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  • Fantasia Film Festival Announces First Wave of 2014 Programming; Opens with Canadian premiere of JACKY IN THE KINGDOM OF WOMEN

    JACKY IN THE KINGDOM OF WOMEN (Jacky au royaume des filles)JACKY IN THE KINGDOM OF WOMEN (Jacky au royaume des filles)

    The 18th annual Fantasia International Film Festival starting July 17 until August 5, 2014 unveiled the First Wave announcement of several selected highlights for the upcoming festival. Fantasia 2014 will launch with the Canadian premiere of JACKY IN THE KINGDOM OF WOMEN (Jacky au royaume des filles), a sharp political satire from comic book genius Riad Sattouf (LES BEAUX GOSSES) that took the Rotterdam Film Festival by storm.Set in the Democratic Republic of Bubunne where women lead and men are obligated to wear a veil and serve them, this subversive black comedy follows Jacky (Vincent Lacoste), a one-of-a-kind Cinderella, who wishes to marry the powerful and gorgeous Colonel (Charlotte Gainsbourg), daughter of the country’s leader (Anémone). You don’t think when you’re in love, you push on, and sometimes accidentally set off a coup d’état. The provocative and smart JACKY IN THE KINGDOM OF WOMEN couldn’t be more timely, urgent or funny.

    CENTERPIECE PRESENTATION: GUARDIANS OF THE GALAXY
    Fantasia will hold a special screening of the hotly anticipated new instalment in the Marvel Cinematic Universe, starring Chris Pratt, Zoe Saldana, Dave Bautista, and the voice talents of Vin Diesel and Bradley Cooper, directed by none other than James Gunn (SUPER, SLITHER) and presented in dazzling 3D.

    A towering and truly unique figure in Japanese animation, director Mamoru Oshii will be a recipient of Fantasia’s Lifetime Achievement Award. From pioneering OVAs DALLOS and the haunting ANGEL’S EGG, and of course the beloved PATLABOR series, of the 1980s, through the dramatically influential global hit GHOST IN THE SHELL in the mid-’90s, to its award-winning sequel and other powerful, pensive works in the new millennium (SKY CRAWLERS, AVALON), Oshii has consistently strived to bring new ideas and in fact a whole new attitude to anime. With his meticulous and idiosyncratic near-future thrillers and dramas, linked by persistent themes, motifs and concerns, Oshii asserts a complex, deeply thoughtful and decidedly adult sensibility — while maintaining the highest technical standards in the field (and hardly confining his efforts to animation). In seeking a path to call his own, Oshii has blazed a trail for fantastic entertainment worldwide to follow.  Mamoru Oshii will be receiving his award on our opening night, July 17, before a special screening of the new HD master of GHOST IN THE SHELL, being re-issued by Manga Entertainment and Anchor Bay Entertainment in celebration of the 25th Anniversary of the original manga’s publication. This will be the first time the GITS HD print has been made available outside of Japan, lovingly restored, unadulterated and awe-inspiring in its beauty.

    ADDITIONAL FIRST WAVE ANNOUNCEMENTS INCLUDE:

    AMONG THE LIVING
    France   Dir: Alexandre Bustillo, Julien Maury
    Leave it to the makers of INSIDE and LIVID to rework STAND BY ME as the horror film Stephen King always knew it could be. A tribute to ’80s cinema turned completely on its head, then decapitated. A standout at SXSW and the Brussels Fantastic Film Festival. Canadian Premiere

    ANGRY VIDEO GAME NERD: THE MOVIE
    USA  Dir: Kevin Finn, James D. Rolfe
    He is the enemy of the weak and wasteful, of garbage gameplay and lousy graphics, the one and only Angry Video Game Nerd! James D. Rolfe’s longstanding hit web series powers up to its big-screen debut! International Premiere

    BOYHOOD
    USA  Dir: Richard Linklater
    Over a decade ago, Richard Linklater assembled a cast he would film over a dozen years, to tell an utterly authentic tale of American childhood and adolescence.  Many critics already call it one of the year’s best films, and so will you. Winner of the Silver Bear at the 2014 Berlin Film Festival and the Lone Star Award at SXSW 2014, this unique coming of age drama will launch the fifth edition of Fantasia’s Camera Lucida section. Quebec Premiere

    BROS BEFORE HOS
    Netherlands Dir: Steffen Haars, Flip Van der Kuil
    Following the awful breakup of their parents’ marriage, two brothers seal a pact that neither shall ever enter into a serious relationship with a woman. The Netherland’s renegade NEW KIDS team returns, still riotous and right on the edge of good taste. International Premiere

    CYBERNATURAL
    USA Dir: Leo Gabriadze 
    On the anniversary of a teen’s suicide, the six cyberbullies responsible meet online for a group chat. A seventh, anonymous participant joins them. Told entirely way of a character’s computer screen, CYBERNATURAL brilliantly nails the ways in which we communicate and present ourselves online, hitting hard with a new kind of horror for an increasingly connected-yet-disconnected world. Produced by Timur Bekmambetov (WANTED, NIGHTWATCH). World Premiere

    CROWS EXPLODE
    Japan  Dir: Toshiaki Toyoda
    Fists will fly and beatings will abound, but the greatest battles are always in the hearts of the sneering, delinquent punks of the notorious Suzuran All-Boys High School. After Takashi Miike, it’s now BLUE SPRING director Toshiaki Toyoda’s turn to make a knuckle mark on the CROWS ZERO franchise. North American Premiere

    DEALER
    France  Dir: Jean Luc Herbulot
    Directed with volcanic energy, DEALER is a sturdy thriller that drags its audience full-steam ahead through a Parisian underbelly filled with hoods and thugs, marking the powerful arrival of one of the most promising new voices in French genre cinema. A feature-film baptism filled with noise and fury.  World Premiere

    GIOVANNI’S ISLAND
    Japan  Dir: Mizuho Nishikubo
    A gracefully executed anime from Production I.G, examining the struggles of the Japanese in the immediate aftermath of World War II, from the perspective of a child. As beautiful as it is devastating, GIOVANNI’S ISLAND received a Jury Mention at the prestigious Annecy International Animation Film Festival. Canadian Premiere

    THE HARVEST
    USA Dir: John McNaughton
    A surprising story told in twists, tears and blood, maverick HENRY: PORTRAIT OF A SERIAL KILLER / WILD THINGS filmmaker John McNaughton’s long-awaited return stars Samantha Morton, Michael Shannon, Charlie Tahan and Peter Fonda and exists in a disquieting median space between sinister fairy tale and shattering human horror. International Premiere

    HAN GONG-JU
    South Korea  Dir: Lee Su-jin
    A troubled teenage girl flees her past — is she guilty or a victim? A multiple prize winner, notably attaining the Silver Tiger Award at this year’s Rotterdam International Film Festival, HAN GONG-JU is a magnificent yet devastating debut feature of incredible narrative virtuosity. Canadian Premiere

    THE HUNTRESSES 
    South Korea  Dir: Park Jae-hyun 
    A trio of daring and dangerous bounty-hunting beauties find themselves in a high-risk, high-stakes game of subterfuge and swordplay in medieval Korea. A rousing and fast-paced action-adventure with a dash of romance and a barge-load of slapstick laughs! International Premiere

    I ORIGINS
    USA  Dir: Mike Cahill
    From the director and star (Brit Marling) of ANOTHER EARTH comes another science fiction drama about a molecular biologist and his partner whose unique experiments may change the nature of society itself. Canadian Premiere

    INTO THE STORM
    USA  Dir: Steven Quayle
    In the span of a single day, the town of Silverton is ravaged by an unprecedented onslaught of tornadoes. The entire town is at the mercy of the erratic and deadly cyclones, even as storm trackers predict the worst is yet to come. Most people seek shelter, while others run towards the vortex, testing how far a storm chaser will go for that once-in-a-lifetime shot. Quebec Premiere

    KILLERS
    Indonesia/Japan  Dir: The Mo Brothers
    Two serial killers. One likes to kill, the other seeks justice. The problem is, the first one is mentoring the latter… Social media will bring a storm of blood over both Tokyo and Jakarta in this shocking yet incredibly smart horror thriller in the vein of THE CHASER and COLD FISH that floored audiences at Sundance. Canadian Premiere

    KITE
    USA/Mexico  Dir: Ralph Ziman
    The controversial and influential anime finally sees a live-action adaptation, stylishly directed by award-winning South African filmmaker Ralph Ziman (JERUSALEMA) and backed by a cast that features Samuel L. Jackson, Callan McAuliffe, and India Eisley. The film succeeds brilliantly in blending the elements that made the original material a mythical piece of art. International Premiere

    LIVE
    Japan  Dir: Noboru Iguchi
    When his mother is kidnapped and a stranger calls, Naoto is thrust into a public triathlon of death. DEAD SUSHI director Noboru Iguchi’s running go at the survival-race genre is loveably lurid, super-sanguinary fun. North American Premiere

    THE MAN IN THE ORANGE JACKET
    Latvia   Dir: Aik Karapetian
    A laid-off worker kills his ex-boss in cold blood, and assumes his lifestyle. The good times will be short-lived, however as things are about to take an unexpected turn. In a similar vein than Polanski:s THE TENANT, Armenian filmmaker Aik Karapetian’s audacious slasher is this year’s most groundbreaking work of dramatic horror.  World Premiere

    THE MIDNIGHT SWIM
    USA Dir: Sarah Adina Smith
    Spirit Lake is unusually deep. No diver has ever managed to find the bottom. When Dr. Amelia Brooks disappears during a deep-water dive, her three daughters travel home. They find themselves unable to let go and become drawn into the mysteries of the lake. A phantasmagoric atmosphere reminiscent of PICNIC AT HANGING ROCK emanates from this brilliant debut feature debut. World Premiere

    MISS GRANNY
    South Korea  Dir: Hwang Dong-hyeuk 
    74-year-old grandmother Oh Mal-soon has been magically transported into the body of her 20-year-old self. Seizing the opportunity to relive a youth she sacrificed in the name of her child, she sets out to explore a world of new possibilities. And it includes K-Pop… Canadian Premiere

    MONSTERZ
    Japan  Dir: Hideo Nakata
    A sinister sociopath with psychic powers squares off against a cheerful everyman with a secret of his own. The 2010 South Korean superhero/horror hybrid HAUNTERS, remade by Japanese cult director Hideo Nakata (RINGU), with stars Tatsuya Fujiwara (SHIELD OF STRAW) and Takayuki Yamada (CROWS ZERO). Canadian Premiere

    ONCE UPON A TIME IN SHANGHAI
    Hong Kong  Dir: Wong Ching-Po
    Opium and kung fu! The glory days of old Shanghai — or are they? Two generations of true kung fu experts collide in the spectacular martial arts feast, with breathtaking choreography by Yuen Woo-Ping and Yuen Cheung-Yan! Canadian Premiere

    PREDESTINATION
    Australia Dirs:  Michael Spierig, Peter Spierig
    Time, place and identity get folded, spindled and mutilated in the mind-bending new film from Australia’s Spierig Bros (UNDEAD, DAYBREAKERS),  a noir-tinted sci-fi thriller with a soul, starring Ethan Hawke, Noah Taylor and Sarah Snook. Canadian Premiere

    PUZZLE
    Japan  Dir: Eisuke Naito
    The staff and students at Noriaki Hill High School have been given a game to play, one in which mistakes can be fatal. A giddy, gory brain-twister of a teen survival thriller, in which vengeance is as much a first step as a final solution. North American Premiere

    THE RECONSTRUCTION OF WILLIAM ZERO
    USA Dir: Dan Bush
    A scientist awakens from a coma in the care of his twin brother, but neither may be exactly who they first appear to be. A cinematic jigsaw puzzle that delves into the darker side of science fiction, THE RECONSTRUCTION… marks the return of Dan Bush (2008’s THE SIGNAL) and stars Conal Byrne, Amy Seimetz and A.J. Bowen. World Premiere

    THE RUN
    Malaysia  Dir: Ahmad Idham
    A former soldier sets out to avenge his family in this slam-bang Malaysian effort, bursting with spectacular stunts and fights, showcasing Aaron Aziz. THE RUN is an action-packed gem that wants only one thing: to blow your face off. International Premiere

    SUBURBAN GOTHIC
    USA Dir: Richard Bates Jr
    EXCISION director Richard Bates Jr is back with an eccentric comedy/horror that stars Matthew Gray Gubler, Kat Dennings, Ray Wise, Sally Kirkland, Jeffrey Combs and John Waters and riffs on everything from classic supernatural horror and outsider teen comedies to the Hardy Boys and Scooby-Doo. World Premiere

    THE SEARCH FOR WENG WENG
    Australia/Philippines  Dir: Andrew Leavold
    Andrew Leavold documents his unrelenting six-year quest to discover ever more about the extraordinary 2ft 9in tall actor-stuntman Weng Weng, and the weird and wonderful world of 1970s Filipino cinema. North American Premiere

    SWEET POOLSIDE
    Japan  Dir: Daigo Matsui 
    Two swim-team members, a hairless boy and a hirsute girl, discover the pangs and tangles of first love in SWEET POOLSIDE, one of the most astute examination of adolescence to screen in a long time. North American Premiere

    THE WHITE STORM
    Hong Kong  Dir: Benny Chan
    Hopping from Hong Kong to Thailand to Macau, blending hard-hitting action with powerful drama, Benny Chan’s vividly stylish THE WHITE STORM is a sprawling, absorbing crime flick in the classic Hong Kong tradition. Canadian Premiere

    YASMINE
    Brunei Darussalam  Dir: Siti Kamaluddin 
    YASMINE is a one-two combo of sports drama and coming of age story in the vein of THE KARATE KID. First time director Siti Kamaluddin, newcomer actress Liyana Yus and veteran action choreographer Chan Man Ching form a winning team in this dynamic feel good film. The cinema of Brunei Darussalam makes a regal entry at Fantasia! North American Premiere

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  • Fantasia Unveils Second Wave of Films for 2014; Closes with North American Premiere of Abel Ferrara’s WELCOME TO NEW YORK

    WELCOME TO NEW YORKWELCOME TO NEW YORK

    The Fantasia International Film Festival announced the second wave of films for the 18th edition which runs July 17 to August 5, 2014, in Montreal, Canada.  Fantasia will close its 2014 edition with the North American Premiere of Abel Ferrara’s WELCOME TO NEW YORK, the controversial latest from the legendary filmmaker behind such landmarks as BAD LIEUTENANT, KING OF NEW YORK, NEW ROSE HOTEL and the recently re-released MS 45.

    WELCOME TO NEW YORK is loosely based on the DSK scandal and stars the iconic Gérard Depardieu in one of the bravest performances of his career. Co-starring is the equally sensational Jacqueline Bisset.

    Abel Ferrara will be on hand to host this special evening, unveiling his audacious and bold new classic for its first appearance on this continent after explosive bows at Cannes (out of official selection) and Edinburgh.

    JU-ON: THE BEGINNING OF THE END to launch its Western haunt in Montreal
    Fans of classic J-Horror, rejoice! The curse of Kayoko and Toshio is back!  Fantasia will be the site of the International Premiere of JU-ON: THE BEGINNING OF THE END, the anticipated new Japanese production that reboots one of the most successful and terrifying horror franchises of the 21st century in a very wise way: by remaining faithful to the original material.

    Director/Co-Writer Masayuki Ochiai (HYPNOSIS) brings us back to the haunted house and reinstates, slowly but surely, its oppressive atmosphere through a refined and efficient use of mise-en-scene. Co-scripted by none other than Taka Ichise.

    A Lifetime Achievement Award For Fear Pioneer Tobe Hooper
    In 1974, Austin-based former professor and documentary cameraman Tobe Hooper assembled a team comprised mostly of fellow faculty members and recent students and essentially gave birth to the modern horror film. Viscerally frightening, bursting with dark social commentary and an even darker sense of humour that would become one of Hooper’s staples, THE TEXAS CHAINSAW MASSACRE remains a seminal work in American cinema. The influence it had on the genre landscape was transformative.

    In the years that followed, Tobe Hooper reshaped what televised horror could be with his terrifying mini-series adaptation of Stephen King’s SALEM’S LOT, and was an architect of the trend of blockbuster supernatural horrors with which to traumatize entire families with POLTERGEIST. His ensuing list of individualistic genre film accomplishments is considerable and today, at the age of 71, he continues to explore the fantastic with vigour.

    From his bold themes and Grand Guignol sensibilities to his brilliant use of close-ups, cutting and sound, Tobe Hooper’s approach to storytelling is daring, singular and ferociously cinematic. It’s impossible to imagine what the genre might be like today had this imaginative professor simply stayed on campus.

    The festival will present Tobe Hooper with a Lifetime Achievement Award on the 40th anniversary of THE TEXAS CHAINSAW MASSACRE, in front of the Canadian premiere of the film’s stunning new 4K restoration.

    Fantasia announced the creation of a new section in  programming: Fantasia Underground, dedicated to showcasing outrageous indie outsider visions created in the counter-cultural spirit that we associate with classic underground film works. For its inaugural edition, Fantasia Underground will sport four features, from Canada, Japan, and the USA, three of them World Premieres.

    BAG BOY LOVER BOY
    USA Dir: Andres Torres
    A return to the kind of classic New York Underground filmmaking that the city no longer produces, oozing with unusual characters, seedy situations and subversive sleaze as we follow a borderline autistic hot dog vendor’s journey into photography and criminality. A blackly funny social grenade evocative of early Paul Morrissey, Andy Milligan and Richard Kern. World Premiere.

    BLOODY KNUCKLES
    Canada Dir: Matt O’Mahoney
    An underground comic artist mocks the wrong mobster and loses his drawing hand in retribution. The artist may be silenced, but the severed appendage returns, to continue drawing comics on its own – and commit some seriously bloody acts of vengeance! A splatter horror comedy about freedom of expression that’s as touching as it is profane. World Premiere.

    HANA-DAMA: THE ORIGINS
    Japan Dir: Hisayasu Sato
    A seemingly mundane high-school bullying drama builds into a cathartic and absurd farce of excessive, bloody, colourful revenge and retribution, care of underground cinema legend Hisayasu Sato (NAKED BLOOD, LOVE & LOATHING LULU & AYANO), co-scripted by Shinji Imaoka (of the demented pinku musical UNDERWATER LOVE). A poignant and strange social critique of girl-on-girl violence and institutional abuse at large. North American Premiere.

    I AM A KNIFE WITH LEGS
    USA Dir: Bennet Jones
    An international Europop star is holed up with his manager at a secret Los Angeles location after a fatwa has been taken out on his head. Hysterically funny lines are deadpanned into instant immortality, rough animation, lo-fi psychedelia, catchy electropop and the odd burst of eccentric action collide to make this a microbudget work truly unlike anything else on the planet. World Premiere.

    Additional 2nd Wave Highlights

    AT THE DEVIL’S DOOR (formerly titled HOME)
    USA  Dir: Nicholas McCarthy
    The maker of THE PACT returns with a nightmarish work that jumps decades and narrative paths, brilliantly juggling mood-drenched atmospheric dread and visceral bursts of horror, telling the tale of a young real estate agent (Catalina Sandino Moreno) asked to sell a house with uniquely diabolical history. Official Selection: SXSW, New Zealand International Film Festival. Canadian Premiere.

    OPEN WINDOWS
    Spain-USA  Dir: Nacho Vigalondo
    Offered a chance to spy on his it-girl fixation (Sasha Grey), fan-site webmaster Nick (Elijah Wood) is drawn into in a sinister, voyeuristic plot. An ever-surprising, Hitchcock-inspired mind-bender from genius trickster-director Nacho Vigalondo that breaks all kinds of storytelling ground in exciting ways. Canadian Premiere.

    CHEATIN’
    USA  Dir: Bill Plympton
    Tipping his fedora a touch to film noir and romantic revenge thrillers, Bill Plympton, the Oscar-nominated one-man army of American indie animation, delivers a screwball sex-farce cartoon for more-or-less-grown-ups. Adored at Slamdance, awarded jury prizes at Annecy and Gijún, CHEATIN’ is yet another gem in Plympton’s brilliant filmography. Canadian Premiere.

    CLOSER TO GOD
    USA  Dir: Billy Senese
    The first successful cloning of a human pulls a brilliant genetic scientist into the center of volatile battle between science and religion in this unique reinterpretation of the Frankenstein story that’s equal parts philosophical science-fiction/horror and paranoid thriller. Hypnotically cinematic and evocative of early Cronenberg, this is a fiercely intelligent knockout of a feature debut from award-winning short filmmaker Billy Senese (THE SUICIDE TAPES). International Premiere.

    CREEP
    USA  Dir: Patrick Brice
    This collaboration between director Patrick Brice, producer Jason Blum (INSIDIOUS, PARANORMAL ACTIVITY) and the ubiquitous co-writer/co-producer, co-star Mark Duplass (BAGHEAD, SAFETY NOT GUARANTEED) is unlike any horror work you’ll see this year, a major film event on the tiniest of budgets and a shockingly effective genre hybrid, riding on two excellent performances. Official Selection: SXSW, Tribeca.Canadian Premiere.

    THE CREEPING GARDEN
    UK  Dir: Tim Grabham, Jasper Sharp
    A fascinating, hallucinatory documentary on plasmodial slime mold – a unique and bizarre organism, worthy of the weirdest science fiction, inviting profound reflections on intelligence, engineering, social dynamics, and the intersection of art and science. Enriching the otherworldly atmosphere is an appropriately subtle yet unsettling score by post-rock icon Jim O’Rourke (Tortoise, Sonic Youth, UNITED RED ARMY). One of the most astonishing films you’ll see anywhere this year, co-directed by polyvalent artist Tim Grabham and Midnight Eye co-creator Jasper Sharp. World Premiere.

    DANCING KARATE KID
    Japan  Dir: Tsukasa Kishimoto
    Jaw-dropping dance numbers, a flood of jokes amongst the funniest you’ll see all year and eye-popping action scenes are all part of DANCING KARATE KID, an off-the-chain action-comedy blending martial arts and musical moves. Official Selection: Hawaii International Film Festival. Canadian Premiere.

    THE DEVIL’S MILE
    Canada  Dir: Joseph O’Brien
    “The road will never let you go…” A trio of criminals transporting two captives through the desert takes a wrong turn onto a stretch of blacktop traversing into supernatural territory. A fully committed combination of road/crime saga and supernatural terror that marks the feature debut of longtime Rue Morgue Magazine contributor O’Brien. World Premiere.

    THE DROWNSMAN
    Canada  Dir: Chad Archibald
    A washing machine, the bathroom sink, even a puddle on the floor – only a few drops and the hideous Drownsman can pull you down into his watery hell! A new twist on the classic horror-movie stalker scenario, from the Canadian genre genies that brought you ANTISOCIAL and NEVERLOST. World Premiere.

    FIGHT CHURCH
    USA  Dir: Daniel Junge, Bryan Storkle
    A multitude of “fight ministries” combine Christianity and mixed martial arts. By turns shocking, touching, and even inspirational, FIGHT CHURCH is unlike any sports-oriented documentary you’ve ever seen. Directors Daniel Junge (Academy Award-winner SAVING FACE) and Bryan Storkle (HOLY ROLLERS: THE TRUE STORY OF CARD COUNTING CHRISTIANS), keep the film even-handed and compelling. WINNER: Grand Jury Prize, Boston Independent Film Festival. International Premiere.

    FRANK
    UK  Dir: Lenny Abrahamson
    An aspiring musician falls in with a band of art-rock weirdos whose enigmatic frontman (Michael Fassbender) never removes his giant plaster head. Co-starring Domhnall Gleeson and Maggie Gyllenhaal, FRANK hits all the right notes as it examines the fine arts of fame and failure. A major hit at this year’s Sundance, SXSW and Calgary Underground Film Festivals. Quebec Premiere.

    FROM VEGAS TO MACAU
    Hong Kong  Dir: Wong Jin
    The King of Cool, Chow Yun-Fat, is back in a signature role he made famous in the classic GOD OF GAMBLERS (seen way back at Fantasia Year One!). A royal flush of comical action madness in Wong Jing’s trademark Hong Kong style, co-starring Nicholas Tse and Chapman To. Canadian Premiere.

    FUKU-CHAN OF FUKUFUKU FLATS
    Japan  Dir: Yosuke Fujita
    One part quirky slapstick absurdity and two parts poignant character study, FUKU-CHAN is the feelgood, laugh-out-loud indie comedy hit of this year’s fest, mixing humour and pathos in the way only fan-favourite Yosuke Fujita (FINE, TOTALLY FINE) can. Official Selection: Frankfurt Nippon Connection Festival, New York Asian Film Festival. Canadian Premiere

    HOUSEBOUND
    New Zealand  Dir: Gerard Johnstone
    Fresh, fun and frightening, this wonderfully inventive comedy/horror from New Zealand launched at SXSW and emerged on many critics’ lists as one of the top discoveries of the festival. It deconstructs conventional formulas of haunted house narratives and surprises with left-field twists that will leave you joyously slack-jawed, but that’s just the tip of the iceberg. Stars Morgana O’Reilly and Rima Te Wiata. Canadian Premiere.

    THE HUNDRED YEAR-OLD MAN WHO CLIMBED OUT THE WINDOW AND DISAPEARED. 
    Sweden  Dir: Felix Herngren
    A pitch-perfect picaresque adventure laced with loads of decidedly Scandinavian black humour, Jonas Jonasson’s 2009 novel quickly became a Swedish bestseller, and has since sold over three million copies worldwide. Felix Herngren has struck gold with his brisk, witty, wisely assembled big-screen adaptation starring comedian/actor Robert Gustafsson, who captures Karlsson’s character through so many stages of his tumultuous existence. Official Selection: Seattle International Film Festival. Canadian Premiere.

    INGTOOGI: THE BATTLE OF INTERNET TROLLS
    SOUTH KOREA  Dir: Um Tae-hwa
    “Koolkidneyz” and “Manboobs” take their online feud into the real world. INGTOOGI is a deep dive into the national geek consciousness of South Korea, an upbeat outsider comedy that evolves into a truly heartfelt story of alienation and loss. Writer/Director Um Tae-hwa shed a dark light on the social media generation in a very promising first feature. International Premiere

    IN ORDER OF DISAPPEARANCE
    Norway-Sweden-Denmark  Dir: Hans Petter Moland
    “A father must avenge his son.” These words, spoken often on film, have yet to be answered with more darkly comic consequences than in this violent pitch-black comedy from director Hans Petter Moland (A SOMEWHAT GENTLE MAN), reteaming the filmmaker with the great Stellan Skarsgard. A key standout at the Berlin and Tribeca film festivals, this is the must-see European action thriller of the year. Canadian Premiere.

    JELLYFISH EYES
    Japan  Dir: Takashi Murakami
    A lively celebration of the Japanese pop-culture tropes that feed the Superflat sensibility of pop-art superstar Takashi Murakami, his JELLYFISH EYES is also a heartfelt critique of Japan’s institutions in the era of Fukushima. This is a gorgeous and enchanting family friendly film with an edge that makes it a must see for film lovers of all ages. Official Selection: Sitges Film Festival. Canadian Premiere

    KUMIKO THE TREASURE HUNTER
    USA  Dir: David Zellner
    A lonely Tokyo office worker seeks the Minnesotan loot cache from FARGO in one of this year’s most beautifully unusual films. Quirky and melancholic, funny and haunting with enchanting traces of the surreal, anchored by a mesmerizing lead performance from the extraordinary Rinko Kikuchi, KUMIKO is the latest miracle from award-winning US indie heroes David and Nathan Zellner. Official Selection: Sundance, Berlin. Canadian Premiere.

    KUNDO: AGE OF THE RAMPANT
    South Korea  Dir: Yoon Jong-bin
    In a time of turmoil and tyranny, a band of outlaws rises against the nobility. From the director of NAMELESS GANGSTER, a rough and ruthless adventure epic with a universal theme – righteous fury in the face of deep injustice with a stellar cast featuring Ha Jung-woo (THE CHASER) and Gang Dong-won (HAUNTERS). Quebec Premiere

    LET US PREY
    Ireland-UK Dir: Brian O’Malley
    An isolated, understaffed police station becomes a fortress of horror in this atmospheric and ultra-violent Irish chiller, which unfolds like an especially sinister TWILIGHT ZONE episode crash-landed into hell. Stars Polyanna McIntosh, Liam Cunningham and Douglas Russell. Winner of the Melies D’argent at the Brussels International Fantastic Film Festival. North American Premiere.

    LIFE AFTER BETH
    USA Dir: Jeff Baena
    The assured directorial debut of I HEART HUCKABEES co-screenwriter Jeff Baena is a brilliantly cast, howlingly funny heartbreaker of love and undeath that poignantly utilizes the zombie mythos to explore the difficulties of letting go when relationships change. A standout selection at this year’s Sundance and New Zealand International Film Festival, starring Aubrey Plaza, Dane DeHaan, John C. Reilly, Molly Shannon, Cheryl Hines, Paul Reiser and Matthew Gray Gubler. Canadian Premiere.

    3D NAKED AMBITION 
    Hong Kong  Dir: Lee Kung Lok
    Fresh from the international festival rounds in Hong Kong, New York and Udine, this hairy beast finally comes to country of the beaver with a hardcore vengeance. This stand-alone satire sequel written by Hong Kong’s funniest writers, Chan Hing- Kar (BREAKING NEWS) and Ho Miu-Kei, mercilessly pokes fun at the adult industry, celebrity and Asian culture on all fours while retaining a socially relevant subtext. Canadian Premiere.

    NO TEARS FOR THE DEAD
    South Korea  Dir: Lee Jeong-beom
    In the tradition Luc Besson’s THE PROFESSIONAL and and John Woo’s THE KILLER, a guilt-wracked assassin sides with his target in the hotly anticipated new film from Lee Jeong-beom (THE MAN FROM NOWHERE), a whirlwind of furious action scenes. Quebec Premiere

    STARRY EYES
    USA Dir: Dennis Widmyer, Kevin Kolsch
    Alexandra Essoe, Amanda Fuller, Noah Segan and Pat Healy star in this horrific tale of an aspiring actress unhinging herself by plunging headlong into the demeaning depths of Tinseltown. A chilling examination of the grisly fallout when a soul-corrupting industry seizes upon a soul that has already begun to fester from the inside. A hit at the Stanley Film Festival, winner of the Director’s Choice Award at the Boston Underground Film Festival. Canadian Premiere.

    STEREO
    Germany  Dir: Maximilian Erlenwein 
    Eric (Jürgen Vogel) is a gentle giant leading a calm, quiet life, until a dark past he doesn’t remember catches up with him. An intimate dramatic crime thriller that gradually distorts into an absolute monster that plays with assaulting ferocity, this stunningly directed powerhouse co-stars Moritz Bleibtreu. Official Selection: Berlin Film Festival, Puchon International Fantastic Film Festival. North American Premiere.

    SUMMER OF BLOOD
    USA Dir: Onur Tukel
    Its cup bleeding over with inspired writing, exhilaratingly sharp comedic performances, hyper-unconventional sex scenes and an oddball sense of grunge poetry, this film is an absolute revelation. Writer/director/editor/star Onur Turkel has created one of the most individualistic vampire works we’ve seen in a very long time, and also one of the most blazingly entertaining. An adored breakout at Tribeca, SUMMER OF BLOOD will be theClosing Film of our Camera Lucida section. Canadian Premiere.

    UGLY
    India  Dir: Anurag Kashyap
    An actor’s young daughter is kidnapped in this unforgettable, gut-churning thriller from India, the polar opposite of the usual colourful Bollywood fare. A crushing urban noir — the title of which is to be take very literally. An official selection in last year’s Quinzaine des Réalisateurs at Cannes, UGLY is finally going to be shown in Canada. Canadian Premiere.

    WHITE BIRD IN A BLIZZARD
    USA Dir: Gregg Araki
    Indie cinema icon Gregg Araki surprises again with his elegant adaptation of Laura Kasischke’s novel, capturing the trials of passage to adulthood with this dark, emotionally authentic suburban mystery, starring Shailene Woodley as a teen whose mother (Eva Green) has vanished. Official Selection: Sundance. Canadian Premiere. 

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  • Official Poster Unveiled for 2014 Fantasia International Film Festival

    Fantasia International Film Festival 2014 poster

    The official poster is unveiled for the 18th annual Fantasia International Film Festival scheduled to be held in Montreal over three weeks, starting July 17 until August 5, 2014.   Fantasia’s 2014 poster art was created by award-winning Quebec illustrator Donald Caron. 

    On May 7 of last year, Ray Harryhausen, filmmaker and stop-motion special effects pioneer, passed away at the age of 92. Mr. Harryhausen created some of the most beloved and innovative fantastic film imagery of all time in such classics as THE 7th VOYAGE OF SINBAD and JASON AND THE ARGONAUTS. He was the last surviving member of a trio of equally famous friends who met in the late 1930s at a science-fiction association, and went on to become the founding fathers of modern-day genre invention and appreciation. The other two figures were renowned author Ray Bradbury (FARENHEIT 451, THE ILLUSTRATED MAN, SOMETHING WICKED THIS WAY COMES) and journalist Forrest J. Ackerman, editor and principal writer of the groundbreaking American genre film magazine FAMOUS MONSTERS OF FILMLAND and possibly the world’s most avid collector of fantasy books and cinema memorabilia. Their friendship evolved over seven decades, in which their affection for each other never diminished as they kept in touch and appeared in their later years at conventions, joyously sharing amazing stories with adoring fans young and old.

    Through their work and energy, Harryhausen, Bradbury, and Ackerman have inspired many of the leading figures of genre cinema in recent decades, from George Lucas and Steven Spielberg to James Cameron, John Landis, Peter Jackson, Joe Dante, and Tim Burton. In 2005, Ray Harryhausen was the first recipient of Fantasia’s Lifetime Achievement Award.

    The poster art is also inspired by an old legend from Québecois folklore — La Chasse Galerie (otherwise known as “the Bewitched Canoe”) — in which lumberjacks, far away from their loved ones on New Year’s Eve, struck a deal with the devil to provide them with a means of quick transport over a great distance to their families. The devil obliged in providing them with a flying canoe, which he himself piloted. In the background, you can also see the festival’s black horse, itself inspired by another local folktale, the legend of the Cheval Noir. Fantasia has adopted the black horse as its emblematic symbol for the prize awarded by the main jury to the best film. We love the idea of fusing Québec folklore with the roots of modern genre creation and appreciation.

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  • Fantasia Celebrates Its 18th Birthday With Over 160 Feature Films

    WHEN ANIMALS DREAMWHEN ANIMALS DREAM

    Fantasia International Film Festival celebrates 18th birthday and will screen over 160 features and something in the neighborhood of 300 shorts.  In addition to being stacked with a multitude of breathtaking debut filmmaker discoveries, the 2014 lineup includes new works from such extraordinary talents as Abel Ferrara, Terry Gilliam, Kiyoshi Kurosawa, Jim Mickle, Jang Joon-hwan, Gregg Araki, Yoshihiro Nakamura, John McNaughton, Richard Linklater, Hideo Nakata, Eli Roth, Alexandre Bustillo, Julien Maury, Benny Chan, Ricardo Trogi, Nacho Vigalondo, Bill Plympton, Noboru Iguchi, Hans Petter Moland, Richard Bates Jr, Riad Sattouf, Toshiaki Toyoda, Adrián García Bogliano, Takashi Miike, Mike Cahill, Won Shin-yeon, James Gunn, Nicholas McCarthy, Dante Lam, Steffen Haars, Flip Van der Kuil, Hisayasu Sato, the Mo Brothers, the Spierig Brothers, the Zellner Brothers, and the list goes on.

    Fantasia’s 2014 Camera Lucida section features:

    THE DESERT
    Argentina  Dir: Christoph Behl
    This Argentine addition to the post-apocalyptic genre is a stunning, suggestive huis-clos of unprecedented emotional charge. A beautiful look at human impulses that are wholly inescapable, even at the end of the world. Official Selection: Sitges 2013, Stockholm International Film Festival 2014. Canadian Premiere.

    RED FAMILY
    South Korea Dir: Lee Ju-hyoung
    North Korean spies undercover as a “family” must contend with their unruly neighbours in this hard yet empathic drama packed with moral dilemmas and moments of ironic black humour, written and produced by Kim Ki-duk.. North American Premiere.

    SEVENTH CODE 
    Japan Dir: Kiyoshi Kurosawa
    A young Japanese woman finds herself lost and alone in Russia, leading her into a sinister universe of international espionage. In SEVENTH CODE is Kiyoshi Kurosawa’s unexpected detour into the thriller genre.  Canadian Premiere.

    THOU WAST MILD AND LOVELY
    USA Dir: Josephine Decker
    Described by its gifted maker as “an intimate magical realist erotic thriller… a horror film, a farm drama, a comedy, a sexual romp, and a deep character study,” THOU WAST is indeed all these things rolled into one hallucinatory and unique journey. Stars Joe Swanberg and Sophie Traub. Official Selection: Berlin Film Festival 2014, Sarasota Film Festival 2014. On the same bill, we will be presenting Decker’s other feature film, BUTTER ON THE LATCH. Both will be Canadian Premieres.

    WHEN ANIMALS DREAM
    Denmark  Dir: Jonas Alexander Amby
    Marie, a young girl in an isolated fishing village, harbours a family secret — strange hairs, sharp teeth, remarkable strength when enraged. More than a simple chiller, the magnificent WHEN ANIMALS DREAM is a work of rare power and a stunning drama about adolescence. Official Selection: Semaine de la critique, Cannes 2014. North American Premiere.

    Previously announced titles from our 2014 Camera Lucida lineup: BOYHOOD (Quebec Premiere), JELLYFISH EYES (Canadian Premiere), THE MAN IN THE ORANGE JACKET (World Premiere), THE MIDNIGHT SWIM (World Premiere), PUZZLE (North American Premiere), SUMMER OF BLOOD (Canadian Premiere)

    The Return of AXIS: Fantasia’s Animation Showcase
    Axis, Fantasia’s international; animation showcase, returns with features hailing from Belgium, France, Japan, South Korea, Russia and the USA.

    Aside from the previous announced Axis titles (see below), our 2014 lineup features:

    APPLESEED ALPHA
    Japan  Dir: Shinji Aramaki
    Super-soldier Deunan and her hulking cyborg companion Briareos stalk the shattered husk of New York City. A tour-de-force of digital design, APPLESSED ALPHA is essential kick-ass cyberpunk animation. North American Premiere

    BAYONETTA: BLOODY FATE
    Japan  Dir: Fuminori Kizaki
    Bayonetta, a lithe, powerful witch and mistress of the Bullet Arts, dispatches a host of bloodthirsty angels in a church. But what she cannot dispel are the mysteries of her own origin and purpose… Canadian Premiere.

    THE FAKE
    South Korea Dir: Yeon Sang-ho
    The latest from Yeon Sang-ho, winner of Fantasia’s first Satoshi Kon Award with KING OF PIGS, targets corruption, Korean displacement policies that favour progress over the individual’s welfare, and the dark side of religion. Official Selection: AFI Fest 2013 Quebec Premiere.

    HAL
    Japan Dir: Ryotaro Makihara
    An android assigned to console a grieving girl learns what being human means in this short, self-contained gem of emotionally resonant science fiction anime. North American Premiere.

    HEAVENLY SWORD
    USA  Dir: Gun Ho Jang
    Fierce redhead Nariko is the divinely ordained wielder of a legendary weapon in an exquisitely realized fantasy realm. The most anticipated game-to-film adaptation of the year has arrived, and you’ll find it at Fantasia first! Scripted by Todd Farmer and featuring the voices of Anna Torv, Alfred Molina and Thomas Jane. World Premiere.

    HUNTER X HUNTER : PHANTOM ROUGE 
    Japan Dir: Yuzo Sato
    The stage is set for secrets and conspiracies, fantastic wonders and furious action, as Yoshihiro Togashi’s hugely popular manga series HUNTER X HUNTER makes its big-screen anime debut. Canadian Premiere.

    JACK ET LA MÉCANIQUE DU COEUR (Jack and the Cuckoo-Clock Heart)
    France-Belgium  Dirs: Stéphane Berla, Mathias Malzieu
    A graciously Gallic surrealist fairy-tale musical with a dash of Gothic macabre and a streak of steampunk tech, the Luc Besson-produced JACK ET LA MÉCANIQUE DU COEUR is a CG-animated cabinet of curiosities that kids and grown-ups alike can rummage through with delight. Official selection, Berlin Film Festival 2014, Gérardmer International Fantasic Film Festival 2014

    KOO! KIN DZA-DZA
    Russia  Dir: Georgiy Daneliya, Tatiana Ilyina
    Veteran Russian filmmaker Georgiy Daneliya reboots his own late-Soviet-era cult classic as a super-cool cartoon with contemporary upgrades. Rustbucket steampunk gizmos and Kafkaesque conundrums abound!

    THE SATTELITE GIRL AND MILK COW
    South Korea Dir: Chang Hyung-yun
    A familiar trope of Asian animation — fantastical romance between misfits — is turned upside down and inside out in this charmingly surrealist robo-rom-com from South Korea. North American Premiere.

    Previously announced Axis titles: CHEATIN’ (Canadian Premiere), GIOVANNI’S ISLAND (Canadian Premiere),HUNTER X HUNTER: THE LAST MISSION (Canadian Premiere), and a special screening of the new HD master for Mamoru Oshii’s 1995 classic GHOST IN THE SHELL, before which the filmmaker will be presented a lifetime achievement award. 

    DOCUMENTARIES FROM THE EDGE
    Fantasia’s esteemed doc section returns with a six-feature lineup. Aside from the previous announced section titles (see below), our 2014 Documentaries from the Edge lineup features:

    BOLD & BRASH: FILMMAKING BOISVERT STYLE
    Canada  Dir: Simon Boisvert
    A cult subject of interest in Quebecois psychotronic fan circles, the controversial auteur of VÉNUS DE MILO turns the camera on himself to reflect on his own history in film. World Premiere.

    KUNG FU ELLIOT
    Canada  Dir: Matthew Bauckman, Jaret Belliveau
    Making micro-budget martial arts films in small-town Nova Scotia, Elliot “White Lightning” Scott is determined to become Canada’s first big-screen action hero. Winner: Best Documentary Feature, Slamdance 2014. Quebec Premiere

    TO BE TAKEI
    USA Dir: Jennifer M. Kroot, Bill Weber
    A triumphant documentary chronicling his humble beginnings through the unmistakable cultural icon George Takei has become today, TO BE TAKEI charmingly chronicles the life, love, and mission of a true American hero who makes us all say, “Oh my…”. Official Selection: Sundance 2014. Hot Docs 2014. Quebec Premiere.

    Previously announced Documentaries from the Edge titles: THE CREEPING GARDEN (World Premiere), FIGHT CHURCH (International Premiere), SEARCH FOR WENG WENG (North American Premiere). 

    AND NOW, FOR THE REST OF THE PACK!

    1987
    Canada  Dir: Ricardo Trogi
    From first job and first love to final exam and end of school, Ricardo Trogi’s autobiographical 1987, following his earlier 1981, vividly revisits the ups and downs of everyone’s teenage years. Montreal Premiere,

    ANIMOSITY
    USA  Dir: Brendan Steere
    Brandan Steere’s ghastly yet character-driven nightmare is one of those rare works of which it’s best to say as little as possible. It’s up to the viewer to discover what lurks in this profoundly cruel tale in which masks are lifted to expose an unspeakable horror. A brilliant debut. Produced by Roy Frumkes (STREET TRASH, DOCUMENT OF THE DEAD). WINNER: Best Actress and Best Horror Film, Buffalo Dreams Fantastic Film Festival. International Premiere.

    BLACK BUTLER
    Japan Dir: Kentaro Otani, Keiichi Sato
    Shiori sold her soul to avenge her parents’ murder. She and her diabolical butler Sebastian are on a mission… The hit manga’s action-packed big-screen adaptation will thrill diehard fans and newbies alike. Quebec Premiere.

    BLACK MOUNTAIN SIDE
    Canada Dir: Nick Szostakiwskyj
    Scientists in Canada’s remote wilderness uncover an ancient stone structure and unleash an inexplicable evil. A calculating and claustrophobic snowbound shocker that casts a spell of quiet madness, this powerful feature debut from Calgary-born Nick Szostakiwskyj is evocative of Larry Fessenden. World Premiere.

    COLD EYES
    South Korea Dir: Cho Ui-seok, Kim Byung-seo
    One of South Korea’s absolute blockbuster hits of 2013, a fast-paced, relentless roller-coaster ride into the high-stakes world of criminal surveillance that will leave you absolutely breathless. Quebec Premiere.

    THE CREEP BEHIND THE CAMERA
    USA  Dir: Pete Schuermann
    A tumultuous portrait of a talentless artist with disproportionate ambition, THE CREEP BEHIND THE CAMERA pays vibrant tribute to an inglorious chapter in the history of genre cinema detailing the life of decadent hoodlum filmmaker Vic Savage and the disastrous making of THE CREEPING TERROR. Official Selection: Imagine Film Festival, Amsterdam, 2014. North American Premiere.

    DAYS OF WRATH
    South Korea  Dir: Shin Dong-yeop
    Fifteen years after the torments of his teenage days, Joon-seok seeks vengeance on his erstwhile tormentor, Chang-sik. A Korean revenge film that stands out starkly from its predecessors, bringing in a new perspective for which the genre thirsted. International Premiere.

    DEAD SNOW: RED VS DEAD
    Norway  Dir: Tommy Wirkola
    The bigger, bloodier sequel to the 2009 Nazi zombie cult hit from Norway,  DEAD SNOW: RED VS DEAD sees the lone survivor of the first massacre teaming up with the Zombie Squad to confront the legions of living-dead SS soldiers… with their Soviet counterparts! Official Selection: Sundance 2014, Seattle International Film Festival 2014. Canadian Premiere

    THE DEMON WITHIN
    Hong Kong  Dir: Dante Lam
    Beware of the Festival of Hungry Ghosts! The Demon King Gang is creating havoc once again! Lock and load for some high-octane action and horror in a film-noir setting, from Dante Lam (BEAST STALKER, STOOL PIGEON). Quebec Premiere

    DOCTOR PROCTOR’S FART POWDER
    Norway  Dir: Arild Fröhlich
    Nilly and Lisa encounter the eccentric Dr. Proctor, whose new anti-baldness powder won’t put hairs on your head, but will put the wind in your sails! Pure and potent giggle-inducing goofiness, an over-the-top tale with a visual aesthetic to match, from the director of 2008’s beloved FATSO! International Premiere.

    DYS-
    Canada  Dir: Maude Michaud
    With their marriage in decline, a couple hole up in their condo as a virus sweeps through society outside. Can they survive the epidemic… and each other? A familiar theme, approached from an effective new angle. World Premiere.

    EJECTA
    Canada  Dirs: Chad Archibald, Matt Wiele
    Written by acclaimed author/screenwriter Tony Burgess (PONTYPOOL), this original concept for an alien-themed horror film stars the great Julian Richings and is half nail-biting found-footage terror and half suspense-laden conspiracy thriller. From the team behind this year’s THE DROWNSMAN. World Premiere.

    THE FATAL ENCOUNTER
    South Korea Dir: Lee Jae-kyoo
    This powerful, tragic political thriller retells an oft-told tale of true history, of an attack on the so-called “King of Misfortune” in 1777 Korea. A superior slice of silks-and-swordplay, sultry, sumptuous, sophisticated — and savage. Quebec Premiere.

    FAULTS
    USA  Dir: Riley Stearns
    A washed-up, cash-strapped former “deprogrammer” of cult victims (Leland Orser) is asked to do an intervention on a young woman (Mary Elizabeth Winstead) who’s deeply ensnared in a cult that calls itself “Faults”.  A slow-burning, thoroughly engaging huis clos, a smart and assured essay on the creation and breakdown of faith, a gripping meditation on the manipulation of certainty and doubt. Official Selection: SXSW 2014. International Premiere.

    THE FIVES
    South Korea Dir: Jeong Yeon-shik
    Wheelchair-bound Eun-a seeks vengeance on the serial killer who slew her family, and assembles a group of desperate misfits to execute her plan. A gripping, fast-moving team spin on the familiar Korean revenge-thriller formula. Canadian Premiere.

    FOUR CORNERS
    South Africa  Dir: Ian Gabriel
    Recalling CITY OF GOD, this South African gang-related crime drama — shot in locations where the media or even the authorities aren’t allowed to tread — is a magnificently staged motion picture filled with breathtaking realism. Official Selection: Sydney Film Festival 2014. Quebec Premiere.

    GOAL OF THE DEAD
    France  Dir: Benjamin Rocher, Thierry Poiraud
    Experimental steroids turn a surly football fan into a mutant zombie hooligan, whose vomit spreads the infection on the eve of a major stadium game. Divided in two segments, the first directed by Benjamin Rocher (LA HORDE) and the second by Thierry Poiraud (ATOMIK CIRCUS), you better have your umbrella handy when the spraying starts. North American Premiere.

    THE GREEN INFERNO
    USA  Dir: Eli Roth
    HOSTEL creator Eli Roth’s return to the director’s chair is a cannibal nightmare in the Amazonian jungle, in the classic Italian style, true to the form both in terms of graphic content and the themes of civility vs. civilization. Official Selection: Toronto International Film Festival 2013, Edinburgh International Film Festival 2014. Quebec Premiere.

    GUARDIAN 
    Indonesia  Dir: Helfi Kardit
    After THE RAID: REDEMPTION (2011) and THE RAID 2 (2014), Indonesia serves up GUARDIAN, an old-school action flick is which a mother pressures her daughter to master the martial arts following the murder of her father. International Premiere.

    GUN WOMAN
    Japan  Dir: Kurando Mitsutake
    Japanese actress Asami is a  junkie hooker transformed into a ruthless assassin in this ultraviolent action flick.  If you’re into gunfights, hand-to-hand combat and floods of blood, set your sights on GUN WOMAN. Canadian Premiere.

    HASEE TOH PHASEE
    India  Dir: Vinil Mathew
    As his wedding approaches, Nikhil must take care of his fiancé’s younger sister in this romantic comedy from India — a solid piece of entertainment filled with funny moments, rich dialogue, fantastic performances and delicious tunes!

    HONEYMOON
    USA  Dir: Leigh Janiak
    For all of the strange places HONEYMOON is willing to go, its success lies in its scariest moments being entirely human. Bubbling just underneath the distressing question of, “How well do I know who I married?” is another dreadful prospect: “Am I enough for this stranger?”.  Official Selection: Tribeca 2014. Canadian Premiere.

    THE HOOLIGAN FACTORY
    UK  Dir: Nick Nevern
    A dynamic, parodist plunge into that particularly male, regional and unique tradition of disturbing the peace, the football hooligan. A hell of a good time for sports fans and aficionados of British comedy alike. North American Premiere.

    THE HOUSE AT THE END OF TIME
    Venezuela  Dir: Alejandro Hidalgo
    Creepy, touching and truly extraordinary, Venezuela’s first full-on genre film production plays like Latin American Richard Matheson story told through the prism of del Toro and Amenábar. Winner: Audience Award, Best Film, Mérida Venezuela Film Festival 2013, Official Selection: Fantasporto 2014. North American Premiere.

    HWAYI: A MONSTER BOY 
    South Korea  Dir: Jang Joon-hwan
    Kidnapped by five criminals in his infancy, Hwayi has spent the last decade shacked up in the woods, learning how to be a cold-blooded killing machine. An exploration of evil from the creator of the cult classic SAVE THE GREEN PLANET! North American Premiere.

    KABISERA 
    Philippines  Dir : Alfonso Torre III
    Following a haunting dream, a felon-turned-fisherman finds a shipment of methamphetamine — and soon finds himself trapped in a nightmare. One of the most powerful, lasting genre films to come out of the Phillipines in recent year. Quebec Premiere.

    KRRISH 3
    India  Dir: Rakesh Roshan
    Hrithik Roshan once again jumps into his superhero costume to deliver the long-awaited KRRISH 3. Rakesh Roshan hasn’t changed a thing in the delicious recipe that has turned India’s Krrish into a planetary hero.

    LATE PHASES
    USA  Dir: Adrián García Bogliano
    The tight-knit retirement community of Crescent Bay is harbouring something truly sinister in its midst… From the director of HERE COMES THE DEVIL comes a true love letter to ’80s monster-movie buffs and all those hankering for a good old-fashioned werewolf picture. Official Selection: SXSW 2014, Stanley Film Festival 2014

    LEROY THE SPACE COWBOY
    USA  Dir: LeRoy McCoy
    An unclassifiable, oddball DIY outsider epic, shot over a period of 15 years in the filmmaker’s backyard, starring its mad creator LeRoy McCoy-  as virtually every character in the film! World Premiere.

    METALHEAD
    Iceland  Dir: Ragnar Bragason
    Director Ragnar Bragason, one of Iceland’s most acclaimed directors (CHILDREN, PARENTS, TV’s NIGHTSHIFT), and award-winning lead actress Thorbjörg Helga Dyrfjörd (THE DEEP) join forces to produce a fascinating, nuanced portrait of familial grief, rural life, and religion that ultimately subverts the concept of the stereotypical macho metalhead and celebrates the subculture of alienation that defines the genre. Quebec Premiere.

    THE MOLE SONG – UNDERCOVER AGENT REIJI 
    Japan  Dir: Takashi Miike
    Disgraced cop Reiji Kikukawa is sent undercover to infiltrate the most powerful yakuza clan in Japan. With its marvellously absurd humour and contagious energy, THE MOLE SONG marks Miike’s magnificent return to comedy! Quebec Premiere.

    MR. GO
    South Korea/China  Dir: Kim Yong-hwa
    Teenage Weiwei brings her gorilla with a powerhouse swing to the Asian baseball scene, to save her family’s debt-ridden circus. Korea’s first 3D blockbuster, an ambitious pan-Asian production, hits a home run! Canadian Premiere.

    NUIGULUMAR Z (Gothic Lolita Battle Bear)
    Japan  Dir: Noboru Iguchi
    Get ready for sugar and spice and everything nice — set on maximum slice and dice! Cosplay and kawaii collide with Japanese sci-fi superheroics and zombie gore in GOTHIC LOLITA BATTLE BEAR! Canadian Premiere.

    THE ONE I LOVE
    USA  Dir: Charlie McDowell
    Mark Duplass and Elizabeth Moss are an unhappy married couple at a therapeutic retreat who make a startling discovery that catapults them into the realm of the bizarre. A delightful rom-com huis-clos of the most unexpected kind. Official Selection: Sundance 2014

    PATCH TOWN
    Canada  Dir: Craig Goodwill
    A couple flee a sinister living-doll factory in this riotous Canadian musical overflowing with wry humour and striking dystopian visuals in the vein of Jean-Pierre Jeunet. Quebec Premiere

    PREMATURE
    USA  Dir: Dan Beers
    GROUNDHOG DAY’s déja-vu meets AMERICAN PIE’s dirty jokes in Dan Beers’s debut teen-comedy feature. The variations on the premise are ingenious and the narrative arc absolutely delirious! Official Selection: SXSW 2014. Canadian Premiere.

    PRESERVATION
    USA  Dir: Christopher Denham
    Three people drive out to the woods for an isolated camping trip. The game changes and, stripped of their wireless lifelines, they must pull together against an unseen, ruthless and heavily armed threat. A visceral white-knuckle thriller from Christopher Denham, whose phenomenal 2008 debut HOME MOVIE World Premiered here. Official Selection: Tribeca Film Festival 2014. International Premiere.

    PROM NIGHT
    Canada Dir: Paul Lynch
    Special unveiling of Synapse Films’ stunning 2K restoration of the 1980 disco slasher cult classic starring Jamie Lee Curtis and Leslie Nielson.

    REAL 
    Japan Dir: Kiyoshi Kurosawa
    The Escher-like subconscious mindscape of a loved one becomes a spirit-laden underworld to explore in this bizarre, surreal, supremely beautiful sci-fi melodrama from Kiyoshi Kurosawa. Quebec Premiere.

    RUROUNI KENSHIN – KYOTO INFERNO
    Japan  Dir: Keishi Otomo
    Long awaited sequel of the live action movie RUROUNI KENSHIN (2012) has finally arrived! Based on the best-selling manga series of the same title, this two-part film revolves around Kenshin’s desperate struggle to protect the nation and the people he loves from the conspiracy of Shishio, a former government assassin and Kenshin’s notorious successor, to overthrow the government. International Premiere.

    THE SNOW WHITE MURDER CASE 
    Japan Dir: Yoshihiro Nakamura
    Playing out like an endlessly fragmented retelling of RASHOMON for the digital age, the latest from Yoshihiro Nakamura (FISH STORY, GOLDEN SLUMBER) is a strikingly modern whodunit. Quebec Premiere.

    SPACE STATION ‘76
    USA Dir: Jack Plotnick
    Can the crew of Omega 76 handle their emotional baggage and dysfunctional relationships as a deadly asteroid hurtles towards them? Retro-kitsch comedy and straightfaced soap opera collide in this stellar pastiche the 1970s space-base genre, starring Patrick Wilson and Liv Tyler. Official Selection: SXSW 2014 International Premiere.

    THE SPY: UNDERCOVER OPERATION
    South Korea Dir: Lee Seung-jun
    Elite operative Agent Kim must keep a second Korean War from breaking out — and his marriage from breaking apart! Equal parts zany rom-com and intense thriller, THE SPY is a mirthful mash-up of gritty gunplay and goofball gags. Canadian Premiere.

    THE SUSPECT
    South Korea Dir: Won Shin-yeon
    A North Korean super-soldier turned defector is drawn into a morally murky maelstrom of secrets, lies and sudden, furious yet precise violence. A tough, tight political action thriller with a soul. Canadian Premiere.

    THERMAE ROMAE II
    Japan  Dir: Hideaki Takeuchi
    Time-travelling Roman bathhouse architect Lucius returns! Funnier, more grandiose and irreverent, this second journey from Ancient Rome to modern Japan, care of director Hideaki Takeuchi, is frankly spectacular. International Premiere.

    TIME LAPSE
    USA Dir: Bradley King
    A janitor stumbles across a machine that takes photos of the future, 24 hours ahead. A captivating sci-fi thriller evoking the golden days of Hitchcock and THE TWILIGHT ZONE. Winner: Best International Feature, London Independent Film Festival 2014, Official Selection: Brussels International Fantastic Film Festival 2014. Canadian Premiere.

    UZUMASA LIMELIGHT 
    Japan Dir: Ken Ochiai
    Old Kamiyama the swordfight-death specialist is a legend around Kyoto’s Uzumasa Studios, but his star, however small it ever was, has dimmed. A journey into the inner workings of Japanese pop entertainment, in its golden era and today. Canadian Premiere.

    WETLANDS
    Germany  Dir: David Wnendt
    Bursting with kinetic energy, WETLANDS has become a festival underdog across the world. It’s a bold, great time, an in-your-face eccentric romp that smartly challenges social taboos with punk rock zeal and a whole lot of heart. Official Selection: Locarno 2013, Sundance 2014.

    WOLFCOP
    Canada  Dir: Lowell Dean
    No one is above the claw when WolfCop’s on duty! A high-flying, hard-drinking, blood-spraying burst of Canuxploitation awesome, capturing the off-the-rails energy of the classic VHS era that spawned it. Quebec Premiere.

    THE ZERO THEOREM
    UK-Romania  Dir: Terry Gilliam
    Qohen Leth is determined to crack the Zero Theorem and discover the reason for all existence, provided he can work without distraction. But those distractions keep coming. Terry Gilliam’s latest will finally be lighting up a Canadian screen! Official Selection: Venice Film Festival 2013, Fantastic Fest 2013, Glasgow Film Festival 2014. Canadian Premiere.

    ZOMBEAVERS
    USA  Dir: Jordan Rubin
    A siege on a secluded cabin pits sexy coeds and frat-boy bros — and a few eccentric older characters — against the ugly, furry, glowing-red-eyed hordes that emerge from their dam to feast on human flesh. Official Selection: Tribeca Film Festival 2014. International Premiere.

    ZOMBIE TV
    Japan  Dir: Maelie Makuno, Naoya Tashiro, Yoshihiro Nishimura
    Ever dreamed of zombie-only cable TV, broadcasting all things putrefied, decomposing and brain-hungry, 24 hours a day, all year round? A severed-tongue-firmly-planted- in-rotten-cheek, all-you-can-eat zombie-party anthology from Yoshihiro Nishimura and co. Canadian Premiere.

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  • Winners Announced for 2014 Roxbury International Film Festival. ‘The Life & Crimes of Doris Payne’ Wins Top Award

     The Life & Crimes of Doris PayneThe Life & Crimes of Doris Payne

    The Roxbury International Film Festival (RIFF) which ran from Wednesday, June 25 to Sunday June 29 at the Museum of Fine Arts, Boston, announced the jury and audience award winners.

    “This year the Roxbury International Film Festival broke new ground with 30 stellar, high quality films and great audience participation for the record number of filmmakers present to discuss their films,” said festival director Lisa Simmons.  “It was so difficult to name the awardees because of the incredible work that was screened over the five days. Congratulations to all the filmmakers!”

    The Festival’s top honor The Audience Favorite Award was given to filmmakers Matthew Pond and Kirk Marcolina for their film The Life & Crimes of Doris Payne, a riveting story of an 83 year old African American international jewel thief.

    The juried awards are the Narrative Feature and Narrative Short Award, the Documentary Feature and Documentary Short Award, and The Henry Hampton Award for Documentary Filmmaking.  The award is based on the award winning filmmaker Henry Hampton who created the Eyes on the Prize series among many others before his untimely death in 1998, and The Kay Bourne Emerging Filmmaker Award for a local filmmaker who has shown great promise in the film presented.

    The Narrative Feature Award recognizes the top narrative film in competition at the Festival and went to Darius Britt for his film Unsound, which made its New England premiere at the Festival and screened at the American Black Film Festival prior to screening at RIFF.   Narrative Short Award was bestowed upon Moon Molsen for his film The Bravest, The Boldest which screened at the Sundance Film Festival in 2014.

    The Documentary Feature Award recognizes the top documentary film in competition at the Festival and went to Raouf J. Jacob and Lara Moreno for A Culture of Silence.  An honorable mention was also bestowed upon Chris Wilson and Stephen Witte for their film, You Have His Eyes, which also made its world premiere at the Festival.

    The Documentary Short Award recognizes the film that like the feature informs audiences of an unknown and compelling story. This award went to Coy Poiter for Cowboys of Color:  A Multi-Cultural Legacy, which made its world premiere at the festival.  An honorable mention was bestowed upon Gabriela Lozada Pozo for La Marea, a touching story about love and life on a small island.

    The Henry Hampton Award for Documentary Filmmaking was given to Noube Rateau for his film The Culture.  The award is named after the award winning filmmaker Henry Hampton who produced such films as Eyes on The Prize and I’ll Make Me A World.

    The Kay Bourne Emerging Filmmaker Award was given to Sam Powell and Peter Neudel for their film Good Fences, (also a world premiere at RIFF).  The award is named on behalf of Kay Bourne, a beloved writer who has been covering arts and entertainment in Boston for over 45 years.

    Just completing its 16th year, the Roxbury International Film Festival showcases films that incite action, educate, and share distinct and diverse images of people of color from across the world. Touted as a filmmaker’s festival, the festival prides itself on providing the best filmmaker experience with state of the art screening venues and a deeply dedicated audience base. 

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  • Film Line-up with Trailers for 2014 Rural Route Festival

    Butter on the LatchButter on the Latch

    The lineup was announced earlier this week for the 10th annual edition for the Rural Route Festival taking place August 8 to 10 at Museum of the Moving Image in New York City.  Some of the highlights of this year’s festival include a 50th anniversary presentation on restored 35mm of Parajanov’s legendary Ukraine/Carpathian-set Shadows of Forgotten Ancestors, plus a new DCP Director’s Cut restoration of the British cult classic, Wicker Man, and a rare 16mm print of the great ethnomusicologist, Alan Lomax’s film on British May Day celebrations, Oss Oss Wee Oss.  

    Cutting-edge new films include Josephine Decker’s Butter on the Latch, alongside the North American Premiere of Ukrainian documentary, Krasna Malanka, the one-of-a-kind mythological fiction about one of the most unique ethnic groups within Russia, Celestial Wives of the Meadow Mari, the World Premiere of renowned fashion casting director, Daniel Peddle’s Sunset Edge, and the new documentary on Yugoslavian Black Wave director, Karpo Godina, Karpotrotter.

    Full Program available at http://ruralroutefilms.com/2014-festival/

    Trailers

    http://youtu.be/eTs4JCS_TnQ

     

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    http://youtu.be/z6A5Cd1Wn5U

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  • A Snake Gives Birth to a Snake Documentary about South African Actors to World Premiere at 2014 Durban International Film Festival

    Sibulele Gcilitshana, Quanita Adams, Sandile Matsheni & Jenny Stead, performing Truth in TranslationSibulele Gcilitshana, Quanita Adams, Sandile Matsheni & Jenny Stead, performing Truth in Translation

    A Snake Gives Birth to a Snake, the documentary debut of television/film/theatre director Michael Lessac, will World Premiere at the Durban International Film Festival taking place in venues in and around Durban,  South Africa from July 17 to 27, 2014.  The gala screening is on July 20, 2014.

    A Snake Gives Birth to a Snake follows a diverse group of South African actors as they tour global war-torn regions to share their country’s experience of reconciliation. As they ignite dialogue among people with raw memories of atrocity, the actors find they must confront once again their homeland’s complicated and violent past – and question their own capacity for healing and forgiveness.

    A Snake Gives Birth to a Snake was edited by Joel Plotch (In the Company of Men; Nurse Betty; Gone). It was produced by Jacqueline Bertrand Lessac and Emma Tammi and Executive Produced by Jonathan Gray, and Robert Lear.  It features never-before-heard original music by jazz legend Hugh Masekela, with lyrics taken from TRC personal testimonies. 

    “Can we forgive the past, to survive the future?” This profound question, posed by Nelson Mandela, become a mandate by which other nations could live.  Lessac wanted to better understand the subtleties of South Africa’s Truth and Reconciliation Commission, and in so doing, bring the story of the TRC to a wider audience while exploring the possibility of the TRC as a concept which could successfully be exported to other post-conflict zones.

    In 2001, Lessac returned to the Colonnades Theatre Laboratory, which he had founded 25 years before in New York City, to find a way of telling the story of the South African TRC as theatre’s way of prompting others to drop their masks and tell the truth.

    He wanted to look beyond the presentations of victim and perpetrator and instead examine the role of the interpreters who translated the TRC proceedings into SA’s 11 official languages.  Lessac was intrigued by the fact that the interpreters, simultaneously translating in the first person, could never turn away from atrocity. He was fascinated with what the TRC looked like through the eyes of people who, for two and a half years, verbalised every moment of the hearings.  He met with actual TRC interpreters as they relived their stories and memories for the first time. Their experiences became the starting point for the journey ahead.

    In 2003, after interviewing over 350 actors in SA, Lessac held a three-week workshop with the core of chosen actors who developed script material out of their own life-experiences intertwined with the lives of the interpreters.

    The theatrical vehicle for these conversations was a production entitled Truth in Translation, a hard-edged, multi-award winning theatrical production, with accompanying workshops, created between 2003 and 2006. It opened in Rwanda and toured to three continents; 11 countries and 26 cities. It has played to more than 55 000 people and facilitated conflict transformation workshops for more than 10 000 participants.

    The documentary A Snake Gives Birth to a Snake is the result of this journey – a glimpse into the lives and minds of a group of South African performers who shared and listened; facilitated and responded to the heartbreaking real-life personal stories of the human casualties of global conflict. As South Africans representing various facets of South African society, they were forced to look at whether they themselves had even successfully “reconciled” their own individual pasts, and realised just how complex and challenging it is to engage with the multifaceted concept of forgiveness.

    “For me, this film pays homage to a very special group of South African actors and interpreters who were warriors of the most special kind.  They allowed themselves to travel through worlds that were often more painful than their own worst nightmares,” considers Lessac.

    The documentary’s intriguing title refers to a question which often appears in conflict situations when asked why perpetrators killed young babies. The answer, irrespective of culture is always, one way or another, “A Snake Gives Birth to a Snake.”

    “The film was originally titled Truth in Translation, just like the play. We changed it to A Snake Gives Birth to a Snake because no matter how true that might be, when revenge is celebrated as heroism, it is a poor excuse for killing.” 

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  • Morelia Film Festival Unveils Official 2014 Poster

     morelia film festival 2014

    The Morelia International Film Festival unveiled the poster for the festival’s 12th edition taking place October 17-26, 2014, which celebrates the Golden Age of Mexican cinema.

    Throughout the year, FICM will gradually reveals the festival details that will characterize its next edition, beginning with the date of publication of the call, the announcement of the Official Selection, programming and, of course, the release of its image.

    In an interview, Rodrigo Toledo, designer of the FICM image, shared his creative process of each year: “It’s re-interpreting the same theme. Re-inventing the black thread again and again and reconvening the basic elements, which are even in the title: festival, film, Morelia. I start with that and then try to go on a tangent and create an abstract feeling, but you start with the basic building blocks.”

    In relation to the poster of the 12th FICM, Toledo said that his first source of inspiration was Mexican nationalist art of the period of Lázaro Cárdenas and also the graphic design of the Spanish Republic. “In the end, the image is inspired by the posters of the Golden Age of Mexican cinema which, curiously, were designed by the same artists of the Republican posters – exiles who came to Mexico.”

    For Toledo, the image of the 12th FICM “represents film, first, by means of nostalgia, by means of nationalism, but not as nationalism is understood today, but by way of exalting that which is Mexican.” Choosing an iconic diva as protagonist was influenced by the amount of beautiful pictures that exist of Mexican actresses of that time. Furthermore, according to Toledo: “This is the third time that we use a female character, and indirectly I tell myself – she is Morelia.”

    The publication of the festival poster is one of the first signs that the next FICM is near. On August 8, the results of the call, in which more than 750 Mexican films enrolled, will be announced.

     

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  • French director Claude Lelouch Latest Film “We Love You, You Bastard” to Open 2014 Montreal World Film Festival

    alaud, on t’aime, (We Love You, You Bastard)  

    Salaud, on t’aime, (We Love You, You Bastard) the latest film by celebrated French director Claude Lelouch, will open the 38th edition of the Montreal World Film Festival on August 21, it was announced by the MWFF’s president Serge Losique and director-general Danièle Cauchard. “I am faithful to this great festival and I am very happy to return to Montreal to show Salaud, on t’aime,” declared Lelouch. “The Montreal World Film Festival has been an excellent platform for my films and I wish its 38th edition the greatest success.”

    We Love You, You Bastard tells the story of Jacques Kaminsky (Johnny Hallyday), a war photographer and absent father who spends more time with his camera than his four daughters (played by Irène Jacob, Pauline Lefebvre, Sarah Kazemy and Jenna Thiam), lives happily in the Alps with his new girlfriend (Sandrine Bonnaire). This all changes the day his best friend Frederick (Eddy Mitchell) attempts to reconcile with his family by telling them a big lie.

    The film’s Eddy Mitchell-Johnny Hallyday duo reflects the friendship the two have maintained off-screen for many years. As usual, Claude Lelouch, has painted a warm family portrait, surrounding himself with a host of actresses and actors who evoke the complexity of human relationships. Alongside the two principal male protagonists and the actresses impersonating Johnny Hallyday’s daughters, the cast includes Isabelle de Hertogh (whom Lelouch discovered at the MWFF in the film Hasta la Vista!, winner of the 2011 Grand Prize of the Americas as well as the festival’s Audience Award), Valerie Kaprisky, Rufus, Agnes Soral and, in her screen debut, Stella Lelouch, Claude’s daughter.

    The 38th MWFF will be held August 21 to September 1, 2014.

     

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  • Rome Film Festival Reveals Big Changes for 2014 Festival

     romefilmfestival

    The Artistic Director of the Rome Film Festival, Marco Müller, announced some of the new features of the Festival’s ninth edition, which will take place from October 16 to 25, 2014 at the Auditorium Parco della Musica, produced by the Fondazione Cinema per Roma. The audience will be the star of the event and will choose the award-winners in each section of the programme: the most important acknowledgments will therefore be awarded on the basis of the votes cast by the audience after the screenings.

    Further changes will involve the Official Selection and its different sections, which have all changed name and focus, and are all competitive. In this sense, the structure of the 2014 Festival will be “slimmer” than in the past, based on a total of 40 feature-length films: Cinema d’Oggiwill present films by both young and well-known authors, Gala will select the season’s great “popular but original” films, Mondo Genere will be a collection of films from various film genres, while Prospettive Italia will present a survey of the latest trends in Italian fiction films and documentaries (the new regulations do not include medium-length and short films). At the end of each screening, the audience will give their vote and assign: the BNL People’s Choice Award  | Gala, in collaboration with the Festival Main Partner BNL Gruppo BNP Paribas, thePeople’s Choice Award  | Cinema d’Oggi, the People’s Choice Award | Mondo Genere, the People’s Choice Award  |  Cinema Italia (Fiction)and the People’s Choice Award  | Cinema Italia (Documentary). On Sunday, October 26 all the winning films will be screened.

    The 2014 Festival will pay particular attention to emerging cinema: the debut and second feature-length films included in all the sections (including both the Official Selection and the Independent and Parallel Sidebars) will compete for the TAODUE Camera d’Oro Prize for best debut or second work, awarded by a specific and prestigious jury.

    The Artistic Director will also suggest to the Board of Directors the names of the recipients for the following Prizes: the Marc’Aurelio Lifetime Achievement Award, celebrating the work of a master of the art of cinema; the Maverick Director Award, for a filmmaker who has consistently broken new ground in cinema;  the Marc’Aurelio Acting Awards, for actors and actresses who have raised acting technique to the highest levels; the Marc’Aurelio of the Future Award, to spotlight the international value of a young director.

    Furthermore the DOC.IT association will award a prize to the Best Italian Documentary.

    In addition to the Official Selection, the Festival will also feature Alice nella Città, an independent and parallel sidebar with its own organization and regulations, directed by Gianluca Giannelli and Fabia Bettini. Alice nella Città will present a selection of youth-oriented films awarded by a jury composed of youngsters between the age of 14 and 18, to be selected on the national territory.

    The team of the selection committee and consultants that ensured the success of the Festival’s 2013 edition has been confirmed. The selection committee consists of Laura Buffoni, Marie-Pierre Duhamel, Massimo Galimberti, Manlio Gomarasca, Sandra Hebron, Giona A. Nazzaro, and Mario Sesti. The consultants are Chen Zhiheng (Chinese area), Deepti D’Cunha (India, Pakistan, and Sri Lanka), Babak Karimi (Iran), Diego Lerer (Central and South America), Aliona Shumakova (Russia and CIS – Commonwealth of Independent States), Tomita Mikiko (Japan).

    From October 17 to 21, the International Film Market (TBS – The Business Street and NCN – New Cinema Network) will open the doors of the historic Hotel Bernini Bristol once again to the representatives of the international industry. Many events are currently being planned for the TBS Market with the support of long-term partners such as ICE, ANICA, and Rai Trade. They include a Focus on Brazil and Argentina, completed by a series of screenings addressed to the professionals of the film industry and by a conference to present guidelines and experiences in the cooperation between Italy and the two South American countries; the third edition of China Day, dedicated to the promotion of the Italian cinema system on the Chinese market and to the development of trade and co-production between the two countries; Remake it!, a project dedicated to remakes of hit films, to discover and select particularly appealing stories that can communicate with audiences all over the world.

    Finally the New Cinema Network, the international market for projects, will present a special focus entitled “The Great Beauties”, offering a selection of projects by foreign directors – both auteur and genre films – to be shot on location in Italy. The purpose is to encourage international co-productions, from both an artistic and a financial point of view, to promote Italy as an ideal territory for setting and shooting films.

    via Press Release / Image via Facebook 

     

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  • Full Program Announced for 2014 Durban International Film Festival

    durban film film festival 2014

    2014 sees the Durban International Film Festival (DIFF) return for its 35th year to celebrate the wonder and diversity of global cinema. From 17 to 27 July, Durban will be lit by the glow of the silver screen, with over 250 screenings in 9 venues across the city. Alongside this smorgasbord of the best of contemporary cinema from around the planet, including 69 feature films, 60 documentaries, 57 short films and 19 surf films, the festival offers a comprehensive workshop and seminar programme that facilitates the sharing of knowledge and skills by film industry experts. 

    This year’s diverse line-up of world-class cinema includes a key focus on 20 years of freedom and democracy in South Africa, as well as a snapshot of contemporary British film and various focus areas. DIFF 2014 includes a generous selection of feature films, cutting edge documentaries, eight packages of short films and a selection of thrilling surf films in the Wavescape Film Festival. This year also sees the return of Durban Wild Talk Africa, which includes a selection of the best environmentally themed films from around the world, as well as the second edition of ‘The Films That Made Me’, in which an acclaimed director introduces five films that have been important to their growth as a filmmaker . 

    South African Focus

    The ever-expanding African film industry will once more be represented at DIFF 2014, although South African film retains its key focus, with 40 feature-length films and 38 short films – most of them receiving their world premieres on Durban screens, and collectively representing by far the largest number of South African films in DIFF’s history.

    This year’s opening night film see the world premiere of Hard to Get, the electrifying feature debut from South African filmmaker Zee Ntuli, who has already received critical acclaim for his short films. The story of the mercurial relationship between a handsome young womaniser and a beautiful, reckless petty criminal, Hard to Get is fuelled by a bewitching visual poetry. Other high-profile South African films being showcased include the engaging thriller Cold Harbour, Between Friends, which recounts a reunion between old varsity friends, Hear Me Move, a locally flavoured dance movie, and Love the One you Love, which explores a constellation of relationships between young South Africans.

    Then there’s the Tyler Perry-flavoured Two Choices, The Two of Us which tells of a relationship between two siblings, and Icehorse, a surreal mystery drama set in the Netherlands from South African director Elan Gamaker. Young Ones is a dystopian down-beat sci-fi flick directed by Jake Paltrow, produced by Spier Films and shot in South Africa, while the French/South African co-production Zulu explores the unhealed wounds of the new South Africa. Finally, DIFF is very proud to present the 1973 film Joe Bullet, the first work to benefit from the Gravel Road legacy project, which aims to restore films lost in the dusty archives of apartheid.

    African Focus

    The rich programme of films from elsewhere on the continent includes a number of artistically and politically brave directorial voices that are unafraid to experiment with form or content. The bewitching and high experimental Bloody Beans recounts the Algerian revolution using a band of young children as its medium of expression, while the utterly charming and super-low-budget Beti and Amare is an Ethiopian vampire film with a difference. 

    DIFF 2014 also acknowledges the political reality of contemporary Africa with films such as Timbuktu from Malian master Abderrahmane Sissako, which recounts Timbuktu’s brief occupation by militant Islamic rebels. The mockumentary hybrid They Are the Dogs is set in Morocco in the aftermath of the Arab Spring, while the engagingly authentic semi-autographical film Die Welt is set in Tunisia shortly after the recent Jasmine Revolution. Imbabazi: The Pardon explores the possibilities of reconciliation in the wake of the Rwandan genocide, and Difret examines the potentially destructive role of patriarchal traditions in contemporary Ethiopia.

    Set in Tanzania, the disturbing but visually powerful White Shadow tells the story of a young albino boy named Alias who is targeted for body parts by muti traders. Veve, the latest film from the producers of the award-winning crime drama Nairobi Half Life, documents the double-crossing lives of those trading in khat or ‘veve’, a mildly narcotic local crop. From Moroccan director Abdellah Taia comes Salvation Army, which tells of a young Arab man grappling with notions of family and sexuality. Then there is the highly anticipated film adaptation of Chimamanda Ngozi Adichie’s Half of a Yellow Sun, set against the difficulties of post-independence Nigeria.

    Coz Ov Moni II: FOKN Revenge, billed as ‘the world’s second first pidgin musical’ is a Ghanaian hop-hop opera from rap duo the FOKN Bois, while B for Boy tells the story of how a Nigerian woman’s life is corrupted by the forces of patriarchy and tradition. 

    SPECIAL FOCUS: 20 Years of Freedom and Democracy

    2014 is the 20th anniversary of the advent of a free and non-racial democracy in South Africa. This year’s programme includes a generous spread of documentaries, both from home and abroad, which celebrates, explores and interrogates the progress that South Africa has made as a country over the last two decades. The 20 Years of Freedom and Democracy programme features an expanded South African documentary programme in response to the large number of high quality doccies currently being produced in the country.  

    The result is a rich and diverse slate of films, including Khalo Matabane’s Nelson Mandela: The Myth and Me and Miners Shot Down, Rehad Desai’s devastating account of Marikana. They are joined by many other films that chronicle lesser known but no less significant stories behind the end of apartheid and the rebirth of South Africa into a new country. 

    Word Down the Line with Poet Lesego Rampolokeng speaking to Gift (Makahafula Vilakazi) RamashiaWord Down the Line with Poet Lesego Rampolokeng speaking to Gift (Makahafula Vilakazi) Ramashia

    The full selection of the 20 Years of Freedom and Democracy programme are 1994 The Bloody Miracle,  Concerning Violence, Fatherland, Freedom Mixtape (1994-2014), Future Sounds Of Mzansi, Gangster Backstage, I,Afrikaner, Letters To Zohra, Miners Shot Down, My Hood, Nelson Mandela: The Myth & Me, One Humanity , The Other Man, Plot For Peace, Rainbow Makers: Tribute To The Frontline States, Shield And Spear, A Snake Gives Birth To A Snake, Soft Vengeance: Albie Sachs And The New South Africa and Word Down The Line. 

    UK Focus

    This year’s UK focus is part a UK-South African cultural season taking place over the next two years. In recognition of this season, DIFF presents a diverse snapshot of contemporary British cinema – including the strangely compelling Lilting which tells the story of the triangular relationship between two gay men and one of their mothers, ’71 which is set in Belfast at the beginning of The Troubles and the highly endearing Frank, which chronicles the misadventures of a band of outsider musicians.

    How I Live Now is a post-apocalyptic tale set in rural England in the wake of a nuclear bomb. The Selfish Giant is a Dickensian tale of two working class boys who live on the knife’s edge of poverty and adolescence. Gone Too Far offers a nuanced look at race in contemporary Britain, while Only Lovers Left Alive is the UK-produced downbeat vampire masterpiece from Jim Jarmusch.

    British Documentaries include InRealLife, which explores our relationship with the internet and social networking technology, the real-life heist drama Smash and Grab: The Story of the Pink Panthers, 20 000 Days On Earth, which documents a fictitious day in the life of much-loved musician Nick Cave, Coach Zoran And His African Tigers which tells of the birth of the South Sudan national soccer team, and the UK/SA coproduction One Humanity, which documents the global anti-apartheid movement from the perspective of the two tribute concerts to Nelson Mandela that took place in London in 1988 and 1990.

    In addition to this focus area in DIFF’s programing, the DIFF UK Focus also includes free public screenings of British films, preceded by a programme of short films from South African filmmakers, courtesy of the South African National Film and Video Foundation (NFVF). These screenings will take place on Friday 18 July, Saturday 19 July, Friday 25 July and Saturday 26 July.

    The UK Focus is supported by the British Council, while the beach screenings form part of the British Council’s Connect ZA programme in partnership with the NFVF.

    World Cinema

    Beyond its strong focus on Africa and South Africa, DIFF is a festival of world cinema and, as is the case every year, this year’s edition is filled with a richly diverse selection of films from around the world. From Sweden comes The 100-Year-Old Man Who Climbed Out Of The Window And Disappeared based on the popular novel by Jonas Jonasson. Amazonia (France/ Brazil) follows the epiphanic journey of Sai, a tame capuchin monkey unaware of the wider natural world until the plane on which he is being transported crashes in the Amazon basin. An Episode In The Life Of An Iron Picker (Bosnia and Herzegovina/France/Slovenia) follows a Roma couple as they eke out a tenuous existence, and Arwad (Canada) tells the story of Ali, who, after the death of his mother, escapes to the island of Arwad, off the coast of Syria.

    Then there is the Chinese noir film Black Coal, Thin Ice which follows a dissolute former detective who falls under the spell of a widow with a dark secret. Concrete Clouds (Thailand, Hong Kong SAR China) is a complex story about identity and belonging set against the 1997 Asian economic crisis. The Congress (Israel/ Germany/Poland/ Luxembourg/France/Belgium) is the latest left-field masterpiece from Israeli animator Ari Folman (Waltz with Bashir), while The Lunchbox (France/Germany/ India) is a luminous tale of an isolated housewife who attempts to reignite her relationship with her husband through her delectably prepared meals. In Mary Is Happy, Mary Is Happy from Thailand, cinema meets social media in an innovative film that is constructed around 410 consecutive Twitter updates. The Austrian film My Blind Heart follows a young man suffering from a rare genetic disorder as he lives a marginal life in the city of Vienna, and Nuoc 2030 from Vietnam is set in a near-futuristic landscape flooded as a result of global warming.

    Nymphomaniac (Denmark/Germany/ France/Belgium/Sweden), from controversial filmmaker Lars von Trier, is an ambitiously explicit sexual epic while Omar (Palestinian Territories) is a tense political thriller set in the West Bank. Papilio Buddha (India/United States) tells of the university-educated son of a Dalit activist who is politically apathetic until he receives bad treatment at the hands of the state. The Rocket (Australia/Laos/ Thailand) is set in the lush mountain countryside of Laos and chronicles the attempts of a young outsider to overcome his fate. The Rover (Australia/United States) is the latest film from Australian filmmaker David Michôd, director of the 2010 DIFF hit Animal Kingdom, while the American film Wish I Was Here is a sequel of sorts to Zach Braff’s 2004 hit debut Garden State.

    Gender and Sexuality

    As is usually the case, this edition of DIFF has a strong selection of films exploring sexuality and gender issues. 52 Tuesdays chronicles the female-to-male gender transition of a woman from the perspective of her daughter, who visits her mother once a week during the year-long process. The frank yet mercurial Love is Strange tells of two gay New Yorkers who decide to get married after 40 years of living together, and suddenly find themselves separated from each other. The Indian film Qissa blurs the boundaries of gender and genre in its story of girl who is brought up as a boy, while Something Must Break introduces us to the apparently straight Andreas, who finds himself drawn to Sebastian, who is wrestling with the emerging strength of Ellie, the women he feels he must become. 

    Peaches Does Herself is an instant concert film classic and also a neo-queer, post-punk camp extravaganza, with the Canadian electroclash artist directing herself. Eastern Boys follows the shifting relationship between the between a mild-mannered, middle-aged Parisian named Daniel and Marek, a young Eastern European boy who he picks up in a train station. Finally, Salvation Army is an unflinching, poetic study of a young Arab man grappling with notions of family and sexuality. Rendered in filmmaking styles as diverse as the sexuality they document, this is a fascinating selection of films about the edges of sexuality.

    Documentaries

    This year’s selection of documentaries is the largest yet in DIFF’s 35 year history. As well as the rich selection of doccies presented in the 20 Years of Freedom special focus area, there are a number of other local offerings included in the Wild Talk stream. Then there is a stellar selection of documentaries from around the world, collectively presenting a global snapshot of life on earth. We Come as Friends explores the human cost of neo-colonialism in newly independent South Sudan, A World Not Ours provides a deeply compassionate but acerbic glimpse into life in a Palestinian refugee camp in Lebanon, and Cairo Drive looks at life in contemporary Cairo from the perspective of its anarchic traffic system. 

    These Birds Walk tells the heart-breaking and cinematically astounding story of a Pakistani orphanage and ambulance service, while The Kill Team is a dark catalogue of illicit killings of civilians by American soldiers in Afghanistan. The King and the People documents the repressive rule of Swaziland’s King Mswati III, Africa’s last remaining absolute monarch, and Life Itself chronicles the life of Roger Ebert, the much loved film critic who died last year. Finally, Prophecy. Pasolini’s Africa and How Strange to be Named Federico present two very different tributes to two of the greatest names in Italian cinema.

    The Encounters-DIFF Connection

    This year DIFF presents several films in association with Encounters Film Festival. These films include Annalet Steenkamp’s I, Afrikaner, Rehad Desai’s Miners Shot Down, Jolynn Minnaar’s Unearthed, Marion Edmund’s The Vula Connection and Abby Ginzberg’ Soft Vengeance: Albie Sachs and the New South Africa.

    Wavescape Film Festival

    For the ninth year, DIFF partners with Wavescape to bring you a feast of surfing cinema, including 8 features and 11 shorts.  Inspired by such films as Rattle and Hum and Endless Summer, Fading West follows Grammy-winning alternative-rock band Switchfoot as they hunt for surf around the globe. In Land of Patagones two brothers trek to the guano-infested solitude of Patagonia, the far southern home of toothfish and uncharted surf. In Out in the Line Up two gay surfers unite to uncover the taboo of homosexuality in surfing, while Stephanie in the Water tells the story of Stephanie Gilmore who won her first world surfing championship event at the age of 17 on a day off from high school.

    Other Wavescape films include Tidelines, in which a South African crew circumnavigates the world to find waves but also to document how badly plastic debris has impacted our oceans, while McConkey is a tribute to Shane McConkey, the extreme skier.

    Wavescape opens with a free outdoor screening at the Bay of Plenty Lawns on Sunday 20 July, before locating at Ster-Kinekor Musgrave Monday 21 July to Friday 25 July.

    The Films That Made Me 

    This year, for the second time, DIFF presents a repertory section in which film lovers and filmmakers have the opportunity to access a slice of film history. In ‘The Films That Made Me’ section, acclaimed South African director Khalo Matabane presents five films that have been influential in his growth as a filmmaker. The five films that Matabane will present are Krzysztof Kieślowski’s A Short Film About Killing (1988), Denys Arcand’s The Decline Of The American Empire (1986), Martin Scorsese’s Raging Bull (1980), Alfred Hitchcock‘s Rear Window (1954) and Spike Lee’s Do The Right Thing (1989). After each screening, Matabane will lead a discussion regarding the importance of the film. These screenings will be part of the Talents Durban programme but will also be open to the public

    Wild Talk

    For the second year running, DIFF is host to the Durban Wild Talk Africa showcase of local and international environmentally and wildlife-focused films. The Durban Wild Talk Africa Film Festival and Conference, now in its 9th year, brings a world-class television market and natural history conference to South Africa every two years. After the success of last year’s conference at DIFF, Durban Wild Talk Africa will again present a programme of nature films. The full Wild Talk conference will be back in Durban next year.

    This year, the Wild Talk strand offers entertaining and enlightening viewing for nature enthusiasts, animal-lovers, adrenalin junkies and environmentalists alike. Some not-to-be-missed films include Unearthed, a shocking insight into the world of hydraulic fracking and the dark underbelly of America’s gas industry, Black Mamba: Kiss of Death, in which we witness an hour in the life of the most feared snake in Africa, and Birdman Chronicles, which launches head-first into the adrenaline-charged world of wing-suit flying. DamNation explores the changing attitudes towards dams and the devastating effect of these man-made structures while Expedition to the End of the World is an account of a visit by a group of artists and scientists to the rapidly melting massifs of North-East Greenland.

    Other Wild Talk films include the award-winning Iranian astronaut-inspired Sepideh, The Ghosts in our Machines, Liz Marshall’s photographic exploration into the commodification of animals, an artistic voyage into water with Watermark, and the world premiere of Lady Baboon, which chronicles the life of the woman who single-handedly started the controversial baboon conservation movement in South Africa.

    Architecture Film

    The week after DIFF ends, Durban will be hosting the World Congress of Architects at UIA2014. In acknowledgement of this fact, the festival presents a small stream of films which explore various aspects of architecture. Cathedrals of Culture begins with the question “If buildings could talk, what would they say about us?”, and offers six startling responses from six filmmakers from around the world. Great Expectations presents the grand architectural visions of our time, from the functionalist cities of Le Corbusier to the light-weight structures of Buckminster Fuller to Paolo Soleri’s crystalline villages in the desert. The Human Scale documents how modern cities tend to leave us each alone in an almost infinitely large crowd and suggests that we can build cities in ways that takes human needs for inclusion and intimacy into account. Lastly, Microtopia  investigates various ways in which architects, artists and ordinary problem-solvers are pushing the limits to find answers to the dream of portable, flexible and sustainable housing.

    The architecture stream of programming is presented in partnership with the Architect Africa Film Festival and UIA2014.

     

    Read more


  • Official Lineup Released for the 2014 Animation Block Party film festival

    animation block party film festival brooklyn ny lineup 2014

    The official lineup is now available online for the eleventh annual Animation Block Party film festival taking place July 24-27 2014 at Rooftop Films and BAMcinématek in Brooklyn, NYC. This summer’s edition of ABP includes a free outdoor show on Opening Night
    at Arts Brookfield, special programs from Animation Breakdown Roundup and Titmouse 5 Second Day – plus a 35mm screening of the classic film, SpaceJam at the Brooklyn Academy of Music.

    Animation Block Party presents a diverse compilation of extraordinary animated shorts, including exclusive content from Nickelodeon Animation and (mtv)other.

  • ABP 2014 Intro / Street Justice (Ben Li / Burbank / 60 seconds)
  • Fluffy McCloud (Connor Finnegan / Dublin & London / 2:54 min)
  • Worldword (Peter Glantz and Becky Stark / Los Angeles / 30 seconds)
  • In The Beginning (Arthur Metcalf / New York / 2:31 min)
  • Blankfillers (Celeste Lai and Peyton Skyler / NYC / 3:10 min)
  • Love Ball: Ball on Fire (Dana Sink / Harrisburg, PA / 3:35 min)
  • Amasia (Guillaume Renier, Fabien Kretschmer, Gaëlle Séguillon et Adrien Bisiou / ArtFX / 7:25 min)
  • Goodbye Rabbit, Hop Hop (Caleb Wood / MN / 4 min)
  • Wind (Robert Löbel / Berlin / 4 min)
  • Pest / Nuisible (Tom Haugomat, Bruno Mangyoku / Paris / 12 min)
  • Payada pa’ Satan (Antonio Balseiro and Carlos Balseiro / Argentina / 7:31 min)
  • A Tale of Momentum & Inertia (Kameron Gates / Laika Studios / 1:10 min)
  • The Divide (Brent Sievers / RISD / 3:49 min)
  • Le Sens Du Toucher (Jean-Charles Mbotti Malolo / France / 14:05 min)
  • Papa (Natalie LaBarre /SVA / 6:20 min)
  • ABP 2014 Outro / Bewitched Barry (Chelsea Manifold / Burbank / 60 seconds)
  • *Nickelodeon Animation TBA

     

    Read more


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