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  • Manfred Kirchheimer’s Restored legendary NYC film “Stations Of The Elevated” to Premiere at BAMCinemaFest

     Stations of the Elevated

    APD’s Cinema Conservancy program announce the upcoming release of Stations of the Elevated (1981), a 45-minute independent documentary directed, produced and edited by Manfred Kirchheimer, in a new restoration. Shot over the course of 1977 on lush 16mm color reversal stock, the film weaves together vivid images of elevated subway trains crisscrossing New York City’s gritty urban landscape. With a complex soundtrack that combines the ambient sounds of the city with the music of Charles Mingus and Aretha Franklin, the film is an impressionistic portrait of and tribute to a New York that has long since disappeared. 

    On Friday, June 27 BAMCinemaFest will present the world premiere of APD/Cinema Conservancy’s new restoration of Stations of the Elevated on the Steinberg Screen at the BAM Harvey Theater. The event begins with a live performance by legendary jazz ensemble the Mingus Dynasty, the original Charles Mingus legacy band. The first band Sue Mingus organized after Charles’ death in 1979, this acclaimed orchestra continues to interpret Charles Mingus’ more than 300 compositions, and will perform as a prelude to Kirchheimer’s jazz-inflected documentary. Tickets go on sale May 14, 2014 here: http://www.bam.org/film/2014/bamcinemafest2014.

    The newly restored version of the film will be released in theaters this fall accompanied by other works by Manfred Kirchheimer.  The restoration process includes both re-mastered image and sound.

    Director of Cinema Converancy Jake Perlin stated, “I was hypnotized by Stations from the first time I saw the video cassette, just like the twenty plus times I have seen it since.  When thinking of dream projects for Cinema Conservancy, it was at the top of the list.  Working with Manny to be able to bring the film back to audiences in this beautiful version and have it premiere on the enormous screen in the Harvey, is thrilling!”

    “In 1977 when Stations of the Elevated was filmed, illegal graffiti on New York’s subway trains was considered the scourge of the city. Mayors and passengers called it vandalism; attack dogs were let loose to scare and apprehend the perpetrators–kids with names and messages they wanted to ‘get up.’ Today, museums, advertisers and celebrities court the graffiti writers and display their work. With the careful HD restoration of the film, it lives again in all its blazing glory”, said Manfred Kirchheimer.

    Among the first-ever documentations of graffiti on film, Stations of the Elevated captures the height of the 1970s graffiti movement in New York, featuring the work of early legends including Lee, Fab 5 Freddy, Shadow, Daze, Kase, Butch, Blade, Slave, 12 T2B, Ree, and Pusher. In a period when the graffiti covering New York’s subway system was largely dismissed as vandalism, with mayor Ed Koch threatening “if I had my way I wouldn’t use dogs, but wolves [to keep writers out of the train yards],” Kirchheimer explored graffiti as a form of self-expression and a reaction to New York’s social and economic conditions, an artistic counterpoint to the “legalized vandalism” dominating the city’s visual landscape in the form of corporate advertising. Juxtaposing the colorful imagery of ‘tagged’ cars with shots of carefully hand-painted billboards depicting hamburgers and bikini-clad women, Stations of the Elevated forces audiences to ask: “What is urban art, and what role does it play in the daily life of a city?”

    The film premiered at the 1981 New York Film Festival, but lacking appropriate music licenses, Stations of the Elevated was never theatrically released in the United States. In the 30 years since its completion it has been rarely screened, developing a cult amongst cinephiles and jazz- and graffiti-lovers. After two years of working to secure appropriate licenses for its soundtrack, APD’s Cinema Conservancy program will finally make this crucial cultural document and cinematic experience available to the public in 2014 with a theatrical run. 

    Filmmaker Manfred Kirchheimer (b. 1931) immigrated to New York with his family as a child, escaping Nazi Germany to settle in Washington Heights. After studying at Hans Richter’s Institute of Film Techniques at the City College of New York, he spent many years working in the film industry while self-financing his own independent films. A long-time professor at the School of Visual Arts, Kirchheimer has documented New York with an observant, sympathetic eye for decades, in films including We Were So Beloved (1986), Claw (1968), Short Circuit (1973), Bridge High (1975) and Colossus on the River (1963).

    Now, 33 years after it’s initial release and coming back home, Stations of the Elevated’s new transfer can be seen with a fresh pair of eyes having its world premiere at BAMCinemaFest, Friday, June 27th at 8:00pm at the BAM Harvey Theater.

    Details regarding the film’s theatrical re-release this fall will be announced in the coming months.

    Cinema Conservancy is the releasing program of Artists Public Domain, a New York-based non-profit production and distribution company. Cinema Conservancy helps to ensure the legacy and public availability of crucial works of American Independent cinema. Previous Cinema Conservancy releases include Jamel Shabazz Street Photographer, the John Hubley Centennial, Nothing But a Man, Little Fugitive, Northern Lights and The Color Wheel. APD’s recent productions include Towheads, Another Earth, and The Forgiveness of Blood.

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  • North American premiere of Umin Boya’s KANO is Centerpiece Selection for New York Asian Film Festival

     KanoKano

    Umin Boya’s Kano has been selected as the Centerpiece selection for this year’s New York Asian Film Festival (NYAFF), taking place June 27 to July 14, 2014. Returning for its 13th edition, the New York Asian Film Festival is one of North America’s leading festivals of popular Asian Cinema.

    Umin Boya’s Kano, produced and co-written by Taiwan’s hitmaker Wei Te-Sheng (Warriors of the Rainbow: Seediq Bale, Cape No.7), is an epic sports tale, based on a true story from Taiwan’s colonial past, about an underdog mixed-race high-school baseball team that beat the odds and earned the right to travel to Japan in 1931 to compete in a national tournament. In order to succeed against their elite competition, the team had to overcome their ethnic differences and find a way to utilize their individual strengths in order to come together as a true team. The screening will mark the film’s North American Premiere.

    NYAFF’s Korean Actor in Focus program will welcome Lee Jung-jae to New York City and present some of his most notable films as well as two exciting recent releases: Han Jae-rim’s historical comedy-drama The Face Reader, and Park Hoon-jung’s epic gangster thriller New World.

    3D Naked Ambition 3D Naked Ambition

    Early highlights among the first group of titles announced include Philip Yung’s explosive female-juvenile-delinquent drama May We Chat; Benny Chan’s resurrection of the heroic bloodshed genre The White Storm; Lee Kung-lok’s porn-industry comedy 3D Naked Ambition (NYAFF’s first 3-D movie!); superstar Andy Lau in Allen Yuen’s heart-busting police thriller Firestorm; Juno Mak’s hopping-vampire homage Rigor Mortis, along with the classic that inspired it, Ricky Lau’s Mr. Vampire; and Chow Yun-fat reuniting with director Wong Jing in the gambling comedy From Vegas to Macau.

    The Eternal ZeroThe Eternal Zero

    The legendary Takashi Miike will also be represented at NYAFF once again with his outrageous gangster comedy based on a popular manga, The Mole Song: Undercover Agent Reiji. Korean cops take on a criminal mastermind in Jo Ui-seok and Kim Byung-seo’s thriller Cold Eyes; Takashi Yamazaki’s Japanese WWII kamikaze pilot drama The Eternal Zero; and Anna Broinowski’s Aim High in Creation, a behind-the-scenes look at the North Korean film industry, are also set to screen. 

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  • deadCENTER Film Festival to open with Winterbottom’s improv comedy “The Trip to Italy”

     The Trip to ItalyThe Trip to Italy

    The official opening night film for the 14th annual deadCENTER Film Festival will be the improv comedy “The Trip to Italy,” screening at 8 p.m. on Thursday, June 12 at the Oklahoma City Museum of Art.  The 14th annual deadCENTER Film Festival will take place Wednesday, June 11 through Sunday, June 15 at five locations in downtown Oklahoma City. 

    “The Trip to Italy” is a semi-fictional improvised tour of Italy from director Michael Winterbottom starring two of Britain’s best loved comedic actors: Oscar nominee Steve Coogan (Philomena) and Rob Brydon.  In the long awaited follow-up to the smash hit comedy “The Trip,” Coogan and Brydon embark on a new culinary road trip around Italy in the summer, where they enjoy mouthwatering meals in the gorgeous surroundings of Liguria, Tuscany, Rome, Amalfi and Capri. They riff on subjects as varied as Batman’s vocal register, Pompeii, the artistic merits of Alanis Morissette’s “Jagged Little Pill,” and compete on who can do the best Michael Caine impersonation.

    The film is rated PG-13.  Running time is 1 hour, 55 minutes. 

    http://youtu.be/DtlEQ6y8Rp8

    Michael Winterbottom is a British director who brought Casey Affleck, Kate Hudson, Simon Baker and Jessica Alba to Oklahoma in 2009 to create a filmed version of the acclaimed crime novel, “The Killer Inside Me,” by Oklahoma novelist Jim Thompson.

    FrankFrank

    At 8:30 p.m., “Frank,” directed by Lenny Abrahamson and starring Oscar nominees Maggie Gyllenhaal and Michael Fassbender, will receive its Oklahoma premiere screening in the Access Midstream Theater at Harkins Bricktown.

    “Frank,” a quirky comedy that electrified audiences at its Sundance Film Festival debut, is the story of Jon, a young wannabe musician, who discovers he’s bitten off more than he can chew when he joins an eccentric pop band led by the mysterious and enigmatic Frank.  Running time 95 min.

    http://youtu.be/Wk-hWzq67w4

     

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  • Short Films Lineup Revealed for Rooftop Films 18th Annual Summer Series

    Rat Pack RatRat Pack Rat

    Rooftop Films returns for Opening Night with This Is What We Mean By Short Films, a selection of dynamic short films that encapsulates the adventurous spirit of our organization. Throughout the summer, Rooftop Films will screen dozens of movies from dozens of first time filmmakers, up and coming directors, and some tried and true indie favorites: Rose McGowan’s directorial debut “Dawn“, Rooftop Alum & Film Fund Grantee Todd Rohal’s Sundance Award Winning “Rat Pack Rat“, and the NY Premiere of Film Fund Grantee Lucy Walker’s “The Lion’s Mouth Opens“. 

    Here are the short films of the 2014 Rooftop Films Summer Series. The full schedule including locations and dates will be announced in the coming weeks. 

    45 7 Broadway (Tomonari Nishikawa | 5’)
    This is an experimental film about Times Square, the noises and movements at this most well-known intersection.

    70 Hester Street (Casimir Nozkowski | 11’)
    A documentary about a synagogue, a whiskey still, a raincoat factory and other past lives of my childhood home. 

    Afronauts (Frances Bodomo | 13’)
    It’s July 16, 1969: America is preparing to launch Apollo 11. Thousands of miles away, the Zambia Space Academy hopes to beat America to the moon in this film inspired by true events. 

    Alagoas – Brighton (Jeremiah Zagar | 5’)
    “Brighton” is the love story of a young urban couple who abandon their burgeoning careers in order to build a life in community-supported farming. But just as they begin to hit their stride, the grim onset of cancer threatens to topple their dream.

    An Extraordinary Person (Quelqu’un d’extraordinaire) (Monia Chokri | 28’)
    A 30-year-old scholar, intelligent and beautiful yet socially crippled, is forced to attend a bachelorette party where her quest for authenticity leads to an unavoidable confrontation with old acquaintances. 

    The Apartment (Josh Freed | 4’)
    A short documentary that captures the essence of New York City living – the chaos, the glory, the hilarity and the obscenity. We share close quarters with strangers, cohabitate with girlfriends impulsively, and some of us share the gruesome details with anyone who will listen.

    Arena (Piotr Bernas | 16’)
    What are the reasons underlying the human drive toward self-destruction? What is the wellhead of motivation for a person who chooses a life involving perpetual struggle, self-harm and risking their health? Is the road of physical pain an escape route from other kinds of pain? And finally, what lies at the roots of the contemporary fascination with risk and aggression? Arena is a film project about contemporary games, arenas and gladiators. 

    Astigmatismo (Nicolai Troshinsky | 4’)
    A boy, having lost his glasses, can only see one thing in focus at a time. His sight gets attracted by the sounds that surround him. He will have to explore a blurry world of unknown places and strange characters. 

    Baby Mary (Kris Swanberg | 8’)
    Shot with non-actors on the west side of Chicago, Baby Mary, is the story of eight-year-old Kiara, who while walking home from school finds a neglected toddler and decides to take her home. 

    Balance (Mark Ram | 11’)
    Two mountain climbers are scaling the extreme peaks when disaster strikes. They are dangling three thousand feet above the ground. What seems certain death becomes a balance between the two, connected by a single rope. 

    Baths (Tomek Ducki | 4’) 
    Two elderly swimmers meet at the baths for their ritual swimming. This time they are diving deeper than usual. 

    Beauty (Rino Stefano Tagliafierro | 10’)
    A short story of the most important emotions of life, from birth to death, love and sexuality through pain and fear. It is a tribute to art and his disarming beauty. … 

    Boyhood (Ayiokisho) (Jonah Rosenthal | 4’)
    Life as a young Kenyan boy living in the Great Rift Valley. 

    Bradford-Halifax-London (Francis Lee | 10’)
    On the 10:22 train from Bradford to London Dad looses his rag, pregnant Mam concocts a surprise whilst their teenage daughter aches from embarrassment on just another ‘typical’ family outing… 

    Brooklyn Farmer (Michael Tyburski | 26’)
    “Brooklyn Farmer” explores the unique challenges facing Brooklyn Grange, a group of urban farmers who endeavor to run a commercially viable farm within the landscape of New York City. As their growing operation expands to a second roof, the team confronts the realities inherent in operating the world’s largest rooftop farm in one of the world’s biggest cities. 

    Bunda Pandeiro (Carlo Sampietro | 3’)
    In Brazilian slang, the phrase Bunda Pandeiro is used to describe attractive buttocks by referring to them as a tambourine. While the ass is a universally recognized symbol of sexual allure, the film blurs lines between gender and race, reducing each participant to the utilitarian role of a musical instrument. 

    Butter Lamp (Hu Wei | 15’)
    A photographer weaves unique links among nomadic families. 

    C-Rock (Jordan Roth | 29’)
    Together, kids on C-Rock face perilous jumps of up to 110 feet. It’s a summertime rite of passage in the Bronx. But growing up means they’ll have to leave this tradition behind. 

    The Caketrope of Burton’s Team (Alexandre Dubosc | 2’)
    A pastry zoetrope tribute to the films of Tim Burton. 

    Cargo Cult (Bastien Dubois | 11’)
    During the Pacific war on the coast of Papua New Guinea, the Papuans want to claim the god Cargo’s gifts by developing a new rite in this beautifully animated film. 

    Catherine: A Story In 12 Parts (Dean Fleischer-Camp | 14’)
    Catherine returns to work after a hiatus. Starring Jenny Slate as the titular character.

    Coda (Alan Holly | 9’)
    A lost soul stumbles drunken through the city. In a park, Death finds him and shows him many things. 

    Crime: The Animated Series – Nelson George (Alix Lambert, Sam Chou | 4’)
    Writer and culture critic, Nelson George, talks about his childhood, the nature of crime, and the state of Hip Hop in the year 2008. 

    Crime: The Animated Series – Marcus McGhee (Alix Lambert, Sam Chou | 5’)
    When Hartford, CT teacher Marcus McGhee has his car stolen, the police refuse to assist him. Directors Alix Lambert and Sam Chou mix humor with stark reality in this animated documentary short.

    Cruising Electric (Brumby Boylston | 1’)
    The marketing department green-lights a red-light tie-in: 60 lost seconds of modern movie merchandising. 

    The Cut (Geneviève Dulude-De Celles | 14’)
    The Cut tells the story of a father and a daughter, whose relationship fluctuates between proximity and detachment, at the moment of a haircut.

    Darling (Izabela Plucinsica | 6’)
    What is it like when you have lost your memory, when you wake up and you cannot even recognize your husband? A woman wakes up from a dream facing a stranger who claims to be her husband. DARLING deals with loss, intimacy as well as alienation, helplessness and despair, but also hope.

    Dawn (Rose McGowan | 17’)
    Dawn is a quiet young teenager who longs for something or someone to free her from her sheltered life. 

    Don’t Hug Me I’m Scared II: Time (Becky Sloan & Joe Pelling | 4’)
    Eventually everyone runs out of time – but before that happens to you, make some time to go on a journey, a journey through directorial duo Becky & Joe’s existentialist universe of temporal confusion, TV guides and bathtime. Time is the sequel to their original mind-bending viral hit Don’t Hug Me I’m Scared. 

    Dusty Stacks of Mom (Jodie Mack | 40′)
    Interweaving the forms of personal filmmaking, abstract animation, and the rock opera, this animated musical documentary examines the rise and fall of a nearly-defunct poster and postcard wholesale business; the changing role of physical objects and virtual data in commerce; and the division (or lack of) between abstraction in fine art and psychedelic kitsch. Using alternate lyrics as voice over narration, the piece adopts the form of a popular rock album reinterpreted as a cine-performance.

    Eager (Allison Schulnik | 9’)
    “Eager” is a traditional, stop-motion and clay-mation film ballet by painter/animator Allison Schulnik. It is a celebration of the moving painting. Although there is a beginning, middle and end, what it retains in traditional material and methods, it avoids in narrative structure. It is an uncertain account of what exists somewhere between tragedy and farce. 

    Eleanor Ambos Interiors (Andrew Ellis | 15’)
    A close-up look at the whimsical life of 86-year-old interior designer Eleanor Ambos. Since her arrival to the U.S. at age 20, Eleanor’s strong will and keen eye have transformed her design business into a multi-million dollar empire. Yet at home, this eccentric tycoon’s lifestyle is astonishingly simple. 

    Fear of Flying (Conor Finnegan | 9’)
    A small bird is afraid to fly, but with winter approaching and everyone flying south, he must face his fears… for the most part. 

    Flesh (Carne) (Carlos Gomez Salamanca | 8’) 
    Flesh reveals the sacrifice of an animal during a countryside celebration in Colombia. This animated short film proposes various readings around the body and the memory thru moving paintings.

    Flirting or Coquetry (Julian Petschek | 4’)
    A brief summary of flirting behavior provided by the contributors of Wikipedia.

    Funnel (Andre Hyland | 7’)
    When a man’s car breaks down, it sends him on a quest across town that slowly turns into the most fantastically mundane adventure. 

    Goodbye Rabbit, Hop Hop (Caleb Wood | 4’)
    A mind in the city looks inwards, and escapes to the rabbits domain. 

    Graceland (Christian Hödl | 11’)
    In her small flat in Munich Angelica lives an Elvis Presley-centered life, far away from the world which she perceives as loud and bad sometimes. She spends from 600 to 700 Euros a month for Elvis fan stuff, but she only needs 20 Euros a week for food. The film is a portrait of a middle-aged woman, who wants to live as she wants to: with Elvis Presley. 

    Hacked Circuit (Deborah Stratman | 15’)
    This circular study of the Foley process portrays sound artists at work constructing complex layers of fabrication and imposition. 

    Hi, My Love (Oi, Meu Amor) (Robert G. Putka | 3’)
    Men are from Mars, women are from Brazil. A conversation unfolds, and two lovers find themselves on separate wavelengths. 

    How To Keep Smoking (John Wilson | 10’)
    How to video about smoking. 

    I Am Alone and My Head is On Fire (David O’Reilly | 1’)
    A man is alone and his head is on fire. 

    I Think This is the Closest to How the Footage Looked (Youvai Hameri | 10’)
    A man recreates with poor means a lost memory. A memory of the last day with his Mom. Objects comes to life, in a desperate struggle, to produce one moment that was gone. 

    I’m A Mitzvah (Ben Berman | 18’)
    A young American man spends one last night with his deceased friend while stranded in rural Mexico. 

    In The Air Is Christopher Gray (Felix Massie | 10’)
    Christopher Gray has been in love with Stacey for quite some time, and no amount of lemonade can cool his desire. Meanwhile, Barry Flint has just bought his son a five-foot python from the pet store. 

    Introduction to a Care Home (Niklas Holmgren | 27’)
    Linda is a middle-aged woman working at a care home for people with chronic psychological disabilities. One day a young, attractive guy comes to live there. Linda is overwhelmed by sexual desire for him. 

    Jonathan’s Chest (Christopher Radcliff | 13’)
    Everything changes one night for Alex, a troubled teenager, when is visited by a boy claiming to be his brother — who disappeared years earlier. 

    Keep the Change (Rachel Israel | 16’)
    A young man is forced to attend a support group that leads to an unexpected connection. 

    Kids and Explosions – Swear Words (Thomas Vernay, 

     Yann Wallaert

      | 3’)
    Inspired by GIF, this video clip is about the clichés of american antagonisms : 
    Christian thought, homeland love and excesses of the USA. 

    Krisha (Trey Edwards Shults | 14’)
    Krisha has not seen her family for many years. When Krisha decides to join her family for a holiday dinner, tensions escalate and Krisha struggles to keep her own demons at bay. 

    La Viande + L’Amour (Johanna Rubin | 1’)
    A very short romantic comedy: the essence, the very crescendo, the embrace and the kiss. All of it represented in raw meat. It can’t get more physical than this.

    Late For Meeting (David Lewandowski | 2’)
    Late for Meeting is the first companion piece to the 2011 short film entitled Going to the Store. A rubbery man makes his way through Los Angeles by any means necessary.

    Le Labyrinthe (Mathieu Labaye | 9’)
    6m² for the rest of his life… 

    Levitate (Leah Ross | 13’)
    Levitate is a portrait of the Rockaways NY and its residents 3-7 months after Hurricane Sandy devastated the peninsula.  Shot on s16mm, the film is a montage of voices and landscapes left in limbo from the storm. 

    The Lion’s Mouth Opens (Lucy Walker | 15’)
    A stunningly courageous young woman takes the boldest step imaginable, supported by her mother and loving friends in this stunning documentary from acclaimed filmmaker Lucy Walker. 

    Love Doesn’t Care (Farzad Zarzaneh | 14’)
    Rakel and Dag are in love and are seemingly the perfect couple until an old friend of Dag’s shows up and things take a subtle yet dramatic turn.

    Love in the Time of March Madness (Melissa Johnson, Robertino Zambrano | 9’)
    A story about the hilarious and awkward misadventures of a 6’4’’ tall woman who is a star on the basketball court but struggles to find true love. 

    M4W (Annelise Ogaard | 20’)
    A candid glimpse into the life of Eleanor, a young woman who stays above the poverty line by hiring herself out as a dominatrix to men she meets online.

    Manicure (Stephanie Ahn | 11’)
    A young man is paid an unexpected visit on the morning of his mother’s funeral.

    Marilyn Myller (Mikey Please | 6’)
    Marilyn maketh. Marilyn taketh awayeth. Marilyn is trying really hard to create something good. For once, her expectation and reality are going to align. It will be epic. It will be tear-jerkingly profound. It will be perfect. Nothing can go wrong. 

    Master Muscles (Efren  Hernandez | 13’)
    Veronika and Efren take a trip. 

    Me + Her (Joseph Oxford | 12’)
    When Jack and Jill of Cardboard City are separated by Jill’s untimely death, Jack goes on a journey to mend his (literally) broken heart. 

    MeTube: August sings Carmen Habanera (Daniel Moshel | 4’)
    George Bizet`s “Habanera” from Carmen has been reinterpreted and enhanced with electronic sounds for MeTube, a homage to thousands of ambitious YouTube users and video bloggers, and gifted and less gifted self-promoters on the Internet. 

    The Missing Scarf (Eoin Duffy | 7’)
    A black comedy exploring some of life’s common fears: fear of the unknown, of failure, rejection and finally the fear of death. Narrated by George Takei. 

    Mooon (James Kwan | 6’)
    Everything in the Universe is a little bit sticky.

    More Than Two Hours (Ali Asgari | 10’)
    It’s 3 AM, a boy and a girl are wandering in the city. They are looking for a hospital to cure the girl, but it’s much harder than they thought.

    Mountain in Shadow (Lois Patino | 14’)
    A poetic view into the relationship of immensity between man and landscape. We contemplate, from a distance, the activity of skiers on the snowy mountain. The pictorial image and the dark and dreamlike atmosphere transforms the space into something unreal, imprecise, converting it also in a tactile experience. 

    Mr. Lamb (Jean Pesce | 15’) 
    Mr. Lamb is a dark comedy about a lonely waitress who is in love with her pen pal — the convicted murderer, Charles Lamb.

    Noah (Walter Woodman, Patrick Cederberg | 17’)
    In a story that plays out completely on a teens computer screen. Noah soon learns the difference between a like and a love. 

    The North Sea Riveria (Joshua Wedlake | 12’)
    A tale of love, life and lunacy told via an estranged odyssey through the digital uncanny. Set along the East Coast of Britain in the latter half of the 20th Century, two deeply introspective and nostalgic men wander through a melancholic seaside resort as it languishes in its dying throes. 

    Notes on Blindness Rainfall (Peter Middleton, James Spinney | 4’)
    For three years after losing his sight, John Hull created audio diaries to reflect on his adaptation to blindness. Using excerpts from John’s tapes, this film recreates the visceral experience of hearing rainfall for the first time without sight. The rain’s sound creates a perception of dimensionality and reconnects John in a tangible way to his environment. A poetic sensory experience.

    Numbers & Friends (Alexander Carson | 7’)
    In his search for happiness in North America, a European man discovers the pleasures of Fantasy Baseball. Using his new appreciation for sports as a metaphor to re-imagine his life choices, he begins to find new meaning in the world around him. Numbers & Friends is a playful and amorphous cine-essay about sports fandom and cultural identity. 

    The Obvious Child (Stephen Irwin | 12’)
    Somebody broke the girl’s parents. The rabbit was there when it happened. It was an awful mess. 

    Of God and Dogs (Abounaddara Collective | 12’)
    A young, free Syrian soldier confesses to killing a man he knew was innocent. He promises to take vengeance on the God who led him to commit the murder. Winner of 2014 Sundance Grand Jury Prize for Best Short Documentary. 

    Once Upon a Tree (Marleen van der Werf | 15’)
    Sitting in her favorite Oak tree, 11-year-old Filine encounters little wonders in the natural world around her. 

    One Year Lease (Brian Bolster | 11’)
    Told almost entirely through voice mail messages, “One year Lease” documents the travails of Brian, Thomas and Casper as they endure a year-long sentence with Rita the cat-loving landlady. 

    Open City: The Dreamer (A.V. Rockwell | 5’)
    Larry “Antenna Man” Connor makes a name for himself the best way he knows how. (Sorry, No Refunds!)

    Orlando’s Book (Wendy Morris | 4’)
    A book of English landscapes was awarded to a young man who grew up on mission stations in Southern Africa in the 19thc. This book, belonging to an ancestor of the artist, is the starting point to a reflection on literary memories of places read about but never visited, and on places experienced but never seen illustrated in books.

    Pandas (Pandy) (Matus Vizar | 12’)
    After millions of generations they have a good chance of becoming another extinct species. But one day, an all too active primate called the human being found them and they became a pawn in man’s game. 

    Person to Person (Dustin Guy Defa | 18’)
    Waking up the morning after hosting a party, a man discovers a stranger passed out on his floor. He spends the rest of the day trying to convince her to leave. 

    Perth+6hrs (Wendy Morris | 3’)
    Perth+6hrs is a personal reflection on the transience of family, on the fleetingness of childhood, and on the inevitable separations as children grow up and move away. The objects in the film are made by the son of the filmmaker. The film is created out of a single drawing.
     
    Phantom Limb (Alex Grigg | 4’)
    James and Martha narrowly survive a motorcycle accident. During the aftermath, however, James begins to experience Martha’s phantom pains. 

    The Pink Helmet Posse (Kristelle Laroche, Ben Mullinkosson| 9’)
    Three pink tutus. Three pink helmets. Three pink skateboards. Bella, Sierra and Rella prove that skateboarding is not just for boys. 

    Pleasure (Ninja Thyberg | 15’)
    Behind the scenes of a porn shoot, the actors practice various positions. The rumor is that one of the girls is doing an advanced routine that requires someone extremely tough. Pleasure is a startling film about workplace intrigue. 

    Portrait (Donato Sansone | 3’)
    A slow and surreal video slideshow of nightmarish, grotesque and apparently static characters. 

    Rabbit and Deer (Peter Vacz | 16’)
    Rabbit and Deer are living happily and careless until their friendship is put to the test by Deer’s new obsession to find the formula for the 3rd dimension. After an unexpected accident Deer finds himself in a new world, unknown to him. Separated by dimensions the two characters have to find the way back to each other. 

    Rat Pack Rat (Todd Rohal | 17’)
    A Sammy Davis Jr. impersonator, hired to visit with a loyal Rat Pack fan, finds himself delivering last rites at the boy’s bedside. 

    Rehearsal (Tom Rosenberg | 12’)
    A surreal study of a simulated terrorist attack in middle America. Composed frames observe the meticulous care taken to create a hyperreal terrorist event. Once the bomb goes off,  hundreds of volunteers deliver a convincing performance as stunned and mutilated blast victims. 

    Rhino Full Throttle (Nashom im Galopp) (Erik Schmitt | 15’)
    A young man uses art to reshape the city around him in search of its soul, but a beautiful tourist overtakes his mission in this imaginative love story. 

    The Runaway (La Fugue) (Jean-Bernard Marlin | 22’)
    A rehabilitated teenage girl stands before a judge for sentencing. Still, she fears the system is stacked against her. Winner of best short at the 2013 Berlin Film Festival. 

    The Shirley Temple (Daniela Sherer | 10’)
    The boundaries between childhood and adulthood become blurry for a kid at his mother’s cocktail party. In this experimental-narrative short, characters, symbols and abstractions interchange to examine the relationships between children and adults, escapism and sexuality.

    Six (Frank Jerky | 14’)
    Six is a short film that follows a young boy named Dumbo, who is playing with his toy cars on the hottest day of the summer. The playing takes place on a huge rooftop in Brooklyn. No adults are around. Everyone seems to be indoors – hiding from the heat. Only Dumbo’s sister Maggie is on the other side of the roof, but she could not care less about her younger brother’s games. 

    Street Views (Annie Berman | 8’)
    Created entirely within Google, Street Views is a somnambulist tour defying natural laws of perspective, time, and continuity. Our guide discovers she can get lost while never straying from the map. Places also get lost – like a video store. She attempts to interact with this world. Retracing her path, she discovers even though all has already occurred and is transfixed, it is never the same twice. 

    Sun of a Beach (Arnaud Crillon, Alexandre Rey, Jinfeng Lin, Valentin Gasarian | 6’)
    You’re at the beach. It’s hot. Too hot!!!

    Symphony No. 42 (Réka Bucsi | 10’)
    47 observations in the irrational connections between human and nature. 

    Syndromeda (Patrik Eklund | 21’)
    Leif wakes up on the road—naked and bloody—with no memory of what has happened. No one believes him when he claims he was abducted by aliens. 

    Tim and Susan Have Matching Handguns (Joe Callander | 2’)
    Love is swapping clips with your spouse in the middle of a three gun problem. 

    Unlocking The Truth (Luke Meyer | 3’)
    There is a particular moment right before fame strikes a young musician – between the full flowering of talent and believing in a dream so pure and strong as to feel bulletproof – which at the same time is almost imperceptible as it is happening. This documentary follows Malcolm Brickhouse, Jarad Dawkins and Alec Atkins of the band Unlocking The Truth as they summon all the influences that have helped make them who they are, and cross this metaphysical threshold. 

    Wawd Ahp (Steven Girard, Josh Chertoff | 3’)
    A man raps in the mirror, cuts off his head, and has sex with it. There is also a cartoon. 

    Whale Valley (Hvalfjordur) (Gudmundur Gudmundsson | 15’)
    Two brothers struggle to find their place and purpose while living in a small remote fjord in Iceland. Special mention at Cannes Film Festival and winner of Best Short Film at Hamptons Int’l Film Festival. 

    Wind (Robert Löbel | 4’) 
    Wind is an animated short about the daily life of people living in a windy area who seem helplessly exposed to the weather. However, the inhabitants have learned to deal with their difficult living conditions. The wind creates a natural system for living. 

    Yearbook (Bernardo Britto | 6’) 
    A man is hired to compile the definitive history of human existence before the planet blows up. Winner of the 2014 Sundance Grand Jury Prize for Best Animation.

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  • Winners Announced for the USA Film Festival’s 36th Annual National Short Film Competition

     One Armed ManOne Armed Man

    The USA Film Festival announced the winners of the 36th Annual National Short Film & Video Competition. The awards program took place on Closing Night of the 44th Annual USA Film Festival in Dallas.  One Armed Man, directed byTim Guinee, won the First Place award for Fiction; Confusion Through Sand directed by Danny Madden won the First Place award for Animation and Not Anymore: A Story of Revolution directed by Matthew VanDyke won the First Place award for Non-Fiction.

     Chosen from more than 500 U.S. entries, the winners included:

    FIRST PLACE / FICTION $1,000 
    One Armed Man, Tim Guinee, director 

    FIRST PLACE / ANIMATION $1,000
    Confusion Through Sand, Danny Madden, director

    FIRST PLACE / NON-FICTION $1,000
    Not Anymore: A Story of Revolution, Matthew VanDyke, director

    First Place Winners in the Fiction, Animation and Non-Fiction categories that meet Academy eligibility requirements qualify for consideration from the Academy of Motion Picture Arts and Sciences. For more information on Rules & Eligibility for the Academy Awards, please visit www.oscars.org/rules

    THE STUDENT AWARD $250 
    Samnang, Asaph Polosky, director 

    SPECIAL JURY AWARDS $250 each
    5cm, Jordan Schiele, director Children of the Peacock, Travis Andrade, director For the Birds, Tara Atashgah, director A Long Walk, Chinonye Chukwu, director

    THE TEXAS AWARD $250
    A Quiet Strength, Bobbie Baird, Hannah Caggiano, Deborah Hammond, Tommaso Spinelli, co-directors

    In addition to the Jury awards, FESTIVAL-AWARDED PRIZES also went to the following official selection short works:

    Across Grace Alley, Ralph Macchio, director
    The Bakerman and the Bunnymen, Scout Raskin, director
    Dress, Henry Ian Cusick, director
    Looms, The Funk Brothers, directors
    Ni-Ni, Melissa Hickey, director
    Thursday, Milcho Manchevski, director
    Tobacco Burn, Justin Liberman, director

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  • Official Poster Unveiled for 38th Montreal World Film Festival

    official poster of the 38th Montreal World Film Festival

    The design of Bolivian artist Marco Tóxico was chosen by the public to be the official poster of the 38th Montreal World Film Festival taking place from August 21st to September 1st, 2014.

    Tóxico’s work is known around the world, having appeared in publications in Argentina Belgium, Brazil, France, Germany, Mexico, Peru, Spain and Venzuela, not to mention his numerous international exhibitions. He is the co-founder with Karen Gil of the La Ñatita Editions devoted to the publication of  their graphic works.

    Tóxico was named one of the ten best illustrators at the Cow International Design Festival in Ukraine and earned honorable mention at the 2013 Latin-American Design Conference in Buenos Aires.

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  • More Films Added to 2014 Cannes Film Festival

    White God by Kornél MundruczóWhite God by Kornél Mundruczó

    Six more films have been added to the Official Selections of 2014 Cannes Film Festival taking place May 14th to May May 25th. Films include In The Name of my Daughter will screen in Out of Competition, and White God by Kornél Mundruczó will screen in Un Certain Regard section.

    Out of Competition

    L’Homme qu’on aimait trop (In The Name of my Daughter) by André Téchiné with Guillaume Canet, Catherine Deneuve and Adèle Haenel (1h56)

    Un Certain Regard 

    Fehér Isten (White God) by Kornél Mundruczó (1h59)

    Special Screenings

    Of Men and War (Des Hommes et de la guerre) by Laurent Bécue-Renard (documentary, 2h22)

    The Owners by Adilkhan Yerzhanov (1h33)

    Géronimo by Tony Gatlif with Céline Salette, Rachid Yous (1h44) – a screening of the film will also be organized for the high school students of the PACA Region.    

    El Ardor by Pablo Fendrik (1h40) with Gael Garcia Bernal, member of the Jury of the Competition, will also be featured as a Special Screening. 

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  • Sprout Film Festival Returns Weekend of May 31; Unveils Official Selections

     sprout film festival 2014 poster

    The Sprout Film Festival returns for its 12th year in New York City, over the weekend of May 31st-June 1st, 2014, screening films featuring people with intellectual and developmental disabilities. The festival announced the official selections for the 2014 Sprout Film Festival, which will showcase 37 independent short films, documentaries, animations, music videos and features from 11 different countries.

    sprout film festival-2014 official selections

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  • Twin Cities Film Fest Announces 2014 Dates

    Twin Cities Film Fest (TCFF)

    The 5th Annual Twin Cities Film Fest (TCFF) will be held October 16th – 25th in St. Louis Park, Minnesota.  The Shops at West End and Showplace ICON Theatre & Lobby Lounge will once again be the exclusive venues for this year’s festival.   

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  • Award Winners Announced For 17th Cine Las Americas International Film Festival

    MATEO directed by María GamboaMATEO directed by María Gamboa

    Cine Las Americas announced  the award winners for the 17th Cine Las Americas International Film Festival, which took place April 22 to 27 in Austin, Texas. The festival grants jury awards in the categories of Narrative Feature Film, Documentary Feature Film, Narrative Short Film, and Documentary Short Film. The Hecho en Tejas Jury Award is presented in partnership with the Texas Archive for the Moving Image (TAMI). In addition, four audience awards are recognized: Audience Award for Narrative Feature, Audience Award for Documentary Feature, Audience Award for Best Hecho en Tejas Film and the Emergencia Audience Award, granted to the most popular youth film.  MATEO directed by María Gamboa swept the major awards winning both the Jury Award for Best Narrative Feature and the Audience Award for Narrative Feature.

    17th Cine Las Americas International Film Festival Award Winners

    Narrative Feature Competition

    Jury Award for Best Narrative Feature
    MATEO
    Dir. María Gamboa, Colombia/France

    Mateo, 16, collects extortion money on behalf of his uncle and uses his pay to help out his mother, who grudgingly accepts the ill-gotten money out of need. They live by themselves in the poor, violent neighborhoods alongside the Magdalena River valley in Colombia. To prove his worth, Mateo agrees to infiltrate a local theater group in order to uncover its members’ political activities. As he becomes enthralled with the free-flowing creative lifestyle of the troupe, his uncle escalates demands on him to produce incriminating information on the actors. Under pressure, Mateo must make difficult choices. At the Miami International Film Festival, where MATEO had its world premiere, the film won Best First Feature and Best Screenplay.

    http://youtu.be/tYYStTWt76M

     

    Special Jury Award for Best Comedy
    LA DESPEDIDA (The Goodbye)
    Dir. Alvaro Diaz Lorenzo, Spain/USA

    Documentary Feature Competition

    Jury Award for Best Documentary Feature
    ROQUE DALTON, ¡FUSILEMOS LA NOCHE! (Roque Dalton, Let’s Shoot the Night!)
    Dir. Tina Leish, Austria/El Salvador/Cuba

    ROQUE DALTON, ¡FUSILEMOS LA NOCHE! is a poetic documentary, a manifesto both for reading poetry and for living a life that takes responsibility for the state of the world. Roque Dalton (1935-1975) is El Salvador’s most important poet. His life is an adventure, his poetry an exciting shower of sparks between political utopia and sensuality, revolutionary beliefs and lust for heresy. As playful as Roque Dalton’s poetry, this film interweaves interviews with his family, friends, lovers and contemporaries with touching readings of his works by students, actors, prostitutes, prisoners, famous friends and the children of the underprivileged protagonists of his works. The film has screened to great success on the festival circuit, including important stops at the Havana Film Festival and MiradasDOC.

    Statement from the Jury: “We appreciated seeing a complex political figure like Roque Dalton integrated into a poetic narrative. It also included the complexity found in any human story, because everything is not black and white.”

    Narrative Short Competition

    Jury Award for Best Narrative Short
    PADRE (Father)
    Dir. Santiago ‘Bou’ Grasso, Argentina/France

    Honorable Mention for Narrative Short
    ROJO (Red)
    Dir. Carlos Alejandro Molina M., Venezuela

    Documentary Short Competition

    Jury Award for Best Documentary Short
    TRAZOS EN LA CUMBRE (Drawing on the Heights)
    Dir. Alejandro Victorero, Carlos Alejandro Molina, Venezuela

    Honorable Mention for Cinematography
    NADIE ESPECIAL (Nobody Special)
    Dir. Juan Alejandro Ramírez, Peru

    Hecho en Tejas Competition

    Texas Archive of the Moving Image Hecho en Tejas Jury Award
    LADONNA HARRIS: INDIAN 101
    Dir. Julianna Brannum, USA

    Audience Awards

    Audience Award for Narrative Feature
    MATEO
    Dir. María Gamboa, Colombia/France

    Audience Award for Documentary Feature
    SIGO SIENDO (I’m Still)
    Dir. Javier Corcuera, Peru/Spain

    Although the film is about music and musicians, it is not strictly a musical film. Rather, it is a reflection of seemingly disparate stories searching to find one another in a Perú struggling to find its own identity. SIGO SIENDO was nominated for the Platino Prizes, and chosen to screen at Iberodocs in Edinburgh, where director Javier Corcuera was honored for his career achievements as a documentary filmmaker.

    Hecho en Tejas Audience Award
    MICHA
    Dir. Eugene Martin, USA

    Audience Award for Emergencia Youth Film Competition
    THE HEARING
    Dir. Russell Ratt Brascoupe, Canada

    Wapikoni Mobile

    Read more


  • Rooftop Films Announces Short Films Selected to Screen on Opening Night

    rooftopfilms

    Rooftop Films in New York City, announced the selection of short films to screen on opening night, of the the 18th annual Rooftop Films Summer Series.  Under the title, THIS IS WHAT WE MEAN BY SHORT FILMS, opening night on Friday, May 16th, will highlight some of the most exciting and original short films from around the world. The following night, Rooftop Films will present a special sneak preview screening of the upcoming A24 Films release OBVIOUS CHILD, described as a subversive, modern-day romantic comedy from writer/director Gillian Robespierre.

    THIS IS WHAT WE MEAN BY SHORT FILMS 

    Bunda Pandeiro (Carlo Sampietro | 3’)
    In Brazilian slang, the phrase “Bunda Pandeiro” is used to describe attractive buttocks by referring to them as a tambourine. This film blurs lines between gender and race, reducing each participant to the utilitarian role of a musical instrument. 
    Filmmaker in attendance.

    Rhino Full Throttle (Nashom im Galopp) (Erik Schmitt | 15’)
    A young man uses art to reshape the city around him in search of its soul, but a beautiful tourist overtakes his mission in this imaginative love story.

    Symphony No. 42 (Réka Busci | 10’)
    47 observations in the irrational connections between human and nature.

    An Extraordinary Person (Quelqu’un d’Extraordinaire) (Monia Chokri | 28’) 
    A 30-year-old scholar, intelligent and beautiful yet socially crippled, is forced to attend a bachelorette party where her quest for authenticity leads to an unavoidable confrontation with old acquaintances. 
    Winner of SXSW Jury Prize.

    Don’t Hug Me I’m Scared II: Time (Becky Sloan, Joe Pelling | 4’) Rooftop Alumnus
    Eventually everyone runs out of time – but before that happens to you, make some time to go on a journey, a journey through directorial duo Becky & Joe’s existentialist universe of temporal confusion, TV guides and bathtime.

    Afronauts (Frances Bodomo | 13’) Rooftop Alumnus
    It’s July 16, 1969: America is preparing to launch Apollo 11. Thousands of miles away, the Zambia Space Academy hopes to beat America to the moon in this film inspired by true events. 
    Filmmaker in attendance.

    Master Muscles (Efren Hernandez | 13’)
    Veronika and Efren take a trip. 
    Filmmaker in attendance.

    Person To Person (Dustin Guy Dega | 18’) Rooftop Alumnus 
    Waking up the morning after hosting a party, a man discovers a stranger passed out on his floor. He spends the rest of the day trying to convince her to leave.

    Read more


  • Full Lineup Announced for 40th Seattle International Film Festival; “The One I Love” to Close Fest

    The One I LoveThe One I Love 

    Seattle International Film Festival unveiled the complete lineup of films and events for the 40th annual Festival taking place May 15 to June 8, 2014.  This year, SIFF will screen 440 films: 198 features (plus 4 secret films), 60 documentaries, 14 archival films, and 168 shorts, representing 83 countries. The Festival will open with the previously announced screening of JIMI: All Is By My Side, the Hendrix biopic starring Outkast’s André Benjamin from John Ridley, Oscar®-winning screenwriter of 12 Years a Slave, and close with Charlie McDowell’s twisted romantic comedy The One I Love, produced by Seattle’s Mel Eslyn and starring Elisabeth Moss and Mark Duplass.

    In addition, legendary producer and Seattle native Quincy Jones will be presented with a Lifetime Achievement Award at the screening of doc Keep on Keepin’ On.

    In addition to the gala screenings, this year’s premieres and special presentations feature a star-studded lineup including Shailene Woodley, Ansel Elgort, and Laura Dern in The Fault in Our Stars, Richard Linklater’s Boyhood with Patricia Arquette and Ethan Hawke; Quincy Jones and Herbie Hancock in Keep On Keepin’ On; Kim Basinger, Richard Jenkins and Cam Gigandet in 4 Minute Mile; Trent Reznor and Billy Corgan in Beautiful Noise; Nia Vardalos in Helicopter Mom; Vincent Kartheiser and Olivia Thirlby in Red Knot; Cate Blanchett, Rose Byrne, Miranda Otto, and Mia Wasikowska in The Turning; the voices of Cate Blanchett, Kristen Wiig, and Jay Baruchel in How To Train Your Dragon 2; Michael Pitt, Brit Marling, and Astrid Bergès-Frisbey in I Origins,and Paul Rudd and Amy Poehler in They Came Together.

    COMPETITIONS

    New Directors Competition

    10,000KM (d: Carlos Marques-Marcet, Spain/USA 2014)

    40 Days of Silence (d: Saodat Ismailova, Uzbekistan/Tajikistan/Netherlands/Germany/

    France 2014, North American Premiere)

    B For Boy (d: Chika Anadu, Nigeria 2013)

    Eastern Boys (d: Robin Campillo, France 2013)

    History of Fear (d: Benjamín Naishtat, Argentina/Uruguay/France/Germany 2013)

    Life Feels Good (d: Maciej Pieprzyca, Poland 2013)

    Macondo (d: Sudabeh Mortezai, Austria 2014, North American Premiere)

    Me, Myself and Mum (d: Guillaume Gallienne, Belgium/France/Spain 2013)

    Remote Control (d: Byamba Sakhya, Mongolia/Germany/USA 2013)

    Rhymes for Young Ghouls (d: Jeff Barnaby, Canada (Québec) 2013, US Premiere)

    Standing Aside, Watching (d: Yorgos Servetas, Greece 2013)

    Viktoria (d: Maya Vitkova, Bulgaria/Romania 2014)

    New American Cinema Competition

    Festival programmers select 12 films without U.S. distribution that are sure to delight audiences looking to explore the exciting vanguard of New American Cinema and compete for the FIPRESCI Award for Best New American Film. Jury is comprised of 3 members from the International Federation of Film Critics.

    Alex of Venice (d: Chris Messina, USA 2014)

    Another (d: Jason Bognacki, USA 2014, World Premiere)

    Five Star (d: Keith Miller, USA 2014)

    Kinderwald (d: Lise Raven, USA 2013)

    Layover (d: Joshua Caldwell, USA 2014, World Premiere)

    Little Accidents (d: Sara Colangelo, USA 2014)

    Medeas (d: Andrea Pallaoro, USA/Italy/Mexico 2013)

    Red Knot (d: Scott Cohen, USA/Argentina/Antarctica 2014, World Premiere)

    Sam & Amira (d: Sean Mullin, USA 2014, World Premiere)

    The Sleepwalker (d: Mona Fastvold, USA/Norway 2014)

    Time Lapse (d: Bradley King, USA 2014, North American Premiere)

    X/Y (d: Ryan Piers Williams, USA 2014)

    Documentary Competition

    Ballet 422 (d: Jody Lee Lipes, USA 2014)

    #ChicagoGirl – The Social Network Takes on a Dictator (d: Joe Piscatella, USA/Syria 2013, North American Premiere)

    Dangerous Acts Starring the Unstable Elements of Belarus (d: Madeleine Sackler, United Kingdom/USA/Belarus 2013, US Premiere)

    Dior and I (d: Frédéric Tcheng, France 2014, 89 min)

    Garden Lovers (d: Virpi Suutari, Finland 2014, US Premiere)

    I Am Big Bird: The Caroll Spinney Story (d: Dave LaMattina, USA 2014)

    Leninland (d: Askold Kurov, Russia/Germany/Netherlands 2013, North American Premiere)

    Marmato (d: Mark Grieco, Colombia/USA 2014)

    Obama Mama (d: Vivian Norris, USA/Poland/France 2014, World Premiere)

    Shake the Dust (d: Adam Sjöberg, USA 2014, World Premiere)

    Song of the New Earth (d: Ward Serrill, USA 2014, World Premiere)

    Two Raging Grannies (d: Håvard Bustnes, Norway/Denmark/Italy 2014, North American Premiere)

     

    FACE THE MUSIC

    Seattle is a music-obsessed city, so it’s only fitting that the Festival features films that showcase the many ways in which music affects our lives, ranging from biopics and documentaries to concert films and live events. This year’s Live Performance Event features Keep on Keepin’ On subject and Quincy Jones-signed artist Justin Kauflin live with his trio at the Triple Door.

    20,000 Days on Earth (d: Iain Forsyth, Jane Pollard f: Nick Cave, United Kingdom 2014, 95 min)

    Alive Inside: A Story of Music & Memory (d: Michael Rossato-Bennett, USA 2014, 74 min)

    Beautiful Noise (d: Eric Green f: Trent Reznor, Billy Corgan, Robert Smith, Wayne Coyne, USA 2014, 87 min)

    Big in Japan (d: John Jeffcoat c: David Drury, Philip A. Peterson, Sean Lowry, Alex Vincent, Adam Powers, USA/Japan 2014, 100 min)

    Electro Chaabi (d: Hind Meddeb, Egypt/France 2013, 77 min)

    Finding Fela (d: Alex Gibney, USA 2014, 120 min)

    God Help the Girl (d: Stuart Murdoch c: Emily Browning, Olly Alexander, Hannah Murray, Cora Bissett, Pierre Boulanger, United Kingdom 2014, 111 min)

    Keep On Keepin’ On (d: Alan Hicks f: Clark Terry, Justin Kauflin, Quincy Jones, Gwen Terry, Herbie Hancock, USA 2014, 84 min)

    Lady Be Good: Instrumental Women In Jazz (d: Kay D. Ray Narrated by: Patrice Rushen, USA 2014, 80 min)

    Razing the Bar (d: Ryan Worsley f: Brian Foss, Joetta Velasquez, Bill Bullock, Chris Chambers, Jake Stratton, Rachel Ratner, USA 2014, 83 min)

    Song of the New Earth (d: Ward Serrill f: Tom Kenyon, USA 2014, 89 min)

    Strictly Sacred: The Story of Girl Trouble (d: Isaac Olsen f: Kurt Kendall, Bill Henderson, Bon Henderson, Dale Phillips, Neko Case, USA 2014, 95 min)

     

    NORTHWEST CONNECTIONS

    Seattleites see more films per capita than the residents of any other American city. This year’s lineup of films with their roots in the Pacific Northwest reveals a filmmaking region officially on the map. Every year, SIFF honors the many ways in which the Puget Sound region contributes to the world of cinema, whether it’s as an evocative location for outside filmmakers or inspiration for local filmmakers on the rise.

    4 Minute Mile (d: Charles-Olivier Michaud c: Kelly Blatz, Richard Jenkins, Kim Basinger, Cam Gigandet, Analeigh Tipton, USA 2014, 96 min)

    BFE (d: Shawn Telford c: Wally Dalton, Kelsey Packwood, Aleksander Greenleaf, Ian Lerch, Abby Dylan, USA 2014, 98 min)

    Big in Japan (d: John Jeffcoat c: David Drury, Philip A. Peterson, Sean Lowry, Alex Vincent, Adam Powers, USA/Japan 2014, 100 min)

    The Breach (d: Mark Titus Narrated by: Kate O’Toole, USA 2014, 85 min)

    Burkholder (d: Taylor Guterson c: Bob Burkholder, Britton Crosley, David VanderWal, Sean MacLean, James Molyball, USA 2014, 81 min)

    DamNation (d: Ben Knight, Travis Rummel, USA 2014, 92 min)

    Desert Cathedral (d: Travis Gutiérrez Senger c: Lee Tergesen, Chaske Spencer, Petra Wright, Tony Doupe, Russell Hodgkinson, Aron Michael Thompson, USA 2014, 90 min)

    Fly Colt Fly: The Legend of The Barefoot Bandit (d: Adam Gray, Andrew Gray, Canada 2013, 82 min)

    Lucky Them (d: Megan Griffiths c: Toni Collette, Thomas Haden Church, Oliver Platt,  Ahna O’Reilly, USA 2013, 96 min)

    My Last Year With the Nuns (d: Bret Fetzer c: Matt Smith, USA 2014, 77 min)

    Oil & Water (d: Laurel Spellman Smith, Francine Strickwerda, USA 2014, 78 min)

    Razing the Bar (d: Ryan Worsley f: Brian Foss, Joetta Velasquez, Bill Bullock, Chris Chambers, Jake Stratton, Rachel Ratner, USA 2014, 83 min)

    Sold (d: Jeffrey Brown c: Niyar Saikia, Gillian Anderson, David Arquette, USA/India, Nepal, United Kingdom 2014, 97 min)

    Song of the New Earth (d: Ward Serrill f: Tom Kenyon, USA 2014, 89 min)

    Strictly Sacred: The Story of Girl Trouble (d: Isaac Olsen f: Kurt Kendall, Bill Henderson, Bon Henderson, Dale Phillips, Neko Case, USA 2014, 95 min)

    Two Raging Grannies (d: Håvard Bustnes, Norway/Denmark, Italy 2014, 78 min)

     

    AFRICAN PICTURES

    Now in its second year, this program once again presents an impressive and diverse selection of films from and about Africa. Supported by a generous multi-year grant from the Academy of Motion Picture Arts and Sciences, African Pictures brings the best in cinema to audiences in Seattle and the broader Northwest. Featured selections include indigenous films, films by African filmmakers working outside the continent, and films on topics relating to Africa’s changing contemporary political and social landscape.

    African Metropolis (d: Marie Ka, Philippe Lacote, Ahmed Ghoneimy, Vincent Moloi, Folsakin Iwajomo, Jim Chuchu, Kenya/Ivory Coast/Egypt/Senegal/Nigeria/ South Africa 2013, 92 min)

    B For Boy (d: Chika Anadu c: Uche Nwadili, Nonso Odogwu, Ngozi Amarikwa, Frances Okeke, Iheoma Opara, Nigeria 2013, 118 min)

    Bound: Africans versus African Americans (d: Peres Owino, USA 2014, 90 min)

    Difret (d: Zeresenay Berhane Mehari c: Meron Getnet, Tizita Hagere, Ethiopia 2014, 99 min)

    Electro Chaabi (d: Hind Meddeb, Egypt/France 2013, 77 min)

    Finding Fela (d: Alex Gibney, USA 2014, 120 min)

    Four Corners (d: Ian Gabriel c: Brendon Daniels, Irshaad Ally, Jezriel Skei, Lindiwe Matshikiza, Abduragman Adams, South Africa 2014, 119 min)

    Half of a Yellow Sun (d: Biyi Bandele c: Thandie Newton, Chiwetel Ejiofor, John Boyega, Anika Noni Rose, Joseph Mawle, Nigeria/United Kingdom 2013, 106 min)

    Leading Lady (d: Henk Pretorius c: Gil Bellows, Katie McGrath, Brumilda van Rensburg, Bok van Blerk, Eduan van Jaarsveldt, South Africa 2014, 96 min)

    Rags and Tatters (d: Ahmad Abdalla c: Asser Yassin, Atef Yousef, Amr Abed, Yara Gubran, Mohamed Mamdouh, Egypt 2013, 87 min)

    The Rooftops (d: Merzak Allouache c: Adila Bendimerad, Nassima Belmihoub, Ahcene Benzerari, Aïssa Chouat, Mourad Khen, Algeria/France 2013, 92 min)

    Salvation Army (d: Abdellah Taïa c: Saïd Mrini, Karim Ait M’Hand, Amine Ennaji, Malika El Hamaoui, Frederic Landenberg, Morocco/France 2013, 82 min)

    Under the Starry Sky (d: Dyana Gaye c: Marème Demba Ly, Ralph Amoussou, France/Senegal 2013, 86 min)

    White Shadow (d: Noaz Deshe c: Hamisi Bazili, James Gayo, Glory Mbayuwayu, Salum Abdallah, Germany/Italy/Tanzania 2013, 115 min)

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The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
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