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  • Human Rights Watch Film Festival Heads to Toronto; Opens with THE SQUARE on Feb 27, Closes on March 6 with HIGHWAY OF TEARS

    Matthew Smiley's hard-hitting documentary HIGHWAY OF TEARS Matthew Smiley’s hard-hitting documentary HIGHWAY OF TEARS

    The Human Rights Watch Film Festival returns for its 11th year in Toronto with eight films that the festival describes as bravely bearing witness to human rights violations in Canada and around the globe, and make an impassioned call for social change through their empowering stories of perseverance, resilience and hope. The Human Rights Watch Film Festival opens at Toronto International Film Festival TIFF Bell Lightbox on February 27 with THE SQUARE (2013), director Jehane Noujaim’s (Control Room) thrilling documentary chronicle of activism, unrest and revolution in Cairo’s Tahrir Square, and closes on March 6 with the world premiere of Canadian director Matthew Smiley’s hard-hitting documentary HIGHWAY OF TEARS (2013).

    Narrated by Nathan Fillion (Castle), HIGHWAY OF TEARS chronicles the notorious, decades-long string of murders and disappearances of young Indigenous women along British Columbia’s Highway 16. Addressing similar issues to Those Who Take Us Away, the 2013 report released by Human Rights Watch, the film explores how this systemic violence is linked to the effects of generational poverty, residential schools, and high unemployment rates on First Nations reserves. TIFF and Human Rights Watch welcome the film’s director Matthew Smiley and producer Carly Pope alongside Human Rights Watch researchers in the Women’s Rights Division, Samer Muscati and Meghan Rhoad for a special introduction to the screening. Meghan Rhoad is also the author of Those Who Take Us Away.

    Other highlights include Harry Freeland’s IN THE SHADOW OF THE SUN (2012), an intimate and emotional documentary that follows two Tanzanian men afflicted with albinism — a condition viewed with superstitious fear and murderous hatred in their country — as they pursue their dreams in the face of virulent prejudice; Rithy Panh’s 2013 Un Certain Regard prize-winner, THE MISSING PICTURE (2013), which uses handmade clay figurines and detailed dioramas to recount the suffering of Panh’s family at the hands of the Khmer Rouge regime following the communist victory in Cambodia in 1975; and director Yuval Adler’s first feature BETHLEHEM (2013), about a young Palestinian man who is recruited as an informant by the Israeli secret service Shin Bet, and finds himself caught between two very different kinds of loyalty when he discovers that his employers are plotting to assassinate his radical brother.

    This year’s lineup also includes first-time feature filmmaker Marta Cunningham’s VALENTINE ROAD (2013), which investigates the 2008 murder of openly gay California teenager Larry King by his school crush Brandon McInerney and paints a shocking portrait of the homophobia, sexism, racism and classism that inform the lives of America’s youth; Daniel Junge and Sharmeen Obaid-Chinoy’s Academy Award–winning SAVING FACE (2012), which addresses one of Pakistan’s most unique, and horrific, social problems — the alarmingly frequent acid attacks on women, many of them perpetrated by spouses or other close family members — through the stories of two survivors attempting to bring their assailants to justice and move on with their lives; and a startling look at global capitalism in action with award-winning documentarian Rachel Boynton’s BIG MEN (2013), which takes audiences inside the rapacious world of the global energy industry.

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  • BELLE and Master Animator Hayao Miyazaki’s THE WIND RISES to Open 2014 Portland International Film Festival

    bella-the-wind-rises-opens portland international film festival 

    The 37th Portland International Film Festival (PIFF 37) opens on February 6th with two films – THE WIND RISES, the final work from master animator Hayao Miyazaki, will screen at at OMSI and Cinema 21, and the critically-acclaimed feature BELLE, starring Gugu Mbatha-Raw, Emily Watson, and Tom Wilkinson screens at the Whitsell Auditorium, located in the Portland Art Museum. The festival will run through the February 22nd, 2014.

    This year’s Festival includes the return of the popular PIFF After Dark program, showcasing midnight movies like Ti West’s (THE HOUSE OF THE DEVIL) THE SACRAMENT and Ari Folman’s (WALTZ WITH BASHIR) THE CONGRESS. Seven animated features on the lineup include THE APOSTLE, MY MOMMY IS IN AMERICA AND SHE MET BUFFALO BILL, and the latest film by Portland-born animator Bill Plympton, CHEATIN’.  Other highlights of PIFF 37 include screenings of Tsai Ming-Liang’s (WHAT TIME IS IT OVER THERE?) STRAY DOGS, Rithy Panh’s THE MISSING PICTURE, Doug Pray’s (HYPE!) LEVITATED MASS, François Ozon’s (SWIMMING POOL) YOUNG AND BEAUTIFUL, Jillian Schlesinger’s MAIDENTRIP, Alain Guiraudie’s STRANGER BY THE LAKE, Anthony Chen’s ILO ILO and Claude Lanzmann’s (SHOAH) THE LAST OF THE UNJUST.  

    THE WIND RISESTHE WIND RISES

    THE WIND RISES

    In THE WIND RISES, Miyazaki, co-founder of the legendary Studio Ghibli, eschewing his typically fictional characters ensconced in a fantasy world, instead brings to life the story of Jiro Horikoshi, visionary designer of one of history’s most beautiful airplanes—the prototype for the Zero WWII fighter. Adapted from Miyazaki’s own serialized manga, which was itself inspired by Tatsuo Hori’s 1937 story of the same name, this epic tale of love, invention, and hope spans decades, sweeping through great historical moments of 20th-century Japan. In what he has said is his last film, the winner of dozens of international awards, Miyazaki dazzles with his usual beautifully rendered flourishes, but this time exploring a grounded, evolved, and sophisticated nostalgia that is a fitting final celebration of art, science, and the impulse to create.  

    http://youtu.be/imtdgdGOB6Q

    BELLE BELLE

    BELLE 

    Often missing from the gorgeous settings, romances, and sophisticated language of English period dramas is the institution at the foundation of that refined life: slavery. Raised by her aristocratic great-uncle Lord Mansfield (Tom Wilkinson) and his wife (Emily Watson), Belle’s (Gugu Mbatha-Raw) lineage—the illegitimate, biracial daughter of a Royal Navy admiral in 18th-century Britain—affords her wealth and certain privileges, but the color of her skin keeps her on the outside looking in. Left to wonder if she will ever find love or acceptance, Belle falls for an idealistic young vicar’s son bent on change who, with her help, shapes Lord Mansfield’s role as Lord Chief Justice to end slavery in England— and end her question, “How may I be too high in rank to dine with the servants but too low to dine with my family?”  

    http://youtu.be/Wtdk6owFj2o

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  • BOYHOOD by Richard Linklater Added to Sundance Film Festival 2014 Program Lineup

    BOYHOOD by Richard Linklater

    BOYHOOD by Richard Linklater, has been added to the program lineup for the 2014 Sundance Film Festival, and will premiere on Sunday, January 19, 2014, at the Eccles Theatre. The 2014 Festival takes place January 16 to 26 in Park City, Salt Lake City, Ogden and Sundance, Utah. With the addition of Boyhood, the 2014 Festival will present 121 feature-length films.  

    BOYHOOD / U.S.A. (Director and screenwriter: Richard Linklater) — Filmed over short periods from 2002 to 2013, Boyhood is a groundbreaking cinematic experience covering 12 years in the life of a family. At the center is Mason, who with his sister Samantha, are taken on an emotional and transcendent journey through the years, from childhood to adulthood. Cast: Patricia Arquette, Ethan Hawke, Ellar Coltrane, Lorelei Linklater.

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  • 25 Films to Compete for Golden Bear for Best Short Film at 2014 Berlin International Film Festval

    La Casona (The Big House) by Juliette TouinLa Casona (The Big House) by Juliette Touin

    25 films from 21 countries will compete for the Golden Bear for Best Short Film and the Silver Bear Jury Prize at the upcoming Berlin International Film Festval.  The films on the lineup range in subjects from groups of men clenching pump guns against their chests AS LONG AS SHOTGUNS REMAIN (Tant qu’il nous reste des fusils à pompe), and naked women running with broad smiles through Macao’s pristine nature TAPROBANA, to parents from the Cuban countryside trying to comprehend their twelve-year-old son’s suicide  A PARADISE (Un Paraíso).

    Berlinale Shorts 2014:

    Afronauts, Frances Bodomo, USA, 13’ (IP)

    BIRDS, Ulu Braun, Germany, 15’ (WP)

    La Casona (The Big House), Juliette Touin, Cuba, 25’ (IP)

    darkroom, Billy Roisz, Austria, 13’ (WP)

    Do serca Twego (To Thy Heart), Ewa Borysewicz, Poland, 10’ (IP)

    Im Tekhayekh, Ha’Olam Yekhayekh Elekha (Smile, and the World Will Smile Back), Familie al-Haddad/Ehab Tarabieh/Yoav Gross, Israel / Palestinian Territories, 21’ (WP)

    Kamakura (Snow Hut), Yoriko Mizushiri, Japan, 5’ (WP)

    LABORAT, Guillaume Cailleau, Germany, 21’ (WP)

    Marc Jacobs, Sam de Jong, Netherlands, 17’ (WP)

    Om Amira, Najy Esmail, Egypt, 25’ (IP)

    Optical Sound, Elke Groen/Christian Neubacher, Austria, 11’ (WP)

    Person to Person, Dustin Guy Defa, USA, 18’ (IP)

    Raconte-moi des salades (Salad Days), Olias Barco, Belgium / France, 10’ (WP)

    As Rosas Brancas (The White Roses), Diogo Costa Amarante, Portugal / USA, 20’ (WP)

    Sky Lines, Nadine Poulain, Serbia, 10’ (IP)

    Solo te puedo mostrar el color (I Can Only Show You the Color), Fernando Vílchez Rodríguez, Peru, 26’ (WP)

    Symphony no. 42, Réka Bucsi, Hungary, 10’ (WP)

    Tant qu’il nous reste des fusils à pompe (As Long As Shotguns Remain), Caroline Poggi/Jonathan Vinel, France, 30’ (WP)

    Taprobana, Gabriel Abrantes, Portugal / Sri Lanka / Denmark, 24’ (WP)

    Three Stones for Jean Genet, Frieder Schlaich, Germany, 7’ (WP)

    Unogumbe (Noye’s Fludde), Mark Dornford-May, South Africa, 35’ (EP)

    Un Paraíso (A Paradise), Jayisha Patel, Cuba, 14’ (WP)

    Washingtonia, Konstantina Kotzamani, Greece, 24’ (WP)

    WONDER, Mirai Mizue, France / Japan, 8’ (WP)

    Xenos, Mahdi Fleifel, Denmark / United Kingdom, 13’ (WP)

    (WP = World premiere, IP = International premiere)

    Members of the International Short Film Jury (in alphabetical order):

    Edwin (Indonesia)
    The director Edwin was born in 1978 in Surabaya, Indonesia and studied graphic design at Universitas Kristen Petra in Surabaya. He then studied film at Institut Kesenian Jakarta. In 2009 he was a guest at the Berlinale with his short film Trip to The Wound. That same year, his feature film debut Blind Pig Who Wants to Fly received the Fipresci Award at the International Film Festival Rotterdam. Postcards from the Zoo is his second feature film for which he also wrote the screenplay. The film celebrated its world premiere at the 62nd Berlinale and was presented in Competition. Edwin is now working on his third feature.

    Nuno Rodrigues (Portugal)
    Curator and festival programmer Nuno Rodrigues is a co-founder and the artistic director of the Portuguese film festival Curtas Vila do Conde. In 1999, he founded Agência – Portuguese Short Film Agency, where he is now a member of the board of directors, and handles the promotion and distribution of Portuguese short films on international markets. Since 2005 he has been the director and coordinator of the Solar Gallery in Vila do Conde, where he has curated numerous exhibits. In recent years, he has also been active as a film producer, and in 2013 he became vice president of Short Circuit, a network for film and video art distribution in Europe.

    Christine Tohme (Lebanon)
    Christine Tohme is a curator and director of Ashkal Alwan–The Lebanese Association for Plastic Arts, established in 1994. Over the years, the non-profit organization has been committed to the production, facilitation and circulation of artistic practices across a range of disciplines and media. Its platforms include “Home Works”, a forum on cultural practices; “Home Workspace Program” (HWP), a free international arts programme at the post-graduate level; and Video Works, a video production grant. In 2006, she received the Prince Claus Award for her work in arts practices and the civic sphere.

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  • Big Sky Documentary Film Festival Unveils 2014 Lineup; Opens with PAYCHECK TO PAYCHECK: THE LIFE AND TIMES OF KATRINA GILBERT

    PAYCHECK TO PAYCHECK: THE LIFE AND TIMES OF KATRINA GILBERTPAYCHECK TO PAYCHECK: THE LIFE AND TIMES OF KATRINA GILBERT

    More than 130 non-fiction films are announced as the official selections for the 11th Annual Big Sky Documentary Film Festival, which takes place February 15-23 in Missoula, Montana. Continuing a tradition with HBO Documentary Films, the festival’s opening night will once again center on an early look at an upcoming film from the network’s documentary film division. PAYCHECK TO PAYCHECK: THE LIFE AND TIMES OF KATRINA GILBERT is described as a searing and heartfelt portrayal of a single mom who struggles under the poverty line despite working a full-time job. Paycheck is executive-produced by Maria Shriver, and is part of the Emmy-winning journalist’s series “The Shriver Report: A Woman’s Nation Pushes Back from the Brink.”

    The festival has embraced comedy as its theme for 2014, which will be anchored by a live set from renowned comic Tig Notaro.  Other strands of note include “Made in Montana”, which showcases films shot in or created by filmmakers living in Big Sky Country, and “The Wild 50,” a collection of films selected to celebrate the 50th anniversary of The Wilderness Act, the screenings of which will be free to the public.

    2014 FEATURE COMPETITION

    A Fragile Trust: Plagiarism, Power, and Jayson Blair at the New York Times
    A World Not Ours
    Alive Inside
    Bending Steel
    Death Metal Angola
    Rent a Family
    This Ain’t No Mouse Music
    Trucker and the Fox (Ranande va roobah)
    Whitey: United States of America V. James J. Bulge
    Who Took Johnny

    2014 BIG SKY AWARD COMPETITION

    Art is War
    Momenta
    Occupy the Farm
    Transmormon
    Uranium Drive-In
    Where God Likes To Be
    White Earth

    2014 SHORT COMPETITION

    Bhiwani Junction
    Blessed Fruit of the Womb
    Can’t Stop the Water
    Eddie Adams: Saigon ‘68
    Herd in Iceland
    Prison Terminal: The Last Days of Private Jack Hall
    The Record Breaker
    Stay Where You Are
    Vacant Seat
    What I Hate About Myself

    2014 MINI-DOC COMPETITION

    Adrift
    Eugene
    Finding Home
    Haenyeo: Woman of the Sea
    Jared Lyell
    Of Cows and Men
    Shaped on all Six Sides
    Shell Game
    The Pixel Painter
    Yapawarnti Palu Rijikarrijani (Children Playing)

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  • VIDEO: See Singer Lauryn Hill as Narrator in Trailer for CONCERNING VIOLENCE Set to Premiere at Sundance Film Festival

    Lauryn Hill
    Lauryn Hill, performing in New York’s Central Park
    CONCERNING VIOLENCE
    Concerning Violence

    Singer Lauryn Hill, is the narrator of a new documentary called CONCERNING VIOLENCE, “a bold, fresh, and compelling visual narrative about the African liberation struggles of the 1960s and 1970s,”  that is set to premiere at the upcoming Sundance Film Festival taking place Janaury 16 to 24, 2014.  Concerning Violence is directed by Göran Hugo Olsson, whose earlier film The Black Power Mixtape 1967–1975 played in the World Cinema Documentary Competition in the 2011 festival.

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  • Oscar Shortlisted THE BROKEN CIRCLE BREAKDOWN Wins Top Juried Award at 2014 Palm Springs International Film Festival

    THE BROKEN CIRCLE BREAKDOWNTHE BROKEN CIRCLE BREAKDOWN

    The 25th Annual Palm Springs International Film Festival (PSIFF) announced this year’s juried award winners of the Festival, held from January 3 to13, 2014.  From the 46 of the 76 official Foreign Language submissions to the Academy Awards screened at this year’s Festival, the Oscar shortlisted THE BROKEN CIRCLE BREAKDOWN (Belgium), directed by Felix van Groeningen was awarded the FIPRESCI Prize for Best Foreign Language Film of the Year.  FIPRESCI Prize for the Best Actor of the Year in a Foreign Language Film went to Mads Mikkelsen from THE HUNT (Denmark) directed by Thomas Vinterberg, which is on the Oscar shortlist, and Bérénice Bejo from THE PAST (Iran), directed by Asghar Farhadi, received the FIPRESCI Prize for Best Actress of the Year in a Foreign Language Film.  

    The New Voices/New Visions selected MEDEAS (USA) directed by Andrea Pallaoro.  The film is an archetypal tale of adultery, rendered with exquisite strokes in this slow burning rural psychodrama, the first feature from an Italian-born filmmaker working in the US.  The New Voices/New Visions competition included 12 new international talents making their feature film debut at the Festival, with the additional criteria that the films selected are currently without U.S. distribution. The jury presented a special mention to LEFT FOOT RIGHT FOOT (Switzerland), directed by Germinal Roaux.  

    The Cine Latino Award, was presented to two films HELI (Mexico), directed by Amat Escalante and LIVING IS EASY WITH EYES CLOSED (Spain) directed by David Trueba. Special Mention went to GLORIA (Chile). 

    FINDING VIVIAN MAIER (USA), directed by John Maloof and Charlie Siskel, received The John Schlesinger Award, which is presented to a first-time documentary filmmaker.  The film is a compelling, eye-opening introduction to an anonymous and mysterious woman who recently found posthumous fame as a giant of 20th century photography. 

    WALESA. MAN OF HOPE (Poland), directed by Andrzej Wajda, received the HP Bridging the Borders Award presented by Cinema Without Borders and Hewlett Packard, which honors the film that is most successful in exemplifying art that promotes bringing the people of our world closer together.  The Cinema Without Borders Special Jury Award went to PLOT FOR PEACE (South Africa) directed by Carlos Agulló and Mandy Jacobson.  

    The complete list of award winners are:

    Mercedes-Benz Audience Award for Best Narrative Feature
    TBA

    Audience Award for Best Documentary Feature 
    TBA

    FIPRESCI Prize for Best Foreign Language Film of the Year
    THE BROKEN CIRCLE BREAKDOWN (Belgium), directed by Felix van Groeningen

    FIPRESCI Prize for the Best Actor of the Year in a Foreign Language Film 
    Mads Mikkelsen from THE HUNT (Denmark), directed by Thomas Vinterberg

    FIPRESCI Prize for Best Actress of the Year in a Foreign Language Film 
    Bérénice Bejo from THE PAST (Iran), directed by Asghar Farhadi

    New Voices/New Visions Award
    MEDEAS (USA), directed by Andrea Pallaoro – Winner
    LEFT FOOT RIGHT FOOT (Switzerland), directed by Germinal Roaux – Special Mention

    Cine Latino Award
    HELI (Mexico), directed by Amat Escalante and LIVING IS EASY WITH EYES CLOSED (Spain), directed by David Trueba – Winner
    GLORIA (Chile), directed by Sebastian Lelio – Special Mention

    The John Schlesinger Award
    FINDING VIVIAN MAIER (USA), directed by John Maloof and Charlie Siskel – Winner

    HP Bridging the Borders Award
    WALESA. MAN OF HOPE (Poland), directed byAndrzej Wajda – Winner
    PLOT FOR PEACE (South Africa), directed by Carlos Agulló and Mandy Jacobson – Special Jury Award

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  • SF IndieFest Announces Sweet 16 Lineup; Opens With Ari Foleman’s THE CONGRESS, Closes with Cannes Film Festival Award-Winning Film BLUE RUIN

    Ari Foleman’s THE CONGRESSAri Foleman’s THE CONGRESS

    The San Francisco Independent Film Festival (SF IndieFest) returns for its Sweet 16th year from February 6 to 20, 2014 at the Roxie and Brava Theaters in San Francisco and at Oakland’s New Parkway Theater. The festival launches its 2 weeks of film programs on Thursday, February 6th at the Brava Theater in San Francisco with director Ari Foleman’s THE CONGRESS, based on Stanislaw Lem’s classic sci-fi novel. This futuristic blend of animation and live action stars Robin Wright, Harvey Keitel, Jon Hamm and Paul Giamatti. 

    Matt Wolf’s TEENAGEMatt Wolf’s TEENAGE

    Matt Wolf’s latest film TEENAGE will screen as the festival’s Centerpiece film on Sunday, February 9th at the Roxie Theater. Based on the book by Jon Savage and narrated by actors Jena Malone, Ben Whishaw, Julia Hummer and Jessie Usher, TEENAGE looks at the birth of the iconic figure of the teenager using archival material, Super 8 recreations and diaries of actual mid-century teenagers, resulting in an unconventional pop historical film.

    BLUE RUINBLUE RUIN

    After two weeks and 78 films, SF IndieFest will close the Sweet 16 edition with a screening of the Cannes Film Festival award-winning film BLUE RUIN on Sunday, February 16th at the Roxie Theater. Director Jeremy Saulnier (SF IndieFest Alum, MURDER PARTY) is expected to be on hand for his dark comedy about revenge.

    Focus on Animated Films

    In addition to the Opening Night Film THE CONGRESS, SF IndieFest features some of the best independent animation films from around the globe. Canadian co-directors Shayne Ehman and Seth Scriver will be in attendance for a screening of their Toronto International Film Festival award winning, psychedelic animated road movie ASPHALT WATCHES; Bill Plympton’s new feature CHEATIN‘ offers a unique look at romance and jealousy; and AN ANIMATED WORLD, a shorts program of animated films featuring a wide range of styles and innovated new ideas, rounds out the diverse animated programming.

    Local Flavor

    Taping into the vast array of Bay Area filmmakers, SF IndieFest presents two local films.REMEMBER YOU’RE SPECIAL follows an aspiring rapper in Oakland and his best friend; a PhD student as they face adulthood with student debt, complicated relationships, and adjusted ambitions. Featuring a cast and crew of all local, first time filmmakers, REMEMBER YOU’RE SPECIAL make its World Premiere at the festival. Additionally, the latest short film from San Francisco based filmmaker Vincent Gargiulo, DELUTH IS HORRIBLE, a series of vignettes chronicling a few lonely people in Duluth, Minnesota, searching for a connection in a bleak winter,will also be making its World Premier.

    World Class Independent Cinema

    Year after year, SF IndieFest premiers some of the best independent foreign cinema from around the globe and the 2014 edition is no exception. This years selection features: the lively Chinese romantic comedy set in China during the 60’s and 70’s, THE LOVE SONGS FROM TIEDAN; Chad’s Foreign Language Oscar Entry GRIGRIS, an uplifting story of young man with dreams of becoming a dancer; and the Mexican film REZETA, about a carefree, young woman who’s lifestyle changes when she meets a young man cleaning her trailer during a commercial shoot.

    sf indiefest 2014

    Additional Highlights

    Other can’t miss films in this year’s SF IndieFest include: DOOMSDAYS, a self-proclaimed “pre-apocalyptic comedy,” with director Eddie Mullens expected to be in attendance; Joe Begos debut feature ALMOST HUMAN, about a man who returns to wreak havoc upon a small town; the West Coast Premiere of HANK: 5 YEARS FROM THE BRINK, the latest from Academy Award winning director Joe Berlinger, a riveting portrait of former Treasury Secretary Hank Paulson; Kestrin Pantera’s LETS RUIN IT WITH BABIES, a exploration of relationships when they reach ‘That Point’; two adolescent brothers confront changing relationships, nature and their own mortality in Daniel Patrick Carbone’s HIDE YOUR SMILING FACES; and THE WAIT, from writer/director M. Blash, starring Jena Malone and Chloë Sevigny as two sisters who contemplate their mother’s resurrection following a mysterious phone call.

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  • Jon Favreau’s New Indie Film CHEF to Kick Off 2014 SXSW + First 6 Films Announced

    VERONICA MARS starring Kristen Bell.VERONICA MARS starring Kristen Bell.

    The world premiere of CHEF, Jon Favreau’s new indie film, has been selected to open the South by Southwest Film Festival – SXSW Film 2014 set to take place March 7 to 15, 2014 in Austin, Texas. Favreau wrote, directed and stars in the comedy that also features Sofia Vergara, Scarlett Johansson, John Leguizamo,Bobby Cannavale, Dustin Hoffman and Robert Downey Jr. Favreau plays Carl, a chef who loses his job and decides to launch a food truck business, while attempting to reunite his estranged family.  Six additional films have been selected to premiere at the festival including VERONICA MARS starring Kristen Bell.

    The six additional premieres include:

    BREAK POINT (World Premiere / SXsports screening)
    Director: Jay Karas, Screenwriters: Gene Hong & Jeremy Sisto
    Two estranged brothers reunite to make an improbable run at a grand slam tennis tournament. The mismatched pair, with some unlikely help from a precocious 11-year-old boy, re-discover their game and their brotherhood.
    Cast: Jeremy Sisto, David Walton, Joshua Rush, J.K. Simmons, Amy Smart

    CREEP (World Premiere)
    Director: Patrick Brice, Screenwriter: Patrick Brice & Mark Duplass
    When a videographer answers a Craigslist ad for a one-day job in the outer-exurbs, he finds his client is not at all what he initially seems.
    Cast: Mark Duplass, Patrick Brice

    COSMOS: A SPACETIME ODYSSEY
    Director: Brannon Braga
    As with the legendary original series, FOX’s new COSMOS is the saga of how we discovered the laws of nature and found our coordinates in space and time. The series is hosted by renowned astrophysicist Dr. Neil deGrasse Tyson and brings to life never-before-told stories of the heroic quest for knowledge, transporting viewers to new worlds and across the universe for a vision of the cosmos on the grandest — and the smallest — scale. Executive Produced by Ann Druyan, Seth MacFarlane, Brannon Braga and Mitchell Cannold.

    DOC OF THE DEAD (World Premiere)
    Director: Alexandre O. Philippe
    The definitive zombie culture documentary, from the makers of The People vs. George Lucas. Doc of the Dead traces the rise and evolution of the zombie genre, its influence on pop culture, and investigates the possibility of an actual zombie outbreak.

    LEAVE THE WORLD BEHIND (World Premiere)
    Director: Christian Larson
    A documentary following the final tour of the hugely successful band Swedish House Mafia. The film depicts the EDM scene at its peak as well as telling a story of friendship and success. (United Kingdom)

    VERONICA MARS (World Premiere)
    Director: Rob Thomas, Screenwriters: Rob Thomas & Diane Ruggiero
    Years after walking away from her past as a teenage private eye, Veronica Mars gets pulled back to her hometown, an ex-boyfriend with baggage, and an unraveling murder mystery.
    Cast: Kristen Bell, Jason Dohring, Krysten Ritter, Francis Capra, Percy Daggs III, Ryan Hansen, Gaby Hoffman, Chris Lowell, Tina Majorino, Jerry O’Connell

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  • Singer Tracy Chapman, Critic Leonard Maltin Among Jury Members Announced for 2014 Sundance Film Festival

    Singer Tracy Chapman, Critic Leonard Maltin Among Jury Members Announced for 2014 Sundance Film Festival

    Sundance Film Festival announced the members of the six juries awarding prizes at the upcoming festival set for January 16 to 26, 2014, in Park City, Salt Lake City, Ogden and Sundance, Utah. Short Film Awards will be announced at a ceremony on January 21 at Park City’s Jupiter Bowl. Feature film awards will be announced at a separate ceremony on January 25 in Park City.

    U.S. DOCUMENTARY JURY

    Tracy Chapman
    Tracy Chapman is a Grammy Award–winning singer/songwriter and international recording artist. She has made eight studio albums since her multiplatinum debut in 1988, includingTracy Chapman, Crossroads, Matters of the Heart, New Beginning, Telling Stories, Let it Rain, Where You Live, and Our Bright Future. In 2008, Chapman made her theatre debut composing the music for a new production of Athol Fugard’s classic 1961 play Blood Knot, which opened at San Francisco’s American Conservatory Theatre. She has toured extensively in the last 25 years in the United States and abroad and has appeared frequently to support social and humanitarian causes, including for the Amnesty International Human Rights Now! tour, the Nelson Mandela 70th Birthday Tribute, and concerts for Tibetan Freedom, Farm Aid, the Special Olympics, and amfAR.

    Charlotte Cook
    Charlotte Cooke is the director of programming at Hot Docs, North America’s largest documentary festival. She was previously head of film programming and training at the Frontline Club in London, an organization dedicated to championing independent journalism and freedom of expression. Cook has worked with the BBC’s Storyville, the Channel 4 BritDoc Foundation’s Puma Catalyst Awards, and the Edinburgh International Film Festival, where she curated the Conflict|Reportage program. She has also written extensively for a number of different publications and was the main photographic researcher for the launch of London’sThe Times online archive project. In addition to her programming activities, Cook advises organizations on media literacy, specializes in investigative journalism on international conflict, and has an academic background in the role technology plays for the media.

    Kahane Cooperman
    Kahane Cooperman is the producer of The Daily Show with Jon Stewart. She has been with the show since its inception in 1996, moving from field producer to senior producer, supervising producer and then coexecutive producer from 2005 to 2013. For her work, she has received ten Primetime Emmy Awards and two Peabodys. Cooperman began her career in documentaries at Maysles Films in New York City. She has produced and directed several documentaries, including the short Cool Water, which premiered at the 1991 Sundance Film Festival, andMaking Dazed about Richard Linklater’s Dazed and Confused, which was acquired by the Criterion Collection. Kahane also produced the feature doc Heidi Fleiss: Hollywood Madam,directed by Nick Broomfield. Currently, Cooperman is producing two independent docs, Going Pro and Judee Sill and is on the advisory board of the Montclair Film Festival. She holds an MFA in film from Columbia University.

    Morgan Neville
    Morgan Neville is an award-winning filmmaker who has spent 20 years working as a cultural documentarian. Neville has been nominated for three Grammys for his music films: Respect Yourself: The Stax Records Story, Muddy Waters Can’t Be Satisfied, and Johnny Cash’s America.His other films include Hank Williams: Honky Tonk Blues, The Cool School, and Troubadours,which screened at the 2011 Sundance Film Festival. Through his company, Tremolo Productions, Neville has also produced films such as The Rolling Stones’ Crossfire Hurricane,Pearl Jam Twenty, The Night James Brown Saved Boston, and Beauty Is Embarrassing. His most recent film is 20 Feet from Stardom, which premiered on Day One of the 2013 Sundance Film Festival and went on to become the top-grossing documentary of the year.

    Jonathan Oppenheim 
    Jonathan Oppenheim is a documentary film editor whose credits include the now-classic Paris Is Burning, cowinner of the 1991 Sundance Documentary Grand Jury Prize, an IDA Award, and awards from the New York and Los Angeles film critics. Other credits include Sister Helen,which won the Documentary Directing Award at the 2002 Sundance Film Festival; Arguing the World, which earned a Peabody Award; and Children Underground, which was nominated for an Academy Award. Oppenheim edited and coproduced The Oath, the second film in Laura Poitras’s post-9/11 trilogy, a winner of multiple awards, including a Gotham. Most recently, he was editor/coproducer of Andre Gregory: Before and After Dinner, and coeditor of William and the Windmill, winner of the 2013 Grand Jury Prize at SXSW. He has participated as both advisor and fellow at the Sundance Institute Documentary Edit and Story Lab.

    U.S. DRAMATIC JURY

    Leonard Maltin
    Leonard Maltin is best known for his annual Leonard Maltin’s Movie Guide and his 30-year run on television’s Entertainment Tonight. He teaches at USC’s School of Cinematic Arts and appears on Reelz Channel. Maltin’s books include The 151 Best Movies You’ve Never Seen, Of Mice and Magic: A History of American Animated Cartoons, The Disney Films, and The Art of the Cinematographer. He has served as president of the Los Angeles Film Critics Association, votes on selections for the National Film Registry, and sits on the Board of Directors of the National Film Preservation Foundation. He also hosted and coproduced the popular Walt Disney Treasures DVD series. Maltin has received awards from the American Society of Cinematographers, the Telluride Film Festival, the Anthology Film Archives, and San Diego’s Comic-Con International. He holds court at leonardmaltin.com and on his self-named YouTube channel.

    Peter Saraf
    Peter Saraf’s producing credits include The Kings of Summer, Safety Not Guaranteed, Our Idiot Brother, Jack Goes Boating, Sunshine Cleaning, Away We Go, Is Anybody There?, Little Miss Sunshine, Everything Is Illuminated, The Truth About Charlie, Adaptation, Ulee’s Gold, and the feature documentaries Mandela and The Agronomist. He recently completed work on Gods Behaving Badly and is in postproduction on Me Him Her. Saraf has been nominated for Academy Awards and Golden Globe Awards and has won multiple other honors, including Independent Spirit, Gotham, and Producers Guild of America awards. He is the cofounder of Big Beach, a New York–based independent film-production and financing company. Saraf is also the current chair of the Producers Guild of America East.

    Lone Scherfig
    Lone Scherfig began her career directing award-winning commercials and television dramas in her native Denmark. Her first feature as director, The Birthday Trip, premiered at the 1991 Berlin International Film Festival, and her second feature, On Our Own, won the Grand Prize at the Montreal World Film Festival. Scherfig wrote and directed Denmark’s fifth Dogme film, Italian for Beginners, which won the Silver Bear, the FIPRESCI Prize, and the Prize of the Ecumenical Jury at the 2001 Berlin International Film Festival. Her first English-language film, Wilbur Wants to Kill Himself, which she cowrote with Anders Thomas Jensen, received four British Independent Film Award nominations. Scherfig directed An Education, which won the World Cinema Audience Award at the 2009 Sundance Film Festival and received Academy Award nominations for best picture, best adapted screenplay, and best actress. She is currently in postproduction on Posh.

    Bryan Singer
    Bryan Singer is an American filmmaker, writer, and producer who has been a tour de force for nearly 20 years. Singer’s first feature film, Public Access, was cowinner of the Dramatic Grand Jury Prize at the 1993 Sundance Film Festival. Since then he’s assembled an award-winning and critically acclaimed resume with the 1995 crime-thriller classic, The Usual Suspects, which won Academy Awards for best original screenplay and best supporting actor, as well as the seminal comic-book films X-Men (2000) and X2 (2003). Singer executive-produced the Emmy Award-winning series House, as well as producing the 2011 hit X-Men: First Class. Currently, he is back at the helm of the franchise that he helped create, both directing and producing X-Men: Days of Future Past. Coming back to the Sundance Film Festival marks a return to his filmmaking roots at the festival that gave him his first major break.

    Dana Stevens
    Dana Stevens is the film critic at Slate.com. She is also cohost of the Slate Culture Gabfest podcast and the host of another podcast, the Slate Spoiler Special. Stevens is one of 12 contributors to the weekly “Bookends” column on the back page of the New York Times Book Review. A native of San Antonio, Texas, Stevens studied comparative literature at the University of California at Berkeley and got started writing about film in 2002 with a personal movie blog, “The High Sign.” She now feels very lucky to live in Brooklyn with a man, a child, and a dog, and to get to write and talk about movies, books, and culture for a living.

    WORLD CINEMA DOCUMENTARY JURY

    Andrea Nix Fine
    Andrea Nix Fine is an Academy Award- and Emmy Award-winning filmmaker who specializes in creating visually powerful and authentic portraits of characters who tell their own story. Crafted with her husband and directing partner, Sean, the Fines’ films have been hailed by critics as “unflinching,” “spirit raising,” and “visually ravishing.” Their short film Inocente won the 2013 Academy Award for best documentary short. The Fines’ feature documentary, Life According to Sam, debuted at the 2013 Sundance Film Festival and aired on HBO. The film won awards at the Heartland, Nantucket, AFI, and Mountainfilm film festivals. The Fines’ filmWar/Dance won the documentary Directing Award at the 2007 Sundance Film Festival as well as Emmy Awards for best documentary and best cinematography and was nominated for an Academy Award. Colby College recently honored Nix with a doctorate of fine arts. The Fines have two sons and live in Washington, DC.

    Sally Riley
    A Wiradjuri woman, Sally Riley has been at the forefront of Indigenous filmmaking in Australia for more than 13 years. Currently the head of the Indigenous Department at ABC1 television, Riley’s mandate is to bring distinctive Indigenous content to a primetime audience for that national network. She was responsible for the award-winning TV drama series, Redfern Now. As manager of Screen Australia’s Indigenous Department, Riley initiated the production of a significant body of short films, documentaries, and feature films and fostered a new generation of Indigenous filmmakers, including Warwick Thornton (Samson and Delilah), and Wayne Blair (The Sapphires). A filmmaker herself, Riley’s film, Confessions of a Headhunter, won the AFI Award for best short film in 2000. In 2011, she was awarded the Cecil Holmes Award from the Australian Directors Guild.

    Caspar Sonnen
    Caspar Sonnen thinks big screens are the best but theorizes that Dziga Vertov would have loved the Internet. At the International Documentary Film Festival Amsterdam (IDFA), he created the online documentary channel IDFA.tv and founded the festival’s new media program, IDFA DocLab, which has become one of the world’s leading platforms for interactive documentary storytelling. Sonnen regularly travels with the program to film festivals like Cannes, Berlin, SXSW, and Tribeca. He has commissioned installations and organized events with the National Film Board of Canada and worked with artists like Ira Glass, Brent Hoff, and Jonathan Harris. Before joining IDFA, Sonnen worked in theatrical exhibition, distribution, and journalism. In 2003, he cofounded the Open Air Film Festival Amsterdam, one of Europe’s biggest outdoor events devoted to international art-house cinema. Sonnen is an advisor for SXSW Film, MIT’s Open Documentary Lab, and IFP’s New Media Center.

    WORLD CINEMA DRAMATIC JURY

    Carlo Chatrian
    Journalist, author, and programmer Carlo Chatrian graduated in literature and philosophy from Turin University with additional emphases in journalism and communications. From the early 1990s, he worked regularly as a film critic for the magazines Filmcritica, Duellanti, andCineforum and is director of the magazine Panoramiques. Chatrian has published numerous essays and monographs on filmmakers ranging from Errol Morris to Wong Kar-Wai, Frederick Wiseman to Nicolas Philibert. As a programmer, he has worked with festivals and institutions such as Cinéma du Réel in Paris, the Museo Nazionale del Cinema in Turin, and the Courmayeur Noir Film Festival in Italy. Chatrian was deputy director of the Alba International Film Festival from 2001 to 2007 and started working with the Locarno International Film Festival in 2002, where he was named artistic director in 2012. At Locarno, he has curated retrospectives on Nanni Moretti, Manga Impact, Ernst Lubitsch, Vincente Minnelli, and Otto Preminger. In 2011, he became director of the Film Commission Vallée d’Aoste Foundation.

    Sebastián Lelio
    Sebastián Lelio is a Chilean director. In 2006, his first film, La sagrada familia, premiered at the San Sebastián Film Festival. The film received 28 awards and earned him international recognition. Lelio’s second film, Navidad, debuted in 2009 at the Cannes Film Festival’s Directors’ Fortnight. El año del tigre, his third feature, screened at the Locarno International Film Festival in 2011. Lelio’s fourth film, Gloria, premiered at the Berlin International Film Festival in 2013, where it was a critical and popular success. It won the Prize of the Ecumenical Jury and earned a Silver Bear for best actress for Paulina García. The National Board of Review namedGloria one of 2013’s top five foreign language films, and it is nominated for an Independent Spirit Award as one of the best foreign language films. Lelio is currently working on his fifth feature film.

    Nansun Shi
    Esteemed and prolific producer Nansun Shi has produced such blockbuster hits as Infernal Affairs (2002), Detective Dee: Mystery of the Phantom Flame (2010), Late Autumn (2010), Flying Swords of Dragon Gate in 3-D (2011), and Young Detective Dee: Rise of the Sea Dragon (2013).Variety named Shi one of the 50 most influential independent filmmakers around the world, and CineAsia acclaimed her producer of the year in 2005. She was pivotal in the success of Cinema City and Film Workshop Co. Ltd., which she founded with internationally acclaimed producer/director Tsui Hark. Committed to the progress of Hong Kong cinema, Shi is a member of the Hong Kong Film Development Council. She has been a juror at both the Cannes Film Festival and the Berlin International Film Festival.

    SHORT FILM JURY

    Vernon Chatman
    Vernon Chatman is a four-time Emmy Award-winning producer, writer, director, and voice actor. He cocreated the cult series Wonder Showzen, as well as Adult Swim’s Xavier: Renegade Angeland The Heart, She Holler. Chatman is currently a writer/producer on Louie on the FX network and has worked on South Park since its fourth season. Chatman has written for The Chris Rock Show, Late Night with Conan O’Brien, and Adult Swim’s Delocated. He made the experimental filmFinal Flesh, which both Sight & Sound and Film Comment called “one of the best films of 2010.” Chatman cowrote the 2011 animated short The External World, which won more than 20 international awards. He is the author of the 2013 book Mindsploitation and producer of the 2013 Andy Kaufman comedy album Andy and His Grandmother.

    Joshua Leonard
    Filmmaker/actor Joshua Leonard first came to the Sundance Film Festival in 1999 with the cult-classic sensation The Blair Witch Project. His directorial debut, the short film The Youth in Us, premiered at the Festival in 2005. His narrative feature debut, The Lie, screened at the 2011 Sundance Film Festival. Leonard’s recent acting work includes Humpday, which won a Special Jury Prize at the 2009 Sundance Film Festival; HBO’s series True Detective; Vera Farmiga’sHigher Ground, which screened at the Festival in 2011; and MGM’s upcoming If I Stay, directed by acclaimed Festival veteran R.J. Cutler. Leonard has also directed music videos for popular acts such as Fitz and the Tantrums, Black Rebel Motorcycle Club, and Morcheeba, as well as teaching directing and acting at the New York Film Academy, University of California Irvine, and Academia Internacional de Cinema in São Paulo, Brazil.

    Ania Trzebiatowska
    Ania Trzebiatowska is the artistic director of the Off Plus Camera International Festival of Independent Cinema, based in Krakow, Poland. This annual celebration of independent film is one of the leading events of this kind in Europe. She has been with the festival for the last five years, and under her direction, it has grown significantly in stature with its competition for first- and second-time filmmakers offering financial support for new talent. Trzebiatowska hosts numerous guest events and designs parallel sidebars as well as the festival’s touring program. With her background in film studies and digital culture, she has worked in both the BBC’s documentary programs and the broadcast department of the British Museum as well as in the United Kingdom, around Europe, and in the United States. In 2012, she produced The Unspeakable Act, directed by Dan Sallitt, which played at festivals in Sarasota, Rotterdam, and Vienna.

    ALFRED P. SLOAN FEATURE FILM PRIZE JURY (SCIENCE IN FILM)

    Dr. Kevin Hand
    Dr. Kevin Hand is deputy chief scientist for Solar System Exploration at NASA. His research focuses on the origin, evolution, and distribution of life in the solar system. His fieldwork involves exploring some of Earth’s most extreme environments from the McMurdo Dry Valleys of Antarctica, to the depths of the Earth’s oceans, to the glaciers of Kilimanjaro.

    Flora Lichtman
    Flora Lichtman is a science journalist living in New York. She has worked as a video journalist for the New York Times and National Public Radio’s Science Friday and writes regularly forPopular Science magazine. She is the coauthor of Annoying: The Science of What Bugs Us.

    Max Mayer
    Max Mayer is a founder and producing director of New York Stage and Film and has directed over 50 new plays by writers such as John Patrick Shanley, Lee Blessing, and Eric Overmyer. In addition to writing and directing Better Living and Adam, which premiered at the 2009 Sundance Film Festival and won the Sloan Prize, Mayer has directed As Cool as I Am and episodes of The West Wing, Alias, and Family Law and written three produced plays.

    Jon Spaihts
    Jon Spaihts is the screenwriter of The Darkest Hour, Ridley Scott’s Prometheus, and the upcoming Passengers and The Mummy. The one-time physics student and science writer continues to specialize in science fiction.

    Jill Tarter
    Astronomer Jill Tarter, the Bernard M. Oliver Chair for the SETI Institute, has devoted her career to hunting for signs of sentient beings elsewhere. The lead for Project Phoenix, a decade-long SETI scrutiny of about 750 nearby star systems, she now leads SETI’s efforts to build and operate the Allen Telescope Array. A 2009 TED prize recipient, she is also the real-life researcher upon whom the Jodie Foster character in Contact is largely based.

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  • VIDEO: Watch Trailer for Japanese Sex Comedy R100 Set for 2014 Sundance Film Festival

    R100 directed by Hitoshi Matsumoto

    Check out the trailer for the Japanese comedy R100 directed by Hitoshi Matsumoto and set for the upcoming 2014 Sundance Film Festival. In R100, which premiered last year at the Toronto International Film Festival, Nao Ohmori (star of Takashi Miike’s Ichi the Killer) plays Takafumi Katayama, a mild-mannered father who escapes the pressures of daily life by joining a mysterious S&M club, where the so-called Queens visit clients in real-life settings. While at first the rough treatment and humiliation he receives from leather-clad women in cafés and restaurants is enjoyable, Takafumi soon realizes that he’s opened a door that cannot be closed.

    Unable to end his relationship with the club, he finds himself pursued by a gang of ruthless dominatrices, each with a very unique talent. Takafumi must either find a way to turn the tables, or walk even further down this dark yet sexy path.

    The Sundance Film Festival program describes the film as “Employing an exuberant swirl of gonzo set pieces, imaginative plot twists, and absurd meta experiences executed with complete control, director Hitoshi Matsumoto unleashes a wildly over-the-top, intense sex comedy upon an unsuspecting international audience. Even the title, referencing Japanese rating systems, suggests that no mind younger than 100 years old can grasp the fantasia within the film. Be warned.”

    http://youtu.be/jLMWi2udXGY

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  • LAMBERT & STAMP Documentary Added to 2014 Sundance Film Festival and Sundance London

    documentary LAMBERT & STAMP directed by James D. Cooper

    The documentary LAMBERT & STAMP directed by James D. Cooper has been added to the lineup for the 2014 Sundance Film Festival taking place January 16 to 26 in Park City, Salt Lake City, Ogden and Sundance, Utah, U.S.A., and the third Sundance London film and music festival taking place April 25 to 27 at The O2 in London. The screening in Utah in the Festival’s Documentary Premieres section will be the film’s world premiere, and the screening at Sundance London will be its UK premiere. LAMBERT & STAMP is the first film to be announced as part of the 2014 Sundance London program, and the full program for that festival will be announced in March.

    LAMBERT & STAMP / U.S.A. (Director: James D. Cooper) — In this crazy, chaotic gospel of chance, aspiring filmmakers Chris Stamp and Kit Lambert set out to search for a subject for their underground movie, leading them to discover, mentor, and manage the iconic band known as The Who and create rock ‘n’ roll history.

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