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  • Film Critic Leonard Maltin to Preside Over Jury for 2012 Napa Valley Film Festival

    Film critic Leonard Maltin will serve as President of the Jury for the second annual  Napa Valley Film Festival (NVFF)  to be held November 7 – 11, 2012.

    As President of the Jury at NVFF, Maltin will oversee the Judging process, providing leadership to the other Jurors grouped into three categories: Narrative Features, Narrative Shorts, and Documentary Features and Shorts. Mr. Maltin will participate most closely in the evaluation of films in the Narrative Features Competition. He will also preside over the festival’s Closing Night Awards Ceremony on Sunday, November 11, at which both Juried and Audience Awards are presented. 

    “The NVFF is honored to have such an active member of the American film community accept the integral role of President of the Jury at the festival,” said NVFF Co-Founder/Artistic Director Marc Lhormer. “Mr. Maltin’s commitment to the festival reflects NVFF’s own commitment to make a name for itself – on a national and global scale – as a film festival on par with the likes of Sundance and Tribeca when it comes to the caliber of the films shown and the professionals involved in this momentous meeting of art, food, and wine this November in Napa.”

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  • Ang Lee’s new film Life of Pi to kick off 2012 New York Film Festival

    The New York Film Festival will open with the World Premiere of Ang Lee’s Life of Pi on Friday, September 28. 

    “I am both delighted and honored to be back at the New York Film Festival with Life of Pi,” Ang Lee said in a statement today. “I have the deepest respect for Richard Peña and his team and to be selected by them as the Opening Night film for the 50th Anniversary is extremely gratifying. I am also excited because this is my hometown, and to be unveiling this film that I am so proud of here is a real pleasure.”

    The story of young man who survives a disaster at sea, Life of Pi is based on Yann Martel’s bestselling novel of the same name. Long considered an un-filmable book, Life of Pi takes place over three continents, two oceans and many years. Lee has employed breakthrough technology and his distinctive visual style in order to tell this epic story. While marooned on a lifeboat, the young man at the center of Life of Pi forms an unexpected bond with the other survivor, a Bengal tiger.

    Ang Lee’s Life of Pi will be released in theaters on November 21, 2012.

    The 50th New York Film Festival will close on Sunday, October 14th with the world premiere of Robert Zemeckis’ Flight.           

     

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  • Spike Lee’s Bad 25 and Lee Daniels’ The Paperboy Among New Films Added to 2012 Toronto Film Fest

    [caption id="attachment_2811" align="alignnone" width="1020"]Nicole Kidman in Lee Daniels’ The Paperboy[/caption]

    The Toronto International Film Festival has added 3 Galas and 18 Special Presentations, including 8 World Premieres, to its 2012 slate. The Festival will close with Paul Andrew Williams’ A Song For Marion, starring Vanessa Redgrave and Terence Stamp. 

    Films added include Spike Lee’s Bad 25 which celebrates the 25th anniversary of the Michael Jackson “Bad” album with unseen footage, and Lee Daniels’ The Paperboy starring Matthew McConaughey, Nicole Kidman, John Cusack, David Oyelowo and Zac Efron,

    The Toronto International Film Festival runs from September 6 to 16, 2012. 

     

     GALAS

    Closing Night Film

    Song for Marion – Paul Andrew Williams, UK (World Premiere)                                                                                                 

    A feel-good, heart-warming story about how music can inspire you. Song for Marion stars Terence Stamp as Arthur, a grumpy pensioner who can’t understand why his wife Marion (Vanessa Redgrave) would want to embarrass herself singing silly songs with her unconventional local choir. But choir director Elizabeth (Gemma Arterton) sees something special in the reluctant Arthur and refuses to give up on him. As she coaxes him out of his shell, Arthur realizes that it is never too late to change.

    Emperor – Peter Webber, Japan/USA (World Premiere)                                                                                                                            

    In the aftermath of Japan’s defeat in World War II and the American occupation of the country, a Japanese expert (Matthew Fox) on the staff of Gen. Douglas MacArthur (Tommy Lee Jones) is faced with a decision of historic importance, in this epically scaled drama from director Peter Webber (Girl With a Pearl Earring).

    What Maisie Knew – Scott McGehee, David Siegel, USA (World Premiere)

    Based on the Henry James novella, the story frames on 7-year-old Maisie, caught in a custody battle between her mother – a rock and roll icon – and her father. What Maisie Knew is an evocative portrayal of the chaos of adult life seen entirely from a child’s point of view.Starring Joanna Vanderham, Onata Aprile, Alexander Skarsgård, Julianne Moore, and Steve Coogan.

    Arthur Newman – Dante Ariola, USA (World Premiere)

    Wallace Avery is tired of being a loser. Once a hot shot in the world of competitive amateur golf, Wallace was dubbed ‘The Choker’ when he hit the pro circuit. Unable to shake off a monumental loss of nerve on the greens, Wallace retired from the pro tour and slipped into the ranks of the quietly desperate. Deciding to address a radical problem with a radical solution, he stages his own death, buys himself a new identity as Arthur Newman, and sets out toward his own private Oz of golf. An offbeat love story set in a perfect storm of identity crisis, Arthur Newman looks at how two people try to remake themselves and come around to owning up to some basic truths about the identities they left at home. Starring Emily Blunt, Colin Firth, and Anne Heche.

    Bad 25 – Spike Lee, USA (North American Premiere)

    Bad 25 celebrates the 25th anniversary of the Michael Jackson “Bad” album with unseen footage, content shot by Jackson himself, and a treasure chest of findings. The documentary is divided into two parts: artists today who were influenced by Michael, and people who worked by his side – musicians, songwriters, technicians, engineers, people at the label – all committed to Michael and the follow-up to the biggest record of all time, “Thriller.”  Interviewees include: Mariah Carey, L.A. Reid and Sheryl Crow.

    Disconnect – Henry Alex Rubin, USA  (North American Premiere)

    Disconnect interweaves multiple storylines about people searching for human connection in today’s wired world. Through poignant turns that are both harrowing and touching, the stories intersect with surprising twists that expose a shocking reality into our daily use of technology that mediates and defines our relationships and ultimately our lives. Directed by Academy Award nominee Henry Alex Rubin (Murderball), and starring Jason Bateman, Hope Davis, Frank Grillo, Paula Patton, Michael Nyqvist, Andrea Riseborough, Alexander Skarsgård, and Max Theriot, as well as Jonah Bobo, Colin Ford and Haley Ramm.

    Do Not Disturb – Yvan Attal, France (World Premiere)

    Jeff unexpectedly shows up on Ben’s doorstep at 2am. Since their college days, they’ve taken very different paths. Jeff is still the wild man, a serial lover, an artist and eternal vagabond who’s never stopped roaming the world. Ben has settled down with chilled-out and wonderful Anna; they bought a small and comfortable house in the suburbs and started trying to make a baby. But this quiet life is disrupted by the whirlwind that is Jeff, especially when he takes Ben to a wild party, from which they return at dawn, having made a decision that is about to turn all of their lives upside down. This provocative, hot and funny new film by award-winning French director Yvan Atta stars François Cluzet and Charlotte Gainsbourg.

    Greetings from Tim Buckley – Dan Algrant, USA (World Premiere)

    Greetings from Tim Buckley follows the story of the days leading up to Jeff Buckley’s eminent 1991 performance at his father’s tribute concert in St. Ann’s Church. Through a romance with a young woman working at the concert, he learns to embrace all of his feelings toward the father who abandoned him – longing, anger, forgiveness, and love. Culminating in a cathartic performance of his father’s most famous songs, Jeff’s debut stuns the audience and launches his career as one of the greatest young musicians of his time. Starring Imogen Poots and Penn Badgley.

    Lines of Wellington – Valeria Sarmiento, Portugal (North American Premiere)

    After the failed attempts of Junot and Soult in 1807 and 1809, Napoleon Bonaparte sent a powerful army, commanded by Marshal Massena, to invade Portugal in 1810. The French easily reached the centre of the country, where the Anglo-Portuguese army, led by General Wellington, was waiting. Starring John Malkovich, Nuno Lopes, Soraia Chaves, Marisa Paredes, and Victoria Guerra.

    Love is All You Need – Susanne Bier, Denmark (North American Premiere)

    Love Is All You Need is a new film by Academy Award-winner Susanne Bier. Philip (Pierce Brosnan), an Englishman living in Denmark, is a lonely, middle-aged widower and estranged single father. Ida (Trine Dyrholm) is a Danish hairdresser, recuperating from a long bout of illness, who’s just been left by her husband for a younger woman. The fates of these two bruised souls are about to intertwine, as they embark for Italy to attend the wedding of Philip’s son and Ida’s daughter. With warmth, affection and confidence, Bier has shaken a cocktail of love, loss, absurdity, humour and delicately drawn characters who will leave only the hardest heart untouched. This is a film about the simple yet profound pains and joys of moving on – and forward – with your life.

    On The Road – Walter Salles, France/Brazil (North American Premiere)

    Directed by acclaimed filmmaker Walter Salles and based on the iconic novel by Jack Kerouac, On The Road tells the provocative story of Sal Paradise (Sam Riley), a young writer whose life is ultimately redefined by the arrival of Dean Moriarty (Garrett Hedlund), a free-spirited, fearless, fast-talking Westerner and his girl, Marylou (Kristen Stewart). Traveling cross-country, Sal and Dean venture out on a personal quest for freedom from the conformity and conservatism engulfing them in search of the unknown, themselves, and the pursuit of it – the pure essence of experience. Seeking unchartered terrain and the last American frontier, the duo encounter an eclectic mix of men and women, each adding meaning to their desire for a new way of life. The screenplay is by Jose Rivera (Academy Award nominee for The Motorcycle Diaries), while Executive Producer Francis Ford Coppola has been developing the project since 1978. Also stars Viggo Mortensen and Kirsten Dunst.

    Passion – Brian De Palma, France/Germany (North American Premiere)

    An erotic thriller in the tradition of Dressed To Kill and Basic Instinct, Brian de Palma’s Passion tells the story of a deadly power struggle between two women in the dog-eat-dog world of international business. Christine possesses the natural elegance and casual ease associated with one who has a healthy relationship with money and power. Innocent, lovely and easily exploited, her admiring protégé, Isabelle, is full of cutting-edge ideas that Christine has no qualms about stealing. They’re on the same team, after all… But when Isabelle falls into bed with one of Christine’s lovers, war breaks out. Starring Rachel McAdams, Noomi Rapace, Karoline Herfurth and Paul Anderson.

    Rhino Season – Bahman Ghobadi, Iraqi Kurdistan/Turkey (World Premiere) 

    After thirty years spent in prisons of the Islamic Republic of Iran, Kurdish-Iranian poet Sahel finally walks free. Now the one thing keeping him alive is the thought of finding his wife Mina, who thinks he is long dead and has since moved to Turkey. Sahel sets out on an Istanbul-bound search. Starring Behrouz Vossoughi, Monica Bellucci and Yilmaz Erdogan.

    Spring Breakers – Harmony Korine, USA (North American Premiere)

    Four sexy college girls plan to fund their spring break getaway by burglarizing a fast food shack. But that’s only the beginning. During a night of partying, the girls hit a roadblock when they are arrested on drug charges. Hung over and clad only in bikinis, the girls appear before a judge but are bailed out unexpectedly by Alien (James Franco), an infamous local thug who takes them under his wing and leads them on the wildest spring break trip in history. Rough on the outside but with a soft spot inside, Alien wins over the hearts of the young spring breakers, and leads them on a spring break they never could have imagined. Starring Selena Gomez, James Franco, Vanessa Hudgens and Heather Morris.

    The Master – Paul Thomas Anderson, USA (North American Premiere)

    A striking portrait of drifters and seekers in post World War II America, Paul Thomas Anderson’s The Master unfolds the journey of a Naval veteran (Joaquin Phoenix) who arrives home from war unsettled and uncertain of his future — until he is tantalized by The Cause and its charismatic leader (Philip Seymour Hoffman). Starring Amy Adams, Joaquin Phoenix, Philip Seymour Hoffman and Laura Dern.

    The Paperboy – Lee Daniels, USA (North American Premiere) 

    A chilling sex-and-race-charged film noir, The Paperboy takes audiences deep into the backwaters of steamy 1960s South Florida, as investigative reporter Ward Jansen and his partner Yardley Acheman chase a sensational, career-making story with the help of Ward’s younger brother Jack and sultry death-row groupie Charlotte Bless. Starring Matthew McConaughey, Nicole Kidman, John Cusack, David Oyelowo and Zac Efron.

    The Son Did It – Daniele Ciprì, Italy/France (North American Premiere)

    The Son Did It is the story of the Ciraulos, a poor family from South Italy whose young daughter is mistakenly killed by the Mafia. As compensation, they receive a large amount of money from the State but this sudden richness will change their life in a completely unexpected way. Starring Toni Servillo, Giselda Volodi, Alfredo Castro and Fabrizio Falco.

    The Suicide Shop – Patrice Leconte, France/Belgium/Canada  (International Premiere)

    Imagine a shop that for generations has sold all the accoutrements for the perfect suicide. This family business prospers in all its bleak misery, until the day it encounters joie de vivre in the shape of younger son, Alan. What will become of The Suicide Shop in the face of Alan’s relentless good cheer, optimism and determination to make the customers smile? Starring Bernard Alane, Isabelle Spade,Kacey Mottet Klein, Isabelle Giami and Laurent Gendron.

    Thérèse Desqueyroux – Claude Miller, France   (International Premiere)

    In the Landes region of France, near Bordeaux, marriages are arranged to merge land parcels and unite neighbouring families. Thus, young Thérèse Larroque becomes Mrs. Desqueyroux. But her avant-garde ideas clash with local conventions and in order to break free from the fate imposed upon her and live a full life, she will resort to tragically extreme measures. Starring Audrey Tautou, Gilles Lellouche and Anaïs Demoustier.

    White Elephant – Pablo Trapero, Argentina/Spain (North American Premiere)

    In a poverty-stricken and highly dangerous Buenos Aires slum, two men – both friends, both priests, both deeply respected by the local community for their tireless endeavours on behalf of the poor and the dispossessed – take very different paths in their struggle against violence, corruption and injustice. Starring Martina Gusman, Ricardo Darin and Jérémie Renier.

    Yellow – Nick Cassavetes, USA   (World Premiere)

    Nick Cassavetes’ seminal work, Yellow, is a searing take on modern society and the demands it makes on people. Centered on Mary Holmes, a young woman who has a difficult time feeling things, and swallowing twenty Vicodin a day doesn’t help. We enter herhallucinatory world, peopled with Busby Berkeley dancers, Cirque du Soleil, Circus freaks, and human farm animals where nothing is quite what it seems. Starring Sienna Miller, Gena Rowlands, Ray Liotta, David Morse, Lucy Punch, Max Theoriot, Riley Keough, Daveigh Chase, Heather Wahlquist and Melanie Griffith.

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  • World Premieres From Edward Burns Among Films in 2012 Toronto Film Festival’s Contemporary World Cinema Program

    The Contemporary World Cinema program at this year’s Toronto International Film Festival will feature the world premieres of films by directors such as Sara Johnsen, Kasia Rosłaniec, Edward Burns, Sion Sono, Robert Connolly, John Akomfrah, Saïd Ould-Khelifa, Annemarie Jacir, Jo Sung-hee and Licinio Azevedo.

    The Toronto International Film Festival runs from September 6 to 16, 2012. 

    Film lineup includes:

     

    3 Pablo Stoll Ward, Uruguay/Germany/Argentina
    North American Premiere
    For Rodolfo (Humberto de Vargas), life at home feels empty and cold, as if he doesn’t belong. Meanwhile, his first wife, Graciela (Sara Bessio) and their teenage daughter Ana (Anaclara Ferreyra Palfy) are living through defining moments in their lives. Subtly, Rodolfo will try to slip back into the place he once had next to them — the one he walked away from 10 years ago. 3 is a comedy about three people and the absurd fate to which they are doomed: being a family.

    A Hijacking Tobias Lindholm, Denmark
    North American Premiere
    In A Hijacking, Tobias Lindholm turns his attention to a current topic: piracy at sea. The cargo ship MV Rozen is heading for harbour when it is boarded and captured by pirates in the Indian Ocean. Amongst the men on board are the ship’s cook Mikkel (Pilou Asbæk) and the engineer Jan (Roland Møller), who, along with the rest of the seamen, are taken hostage in a cynical game of life and death. With the demand for a ransom of millions of dollars, a psychological drama unfolds between the CEO of the shipping company (Søren Malling) and the Somali pirates.

    A Werewolf Boy Jo Sung-hee, South Korea
    World Premiere
    Summoned by an unexpected phone call, an elderly woman visits a cottage she used to visit when she was a young girl. Half a century before, she moved to a peaceful village and discovered a “wolf boy” hiding in the darkness. She recalls teaching the boy how to wear clothes, how to speak and how to write along with other human behaviours. However, when threatened, he let loose his bestial instincts and became the subject of the villagers’ fears. In order to save the life of the boy who risked his to be by her side, she left him with a promise: “Wait for me. I’ll come back for you.”

    After the Battle Yousry Nasrallah, Egypt/France
    North American Premiere
    Mahmoud is one of the “Tahrir Square Knights” who, on February 2, 2011 — manipulated by Mubarak’s regime — charged against the young revolutionaries. Beaten, humiliated, unemployed and ostracized in his neighbourhood near the Pyramids, Mahmoud and his family are losing their footing. It is then that he meets Reem, a young Egyptian divorcée. Modern and secular, Reem works in advertising, is a militant revolutionary, and lives in a nice neighbourhood in Cairo. Their meeting will change their lives.

    *Janice Gross Stein, Director of the Munk School of Global Affairs and member of the Order of Canada, is an internationally renowned expert on conflict management. She will speak about After the Battle in an extended Q&A session, following one of the screenings.

    All That Matters is Past Sara Johnsen, Norway
    World Premiere
    Reunited after years apart, childhood sweethearts William and Janne are forced to confront the dark secrets of their past — and the menacing presence of William’s pathologically jealous brother — in this haunting story from celebrated Norwegian director Sara Johnsen.

    Baby Blues Kasia Rosłaniec, Poland
    World Premiere
    Polish director Kasia Rosłaniec follows her controversial, irresistibly scrappy debut Mall Girls with this edgy and disarmingly frank look at teen pregnancy. Natalia is a 17-year-old mom living with her mother and son, Antos. She wanted to have a baby because it was a “cool” thing to do, and feels she would have someone to love; someone who can love her in return. Everything changes when Natalia’s mother decides to move out, giving Natalia a chance to lead a “normal life.”

    Barbara Christian Petzold, Germany
    North American Premiere
    Set in East Germany in the early 1980s, the new film from renowned director Christian Petzold (Jerichow) is a suspenseful chamber piece about an accomplished Berlin physician, banished to a rural hospital as punishment, who is torn between the promise of escape across the border and her growing love for a fellow colleague — who may be planning to betray her to the secret police.

    Bwakaw Jun Robles Lana, Philippines
    International Premiere
    An ornery old retiree — who only came to terms with his homosexuality tragically late in life — leads an isolated existence with only his faithful dog for company, until a chance encounter offers him a final chance for happiness.

    Children of Sarajevo Aida Begic, Bosnia-Herzegovina/Germany/France/Turkey
    North American Premiere
    Rahima, 23, and Nedim, 14, are orphans of the Bosnian war. They live in Sarajevo, a transitional society that has lost its moral compass, including in its treatment of the children of those who were killed fighting for the freedom of their city. After crime-prone adolescent years, Rahima has found comfort in Islam and she hopes her brother will follow in her footsteps. Everything becomes more difficult the day Nedim gets into a fistfight at school with the son of a local strongman. The incident triggers a chain of events leading Rahima to discover that her young brother leads a double life.

    Clandestine Childhood Benjamín Ávila, Argentina/Spain/Brazil
    North American Premiere
    Argentina 1979. After years of exile, 12-year-old Juan and his family return to Argentina under fake identities. Juan’s parents and his uncle Beto are members of the Montoneros Organization, which is fighting against the Military Junta that rules the country. Because of their political activities, they are being tracked down relentlessly. His friends at school and the girl he loves, Maria, know him as Ernesto, a name he must not forget with his family’s survival being at stake. This is a story about militancy, undercover life and love.

    *Brian Stewart, Senior Fellow at the Munk School of Global Affairs, is an acclaimed foreign correspondent and an expert on foreign affairs and the military. He will speak about Clandestine Childhood in an extended Q&A session, following one of the screenings.

    Comrade Kim Goes Flying Anja Daelemans, Nicholas Bonner and Gwang Hun Kim, Belgium/North Korea/UK
    World Premiere
    Comrade Kim Yong Mi is a North Korean coalminer. Her dream of becoming a trapeze artist is crushed by the arrogant trapeze star Pak Jang Phil, who believes miners belong underground and not in the air. Comrade Kim Goes Flying is a heartwarming story of trying to make the impossible, possible.

    The Cowards Who Looked to the Sky Yuki Tanada, Japan
    World Premiere
    Based on the award-winning novel of the same name, this boldly erotic yet movingly tender portrait of a group of vulnerable, variously wounded people — a depressed housewife, her high-school-aged lover, and his best friend, who is struggling to provide for himself and his senile grandmother — whose intersecting lives yield both sorrow and a fragile, yet enduring, hope for a brighter future.

    The Cremator Peng Tao, China
    World Premiere
    Convinced that he should not die single, lonely cremator Cao resorts to marrying a dead woman when he is diagnosed with lung cancer. The plan is complicated by the arrival of a young girl at the crematorium looking for her missing sister.

    Dead Europe Tony Krawitz, Australia
    International Premiere
    From the producers of Shame and Animal Kingdom, Dead Europe is a tense and moody mystery set on the turbulent streets of contemporary Europe. The film follows a young photographer named Isaac (Ewen Leslie) who — while taking his deceased father’s ashes from Australia to Greece — comes to learn that something sinister happened in his family’s past. Despite an effort to distract himself with a mix of random sex and drugs, Isaac’s world begins to unravel as he realizes that he cannot escape the ghosts of the past. Marking the long awaited second feature of Australian filmmaker Tony Krawitz, with a screenplay by Louise Fox based on the epic novel by Christos Tsiolkas, the film also stars Marton Csokas and Kodi Smit-McPhee.

    Dust Julio Hernández Cordón, Guatemala/Spain/Chile/Germany
    North American Premiere
    In a small Guatemalan village where many “disappeared” during the country’s civil war, a troubled young man struggles with the memory of his murdered father — and the nearby presence of the man who turned his father in.

    Eagles Dror Sabo, Israel
    World Premiere
    Alienated from a society that no longer seems to have a place for them, two elderly ex-soldiers undertake a vigilante campaign against injustice and disrespect on the streets of Tel Aviv.

    *Ron Levi, Director of the Master of Global Affairs at the Munk School, is an expert on global justice, and human rights regimes. He will speak about Eagles in an extended Q&A session, following one of the screenings.

    Fin (The End) Jorge Torregrossa, Spain
    World Premiere
    A group of old friends get together for a weekend in a mountain cabin. Years have gone by, and yet nothing seems to have changed between them. But lurking behind the laughter and stories is a murky episode from the past that continues to haunt them. A strange, sudden incident alters their plans, leaving them stranded and with no line of communication to the outside world. On their way for help, the group starts to disintegrate, just as a new natural order is unveiled.

    The Fitzgerald Family Christmas Edward Burns, USA
    World Premiere
    Seven adult siblings from a working-class, Irish-American family must deal with their estranged father’s desire to return home for Christmas for the first time since he walked out on the family 20 years earlier. Family rifts emerge: the four oldest siblings were fully grown when the patriarch Big Jim (Ed Lauter) left, while the younger children never had a relationship with their father, and still feel the effects of his exit. Like with any family, Christmas brings a mixed bag of complicated family dynamics. Alliances form, old wounds are reopened or glossed over, and the possibility for a new hope and forgiveness emerges.

    Fly With the Crane Li Ruijun, China
    North American Premiere
    Old Ma, who believes that white cranes will carry buried dead bodies to heaven, is absolutely daunted by the idea of being crematedafter death. When the government implements the practice of cremation under a mass urbanization measure, he seeks the help of his grandchildren.

    Ghost Graduation Javier Ruiz Caldera, Spain
    International Premiere
    Modesto is a teacher who sometimes sees dead people. Not only has this cost him a fortune at the shrink, it has also got him fired from every school he’s ever worked at. His luck changes when he lands a job at Monforte where five students have turned the prestigious school into a house of horrors. Modesto is charged with getting all five kids to pass their senior year and to get out of there once and for all…but it won’t be that easy.

    God Loves Caviar Iannis Smaragdis, Greece/Russia
    World Premiere
    This majestic epic tells the true-life, stranger-than-fiction tale of 18th-century Greek pirate turned merchant Ioannis Varvakis, who rose from humble beginnings to become the head of one of the largest mercantile empires in Europe.

    Gone Fishing Carlos Sorin, Argentina
    World Premiere
    Marco is a travelling salesman and a recovering alcoholic who decides to change the direction of his life after a stay at a detox centre. His counselor suggests he take up a hobby as part of his treatment and Marco decides to try fishing. He then heads to PuertoDeseado during shark fishing season to find his estranged daughter, Ana.

    The Great Kilapy Zézé Gamboa, Angola/ Brazil/Portugal
    World Premiere
    Zézé Gamboa’s sardonic historical drama follows a good-hearted, apolitical con man who, on the eve of Angolan independence in the mid-1970s, pulls off a massive swindle at the expense of the Portuguese colonial administration — and soon after finds himself hailed as a hero of the national liberation struggle.

    Him, Here, After Asoka Handagama, Sri Lanka
    North American Premiere
    Returning to his community after defeat in the Sri Lankan civil war, a former Tamil rebel known only as “Him” faces hostility, suspicion and bitter recriminations in Asoka Handagama’s beautifully elegiac meditation on the aftermath of war.

    *Michael Ignatieff, Senior Fellow at the Munk School of Global Affairs, is an internationally renowned writer, journalist, former politician, and expert on foreign affairs. He will speak about Him, Here, After in a Q&A session, following one of the screenings.

    The Holy Quaternity Jan Hřebejk, Czech Republic
    World Premiere
    Two ostensibly ordinary middle-aged couples, Marie and Vitek, and Dita and Ondra, are linked by more than just a lifelong friendship, a shared house in a small town and same-aged adolescent children: they are linked by love. Both men, Ondra and Vitek, who are work colleagues, sincerely love their wives, but they both also harbour a secret yearning for the other’s wife. When, by a stroke of fortune, the foursome finds themselves on an almost uninhabited island in the Caribbean, it’s just a matter of time before their long-suppressed feelings come out.

    Imagine Andrzej Jakimowski, Poland/France/Portugal
    World Premiere
    Ian, a new instructor at a well-known Lisbon clinic for the visually impaired, starts to teach spatial orientation to his international group of blind patients. For him, the key to getting around and living a fulfilling life lies in the mind and the imagination — and not sensory perception. However, his methods — although successful — may prove to be too challenging.

    In The Fog Sergei Loznitsa, Germany/Russia/Belarus/The Netherlands/Latvia
    North American Premiere
    In this eerie, dreamlike World War II drama from Sergei Loznitsa (My Joy), a partisan suspected of being a traitor is apprehended by his comrades and taken out into the woods to be executed — but as the night fog closes in, the difference between darkness and light (and innocence and guilt) becomes ever more murky.

    In the Name of Love Luu Huynh, Vietnam
    World Premiere
    In this dark love triangle that proceeds with the inexorable logic of a Greek tragedy, a dedicated wife in a small Vietnamese fishing village secretly turns to another man when her husband is unable to give her the child they both crave — but the surrogate father’s crazed jealousy will have fateful consequences.

    Jackie Antoinette Beumer, The Netherlands
    International Premiere
    Twin sisters Sofie and Daan, 33, have been raised by their two fathers. When they receive an unexpected phone call from their hitherto unknown biological mother Jackie (Holly Hunter) in the United States, they embark on an amazing adventure that alters their assumptions about everything they once believed to be true. The trip with the strange and ill-adjusted Jackie will change Sofie’s and Daan’s lives for good.

    Jump Kieron J. Walsh, Ireland/United Kingdom
    International Premiere
    Jump follows the lives of four 20-somethings whose lives collide one fateful New Year’s Eve in a night of fast talk, accidents and intrigue. At its heart it is a story of impossible love, a Brief Encounter for our times.

    Just the Wind Bence Fliegauf, Hungary/Germany/France
    North American Premiere
    A Romani family struggles to continue their simple daily routine amid the anxiety of a series of suspected racially-motivated murders of their neighbours. Just the Wind is inspired by real events, a powerful social statement from the acclaimed director of Womb, Dealer and Milky Way.

    Juvenile Offender Yikwan Kang, South Korea
    World Premiere
    Ji-gu is a 15-year-old juvenile offender under probation who lives with his ailing grandfather. When he is caught committing a crime, he is sent to the juvenile reformatory. Upon his grandfather’s passing, Ji-gu is reunited with his mother — whom he believed to be dead. Together they set out to make up for lost time.

    Key of Life Kenji Uchida, Japan
    North American Premiere
    When Kondo, a wealthy contract killer accidentally hits his head in a bathhouse, an unemployed actor named Sakurai switches their locker keys. Sakurai takes on Kondo’s identity, while Kondo, who is suffering from amnesia, assumes the impoverished life of Sakuria. The reversal of fortune becomes complicated when Sakurai finds himself embroiled in a hit gone wrong, while Kondo meets the lovely Kanae, an ambitious magazine editor who is looking for a simple, honest man to be her husband.

    Kinshasa Kids Marc-Henri Wajnberg, Belgium
    North American Premiere
    Kinshasa, Congo. About 30,000 children are accused of witchcraft and expelled from home. Living on the street, little José and his fellow friends, along with a crazy impresario called Bebson — all considered to be witch children — decide to form a music band to ward off bad luck. Together, they will rock Kinshasa!

    The Land of Hope Sion Sono, Japan
    World Premiere
    In a typical Japanese village, Yoichi Ono lives with his wife, Izumi and his parents. The Ono family lives a frugal but happy life as dairy farmers in the peaceful village. One day, the worst earthquake in history strikes, causing a nearby nuclear power station to explode. Their neighbours, who live within the range of the nuclear power station, are forcibly ordered by the government to evacuate. But the Ono family, whose property sits half in and half out of the designated range, must decide whether or not to leave their home.

    Middle of Nowhere Ava DuVernay, USA
    International Premiere
    What happens when love takes you places you never thought you’d go? Winner of the Best Director Award at the 2012 Sundance Film Festival, Middle of Nowhere chronicles a young woman caught between two worlds, and two men, in the search for herself. Ruby, a bright medical student, sets aside her dreams when her husband is incarcerated. This new life challenges her to the very core. Her turbulent path propels her in new, often challenging, directions of self-discovery.

    Museum Hours Jem Cohen, Austria/USA
    North American Premiere
    A Vienna museum guard befriends a foreign visitor who has been called to Austria because of a medical emergency. The grand Kunsthistorisches Art Museum becomes an enigmatic crossroads which sparks explorations of their lives, of the city, and of the ways artworks reflect and shape the world.

    Once Upon a Time Was I, Verônica Marcelo Gomes, Brazil/France
    World Premiere
    This film follows the reflections of Verônica, a recently graduated medical student going through a time of uncertainty. She questions not only her career choices, but also her most intimate bonding and even her ability to cope with life in contemporary urban Brazil.

    Paradise: Love Ulrich Seidl, Austria/Germany/France
    North American Premiere
    Perennial provocateur Ulrich Seidl (Dog Days, Import/Export) explores the politically charged issue of sex tourism in the sun-kissed “paradise” of Kenya, where a middle-aged Austrian voraciously samples the wares of the local meat market while searching for true love — the one commodity that’s not for sale in this neo-colonial bazaar.

    The Patience Stone Atiq Rahimi Afghanistan/France
    World Premiere
    In a country torn apart by a war, a beautiful woman watches over her husband in a decrepit room. He is reduced to a vegetative state because of a bullet in the neck. One day, the woman starts a solitary confession to her silent husband. She talks about her childhood, her frustrations, her loneliness, her dreams and her desires.

    Penance Kioshi Kurosawa, Japan
    North American Premiere
    Fifteen years ago, tragedy struck a small town when a young elementary school girl Emili (Hazuki Kimura) was abducted and killed by a stranger. Four girls who had been playing with Emili at the time were the first to discover her body. The abductor is never found and the crime goes unsolved. Crazed with grief, Emili’s mother Asako (Kyoko Koizumi) condemns the four girls, none of whom can remember the abductor’s face. She tells them, “Do whatever you have to do to find the killer. Otherwise, you can pay a penance that I approve.” Deeply affected by Asako’s condemnation, the four girls become adults burdened with the curse of “penance,” which eventually triggers a chain of tragic events.

    Peripeteia John Akomfrah, United Kingdom/Holland
    World Premiere
    British filmmaker John Akomfrah imagines the lives of a black man and woman who appear in a 16th-century drawing by German Renaissance master Albrecht Dürer.

    Road North Mika Kaurismäki, Finland
    International Premiere
    Timo is an esteemed concert pianist whose personal life is on the rocks. One day Timo finds an older, shabby-looking man at his door. The man, Leo, turns out to be his father who left the country when Timo was three — and hasn’t been in touch in 35 years. Leo, an eternal trickster with a positive outlook on life, had to leave his homeland thanks to a series of messy entanglements. Now he’s come back to hand over a rather mysterious legacy to his son and to answer questions regarding the past. To do this, the two will have to embark on a trip together and hit the road north.

    Shores of Hope Toke Constantin Hebbeln, Germany
    International Premiere
    In this vivid historical drama set in 1980s East Germany, two dockworkers and best friends who dream of escaping the repressive regime are forced to choose their loyalties when the state police promise them safe passage out of the country — if they inform on their co-workers and union leader.

    Sleeper’s Wake Barry Berk, South Africa
    International Premiere
    John Wraith, a man in his mid-40s, regains consciousness in hospital. His wife and daughter were killed in a car accident because he fell asleep at the wheel. He retreats to a remote coastal hamlet to heal, but finds himself embroiled in a dangerous relationship with a beautiful and unpredictable 17-year-old girl.

    Smashed James Ponsoldt, USA
    International Premiere
    Kate (Mary Elizabeth Winstead) and Charlie (Aaron Paul) are a young married couple whose bond is built on a mutual love of music, laughter and drinking. When Kate’s drinking leads her to dangerous places and her job as a school teacher is put into jeopardy, she decides to join AA and get sober. With the help of her friend and sponsor Jenny (Octavia Spencer), and the vice principal at her school — the awkward, but well intentioned, Mr. Davies — Kate takes steps toward improving her health and life. But sobriety isn’t as easy as Kate had anticipated. Her new lifestyle brings to the surface a troubling relationship with her mother, the lies she’s told her employer, and calls into question whether or not her relationship with Charlie is built on love or is just a boozy diversion from adulthood.

    The Thieves Choi Dong-hoon, South Korea
    North American Premiere
    Bullets fly, barbs are traded and old scores are settled when a Korean master criminal and his crew hightail it to Macao to join his treacherous former partner on a $20-million jewel heist, in this full-throttle action caper from South Korean director Choi Dong-hoon.

    The Tortoise, An Incarnation Girish Kasaravalli, India
    International Premiere
    In Girish Kasaravalli’s gently philosophical character piece, a humble, low-level civil servant cast as the lead in a popular TV serial chronicling the life of Gandhi finds uncanny echoes between his own life and that of the legendary leader — and sets out to correct their mutual failings.

    Three Kids Jonas d’Adesky, Belgium
    World Premiere
    Best friends Vitaleme, Pierre and Mikenson are 12 years old and live in a home in Port-au-Prince, Haiti. Vitaleme is haunted by his memories as a child servant and obsessed by the idea of freedom. When the town is struck by an earthquake, they find themselves on the street and have to get by on petty crime.

    Three Worlds Catherine Corsini, France
    North American Premiere
    Al, a young man from a modest background is about to marry his boss’s daughter and succeed him as the head of a car dealership. One night, he is guilty of a hit-and-run accident. The next day, a remorseful Al decides to inquire about his victim, not knowing that Juliette, a young woman, has witnessed the accident.

    Thy Womb Brillante Mendoza, The Philippines
    North American Premiere
    Shaleha Sarail is a barren woman who believes that to fulfill her husband’s greatest wish of having a son is tangible proof of Allah’s grace. She resolves to find the woman who will bear her husband a child.

    Underground Robert Connolly, Australia
    World Premiere
    Set in 1980s Melbourne, Underground is a riveting thriller that focuses on the teenage years of one of the most controversial figures of modern times — Wikileaks founder Julian Assange (newcomer Alex Williams in his first major role). The film follows Assange and his gang of close friends — the International Subversives as they call themselves — as they wage a battle from their bedrooms, trying to break into the computer systems of the world’s most powerful organizations. In the process, they are forced to battle authorities and eventually one another. Written and directed by Robert Connolly, the film also stars Anthony LaPaglia, Rachel Griffiths and Callan McAuliffe.

    *Ron Deibert, Director of the Citizen Lab at the Munk School of Global Affairs, is an expert and advisor to governments and organizations on cyber security, cyber-crime, freedom of expression, and access to information. He will speak about Underground in an extended Q&A session following one of the screenings

    Virgin Margarida Licinio Azevedo, Mozambique
    World Premiere
    Veteran filmmaker Licinio Azevedo drew on the stories of real women who endured the Mozambican “re-education camps” for this dramatic and inspiring elegy to the insurgent spirit of women across nations, histories and cultures.

    Watchtower Pelin Esmer, Turkey/Germany/France
    World Premiere
    Haunted by guilt over the death of his family, a man takes a job as a fire warden in a remote tower in the wilderness, and is inexorably drawn towards a young woman with a dark, terrible secret of her own.

    What Richard Did Lenny Abrahamson, Ireland
    World Premiere
    A high school rugby star’s life is irrevocably changed when a senseless act of violence leads to a sudden, shocking tragedy.

    When I Saw You Annemarie Jacir, Palestine/Jordan/Greece
    World Premiere
    Jordan, 1967: displaced in a refugee camp after the occupation of their West Bank village, an 11-year old boy and his mother enact the emancipating dream that every refugee has imagined countless times.

    Zabana! Saïd Ould-Khelifa, Algeria
    World Premiere
    Zabana! is an impassioned, meticulously researched account of the short life of Algerian freedom fighter Ahmed Zabana, whose execution in 1956 by French colonial authorities ignited the “Battle of Algiers” — and the crucial phase of Algeria’s struggle for independence.

    Canadian films previously announced in the Contemporary World Cinema programme include: Rafaël Ouellet’s Camion, Bruce Sweeney’s Crimes of Mike Recket, Sudz Sutherland’s Home Again, Sean Garrity’s My Awkward Sexual Adventure and Anita Doron’s The Lesser Blessed.

    Image of The Fitzgerald Family Christmas.

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  • The Man Who Knew How To Fly, Derek, A Morning Stroll and A Morning Stroll are Winners of 2012 NY Shortsfest

    The New York International Short Film Festival aka NY Shortsfest held May 29 – 31 in New York City, announced its 2012 winners. And the winners are

     

    BEST DRAMA 

    The Man Who Knew How To Fly

    Director: Robi Michael

     

    BEST COMEDY 

    Derek

    Director: Ricky Gervais 

     

    BEST ANIMATION

    A Morning Stroll

    Director: Grant Orchard 

     

    BEST OF NEW YORK

    Harry Grows Up

    Director: Mark Nickelsburg .

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  • Dear Mandela Leads The Winners of 2012 Brooklyn Film Festival

    The Brooklyn Film Festival (BFF) announced the winners for its annual festival, themed DECOY. The competitive event ran from June 1 through June 10 at indieScreen in Williamsburg and Brooklyn Heights Cinema.

    Winners were chosen from 104 film premieres that were selected from over 2,000 submissions coming from 111 countries. This year, BFF featured more than 30 New York City based film directors with over a dozen projects shot in Brooklyn.

    Through the resources of industry-related sponsors, the Brooklyn Film Festival awarded the 2012 winners with a total of $57,000 in prizes and film services. 

     

    GRAND CHAMELEON AWARD

    DEAR MANDELA by Dara Kell & Christopher Nizza

     

    Best Narrative Feature

    OLD DOG by Pema Tseden

     

    Best Documentary

    DEAR MANDELA by Dara Kell & Christopher Nizza

     

    Best Narrative Short

    CHEAP EXTERMINATION by Minka Farthing-kohl

     

    Best Animation

    THE MAKING OF LONGBIRD by Will Anderson

     

    Best Experimental

    MOVE by John Graham

     

    Best New Director 

    BROOKLYN CASTLE by Katie Dellamaggiore 

     

    Spirit Awards

    Feature Narrative: GEORGE THE HEDGEHOG by W. Wawszczyk, J. Tarkowski, T. Lesniak

    Documentary: [S]COMPARSE by Antonio Tibaldi

    Short Narrative: PIGEON KICKER by Daniel Long

    Experimental: PLACES OTHER PEOPLE HAVE LIVED by Laura Yilmaz

    Animation: WE, THE MASSES by Eoghan Kidne

     

    Audience Awards

    Feature Narrative: CAT SCRATCH FEVER by Lisa Duva

    Documentary: MY BROOKLYN by Kelly Anderson & GUT RENOVATION by Su Friedrich

    Short Narrative: NANI by Justin Tipping

    Experimental: SEA PAVILION by Marysia Makowska & Todd Somodevilla

    Animation: OLD MAN by Leah Shore

     

    Certificates of Outstanding Achievement

    Screenplay: TINA GHARAVI for I AM NASRINE

    Producer: CAITLYN COADY for PERCIVAL’S BIG NIGHT

    Cinematography: PIOTR SOBOCINSKI for ROSE

    Editing: LISA DUVA, KATHERINE NOLFI, BEN BROWN for CAT SCRATCH FEVER

    Original Score: ROBERT AIKI AUBREY LOWE for LAST KIND WORDS

    Actor Female: SARAH WHARTON for PERCIVAL’S BIG NIGHT

    Actor Male: BRYAN KAPLAN for FRAY

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  • See Girl Run and Beauty Is Embarrassing Among 2012 deadCENTER Film Festival Winners

     

    deadCENTER Film Festival announced its 2012 award recipients on Saturday evening, June 9, 2012. The awards ceremony was held immediately before the free, outdoor screening of “Under African Skies”, on the Great Lawn at the Myriad Gardens.  

    “This year, deadCENTER Film Festival’s submissions were judged by 25 individuals from across the country, ranging from film critics and distributors, to academics and filmmakers,” said Festival Director Kim Haywood.  “Our winners truly represent independent film voices from around the world.” 

    The 2012 winners are as follows: 

     

    Best Narrative Feature, See Girl Run

    See Girl Run is what happens when a 30-something woman allows life’s ‘what ifs’ to overwhelm her appreciation for what life actually is. Disregarding her current obligations, she digs into her romantic past in hopes of invigorating her present.

    Best Documentary Feature, Beauty Is Embarrassing

    Raised in the Tennessee mountains, Wayne White started his career as a cartoonist in NYC. He found success as one of the creators of the Pee-wee’s Playhouse TV show which led to work designing some of the most iconic images in pop culture. The movie features Matt Groening, Mark Mothersbaugh, Todd Oldham, Paul Reubens, Gary Panter, Jonathan Dayton, Valerie Feris and many more.

    Special Jury Narrative Feature, Somebody Up There Likes Me

    Thirty-five years in the life of Max (Keith Poulson), his best friend Sal (Nick Offerman) and a woman they both adore, Lyla (Jess Weixler). The trio stumble through mandatory but seemingly unfulfilling entanglements, at weddings, funerals, hospitals, eateries, divorce courts and the tool shed. A deadpan fable about time sneaking up on and swerving right around us.

    Special Jury Documentary Feature, The Queen of Versailles

    A character-driven documentary about a family who attempts to build the biggest house in America. The film intimately documents a billionaire’s rise and fall, amidst economic crisis. The vérité narrative explores varying interpretations of the American Dream through character studies of family members and household employees, as it examines the culture of consumerism.

    Narrative Short, After School Special

    What do we really know about the people around us? A man and a woman have an awkward encounter at an indoor playground in this Neil LaBute penned slice-of-life starring Sarah Paulson and Wes Bentley.

    Documentary Short, A Brief History of John Baldessari

    A towering figure in the art world, standing at 6’7″, John Baldessari’s epic career crammed into 5 and a half frenzied minutes…narrated by Tom Waits.

    Best Student Film, Reprise

    Struggling in an abusive same-sex marriage, Meena is forced to confront the reality of her relationship, her life, and the difficult choice between staying and leaving.

    Oklahoma Film, Bringing Up Bobby

    The story of European con-artist Olive (Milla Jovovich), who flees to Oklahoma with her 10-year-old son in an effort to live out the American Dream. Olive and Bobby blithely charm their way from one adventure to another, but Olive”s criminal past is always in danger of catching up. The stellar cast also features Bill Pullman, Marcia Cross and Rory Cochrane.

    Best Short Screenplay, Lightening Round

     

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  • DARK HORSE Starring Selma Blair and Christopher Walken to Close 2012 Maryland Film Festival

    [caption id="attachment_2786" align="alignnone" width="550"]DARK HORSE[/caption]

    DARK HORSE, described as the latest “sad comedy” by filmmaker Todd Solondz,has been selected as the Closing Night film of the 2012 Maryland Film Festival scheduled to run May 3-6 in downtown Baltimore. The film, starring Jordan Gelber and co-starring Selma Blair, Justin Bartha, Mia Farrow, and Christopher Walken,will be screened on the evening of Sunday, May 6th in the historic Charles Theater, with Solondz and members of his cast presenting.

    Abe (Jordan Gelber), is an overgrown and selfish man-child who, firmly on the far side of 30, still lives at home, working for his father and collecting toys. Deeply lonely yet full of blustery delusions of grandeur, Abe aggressively pursues troubled beauty Miranda (Selma Blair). In a moment of weakness, she goes along with his advances, built around his grandiose vision of a life together in his room full of collectibles. This stroke of good fortune surprises no one more than Abe’s long-suffering parents (a note-perfect pairing of Mia Farrow and Christopher Walken)—until, that is, things begin to unravel. [via MFF]

    The Opening Night program, which each year since 2004 the festival has dedicated to a program of short films, will take place the evening of Thursday, May 3rd in the Maryland Institute College of Art’s Brown Center, with each film presented by its director.


    The MFF 2012 Opening Night Shorts are:

    I Am John Wayne (Christina Choe)
    The Kook (Nat Livingston Johnson and Gregory Mitnick)
    Modern Man (Kerri Lendo and John Merriman)
    Cork’s Cattlebaron (Eric Steele)
    Fishing Without Nets (Cutter Hodierne)

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  • Elena and Big Boys Gone Bananas Among Wiinners of 2012 Sarasota Film Festival

    [caption id="attachment_2639" align="alignnone"]Elena[/caption]

    Elena directed by Andrei Zvyagintsev took home this year’s Narrative Feature Jury prize, and Big Boys Gone Bananas!* by director Fredrik Gertten was the Documentary Jury Prize winner at the 2012 Sarasota Film Festival.  Two special jury prizes were awarded; in the Narrative category Alps directed by Giorgos Lanthimos took home a Special Jury Prize and for documentary Feature Competition special jury prize for Radio Unnameable directed by Paul Lovelace.

    The festival’s juried award for Independent Vision went to The Unspeakable Act, directed by Dan Sallitt.  Two special jury prizes were awarded, one to Richard’s Wedding director Onur Tukel for screenplay and a performance award to Shanon Harper and Welcome to Pine Hill.

    This year’s Audience Award for Best Narrative Feature was Missed Connections by Director, Martin Snyder.

    The Audience Award for Best Documentary was presented to Ethel directed by Rory Kennedy.

    The Best In World Cinema Audience Award went to Polisse – Director, Maiwenn and Best Short Film went to Tick Tock Time Emporium – Director, Morgan Faust.

    The winners of the 2012 Sarasota Film Festival Awards:

    Narrative Feature Competition Winner

    Elena
    Director, Andrei Zvyagintsev

    Narrative Feature Competition

    Special Jury Prize for Creative Achievement

    Alps
    Director, Giorgos Lanthimos

    Documentary Feature Competition

    Big Boys Gone Bananas!*
    Director, Fredrik Gertten

    Documentary Feature Competition

    Special Jury Prize

    Radio Unnameable
    Director, Paul Lovelace

    Audience Awards

    Best Documentary Feature

    Ethel
    Directors, Rory Kennedy

    Audience Award

    Best Short Film

    Tick Tock Time Emporium
    Director, Morgan Faust

    Audience Award

    Best Narrative Feature

    Missed Connections
    Director, Martin Snyder

    Audience Award

    Best In World Cinema

    Polisse
    Director, Maiwenn

    Independent Vision Prize Winners

    Independent Vision Prize

    The Unspeakable Act
    Director, Dan Sallitt

    Special Jury Prize for Screenplay

    Richard’s Wedding
    Onur Tukel

    Special Jury Prize for Performance

    Welcome to Pine Hill – Shanon Harper

    youthFEST Junior Jury Award Best Family Short Film

    Private Eyes
    Director, Nicoles Lemay

    YouthFEST Best Family Short Film Audience Award

    Pizzangrillo
    Director, Marco Gianfreda

    youthFEST Young Filmmakers Digital Showcase

    CHIPS
    Director, Gabriela Capestany.

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  • FAITH, LOVE & WHISKEY and TCHOUPITOULAS Win Top Film Awards at 2012 Dallas Film Festival

    [caption id="attachment_2779" align="alignnone" width="550"]FAITH, LOVE & WHISKEY[/caption]

    Kristina Nikolova’s Bulgarian film FAITH, LOVE & WHISKEY won the narrative category and Bill and Turner Ross’s TCHOUPITOULAS for documentary at the 2012 Dallas International Film Festival.

    [caption id="attachment_2780" align="alignnone" width="550"]TCHOUPITOULAS [/caption]

    The Narrative competition jury also gave a Special Mention for Breakout Performance to Michael Rainey Jr. for LUV and a Special Mention for Acting for Kim Kold in TEDDY BEAR.

     

    [caption id="attachment_2781" align="alignnone" width="550"]WOLF [/caption]

    Ya’ke Smith’s directorial debut WOLF was awarded the winner of the Texas Competition, with a Special Mention to David Zellner’s KID-THING.

    Two years to the day since Deepwater Horizon exploded and oil poured into the Gulf, Bryan D. Hopkins accepted the Environmental Visions Grand Jury Prize for his documentary DIRTY ENERGY, a personal look into the trials of the citizens directly affected by this disaster.  With only $200 in his bank account and on food stamps, Hopkins travelled to Louisiana to highlight these ongoing personal struggles that have since been forgotten in the mainstream news cycle.

    JURY AWARDS:

    Narrative Feature: FAITH, LOVE AND WHISKEY
    Dir:  Kristina Nikolova

    Special Mention, Breakout Performance: LUV, Michael Rainey Jr.

    Special Mention, Acting: TEDDY BEAR, Kim Kold

    Documentary Feature: TCHOUPITOULAS
    Dirs: Bill Ross, Turner Ross

    PANAVISION Texas Filmmaker Award: WOLF
    Dir: Ya’Ke Smith

    Special Mention: KID-THING
    Dir:  David Zellner

    Silver Heart Award: THE INVISIBLE WAR
    Dir:  Kirby Dick

    Environmental Visons Grand Jury Prize: DIRTY ENERGY
    Dir: Bryan D. Hopkins

    Grand Jury Prize Short: AARON BURR, PART 2
    Dir: Dana O’Keefe

    Special Mention Short: THE LOVE COMPETITION
    Dir:  Brent Hoff

    Grand Jury Prize for Student Short: NANI
    Dir: Justin Tipping

    Special Mention Student Short, Unique Storytelling: GRANDMOTHERS
    Dir:  Afarin Eghbal

    Grand Jury Prize, Animated Short: A MORNING STROLL
    Dir: Grant Orchard

    AUDIENCE AWARDS

    [caption id="attachment_2552" align="alignnone"]MY WAY[/caption]

    NARRATIVE: MY WAY
    DIR: Kang Je Kyu
    Cast:  Jang Dong-gun, Joe Odagiri, Fan Bing-bing, Kim In-kwon, Do Ji-han, Han Seung-hyun

    [caption id="attachment_2782" align="alignnone" width="550"]First Position[/caption]

    DOCUMENTARY: FIRST POSITION
    DIR: Bess Kargman

    SHORT: NANI
    DIR: Justin Tipping

    TXU ENERGY “Light Up the Red Carpet” VIDEO CONTEST WINNERS FOR HIGH SCHOOLS:
    $7,500 prize winner – NO BLACKOUT
    DIR: Abelardo Gonzalez
    $5,000 prize winner – A SPARK
    DIR: Christian Vasquez
    $2,500 prize winner – THE ENERGY POLICE
    DIR: Carolina Trevino

    TXU ENERGY “Light Up the Red Carpet” VIDEO CONTEST WINNERS FOR COLLEGES:
    $7,500 prize winner – ZAP!
    DIR: Dillon White
    $5,000 prize winner – DOMI CILE
    DIR: Edgar Cortes
    $2,500 prize winner – MAN POWER
    DIR: Wojciech Stypko

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  • San Francisco International Film Festival to honor Director Benh Zeitlin

    [caption id="attachment_2777" align="alignnone" width="550"]Filmmaker Benh Zeitlin, recipient of the inaugural Graham Leggat Award at the 55th San Francisco International Film Festival, April 19 – May 3, 2012. [/caption]

    Benh Zeitlin, director of “the highly imaginative and much acclaimed independent narrative feature” Beasts of the Southern Wild, will be the recipient of the inaugural Graham Leggat Award at the 55th San Francisco International Film Festival (April 19 – May 3).

    Zeitlin is a director, animator, composer and a founding member of Court 13. He lives in New Orleans where dogs, cats, ducks, chickens and a 350-pound swine run wild in his home. Director of award-winning shorts Egg, Origins of Electricity, I Get Wet and Glory at Sea, he was named by Filmmaker Magazine as one of the “25 New Faces of Independent Film.” Zeitlin participated in Sundance Labs and won the NHK International Filmmakers Award at the 2010 Sundance Film Festival with his film Beasts of the Southern Wild, and in 2010 and 2011 he was awarded SFFS/Kenneth Rainin Foundation Filmmaking Grants for postproduction.


    [caption id="attachment_2324" align="alignnone"]Beasts of the Southern Wild[/caption]

    Beasts of the Southern Wild won the Grand Jury Prize for U.S. Dramatic Competition at Sundance 2012 and will be released June 27 by Fox Searchlight Pictures. The film centers upon a forgotten but defiant bayou community cut off from the rest of the world by a sprawling levee where a six-year-old girl exists on the brink of orphanhood. Buoyed by her childish optimism and extraordinary imagination, she believes that the natural world is in balance with the universe until a fierce storm changes her reality. Desperate to repair the structure of her world in order to save her ailing father and sinking home, this tiny hero must learn to survive unstoppable catastrophes of epic proportions.

    Beasts of the Southern Wild will make its international debut next month at the 2012 Cannes International Film Festival in the Un Certain Regard section.

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  • Tribeca Film Festival 2012 Spotlight on Tribeca Film Festival’s “Caroline and Jackie”and the filmmaker Adam Christian Clark

    Filmmaker Adam Christian Clark with Caroline and Jackie actresses Bitsie Tulloch (left) and Marguerite Moreau (right)

    by Francesca McCaffery

    One of the best narrative films I’ve seen screening at the 2012 Tribeca Film Festival so far is the extraordinary debut feature written and directed by Adam Christian Clark- Carloline and Jackie.

    The film centers around two sisters with an unexplained but hinted to have been very tough shared childhood. As Caroline (the wonderful Marguerite Moreau) flies in to see her younger sister Jackie (an amazing Bitsie Tulloch), we see her glancing at an “Anorexics Anonymous” brochure.Jackie has cooked a huge, thoughtful meal, (“Nana’s pot roast!”)and she and her new boyfriend Ryan (David Giuntoli- nicely understated) show Caroline their beautifully appointed, new craftsman home. Jackie is a designer, and it’s clear she has worked quite hard to achieve this still modest, but still, quite lovely lifestyle.

    Caroline flippantly tells her sister that she has arranged to celebrate Jackie’s birthday with a few friends at a nearby restaurant, even though it is in fact Caroline’s birthday, and Jackie’s own birthday is literally months away. A bit upset (“I spent thirty-two hours cooking!” she sadly laments to her boyfriend), but putting on a sweet, big-girl face, they literally skip off to the pre-arranged fete.

    At the restaurant, they are greeted by three of Jackie’s friends, and Jackie is curious as to why any of Caroline’s own friends aren’t present. It soon becomes quite obvious, especially as Caroline assembles everyone in Jackie’s living room, that another plan entirely is being put into play. James (Jason Gray-Stanford) is a musician who has abruptly cut his tour short to be there for Jackie’s birthday, and seemingly bestie Michelle (Valerie Azlynn) has brought new 22-year old, youngin boyfriend Charlie (David Fuitt) along for the ride.The tone changes almost minute by minute, as hints of realization dance across Jackie’s face, and the audience is quite uncertain as to who is telling the real truth, until there is no denying it

    This film, especially for a director’s debut, is an absolute knockout. The camera work (by director-turned-first-time cinematographer Christian Swegal) is warm, non-intrusive and sumptuous, and the audience feels somehow placed in the room or setting in each and every frame.And the performances by Moreau and especially Tulloch are beyond standout, they are some of the realest, most down-to-earth and intelligent performances you will see all year. A film about family, the oh-so-complex ties that both bind and nurture, and laying witness to how mental illness can erupt and change the course of an evening and an entire lifetime, the movie explores the concept of love between two sisters that is simultaneously life-sustaining and in reality, both destructive and crucial. This great little film better get distribution, and fast!

    Francesca McCaffery sat down with Caroline and Jackie’s  filmmaker Adam Christian Clark, and spoke with him about his roots, why he loves the work of Harmony Korine, and how being employed in reality television gave him the discipline and chops to work with his actors on-set today.

    Vimooz: The two performances of the two lead women were really extraordinary.

    ACC: Thank you! I had some really great casting directors- Angela Demo and Barbara McCarthy. They did a really great job, because they completely stood up for what they believed the characters were. What I imagined didn’t really exist! In pushing these certain actors, they became real to me as characters even more. We actually cast Bitsie first. And the additional challenge was that- the actresses really had to really look like sisters.

    Vimooz: It’s kind of incredible how much the actresses actually do look alike!

    ACC: They really do. We got very lucky. I actually know both Bitsie’s and Marguerite’s actual sisters, and the two actresses certainly look way more alike! It is a little more than that, too- because when they very first met and started working together, they got so into character, that they began to mirror each other’s mannerisms. I think it was that, more than anything. They kind of, like, were synced up to each other.

    Vimooz: How did you start out?

    ACC: I was really fortunate when I was in college (Clark went to USC), and started working in reality TV, which always shot in the summers. This was in 1999, and I started working as a PA. I came into it during the time of Survivor, and I ended up directing episodes of Big Brother. About three or four years ago, I decided that I really wanted to focus on making art-house films, so I cut myself from reality TV, and started directing music videos and commercials. Directing is a weird thing, because I wonder how people like Harmony Korine are able to do it! I’ve been fortunate to find other things- like editing reality TV, as opposed to directing it, which can be pretty draining. Editing is not that emotional draining, there’s no taking it home with you. I’ve also sold quite a few scripts. But they aren’t going to get made! I feel like a lot of good producers have my scripts as like, decorations, in their office! They’ll never be movies. But I’ve been doing this for years.

    The thing about Harmony Korine is, all I ever wanted to do from the time I was eighteen was to make like a John Cassavetes movie, or a Jim Jarmusch movie, or a Harmony Korine movie, right? Harmony Korine has been somebody that I really, just, admire. You make a movie, and you don’t know if you’ll ever be in that realm. That’s why it’s so great to be in the Tribeca Film Festival’s Viewpoint section this year, because The Fourth Dimension is also in there. He has always been a hero of mine. When Gummo came out, that imagery and style he created is everywhere now. It pre-dated everything. He is such an artist.

    Vimooz: What did you shoot Caroline and Jackie on?

    ACC: It was shot on the Red MX camera. We also had great color conversion and correction.My best friend was actually the DP. Adam Hendricks, the producer, and Christian Swegal, the DP, we all went to film school together. Christian is actually not a DP (by trade.) He is a director, too. Going into this film, myself having only directed one short film before, I knew that I really had to go in with a lot of support. I just knew he would do a great job. He has a gift for that I don’t possess. But he had no experience doing this before. I had been on his sets so many times, I just knew he could do it well.

    Vimooz: He definitely did! Tell us about directing your wonderful actors.

    ACC: I take it really to an extreme. When we shoot scenes, I block everything with stand-ins, do all the blocking with them, and then pull everyone off set, and do just separate blocking with me, the camera operators, and the actors. Then the actors go into complete isolation, separately, I don’t want them together when we’re not filming. Then we roll camera and sound, the crew is pulled out again (except for the camera and departments) so the actors just enter the scene like they’re already really in it. If there’s any direction to give, everybody (the skeleton crew)leaves, then everybody comes back in. I had failed pretty big with the actors in my first film, a short called Goodbye, Shanghai, which was visually very strong, shot on 35mm, very formal. So I remembered back in the very first days of reality TV, it used to be shot by documentary filmmakers. The way they work is that they don’t intercut with the subjects, you’re a fly on the wall. I knew as a camera assistant not to even shake their hands. And I really remembered that, and thought, “I’m gonna try this with acting. I’m gonna try this with acting, and see if it gives them a greater tool, and be easier for them to be in that world. “ And they also don’t hang out with each other offset. The actors actually loved it. In theory, I mean, they loved it! There was a little bit of like, ‘Oh!’ in the beginning, when they realized how intense and serious I was about it. It may have happened slightly less (the isolation) than I thought, but I think it worked! We shot it in fifteen days, there was no off-camera time. But I did rehearse the actors for almost a month, and we would then rehearse every day on the set, during set-ups, about three hours a day.

    Vimooz: I really loved Caroline and Jackie, Adam. Thank you so much for talking with me, and good luck with the film!

    ACC: Thank you, Francesca!

    Go see Caroline and Jackie– which screens this week of April 23rd, 2012 at the Tribeca Film Festival. 

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