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  • Russian Film “ATOMIC IVAN” and U.S. Film “NUCLEAR SAVAGE” Win Top Film Awards at Brazil’s Rio de Janeiro’s Uranium Film Festival 2013

    After screening 52 documentaries and fiction movies from 19 countries, May 16 to May 26,  the 3rd International Uranium Film Festival of Rio Janeiro 2013 in the cinema of the Modern Art Museum (MAM) came to a close. Six films from six countries – Russia, India, USA, Estonia, Jordan and Germany – were honored with the Uranium Film Festival’s trophy, the Yellow Oscar. ATOMIC IVAN by Vasily Barkhatov from Russia won the Yellow Oscar 2013 for Best Feature Fiction Movie, and “NUCLEAR SAVAGE: THE ISLANDS OF SECRET PROJECT 4.1” by US-Filmmaker Adam Jonas won the Yellow Oscar 2013 for Best Feature Documentary.

    The International Uranium Film festival was founded in 2011 in Santa Teresa, the famous artist quarter in the heart of Rio de Janeiro. The aim of the festival is to inform the public, from a neutral position, about nuclear power, uranium mining, nuclear weapons and the health effects of radioactivity. 

    The six award recipients are:

    Best Feature Fiction Movie:

    ATOMIC IVAN – Russia, 2012, 91 min, Director Vasily Barkhatov, Executive producer, Viktoria Gromik, TELESTO FILM

    Best Feature Documentary:

    NUCLEAR SAVAGE: The Islands of Secret Project – USA, 2012, 87 min, Adam Jonas Horowitz

    Best Short Comedy:

    CURIOSITY KILLS – Estonia, 2012, 14 min, Sander Maran

    Best Short Documentary

    : HIGH POWER – India, 2013, 27 min, Pradeep Indulkar

    Best Animated Film: ABITA – Germany, 2012, 4 min, Shoko Hara, Paul Brenner

    Best Student Film:

    NO TO A NUCLEAR JORDAN – Jordan, 2012, 7 min, Solenne Tadros

    Special achievement awards went to “Children of Uranium” (Romania), “Friedlich in die Katastrophe” (Germany), “Nuclear Waste” (Ukraine), “Unter Kontrolle” (Germany), “Der Bauch von Tokio” (Germany), “Hibakusha” (USA), “Hiroshima Nagaski Download” (Mexico/Japan).

    Yellow Oscar to Atomic Ivan

    “Atomic Ivan” is the

    Best Feature Fiction Movie of the Third International Uranium Film Festival 2013. The 2012 produced film Atomic Ivan by VASILY BARKHATOV from Russia won the Yellow Oscar 2013 in Rio de Janeiro. The romantic comedy “Atomic Ivan” is a debut film of famous theatre director Vasiliy Barkhatov from Moscow based on the script of world-known playwright Maxim Kurochkin. The Shooting of the film took place at the Kalinin Nuclear Power Plant, about 200 km North West of Moscow, and at the Leningrad Power Plant 70 km close to St Petersburg. It was the first time that Russian’s nuclear agencies opened their doors to filmmakers. “Atomic Ivan is a combination of Visual Art, Comedy, Love Story and pure Nuclear Science”, says Festival Director Norbert G. Suchanek. “Atomic love at a Russian power plant. Atomic Ivan is a beautiful, intelligent, romantic comedy, in the surrealistic stile that remembers me on Federico Fellini.”

    Suchanek: “The basic Story of Atomic Ivan is simple. The director of a nuclear power plant invites an Artist to develop a play together with the nuclear workers at the nuclear power plant. Imagine: A Fellini opera in a real nuclear power plant. Beside of all that the films transports important worth full scientific information about nuclear power and radioactivity. So there was no way! This film had to win a Yellow Oscar of the Uranium Film Film Festival 2013.” The Executive producer of Atomic Ivan, Miss Viktoria Gromik from TELESTO FILM was present at the Award Ceremony in the Cinemateca of the Modern Art Museum (MAM) Rio de Janeiro. She said: “It is very important for us to receive this Award from the Uranium Film Festival Rio de Janeiro.”

    Yellow Oscar to Nuclear Savage

    The November 2011 released documentary “NUCLEAR SAVAGE: The Islands of Secret Project 4.1” by US-Filmmaker Adam Jonas Horowitz is a brilliant accusation against a terrible crime. Atmospheric testing of atomic bombs and using local populations as guinea pigs are crimes against humanity. Nuclear Savage is a must-see documentary for everybody, no matter if your are in favour of nuclear power or against. Adam Jonas Horowitz shot his first film in the Marshall Islands in 1986, and was shocked by what he found there, in this former American military colony in middle of the Pacific Ocean. Radioactive coconuts, leaking nuclear waste repositories and densely populated slums were all the direct result of 67 Cold War U.S. nuclear bomb tests that vaporized islands and devastated entire populations.

    Yellow Oscar to High Power

    The 2013 finalized documentary “High Power” is an important, well made film that can give worthwhile impulsesto current “nuclear question” in India. For that it received the Yellow Oscar in the category best short documentary of the 3rd International Uranium Film Festival of Rio de Janeiro 2013. Pradeep Indulkar, director of “High Power”, is an Indian engineer, who has been working during 12 years for India’s nuclear program. High Power tells the disturbing story of the local population of Tarapur in the state of Maharashtra, where India’s first nuclear power plant was constructed in the 1960s. Local fishermen families lost there land, their fishing grounds and health. Pradeep Indulkar´s short documentary about the Tarapur Atomic Power Station had to be made. “It is an important, the nuclear discussion stimulating documentary, that comes at the right time, when thousands of people in South-India struggle against a new nuclear power plant at Kudankulam is the state of Tamil Nadu”, says Festival director Norbert G. Suchanek. “High Power is Pradeep Indulkar´s first documentary, and we hope to see more documentaries by him in future.”

    “Apart from all the sorrows and distress my film brought to you, this is a golden moment of my life as a film maker”, said Pradeep Indulkar during the Award Ceremony in the Museum of Modern Art cinema. “At this moment I remember and thank all my friends and well-wisher who helped in making of High Power. I also thank to all those Indian people who contributed even a smallest amount to make our trip happened. I thank you all who supported this film with as a great audience. I thank Rio, I thank Brazil and I accept this award on behalf of all the nuclear affected people of Tarapur and I dedicate this award to all those farmers and fishermen who lost their land, home and life for nuclear power plant. “

    Yellow Oscar to Curiosity Kills

    Sander Maran is a promising filmmaker from Estonia. His 2012 produced short comedy ”Curiosity Kills” already received the Audience Award of Helsinki’s H2T Festival. Now it won the Yellow Oscar of the third International Uranium Film Festival of Rio de Janeiro in the category “Best short comedy”. Synopsis: “A 10 year old boy is fascinated by his father’s spooky looking chemistry suitcase and decides to play with its contents. One thing leads to another and the boy’s pet rat ends up attacking the family. Curiosity kills.”

    “Films about radioactivity are normally boring for teenager and students”, says festival director Norbert G. Suchanek. “Curiosity Kills is different. It is trashy comedy, which made the festival udience, mainly students from upper-class colleges, laugh and scream. And beside of that, curiosity kills gives valuable information: Radioactivity is dangerous and can change the genetic code of living beings. And every radioactive material must be stored and handled with great care. If not, the consequences can be terrible.”

    Yellow Oscar to Abita

    The best Animated Film of Rio de Janeiro’s Uranium Film Festival 2013 is,

    ABITA, a beautiful animated film directed and produced 2012 in Germany by Shoko Hara and Paul Brenner from the Duale Hochschule Baden-Württemberg in Ravensburg. This animated short film deals with the dreams of Fukushima children who can’t play outside because of radioactive contamination. Brazilian Professor for animated film and festival judge Leo Ribeiro: “I selected Abita, because it is a very poetic and sensitive movie and very well done.”

    Yellow Oscar to No to Nuclear Jordan

    Best Student Film of the 3rd International Uranium Film Festival is “

    NO TO A NUCLEAR JORDAN” by young director Solenne Tadros from the International Academy-Amman. Student productions about nuclear issues are still very rare – especially in the Middle East. The Yellow Oscar 2013 is given to Solenne Tadros to stimulate other film students and film schools world-wide to follow here example to deal with this for human mankind important but very complicated and often risky nuclear issue. In addition the festival jury hopes that “No to Nuclear Jordan” will improve the public discussion about Nuclear Energy in the Kingdom of Jordan, where the construction of nuclear power plants and uranium mining are in the planning.

    via International Uranium Film Festival 

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  • Sprout Film Festival to Show Films Featuring People with Developmental Disabilities in NYC May 31 to June 2, 2013

    [caption id="attachment_4016" align="alignnone" width="550"]The Metropolitan Museum of Art in New York City[/caption]

    The 11th Annual Sprout Film Festival, showcasing over 50 films featuring people with developmental disabilities, will take place this Friday May 31st to Sunday June 2nd, 2013, at The Metropolitan Museum of Art in New York City.

    At the festival, Sprout will also unveil their new and improved film distribution catalog, SPROUTFLIX, the only distributor of films specifically and exclusively related to the field of intellectual and developmental disabilities, and offers streams, downloads, DVDs and playlists to be purchased and licensed for institutional use.

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  • Fantasia International Film Festival Unveils Official 2013 Poster

    The Fantasia International Film Festival unveiled the official poster for the 17th edition of the festival taking place in Montreal from July 18 to August 6, 2013.  

    Fantasia organized a special poster design contest where the public was invited to submit their concepts and sketches. The contest was won by film critic and director of the Young Cuts Film Festival, Michael Ryan, but in a tragic twist of fate, Michael passed away this spring at the age of 46.  To bring Michael’s vision to life, long-time Fantasia illustrator Donald Caron worked his magic, delivering a striking final art jointly inspired by Greek Mythology (Icarus and Daedalus) and Quebec legend of the Cheval Noir (Black Horse), the latter of which has featured prominently in the festival’s iconography over the two past editions.  The festival dedicated the 2013 art to the memory of Michael Ryan.

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  • 2013 Cucalorus Film Festival is Seeking Filmmaker Submissions

    The Cucalorus Film Festival in historic Wilmington, North Carolina, is looking for submissions from filmmakers for the upcoming 19th edition of the festival to held November 13-17, 2013. Cucalorus, describes itself as a free-spirited and multidisciplinary showcaseand screens an collection of independent and international films with special programs on social justice, emerging artists, shorts, works-in-progress, dance, music videos, North Carolina, and international cinema.

    In addition to films, the festival supports innovation through programs like Dance-a-lorus, a live performance featuring collaborations between choreographers and filmmakers; and Visual/Sound/Walls, an experimental venue crammed full of music videos, surf movies and installations. The festival showcases a strong schedule of socially aware and politically challenging films, which engage audiences on contemporary issues.

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  • Telluride Film Festival Unveils 40th Anniversary Edition Poster

    The Telluride Film Festival today unveiled the poster designed by Oscar-winning production designer Dean Tavoularis for the 40th Anniversary running August 29 – September 2, 2013, in Telluride, Colorado.

    “We are thrilled Dean agreed to do the poster art for the 40th anniversary,” said Executive Director Julie Huntsinger. “The 40th edition will be a remarkable celebration of TFF’s past and present, and Dean’s work with Telluride is a wonderful parallel. He was a part of Telluride in its very early years when he designed a poster for a TFF celebration called the ‘Spirit of Zoetrope.’ We are excited to have him back and to present his vision for this special year.”

    Tavoularis remarks, “When I was asked by Tom Luddy and Julie Huntsinger if I would design the poster for the 40th Telluride Film Festival, I was first flattered and then thoughtful of being part of the Telluride film history. In my own way I pondered Telluride’s past and in fact all film festivals. Like the word implies, a festival is a fair; people gathering to show their films. It just as well could be their tomatoes. It’s an exchange. I wanted a poster that was simple and joyful, that looked homemade with pure colors in shapes that symbolize a 1:85 screen and an audience. One cannot exist without the other. I am very happy to be a small part of Telluride’s history.”

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  • Country Singer Lyle Lovett to be Honored at 2013 Lone Star Film Festival

     

    Country singer-songwriter Lyle Lovett will be honored with the Stephen Bruton Award at the 2013 Lone Star Film Festival (LSFF). The Lone Star Film Festival in Sundance Square which has been ranked in the top 25 of MovieMaker Magazine’s coveted annual list “TOP 50 FILM FESTIVALS WORTH THE ENTRY FEE” will take place November 6-10, 2013, in Fort Worth, Texas. 

    The Stephen Bruton Award celebrates musicians who demonstrate a proficiency in film. Lovett will accept the award for his musical contribution to 30 films throughout his career as well as his appearance as an actor in eight, including Tim McCanlies’ Christmas story ANGELS SING, which premiered at this year’s SXSW Film Festival.

    Stephen Bruton was a well-respected guitar player from Fort Worth who performed for many years with Kris Kristofferson. Bruton and childhood friend T Bone Burnett collaborated on the sound track for the movie CRAZY HEART. Bruton died at age 60 of cancer in T Bone’s Los Angeles home in 2009 just after the sound track was completed. Past recipients of the Stephen Bruton Award include Kris Kristofferson, T Bone Burnett, Willie Nelson, and Billy Joe Shaver.

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  • London’s EAST END FILM FESTIVAL Unveils 2013 Film Lineup, “THE UK GOLD” to Open and “LOVELACE” to Close Fest

    London’s EAST END FILM FESTIVAL (EEFF) returns for its 12th edition this summer, from June 25 to July 10, 2013. EEFF will open on Tuesday June 25 with the World Premiere of the new feature documentary THE UK GOLD – the second feature from journalist and filmmaker Mark Donne

    THE UK GOLD follows the dramatic battle of a vicar from a small parish in the London Borough of Hackney as he goes head to head with an ancient and mighty heavyweight, revealing its central status as the tax-haven capital of the world. From Zambia to Salisbury; from the Cayman Islands to Clapton, a huge, untold story unfurls which shakes our notions of nationhood and empire. Narrated by actor Dominic West (The Wire, The Hour), and featuring an extraordinary new sound-score from Radiohead’s Thom Yorke and Massive Attack’s Robert Del Naja, it incorporates the views and voices of British politicians, hedge fund masters of the universe, Vanity Fair investigative journalist Nicolas Shaxson, Private Eye’s Richard Brooks and Channel 4 News presenter Jon Snow, to expose the fundamental role the City of London plays in the secretive network of tax havens and tax avoidance. 

    [caption id="attachment_4000" align="alignnone" width="550"]LOVELACE[/caption]

    The festival closes on Wednesday July 10 with the UK Premiere of LOVELACE, the eventful and tragic story of Linda Lovelace, the most famous adult actress of the 1970s. Plagued by a difficult upbringing, an abusive marriage, and a desire to move on from her past, this superb Hollywood biopic by Academy Award-winning filmmakers Rob Epstein and Jeffrey Friedman (Common Threads: Stories from the Quilt, HOWL) is a powerful account of modern celebrity. Starring Amanda Seyfried (Les Misérables, Mamma Mia!) with a cast including Sharon Stone, Peter Sarsgaard, James Franco, Adam Brody and Juno Temple. 

    EEFF will screen an international programme of over 80 features and 100 shorts, many by first- and second-time directors, including UK Premieres of MISS LOVELY (dir: Ashim Ahluwalia) which follows two brothers and a shady ingénue on Mumbai’s trashy movie scene; INCH’ALLAH (dir: Anaïs Barbeau-Lavalette) portraying a Canadian doctor who’s torn between two sides while working in a West Bank refugee camp; HALLEY (dir: Sebastian Hofmann), a staggering tale of a lonely security guard at a Mexico City gym whose physical deterioration contrasts wildly with the healthy bodies around him; Rotterdam award-winner SOLDATE JEANETTE (SOLDIER JANE) (dir: Daniel Hoesl), a provocative portrait of two women from different ends of the social spectrum; TELEVISION (dir: Mostofa Sarwar Farooki) showing the clashes that arise between religion and technology when a teacher in a Bangladeshi village buys a TV; and the European Premiere of GENERATION UM (dir: Mark Mann) starring Keanu Reeves as a listless voyeur whose search for new experience leads him to video the dark confessions of two New York party girls.

    There are also films from established directors including SHOKUZA (PENANCE) from Japanese master of suspense Kiyoshi Kurosawa, about a mother who holds four girls responsible for the death of her kidnapped daughter. Filmmaker Noah Baumbach returns to his indie roots, reuniting with actress Greta Gerwig for offbeat coming-of-age story FRANCES HA, about a struggling dancer in NYC. Set in 1970’s Los Angeles, ANY DAY NOW (dir: Travis Fine) stars Alan Cumming as a gay burlesque performer who, along with the closeted district attorney he’s just met, take in their neighbours abandoned and mentally handicapped son until a biased legal system question the arrangement. Another 1970’s set tale, CALL GIRL (dir: Mikael Marcimain) is a brilliantly rendered story of sexual exploitation and political corruption in Sweden, the same era and subject matter as our closing night gala, LOVELACE.

    International documentaries include RICHARD PRYOR: OMIT THE LOGIC (dir: Ali and Marina Zenovich) celebrating the legendary comedian; and AFTER TILLER (dir: Lana Wilson, Martha Shane), documenting a group of doctors who become targets of the pro-life movement.

    EEFF will also screen 25 features from British filmmakers including the European Premiere of Academy Award-nominated director Mike Figgis’s stylish psycho-sexual murder-mystery SUSPENSION OF DISBELIEF starring Sebastian Koch, Lotte Verbeek and Emilia Fox; WE ARE THE FREAKS, the new feature from award-winning shorts filmmaker Justin Edgar, a high octane teen comedy starring Jamie Blackley (Vinyl), Mike Bailey (Skins) and Rosamund Hanson (This Is England, Life’s Too Short); and George Kane’s feature debut DISCOVERDALE, a fly-on-the-wall mocumentary about the frontman of a just-defunct band who believes his long-lost father is Whitesnake’s David Coverdale. There’ll also be a special screening of Ben Wheatley’s A FIELD IN ENGLAND with director, cast and crew in attendance.

    Feature documentary lineup includes, many highlights from first- and second-time British documentary filmmakers including the World Premiere of THE HEART OF BRUNO WIZARD (dir: Elisabeth Rasmussen), portraying the iconic singer-songwriter, artist, activist, and founder of seminal post-punk band The Homosexuals; PUSSY RIOT: A PUNK PRAYER (dir: Mike Lerner, Maxim Pozdorovkin), chronicling the way a small act of protest became an international story of human rights abuse; SMASH & GRAB: THE STORY OF THE PINK PANTHERS (dir: Havana Marking), pursuing a gang of international jewel thieves; and THE MAN WHOSE MIND EXPLODED (dir: Toby Amies) portraying a Brighton-based eccentric who can remember working with Salvador Dali, but who can’t remember yesterday.

    EEFF also supports filmmakers in telling stories of local significance, including the World Premiere of WE AIN’T STUPID, the first feature from Mitch Panayis (winner in 2012 of EEFF’s Short Film Audience Award), documenting the changing nature of Queen’s Market in West Ham, in a timely examination of a fading trade; Trevor Miller’s first feature RIOT ON REDCHURCH STREET, a spirited tale of a love triangle and Anglo-Muslim relations in East London’s rock n’ roll subculture; and Jason Attar and Danny Wimborne’s first feature ONE NIGHT IN POWDER, a tale of an obscure British rocker’s last-ditch effort to find fame and fortune.

    Special events include a day of Southern-fried cinema, GRITS ‘N’ GRAVY celebrating the American Deep South with films including DOWN BY LAW (dir: Jim Jarmusch) starring Tom Waits, and Alabama music doc MUSCLE SHOALS (dir: Greg ‘Freddy’ Camalier) plus live bluegrass music from Dirty Gentleman, hearty Southern grub and free Bloody Mary’s.

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  • “MY RIGHT EYE” Wins Top ShortsFest Jury Award at Seattle International Film Festival

    [caption id="attachment_3997" align="alignnone" width="550"]My Right Eye (The Apple of my Eye)[/caption]

    “MY RIGHT EYE” (The Apple of My Eye), written and directed by Josecho de Linares (Spain) was the big winner – winning the GRAND JURY PRIZE – when the 39th Seattle International Film Festival announced this year’s ShortsFest Jury Award winners. The film is described as the story of  “Zurdo who has a a special relationship with his grandmother. Since he went away to study they have lost contact. On the last day of summer Zurdo decides to visit her with the intuition that he might not see her again.”

    Trailer Cortometraje / Short Film: Mi Ojo Derecho (My Right Eye) from Josecho de Linares on Vimeo.

    SIFF 2013 SHORTSFEST AWARD WINNERS 

    LIVE ACTION 
    GRAND JURY PRIZE 
    My Right Eye (The Apple of My Eye), directed by Josecho de Linares (Spain)    
    JURY STATEMENT: For its beautifully crafted and profound exploration of love and loss told through touching performances that depict a young man’s authentic journey of rediscovery, the jury awards Best Narrative Short to The Apple of My Eye, written and directed by Josecho de Linares. 


    SPECIAL JURY PRIZES 
    Penny Dreadful, directed by Shane Atkinson (USA) 
    Mobile Homes, directed by Vladimir de Fontenay (USA/France) 
    Decimation, directed by Wade Jackson (USA)      
    JURY STATEMENT: For its stylish direction and a terrific performance by Oona Laurence as a young kidnap victim who turns the tables on her abductors, the jury would like to give a Special Jury Mention to the short film Penny Dreadful.   The jury would also like to award a Special Jury Mention to Mobile Homes, a suspenseful, moving narrative with where the main characters stumble upon a most unexpected means of escape.

The jury awards a Special Jury Mention for outstanding ensemble filmmaking supported by the Northwest filmmaking community to the cast and crew of Decimation, written and directed by Wade Jackson.

    DOCUMENTARY  
    GRAND JURY PRIZE  
    Keep a Modest Head, directed by Deco Dawson (Canada) 

    JURY STATEMENT: Although there were many great films to discuss and debate, ultimately there was one film that the jury unanimously felt was particularly worthy of receiving the Best Documentary Short award. For its brilliantly surrealistic imagining of the life of the last of the surrealists, the jury gives its award to 

    SPECIAL JURY PRIZE

    Today, directed by Philip Montgomery (USA)   
    JURY STATEMENT: For its touching and inspiring story about a man who learns to find meaning in his life’s work even after a tragic accident, the jury awards a Special Jury Mention to Today, directed by Phillip Montgomery.    

    ANIMATION 
    GRAND JURY PRIZE

    Woody, directed by Stuart Bowen (Australia)      
    JURY STATEMENT: For the award for Best Animated Short, the jury has unanimously decided upon a film that told a lovely story about a guy who was just like everyone else, but wanted deeply to be something different than what he was. The filmmakers took the art of film as a visual medium to heart – with no dialogue and without facial expressions, they crafted a complete story that evoked compassion for the character. The jury awards Best Animated Short toWoody, directed by Stuart Bowen.   

    SPECIAL JURY PRIZES 

    Malaria, directed by Edson Oda (Brazil) 
    The Hunter, directed by Marieka Walsh (Australia)   
    JURY STATEMENT: For its intriguing and original visual storytelling, combined with the tautness of an old-school Western, the jury awards a Special Jury Mention to Malaria, directed by Edson Shundl Oda.   We had a very difficult time making a final decision between two films. After much discussion, the jury has decided to award a Special Jury Mention to The Hunter, directed by Marieka Walsh, for its beautifully simple, yet deeply emotional illustrations integrated into a folk-tale of a story.   

    FUTUREWAVE SHORTS AWARDS 
    WAVEMAKER AWARD (GRAND PRIZE)

    The Painted Girl, directed by Ben Kadie (USA)   

    THEFILMSCHOOL PRODIGY CAMP SCHOLARSHIPS

    A Quest for Peace: Nonviolence Among Religions, directed by Matthew Evans (USA) 
    Runner up: Laser Rabbit, directed by Matt Wells (USA)

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  • “FRANCE HA” “UWANTME2KILLHIM?” Among 146 Films on Film Lineup for 2013 Edinburgh International Film Festival

    The 67th edition of Edinburgh International Film Festival (EIFF) which runs from June 19-30 , 2013, will showcase 146 feature films from 53 countries, including 14 World premieres, 6 international premieres and 10 European premieres.

    The Festival will screen 125 new feature films, with highlights including FOR THOSE IN PERIL, the debut feature by Paul Wright, a contender for the Michael Powell Award, starring newcomer George MacKay and Kate Dickie. Alex Gibney’s controversial WE STEAL SECRETS: THE STORY OF WIKILEAKS screens within Directors’ Showcase. Noah Baumbach brings FRANCES HA to the Festival with co-writer and star Greta Gerwig, as part of the American Dreams strand which also includes Sofia Coppola’s depiction of fame-obsessed teens, THE BLING RING. Special Screenings include FIRE IN THE NIGHT, which receives its World premiere ahead of the 6 July anniversary of the Piper Alpha North Sea oil rig disaster of 1988. 
     
    British films competing for the Michael Powell Award include 7 World premieres and 6 feature debuts. Among the Michael Powell Award contenders are the captivating Scottish tale of belonging and loss BLACKBIRD by Jamie Chambers; the black comedy EVERYONE’S GOING TO DIE by the two-person collective ‘Jones’; Paul Wright’s FOR THOSE IN PERIL; DUMMY JIM by Matt Hulse; MISTER JOHN by Joe Lawlor and Christine Molloy; and John Hardwick’s SVENGALI, expanded from a YouTube series. A LONG WAY FROM HOME by Virginia Gilbert stars Natalie Dormer, who serves on the International Feature Film Competition jury; while THE SEA by Stephen Brown stars Ciarán Hinds and Charlotte Rampling. A documentary feature competing is LEVIATHAN by Lucien Castaing-Taylor and Verena Paravel. Completing the selection are UWANTME2KILLHIM? by Andrew Douglas, based on true events, WE ARE THE FREAKS by Justin Edgar, in which misfit teens go on an all-nighter, and NOT ANOTHER HAPPY ENDING, the Festival’s Closing Gala film, directed by John McKay. The Award for Best Performance in a British Feature Film will be awarded from films within the Michael Powell selection.
     
    The International Feature Film Competition includes a selection of live-action narrative films, animated films and documentaries, highlighting filmmaking from around the world that is imaginative, innovative and deserving of wider recognition. The selection introduces debuts from Mahdi Fleifel with A WORLD NOT OURS, a portrait of family life in a Palestinian refugee camp; Iraqi-Kurdistan-born director Hisham Zaman with BEFORE SNOWFALL a coming-of-age odyssey from East to West; and Argentine director Leonardo Brzezicki, who paints an erotic psychological landscape with sound in NOCHE. The European premiere of JOY by Greek documentary filmmaker Elias Giannakakis competes along with titles such as Alexey Fedorchenko’s CELESTIAL WIVES OF THE MEADOW MARI which focuses on the rites and customs of a Russian ethnic group; a dreamlike allegory set in Tehran, FAT SHAKER by Mohammad Shirvani; and I.D. by writer-director Kamal K.M. based on a real incident in Mumbai. JUVENILE OFFENDER, a gritty story of family neglect in Korea by Kang Yi-kwan, and OF SNAILS AND MEN, a Romanian post-Communist era social satire by Tudor Giurgiu, round out the International Feature Film Competition.
     
    There are a number of Special Screenings across the Festival, including the World premiere of THE BATTLE OF THE SEXES from co-directors James Erskine and Zara Hayes about the historic 1973 tennis match between Wimbledon winner Billie Jean King and retired champion and self-proclaimed chauvinist Bobby Riggs; and, receiving its European premiere, HAWKING, for which filmmaker Stephen Finnigan was given unprecedented access to the world’s most famous living physicist, Stephen Hawking. I AM BREATHING tells the true story of Neil Platt following his diagnosis with Motor Neurone Disease just months after the birth of his son; the film screens in the Festival ahead of MND Global Awareness Day on Friday 21 June. There will also be a chance to see on the big screen the first two episodes of BBC Two’s crime drama PEAKY BLINDERS, set in the lawless streets of post-war Birmingham on the cusp of the 1920s, starring Cillian Murphy, Helen McCrory and Sam Neill.
     
    The American Dreams strand includes the European premiere of Scott McGehee’s WHAT MAISIE KNEW, a modern story based on the Henry James novel; Sebastian Silva’s MAGIC MAGIC, which reveals a star turn by Juno Temple; and THE EAST, which stars Brit Marling, who co-wrote with director Zal Batmanglij. International premieres include Kyle Patrick Alvarez’s C.O.G., adapted from humourist David Sedaris’s autobiographical essay; the sci-fi thriller UPSTREAM COLOUR by writer-director and actor Shane Carruth; and THIS IS MARTIN BONNER from Chad Hartigan, in which an unlikely friendship blossoms.
      
    The Directors’ Showcase presents work from established auteur directors and emerging talents with 23 films from 17 countries. The selection includes 6 documentaries including Thomas Riedelsheimer’s BREATHING EARTH SUSUMU SHINGU’S DREAM, following artist Susumu Shingu; and actor and director Sarah Polley’s intimate family portrait STORIES WE TELL. Narrative films cover a variety of genres and include high-speed Hong-Kong cop film MOTORWAY directed by Pou-Soi Cheang and produced by action auteur Johnnie To, while Dibakar Banerjee takes Bollywood in a new direction with political thriller SHANGHAI. Intimate human dramas are represented with Bruno Barreto’s REACHING FOR THE MOON, about the love affair between American poet Elizabeth Bishop and Brazilian architect Lota de Macedo Soares; Mania Akbari’s FROM TEHRAN TO LONDON, a poetic exploration of the roles of women, during the filming of which Akbari fled to the UK; and THE DEEP, Baltasar Kormákur’s breathtaking drama about an Icelandic fisherman who reluctantly became a national hero.
     
    The World Perspectives strand presents 25 films from 18 countries, offering a spectrum of work from emerging directors. BIG BOY, from the Philippines, was shot on Super 8 by Shireen Seno; DAYS OF GRACE is a breathless triple-kidnapping thriller from Mexican director Everardo Valerio Gout; DIE WELT, set after the 2011 Tunisian revolution, is the feature debut from Dutch director Alex Pitstra; from Li Lou, EMPEROR VISITS THE HELL is a political satire inspired by a Ming Dynasty literary classic; and EVERYBODY’S GONE is an outstanding debut by Georgiy Paradjanov, nephew of legendary master director Sergei Paradzhanov.
     
    With New Realities, EIFF features some of the most interesting documentary filmmakers working today, including Thomas Heise, who observes the routines of a crematorium in CONSEQUENCE; PJ Raval, who reveals the lives and loves of three gay seniors in BEFORE YOU KNOW IT; and first-time director Khaled Jarrar, who follows fellow Palestinians’ attempts to cross the wall separating them from Israel in INFILTRATORS. The enigmatic Scottish maker of salmon flies Megan Boyd is the subject of Eric Steel’s KISS THE WATER; and with LUNARCY! Simon Ennis takes an affectionate look at a group of individuals obsessed with the moon. The strand also hosts the World premiere of DESERT RUNNERS by Jennifer Steinman, an intimate film about competitors in RacingThePlanet’s 4Desert Ultra-marathons, and the European premiere of Jeanie Finlay’s THE GREAT HIP HOP HOAX, the stranger than fiction story of Billy Boyd and Gavin Bain, aka ‘Silibil ‘n’ Brains’.
     
    Filmmakers and filmmaking is the subject of the Film on Film strand which includes: NATAN, David Cairns and Paul Duane’s moving account of Bernard Natan, a forgotten giant of French cinema;    A STORY OF CHILDREN AND FILM by Mark Cousins; and Graham Eatough’s THE MAKING OF US, commissioned by the Glasgow International Festival of Visual Art.
     
    The late-night Night Moves strand hosts the World premiere of OUTPOST 3: RISE OF THE SPETSNAZ, with producer Kieran Parker turning director for the third instalment of the popular Nazi zombie saga; and the European premiere of SHOOTING BIGFOOT, in which British filmmaker Morgan Matthews travels to America and forms uneasy alliances with several Bigfoot trackers. Concept artist Richard Raaphorst directs his first horror flick, FRANKENSTEIN’S ARMY, a Nazi v Communist ‘found footage’ horror; while PARIS COUNTDOWN, a high-octane thriller, is director Edgar Marie’s debut feature; and the master of Japanese horror Hideo Nakata brings us THE COMPLEX.

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  • FRUITVALE STATION by Ryan Coogler Wins Un Certain Regard AVENIR PRIZE at Cannes Film Festival

    FRUITVALE STATION by Ryan Coogler won the AVENIR PRIZE in the Un Certain Regard section at the 2013 Cannes Film Festival.  FRUITVALE STATION originally named FRUITVALE won the U.S. Dramatic Grand Jury Prize and Audience Award earlier this year at the 2013 Sundance Film Festival. The film will be released July 26 by The Weinstein Company.

    FRUITVALE STATION, is the true story of Oscar (Michael B. Jordan) , a 22-year-old Bay Area resident who wakes up on the morning of December 31, 2008 and feels something in the air. Not sure what it is, he takes it as a sign to get a head start on his resolutions: being a better son to his mother, whose birthday falls on New Year’s Eve, being a better partner to his girlfriend, who he hasn’t been completely honest with as of late, and being a better father to T, their beautiful 4 year old daughter. He starts out well, but as the day goes on, he realizes that change is not going to come easy. He crosses paths with friends, family, and strangers, each exchange showing us that there is much more to Oscar than meets the eye. But it would be his final encounter of the day, with police officers at the Fruitvale BART station that would shake the Bay Area to its very core, and cause the entire nation to be witnesses to the story of Oscar Grant. 

    Trailer below…

    http://youtu.be/CxUG-FjefDk

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  • Coen Brothers “INSIDE LLEWYN DAVIS” Wins the Grand Prix Award at the 2013 Cannes Film Festival

    The Coen brothers – Ethan COEN and Joel COEN newest film, INSIDE LLEWYN DAVIS won the Grand Prix Award at the 2013 Cannes Film Festival.

    INSIDE LLEWYN DAVIS follows a week in the life of a young folk singer as he navigates the Greenwich Village folk scene of 1961. Llewyn Davis (Oscar Isaac) is at a crossroads. Guitar in tow, huddled against the unforgiving New York winter, he is struggling to make it as a musician against seemingly insurmountable obstacles-some of them of his own making.

    Trailer below.

    http://youtu.be/R4GGOXkY5CI 

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  • BLUE IS THE WARMEST COLOR Wins the Palme d’or of the 2013 Cannes Film Festival

    [caption id="attachment_3983" align="alignnone" width="550"]BLUE IS THE WARMEST COLOR[/caption]

    BLUE IS THE WARMEST COLOR (La Vie d’Adèle – Chapitre 1 & 2) by Abdellatif Kechiche won the biggest prize – Palme d’or of the 2013 Cannes Film Festival.

    After receiving his award from American actress Uma Thurman, Abdellatif Kechiche,  accompanied by his two actresses, declared: “I want to remind everyone of a man who helped me find my way, who I love and who I miss: Claude Berri. I want to dedicate this prize and this film to the wonderful young people of France who I met while making this film and who taught me so much about the hope for freedom and of living in harmony together. And to the young people who, not so long ago, lived through the Tunisian revolution, so as to inspire them to live in freedom, express themselves in freedom and love in freedom.”

    BLUE IS THE WARMEST COLOR tells the story of Adele (Adèle EXARCHOPOULOS) who at 15, doesn’t question it: a girl goes out with boys. Her life is turned upside down the night she meets Emma (Léa SEYDOUX), a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself, finds herself.

    The complete list of winners include

    Palme d’Or
    LA VIE D’ADÈLE – CHAPITRE 1 & 2 (Blue Is The Warmest Color) by Abdellatif KECHICHE with Adèle EXARCHOPOULOS & Léa SEYDOUX

    Grand Prix
    INSIDE LLEWYN DAVIS by Ethan COEN and Joel COEN 

    Award for Best Director
    Amat ESCALANTE for HELI  

    Jury Prize
    SOSHITE CHICHI NI NARU (Like Father, Like Son / Tel Père, Tel Fils) by KORE-EDA Hirokazu 

    Award for Best Screenplay
    JIA Zhangke for TIAN ZHU DING (A Touch Of Sin)

    Award for Best Actress
    Bérénice BEJO in LE PASSÉ (The Past) by Asghar FARHADI 

    Award for Best Actor
    Bruce DERN in NEBRASKA by Alexander PAYNE 

    SHORT FILMS 

    Palme d’Or
    SAFE by MOON Byoung-gon 

    Special Mention – tie
    HVALFJORDUR (Whale Valley / Le Fjord des Baleines) by Gudmundur Arnar GUDMUNDSSON
    37°4 S by Adriano VALERIO

    CAMERA D’OR 
    ILO ILO by Anthony CHEN presented in the Directors’ Fortnight

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