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  • Directors Abbas Kiarostami, Joachim Trier, Noémie Lvovsky Among Cannes Film Festival 2014 Cinéfondation and Short Films Jury

     2014 cannes cinefondation short films jury

    The Cinéfondation and Short Films Jury of the 2014 Cannes Film Festival will be presided over by Abbas Kiarostami (Iran), and includes directors Noémie Lvovsky (France), Daniela Thomas (Brazil),  Mahamat-Saleh Haroun (Chad), and Joachim Trier (Norway). They will be tasked with awarding three prizes to films submitted by students from film schools the world over, which will be presented in the Cinéfondation Selection. 

    Abbas Kiarostami, the Iranian director and screenwriter, is one of the greatest directors of contemporary cinema. After rising to international fame with Où est la maison de mon ami ? (1987), Abbas KIAROSTAMI has since presented a number of his films at the Festival de Cannes, including five in Competition: Through the Olive Trees (1994), Taste of Cherry (Palme d’or 1997),  Ten (2002),  Certified Copy (2010) and Like Someone in Love (2012). He is also known for his photography work. He has been interested in the Cinéfondation since its creation in 1998, when he agreed to be a patron of the project alongside Martin SCORSESE.

    Noémie Lvovsky, the French director, screenwriter and actress, directed Oublie-moi in 1994, her first feature film, imbued with off-beat humour. She then directed Petites (1997), La Vie ne me fait pas peur (1999), Les Sentiments (2003) and wrote the screenplays for several films by Valeria BRUNI TEDESCHI, Arnaud DESPLECHIN and Philippe GARREL. In 2012, she directed Camille redouble, which was selected for the Directors’ Fortnight and garnered 13 nominations for the César. It met with resounding public and critical acclaim.

    Daniela Thomas, the Brazilian director and visual artist, is famed throughout the theatre world for her scenography. In the cinema, she has worked in partnership with Walter SALLES on Terra Estrangeira (1997) and O Primeiro Dia (1998) and the pair also directed Linha de Passe, presented in Competition at the Festival de Cannes in 2008.

    Mahamat-Saleh Haroun, the Chadian director, took refuge in France, where he studies film and works as a journalist. His first film, Bye Bye Africa, reaped a prize in Venice while Abouna was selected for the Directors’ Fortnight in 2002. He rose to prominence as a director with Daratt, which garnered an award in Venice in 2006.A Screaming Man was presented in Competition at the Festival de Cannes in 2010, where it picked up the Jury Prize. In 2013, he was once again In Competition with Grigris.

    Joachim Trier is a young Norwegian director. After his first critically acclaimed film, Reprise (2006), he wrote and directed Oslo, 31 August, a subtle exploration of the problems faced by his generation. Selected for Un Certain Regard in 2011, his talents became known to a much wider audience.

    via: Cannes Film Festival
    images (l to r):  Abbas Kiarostami (Iran), Noémie Lvovsky (France), Daniela Thomas (Brazil), Mahamat-Saleh Haroun (Chad), and Joachim Trier (Norway)

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  • 2014 San Francisco International Film Festival Announces Feature Films in Competition

    The Amazing CatfishThe Amazing Catfish

    The 57th San Francisco International Film Festival taking place April 24 to May 8, 2014, announced the films in competition for the New Directors Prize and the Golden Gate Award (GGA) contenders in the documentary feature category. SFIFF will award nearly $40,000 in total cash prizes this year. The New Directors Prize of $10,000 will be given to a narrative first feature that exhibits a unique artistic sensibility and deserves to be seen by as wide an audience as possible. The GGA documentary feature winner will receive $10,000 and the GGA Bay Area documentary feature winner will receive $5,000. A total of 25 countries are represented in this year’s competing feature films. Independent juries will select the winners, which will be announced at the Golden Gate Awards, Wednesday, May 7.

    2014 NEW DIRECTORS PRIZE (NARRATIVE FEATURE) COMPETITION

    The Amazing Catfish, Claudia Sainte-Luce, Mexico
    Set in Guadalajara, The Amazing Catfish follows the quiet transformation of a solitary young woman informally adopted and absorbed into a rambunctious matriarchy in a state of crisis. Filmed by Claire Denis’ long-time cinematographer, Agnès Godard, Claudia Sainte-Luce’s debut feature, based loosely on events from her own life, blends a wry and moving naturalism with moments of inspired comedy. 

    The Blue Wave, Zeynep Dadak and Merve Kayan, Turkey/Germany/Netherlands/ Greece
    In this low-key, loosely plotted coming-of-age tale, a Turkish teenage girl wrestles with mood swings, unfocused restlessness, familial responsibilities, shifting friendships and romantic complications during a year of quiet tumult. 

    Difret, Zeresenay Berhane Mehari, Ethiopia
    In a contemporary Ethiopian village, a 14-year-old girl is abducted from school in an attempt at forced marriage, a tradition in her community. Her efforts to free herself from a preordained future set off a legal firestorm in this powerful drama inspired by a true story that pits the law against an entrenched cultural mindset.

    The Dune, Yossi Aviram, France/Israel
    Delving into issues of identity and aging, this nuanced relationship drama portrays the personal crises faced by an aging gay cop in France and a younger Israeli man who is found on the beach, mute and without any identification. 

    History of Fear, Benjamín Naishtat, Argentina/France/Germany/ Uruguay/Qatar
    Paranoia runs rampant in this accomplished first feature, instilling a disorienting sense of dread in the viewer. Are the strange occurrences in an affluent Buenos Aires suburb evidence that the skittish residents are actually being targeted? Naishtat foregoes ready explanations or assurances in favor of foreboding suggestions in a film that is sprawling both in scope and implications but astonishingly exacting in its execution.

    Manos Sucias, Josef Wladyka, USA/Colombia
    A reluctant smuggler and his eager neophyte brother shepherd a dangerous narco-torpedo up the coast of Colombia, posing as fishermen. Paramilitary, guerrillas and hardscrabble desperation suffuse every inch of the jungle and waters that surround them, eager to separate the siblings from their only opportunity to escape the circumstances of their lives.

    Of Horses and Men, Benedikt Erlingsson, Iceland/Germany
    The relationship between man and beast is explored in a series of dryly humorous, linked episodes set in a small Icelandic hamlet. With its idiosyncratic portrait of village life, this remarkable debut features several unforgettable visual tableaux.

    Salvation Army, Abdellah Taïa, Morocco
    Adapting his autobiographical novel, director Abdellah Taïa tells the story of a gay Moroccan boy finding self-realization and personal strength within a society that shuns him. Shot by the brilliant Agnès Godard, the film takes the form of a diptych, telling the protagonist’s story in two different time periods and locales.

    South Is Nothing, Fabio Mollo, Italy/France
    Miriam Karlkvist took a well-deserved Shooting Star award at the Berlinale for her portrayal of an androgynous teenage girl negotiating life in a mafia-controlled town whose code of silence is destroying her family. Filmed in Reggio Calabria, this debut feature combines poetic realism with hard-edged cynicism.

    Trap Street, Vivian Qu, China
    What’s it like to be a 21st-century young adult-with access to gadgets, the Internet and other high-tech conveniences — within China’s surveillance state? First-time writer-director Vivian Qu’s taut, slow-building noir cleverly uses a simple boy-meets-girl tale to unearth a hidden world of government control lurking just under the surface.

    White Shadow, Noaz Deshe, Italy/Germany/Tanzania
    Inspired by news reports of the ongoing perils faced by albinos in Tanzania, Noaz Deshe’s film depicts a fractured and uneasy world, where superstition and the rule of law collide. An albino youth named Alias must learn to navigate through a culture not just unsympathetic to his condition, but actively violent towards it.

    In addition to these 11 first features in competition, the New Directors section of SFIFF57 includes 14 out-of-competition films, which will be announced on Tuesday, April 1.

    2014 GOLDEN GATE AWARDS DOCUMENTARY FEATURE COMPETITION

    Coast of Death, Lois Patiño, Spain
    From the first entrancing images of trees being cut down in a fog-filled forest to the later blues of the sky and ocean fusing to erase the horizon, the always static frames of this documentary offer a meditative and prismatic view of Spain’s much storied and dangerous “Coast of Death.”

    The Last Season, Sara Dosa, USA
    Every September, over 200 seasonal workers, many of them Cambodian, Lao, Hmong, Mien and Thai, descend upon the tiny town of Chemult, Oregon, to search the woods for the rare Matsuke, a fungus highly prized in Japan. This documentary examines the bond between two of these hunters, an elderly Vietnam vet and a survivor of the Khmer Rouge, during one unusually hard season.

    The Overnighters, Jesse Moss, USA
    Unemployed men and women across America want new oil jobs in North Dakota, but housing is at a premium. Enter Pastor Jay Reinke. Despite protests from his own congregation, he opens up his church to “overnighters” — people in search of a second shot at the American Dream. The film expertly and compassionately depicts the conflict between locals, these new residents and Pastor Reinke’s controversial policy.

    Return to Homs, Talal Derki, Syria/Germany
    Winner of the World Cinema Grand Jury Prize for Documentary at Sundance, this dispatch from the besieged Syrian city of Homs is both an elegy and a call to action. Filmed between 2011 and 2013, it presents a visceral eyewitness account of the conflict as a peaceful uprising descends into civil war and idealistic young men are transformed into revolutionary martyrs. 

    Soul Food Stories, Tonislav Hristov, Bulgaria/Finland
    Muslim, Christian, Roma and atheist Communists live together peacefully in Satovcha, a Bulgarian village. They have differing theologies and politics, but are united by a love of food and the eternal mystery of being men and women. Beautifully shot, the film unfolds like a 10-course meal, with observations of food preparation and religious diversity laced into the recipes.

    Stop the Pounding Heart, Roberto Minervini, USA/Italy/Belgium
    This unique hybrid of documentary and narrative offers an evocative portrait of the quotidian lives of a devout young Christian goat farmer and the bullriding cowboy who lives nearby. As much a portrait of the East Texas town where they live as it is a relationship drama, the film combines ethnography and budding romance to compelling effect.

    Three Letters from China, Luc Schaedler, Switzerland
    Luc Schaedler’s latest work presents distinct and illuminating portraits of contemporary life in China. Attentively observing life on a parched farm, a grim industrial zone, a rural village and a booming megacity, the documentary expressively reveals the upheaval and uncertainty of a rapidly changing nation through the deeply engrossing stories of its people.

    We Come as Friends, Hubert Sauper, France/Austria
    South Sudan may have declared its independence but that hasn’t stopped multinationals and missionaries from laying claim to its natural resources and influencing its people’s religious beliefs. Employing intrepid techniques and striking visuals, documentarian Hubert Sauper (Darwin’s Nightmare) delivers another piercing examination of the human cost of neocolonialism that will provoke both thought and outrage.

    In addition to these eight features by emerging filmmakers in the documentary competitions, the Golden Gate Awards also will include competitors in six other categories. These films will be announced on Tuesday, April 1.

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  • 2014 Tribeca Film Festival Announces Spotlight, Midnight and Storyscapes sections, plus Special Screenings

     PRESERVATIONPRESERVATION

    The 13th Tribeca Film Festival (TFF), taking place from April 16th to April 27th, 2014, in New York City, announced its feature film selections in the Spotlight, Midnight, and Special Screenings sections, as well as the selections for the Storyscapes program. 

    The Spotlight section features 31 films, consisting of 22 narratives and 9 documentaries. Twenty films in the selection will have their world premieres at the Festival. The Midnight section will open with the feature film, PRESERVATION, and includes a lineup of seven genre-bending titles from fresh voices around the world that run the gamut from tongue-in-cheek comedy to chilling horror films. The Special Screenings include a work-in-progress documentary from Louie Psihoyos (The Cove), a film entitled 6, on a team of activists who risk their lives to shed light on species extinction.

    For the second year, and joining an expanded range of programs at the Festival that bridge filmmaking and technology, is Storyscapes. Created in collaboration with BOMBAY SAPPHIRE® Gin, this multi-platform transmedia program celebrates new trends in digital media and recognizes filmmakers and content creators who employ an interactive, web-based, or cross-platform approach to story creation.

    The complete list of films selected for the Spotlight, Midnight, and Special Screenings sections along with the projects in the Storyscapes program are as follows:

    SPOTLIGHT

    5 to 7, directed and written by Victor Levin. (USA) – World Premiere, Narrative. Young aspiring novelist Brian (Anton Yelchin) meets Arielle (Bérénice Marlohe), the sophisticated wife of a French Diplomat. They soon embark on a “cinq-a-sept” affair that challenges Brian’s traditional American ideas of love and relationships. A cosmopolitan comedy of manners told with surprising warmth and lightness, 5 to 7 marks writer and producer Levin’s (Mad Men) directorial debut, and welcomes actress Marlohe (Skyfall) as a glamorous, ebullient screen presence. With Glenn Close and Frank Langella.

    About Alex, directed and written by Jesse Zwick. (USA) – World Premiere, Narrative. A circle of twenty-something friends reunite for a weekend away to console a suicidal member of their group. Yet, despite their best efforts to enjoy themselves, a tinderbox of old jealousies, unrequited love, and widening political differences leads to an explosion of drama that, coupled with the flammable combination of drugs, wine, and risotto, cannot be contained. A Big Chill for our current social media moment, About Alex is a lighthearted look at the struggles of a generation that has it all—and wants more.  Starring Aubrey Plaza, Max Greenfield, Max Minghella, Jason Ritter, Nate Parker, and Maggie Grace.

    Alex of Venice, directed by Chris Messina, written by Jessica Goldberg and Katie Nehra & Justin Shilton. (USA) – World Premiere, Narrative. Workaholic environmental attorney Alex (Mary Elizabeth Winstead) has always relied on her husband George (Chris Messina) to take the reins at home. But when he unexpectedly asks for a break, his departure forces Alex to reevaluate her life as she juggles the care of her son and needs of an aspiring-actor father (Don Johnson), all amid the most important case of her life. Actor Chris Messina steps behind the camera for his directorial debut about a woman pushed to the edge who finds the strength to press on.

    All About Ann: Governor Richards of the Lone Star State, directed by Keith Patterson and Phillip Schopper. (USA) – World Premiere, Documentary. An unmissable documentary for any political junkie, All About Ann celebrates the achievements of larger-than-life Ann Richards, who became the first elected female governor of Texas. Her cool demeanor, acid wit, and passion for social inclusivity made her one of the most powerful and progressive governors in U.S. history, a liberal democrat intent on building “the new Texas.” But, when the 1994 election begins, Richards is faced with her toughest challenge yet, as an increasingly conservative majority turn towards a new, pro-business candidate: George W. Bush.  An HBO Documentary Film.

    Boulevard, directed by Dito Montiel, written by Douglas Soesbe. (USA) – World Premiere, Narrative. Nolan Mack, a soft-spoken bank employee, undoubtedly loves his wife Joy, though their cavernous empty house only underscores how disconnected they’ve always been from each other. Nolan finds himself drifting from his familiar present-day life in pursuit of lost time after meeting a troubled young man named Leo on his drive home. What begins as an aimless drive down an unfamiliar street turns into a life-altering series of events. Robin Williams and Kathy Baker deliver quietly stirring performances in this touching film about finding the strength to be true to yourself at any age.

    Bright Days Ahead (Les beaux jours), directed by Marion Vernoux, written by Fanny Chesnel. (France) – U.S. Premiere, Narrative. In this sophisticated and sexy drama, a newly retired woman in her 60s (French cinema icon Fanny Ardant, 8 Women, Confidentially Yours) finds herself tumbling into an affair with a much younger man (Laurent Lafitte, Little White Lies), her computer teacher at the local seniors’ club. As she finds herself courting danger—taking her young lover to places they could easily be discovered by her husband (Patrick Chesnais, The Diving Bell and the Butterfly)—she must decide if her retirement will mark the end for her marriage, or a new beginning. In French with English Subtitles. A Tribeca Film Release.

    Chef, directed and written by Jon Favreau. (USA) – New York Premiere, Narrative. After talented and dynamic chef Carl Casper’s (Favreau) social media-fueled meltdown against his nemesis food critic lands him without any job prospects, Chef Casper hits the road with his son and his sous chef (John Leguizamo) to launch a brand new food truck business. Complete with lavish food imagery and a star-studded cast including Sofia Vergara, Robert Downey Jr., Scarlett Johansson, Dustin Hoffman, Oliver Platt, and Amy Sedaris, Favreau’s fresh take on food and chef culture has poignant messages about the media-driven world in which we live and the real meaning of success. An Open Road Release.

    Every Secret Thing, directed by Amy Berg, written by Nicole Holofcener. (USA) – World Premiere, Narrative. One clear summer day in a Baltimore suburb, a baby goes missing from her front porch. Two young girls serve seven years for the crime and are released into a town that hasn’t fully forgiven or forgotten. Soon, another child is missing, and two detectives are called in to investigate the mystery in a community where everyone seems to have a secret. An ensemble cast, including Elizabeth Banks, Diane Lane, Dakota Fanning, and Nate Parker, brings to life Laura Lippman’s acclaimed novel of love, loss, and murder.

    In Order of Disappearance (Kraftidioten), directed by Hans Petter Moland, written by Kim Fupz Aakeson. (Norway) – North American Premiere, Narrative. Upstanding community leader Nils (Stellan Skarsgård) has just won an award for ‘Citizen of the Year’ when he learns the news that his son has died of a heroin overdose. Suspecting foul play, Nils begins to investigate, and soon finds himself at the center of an escalating underworld gang war between Serbian drug dealers and a sociopathic criminal mastermind known only as “The Count.” Hans Petter Moland’s action-thriller is an entertaining and intelligent black comedy set in the dead of frozen Norwegian winter. In English, Norwegian, and Swedish with English subtitles.

    In Your Eyes, directed by Brin Hill, written by Joss Whedon. (USA) – World Premiere, Narrative.  East Coast housewife Rebecca (Zoe Kazan) lives a comfortable, sheltered life, but she always knew there was something special about herself. Charismatic ex-con Dylan (Michael Stahl-David) has paid his debt to society and is ready for a fresh start in New Mexico, including a burgeoning flirtation with local good-time-gal Donna (Nikki Reed). When the two polar opposites realize they are strangely connected, an utterly unique metaphysical romance begins in TFF alum Brin Hill’s sweet and smart film, which star Zoe Kazan aptly described as “Joss Whedon does Nicholas Sparks.”

    Just Before I Go, directed by Courteney Cox, written by David Flebotte. (USA) – World Premiere, Narrative. Seann William Scott plays Ted Morgan, a down-on-his-luck everyman who has decided he’s had enough of the hard knocks life has thrown his way. But before saying his final adieu, Ted returns to his hometown to right a few wrongs. Enter a zany cast of characters, including Rob Riggle, Olivia Thirlby, and Garret Dillahunt, who, whilst royally messing up his scheme, manage to teach him a few clumsy, but ultimately valuable lessons.

    Keep On Keepin’ On, directed and written by Alan Hicks, co-written by Davis Coombe. (USA) – World Premiere, Documentary. Eighty-nine year old trumpeting legend Clark Terry has mentored jazz wonders like Miles Davis and Quincy Jones, but Terry’s most unlikely friendship is with Justin Kauflin, a 23-year-old blind piano player with uncanny talent, but debilitating nerves. As Justin prepares for the most pivotal moment in his budding career, Terry’s ailing health threatens to end his own. Charming and nostalgic, Alan Hicks’ melodic debut celebrates an iconic musician while introducing an emerging star of equal vibrancy.

    Life Partners, directed and written by Susanna Fogel, co-written by Joni Lefkowitz. (USA) – World Premiere, Narrative. Nearing 30, Sasha and Paige realize their codependent friendship is preventing either of them from settling down. But when Paige meets the dorky yet lovable Tim, Sasha fears that she’s being replaced. Leighton Meester, Gillian Jacobs, Gabourey Sidibe, and Adam Brody star in a comedy revolving around two friends and the guy that strikes discord in their harmoniously laid-back resistance to growing up. Directed by Susanna Fogel, Life Partnersaffectionately tackles the intimacy and complexity of female friendship.

    Love is Strange, directed and written by Ira Sachs, co-written by Mauricio Zacharias. (USA) – New York Premiere, Narrative. Ira Sachs returns to the indie scene following 2012’s acclaimedKeep the Lights On with another new take on modern love. Acting veterans John Lithgow and Alfred Molina star as Ben and George, a Manhattan couple who are finally given the opportunity to make their union official. But when Ben loses his teaching job as a result, the relationship is tested in unconventional ways—leaving them to lean more heavily than ever on their love to hold things together. A Sony Pictures Classics Release.

    Lucky Them, directed by Megan Griffiths, written by Huck Botko and Emily Wachtel. (USA) – U.S. Premiere, Narrative. More interested in partying and flirting with young musicians than work, veteran rock journalist Ellie Klug (Toni Collette) has one last chance to prove her value to her magazine’s editor: a no-stone-unturned search to discover what really happened to long lost rock god, Matt Smith, who also happens to be her ex-boyfriend.  Teaming up with an eccentric amateur documentary filmmaker (Thomas Haden Church in a delightful performance), Ellie hits the road in search of answers in this charming dramedy set against the vibrant Seattle indie music scene. An IFC Films Release.

    Manos Sucias, directed and written by Josef Wladyka, co-written by Alan Blanco. (Colombia, USA) – International Premiere, Narrative. Towing a submerged torpedo in the wake of their battered fishing boat, a desperate fisherman and a naive kid embark on a journey trafficking millions of dollars worth of cocaine. Shot entirely on location along the Pacific coast of Colombia—in areas that bear the indelible scars of the drug trade—Manos Sucias refuses to glamorize the drug trade but rather seeks to offer a rare glimpse of its devastating effects. Executive Produced by Spike Lee.

    Match, directed and written by Stephen Belber. (USA) – World Premiere, Narrative. A Seattle couple (Matthew Lillard and Carla Gugino) travel to New York to interview colorful former dancer Tobi (played with remarkable dexterity by Patrick Stewart) for research on a dissertation about dance. But soon, common niceties and social graces erode when the questions turn personal and the true nature of the interview is called into question. Based on the Tony Award-winning play of the same name, Match moves effortlessly between riotous wit and delicate poignancy in this story of responsibility, artistic commitment, and love.

    Miss Meadows, directed and written by Karen Leigh Hopkins (USA) – World Premiere, Narrative. Prim schoolteacher Miss Meadows (Katie Holmes) is not entirely what she appears. Well-mannered, sweet, and caring, yes, but underneath the candy-sweet exterior hides the soul of a vigilante, taking it upon herself to right the wrongs in this cruel world by whatever means necessary. Things get complicated, however, when Miss Meadows gets romantically entangled with the town sheriff (James Badge Dale) and her steadfast moral compass is thrown off, begging the question: “Who is the real Miss Meadows and what is she hiding?”

    The Newburgh Sting, directed by David Heilbroner and Kate Davis, written by David Heilbroner. (USA) – World Premiere, Documentary. Just 60 miles north of New York City sits the poverty-stricken town of Newburgh, where, in 2009, four men were arrested for a plan to bomb two Jewish centers in the Bronx. But their leader, a suspicious Pakistani businessman planted by the government as an informant, led these men straight into the hands of the authorities. With endless footage gathered from hidden cameras, directors David Heilbroner and Kate Davis investigate just what homegrown terrorism truly means in this shocking and galvanizing exposé.

    Night Moves, directed and written by Kelly Reichardt, co-written by Jon Raymond. (USA) – U.S. Premiere, Narrative. Jesse Eisenberg, Dakota Fanning, and Peter Sarsgaard star as radical activists surreptitiously plotting to blow up Oregon’s Green Peter Dam in an act of environmental sabotage. As their plan marches inexorably towards fruition, they soon discover that small steps have enormous consequences. Old Joy and Wendy and Lucy director Kelly Reichardt crafts another graceful and absorbing film about outsiders searching for a meaningful place on the edges of the system in this atmospheric environmental thriller. A Cinedigm Release.

    The One I Love, directed by Charlie McDowell, written by Justin Lader. (USA) – New York Premiere, Narrative. In Charlie McDowell’s refreshing and inventive twist on the love story, Ethan and Sophie escape to a country retreat in a last ditch attempt to save their ailing marriage. But what begins as a quiet opportunity to reconnect soon morphs into an unexplainable head trip that forces the couple to confront their relationship in an impossibly unique way. Starring Mark Duplass and Elisabeth Moss in heartfelt performances, The One I Love turns the romantic comedy upside down with an altogether original take on monogamy, relationships, and how much you ever really know your partner. A Radius-TWC Release.

    The Other One: The Long, Strange Trip of Bob Weir, directed by Mike Fleiss. (USA) – World Premiere, Documentary. Drop out of school to ride with the Merry Pranksters. Form America’s most enduring jam band. Become a family man and father. Never stop chasing the muse. Bob Weir took his own path to and through superstardom as rhythm guitarist for The Grateful Dead. Mike Fleiss re-imagines the whole wild journey in this magnetic rock doc and concert film, with memorable input from bandmates, contemporaries, followers, family, and, of course, the inimitable Bob Weir himself.

    Palo Alto, directed and written by Gia Coppola, adapted from Palo Alto: Stories by James Franco. (USA) – U.S. Premiere, Narrative. Popular but shy soccer player April (Emma Roberts) frequently babysits for her single-dad coach, Mr. B. (James Franco), while Teddy (Jack Kilmer) is an introspective artist whose best friend and sidekick, Fred (Nat Wolff), is an unpredictable live wire with few filters or boundaries. One party bleeds into another as April and Teddy finally acknowledge their mutual affection, and Fred’s escalating recklessness spirals into chaos. Palo Alto is a vibrant cinematic immersion into the overlapping stories and emotions that make up the high school experience. A Tribeca Film Release.

    The Search for General Tso, directed by Ian Cheney. (USA) – World Premiere, Documentary. From New York City to the farmlands of the Midwest, there are 50,000 Chinese restaurants in the U.S., yet one dish in particular has conquered the American culinary landscape with a force befitting its military moniker—“General Tso’s Chicken.” But who was General Tso and how did this dish become so ubiquitous? Ian Cheney’s delightfully insightful documentary charts the history of Chinese Americans through the surprising origins of this sticky, sweet, just-spicy-enough dish that we’ve adopted as our own.

    Silenced, directed by James Spione. (USA) – World Premiere, Documentary. Only 11 Americans have ever been charged under the Espionage Act of 1917; eight of them since President Obama took office. Academy Award®-nominated documentarian James Spione returns to TFF with the incredible personal journeys of two members of that octet, Thomas Drake and John Kiriakou, along with accountability advocate, Jesselyn Radack, who helped bring their cases to light. With resonance in the post-Snowden era, Silenced catalogs the lengths to which the government has gone to keep its most damning secrets quiet, in an impassioned and thought-provoking defense of whistleblowers everywhere. Executive produced by Susan Sarandon.

    Sister, directed and written by David Lascher, co-written by Todd Camhe. (USA) – World Premiere, Narrative. When unstable Connie (Barbara Hershey) is tragically widowed, she finds it impossible to care for her delinquent adolescent daughter, Nicki, forcing her son, Bill (Reid Scott), to take his sister in. As the two begin to forge a healthy bond, well-meaning Bill implements his own method of treatment for Nicki’s mental troubles, but, when turmoil persists, he must reconcile his beliefs with what actually may be best for his sister. Sister addresses the polemic issue of youth psychotropic drug prescription with restraint and sensitivity.

    Slaying the Badger, directed and written by John Dower. (UK) – World Premiere, Documentary. Before Lance Armstrong, there was Greg LeMond, who is now the first and only American to win the Tour de France. In this engrossing documentary, LeMond looks back at the pivotal 1986 Tour, and his increasingly vicious rivalry with friend, teammate, and mentor Bernard Hinault. The reigning Tour champion and brutal competitor known as “The Badger,” Hinault ‘promised’ to help LeMond to his first victory, in return for LeMond supporting him in the previous year. But in a sport that purports to reward teamwork, it’s really every man for himself. An ESPN Films Production.

    Super Duper Alice Cooper, directed and written by Reginald Harkema, Scot McFadyen, and Sam Dunn. (Canada) – World Premiere, Documentary. Emerging from the Detroit music scene of the 1970s in a flurry of long hair and sequins, Alice Cooper restored hard rock with a sense of showmanship, while simultaneously striking fear into the hearts of Middle America with the chicken-slaughtering, dead-baby-eating theatrics that would cement his identity as a glam metal icon. Meticulously crafted from rare archival footage, Super Duper Alice Cooper tells the story of the man behind the makeup, Vincent Furnier, the son of a preacher, who got caught in the grip of his own monster. 

    Third Person, directed and written by Paul Haggis. (Belgium) – U.S. Premiere, Narrative. Veteran screenwriter and director Paul Haggis (Crash) brings to the screen a calculated vision of the drama of love. Three stories set in cities known for romance—New York, Rome, and Paris—take raw and personal twists as characters grapple with the difficulties of modern relationships. With a heavyweight cast including James Franco, Mila Kunis, Liam Neeson, Olivia Wilde, Adrien Brody, and Maria Bello, Haggis once again weaves an intricate narrative out of seemingly separate worlds. A Sony Pictures Classics Release.

    Untitled Daniel Junge and Kief Davidson Documentary. (USA, Denmark) – World Premiere, Documentary. Stay tuned for more information on this new documentary exploring the fans of a beloved childhood toy.

    Venus in Fur (La Vénus à la fourrure), directed and written by Roman Polanski, co-written by David Ives. (France, Poland) – North American Premiere, Narrative. Thomas (Matthieu Almaric) is a theater director staging an adaptation of an obscure 19th century Austrian novel. Frustrated by the quality of actresses he has auditioned, Thomas is about to give up when mysterious Vanda (Emmanuelle Seigner, Polanski’s wife) arrives in his theater unannounced, knowing every line by heart. As the two begin a fevered, intense, and at times aggressive collaboration, the lines between passion and obsession (and theater and reality) begin to blur in auteur Roman Polanski’s latest New York stage adaptation. In French and German with English subtitles. A Sundance Selects Release.

     

    MIDNIGHT

    The Canal, directed and written by Ivan Kavanagh. (Ireland) – World Premiere, Narrative. Film archivist David and his wife are perfectly happy—or so he believes. When a looming secret shatters their marriage at the same time as a turn-of-the-century film reel he is studying reveals their house to be the site of a 1902 multiple-murder, David begins to unravel, and the house’s eerie history threatens to repeat itself. Dripping with tension and chilling to the core, this visceral Irish ghost story is a visually arresting and genuinely shocking journey into the darkness within.

    Der Samurai, directed and written by Till Kleinert. (Germany) – International Premiere, Narrative. A samurai-wielding figure wearing a white dress lurks menacingly in the forest, waiting to descend upon an unsuspecting village in the muddy backwaters of rural East Germany. As heads roll with each stroke of his sword, dutiful, straight-laced cop Jakob becomes increasingly powerless to resist the draw of the Samurai’s feral otherness. The two enter into a bizarre folie à deux as Jakob is forced to confront his own carnal impulses that he has long sought to repress.

    Extraterrestrial, directed by Colin Minihan, written by The Vicious Brothers. (Canada) – World Premiere, Narrative. The Vicious Brothers (Grave Encounters) return to Tribeca with their latest heart-pumping thriller. Five friends set out to a cabin in the woods for a fun weekend getaway—that is, until extraterrestrial visitors turn it into a fight for their lives. The group is pulled from their reverie when a flickering object crashes deep in the woods. As they investigate, the friends stumble across an alien spacecraft, and its inhabitants have not arrived in peace.

    Indigenous, directed by Alastair Orr, written by Max Roberts. (USA) – World Premiere, Narrative. A group of five American friends on the cusp of adulthood travel to Panama to relax and reconnect. They befriend a local woman in their hotel bar—and despite some ominous whispers—she goes against the specific instructions of her brother and brings the Americans on a daytrip into the pristine falls at the nearby jungle. What begins as an innocent outing to a picturesque waterfall quickly turns terrifying after she suddenly goes missing. As night closes in, the friends realize too late the truth behind the rumors—the legendary, blood-sucking Chupacabra is now stalking them. In English and Spanish with subtitles.

    Intramural, directed by Andrew Disney, written by Bradley Jackson. (USA) – World Premiere, Narrative. There comes a time in every fifth-year senior’s life where they must either accept the impending ‘real world’ of jobs, marriage, and payment plans or shirk that responsibility in favor of playing the most glorious intramural football game your school probably doesn’t really care to see. In this full throttle and hilarious send-up of inspirational sports movies, director Andrew Disney harnesses every cliché and overused trope to tell the greatest (and only) intramural sports movie of all time. Featuring an ensemble cast including Kate MacKinnon, Jay Pharoah, Beck Bennett, and Nikki Reed.

    Preservation, directed and written by Christopher Denham, (USA) – World Premiere, Narrative.  Three family members head deep into the woods for a hunting trip that doubles as a distraction from their troubles at home. When all of their gear is stolen, they turn on each other, but soon realize there are much more treacherous forces at work. Actor Christopher Denham takes his second turn in the director’s chair with this finely crafted horror-thriller starring Pablo Schreiber (The Wire, Orange is the New Black), Aaron Staton (Mad Men), and Wrenn Schmidt (Boardwalk Empire).

    Zombeavers, directed and written by Jordan Rubin, co-written by Al Kaplan and Jon Kaplan. (USA) – World Premiere, Narrative. You know the story: sexy teens head to a secluded lakeside cabin for a weekend of debauched fun, only to be menaced by a mysterious force picking them off one by one. But here, the culprit proves to be a horde of rabid zombie beavers! The B-movie creature feature is making a comeback, and with 2 million views of its trailer in its first two weeks alone, Zombeavers is a veritable phenomenon. And it’s finally here. Special midnight screening.

     

    STORYSCAPES 

    Choose Your Own Documentary, Project Creators: Nathan Penlington, Fernando R. Gutierrez De Jesus, Nick Watson, and Sam Smaïl. Inspired by the Choose Your Own Adventure books of the 1980s, Choose Your Own Documentary tells the story of Nathan Penlington’s discovery of a diary tucked away in one of these books and his attempts to unravel its many mysteries. Part comedy stand-up, part documentary, this is a unique live interactive experience in which the audience plays a vital role. With over 1,566 possible versions, and multiple endings, every performance is different and the audience votes on the path the documentary takes. Where will the story lead? How will the story end? You decide.

    Circa 1948, Project Creator: Stan Douglas with the NFB Digital Studio. Circa 1948 is a new project from internationally renowned artist Stan Douglas. Together with NFB Interactive, he has recreated areas from Vancouver’s history that no longer exist. The locations have been meticulously researched and are recreated in historically accurate 3D detail, where they become the site of the disembodied voices of the people who once inhabited them. Eavesdrop on the past and explore a seminal turning point in the history of Vancouver through the voices of homeless veterans, gamblers, prostitutes, and police officers. Hearing—but not seeing—the inhabitants, you can navigate the different environments and be immersed in a plot peopled with characters from a disappeared world.

    Clouds, Project Creators: Jonathan Minard, James George. A new generation of artists and hackers are emerging and creating tools for poetic and socially engaged experiments in art, storytelling, and technology. 3D-scanned conversations from this community form a network of ideas explored in a non-linear documentary that is assembled from code, bringing form and content together in a truly exciting way. Clouds will be presented as an interactive installation that you can navigate yourself.

    On a Human Scale, Project Creator: Matthew Carey. On a Human Scale reimagines the people of New York City as a fully playable and immersive video instrument controlled by a piano. Each key triggers a different video of a different person, from a different walk of life, singing a different note. When played together they fuse into a joyful choir that is totally under the control of whoever is at the keyboard. Playing the piano brings to life an audiovisual installation that fuses music, film, people, and technology into a living, singing tapestry of humanity.

    Use of Force, Project Creator: Nonny de la Peña. Use of Force is a fully immersive documentary experience that puts you on scene when migrant Anastasio Hernandez Rojas was killed by border patrol on the U.S.–Mexico border in 2010. Using custom built virtual reality, participants stand alongside witnesses who were trying to stop the events unfolding, offering a profound and visceral experience. Nonny de la Peña is a pioneer of immersive journalism and this is an experience that really puts you in someone else’s shoes.

    SPECIAL SCREENINGS

    6, directed by Louie Psihoyos. (USA) – Work In Progress, Documentary. From the Academy Award®- winning filmmaking team that revealed oceanic atrocities in The Cove comes a bigger and bolder mission. Utilizing state-of-the-art equipment, director Louie Psihoyos assembles a team of activists intent on showing the world never-before-seen images that will change the way we understand issues of endangered species and mass extinction. Whether infiltrating notorious black markets with guerilla-style tactics, or working with artists to create beautiful imagery with unexpected animal subjects, 6 will literally change the way you see the world.

    A Brony Tale, directed by Brent Hodge, written by Ashleigh Ball and Hodge. (USA) – World Premiere, Documentary. Born of internet mecca 4chan, the “Brony” phenomenon is a flourishing community of adult, mostly male, fans of the children’s cartoon “My Little Pony:  Friendship is Magic,” a group drawn together by their mutual love of the show’s positive, teamwork-oriented moral.  Brent Hodge’s funny and illuminating documentary surveys the members of this surprising subculture, framed by the journey of Ashleigh Bell, one of the show’s voice actors, to embrace her unexpected fan base.

    Journey to the West (Xi You), directed and written by Tsai Ming Liang. (France, Taiwan R.O.C.) – North American Premiere, Narrative. A meditation loosely based on the classical Chinese story by Wu Cheng’en. This groundbreaking new interpretation brings the legendary pilgrimage of a Buddhist Monk into the present tense. Director Tsai Ming Liang bids us to look and listen, providing a timeless take on the spiritual journey of an individual whose main battle is the constant negotiation between the self and the substrate in which he finds himself. Journey to the Westproposes that true enlightenment awaits those who endure.

    This Time Next Year, directed by Jeff Reichert and Farihah Zaman. (USA) – World Premiere, Documentary. In 2012, Superstorm Sandy swept along the East Coast, devastating countless communities in its wake. This is one community’s story of what it takes to rebuild. TFF alum Jeff Reichert (Gerrymandering) teams up with co-director/producer Farihah Zaman to follow the residents of Long Beach Island, NJ, during the first full year after the storm. Funded by Tribeca Film Institute with support from the Rockefeller Foundation, this documentary is more than just a film; it is a call to action.

    True Son, directed by Kevin Gordon. (USA) – World Premiere, Documentary. Stockton, California is considered one of the worst cities in the United States, riddled with financial crisis and crime rates rivaling Afghanistan. But where everyone else saw hopelessness, 22-year-old Michael Tubbs saw possibility. In 2012, Tubbs decided to run for City Council to reinvent his hometown, building his campaign from the ground up. In Kevin Gordon’s passionate and inspirational documentary he sets out to beat a politician twice his age and bring his community back from bankruptcy.

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  • Invited Program and NEW DOCS Lineup for 17th Full Frame Documentary Film Festival; World Premiere of Doug Block’s “112 WEDDINGS” on Opening Night

     112 WEDDINGS112 WEDDINGS

    The 17th Annual Full Frame Documentary Film Festival taking place April 3 to 6, 2014, in Durham, N.C., announced its “Invited Program” and “NEW DOCS” lineup of new feature and short films. Filmmaker Doug Block’s film “112 WEDDINGS” will have its World Premiere as the Full Frame Opening Night Film on Thursday, April 3rd. 

    “112 WEDDINGS,” an HBO Documentary Film, is a heartwarming examination of the struggles and joys that come with lifelong partnership. After two decades filming weddings part-time, acclaimed director Doug Block (“51 Birch Street,” “The Kids Grow Up”) revisits couples years after the big day in order to see how love and life have unfolded after vows.

    Block said, “Among filmmakers, Full Frame is the country’s most revered documentary film festival, so it’s a particular honor to be chosen as this year’s Opening Night Film. ‘112 Weddings’ is a thought-provoking film about love and marriage, and I’m hoping it will get the festival off to a rousing, celebratory start.”

    http://youtu.be/4BMPt4qfMMs

    One of the nation’s premier documentary film festivals, Full Frame celebrates its 17th annual festival this April. Full Frame is a qualifying event for consideration for the nominations for both the Academy Award® for Best Documentary Short Subject and the Producers Guild of America Awards.

    Invited Program

    112 Weddings (Director: Doug Block)
    Documentary filmmaker and part-time wedding videographer Doug Block tracks down couples he’s filmed over the years, contrasting past with present to see how love and life have unfolded after vows. World Premiere

    20,000 Days on Earth (Directors: Iain Forsyth, Jane Pollard)
    Equal parts document and daydream, Jane Pollard and Iain Forsyth’s innovative film features the inimitable Nick Cave in a series of revelatory and imaginative vignettes.

    Afternoon of a Faun: Tanaquil Le Clercq (Director: Nancy Buirski)
    Tanaquil Le Clercq inspired choreographers unlike any ballerina before her, but in 1956, at the height of her fame, she was stricken with polio. A mesmerizing film of love, loss, and surprising grace.

    Alive Inside: A Story of Music & Memory (Director: Michael Rossato-Bennett)
    When a social worker discovers that music can unlock the memories of patients whose minds are clouded by dementia, he embarks on a mission to transform lives one iPod at a time.

    The Battered Bastards of Baseball (Directors: Chapman Way, Maclain Way)
    A celebratory portrait of the Portland Mavericks, who joined the minor leagues in 1973 as the lone single-A team without a major-league affiliation.

    The Case Against 8 (Directors: Ben Cotner, Ryan White)
    This behind-the-scenes film, shot over five years, follows the unlikely team who fought to overturn California’s ban on same-sex marriage, and won.

    E-Team (Directors: Katy Chevigny, Ross Kauffman)
    Four fearless activists from the Human Rights Watch’s Emergency Team take us to the frontlines of Syria and Libya as they investigate and document war crimes.

    Freedom Summer (Director: Stanley Nelson)
    Remarkable archival footage and unforgettable eyewitness accounts take us back to the summer of 1964, when hundreds of civil rights activists entered Mississippi to help enfranchise the state’s African American citizens.
     
    The Green Prince
     (Director: Nadav Schirman)
    A real-life thriller about the complex relationship between a Palestinian spy and his Israeli Shin Bet handler.

    Ivory Tower (Director: Andrew Rossi)
    Is a college degree worth the price? This sweeping examination of higher education questions the value of college in an era of rising tuition costs and staggering student debt.

    Last Days in Vietnam (Director: Rory Kennedy)
    Historical footage and reflections by U.S. diplomats and soldiers transport us to Saigon in April 1975 and the moral quandaries surrounding the order to evacuate American citizens only.

    The Missing Picture (Director: Rithy Panh)
    This deeply poetic and personal document uses hundreds of clay figurines—as so few photos exist—to recreate events and validate memories of the atrocities committed by the Khmer Rouge in Cambodia.

    My Prairie Home (Director: Chelsea McMullan)
    Transgender singer-songwriter Rae Spoon tours Canada in this impressionistic merging of dreamy music videos and intimate interviews.

    No More Road Trips? (Director: Rick Prelinger)
    Compiled from hundreds of home movies to create a dream ride across 20th-century America, this mixtape’s soundtrack and narration is provided by the audience.

    One Cut, One Life (Directors: Lucia Small, Ed Pincus)
    Two filmmakers undertake the making of a very personal documentary when one of them is diagnosed with a terminal illness, approaching matters of life and death with profound honesty. World Premiere

    Our Man in Tehran (Directors: Drew Taylor, Larry Weinstein)
    This riveting film recounts Canadian ambassador Ken Taylor’s role in the high-risk rescue of six Americans from Tehran during the Iran hostage crisis. US Premiere

    Soft Vengeance: Albie Sachs and the New South Africa (Director: Abby Ginzberg)
    Lawyer, writer, art lover and freedom fighter Albie Sachs fights to overthrow South Africa’s apartheid regime. World Premiere

    Supermensch (Director: Mike Myers)
    As entertaining as it is heartfelt, this star-studded film celebrates the adventurous life of talent manager, producer, and dealmaker extraordinaire Shep Gordon.

    Through a Lens Darkly: Black Photographers and the Emergence of a People(Director: Thomas Allen Harris)

    This invaluable document is a journey through the African American family photo album: its political, social, and artistic history; its stories of loss, self-invention, community, and beauty.

    The Visitors (Director: Godfrey Reggio)
    Stunning black-and-white images set to a score by Philip Glass propel this visceral rumination on humanity’s relationship with an increasingly digital world.

    WHITEY: United States of America V. James J. Bulger (Director: Joe Berlinger)
    This true-crime doc examines the sensationalized trial of a notorious South Boston gangster and brings new allegations of law-enforcement corruption to light.


    NEW DOCS

    Ana Ana (Directors: Corinne van Egeraat, Petr Lom)
    Four young women in Egypt tell their stories in an unforgettable cinematic collaboration that merges the personal and the political. North American Premiere

    Apollonian Story (Directors: Ilan Moskovitch, Dan Bronfeld)
    A modern hermit has spent the last 40 years single-mindedly carving a home out of a Mediterranean cliff. When his estranged son comes to help, the pair must navigate long-standing tensions. North American Premiere

    Book of Days (Director: Ian Phillips)
    Filmed over seven years, this fascinating short follows an enigmatic artist and bookseller as he struggles to get his book, Hannibal Barca, published. World Premiere

    Born to Fly (Director: Catherine Gund)
    “Action architect” Elizabeth Streb choreographs performances that push the human body to extremes in this exhilarating portrait of Streb and her company of dancers as they take to the air.

    Bronx Obama (Director: Ryan Murdock)
    An unemployed Puerto Rican father chases the “look of a lifetime” when he realizes he bears an uncanny resemblance to our 44th president.

    Buffalo Dreams (Director: Maurice O’Brien)
    Fanciful dreams meet cold reality as a Scottish family tries to raise American bison far from their native grasslands. North American Premiere

    Butterfly Girl (Director: Cary Bell)
    An unsentimental, deeply moving portrait of a young woman trying to live a “normal life” despite having a rare, often fatal, skin disease.

    Can’t Stop the Water (Directors: Rebecca Ferris, Jason Ferris)
    Abandoned homes line the one road of the disappearing Isle de Jean Charles in Louisiana, home to a Choctaw community. This is the story of those who’ve stayed.

    CAPTIVATED: The Trials of Pamela Smart (Director: Jeremiah Zagar)
    In telling the story of the first fully televised trial in the U.S., this incisive, multilayered film looks at how mass-media coverage and sensationalism impact the workings of justice.

    The Case of the Three Sided Dream (Director: Adam Kahan)
    Rahsaan Roland Kirk, an extraordinary musician who preferred the term “black classical music” to “jazz,” lived in a world of sound and dreams—and action.

    The Chaperone (Directors: Fraser Munden, Neil Rathbone)
    Charm and surprise characterize this animated story of a fight that breaks out between chaperones of a middle-school dance and a biker gang.

    The Circle (Director: Bram Conjaerts)
    Scientific data, animation, and man-on-the-street interviews collide in this portrait of life above the world’s largest high-energy particle accelerator.

    DamNation (Directors: Ben Knight, Travis Rummel)
    This poetic, reflective film follows the growing and increasingly successful movement to tear down America’s dams and restore long-standing fisheries, through both legal means and guerilla tactics.

    Evolution of a Criminal (Director: Darius Clark Monroe)
    Ten years after robbing a bank as a teenager, filmmaker Darius Monroe returns home and turns the camera on himself—to tell the story of what happened and look at the fallout from his actions

    Fairytale of the Three Bears (Director: Tristan Daws)
    Three hardworking men recall the story of the “Three Bears” as they muse on their lives in post-Soviet Russia. North American Premiere

    Flowers from the Mount of Olives (Director: Heilika Pikkov)
    Mother Ksenya, an 83-year-old nun in a convent in Jerusalem, reflects on her remarkable life as she embarks on one final challenge: silence. North American Premiere

    Foundry Night Shift (Director: Steven Bognar)
    In the wee hours, when electrical demand is down, workers stoke elaborate furnaces to produce the steel frames for Steinway pianos.

    The Great Invisible (Director: Margaret Brown)
    A chilling investigation of the Deepwater Horizon oil spill through the stories of people still experiencing its aftereffects, from oil executives to Gulf Coast residents—long after the media moved on.

    Hacked Circuit (Director: Deborah Stratman)
    A single suspenseful shot takes us inside the art of aural illusion and reveals that all is not as it seems or sounds.

    The Hand That Feeds (Directors: Rachel Lears, Robin Blotnick)
    A group of NYC restaurant workers stand up for their rights, despite the threat of job loss and deportation, in this moving story of a bitter labor dispute. World Premiere

    Happy Valley (Director: Amir Bar-Lev)
    This compelling look at Penn State’s football scandal goes beyond the surface of spectacle to get at the heart of the responses of an impassioned community.

    The Hip-Hop Fellow (Director: Kenneth Price)
    Music producer and turntablist supreme Ninth Wonder travels from North Carolina to Massachusetts to become Harvard’s first Hip-Hop Fellow. World Premiere

    In Country (Directors: Mike Attie, Meghan O’Hara)
    The lines between what’s real and what’s pretend blur as members of a platoon of Vietnam War re-enactors go to battle, each for their own complicated reasons.  World Premiere

    The Lab (Director: Yotam Feldman)
    Israeli filmmaker Yotam Feldman points a chilling lens at his country’s defense industry, the fourth largest arms exporter in the world. North American Premiere

    Light Fly, Fly High (Directors: Susann Ostigaard, Beathe Hofseth)
    Born into the “untouchable” caste, an Indian girl challenges her fate by entering a government-subsidized (and unfortunately, corrupt) boxing program. North American Premiere

    Monk by Blood (Director: Ema Ryan Yamazaki)
    Scion Sasaki, an aspiring chef and sometimes DJ, grapples with the responsibility of taking over his family’s ancestral Buddhist temple, a tradition dating back 23 generations. North American Premiere

    Monk with a Camera (Directors: Guido Santi, Tina Mascara)
    Nicky Vreeland trades in his rarified high-society existence for a Tibetan Buddhist monk’s maroon robes. Luckily, he brings his camera along.

    The Notorious Mr. Bout (Directors: Tony Gerber, Maxim Pozdorovkin)
    With unprecedented access and years of home movies, this multidimensional film points a lens at international arms smuggler and philosophical businessman Viktor Bout.

    Olga – To My Friends (Director: Paul Anders Simma)
    A young woman living alone on a reindeer herding post 1,000 miles north of Moscow contemplates solitude and purpose, and what she will do if the post is shut down. North American Premiere

    The Overnighters (Director: Jesse Moss)
    The unintended consequences of good intentions become evident when a pastor in an oil boomtown opens his doors to desperate and disillusioned jobseekers.

    A Park for the City (Director: Nicole Macdonald)
    Surveillance cameras give us a Night at the Museum look inside Detroit’s abandoned zoo on Belle Isle, a no-man’s land of flora and fauna reverting to wilderness.


    Private Violence (Director: Cynthia Hill)
    “Why didn’t you leave?” This urgent and inspiring film follows two women’s complex stories of survival while exploring the way we talk about and deal with domestic violence as a society.

    Return to Homs (Director: Talal Derki)
    This film takes us to the frontlines of the Syrian Civil War as two friends who are determined to defend their city abandon peaceful resistance and take up arms, heading straight for the heart of the warzone.

    Rich Hill (Directors: Tracy Droz Tragos, Andrew Droz Palermo)
    Three boys from a small Missouri town grapple with isolation and instability in this expressionistic film that portrays, with grace and complexity, family bonds, poverty, and survival.

    Ronald (Director: John Dower)
    One man, one supersized pair of red shoes, over ninety-nine billion served. World Premiere

    Santa Cruz del Islote (Director: Luke Lorentzen)
    On this remote island, the most densely populated on the planet, a community struggles to maintain their way of life as resources and opportunities dwindle. World Premiere

    Seeds of Time (Director: Sandy McLeod)
    As humans face a “perfect storm” of disastrous scenarios, scientist Cary Fowler demonstrates the importance of biodiversity by developing seed banks across the globe.

    Sex(Ed) The Movie (Director: Brenda Goodman)
    Remember the first time you heard about sex? Through clips from film and TV archives, this hilarious, humbling film takes a look at our country’s earnest attempts to share the facts of life.

    The Silly Bastard Next to the Bed (Director: Scott Calonico)
    JFK handles a scandal over some pricey bedroom furniture in the last summer of his presidency. World Premiere

    Summer 82 When Zappa Came to Sicily (Director: Salvo Cuccia)
    Frank Zappa’s 1982 European tour comes to a surprising, and riotous, conclusion in Palermo in this film featuring rare footage and local insights. North American Premiere

    The Supreme Price (Director: Joanna Lipper)
    Hafsat Abiola fights to realize her parents’ dreams of alleviating poverty and ending military dictatorship in this powerful look into the Nigerian pro-democracy movement.World Premiere

    Swallow (Director: Genevieve Bicknell)
    Eating: a pleasant or unpleasant task? Food: tasty and bubbling or oozy and disgusting?North American Premiere

    Tough Love (Director: Stephanie Wang-Breal)
    Two parents navigate the red tape of America’s child welfare system as they fight to regain custody of their children. World Premiere

    Ukraine Is Not a Brothel (Director: Kitty Green)

    The women of FEMEN, the provocative topless feminist movement in the Ukraine, confront the power structure fueling their organization.

    Watchers of the Sky (Director: Edet Belzberg)
Four extraordinary people embody the vision of Rafael Lemkin, who created international law to stop genocide and hold leaders accountable.

    Where is My Son? (Director: Qu Zhao)
    Abandoning a successful career in the big city, JunKyo Lee returns home to care for his ailing mother in her final years. North American Premiere

    White Earth (Director: J. Christian Jensen)
    Against the backdrop of an ethereal North Dakota winter, three children and their immigrant mother describe scenes of isolation and exertion—the impact of the oil boom on their everyday lives.

    Yangtze Drift (Director: John Rash)
    In gorgeous black and white, this updated city symphony moves along the varied sights, sounds, and rhythms of a great river. World Premiere

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  • TIFF Kids International Film Festival Unveils Film Lineup; Opens With Canadian premiere of RIO 2, Closes With THE HOUSE OF MAGIC

    THE HOUSE OF MAGICTHE HOUSE OF MAGIC

    The TIFF Kids International Film Festival, returns for its 17th year at TIFF Bell Lightbox in Toronto from April 8 to 21, 2014, with a slate full of premieres of some of the best films from around the world for children aged 3 to 13. The TIFF Kids Festival kicks off on Opening Night with the Canadian premiere of RIO 2, the all-star sequel to the smash-hit 2011 animated adventure, reuniting audiences with Blu and Jewel, voiced by Oscar® nominee Jesse Eisenberg and Oscar® winner Anne Hathaway, and wraps with the Closing Night Film THE HOUSE OF MAGIC, a gorgeously animated 3D feature from Belgium about a young abandoned cat who finds a new home in an enchanted mansion. 

    TIFF Kids Festival 2014 features a total of 112 films, comprising 28 features and 84 shorts, hailing from 31 countries, including Australia, Germany, The Netherlands, Israel, China, Poland, Russia, and many more. 

    FEATURE FILM PRESENTATIONS

    TIFF Kids Festival is pleased to present the following 29 feature films:

    African Safari, dir. Ben Stassen, Belgium
    North American Premiere
    Take your seat in our customized hot air balloon and join us on the 3D safari adventure of a lifetime. Our expedition starts in  the desert dunes of Namibia and travels across the entire African continent, through spectacular landscapes including the  Kalahari Desert, Okavango, Victoria Falls, Ngorongoro and the Serengeti heading up to Mt. Kilimanjaro. Soar over herds of  big game and ride in the jeep where you’ll get uncomfortably close to elephants and cheetahs. This is the real wild Africa with no fences! Be sure to close your tent at night…
    Recommended for ages 10 and up

    AninA, dir. Alfredo Soderguit, Uruguay/Colombia
    Toronto Premiere
    Anina Yatay Salas is a ten-year-old girl who does not like her name. Each part is a palindrome, which means it reads the same both forwards and backwards. Her schoolmates are always teasing her about this, especially Anina’s arch-enemy Yisel. An unusual punishment for fighting with Yisel gives Anina a different perspective on life both on and off the playground, in this beautifully animated adaptation of the 2003 book by author and illustrator Sergio López Suárez.
    Recommended for ages 9 and up.

    Antboy, director: Ask Hasselbalch, Denmark
    Twelve-year-old Pelle accidentally gets bitten by an ant and develops unimaginable superpowers. With help from his friend, comic-book nerd Wilhelm, Pelle creates a secret identity as the superhero Antboy and becomes a local crimefighter. When a supervillain, The Flea, enters the scene, Antboy must step up to the challenge.
    Recommended for ages 8 and up.

    Antboy, director: Ask Hasselbalch, Denmark
    Twelve-year-old Pelle accidentally gets bitten by an ant and develops unimaginable superpowers. With help from his friend, comic-book nerd Wilhelm, Pelle creates a secret identity as the superhero Antboy and becomes a local crimefighter. When a supervillain, The Flea, enters the scene, Antboy must step up to the challenge.
    Recommended for ages 8 and up.

    Casper and Emma’s Winter Vacation (Karsten og Petra på vinterferie), dir. Arne Lindtner Næss, Norway
    International Premiere
    Casper and Emma goes off to a cabin for their winter vacation. They play in the snow and have a great time together — until Peter shows up! Peter is really good at all kinds of things, and Emma thinks he’s just fantastic. Casper does everything he can to prove he’s good at stuff too — but is this the way to win Emma back?
    Recommended for ages 5 and up.

    Cloudy with a Chance of Meatballs, dirs. Phil Lord, Christopher Miller, USA
    Following the special Story Mobs event!
    Bill Hader, Anna Faris and Andy Samberg lend their voices to this smash-hit animated comedy, about an aspiring inventor whose loony new invention causes food to literally fall from the skies.
    Recommended for ages 8 and up.

    Felix, dir. Roberta Durrant, South Africa
    Toronto Premiere
    Thirteen-year-old Felix dreams of becoming a saxophonist like his late father, Zweli, of the famous Bozza Boys band, despite his mother Lindiwe’s disapproval. Felix’s world is turned upside down when he wins a scholarship to a prestigious school. Wanting to prove himself, he auditions for the school concert, but he can’t read music. Two aging ex-Bozza Boys give Felix a crash course on the saxophone and teach him about his musical roots and father’s past—but can his mother come to celebrate Felix’s musical talent?
    Recommended for ages 10 and up.

    Finn, dir. Frans Weisz, Netherlands
    Toronto Premiere
    Finn is a nine-year-old boy who lives with his single dad in a small village. One day, Finn hears a stranger playing a violin in an old farmhouse nearby, and he becomes entranced by the beauty of the music. But Finn’s father forbids him from visiting the stranger or playing the instrument.
    Recommended for ages 9 and up.

    Gabriel, dir. Mikolaj Haremski, Poland
    Toronto Premiere
    Tom is passionate about cars and spends all his free time in the garage. Under the watchful care of mechanic Raszynski, he discovers the secrets of building cars. One day, Tom decides to find his unknown father and runs away from his grandparents, with whom he has lived since his mother’s death, and sets out on what becomes a dangerous journey. At the beginning of his escapade he gets into trouble, which he overcomes with the help of new friend, Gabriel. Tom begins to learn that Gabriel has supernatural abilities. As their journey continues, Tom gets closer to finally knowing his father, and discovering the mystery of Gabriel.
    Recommended for ages 9 and up.

    Giraffada, dir. Rani Massalha, France/Germany/Italy/Palestine
    A young Palestinian boy and his veterinarian father make an incredible journey to transport a giraffe from Israel to the West Bank’s Qalqilya Zoo, in this inspirational drama based on a true story.
    Recommended for ages 10 and up.

    I Swan, dir. Kong Sheng, China
    Toronto Premiere
    Holly, traumatized by her mother’s accidental death, develops a selective mutism. Hoping to help her recover, her father takes her to the natural wetland where he works. Holly befriends a wounded swan and nurtures it back to health. The swan’s company also helps Holly become happy again, and eventually overcome the trauma of her mother’s death.  Unfortunately, a man with evil intentions steals the swan, leading Holly and her father to begin a difficult search for her best friend.
    Holly befriends a wounded swan 9 and up

    Kick It! (Kule kidz gråter ikke), dir. Katarina Launing, Norway
    North American Premiere
    Anja loves soccer more than anything else, but when a serious illness forces her off the field she receives help from a very unexpected source.
    Recommended for ages 10 and up.

    Knight Rusty (Ritter Rost), dir. Thomas Bodenstein, Germany
    Canadian Premiere
    Knight Rusty is in for the adventure of his life: just as his dream of winning a big tournament comes true, he is falsely accused of theft. Stripped of his knightly honour and his castle, he sets out to redeem himself and to win back the heart of his damsel. Can he also defeat the evil prince and save the kingdom?
    Recommended for ages 7 and up.

    Minuscule: Valley of the Lost Ants (Minuscule – La vallée des fourmis perdues), dirs. Thomas Szabo, Hélène Giraud,
    France
    Canadian Premiere
    In a peaceful forest, the remains of a picnic trigger a ruthless war between rival ant colonies, obsessed with gaining control of the same prize: a box of sugar cubes! Amidst this struggle a young ladybug befriends a black ant and helps him save his people from the horrible red ants…
    Recommended for ages 8 and up.

    On the Way to School (Sur le chemin de l’école), dir. Pascal Plisson, France
    Toronto Premiere
    This touching, globe-trotting documentary travels from Kenya to Patagonia, Morocco and India to show the incredible physical obstacles that some children must face every day simply to get to the classroom on time.
    Recommended for ages 10 and up.

    Pim & Pom, The Big Adventure (Pim & Pom, Het Grote Avontuur), dir. Gioia Smid, The Netherlands
    Toronto Premiere
    Feline friends Pim & Pom must fend for themselves when they are separated from their beloved owner, in this charming animated adventure based on the long-running Dutch comic strip.
    Recommended for ages 3 and up.

    Regret! (Spijt!), dir. Dave Schram, The Netherlands
    Toronto Premiere
    Based on the book by popular Dutch author Carry Slee, this all-too-realistic story about a teenager relentlessly tormented by his peers speaks powerfully to the devastating consequences that can result if young people don’t stand up and speak out against bullying.
    Recommended for ages 12 and up.

    Rio 2, dir. Carlos Saldanha, USA
    Canadian Premiere
    Introduction and Q+A with director Carlos Saldanha!
    It’s a jungle out there for Blu, Jewel and their three kids in Rio 2, after they’re hurtled from that magical city to the wilds of the Amazon. As Blu tries to fit in, he goes beak-to-beak with the vengeful Nigel, and meets the most fearsome adversary of all — his father-in-law. All our favorite Rio characters are back, and they’re joined by Oscar® nominee Andy Garcia, Grammy® winner Bruno Mars, Tony® winner Kristin Chenoweth and Oscar/Emmy®/Tony winner Rita Moreno. Rio 2 also features new Brazilian artists and original music by Janelle Monáe and Wondaland.
    Recommended for ages 7 and up.

    School of Babel (La Cour de Babel), dir. Julie Bertuccelli, France
    Canadian Premiere
    Shot over one school year at La Grange-aux-Belles secondary school in Paris’ 10th arrondissement, this inspiring documentary follows young newcomers to France as they try to adapt to life in their new country.
    Recommended for ages 11 and up.

    Side by Side, dir. Arthur Landon, United Kingdom
    North American Premiere
    When their grandmother’s illness threatens them with separation, a young brother and sister embark on an unforgettable journey through the Scottish wilderness, in this heartfelt adventure tale that celebrates loyalty, perseverance, and the bond between siblings.
    Recommended for ages 10 and up.

    The Boxcar Children, dirs. Dan Chuba, Mark Dippe, USA
    World Premiere
    Meet Henry, Jessie, Violet and Benny, four orphaned siblings who mysteriously appear in a small town on a warm summer night. No one knows who these young wanderers are or where they have come from. The children make a home for themselves in an old abandoned boxcar in the woods. In this secret place they can keep their family together and safe from the one person who wants to break them apart. A touching tale of family togetherness based on the classic 1920s children’s book by Gertrude Chandler Warner.
    Recommended for ages 6 and up.

    The Contest (MGP Missionen) dir. Martin Miehe-Renard, Denmark
    North American Premiere
    When Sawsan’s parents forbid her from performing on the country’s most popular TV singing contest, her best friend Karl hatches a plan to get her to the show’s big finale.
    Recommended for ages 11 and up.

    The Famous Five 3 (Fünf Freunde 3) director: Mike Marzuk, Germany.
    International Premiere
    In an old shipwreck, the Famous Five discover a mysterious brass locket. A local girl, Joe, believes that this is the key to a lost pirate treasure. Joe reveals that an investor wants to banish her tribe from their bay to build a tourist resort, and this treasure is her last chance to save her home. Together, the kids must embark on a treasure hunt through the dangerous jungle, and escape from a gangster couple on trail, as well as highly poisonous insects at every turn.
    Recommended for ages 11 and up.

    The House of Magic, dirs. Ben Stassen, Jérémie Degruson, Belgium
    Introduction and Q+A with director Ben Stassen!
    Canadian Premiere
    Seeking shelter from a storm, an abandoned young cat named Thunder sneaks into a mysterious mansion owned by retired magician Lawrence, a.k.a. “The Illustrious Lorenzo.” Lawrence shares his fairy-tale world with many animals and a dazzling array of automatons and gizmos capable of whipping up breakfast while rolling out a spectacular song-and-dance routine.  He soon makes Thunder feel welcome, but Jack the rabbit and Maggie the mouse start plotting to get him kicked out. When Lawrence ends up in the hospital, his nephew tries to trick him into selling the house, but its ragtag inhabitants develop a spooky strategy to defend their home. They turn their house into a haunted mansion, using Thunder as their secret weapon…
    Recommended for ages 8 and up.

    The Rooster of St-Victor (Le Coq de St-Victor), dir. Pierre Greco, Canada
    Toronto Premiere
    Although the annoyingly punctual rooster keeps the town of St-Victor motivated with his ear-splitting morning crow, one group of sleep-deprived citizens has had enough of having their slumber disrupted. But when their plan to rid themselves of the rooster causes the village’s fortunes to spiral, their fellow townspeople must find the fowl before the whole town goes under!
    Recommended for ages 7 and up.
    Presented in French; no English subtitles.

    The Tough Guys (De tøffeste gutta), dir. Christian Lo, Norway
    North American Premiere
    Considering himself to be a superhero, eleven-year-old Modulf deliberately attracts the attention of the school bullies in order to protect his fellow students; but when his new friend Lise gets in serious trouble after trying to bring the bullies to justice, he’s forced to choose between being a superhero or a good friend.
    Recommended for ages 10 and up.

    Windstorm (Ostwind), dir. Katja von Garnier, Germany
    Toronto Premiere
    Having failed her exams, fourteen-year-old city girl Mika is sent off to her grandmother’s country home. At the stables she forms a mystical bond with the untamed stallion Windstorm, and discovers that within her lies the gift of a true horse whisperer.
    Recommended for ages 9 and up

    Zip & Zap and the Marble Gang (Zipi y Zape y el club de la canica), dir. Óskar Santos, Spain
    Naughty twins Zip & Zap are punished and sent to summer school at Hope, a strict re-education center run by Falconetti, who rules with a heavy hand and an eye-patch and forbids all forms of recreation and entertainment. They form the Marble Gang, the children’s resistance, in order to defy the evil headmaster. Guided by intelligence, bravery and unbreakable faith in friendship, they uncover a mysterious secret hidden deep within the school and end up having the most exciting adventure of their lives.
    Recommended for ages 9 and up. 

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  • 37th Portland International Film Festival Audience Awards; TWO LIVES Wins Best Narrative Feature, FINDING VIVIAN MAIER Wins Best Documentary

    FINDING VIVIAN MAIERFINDING VIVIAN MAIER

    The 37th Portland International Film Festival announced this year’s Alaska Airlines Audience Award winners voted on by the 38,000+ attendees on each of the 104 features and 24 shorts screened at the festival.  Earning top audience accolades for Best Narrative Feature is TWO LIVES (Germany) directed by George Maas and Judith Kaufmann.  FINDING VIVIAN MAIER (United States) directed by John Maloof and Charlie Siskel was selected as the Best Documentary Feature.  Maloof and Siskel also took home the audience award for Best New Director Award. The PIFF 37 audience chose ERNEST AND CELESTINE (France) as this year’s Best Animated Feature.  This year’s Short Film Awards go to directors Asa Blanck and Johan Palmgren for their film GRANDPA AND ME AND A HELICOPTER TO HEAVEN (Sweden) and Irene Taylor Brodsky’s ONE LAST HUG AND A FEW SMOOCHES: THREE DAYS AT GRIEF CAMP was the recipient of the Oregon Short Film Award. 

    PIFF 37 ALASKA AIRLINES AUDIENCE AWARD RESULTS 

    NARRATIVE FEATURES

    1. TWO LIVES / Germany / George Maas, Judith Kaufmann *best narrative feature
    2. IDA / Poland / Pawel Pawlikowski
    3. THE LUNCHBOX / India / Ritesh Batra
    4. CIRCLES / Serbia / Srdan Golubovic
    5. COHERENCE /US /James Ward Byrkit
    6. THE ZIG ZAG KID / The Netherlands / Vincent Bal
    7. ERNEST AND CELESTINE / France / S. Aubier, V. Patar, B. Renner
    8. OMAR / Palestine / Hany Abu-Assad
    9. THE BUTTERFLY’S DREAM / Turkey / Yilmaz Erdogan
    10. THE WIND RISES / Japan / Hayao Miyazaki

    DOCUMENTARY FEATURES

    1. FINDING VIVIAN MAIER / US / John Maloof, Charlie Siskel *best documentary feature
    2. TIM’S VERMEER / US / Teller
    3. PARTICLE FEVER / US / Mark Levinson
    4. LEVITATED MASS / US / Doug Pray
    5. CODE BLACK / US / Ryan McGarry
    6. MAIDENTRIP / The Netherlands / Jillian Schlesinger
    7. REMOTE AREA MEDICAL / US / Jeff Reichert, Farihah Zaman
    8. THE NEW RIJKSMUSEUM / The Netherlands / Oeke Hoogendijk
    9. CAIRO DRIVE / Egypt / Sherief Elkatsha
    10. GOOGLE AND THE WORLD BRAIN / Great Britain / Ben Lewis

    BEST NEW DIRECTORS

    1. FINDING VIVIAN MAIER / US / John Maloof, Charlie Siskel *best new director(s)
    2. CODE BLACK / US / Ryan McGarry
    3. THE LUNCHBOX / India / Ritesh Batra
    4. MAIDENTRIP / The Netherlands / Jillian Schlesinger
    5. THE DAY OF THE CROWS / France / Jean-Christophe Dessaint

     ANIMATED FEATURES

    1. ERNEST AND CELESTINE / France / S. Aubier, V. Patar, B. Renner *best animated feature
    2. CHEATIN’ / US / Bill Plympton
    3. THE DAY OF THE CROWS / France / Jean-Christophe Dessaint

    SHORTS

    1. GRANDPA AND ME AND A HELICOPTER TO HEAVEN / Sweden / Asa Blanck, Johan Palmgren *best short film
    2. SATURDAY GIRLS / France / Emilie Cherpitel
    3. GREAT / Germany / Andreas Henn
    4. ONE LAST HUG AND A FEW SMOOCHES: THREE DAYS AT GRIEF CAMP / Portland / Irene Taylor Brodsky
    5. THE APOTHOCARY / US / Helen Hood Scheer

    OREGON SHORTS

    1. ONE LAST HUG AND A FEW SMOOCHES: THREE DAYS AT GRIEF CAMP / Portland / Irene Taylor Brodsky *best Oregon short film
    2. 9 / Portland / Kimberly Warner
    3. PORTLAND MEADOWS / Portland / Vanessa Renwick

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  • Unlucky 13! 13th SCINEMA Festival of Science Film CANCELED for 2014.

    SCINEMA Festival of Science Film

    SCINEMA Festival of Science Film is canceled for 2014. The Australian festival announced that because they were not successful in their funding bid, the festival will take a hiatus and return in 2015. SCINEMA Festival of Science Film is a traveling science film and multimedia festival based in Canberra, Australia.

    Filmmakers, venues and friends,

    They say 13 is an unlucky number, but SCINEMA Festival of Science Film ran a terrific festival in 2013 – our 13th festival.

    But the luck ran out this year for our 14th festival – we weren’t successful in our funding bid for National Science Week funding. And so SCINEMA will be taking the year off in 2014. Perhaps with festival 14 we are experiencing our second seven-year-itch. But the SCINEMA team pledge to return in 2015.

    We will be announcing our call for entries for 2015 in the middle of this year so keep an eye on our website.

    Many thanks to you all for your support over the past 13 years, and looking forward to catching up with you all in 2015.

    Cris Kennedy & Damian Harris
    For SCINEMA Festival of Science Film

     via SCINEMA Festival of Science Film

    http://youtu.be/pctSerHgvfI

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  • Robert Greene’s THE ACTRESS to Open SF DocFest

     Robert Greene’s THE ACTRESSRobert Greene’s THE ACTRESS

    The 13th San Francisco Documentary Film Festival (SF DocFest) taking place June 5 to 19, 2014, will open on June 5th with Robert Greene’s new film THE ACTRESS, which follows Brandy Burre, an actress who gave up her role in HBO’s “The Wire” to start a family in upstate New York. After playing the role of wife and mother, Burre decided to re-enter the acting business. The film will play as part of a retrospective of Robert Greene’s earlier work. 

    The festival will also honor filmmaker and writer, Robert Greene, with the 2014′s SF DocFest Non-Fiction Vanguard Award. This is the second time SF DocFest has given this award following the 2008 recipient Melody Gilbert. In addition to premiering his new film, ACTRESS, the festival will present a retrospective of some of Robert Greene’s earlier films including KATI WITH AN I (2010) and FAKE IT SO REAL (2012).  

    The festival announced a new DocFest Director of Programming Jennifer Morris and a new Associate Programmer Chris Metzler. Jennifer Morris, currently a programmer and consultant for Film23, Jennifer Morris was previously the Festival Director and Director of Programming for Frameline, She also served as the director of the Frameline Completion Fund which provided funding-ranging from $20-$50k annually- for the completion of films that deal with issues of importance to LGBT communities with an emphasis on underrepresented communities. She has also been a DJ and promoter in the Bay Area (under the name DJ Junkyard) for over 20 years.  Morris is originally from Southern California where she received her BA in Motion Pictures and Television from UCLA.

    Chris Metzler graduated from USC with a degree in business and cinema; Chris Metzler’s film career has taken him from the depths of agency work, to coordinating post-production for movies. His filmmaking work has resulted in him criss-crossing the country with the aid of caffeinated beverages, all the while making his way in the Nashville country and Christian music video industries, before finally forsaking his soul to commercial LA rock n’ roll. These misadventures culminated in him winning a Billboard Magazine Music Video Award. He eventually fled to San Francisco to join the independent documentary film scene and start work on his feature length directorial debut – the offbeat environmental documentary, “Plagues & Pleasures on the Salton Sea”, which was narrated by John Waters. With the success of that feature documentary Metzler went on to make, “Everyday Sunshine: The Story of Fishbone”, about the legendary rock-ska-funk band Fishbone. The film was narrated by actor Laurence Fishburne, premiered at the Los Angeles Film Festival, screened at SXSW, and aired nationally on PBS. Metzler is now pursuing other sub-cultural documentary subjects, including: rogue economists, lucha libre wrestlers, swamp rat hunters, ganjapreneurs, and evangelical Christian surfers.

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  • A WILL FOR THE WOODS Top Winners of 2014 SF IndieFest

      A WILL FOR THE WOODS directed by Amy Browne, Jeremy Kaplan, Tony Hale and Brian Wilson A WILL FOR THE WOODS directed by Amy Browne, Jeremy Kaplan, Tony Hale and Brian Wilson

    After 2 weeks of films, the 16th SF IndieFest came to a close; and the festival announced the 2014 Award winning films and filmmakers. The audience voted LETS RUIN IT WITH BABIES directed by Kestrin Pantera as the Best Narrative Feature, and A WILL FOR THE WOODS directed by Amy Browne, Jeremy Kaplan, Tony Hale and Brian Wilson as Best Documentary Feature.  The Jury also selected A WILL FOR THE WOODS as Best Documentary Feature, but went with DOOMSDAYS for Best Narrative Feature.

    Audience Award Winners & Woodcock Jury Prize Winners

    Narrative Feature: LETS RUIN IT WITH BABIES

    http://youtu.be/chv48rRn9d0

    Documentary Feature: A WILL FOR THE WOODS

    http://youtu.be/uHbjE3Nz0fs

    Narrative Short: ANOTHER TIME, MAYBE

    Documentary Short: MR GRILLO, THE THEREMINIST

    Animation: VIRTUOUS VIRTUELL

    SF IndieFest also presented the following films the Woodcock Jury Prizes chosen by a jury of pass holders.

    Narrative Feature ($1000 prize): DOOMSDAYS

    http://youtu.be/ZFPLDCw9U6s

    Documentary Feature ($1000 prize): A WILL FOR THE WOODS

    Short Film ($500 prize): DULUTH IS HORRIBLE (San Francisco based filmmaker Vincent Gargiulo)

     

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  • American Documentary Film Festival to Screen “God Loves Uganda,” by Academy Award Winning Director, Roger Ross Williams

    GOD LOVES UGANDA

    Although Uganda’s President Museveni claimed he was signing the country’s controversial anti-gay bill into law to fight liberal cultural imperialism by the West, the reality is that he may have actually signed the bill into law as a direct result of just the opposite: conservative cultural imperialism by America’s Christian Right. Possible? Academy Award-Winning Director Roger Ross Williams explores exactly that theory in his documentary GOD LOVES UGANDA at the American Documentary Film Festival which opens on Thursday, March 27th and continues through Monday, March 31st, 2014.

    godlovesuganda1

    godlovesuganda3

     The Academy Award®-short-listed film in the Best Documentary Feature category is one of the year’s most talked-about and critically-acclaimed films.  Oscar® winner Roger Ross Williams provides a powerful exploration into the evangelical campaign to change African culture with values imported from America’s Christian Right. The film follows American and Ugandan religious leaders fighting what they consider “sexual immorality,” and missionaries trying to convince Ugandans to follow Biblical law. Director Roger Ross Williams plans to attend the American Documentary Film Festival screening of GOD LOVES UGANDA.

    http://youtu.be/UnH5AWqBcLg

    via American Documentary Film Festival 

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  • Ashland Independent Film Festival Announces 2014 Film Schedule Lineup

     THE CASE AGAINST 8THE CASE AGAINST 8

    The Ashland Independent Film Festival (AIFF) unveiled its complete program for the thirteenth annual Festival, to be held in the heart of historic downtown Ashland, Oregon, April 3 to 7, 2014. The Festival will open with THE CASE AGAINST 8, is a behind-the-scenes look inside the historic case to overturn California’s ban on same-sex marriage.

    The AIFF will honor two-time Academy Award® winning filmmaker Barbara Kopple with its 2014 Lifetime Achievement Award. Kopple received an Oscar® in 1976 for Harlan County USA, and again in 1991 for American Dream. Kopple’s many award-winning films include SHUT UP AND SING; WOODSTOCK: NOW and THEN; AND WILD MAN BLUES, about Woody Allen and his relationship with Soon-Yi Previn.   RUNNING FROM CRAZY, Kopple’s latest documentary, will screen at this year’s Festival.  The film examines the personal journey of writer, model and actress Mariel Hemingway, the granddaughter of Ernest Hemingway, as she strives for a greater understanding of her complex family history.

    This year, the AIFF will present a 2014 Rogue Award to a homegrown talent, Ty Burrell. Ty has appeared in blockbuster hits such as Black Hawk Down (2001), Dawn of the Dead (2004), and The Incredible Hulk (2008) and is the voice of Mr. Peabody in the upcoming Mr. Peabody & Sherman. Most know him as the funniest father on television, Phil Dunphy. But few know the man behind Phil, the Emmy Award® winning performer who grew up in Ashland.  In A Conversation with Ty Burrell on Saturday, April 5 at the Historic Ashland Armory, Ty and his childhood friend, Miles Inada, Professor of Art and Emerging Media at Southern Oregon University, will engage in what is sure to be an insightful and thoroughly entertaining discussion of acting (“the least rational career possible”), playing soccer in first grade together, plus a Q&A with the audience and other surprises.

    Putting the spotlight on a filmmaker making a unique contribution to independent film, the AIFF is also proud to present Mark Monroe with a 2014 Rogue Award.  Monroe is the writing talent behind the Academy Award® winning film THE COVE, the eye-opening CHASING ICE (AIFF12), and critically acclaimed THE TILLMAN STORY. Recently, Monroe penned MISSION BLUE, about legendary oceanographer, marine biologist, environmentalist and National Geographic Explorer-in-Residence Sylvia Earle and her campaign to create a global network of protected marine sanctuaries, which will screen at the Festival. Monroe will be featured on a free filmmaker TalkBack panel, NOT THE SAME OLD STORY, examining the critical role of writing for documentary films.

    Documentaries featured at the festival include the Opening Night Film, THE CASE AGAINST 8, a behind-the-scenes look inside the historic case to overturn California’s ban on same-sex marriage.  Other documentaries featured at the 13th annual AIFF include BURT’S BUZZ, an intimate portrait of the reclusive Burt’s Bees founder Burt Shavitz and RUNNING WILD, the story of legendary cowboy Dayton O. Hyde, author and protector of wild horses. From Emmy® Award–winning documentary filmmaker and AIFF Alum Director Rory Kennedy (Ethel, AIFF12) comes LAST DAYS IN VIETNAM, revealing the chaotic final days of the Vietnam War. IVORY TOWER examines the purpose of higher education in an era when the price of college has increased more than any other service in the U.S. economy since 1978.

    Four films nominated for Best Documentary Short Subject will be featured.  FACING FEAR follows a former neo-Nazi skinhead and the gay victim of his hate crime who meet by chance 25 years after the incident that dramatically shaped both of their lives. KARAMA HAS NO WALLS chronicles the 2011 Yemen uprising. A peaceful gathering by students turns deadly when pro-government snipers open fire on the protest.  CAVEDIGGER portrays Ra Paulette, an artist who creates cathedral-like caves in northern New Mexico with nothing but hand tools, grit and passion.  PRISON TERMINAL: THE LAST DAYS OF PRIVATE JACK HALL breaks through the walls of one of Americas oldest maximum-security prisons to tell the story of the final months in the life of a terminally ill prisoner.

    AIFF will also screen four Best Live Action Short nominated films.  DO I HAVE TO TAKE CARE OF EVERYTHING, a comedy about a chaotic morning in a family with kids, and a mother who is determined that it’s best to take care of everything herself.  IN JUST BEFORE LOSING EVERYTHING (AVANT QUE DE TOUT PERDRE), a getaway becomes essential for the survival of a mother and her children.  THAT WASN’T ME (AGUEL NO ERA YO) tells the story of Paula, a social worker, who accompanies her boyfriend to Sierra Leone to aid and rescue child soldiers.   THE VOORMAN PROBLEM follows Doctor Williams as he examines the enigmatic Mr. Voorman, a prisoner with a peculiar affliction: he believes he is a god that created the universe nine days ago.  

    The Festival’s “Animation Shorts” program will include the Academy Award® winning film MR. HUBLOT and Academy Award® nominee FERAL. MR. HUBLOT depicts the strange world of an obsessive-compulsive recluse with characters and objects fashioned from intricately detailed, salvaged materials. In FERAL, a young boy is found in the wild and brought back to civilization.

    Last year, the Festival expanded the “Family Shorts” program, a collection of delightful and engaging short films suitable for ages 5 and up, to a full weekend of showings at the Ashland Street Cinemas. This season, the AIFF continues to grow its family friendly programming with the Oscar®-nominated animated feature, ERNEST & CELESTINE. A curious and surprisingly open-minded mouse, Celestine, befriends Ernest, a down on his luck bear. The two take an immediate liking to each other in this charming, playful and beautifully animated film. Featuring Forest Whitaker, Lauren Bacall, Paul Giamatti, and William H. Macy, the film will enchant audiences of all ages.

    Sandra Boynton, one of America’s best-loved artists and children’s book authors, will be in Ashland during the Festival with her newest short film, ALLIGATOR STROLL, playing in the “Family Shorts” program.  A gallery exhibit of whimsical and original images from her new book, FROG TROUBLE, will be held at Houston’s Custom Framing and Fine Art during the Festival.

    The AIFF again presents some of the best new feature film work available on the festival circuit. BLUEBIRD, featuring Amy Morton and John Slattery, explores the interconnectedness of a small town in the northern reaches of Maine when the local school bus driver becomes distracted during her end-of-day inspection. In the romantic adventure JUST A SIGH, Alix (Emmanuelle Devos) embarks on a mysterious, off-kilter day with stranger (Gabriel Byrne), leading to what could be a new life for Alix.  Obvious Child is an unapologetically honest and authentic look at what happens when 27-year-old Brooklyn comedian Donna Stern gets dumped, loses her job, and discovers she’s pregnant — just in time for Valentine’s Day.

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  • 2014 Tribeca Film Festival announces World Narrative and Documentary Competition selections, plus Viewpoints titles

     SUMMER OF BLOODSUMMER OF BLOOD

    The 2014 Tribeca Film Festival (TFF), today announced the World Narrative and Documentary Competition film selections, along with selections for the out-of-competition Viewpoints section which highlights unique, personal stories and diverse filmmakers in international and American independent cinema. Forty seven of the 87 feature-length films were announced as part of the 13th edition of the Festival, which will take place from April 16 to April 27 at locations around New York City and open with the documentary film TIME IS ILLMATIC.

    The Festival announced that DIOR AND I will screen as opening night for the World Documentary competition, GABRIEL will open the World Narrative competition, and SUMMER OF BLOOD will open the Viewpoints section. All three titles will have their world premiere on April 17.   

    The complete list of films selected for the World Narrative Feature and World Documentary Competition   is as follows, followed by the out-of-competition Viewpoints titles:

    World Narrative Feature Competition

    Brides(Patardzlebi), directed and written by Tinatin Kajrishvili. (France, Georgia) – North American Premiere. In the suburbs of Tbilisi, Georgia, seamstress Nutsa shares an apartment with her two young children and awaits the return of her husband, Goga, who has six years left on his prison sentence. With only rare visits and phone calls to connect with her husband, Nutsa faces difficult decisions about keeping the family together and maintaining her own freedom. In her first narrative feature, director Tinatin Kajrishvili captures an intimate look at love and absence, and a subtle indictment of the harsh Georgian penal system. In Georgian with subtitles.

    Five Star, directed and written by Keith Miller. (USA) – World Premiere. A member of the notorious Bloods since he was 12 years old, Primo takes John, the son of a fallen gang member, under his wing, versing him in the code of the streets. Set amongst the streets of East New York, Five Star blends documentary and fiction as director Keith Miller (Welcome to Pine Hill) carefully eschews worn clichés of gang culture to offer a compelling portrait of two men as they are both forced to confront the question of what it really means to be a man.

    Gabriel, directed and written by Lou Howe. (USA) – World Premiere. Rory Culkin delivers an electrifying performance as Gabriel, a vulnerable and confused teenager longing for stability and happiness. Convinced that reuniting with his old girlfriend will bring his dreams to fruition, Gabriel risks it all in a desperate and increasingly obsessive pursuit. First-time writer-director Lou Howe authentically portrays the heartbreaking reality of a young man battling his inner demons, establishing himself as an extraordinary new filmmaking talent.

    Glass Chin, directed and written by Noah Buschel. (USA) – World Premiere. After going down in the fifth round, boxer Bud Gordon bowed out of the limelight. Now residing in a fixer-upper apartment in New Jersey with his girlfriend, Bud longs for his former Manhattan glory. In an effort to get back in the game, he makes a deal with a crooked restaurateur. But quick schemes rarely bring easy pay-offs and as the consequences of his business negotiations unfold, Bud has to make a choice between his integrity and his aspirations.

    Goodbye to All That, directed and written by Angus MacLachlan. (USA) – World Premiere. Otto Wall is just a little unlucky in life, and unbeknownst to him, in love. When his wife suddenly asks for a divorce, he bounces between a search for answers, desperate attempts to stay connected to his daughter, and his fateful reentry into the dating pool. Junebug screenwriter Angus MacLachlan returns to the woods of North Carolina for this sharp and sensitive comedy starring Paul Schneider, Melanie Lynskey, Heather Graham, Anna Camp, Amy Sedaris, and Celia Weston.

    Güeros, directed and written by Alonso Ruiz Palacios, co-written by Gibrán Portela. (Mexico) – North American Premiere. A water balloon suddenly dropping from the sky exploding on a mother’s head in the frantic first moments of this striking debut feature, announces its director, Alonso Ruiz Palacios, as a bold new voice of Mexican cinema. Set amidst the 1999 student strikes in Mexico City, this coming-of-age tale finds two brothers venturing through the city in a sentimental search for an aging legendary musician. Shot in beautiful black-and-white, Güeros brims with youthful exuberance. In Spanish with subtitles.

    Human Capital (Il capitale umano), directed and written by Paolo Virzì, co-written by Francesco Bruni and Francesco Piccolo. (Italy, France) – International Premiere. In Paolo Virzì’s refined three-chapter tale, we begin at the end. Approaching a snowy night from three vastly different perspectives, the lives of two generations overlap as they tumble toward an ill-fated event that inextricably links them. Starring two of Italy’s leading actresses, Valeria Golino and Valeria Bruni Tedeschi, Human Capital twists love, class, and ambition into a singular, true-life story that exposes the consequences of valuing certain human lives over others. In Italian with subtitles.

    The Kidnapping of Michel Houellebecq (L’Enlèvement de Michel Houellebecq), directed and written by Guillaume Nicloux. (France) – North American Premiere. If novelist Michel Houellebecq had indeed been kidnapped during his 2011 promotional book tour, this may have been the definitive documentary on the case. As a wild alternative, Guillaume Nicloux presents this work of complete fiction starring none other than Houellebecq himself.  Playfully speculating on the explanation for Houellebecq’s mysterious disappearance, this highly entertaining, farcical piece of cinema parallels the wry characteristics of its unique and ever-unconventional subject. In French with subtitles.

    Loitering with Intent, directed by Adam Rapp, written by Michael Godere and Ivan Martin. (USA) – World Premiere.  After running into a film producer eager to invest in a new project, aspiring writers Dominic and Raphael need to come up with a script fast, so the pair head to the seclusion of rural Fire Island, NY, to churn out their masterpiece. But when Dominic’s siren of a sister (Marisa Tomei) turns up desperate for reprieve from her boyfriend (Sam Rockwell), they soon realize they’re in for more than they bargained for. Isabelle McNally and a hilarious Brian Geraghty round out this latest effort from director Adam Rapp.

    Something Must Break (Nånting Måste Gå Sönder), directed and written by Ester Martin Bergsmark, co-written by Eli Levén. (Sweden) – North American Premiere. When Sebastian meets Andreas for the first time, he knows they belong together. While Sebastian defies gender norms—flouting convention in his androgynous fluidity—straight-identifying Andreas becomes unable to accept his attraction to another man, as their relationship progresses. Struggling with his identity, Sebastian becomes increasingly determined to become “Ellie,” even if it means walking away from Andreas. Something Must Break brims with raw electricity as it explores questions of gender and sexuality with refreshing candor. In Swedish with subtitles.

    X/Y, directed and written by Ryan Piers Williams. (USA) – World Premiere. Ryan Piers Williams directs and stars alongside America Ferrera, Amber Tamblyn  and Melonie Diaz in a character-driven drama centered around four restless New Yorkers, and their shifting sexual and romantic relationships as they search for a sense of intimacy and self-identity. As Mark, Jen, Sylvia, and Jake navigate through their emotionally-arrested states, X/Y reveals the honest and wanton desire we all have to connect with someone and what is at stake when that connection fades.

    Zero Motivation directed and written by Talya Lavie. (Israel) – World Premiere. Filmmaker Talya Lavie steps into the spotlight with a dark comedy about everyday life for a unit of young female Israeli soldiers. The human resources office at a remote desert base serves as the setting for this cast of characters, who bide their time pushing paper, battling for the top score in Minesweeper, and counting down the minutes until they can return to civilian life. Amidst their boredom and clashing personalities, issues of commitment—from friendship to love and country—are handled with humor and sharp-edged wit. In Hebrew with subtitles.

    World Documentary Feature Competition

    1971, directed and written by Johanna Hamilton, co-written by Gabriel Rhodes. (USA) – World Premiere. Forty years before WikiLeaks and the NSA scandal, there was Media, Pennsylvania. In 1971, eight activists plotted an intricate break-in to the local FBI offices to leak stolen documents and expose the illegal surveillance of ordinary Americans in an era of anti-war activism. In this riveting heist story, the perpetrators reveal themselves for the first time, reflecting on their actions and raising broader questions surrounding security leaks in activism today.

    Ballet 422, directed by Jody Lee Lipes. (USA) – World Premiere. Cinematographer and documentarian Jody Lee Lipes crafts an intimate, fly-on-the-wall documentary offering a rare peek into the hidden world of professional ballet. The film shadows Justin Peck, wunderkind choreographer of the New York City Ballet, as he undertakes the Herculean task of creating the company’s 422nd original piece. Following the creative process from its embryonic stages to its highly anticipated premiere, Ballet 422 is a powerful celebration of the skill and endurance of New York’s most talented dancers—as well as those who remain hidden in the wings.

    Dior and I (Dior et moi), directed and written by Frédéric Tcheng. (France) – World Premiere. In Frédéric Tcheng’s masterful documentary, one enters the storied world that is the House of Christian Dior with a privileged, behind-the-scenes look at the creation of Raf Simons’ first Dior Haute Couture collection as Artistic Director, a true labor of love by a dedicated, charming, and often humorous group of collaborators.  Beautifully melding the everyday, pressure-filled components of fashion with a mysterious and elegant reverence for the history of this iconic brand, Tcheng’s colorful homage to the seamstresses of the atelier is nothing short of magical. In English and French with subtitles.

    Fishtail, directed and written by Andrew Renzi. (USA) – World Premiere. The iconic voice and noble philosophies proffered by Harry Dean Stanton punctuate this authentic look at life on the edge of wilderness. Producer of festival favorite, Two Gates of Sleep, Andrew Renzi makes his directorial debut with this glimpse into the rugged lifestyle few Americans still pursue. Follow the cowboys of Montana’s Fishtail Basin Ranch as they survive another calving season in this captivating atmospheric documentary. Set to a seraphic score, Stanton would agree, this is a film for “those of earth-born passion.”

    Garnet’s Gold, directed by Ed Perkins. (UK) – World Premiere. Twenty years ago, Garnet Frost nearly lost his life hiking near Scotland’s Loch Arkaig. The near-death experience still haunts him to this day, and, in particular, a peculiar wooden stick he discovered serendipitously right before he was rescued. Believing the staff (as he calls it) is actually a marker for a fortune hidden nearly 300 years ago, Garnet embarks on a treasure hunt to search for the lost riches. But beneath the search for gold, lies a poignant pursuit for life’s meaning and inspiration.

    Mala Mala, directed by Dan Sickles and Antonio Santini. (Puerto Rico) – World Premiere. Antonio Santini and Dan Sickles’ vibrant and visually striking immersion in the transgender community of Puerto Rico celebrates the breadth of experiences among trans-identifying women:  from campaigning for government-recognized human rights, to working in the sex industry, or performing as part of drag troupe, “The Doll House.” Unapologetic and unconventional, Mala Mala explores the ways internal and external identity pave the path of self discovery through the unique yet universal stories of its fascinating cast of characters. In English and Spanish with subtitles.

    Misconception, directed by Jessica Yu. (USA) – World Premiere. For almost 50 years, the world’s population has grown at an alarming rate, raising fears about strains on the Earth’s resources. But how true are these claims? Taking cues from statistics guru Hans Rosling, Misconception offers a provocative glimpse at how the world—and women in particular— are tackling a subject at once personal and global. Following three individuals, director Jessica Yu focuses on the human implications of this highly charged political issue, inspiring a fresh look at the consequences of population growth. In English, Hindi, Mandarin, and Russian with subtitles.

    Ne Me Quitte Pas, directed and written by Sabine Lubbe Bakker and Niels van Koevorden. (Netherlands, Belgium) – International Premiere. Left by his wife for another man, Marcel falls into alcoholism and a deep depression, with only his friend Bob, also an alcoholic, to look after him. The friendship between the two men captures the frailty of the male ego and the natural comedy borne from their candid conversations. Ne Me Quitte Pas follows this downward spiral of mid-life crisis in a tender, often humorous, sometimes disturbing, examination of the ‘crisis of masculinity,’ alongside a mesmerizing exploration of mundane rural existence. In Flemish and French with subtitles.

    Point and Shoot, directed and written by Marshall Curry. (USA) – World Premiere. In 2011, unassuming Matthew VanDyke left his home in Baltimore to find adventure and see the world on his motorcycle, only to end up joining the Libyan rebel army to take arms against Gaddafi. Gun in one hand, video camera in the other, Matthew finally finds purpose and meaning in his wanderlust, until he is captured and held in solitary confinement for six months and must decide where his allegiances really lie. Director and TFF award winner, Marshall Curry (Racing Dreams), captures one man’s arresting transformation from a sheltered kid to a soldier on the front lines.

    Regarding Susan Sontag, directed and written by Nancy Kates, co-written by John Haptas. (USA) – World Premiere. Hungry for life and gracefully outspoken throughout her career, Susan Sontag became one of the most important literary, political, and feminist icons of her generation. Kates’ in depth documentary intimately tracks Sontag’s seminal, life-changing moments through her own words, as read by Patricia Clarkson—from her early infatuation with books to her first experience in a gay bar; from her first marriage to her last lover. Regarding Susan Sontag is a nuanced investigation into the life of a towering cultural critic and writer whose works on photography, war, and terrorism still resonate today. An HBO Documentary film.

    Tomorrow We Disappear, directed by Jimmy Goldblum and Adam Weber. (USA) – World Premiere. The puppeteers, performers, and magicians of the Kathputli colony in Delhi are the last slum-dweller–artists of their kind. When their land is sold to high-rise developers, they must fight for the only home they know. Fending off relocation, they struggle to keep their mystical Indian folk arts alive and to conserve what beauty remains as they are forced into someone else’s vision of the future. Tomorrow We Disappear is not just documentation, but ultimately becomes an extraordinary act of preservation. In Hindi with subtitles.

    Virunga, directed and written by Orlando von Einsiedel. (UK) – World Premiere. Virunga is Africa’s oldest national park, a UNESCO world heritage site, and the last natural habitat for the endangered mountain gorilla. None of that will stop the business interests and rebel insurgencies lurking at the park’s doorstep. Orlando von Einsiedel pairs gorgeous natural scenes from Virunga with riveting footage of the Congolese crisis, raising an ardent call for conservation as a vital human enterprise. Along the way, he spotlights the incredibly dangerous work that is often required to safeguard the environment. In English, French, and Swahili with subtitles.

    Viewpoints

    Art and Craft, directed by Sam Cullman and Jennifer Grausman. (USA) – World Premiere, Documentary. Mark Landis is one of the most prolific and notorious ‘artists’ of the century. An expert forger of masterpiece art, Landis has duped curators across the nation, further befuddling them by donating his imitations instead of selling them. Many have dedicated years tracking his escapades with one burning question: “Why?” Framed around a cat-and-mouse chase between Landis and those he has hoodwinked, Art and Craft paints a richly complicated portrait of mental illness, skewed philanthropy, and the desire to feel connected.

    The Bachelor Weekend, directed and written by John Butler. (Ireland) – U.S. Premiere, Narrative. Pressured by his best man to spend a bachelor’s weekend camping, foppish groom-to-be, Fionan, reluctantly agrees. But when his fiancée’s alpha-male brother, nicknamed ‘The Machine,’ unexpectedly turns up, the camping trip takes a turn for the worst. Fionan and his genteel friends are no match for the uncouth bully, and the trip begins to look like it will become Fionan’s worst nightmare. A slapstick, good-natured comedy, Bachelor Weekend hilariously delves into the stereotypical realm of masculinity that is camping and the great outdoors.  A Tribeca Film release.

    Bad Hair (Pelo Malo), directed and written by Mariana Rondon. (Venezuela, Peru, Argentina, Germany) – U.S. Premiere, Narrative. Junior, a nine-year-old living in Caracas, wants nothing more than to straighten his unruly hair to look like a singer for his school photo—a fixation that stirs homophobic panic in his overtaxed mother. Each effort Junior makes to alter his appearance and gain his mother’s love is brushed off with abrasive avoidance until he’s ultimately faced with a heartbreaking decision. With a painfully tender performance by Samuel Lange, writer-director Mariana Rondón directs this coming-of-age drama about the search for identity clashing with intolerance. In Spanish with subtitles.

    Below Dreams, directed and written by Garrett Bradley. (USA) – World Premiere, Narrative. A reverie of images and sound, Below Dreams loosely follows the narratives of three very different people returning to New Orleans for the promise of a better life. But as each character experiences the city’s realities, it becomes clear that their individual hopes and dreams may no longer be possible, and that with change must also come sacrifice. Shot documentary style, but with dreamlike qualities melding fiction and reality, this is a hypnotic tribute to both the socially marginalized and to the city of New Orleans itself.

    Beneath the Harvest Sky, directed and written by Aron Gaudet and Gita Pullapilly. (USA) – U.S. Premiere, Narrative. Bored and restless, best friends Dominic and Casper are making plans to escape their small town in Northern Maine to start new lives in Boston. In order to earn the money, Dominic spends the summer harvesting potatoes, while Casper becomes involved in the family business—smuggling drugs over the Canadian border. The divergent paths of the two boys, both trapped in their circumstances in different ways, will change their friendship forever. Brought to life by two stellar lead performances, Beneath the Harvest Sky is an authentic portrayal of adolescent frustration, culminating in a heartbreaking coming-of-age drama.  A Tribeca Film release.

    Black Coal, Thin Ice (Bai Ri Yan Huo), directed and written by Diao Yinan. (China, Hong Kong) – North American Premiere, Narrative. After a botched arrest in a grisly serial-murder case, small-town detective Zhang Zili is suspended from the force, taking a job as a security guard at a coal factory. When another series of mysteriously similar murders takes place five years later, Zhang sets out to investigate on his own. Winner of the top prize at this year’s Berlin Film Festival, Diao Yinan’s moody, quietly powerful thriller is a classic film noir staged against the quotidian lives of a wintry Northern Chinese industrial town. In Mandarin with subtitles.

    Broken Hill Blues (Ömheten), directed and written by Sofia Norlin. (Sweden) – North American Premiere, Narrative. A group of adolescents wrestle with their uncertain futures in a remote mining town that is literally cracking underneath their feet. Kiruna, the northernmost town in Sweden, sits above an iron ore mine that has been slowly eroding the land around it for decades. Soon, Kiruna and everyone in it will have to move, but to where they do not know. As the displaced teenagers linger on the cusp of adulthood, they echo the town’s own fragility in this beautiful and understated film. In Swedish with subtitles.

    Electric Slide, directed and written by Tristan Patterson. (USA) – World Premiere, Narrative. A heightened homage to the City of Angels, Electric Slide riffs on the real-life story of Eddie Dodson, the notorious “Gentleman Bank Robber.”  With a debonair sophistication and a serious talent for flirt, Dodson managed to lure money from mesmerized female tellers at over 60 banks during an epic spree in the 1980s.  Director Tristan Patterson gathers Jim Sturgess, Chloë Sevigny, and Patricia Arquette to paint a dark, hyper-stylized tale of crime, love, and style.  

    Famous Nathan, directed and written by Lloyd Handwerker. (USA) – World Premiere, Documentary. Nathan’s Famous Frankfurters, a New York City icon, has left a lasting imprint on the collective memory and palate of Coney Island. Director and grandson of ‘Famous’ Nathan himself, Lloyd Handwerker, takes a look back at the immigrant experience and almost 100 years of family and New York history in this personal documentary gem. Featuring a strong score, colorful and endearing characters, rare archival material, and a nuanced editing style, Famous Nathanwill not disappoint New York history enthusiasts.

    An Honest Liar, directed and written by Justin Weinstein, Tyler Measom, co-written by Greg O’Toole. (USA) – World Premiere, Documentary. Renowned magician James “The Amazing” Randi, has been wowing audiences with his jaw-dropping illusions, escapes, and sleight of hand for over 50 years. When Randi began seeing his cherished art form co-opted by all manner of con artists, from faith healers and fortune-tellers to psychics and gurus, Randi made it his mission to expose the simple tricks charlatans have borrowed from magicians to swindle the masses. Weinstein and Measom chronicle Randi’s best debunkings, with the help of interviewees including Penn Jillette, Bill Nye, and “Mythbuster” Adam Savage, ultimately showing us how we are all vulnerable to deception, even “The Amazing” Randi himself.

    Honeymoon, directed and written by Leigh Janiak, co-written by Phil Graziadei. (USA) – New York Premiere, Narrative. What begins as a happy honeymoon for newlyweds Bea (Rose Leslie) and Paul (Harry Treadaway) takes a sinister turn when Bea disappears from bed one night and Paul discovers her the next day naked in the woods with no memory of how she got there. Soon Bea begins an escalating, unexplainable shift from a happy, carefree young woman to a cold, distant, and calculating one. Supernatural forces may be at work, but they uncannily echo some of the anxieties that come with a new marriage—issues such as secrecy, mistrust, and loss of identity—in Janiak’s brooding domestic drama.

    I Won’t Come Back (Ya Ne Vernus), directed by Ilmar Raag, written by Oleg Gaze and Jaroslava Pulinovich. (Belarus, Estonia, Finland, Kazakhstan, Russia) – World Premiere, Narrative. Aloof graduate student Anya is on the run from the police when she encounters precocious and willful Kristina, an orphan determined to find her grandmother in Kazakhstan. Kristina offers a momentary solution to Anya’s desperate situation, and the unlikely pair begins a harrowing and unpredictable odyssey, hitchhiking across the epic landscapes of Russia and its neighboring countries. I Won’t Come Back is a visceral look at survival and a heartfelt exploration into the depths of friendship and the meaning of family. In Russian with subtitles.

    Ice Poison (Bing Du), directed and written by Midi Z. (Myanmar, Taiwan R.O.C.) – North American Premiere, Narrative. Faced with diminishing returns on his harvest, a poor young farmer in Myanmar pawns his cow for a moped and seeks alternative income as a taxi driver. Among his first fares is a woman making a new start after escaping an arranged marriage in China. Together, they are lured into the lucrative business of selling “ice poison” (crystal meth) around town. With an unobtrusive documentary style, Burmese-Taiwanese director Midi Z captures the struggles faced by many in an unseen part of the world. In Burmese and Chinese Yunnan with subtitles.

    Karpotrotter (Karpopotnik), directed and written by Matjaž Ivanišin, co-written by Nebeojša Pop-Tasić. (Slovenia) – North American Premiere, Narrative. Karpotrotter is a road movie about place, time, and memory, as well as an homage to filmmaker Karpo Godina, whose work flourished during the Black Wave of Yugoslavian filmmaking in the 1960s. Director Matjaž Ivanišin retraces the footsteps of his compatriot’s journey, interlacing Godina’s original Super 8mm footage with folklore music, landscape imagery, and contemporary portraits of the local villagers. In Slovene with subtitles.

    Love & Engineering, directed and written by Tonislav Hristov. (Finland, Germany, Bulgaria) – International Premiere, Documentary. Is there an algorithm for love? Atanas, a Bulgarian engineer living in Finland, is determined to find out. With the help of some of his geeky bachelor friends, he sets up a series of experiments to crack the code and develop a new, scientific approach to dating. This charming and lighthearted documentary follows Atanas and company as they research pheromones, chart brain waves, and try out “hacks” on blind dates, in their quest to find romance in the modern world. In Bulgarian, English and Finnish with subtitles.

    Maravilla, directed and written by Juan Pablo Cadaveira. (Argentina) – International Premiere, Documentary. A true underdog story, Maravilla follows Argentinian boxer Sergio ‘Maravilla’ Martinez, as he sets out to reclaim the title of Middleweight champion that was unfairly snatched from him in 2011 by Julio Chavez, Jr. Focusing on the rise of Martinez from penniless amateur to world champion and sporting celebrity, director Juan Pablo Cadaveira offers a fascinating glimpse into today’s boxing landscape, revealing the politics of the sporting profession that often places entertainment value over the sport itself. In English and Spanish with subtitles.

    The Overnighters, directed by Jesse Moss. (USA) – New York Premiere, Documentary. After hydraulic fracturing uncovers a rich oil field in North Dakota, a small conservative town is tested as hordes of unemployed men chasing the “American Dream” pour into its borders. Desperate men, often running from their past, find compassion and refuge in the form of a local pastor. However, the more responsibility he shoulders, the more everything threatens to come crumbling down. A film of dualities, this provocative modern-day parable by documentarian Jesse Moss challenges the very fabric of our society.

    Starred Up, directed by David Mackenzie, written by Jonathan Asser. (UK) – U.S. Premiere, Narrative. Writer Jonathan Asser intelligently brings the brutality of British prison life to raw, unflinching life in this tense and unpredictable drama. Jack O’Connell (This Is England) plays Eric, a young offender so violent and volatile that he is ‘starred up’—prematurely moved to an adult prison. As he tries to keep his head down and navigate this new microcosm of societal codes and loyalties, Eric’s explosive nature is tested under the ceaseless gaze of guards and fellow inmates, one who turns out to be his estranged father, Neville (Ben Mendelsohn).  A Tribeca Film release.

    Summer of Blood, directed and written by Onur Tukel. (USA) – World Premiere, Narrative. Misanthropic and immature Eric faces a premature mid-life crisis after his girlfriend leaves him. With no career and even less charisma in bed, it seems like this loveable loser is beyond hope, until one fateful summer night when a vampire bites him in a Brooklyn alleyway. The next day, Eric finds his confidence invigorated and his stomach in excruciating pain that can only be cured by one thing…blood. Onur Tukel directs and stars in this delightfully dark comedy about love, lust, and humanity.

    Traitors, directed and written by Sean Gullette. (Morocco) – North American Premiere, Narrative. In Sean Gullette’s feature debut, Malika is the lead singer of an all-female punk band and sees music as a means to escape a dull and conservative life in Tangier. When a producer expresses interest in her, she jumps at the chance, but first she’ll need to find the money for recording, and a drug run across the Moroccan border may be her only option. Fiery and energetic, Traitors is a spirited and rebellious journey of a young woman breaking from the traditional life set before her. In Arabic, English and French with subtitles.
    Traitors is screening as part of a special cultural partnership with Venice Days where a European film showcased at Venice Days is selected by organizers there to have its international premiere at Tribeca. In 2013 Venice Days premiered Lenny Cooke.

    Vara: A Blessing, directed and written by Khyentse Norbu. (Bhutan) – North American Premiere, Narrative. Raised in a sheltered village, young Lila yearns for a life devoted to Hindu worship, like that of her devadasi mother, but she begins to encounter worldly obstacles to her spiritual fulfillment. Guileless, Lila agrees to model for a lowly village boy who hopes to become a sculptor, unknowingly endangering both of their lives under the ever-present gaze of the villagers, especially the village landlord’s son.

    Young Bodies Heal Quickly, directed and written by Andrew T. Betzer. (USA) – World Premiere, Narrative. Two brothers drift aimlessly through their summer days, trashing abandoned cars and playing with paintball guns, until the accidental death of a young woman forces them to make drastic decisions. With few options, the duo flee across state lines to dodge arrest and search for refuge. Poetic, funny, and poignant, this quietly mesmerizing film follows the brothers’ transitions from boys to men through an absorption of the world—good and bad—around them.

    In addition to those announced today, the Festival presents feature-length films in the Spotlight, Midnight, and Special sections, which will be announced on March 6, 2014.

    2014 Competition Feature Film Awards:

    Awards in the World Narrative and World Documentary Competitions will be presented in the following juried categories: Founders Award for Best Narrative Feature, sponsored by AT&T; Best New Narrative Director (for first-time feature directors in any section); Best Actor in a Narrative Feature; Best Actress in a Narrative Feature; Best Screenplay in a Narrative Feature; Best Cinematography in a Narrative Feature; Best Documentary Feature; Best Editing in a Documentary Feature; and Best New Documentary Director (for first-time feature directors in any section).

    Two feature films—one narrative and one documentary—will be selected to receive the Heineken Audience Award, the audience choice for best feature film. Films playing in the World Narrative Competition, World Documentary Competition, Viewpoints, Spotlight and Midnight sections are eligible.

    Read more


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