryl, who is forced to make the decision of staying in small town Hollis, Okla. to take care of his family versus going of to college to pursue his lifelong dreams.
Should Darryl stay home and protect his brother Hollis, who has cerebral palsy, from his abusive father? Or, should he head of to Duke University to make his dreams come true?
Written and directed by Sonny Priest (of Tall Gardener Motion Pictures), this film showcases a talented cast including Ty Fanning (“Secrets of a Psychopath”, “Home Run”) who plays Darryl, and Matt Altobelli, an OU acting graduate. The film also stars the talented Terry Masters and Cassidee Vandalia (who has acted alongside Javier Bardem in “To the Wonder”).
Produced by Adam Carter of Tall Gardener Motion Pictures, Brian Christopher Cates of Behold Motion Pictures(“Where Was God?”) and Vahid Farzaneh of Freestyle Marketing + Films (“The Posthuman Project,” “No One Knows”) this film is shot entirely in Oklahoma.
“Everything was for Okies by Okies. We shot in Hollis, El Reno, Wellston, near Kingfisher, and all around Oklahoma City. People really opened their doors for us, and we felt the support of the communities as a whole,” said writer and director Sonny Priest.
“We are extremely proud and excited to have Hollis’ world premiere at deadCENTER in Oklahoma City,” said producer Adam Carter. “It’s very cool to think that all of this started here in Oklahoma and is now coming to fruition in Oklahoma. I could not be more proud of our team who worked so hard and long for this dream to be realized. We are so excited for the world to see a bit of Oklahoma filmmaking.”
https://www.youtube.com/watch?v=h1cY3_r6Azs
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THE SURFACE Starring Australian Model Harry Hains to Premiere at Frameline
THE SURFACE directed by Michael J. Saul (Crush, Adults Only, Go Go Reject) will World Premiere at Frameline, the San Francisco International LGBTQ Film Festival, at 6:00 pm, June 27, 2015 at the historic Castro Theatre. THE SURFACE follows a lost young man through his struggles to create his own sense of family.
Starring Australian model Harry Hains in his leading role debut, alongside Michael Redford and Nicholas McDonald, The Surface tells the story of Evan Jones, an orphan who was shifted from one foster home to another for years. Now a disaffected college student, he lives with his wealthy boyfriend, Chris. Their social and financial differences have made their relationship increasingly volatile despite their love for one another.
While sifting through relics at an elderly man’s yard sale, Evan finds an 8mm movie camera. The man offers to teach Evan how to use it if he comes back the following week. Upon returning, Evan meets the man’s 43-year-old son, Peter. Peter gives him reels of old 8mm movies that are collecting dust in the garage. The home movies, featuring a young Peter and his boyhood friend touch a nerve with Evan. Their youthful flirtations and tenderness are uncomplicated and pure. Evan begins to live vicariously through the home movies and his friendship with Peter soon turns romantic. Evan’s relationship with Chris splinters as he pushes for greater understanding of himself and the notions of family, love and fulfillment.
https://vimeo.com/110314788
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2015 Karlovy Vary International Film Festival Unveils Competition Lineup
The 2015 Karlovy Vary International Film Festival unveiled the official competition lineup, featuring some of the youngest filmmakers in the festival’s recent history. The lineup includes premiere of new movies by Dietrich Brüggemann and Romanian filmmakers Anca Damian and Florin Şerban, as well as the feature debut of the “rising star of Italian cinema” Ferdinando Cito Filomarino.
“This year, we are excited to present the youngest competition line-up in the KVIFF’s recent history, the average age of the filmmaker in the main festival section is 39 years old,” says KVIFF’s artistic director Karel Och.
The competition will feature a trio of up-and-coming European directors including German director Dietrich Brüggemann (Stations of the Cross) who will premiere his radical anti-Nazi film Heil, a comedy satire that delivers acrid, rapid-fire commentary on the state of German society. Inspired by actual events, leading Polish docudirector and DOP Marcin Koszałkaʼs feature debut The Red Spider is a precisely constructed psychological thriller that delves into the mechanisms that give rise to a mass murderer. Renowned Danish documentarist Daniel Dencik will present his first feature, Gold Coast, an original historical film that blends lyric poetry with a terrifying nightmare while offering clear-cut testimony about European colonialism.
Also on the lineup is the outstanding debut Antonia, with its ground-breaking insight into the life of a poet Antonia Pozzi (1912-1938), by Ferdinando Cito Filomarino, who also directed the short Diarchy (awarded at Locarno and Sundance), and shot the film in production with his celebrated colleague Luca Guadagnino.
In the Karlovy Vary competitionKosovar talent Visar Morina will present his first feature Babai, the story of a 10-year-old boy who follows his father on a dramatic journey from Kosovo to Germany.
Two female directors will bring their markedly stylized films to Karlovy Vary. In her new artistic-cinematic effort The Magic Mountain, Anca Damian, creator of Crulic: The Path to Beyond, delves into the adventurous life of mountain climber and photographer Adam Winkler using animated collage techniques of period materials. An acclaimed work by renowned Yiddish writer Sholem Aleichem served as inspiration for Ukrainian filmmaker Eva Neymann (House with a Turret, KVIFF 2012), whose third picture Song of Songs offers fascinating, loosely connected images of the lost world of the Jewish shtetl at the beginning of the 20th century.
Bob and the Trees (pictured above), an American production by Massachusetts-based Frenchman Diego Ongaro, is one of seven competition debuts. Shot in cinéma vérité style, the story features 50 years old logger and farmer Bob Tarasuk, a charismatic workhorse with a soft spot for golf and gangsta rap.
Five years after the multi-award-winning Berlin competition film If I Want to Whistle, I Whistle, Romanian director Florin Șerban will bring to Karlovy Vary his intense drama Box, whose story follows the movements of a talented 19-year-old boxer and an attractive theater actress and mother who is looking for her lost balance.
In his intimate debut The Sound of Trees, Canadian filmmaker François Peloquin comprehensively portrays a drama of adolescence set against the photogenic wonder of the Québec landscape. Austrian director Peter Brunnerʼs soul-searching study Those Who Fall Have Wings, whose title acknowledges inspiration from Ingeborg Bachmannʼs poetry, is a cinematically ambitious, symbol-based method of coming to terms with the painful loss of a loved one.
The Czech Republic will be represented in the main competition by two titles. First-timer Slávek Horákʼs Home Care fixes its gaze upon a devoted home care nurse, whom fate has decided to burden with an almost insurmountable obstacle, relating deadly serious issues with a gentle humor. The uncompromising drama The Snake Brothers from Jan Prušinovský tells the story of Cobra and Viper, each of whom deals in his own way with the desolation and lack of funds in their small Central Bohemian town.
Official Selection – Competition
Antonia / Antonia / Antonia
Director: Ferdinando Cito Filomarino
Italy, Greece, 2015, 96 min, World premiere
Distinguished Italian poet Antonia Pozzi (1912–1938) was among those women who were at odds with the times in which they lived. Her poems record her inability to adapt to social norms and her desire to live fully, and in poetry she sought an escape from reality and from her own complex soul and emotional life. An exceptional debut from a talented Italian filmmaker whose short work has been awarded at the festivals in Locarno and Sundance.
Babai / Babai / Babai
Director: Visar Morina
Germany, Kosovo, Macedonia, France, 2015, 104 min, International premiere
The story of ten-year-old Nori plays out in Kosovo, Germany, and on the road between the two countries. His father Gezim dominates his entire world, however, one day he leaves for work in the “West” and Nori won’t be placated concerning his sudden disappearance. This feature debut from a talented Kosovan filmmaker is rendered with exceptional intensity and a flair for portraying the emotional complexities of the child’s situation.
Bob and the Trees / Bob and the Trees / Bob a stromy
Director: Diego Ongaro
USA, 2015, 91 min, International premiere
Massachusetts logger Bob Tarasuk, a charismatic workhorse and hard-head with a soft spot for golf and gangsta rap, plays himself in this vérite-style drama – an unpretentiously intense character study of an individual surrounded by a landscape both majestic and inscrutable.
Box / Box / Box
Director: Florin Şerban
France, Germany, Romania, 2015, 96 min, World premiere
The story of this keenly anticipated film by acclaimed Romanian director Florin Șerban (If I Want to Whistle, I Whistle, Berlinale 2010) follows a talented 19-year-old boxer named Anghel, for whom a session in the ring is everything, and Cristina, an attractive, 30-something mother who finds herself at a critical moment in her life. Two characters with their own secrets, two journeys, two outlooks. An intense drama that penetrates to the core.
Le bruit des arbres / The Sound of Trees / Šum stromů
Director: François Péloquin
Canada, 2015, 79 min, World premiere
At 17 Jérémie dreams of a life different from the one that awaits him at the family sawmill in the small Canadian town where he lives. Jérémie is more interested in pimping his car, listening to hip hop, and slacking off with his friends. This impressionistic debut, built upon convincing performances, tells of a summer that completely changed a teenager’s life.
Czerwony Pająk / The Red Spider / Červený pavouk
Director: Marcin Koszałka
Poland, Czech Republic, Slovak Republic, 2015, 95 min, World premiere
The feature debut by a leading Polish documentarist and cameraman was inspired by actual mass murders committed in the 1960s. A precisely constructed psychological thriller, the film delves into an intricate story of the fascination with evil that hides in places we would never expect.
Domácí péče / Home Care / Domácí péče
Director: Slávek Horák
Czech Republic, Slovak Republic, 2015, 92 min, World premiere
Everyone knows about the finality of human existence but the realization of life’s actual limits comes to each of us individually and often unexpectedly. Dedicated home care nurse Vlasta (Alena Mihulová) lives for her husband Láďa (Bolek Polívka), her daughter, and her patients. But then one day things change and Vlasta is forced to react. This mature debut portrays deadly serious issues with a gentle humor.
Guldkysten / Gold Coast / Zlaté pobřeží
Director: Daniel Dencik
Denmark, 2015, 100 min, International premiere
Young anti-colonial idealist Wullf Joseph Wullf sets out for Danish Guinea to set up a coffee plantation but not everything goes according to plan. This bold contribution to the historical film genre casts light on a dark chapter of European history, employing the music of Angelo Badalamenti to help shift the experience into a dreamlike trip that partakes in equal measure of lyric poetry and a horrifying nightmare.
Heil / Heil / Heil
Director: Dietrich Brüggemann
Germany, 2015, 103 min, International premiere
Renowned German filmmaker Dietrich Brüggemann (Stations of the Cross) has come out with a radical satirical comedy where, in the carefree spirit of punk, he pitches into the neo-Nazis, the media, police, and the European Union. The acrid commentary on the state of contemporary German society fed to the viewer at an impressive tempo can easily be applied to the countries bordering the director’s homeland.
Jeder der fällt hat Flügel / Those Who Fall Have Wings / Má křídla, kdo končí pádem
Director: Peter Brunner
Austria, 2015, 92 min, World premiere
In the face of death, time seems to stop for those left behind. What can they do to start the clock ticking again? This inward-looking, artistically striking, and exceptionally strong drama from one of Austria’s greatest talents presents its protagonists in moments of sorrow and the occasional joy, but always as fragile, vulnerable people.
Kobry a užovky / The Snake Brothers / Kobry a užovky
Director: Jan Prušinovský
Czech Republic, 2015, 111 min, International premiere
This uncompromising drama tells the story of two brothers, who answer to the nicknames Viper and Cobra, each dealing in his own way with the bleakness, lack of funds, and the alcohol-filled evenings repeated ad nauseam in their small Central Bohemian town. Brothers Matěj and Kryštof Hádek excel in one of the must-see domestic films of the year.
La montagne magique / The Magic Mountain / Kouzelný vrch
Director: Anca Damian
Romania, France, Poland, 2015, 95 min, International premiere
The Magic Mountain investigates the adventures of mountain climber and photographer Adam J. Winkler, who fought in Afghanistan with the mujahedin against the Soviets in the 1980s. The director employs a highly original artistic technique involving animated collage of period materials.
Pesn pesney/ Song of Songs / Píseň písní
Director: Eva Neymann
Ukraine, 2015, 75 min, World premiere
The acclaimed work by renowned Yiddish writer Sholem Aleichem served as inspiration for the Ukrainian filmmaker, whose third picture offers a markedly stylized vision of the lost world of the Jewish shtetl at the beginning of the 20th century. Poetic scenes created using truly magical images are loosely connected via the motif of childhood love, while the film’s imaginative form is imbued with nostalgia.
Czech-Polish debut Journey to Rome to open the East of the West competiton of the 50th KVIFF
East of the West – Competition
A szerdai gyerek / The Wednesday Child / Středeční dítě
Director: Lili Horváth
Hungary, Germany, 2015, 94 min, World premiere
History sometimes repeats itself. As a nine-year-old, Maja was abandoned by her mother and placed in an orphanage. Now it’s ten years later and she keeps returning to the institution, now to visit her four-year-old son. Will she be able to take control of her life despite the unfavorable circumstances and her own self-destructive tendencies?
Cesta do Říma / Journey to Rome / Cesta do Říma
Director: Tomasz Mielnik
Czech Republic, Poland, 2015, 100 min, World premiere
There are as many stories in the world as there are people, and Vašek, a timid guard at a gallery who becomes a reluctant painting thief, hears plenty of them on his train trip to Rome. This multilevel comedy road movie (on a train) and quest for the meaning of life is director Tomasz Mielnik’s feature debut.
Chemia / Chemo / Chemo
Director: Bartek Prokopowicz
Poland, 2015, 105 min, World premiere
After a nontraditional romance blossoms between Benek and Lena, a young couple immersed in questions of life and death, they decide to defy the natural order by having a baby. A mournful yet lightly-rendered tale about the search for identity, finding love, and the battle against a fatal illness that is nearly impossible to win.
KROM / CHROMIUM / CHROM
Director: Bujar Alimani
Albania, 2015, 78 min, World premiere
While a mute and lonely mother lives a life that is far from easy, she nevertheless bares her lot with dignity and courage. Her 15-year-old son is trying to stand on his own two feet, but in so doing he only complicates the grim situation in the family. This sensitive coming-of-age picture is the second feature from Albanian director Bujar Alimani.
Lumea e a mea / The World Is Mine / Svět patří mně
Director: Nicolae Constantin Tanase
Romania, 2015, 104 min, International premiere
Sixteen-year-old Larisa lives in a small coastal town in a social environment where image and money afford power over others. With courage and a dogged determination that commands and intimidates, Larisa attempts to attain just such a “dream.” Talented Romanian first-timer Nicolae Tanase captures the most intense period of a person’s life with skill and disarming authenticity.
Między nami dobrze jest / No Matter How Hard We Tried / Mezi námi dobrý
Director: Grzegorz Jarzyna
Poland, 2014, 70 min, International premiere
The Mother, the Daughter, the Grandmother, and other archetypal characters gradually come together in a room where they talk incessantly. Their monologues rarely cross over into dialogue but taken together they create an absurdly humorous and satirical look at contemporary Poland, which in their opinion isn’t (and perhaps never was) a nice place to live. The movie is an adaptation of Dorota Masłowska’s successful theater play.
Prach / Dust of the Ground / Prach
Director: Vít Zapletal
Czech Republic, 2014, 95 min, World premiere
Two brothers, the elder married, the younger with a lover and a young child meet up at their parents’ country place after the father has a stroke. A subtle family drama from debut director Vít Zapletal that distinguishes itself from the usual Czech production through its unaffected accent on the Christian faith.
Sarmaşık / Ivy / Břečťan
Director: Tolga Karaçelik
Turkey, 2015, 104 min, European premiere
A cargo ship suddenly anchors out at sea. It is prohibited from entering the port, so the crew is left to wait things out in a claustrophobic environment with dwindling food supplies. A Turkish psychological thriller on what becomes of the principles of power, authority and hierarchy the moment the traditional social order breaks down.
Sutak / Heavenly Nomadic / Nebeští nomádi
Director: Mirlan Abdykalykov
Kirghizia, 2015, 81 min, World premiere
There are still places in the world where people live in harmony with nature and the mythology which comes out of it. A family of nomads dwelling high in the mountains of Kyrgyzstan find contentment without the conquests of modern civilization. This poetic sketch about traditions that are slowly disappearing was based on a screenplay by renowned director Aktan Arym Kubat.
Tetarti 4:45 / Wednesday 4:45 / Středa 4:45
Director: Alexis Alexiou
Greece, Germany, 2015, 116 min, European premiere
Thanks to the efforts of owner Stelios, musicians love his small jazz club in the heart of Athens and the place seems to be prospering. But an early demise threatens this island of quality music, and Stelios has a mere 32 hours to save his beloved nightclub – and himself. The movie’s tough generic shell (crime thriller) masks a bitter treatise on the Greek economic crisis.
Ti mene nosiš / You Carry Me / Ty mě nosíš
Director: Ivona Juka
Croatia, Slovenia, Serbia, Montenegro, 2015, 155 min, World premiere
Ives, Nataša, Vedran, and his wife. Four people, four different destinies that cross during the filming of a soap opera entitled “Prisoners of Happiness.” Ivona Juka’s feature debut offers a colorful portrait of four strong personalities whose desire for satisfaction bumps up against seemingly insurmountable day-to-day problems.
Zero / Zero / Zero
Director: Gyula Nemes
Hungary, Czech Republic, Germany, 2015, 83 min, World premiere
It’s 2017. Bees are dying out and, in the words of Albert Einstein; humanity has only four more years left. Young radical ecologists set out to wage a ruthless battle for their survival. A formally inventive and thoroughly nonconformist vision of the fight against globalization.
Brazil’s Aspirantes to open the Forum of Independents competition
Forum of Independents – Competition
Aspirantes / Hopefuls / Adepti
Director: Ives Rosenfeld
Brazil, 2015, 75 min, World premiere
This debut by a talented Brazilian filmmaker offers a sensitive rendering and sincere initiation study of a lonely hero (still almost a boy with the nickname Junior) whose dream of becoming the star of an elite football team is jeopardized under the weight of circumstances.
David / David / David
Director: Jan Těšitel
Czech Republic, 2015, 78 min, World premiere
At age 20, David is increasingly aware of how his mental illness influences his parents’ behavior. So one evening he decides to run away to Prague where, alone, he has to face numerous tricky situations – as well as his own thoughts. This courageous and moody debut is crowned with a fine lead performance from Patrik Holubář.
Le dep / Le dep / Večerka
Director: Sonia Boileau Bonspille
Canada, 2015, 77 min, World premiere
One night Lydia is attacked as she’s preparing to close her father’s store, and in the next few hours she is forced to make a number of life-altering decisions. In her powerful psychological drama, the director demonstrates her sensitivity in depicting the world of the Inuit community as well as the inner emotions of the young protagonist.
Gerilla / Guerrilla / Gerila
Director: Anders Hazelius
Sweden, 2015, 74 min, International premiere
Young Adam has lost his girlfriend and mother of his child, but he’d like to win her back. In order to banish his feelings of emptiness, he agrees to help with a controversial project. A love story set in Stockholm during the filming of a feminist movie.
Outre ici / Beyond Here / Za tím
Director: Hugo Bousquet
Belgium, 2015, 72 min, World premiere
A desolate mountainous region, a young couple exhausted from a long journey, an abandoned house discovered by chance, and finally the arrival of a mysterious stranger speaking an unfamiliar language – the director defly employs these ingredients to create suspense in a psychological drama compressed by time and space.
Princess / Princess / Princezna
Director: Tali Shalom-Ezer
Israel, 2014, 92 min, European premiere
Puberty is giving 12-year-old Adar a rough ride. A fascinating chamber piece in which debuting Tali Shalom-Ezer deftly transforms a playful dream into a provocative, even devastating nightmare.
Shadow Behind the Moon / Shadow Behind the Moon / Stíny ve skrytu Měsíce
Director: Jun Robles Lana
Philippines, 2015, 115 min, World premiere
The armed conflict between the Philippine military and the communist resistance at the beginning of the 1990s forms the backdrop to this study of three individuals who, for different reasons, are trying to resolve an untenable situation. The film makes sophisticated use of the narration to encourage contemplation of the dignity, morality, and also the manipulation of people trapped in tough circumstances.
Shinkiro No Fune / The Ark in the Mirage / Archa přízraků
Director: Yasutomo Chikuma
Japan, 2015, 99 min, World premiere
A gang of young hoodlums preys on vulnerable elderly people, isolating them in undignified circumstances and stealing the bulk of their retirement money. But after the arrival of a new mark, played by renowned Japanese dancer Min Tanaka, one of the thugs begins to question his conscience and sets out to explore his past and discover who he really is.
Tangerine / Tangerine / Transdarinka
Director: Sean Baker
USA, 2014, 88 min, European premiere
Sin-Dee is back and she’s mad as hell. During the month she was gone (read: in prison) she found out her boyfriend was stepping out on her – and with a “normal” girl to boot. And Sin-Dee, a girl with a capital G (and with something that hints at her past life as a man), isn’t about to put up with that. Violence, love, and friendship – all this in a comedy shot on an iPhone 5.
Viaje / Viaje / Cesta
Director: Paz Fábrega
Costa Rica, 2015, 71 min, European premiere
San Jose, Costa Rica, the present. Pedro (30) and Luciana (29) meet at a party. Although there’s no fatal attraction, there’s a hint that something is happening between them. What follows is an impulsive decision to travel together to the base of the Rincon de la vieja volcano in the northwest of the country. Forget about past traumas, this unassuming romance focuses on the importance and singularity of the here and now.
Violator / Violator / Rozrušení
Director: Dodo Dayao
Philippines, 2014, 101 min, European premiere
A typhoon is slowly approaching Manila. And in the swelter that accompanies the storm something ominous is hiding which awakens suicidal tendencies and other inexplicable urges in the city’s inhabitants. This surprisingly self-assured and mature directorial debut is a sophisticated portrait of a society into which evil has come a-creeping.
The Violators / The Violators / Rebelky
Director: Helen Walsh
United Kingdom, 2015, 96 min, International premiere
The protagonists of this visually commanding picture are two girls who come from different social backgrounds. Shelly, who lives alone with her brothers and financially carefree Rachel are connected via emotional alienation. Their mutual encounter proves to be a milestone in their lives – with one emerging reborn, the other scarred.
New films by Helena Třeštíková and Mark Cousins in the documentary competition of the 50th KVIFF
Documentary Films – Competition
23 Kilometres / 23 Kilometres / 23 kilometrů
Director: Noura Kevorkian
Canada, Lebanon, United Arab Emirates, 2015, 82 min, World premiere
Suffering from an advanced stage of Parkinson’s disease, Barkev Kevorkian spends his time recalling the past when he worked at a foundry, loved fast drive, and enjoyed time with his little girl. In this courageous documentary essay, the Lebanese-born director contemplates all the things a serious illness takes from your life.
Amerika / Amerika / Amerika
Director: Jan Foukal
Czech Republic, 2015, 67 min, World premiere
A nontraditional documentary road movie or a staged pseudo-documentary meditation? However we perceive this story of a couple wandering through the Czech countryside, we can best experience it by yielding to the calm tempo of their journey through the shady woods. Amerika isn’t a portrait of specific individuals but rather a probe into the Czech phenomenon of “tramping”.
Cats in Riga / Cats in Riga / Kočky v Rize
Director: Jon Bang Carlsen
Latvia, 2014, 17 min
While the news media sift through current affairs and the inhabitants of Riga focus on their daily cares, cats are completely occupied by their aimless wanderings through stairways, offices, and apartments, sublimely indifferent to the preposterous hustle and bustle of our civilization. This ingenious and playful para-documentary investigates the role of subjectivity in the perception of the world around us.
Game Over / Game Over / Game Over
Director: Alba Sotorra
Spain, Germany, 2015, 78 min, International premiere
Djalal has loved weapons since before he could walk. But success in the virtual world, where thousands of followers watch his videos, is not enough – so he heads to Afghanistan as a sniper. Unfortunately, actual war is a dull business that drags on endlessly. Will the young man, who is still searching for his place in the real world, realize that the game is over and that it’s time to grow up?
Horizontes / Horizons / Horizonty
Director: Eileen Hofer
Switzerland, 2015, 67 min, International premiere
A dance school in Havana. Ballet means everything to adolescent Amanda, experienced Viengsay, and renowned local legend Alicia Alonso. The contours of the characters intermingle as three portraits flow into one: a single female destiny presented in three forms. A documentary of commitment and passion for ballet that become a metaphor for the lack of freedom suffered by the inhabitants of the island nation.
I Am Belfast / I Am Belfast / Já jsem Belfast
Director: Mark Cousins
Ireland, United Kingdom, 2015, 84 min, International premiere
“I met a woman. She said that she is Belfast, the city in Northern Ireland where I grew up. The woman said that she’s as old as the city,” states Mark Cousins at the beginning of his meditative dialogue with the personification of Belfast. This cinematic essay abandons the parameters of classic documentary language, asking us to perceive the film as a magical-realist mix of reality, dreams, myths, and local storytelling.
IEC Long / IEC Long / IEC Long
Director: João Pedro Rodrigues, João Rui Guerra da Mata
Portugal, 2014, 30 min
Macao, the former Portuguese colony on Chinese soil, was known as a centre of fireworks production. The IEC Long factory, the last monument to the area’s industrial past, today lies in ruins. The half-hour documentary captures the eerie silence and starkness of a place that for decades belched out products guaranteed to provide explosive fun.
Kacey Mottet Klein, naissance d’un acteur / Kacey Mottet Klein, Birth of an Actor / Kacey Mottet Klein, zrození herce
Director: Ursula Meier
Switzerland, 2015, 14 min
How does a child become an actor? And how does the acting profession influence his or her relationship to the world? In Ursula Meier’s documentary teenage Kacey Mottet Klein answers these very questions. Following the road from the playground to the film set, the film presents a study of how mind and body mature before the camera lens.
Mallory / Mallory / Mallory
Director: Helena Třeštíková
Czech Republic, 2015, 97 min, World premiere
Life hasn’t been easy on Mallory but after the birth of her son she tries desperately to kick her drug habit, and to stop living on the street. She wants to turn her back on her dark past and help those she knows best – people on the fringes of society. In her latest long-term documentary, Helena Třeštíková demonstrates that even seemingly hopeless lives needn’t be cut short halfway.
Once Upon a Dream – A Journey to the Last Spaghetti Western / Once Upon a Dream – A Journey to the Last Spaghetti Western / Tenkrát ve snu: Cesta za posledním spaghetti westernem
Director: Tonislav Hristov
Finland, Germany, Bulgaria, 2015, 60 min, International premiere
It’s not so long since they shot one cult film after another in the Andalusian town of Tabernas. But the fame of the movie stars has since faded and the charm of the place evaporated in the face of the economic crisis. When word gets out about the production of a new blockbuster, the eyes of the local inhabitants shine with hope. A humorous documentary fairy tale about a life reminiscent of an endless Hollywood movie.
Palio / Palio / Palio
Director: Cosima Spender
United Kingdom, Italy, 2015, 90 min, European premiere
The oldest and most famous palio – a rough-and-tumble bareback horserace – takes place twice yearly in the heart of Siena. The race not only requires riding skills but also a healthy dose of behind-the-scenes wheeling and dealing. Who will come out on top – legendary jockey Gigi Bruschelli or his gifted former trainee Giovanni Atzeni? The answer lies in this gripping docudrama, in which emotion, movement, and gesture are pared down to their most crystalline form.
Resort / Resort / Resort
Director: Martin Hrubý
Czech Republic, 2014, 20 min
In the 1960s an architecturally unique resort built on the banks of Orlík reservoir became the secret getaway of the communist establishment, then later passed into the hands of notorious businessmen during the early days of unrestrained capitalism. Suffused with an air of mystery, this portrait captures the genius loci and turbulent history of a hidden summer paradise that was left off every map.
Vaterfilm / The Father Tapes / Otec
Director: Albert Meisl
Austria, 2015, 78 min, International premiere
When Albert Meisl began to suspect that his father was writing the final chapter of his life, he decided to visit his parents with a movie camera in tow. This harrowing documentary deliberately suppresses any estheticization of the hopeless situation, thereby placing us in the role of disinterested observers of their sorrowful parting.
White Death / White Death / Bílá smrt
Director: Roberto Collío
Chile, 2014, 17 min
Using a variety of formats and animation techniques, a story unfolds before our eyes of a Chilean military company trapped in the snow during a cruel Andean storm. Yet the film doesn’t aim to provide a faithful reconstruction of events but rather to investigate the boundless solitude and blistering cold that bores down to the bone when a person stands on the threshold of white death.
Women in Sink / Women in Sink / Ženy v umyvadle
Director: Iris Zaki
United Kingdom, Israel, 2015, 30 min
It’s packed at Fifi’s beauty salon in Haifa. As is normal in such a place, the women are quick to enter into conversation. The young director takes advantage of the situation, allowing her customers to air their opinions on the coexistence of Arabs and Jews as she washes their hair, while also offering a more general look at politics, history, love, and life.
Zhyva vatra / The Living Fire / Živoucí oheň
Director: Ostap Kostyuk
Ukraine, 2014, 77 min, European premiere
The snow is starting to melt and spring has announced its arrival. Three Carpathian herdsmen, just like their fathers and grandfathers before them, set off with their livestock into the mountains on a lonely journey lasting several months. A nostalgic, mystery-tinged essay about an ancient profession that unbridled civilization may soon swallow up.
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100 Films Selected For 2015 deadCENTER Film Festival
Approximately 100 films have been selected for official screenings at the 15th Annual deadCENTER Film Festival to take place Wednesday, June 10 through Sunday, June 14 at five locations in downtown Oklahoma City.
More than 1,000 films were submitted for the 2015 deadCENTER Film Festival, including comedies, dramas, documentaries and short films from Oklahoma and around the world. Click here to view the schedule
“With well over 1,000 submissions, this was our most competitive year ever,” said Kim Haywood, director of programming and education for deadCENTER Film Festival. “It was a great thrill to see a record eight featurefilms produced in Oklahoma make the cut. It is obvious that our great universities and our state rebate program are having a huge impact on the growth of the film industry here in Oklahoma.”
According to the festival, more than 25,000 people attended deadCENTER Film Festival screenings in 2014, generating an economic impact of approximately $2.1 million for Oklahoma City.
Indoor screening locations will include the Oklahoma City Museum of Art, 415 Couch Dr., Harkins Bricktown 16, 150 E. Reno Ave., Devon Energy Auditorium, 333 W. Sheridan Ave., and the Terrace Room at Myriad Botanical Gardens, 301 W. Reno Ave.
All Access passes are available online for $125 ($75 for students), and gains the holder priority admission to every film, party, panel and special event. Individual tickets may be purchased for $10 at the door prior to each screening. Admission priority is given to pass holders.
There will also be three outdoor screenings that are free and open to the public at The Great Lawn at Myriad Botanical Gardens.
The deadCENTER Film Festival is Oklahoma’s largest film festival, named for its geographic location in the center of the U.S. The nonprofit organization provides year-round events and education to support its mission to promote, encourage and celebrate the independent film arts.
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8 Classic Films from Martin Scorsese’s The Film Foundation to Screen at 2015 Seattle International Film Festival
Eight classic films from Martin Scorsese’s The Film Foundation will screen at this year’s 2015 Seattle International Film Festival running May 14 through June 7, 2015. Taking place during the final week of the Festival are the North American premieres of two restored films: 1966’s Black Girl (La Noire de…) (pictured above) from “the father of African cinema” Ousmane Sembène on June 1 and 1978’s Alyam, Alyam from Moroccan master Ahmed El Maanoui on June 7.
Established in 1990 by Martin Scorsese, The Film Foundation is dedicated to protecting and preserving motion picture history and has helped to restore over 620 films in the last 25 years.
Carl Spence, SIFF’s Artistic Director, says, “Martin Scorsese has been shining a light on the urgent work of film preservation through The Film Foundation for 25 years. Through his efforts, we are able to publicly showcase these films from around the world that audiences would not otherwise have a chance to see projected on a big screen. The enthusiastic response from SIFF audiences is a testament to our belief that movie lovers from all walks of life want to experience films in cinemas. It is also fitting that we are presenting the North American premieres of two films from Africa – it pairs nicely with the 12 contemporary features being presented in our African Pictures spotlight.”
Jennifer Ahn, Managing Director of The Film Foundation, says, “We are delighted that the Seattle International Film Festival is focusing on the importance of film preservation with its tribute to The Film Foundation’s 25th Anniversary. We’re especially pleased that the festival is presenting two remarkable works of global cinema: Black Girl (1966), directed by Senegal’s Ousmane Sembène and Alyam, Alyam (1978) by Moroccan filmmaker Ahmed El Maanouni. These films were restored through The Film Foundation’s World Cinema Project, and we welcome this opportunity to collaborate with SIFF on their international premieres.”
Still to play:
Alyam, Alyam
Morocco | 1978 | 80 minutes | Ahmed El Maanouni
Following his father’s death, Abdelwahad is expected to provide for his mother and his seven brothers. But faced with the cycle of poverty that rural farmers seem doomed to repeat, he dares to hope for something better. Restoration by The Film Foundation’s World Cinema Project at Cineteca di Bologna/L’Immagine Ritrovata laboratory.
Also played at SIFF 2015:
Black Girl
Senegal | 1966 | 65 minutes | Ousmane Sembène
This 1966 film explores the complex dynamics and larger post-colonial implications that arise between a young Senegalese maid and the French family that employs her. This quiet, observational drama was esteemed African filmmaker Ousmane Sembène’s first feature film. Restored by The Film Foundation’s World Cinema Project at Cineteca di Bologna/L’Immagine Ritrovata laboratory.
Caught
USA | 1949 | 88 minutes | Max Ophüls
A model (Barbara Bel Geddes), a sociopathic millionaire (Robert Ryan), and a sympathetic pediatrician (James Mason) engage in a fraught romantic power struggle in Max Ophüls’ 1949 noir, only one of four movies the esteemed director made in the United States.
The Color of the Pomegranates
Armenia | 1969 | 77 minutes | Sergei Parajanov
Sergei Parajanov’s empirical masterpiece loosely follows the life of Sayat Nova, “King of Song,” an Armenian poet and musician born in the 18th century, through vibrant sets and costumes and hypnotic shots. This colorful and avant-garde masterpiece provides an utterly transformative cinematic experience.
The Dark Mirror
USA | 1946 | 85 minutes | Robert Siodmak
Robert Siodmak’s 1946 psychological thriller follows a pair of identical twins with dueling personalities, one of which is a suspect in the murder of a doctor. The Dark Mirror dips into terrifying evil doppelganger territory, while at the same time hitting all the disturbing aspects of an effective melodrama.
The Old Dark House
USA | 1932 | 71 minutes | James Whale
Long thought a lost film, this cult masterpiece from director James Whale (Frankenstein) is a twisted gothic thriller, equal parts macabre nightmare and camp farce, about three lost travelers who seek shelter in a crumbling Welsh manor. 35mm restoration by the Library of Congress with funding provided by The Film Foundation.
Rebel Without a Cause
USA | 1955 | 111 minutes | Nicholas Ray
That iconic red motorcycle jacket. An apron-wearing father. The brutal intensity of James Dean’s face, and Natalie Wood’s nurturing touch. This classic drama by renowned director Nicolas Ray is perhaps the perfectly crafted teen angst film, catapulting Dean’s short-lived film career and guaranteed to tear you apart.
The Red Shoes
United Kingdom | 1948 | 133 minutes | Emeric Pressburger, Michael Powell
Moira Shearer stars in this seminal 1948 drama from Michael Powell and Emeric Pressburger, one of the most highly regarded dance films in cinema history, about a young woman who works her way up the ladder of a prestigious ballet company.
Playing as part of STG Presents Trader Joe’s Silent Movie Mondays in June:
The Mark of Zorro (d: Fred Niblo, 1920)
My Best Girl (d: Sam Taylor, 1927)
The Unholy Three (d: Tod Browning, 1925)
Snow White (d: J. Searle Dawley, 1916)
