Sundance Film Festival

  • 3 Filmmakers Awarded Inaugural Sundance Institute Open Borders Fellowship Presented by Netflix

    sundance film festival Three emerging filmmakers, Talal Derki (Syria), Tatiana Huezo (Mexico), and Chaitanya Tamhane (India) are the lucky recipients of the inaugural Sundance Institute Open Borders Fellowship presented by Netflix. Designed to support distinctive new voices in world cinema, the fellowship includes a development grant, a trip to the 2018 Sundance Film Festival in Park City to receive the award and attend a curated slate of industry meetings, networking opportunities,  panels, and screenings. Further, the filmmakers are eligible to receive year-round creative and strategic support   from the Sundance Institute Feature Film and Documentary Film programs for their next feature-length project The Open Borders Fellowship reflects the Institute’s longstanding commitment to world cinema. Through Labs and Workshops, financial support, and public engagement, the Institute’s Artist Programs strive to support underrepresented voices in regions of the world going through socio-political transitions and where freedom of  expression is challenged. Talal Derki was born in Damascus and has been based in Berlin since 2014. He studied film directing in Athens and worked as an assistant director for many feature film productions and as a director for different Arab TV programs between 2009 and 2011. Talal Derki’s feature documentary Return to Homs won the Sundance Film Festival’s World Cinema Grand Jury Prize in 2014. His most recent film, Of Fathers and Sons, premiered at IDFA, and is currently in the World Cinema Documentary Competition at 2018 Sundance Film Festival. Tatiana Huezo’s most recent film, Tempestad, was one of the most acclaimed documentaries of 2016. Following its premiere at Berlinale, the film was Mexico’s official submission to the Academy Awards, and won four Ariel Awards, including Best Director and Best Documentary feature. She is currently working on her narrative feature debut, Night On Fire, which was selected for the Sundance | Morelia Screenwriters Lab this past Fall. Chaitanya Tamhane’s debut feature, the Marathi language courtroom drama, Court, premiered at the 2014 Venice Film Festival, where it won Best Film in the Horizons section, and went on to appear on many best-of lists following its theatrical release last year and served as India’s submission for the Best Foreign-Language Film Oscar. He was selected by Alfonso Cuaron for the Rolex Mentor and Protege Arts Initiative, and is working on his currently untitled second feature.

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  • Sundance 2018: Aneesh Chaganty’s SEARCH Wins Alfred P. Sloan Foundation Feature Film Prize

    [caption id="attachment_26697" align="aligncenter" width="1200"]John Cho appears in Search by Aneesh Chaganty, an official selection of the NEXT program at the 2018 Sundance Film Festival. Courtesy of Sundance Institute | photo by Juan Sebastian Baron.  John Cho appears in Search by Aneesh Chaganty, an official selection of the NEXT program at the 2018 Sundance Film Festival. photo by Juan Sebastian Baron.[/caption] The Sundance Institute and the Alfred P. Sloan Foundation handed out $71,000 in grants at a reception held at the 2018 Sundance Film Festival.  The Alfred P. Sloan Foundation Feature Film Prize was awarded to Aneesh Chaganty’s Search, who was presented with a $20,000 check.  Other winners include Cherien Dabis’s What The Eyes Don’t See (Sundance Institute | Sloan Commissioning Grant), produced by Rosalie Swedlin for Anonymous Content and executive produced by Michael Sugar; C. Wrenn Ball’s Katie Wright (Sundance Institute | Sloan Lab Fellowship) and John Lopez’ Untitled J.P. Morgan Project (Sundance Institute | Sloan Episodic Storytelling Grant).

    Search: Winner of the Alfred P. Sloan Foundation Feature Film Prize

    Search has been awarded the 2018 Alfred P. Sloan Feature Film Prize and received a $20,000 cash award from the Alfred P. Sloan Foundation at today’s reception. The Prize is selected by a jury of film and science professionals and presented to an outstanding feature film focusing on science or technology as a theme, or depicting a scientist, engineer or mathematician as a major character. The jury stated, “For its gripping and original interrogation of our evolving relationship with technology and how it mediates every other relationship in our lives, both positively and negatively, and for its rigorous formal experimentation with narrative, the 2018 Sloan Feature Film Prize at the Sundance Film Festival goes to Aneesh Chaganty’s Search.” Search / U.S.A. (Director: Aneesh Chaganty, Screenwriters: Aneesh Chaganty, Sev Ohanian, Producers: Timur Bekmambetov, Sev Ohanian, Adam Sidman, Natalie Qasabian) — After his 16-year-old daughter goes missing, a desperate father breaks into her laptop to look for clues to find her. A thriller that unfolds entirely on computer screens. Cast: John Cho, Debra Messing. Aneesh Chaganty is a 26-year-old writer/director whose two minute short film, a Google Glass spot called “Seeds”, became an internet sensation after garnering more than 1 million YouTube views in 24 hours. Following its success, Aneesh was invited to join the Google Creative Lab in New York City, where he spent two years developing, writing and directing Google commercials. He is a recipient of the Future of Storytelling Fellowship, awarded to only five young creatives around the world “who have demonstrated a fearlessness to tell stories in unconventional ways” and whose works “will be instrumental in shaping the future of storytelling.” Search is Aneesh’s first feature. Sev Ohanian is a 30-year-old screenwriter and producer native to Los Angeles. At the age of 20, he produced and self-distributed My Big Fat Armenian Family, a no-budget indie feature film that became popular with Armenian audiences around the world. Shortly after, he attended the USC School of Cinematic Arts MFA program — using the profits from his film to pay for tuition. Since graduating in 2012, he has been a producer on thirteen feature films, four of which have been Sundance Film Festival Official Selections. His first film, Ryan Coogler’s Fruitvale Station, won the Grand Jury Prize at the 2013 Sundance Film Festival. Andrew Bujalksi’s Results premiered at the 2015 Sundance Film Festival and was acquired by Magnolia Pictures. Clea DuVall’s The Intervention premiered at the 2016 Sundance Film Festival and was acquired by Paramount. At the 2018 Sundance Film Festival, Ohanian was awarded the Sundance Institute / Amazon Studios Producers Award.

    Sundance Institute / Sloan Commissioning Grant

    Cherien Dabis will receive a $25,000 cash award from the Alfred P. Sloan Foundation at this year’s Sundance Film Festival for What the Eyes Don’t See, produced by Rosalie Swedlin for Anonymous Content and executive produced by Michael Sugar. Previous winners include Alex Rivera’s La Vida Robot and Robert Edwards’s American Prometheus. What the Eyes Don’t See (U.S.A.) / Cherien Dabis (Writer/Director), Rosalie Swedlin (Producer) and Michael Sugar (Executive Producer) — A true story of how Iraqi American pediatrician and scientist Dr. Mona Hanna-Attisha blew the whistle on local and state government officials for poisoning thousands of Flint, Michigan residents, especially children, by exposing them to disastrous levels of toxic lead in the water. Cherien Dabis is an award winning filmmaker and television writer director who made her feature debut with Amreeka. The film world-premiered at the 2009 Sundance Film Festival and won the coveted FIPRESCI at Cannes. It went on to win a dozen more international awards including the Humanitas Prize and was nominated for a Best Picture Gotham Award, and 3 Independent Spirit Awards. Dabis returned to Sundance with her second feature May in the Summer, which opened the 2013 Sundance Film Festival’s U.S. Dramatic Competition section and had its international premiere at the Venice Film Festival. Dabis has also written and directed on such shows as Showtime’s groundbreaking series The L Word, Fox’s hit Empire and USA Network’s Golden Globe nominated crime thriller The Sinner. Rosalie Swedlin is a producer and literary manager at Anonymous Content. Swedlin began her career in New York book publishing, followed by six years handling publicity and marketing for various UK book publishers. Prior to joining Anonymous Content, she was a literary manager, producer, and partner at ICM for twelve years after having served as a senior vice president. Swedlin was an agent at CAA from 1981 – 1991 and was named co-head of the agency’s motion picture department. Swedlin executive produced the upcoming TNT limited series The Alienist based on Caleb Carr’s bestselling novel. The Wife, Swedlin’s most recent feature film, debuted at the 2017 Toronto International Film Festival. Her upcoming film projects include Jane Anderson’s adaptation of The Women in the Castle and Haifaa Al Mansour’s adaptation of the Cara Hoffman novel Be Safe I Love You. Michael Sugar recently launched Sugar23 — a management and production company with a multi-year, first-look deal with Anonymous Content — where he was a partner for many years. He was awarded the Oscar® for Best Picture for Spotlight and most recently wrapped production on the Netflix series Maniac, with Cary Fukunaga. He is currently in production on One Day She’ll Darken at TNT. He is an Executive Producer on the Netflix series The OA and the hit Netflix series 13 Reasons Why. Sugar also Executive Produced Cinemax’s critically acclaimed drama series The Knick directed by Steven Soderbergh. Sugar’s impressive roster of literary and talent clients includes Steven Soderbergh, Richard Linklater, Cary Fukunaga, Edgar Wright, Marc Webb, Patty Jenkins, and Robin Wright. He has been nominated for multiple Emmys, and won a Peabody Award for The Knick.

    Sundance Institute / Sloan Lab Fellowship

    C. Wrenn Ball will receive a $15,000 cash award from the Alfred P. Sloan Foundation at this year’s Sundance Film Festival. Previous winners include Logan Kibens’s Operator, Michael Almereyda’s Experimenter and Marjorie Prime, and Rob Meyer’s A Birder’s Guide to Everything. Katie Wright (U.S.A.) / C. Wrenn Ball (Writer) — Just as the Wright Brothers are about to capitalize on the invention of their airplane, Orville is badly injured in a public crash, and sister Katie unexpectedly emerges to lead their business. Fighting resistance from businessmen, society, and even her own brothers, she strives to keep the family together and claim her place as part of their legacy. Based on the forgotten true story. Hailing from North Carolina, C. Wrenn Ball exchanged life in the Southeast for work as an assistant on network television. He directed web series pilots in Los Angeles before completing an MFA at USC’s John Wells Division of Writing for Screen and Television. Obsessed by the twang and rhythm of life, Ball is constantly merging his Southern sensibilities with feature and television writing.

    Sundance Institute / Sloan Episodic Storytelling Grant

    John Lopez will receive an $11,000 cash award from the Alfred P. Sloan Foundation at this year’s Sundance Film Festival. Untitled J.P. Morgan Project (U.S.A.) / John Lopez (Writer, Creator) — A look at the family drama and professional innovations of American financier J.P. Morgan as the 20th century dawns and the country he helped build transforms radically. A Los Angeles native, John Lopez has covered film and the arts for Grantland, Vanity Fair online and Bloomberg Business Week. His short Plan B, starring Randall Park and Rosa Salazar, was a finalist in the NBC Short Cuts Film festival; he also directed segments for NBC’s 2014 Actor’s Showcase and served as associate producer on Hossein Amini’s film The Two Faces of January. In 2015, John was selected as a fellow for the 2015 Sundance Episodic Lab with his pilot Crude. Most recently, John has written for Netflix’s upcoming crime drama Seven Seconds and CBS All Access’s upcoming period drama Strange Angel, and he has just completed a mini-room for AMC’s Silent History.

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  • Sundance Announces 2018 Short Film Awards – Álvaro Gago’s “Matria” Wins Grand Jury Prize

    [caption id="attachment_26681" align="aligncenter" width="1200"]Francisca Iglesias Bouzón appears in Matria by Álvaro Gago, an official selection of the Shorts Programs at the 2018 Sundance Film Festival. Courtesy of Sundance Institute | photo by Lucia C. Pan. Francisca Iglesias Bouzón appears in Matria by Álvaro Gago[/caption] Winners of the 2018 Sundance Film Festival jury prizes in short filmmaking were announced at a ceremony in Park City, Utah, with the Short Film Grand Jury Prize going to Matria, written and directed by Álvaro Gago.  This year’s Short Film jurors are Cherien Dabis, Shirley Manson and Chris Ware. Short Film awards winners in previous years include And so we put goldfish in the pool. by Makato Nagahisa, Thunder Road by Jim Cummings, World of Tomorrow by Don Hertzfeldt, SMILF by Frankie Shaw, Of God and Dogs by Abounaddara Collective, Gregory Go Boom by Janicza Bravo, The Whistle by Grzegorz Zariczny, Whiplash by Damien Chazelle, FISHING WITHOUT NETS by Cutter Hodierne, The Tsunami and the Cherry Blossom by Lucy Walker and The Arm by Brie Larson, Sarah Ramos and Jessie Ennis.

    2018 Sundance Film Festival Short Film Jury Awards: 

    The Short Film Grand Jury Prize was awarded to: Matria / Spain (Director and screenwriter: Álvaro Gago) — Faced with a challenging daily routine, Ramona tries to take refuge in her relationships with her daughter and granddaughter. The Short Film Jury Award: U.S. Fiction was presented to: Hair Wolf / U.S.A. (Director and screenwriter: Mariama Diallo) — In a black hair salon in gentrifying Brooklyn, the local residents fend off a strange new monster: white women intent on sucking the lifeblood from black culture. The Short Film Jury Award: International Fiction was presented to: Would You Look at Her / Macedonia (Director and screenwriter: Goran Stolevski) — A hard-headed tomboy spots the unlikely solution to all her problems in an all-male religious ritual. The Short Film Jury Award: Non-fiction was presented to: The Trader (Sovdagari) / Georgia (Director: Tamta Gabrichidze) — Gela sells secondhand clothes and household items in places where money is potatoes. The Short Film Jury Award: Animation was presented to: GLUCOSE / U.S.A. (Director and screenwriter: Jeron Braxton) — Sugar was the engine of the slave trade that brought millions of Africans to America. Glucose is sweet, marketable and easy to consume, but its surface satisfaction is a thin coating on the pain of many disenfranchised people. A Special Jury Award was presented to: Emergency / U.S.A. (Director: Carey Williams, Screenwriter: K.D. Dávila) — Faced with an emergency situation, a group of young Black and Latino friends carefully weigh the pros and cons of calling the police. A Special Jury Award was presented to: Fauve / Canada (Director and screenwriter: Jérémy Comte) — Set in a surface mine, two boys sink into a seemingly innocent power game, with Mother Nature as the sole observer. A Special Jury Award was presented to: For Nonna Anna / Canada (Director and screenwriter: Luis De Filippis) — A trans girl cares for her Italian grandmother. She assumes that her Nonna disapproves of her – but instead discovers a tender bond in their shared vulnerability. Image: Francisca Iglesias Bouzón appears in Matria by Álvaro Gago, an official selection of the Shorts Programs at the 2018 Sundance Film Festival. Courtesy of Sundance Institute | photo by Lucia C. Pan.

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  • “This Is Home: A Refugee Story,” to Air on EPIX in 2018 Following World Premiere at Sundance Film Festival

    This Is Home: A Refugee Story This Is Home: A Refugee Story which world premiere at the 2018 Sundance Film Festival, will make its television debut on the premium pay television network EPIX, later in 2018. Directed by Alexandra Shiva (How to Dance in Ohio), This is Home is an intimate portrait of four Syrian refugee families arriving in America and struggling to find their footing. Displaced from their homes and separated from loved ones, they are given eight months of assistance from the International Rescue Committee to become self-sufficient. As they learn to adapt to challenges, including the newly imposed travel ban, their strength and resilience are tested. After surviving the traumas of war, the families arrive in Baltimore, Maryland and are met with a whole new set of challenges. They attend cultural orientation classes and job training sessions where they must “learn America” – everything from how to take public transportation to negotiating new gender roles. This Is Home goes beyond the statistics, headlines, and political rhetoric to tell deeply personal stories, putting a human face on the global refugee crisis.

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  • Sundance 2018: See New Poster for Nicolas Pesce’s PIERCING Starring Christopher Abbott, Mia Wasikowska

    Piercing poster Here is the poster for Piercing, written and directed by Nicolas Pesce, that World Premiere in the Midnight section at the 2018 Sundance Film Festival. Piercing stars Christopher Abbott, Mia Wasikowska, Laia Costa, Marin Ireland, Maria Dizzia, and Wendell Pierce Reed (Christopher Abbott) is going on a business trip. He kisses his wife and infant son goodbye, but in lieu of a suitcase filled with clothes, he’s packed a toothbrush and a murder kit. Everything is meticulously planned: check into a hotel and kill an unsuspecting victim. Only then will he rid himself of his devious impulses and continue to be a good husband and father. But Reed gets more than he bargained for with Jackie (Mia Wasikowska), an alluring call girl who arrives at his room. First, they relax and get in the mood, but when there’s an unexpected disruption, the balance of control begins to sway back and forth between the two. Is he seeing things? Who’s playing whom? Before the night is over, a feverish nightmare will unfold, and Reed and Jackie will seal their bond in blood. Based on the critically acclaimed cult novel by Ryu Murakami, Director Nicolas Pesce (THE EYES OF MY MOTHER, Sundance 2016) blends psychological horror with comedy and stylish neo-noir, resulting in a sly take on the fantasy of escape and the hazards of modern romance. 2018 Sundance Film Festival Screenings: World Premiere: Saturday, January 20th at 11:59pm (PC Library) Public Screening #2: Sunday, January 21st at 8:30pm (Egyptian, PC) Public Screening #3: Wednesday, January 24th at 8:30pm (The MARC) Public Screening #4: Friday, January 26th at 11:59pm (Broadway 6, SLC) Public Screening #5: Saturday, January 27th at 11:59pm (PC Library)

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  • Sundance 2018: See Bart Layton’s AMERICAN ANIMALS New Poster

    American Animals Poster Here is the new poster for American Animals, written and directed by Bart Layton and World Premiere tonight in the U.S. Dramatic Competition at the 2018 Sundance Film Festival.  American Animals stars Evan Peters, Barry Keoghan, Blake Jenner, Jared Abrahamson, Ann Dowd, and Udo Kier. Lexington, Kentucky, 2004: Spencer and Warren dream of remarkable lives beyond their middle-class suburban existence. They head off to colleges in the same town, haunted by the fear they may never be special in any way. Spencer is given a tour of his school’s incredibly valuable rare book collection and describes it all to Warren. Suddenly, it hits them—they could pull off one of the most audacious art-thefts in recent history, from the university’s special collections library. Convinced they can get away with it, they recruit two other friends. Suddenly, the dance of knowing what happens if they cross the line becomes all-consuming. Buoyed by an exceptional cast, BAFTA Award–winning documentary director Bart Layton (The Imposter, 2012 Sundance Film Festival) makes a brilliant leap into the world of fiction, cleverly utilizing elements of nonfiction to propel the narrative. A “mostly” true story, American Animals is both a thrilling heist film and an existential journey of four misguided young men searching in all the wrong places for identity, meaning, adventure, and the kind of life that movies are made about. 2018 Sundance Film Festival Screenings: World Premiere: Fri. 1/19, 3:30 p.m., Eccles PC Press & Industry Screening: Friday, January 19th at 6:00pm (Park Ave Theater) Second Public Screening: Sat. 1/20, noon, Grand SLC Third Public Screening: Sat. 1/20, 10:00 p.m., Redstone 2 PC Fourth Public Screening: Sun. 1/21, 9:00 p.m., Sundance Resort Provo Fifth Public Screening: Wed. 1/24, 3:00 p.m., PC Library PC Sixth Public Screening: Fri. 1/26, 9:00 p.m., Sundance Resort Provo Seventh Public Screening: Sat. 1/27, 11:30 a.m., MARC PC

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  • Jada Pinkett Smith, Octavia Spencer, Ruben Östlund and More Among Jury for 2018 Sundance Film Festival

    sundance film festival 24 “experts in film, art, culture and science” will adjudicate the award feature-length work shown at the 2018 Sundance Film Festival with 28 prizes, handed out at the Awards ceremony on January 27. Hosting the Awards ceremony is  Jason Mantzoukas, actor, comedian and star of Hannah Fidell’s The Long Dumb Road (Premieres section). The awards, which recognize standout artistic and story elements, are voted on by each of seven section juries, including, in the case of the new-this-year NEXT Innovator’s Award, a jury of one. As in years past, Festival audiences have a role in deciding the 2018 Audience Awards, which will recognize five films in the U.S. Competition, World Competition and NEXT categories; new this year, audiences will vote on a Festival Favorite film across categories, which will be announced the week following the Festival. Search, which premiered in the NEXT section, won the Alfred P. Sloan Prize, announced previously. The 2018 Sundance Film Festival Jury members are:

    U.S. Documentary Jury

    Barbara Chai Barbara Chai is head of arts and culture coverage at Dow Jones Media Group, a suite of publications including Barron’s, Penta, MarketWatch and the U.K.’s Financial News. She is also the editor of MarketWatch Entertainment. She was previously a longtime arts and news editor at The Wall Street Journal and was the managing editor of Speakeasy, the WSJ’s pop culture and entertainment site. In 2012, Chai traveled to Dharamsala, India, to blog about Buddhism and conduct the first of two video interviews with the Dalai Lama. She has lived and worked overseas for a decade, in Brussels and Hong Kong as an international news editor, and in Taiwan as a volunteer English teacher. Chai received her M.F.A. in fiction and poetry from Hollins University, where she also taught undergraduate creative writing as a fellow. Simon Chinn Simon Chinn conceived and produced Man on Wire, which won the World Cinema Documentary Grand Jury Prize and Audience Award at the 2008 Sundance Film Festival and went on to win an Academy Award and 40 other international awards. He followed that up with a string of award-winning feature documentaries including The Imposter, Project Nim, and Searching for Sugar Man, which also won an Academy Award and two prizes at the Sundance Film Festival. In 2014 Simon launched Lightbox with his LA-based cousin, Jonathan Chinn. Focused on producing high-end nonfiction for multiple platforms, Lightbox has produced major projects for big and small screen alike, including LA 92 for National Geographic and the only authorized documentary about Whitney Houston, directed by Kevin Macdonald, which will be released theatrically around the world in 2018. Chaz Ebert Chaz Ebert is the CEO of the movie review site RogerEbert.com, heads the TV and movie production company Ebert Productions LLC, and is the co-founder of Ebertfest (Roger Ebert’s Film Festival), now entering its 20th year. As president of the Roger and Chaz Ebert Foundation, her civic interests include endowing programs to help break the glass ceiling for women and people of color, providing education and arts for women, children, and families, and encouraging empathy, kindness, compassion, and forgiveness. Through these programs she also supports emerging writers, filmmakers, and technologists at various film festivals and universities. Ebert’s affiliation with Sundance Institute includes supporting a program for Ebert Fellowship recipients at the Sundance Film Festival and participating as a creative investor in both the Catalyst Forum and Catalyst Women. She has also provided grants to many documentary films, among them Radical Grace, Strong Island, and They Call Us Monsters. Ezra Edelman Ezra Edelman is an award-winning filmmaker. He directed O.J.: Made in America, which won the 2016 Academy Award for best documentary feature and is the third film Edelman has made for ESPN’s acclaimed 30 for 30 documentary series. Edelman has also produced and directed three films for HBO, including the Peabody Award–winning Magic & Bird: A Courtship of Rivals and the Emmy-winning Brooklyn Dodgers: The Ghosts of Flatbush. In 2013, Edelman co-produced the Academy Award–nominated documentary Cutie and the Boxer. A native of Washington, DC, Edelman graduated from Yale University and currently lives in Brooklyn. Matt Holzman Matt Holzman is host and producer of The Document, a new mash-up of radio and documentaries from NPR’s Southern California flagship station, KCRW. A veteran public radio producer and reporter for film, culture, and the arts, Holzman previously created The Business, KCRW’s weekly radio show about the entertainment industry, and has appeared regularly on PRI’s Studio 360 and The World. On his new program, Holzman works with documentary filmmakers to tell riveting stories—with no pictures. Holzman is also the creator and host of KCRW’s documentary screening series.

    U.S. Dramatic Jury

    Rachel Morrison, A.S.C. Cinematographer Rachel Morrison has emerged as a refreshing talent in contemporary cinema. She has shot several features that have played at the Sundance Film Festival in recent years, including Fruitvale Station (which won both the U.S. Dramatic Grand Jury Prize and Audience Award); indie breakout Dope; What Happened, Miss Simone? (an Academy Award nominee for best documentary feature); and most recently, the period drama Mudbound. Morrison has a background in photojournalism and completed a master’s degree in cinematography at the American Film Institute. She has also been nominated for two Emmys and received the Kodak Vision Award. Morrison’s next film, Black Panther, reunited her with Fruitvale Station director Ryan Coogler and made her the first woman to be director of photography on a blockbuster superhero film. Jada Pinkett Smith Jada Pinkett Smith was born in Baltimore and has starred in many successful films. Her most recent film, Girls Trip, became the first film that starred and was produced, directed, and written by African Americans to break $100 million at the U.S. box office. Smith has also produced several films, including The Secret Life of Bees, The Karate Kid, and Free Angela and All Political Prisoners. Other films she has starred in include The Matrix Reloaded, The Matrix Revolutions, and The Nutty Professor, as well as voicing Gloria in the Madagascar films. The Will and Jada Smith Foundation launched Careers in Entertainment—an initiative to help underrepresented voices enter the entertainment industry—in 2016, and then in 2017 the Foundation partnered with Sundance Institute to support diverse independent filmmakers through the Screenwriters Intensive. Octavia Spencer As a veteran character actress and one of Hollywood’s most sought-after talents, Octavia Spencer has become a familiar fixture on both television and the silver screen. Her critically acclaimed performance as Minny in the DreamWorks film The Help won her an Academy Award, a BAFTA Award, a Golden Globe, a Screen Actors Guild Award, and a Critics’ Choice Award, among numerous other accolades. Earlier this year, Spencer portrayed real-life mathematician Dorothy Vaughan in the Academy Award-nominated drama Hidden Figures, for which she also received her second individual Academy Award nomination. She can currently be seen in Guillermo del Toro’s fantasy drama, The Shape of Water, which won the coveted Golden Lion Award at this year’s Venice Film Festival and has since been awarded a wide range of accolades including individual Golden Globe and BAFTA nominations for Spencer. Michael Stuhlbarg Michael Stuhlbarg can currently be seen in Luca Guadagnino’s Call Me By Your Name, Guillermo del Toro’s The Shape of Water, and Steven Spielberg’s The Post. His other film credits include Doctor Strange, Arrival, Miles Ahead, Trumbo, Lincoln, Hugo, and A Serious Man, the latter of which earned him a Golden Globe nomination. Stuhlbarg received his BFA from The Juilliard School; he also studied at UCLA, the Lithuanian Academy of Music and Theatre, the British American Drama Academy, Balliol College and Keble College (both of the University of Oxford), and with Marcel Marceau. Stuhlbarg is also known for his acting on the stage, having worked numerous times with Shakespeare in the Park and earning a Tony nomination for his performance in Martin McDonagh’s The Pillowman. Joe Swanberg Joe Swanberg has directed several films, including Drinking Buddies, Happy Christmas, and Win It All. He contributed to the anthology horror film V/H/S and has acted in Adam Wingard’s You’re Next, Ti West’s The Sacrament, and Annie Clark’s segment of XX. He is the creator of the Netflix original series Easy, which he produces, writes, and directs, and his directing work in television includes episodes of HBO’s Looking and Netflix’s Love. In addition to his own work, Swanberg finances and produces films through his Forager Films production company, including Alex Ross Perry’s Queen of Earth and Golden Exits, Zach Clark’s Little Sister, and Dustin Guy Defa’s Person to Person. Swanberg works in Chicago, where he lives with his wife – filmmaker Kris Swanberg – and their two children.

    World Cinema Dramatic Jury

    Hanaa Issa Hanaa Issa has held several senior responsibilities through the founding and establishment of the Doha Film Institute in Qatar. Currently, as director of strategy and development, she oversees initiatives for film funding, training, and development, as well as the institute’s programming, and she ensures that DFI’s core programs deliver on their mission of nurturing and strengthening local and regional film industries. Some of the films supported by the institute include the Academy Award nominees Timbuktu (by Abderrahmane Sissako) and Mustang (by Deniz Gamze Ergüven), Loving Vincent (by Dorota Kobiela and Hugh Welchman), and the Academy Award–winning The Salesman (by Asghar Farhadi). Issa is also the deputy director of Qumra, DFI’s annual industry event that provides mentorship, hands-on development, and international market access to emerging filmmakers from around the world. Ruben Östlund As an avid skier, Ruben Östlund directed ski films for five years, solidifying his taste for long sequence shots. In his mid 20s he went on to study film at the University of Gothenburg, where he developed his skill in constructing well-thought-out sequence shots, and this knowledge has continued to evolve through all his films. His works are best described as both humorous and accurate observations of human social behavior—film blended with sociology. His last four feature films have premiered at the Cannes Film Festival; Force Majeure won the Un Certain Regard Jury Prize in 2014, and his latest film, The Square, won the Palme d’Or, was distributed in over 75 territories, and became a box-office success. Östlund is also a professor of film at the University of Gothenburg in Sweden. Michael J. Werner Michael J. Werner is an American-born, Hong Kong–based producer, strategic consultant, and producer’s representative. He has been credited as a producer or executive producer on nearly 30 high-profile independent films, including Wong Kar-wai’s The Grandmaster, Tran Anh Hung’s Norwegian Wood, Kiyoshi Kurosawa’s Tokyo Sonata, John Cameron Mitchell’s Shortbus and How to Talk to Girls at Parties, and Gregg Araki’s Mysterious Skin. Werner was a partner in the pioneering foreign-sales company Fortissimo Films. He has served as a consultant or advisor to numerous industry and festival events in Asia, including the Hong Kong’s HAF, the Asian Film Awards, Screen Singapore, the Busan International Film Festival, and the International Film Festival and Awards of Macao. He most recently was a consultant to Fox International Productions and was an executive producer on 212 Warriors, their new Indonesian-language co-production. Currently he is producing a new film (Suk Suk) from Hong Kong director Ray Yeung.

    World Cinema Documentary Jury

    Joslyn Barnes Among the films Joslyn Barnes has been involved with producing since co-founding Louverture Films are Bamako (directed by Abderrahmane Sissako), Trouble the Water (Carl Deal and Tia Lessin), The Black Power Mixtape 1967–1975 and Concerning Violence (both directed by Göran Hugo Olsson), The House I Live In (Eugene Jarecki), The Time that Remains (Elia Suleiman), Uncle Boonmee Who Can Recall His Past Lives and Cemetery of Splendour (both directed by Apichatpong Weerasethakul), House in the Fields (Tala Hadid), White Sun (Deepak Rauniyar), Zama (Lucrecia Martel), and Strong Island (Yance Ford). Forthcoming films include Hale County This Morning, This Evening (RaMell Ross); Angels Are Made of Light (James Longley); and Aquarela (Victor Kossakovsky). In 2017, Barnes received both the Cinereach Producer Award and the Amazon Studios Producers Award. Billy Luther Billy Luther (Navajo, Hopi, and Laguna Pueblo) is the director and producer of the award-winning documentary Miss Navajo, which premiered at the 2007 Sundance Film Festival and aired on PBS’s Independent Lens. He studied film at Hampshire College and worked on various projects for the National Museum of the American Indian’s film and video center. His second documentary feature, Grab, premiered at the 2011 Sundance Film Festival and aired nationally on public television. His latest short documentary film, Red Lake, premiered at the 2016 LA Film Festival and was nominated for best short at the 2016 International Documentary Association Awards. He is currently in production on alter-NATIVE, a docuseries exploring the world of Native American fashion designers. Paulina Suárez Paulina Suárez is director of Ambulante, a non-profit organization that supports and promotes documentary cinema culture across Mexico. She holds a BA from UNAM (Mexico’s national university), an MA from the University of Chicago, and is completing her PhD at NYU. Her research and writing have focused on Mexican cinematic modernity, fictional and nonfictional melodramas, and expanded documentary cultures. Since 2016, Suárez has directed Ambulante’s film training program and its annual traveling festival, which screens nonfiction works at over 140 venues across Mexico. Suárez is committed to cinema’s vocation as a public art and to exploring its potential as a catalyst for social change.

    Short Film Jury

    Cherien Dabis Cherien Dabis is an award-winning filmmaker and television writer/director who made her feature debut with Amreeka, which premiered at the 2009 Sundance Film Festival and won the coveted FIPRESCI Prize at the Cannes Film Festival. It went on to win several more international awards (including the Humanitas Prize), was nominated for the IFP Gotham Award for best feature, and was named one of the top 10 independent films of the year by the National Board of Review. Dabis made her onscreen debut in her second feature, May in the Summer, which premiered at the 2013 Sundance Film Festival. Dabis has also written and directed for several television series, such as Showtime’s groundbreaking The L Word, Fox’s hit Empire, and USA Network’s critically acclaimed crime thriller The Sinner. Shirley Manson Shirley Manson is best known as the lead vocalist of the critically acclaimed alternative rock band Garbage and has been an active recording artist for more than 30 years. Garbage has sold over 12 million records during the course of an award-winning career that includes the recording of the James Bond movie theme “The World Is Not Enough” and the formation of their own independent record label, STUNVOLUME. Last year they released an autobiographical coffee-table book titled This Is the Noise That Keeps Me Awake and embarked upon a co-headline tour across North America with the legendary post-punk band Blondie. They are currently in the studio working on their seventh record, and they expect to be hitting the road later in 2018 to celebrate the 20th anniversary of their Grammy-nominated record, Version 2.0. Chris Ware Chris Ware is the author of Jimmy Corrigan: The Smartest Kid on Earth and Building Stories, which was named a top 10 book of the year by the New York Times and a top 10 fiction book of the year by Time. A regular contributor of comic strips and over two dozen covers to the New Yorker, his work has been exhibited at MOCA Los Angeles, the MCA Chicago, and the Whitney Museum of American Art, and he was a focus of the “Chicago” episode of the PBS program Art in the 21st Century in late 2016. His book Monograph by Chris Ware was released by Rizzoli in October 2017.

    NEXT

    RuPaul Charles RuPaul Charles is an actor, singer, songwriter, and the two-time Emmy-winning host and executive producer of RuPaul’s Drag Race. RuPaul studied theatre before moving to New York City in the mid-eighties, where he was crowned the Queen of Manhattan in 1989. RuPaul shot to international fame with the 1992 hit song “Supermodel (You Better Work),” followed by a seven-year contract as the first face of MAC Cosmetics. In addition to Drag Race, RuPaul has appeared in more than 50 films and television sitcoms, released 13 solo albums, published 2 books, and was named one of Time magazine’s 100 Most Influential People in 2017. RuPaul currently hosts the weekly podcast What’s the Tee? with Michelle Visage as well as the bi-annual drag convention RuPaul’s DragCon.

    Alfred P. Sloan Feature Film Jury

    Robert Benezra Dr. Robert Benezra is a member of the Cancer Biology and Genetics Program at Memorial Sloan Kettering Cancer Center and a professor of biological sciences at Weill Cornell Medicine of Cornell University. He received his doctoral degree in biological sciences at Columbia University and completed his postdoctoral training at the Fred Hutchinson Cancer Research Center in Seattle. Heather Berlin Dr. Heather Berlin is a cognitive neuroscientist and assistant professor of psychiatry at the Icahn School of Medicine at Mount Sinai. Passionate about science communication, Berlin is a committee member of the National Academy of Science’s Science & Entertainment Exchange and the New York Times series TimesTalks. She hosts StarTalk All-Stars with Neil deGrasse Tyson, and she hosted the CUNY TV series Science Goes to the Movies and the Discovery Channel series Superhuman Showdown. Kerry Bishé Kerry Bishé is an actor and writer for theatre, film, and television. Her work can be seen in movies including Argo, Red State, and Blue Highway. She played computer engineer Donna Clark on AMC’s Halt and Catch Fire. Kerry is an ardent science enthusiast who works to expand access to computer science education and help scientists articulate their message for a broad audience. Nancy Buirski Nancy Buirski is the director/producer/writer of The Rape of Recy Taylor, which premiered at the Venice International Film Festival, where it was awarded the Human Rights Nights Award. It is also a nominee for the NAACP Image Award for outstanding documentary. Buirski is also the director/producer of By Sidney Lumet (2015), Afternoon of a Faun: Tanaquil Le Clercq (2013), and the Peabody Award–winning and Emmy-winning The Loving Story (2012). Buirski is a member of the Academy of Motion Picture Arts and Sciences and the Academy of Television Arts & Sciences

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  • Sundance 2018: Watch Trailer for Gloria Allred Documentary SEEING ALLRED

    Gloria Allred appears in Seeing Allred by Sophie Sartain and Roberta Grossman As sexual-violence allegations grip the nation, the revealing Gloria Allred documentary “Seeing Allred” provides a candid look at one of the most public crusaders against the war on women.  Seeing Allred will World Premiere at the 2018 Sundance Film Festival and debut on Netflix February 9, 2018. Through rare archival footage and revealing interviews with both her supporters and critics, this fascinating biographical portrait examines Gloria Allred’s personal trauma and assesses both her wins and setbacks on high-profile cases against Bill Cosby and Donald Trump. Featuring interviews with Gloria Steinem, Don Lemon, Alan Dershowitz, Allred’s daughter Lisa Bloom and others, Seeing Allred is a portrait of a woman everyone thinks they know, at a time when women need her the most. Seeing Allred is directed by Sophie Sartain (Mimi and Dona, 2015) and Roberta Grossman (Above and Beyond, 2014); and produced by Grossman, Sartain, Marta Kauffman (co-creator of Friends and Grace & Frankie), Robbie Rowe Tollin (The Zookeeper’s Wife), and Hannah KS Canter (Grace & Frankie). https://www.youtube.com/watch?v=SC8Eg0odTfY

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  • Offscreen Panels and Events Featuring Ava DuVernay, Kevin Smith and More, at 2018 Sundance Film Festival

    Sundance Film Festival Dozens of offscreen events, including diverse and intersectional conversations on representation and bias in media, behind-the-scenes panels on the art of filmmaking and musical performances that range from intimate to raucous will all take place at the 2018 Sundance Film Festival held in Park City, Utah, January 18 to 28, 2018. The first 2018 installment of the longstanding Power of Story series, Power of Story: Culture Shift, will convene Ava DuVernay (A Wrinkle in Time), Patrick Gaspard (president of the Open Society Foundations), Issa Rae (Insecure), Megan Smith (3rd U.S. Chief Technology Officer and Former Assistant to President Barack Obama), and Christine Vachon (An Evening with Todd Haynes) will discuss their work, the power of media, and the role creative choices play in shifting culture in a conversation with Washington Post journalist Sarah Ellison on Friday, January 19. As the Festival’s Art of Film Weekend (January 26-28) celebrates the art and craft of creative storytelling, Power of Story: Indies Go Hollywood will gather Catherine Hardwicke (Twilight), Justin Lin (Star Trek: Beyond) and Taika Waititi (Thor: Ragnarok) to talk about the advantages and myriad challenges of moving from independent filmmaking to bigger-budget endeavors with moderator John Horn (host of KPCC’s “The Frame”) on Friday, January 26. Other noteworthy conversations at the Festival include the Cinema Café daily series of informal chats, which this year will include conversations between will.i.am and Kevin Smith; Danny Elfman and Gus Van Sant; Justice Ruth Bader Ginsburg and Nina Totenberg; Ira Glass and Miranda July; and Ethan Hawke and Rupert Everett, among others; more Cinema Café conversations will appear on sundance.org/program shortly. A Celebration of Music and Film, hosted annually by the Sundance Institute Film Music Program as the centerpiece of its music programming at the Festival, returns this year to present an evening with Rock & Roll Hall-of-Famer Joan Jett, taking the stage with The Blackhearts for one night only on January 20, in celebration of the documentary premiere Bad Reputation. Other live music at the Festival includes performances at the Sundance ASCAP Music Café (free and open to all Festival credential holders 21 and older) by Michael Franti, Brett Dennen, Mr. Hudson, Ruelle, Ethan Gruska and Striking Matches. A special “CMA Songwriter Series” lineup will include Jillian Jacqueline, Steven Lee Olsen and Tenille Townes. The annual BMI Snowball (open to all Festival credential holders) will feature Rita Wilson, Morgan Saint, Skyler Day and Craig Wedren. This year’s panelists for BMI’s composer/director roundtable includes Director of the Sundance Institute Film Music Program Peter Golub, composer Jeff Beal and director Lauren Greenfield (Generation Wealth), composer Paul Cantelon and director Susan Lacy (Jane Fonda in Five Acts), composer Miriam Cutler and director Kimberly Reed (Dark Money), composer Craig Wedren (A Futile and Stupid Gesture), composer Laura Karpman (Half The Picture & Inventing Tomorrow), composer Heather McIntosh and director Amy Scott (Hal), composer Jongnic Bontemps and director Mel Jones (Leimert Park), composer Kris Bowers (Monsters and Men), composer Dustin O’Halloran (Puzzle), composer Sam Bisbee and director Rudy Faldez (The Sentence). Day One Press Conference Thursday, January 18, 12 p.m. PT / 1 p.m. MT / 3 p.m. ET Join Sundance Institute Founder and President Robert Redford, Executive Director Keri Putnam and Sundance Film Festival Director John Cooper in conversation with Barbara Chai, head of arts and culture coverage at Dow Jones Media Group and the editor of MarketWatch Entertainment, followed by a Q&A with press in attendance. Power of Story: Culture Shift Friday, January 19, 11:00 a.m. PT / 12:00 p.m. MT / 2:00 p.m. ET At a watershed moment in which America grapples with gender, race, and the complex nature of systemic change, an illustrious group of artists: Ava DuVernay (A Wrinkle in Time), Patrick Gaspard (president of the Open Society Foundations), Issa Rae (Insecure), Megan Smith (3rd U.S. Chief Technology Officer and Former Assistant to President Barack Obama), and Christine Vachon (An Evening with Todd Haynes) talk with Washington Post journalist Sarah Ellison about their work, the power of media, and the role creative choices play in shifting culture and crystallizing the national conversation. How do storytellers transform not only the arts media fields but society at large? What’s at stake in terms of the stories we tell and who tells them, and how will these decisions shape our future? Cinema Cafe with will.i.am and Kevin Smith Friday, January 19, 10:30 a.m. PT / 11:30 a.m. MT / 1:30 p.m. ET Adaptation Friday, January 19, 1:30 p.m. PT / 2:30 p.m. MT / 4:30 p.m. ET Whether it be a beloved novel, a work of nonfiction, or even a story from somebody’s life, the adaptation from original source material to a feature film is a huge undertaking, with many creative decisions lying in the hands of the adaptor. In a conversation with Eugene Hernandez (Deputy Director, Film Society of Lincoln Center & Co-Publisher, Film Comment Magazine), writers and directors Debra Granik (Leave No Trace), Lynne Ramsay (You Were Never Really Here), Paul Dano (Wildlife) and Zoe Kazan (Wildlife) discuss this process and how they’ve transformed an original work into a new creative piece. Cinema Cafe with Danny Elfman and Gus Van Sant (Don’t Worry He Won’t Get Far On Foot) Saturday, January 20, 11:30 a.m. PT / 12:30 p.m. MT / 2:30 p.m. ET . Brave New Story Saturday, January 20, 1:15 p.m. PT / 2:15 p.m. MT / 4:15 p.m. ET As our society finds itself in increasingly entrenched positions, the relevance of radical storytelling can’t be overstated. Recognizing the power of art to reveal, artists are searching for new stories and new ways of telling them. They’re demanding more of the form, questioning how it’s used to describe the world, looking at images and representation, subverting dominant narratives and traditional ways of seeing, and discovering a new political cinema. Join Reinaldo Marcus Green (Monsters and Men), RaMell Ross (Hale County This Morning,This Evening), Brett Story (The Prison in Twelve Landscapes), Lynette Wallworth (Awavena), and others. A Celebration of Music and Film Saturday, January 20, 6:00-9:00 p.m. PT / 7:00-10:00 p.m. MT / 9:00 p.m.-midnight ET This year’s rendition of the Festival’s premier music event presents an evening with Rock & Roll Hall-of-Famer Joan Jett. In celebration of the documentary premiere for Bad Reputation, Joan Jett & the Blackhearts will take the stage at The Shop in Park City for one night only. Jett has been a trailblazer for women in the music industry, from her glam rock anthems with The Runaways to her pioneering punk performances with the Blackhearts. A beacon for multiple generations of rock musicians, Jett is not to be missed in concert. Cinema Cafe with Justice Ruth Bader Ginsburg and Nina Totenberg (NPR) Sunday, January 21, 10:30 a.m. PT / 11:30 a.m. MT / 1:30 p.m. ET Reflect: Portrait of AI as a Young Man (New Frontier) Sunday, January 21, 11:00 a.m.-12:30 p.m. PT / 12:00-1:30 p.m. MT / 2:00-3:30 p.m. ET Is the age of AI filmmaking upon us? Moderator Sandra Rodriguez (Chomsky vs. Chomsky, Do Not Track), musician and tech entrepreneur will.i.am (Omega, Masters of the Sun), writer-director Samantha Gorman (TendAR, PRY), and strategist Rachel Ginsberg (Frankenstein AI: A Monster Made by Many) look under the hood of this frequently misunderstood technology to see how storytellers can use artificial intelligence to enhance or reinvent their creative process. Fresh Faces Sunday, January 21, 1:15 p.m. PT / 2:15 p.m. MT / 4:15 p.m. ET This year’s Festival films feature a number of genuinely exciting young talents—fresh faces who have already begun to receive attention and acclaim for their remarkable work. They represent a new generation of actors, fulfilling a longtime promise of independent film: to bring rich, complex characters to life through stories. Join Dominique Fishback (Night Comes On), Kelvin Harrison Jr. (Monsters and Men), Hari Nef (Assassination Nation), and Rachelle Vinberg (Skate Kitchen). Cinema Cafe with Ira Glass (Come Sunday) and Miranda July (Madeline’s Madeline) Monday, January 22, 10:30 a.m. PT / 11:30 a.m. MT / 1:30 p.m. ET Build: The Architecture of VR Narrative (New Frontier) Monday, Jan. 22, 11:00 a.m. – 1:00 p.m. PT / 12:00-2:00 p.m. MT / 2:00 p.m. – 4:00 p.m. ET How does virtual reality technology affect the three-act structure? Moderator Maureen Fan (Invasion!, Asteroids!) will ask writer Charlotte Stoudt (Dinner Party, Homeland), writer-director Edward Robles (Dispatch, Clouds Over Sidra), animator Bruna Berford (Arden’s Wake, Henry), director Pete Billington (Wolves in the Walls, Henry), and content strategist Diana Williams (Star Wars Universe, Carne y Arena) to share their strategies for telling narratives in 360-degree spaces. Cinema Cafe with Ethan Hawke (Blaze) and Rupert Everett (The Happy Prince) Tuesday, January 23, 10:30 a.m. PT / 11:30 a.m. MT / 1:30 p.m. ET Wonder: Re-imagining Our Relationship to Space (New Frontier) Tuesday, January 23, 11:00 a.m. – 12:30 p.m. PT / 12:00-1:30 p.m. MT / 2:00-3:30 p.m. ET Cory McAbee’s one-man show, Deep Astronomy and the Romantic Sciences, interrogates our love affair with space. Eliza McNitt’s VR piece, SPHERES: Songs of Spacetime, ponders the beauty of colliding black holes. Elastic Time, by Mark Boulos, transports a hologram of the viewer to visit Harvard astronomer Anthony Stark. Johann Lurf’s film, called ★, chronicles images of the night sky throughout film history. Designer David Delgado, of NASA’s Jet Propulsion Lab, will moderate. Ways of Seeing Tuesday, January 23, 1:00 p.m. PT / 2:00 p.m. MT / 4:00 p.m. ET) How we see science and its place in our world has a lot to do with who we see doing it and what’s being done. The images and representations we engage with through popular culture spark our imagination, inform our values and shape our understanding of scientists, their work, technology, the natural world and the cosmos. So it bodes well that storytellers are exploring different ways of seeing, bending those perceptions through fresh stories and innovative approaches to narrative, style and performance. Join Darren Aronofsky (SPHERES: Songs of Spacetime), Octavia Spencer (A Kid Like Jake) and Shonte Tucker (Mars 2020 Payload Verification and Validation Lead at NASA Jet Propulsion Laboratory) in a conversation moderated by Kerry Bishé (Halt and Catch Fire). Supported by the Alfred P. Sloan Foundation. The New Climate Tuesday, January 23, 1:30 p.m. PT / 2:30 p.m. MT / 4:30 p.m. ET The impact of climate change has been felt dramatically by Native communities in the U.S. and around the world. Despite poisoned resources, corporatism, and an existential threat to their homelands, these vulnerable communities rarely fall under the spotlight, and their stories go untold. This special New Climate discussion welcomes Bartholemew Powaukee, Environmental and Water Quality Director for Utah’s Ute Tribe; Anote Tong, former president of the disappearing island of Kiribati; Tashka Yawanawá, chief of the Yawanawá; moderator Janaya Khan of Black Lives Matter, Canada and others to deconstruct histories and mythologies around climate change, discuss how story and technology can share a hidden point of view, and reveal creative initiatives to combat current trends by changing minds. Cinema Cafe with Diablo Cody Wednesday, January 24, 10:30 a.m. PT / 11:30 a.m. MT / 1:30 p.m. ET The Future of Indie TV Wednesday, January 24, 1:00 p.m. PT / 2:00 p.m. MT / 4:00 p.m. ET As the world of serialized content widens from traditional broadcast and cable television to streaming platforms, the way we consume content is changing rapidly. Where do independent voices fit into this increasingly competitive industry? There is more demand than ever for different forms of episodic content, but how do artists and investors find their audience and make a return on their investment? Join Stephanie Allain (Leimert Park), Steven Soderbergh (THE KING), Bernie Su (Chief Creative Officer, Canvas Media Studio), David Wain (A Futile and Stupid Gesture) in a conversation moderated by Michelle Satter, Founding Director of Sundance Institute’s Feature Film Program, about the current state of independent television and what the opportunities are for the future. Cinema Cafe with Lauren Greenfield (Generation Wealth) and Steve James (America To Me) Thursday, January 25, 10:30 a.m. PT / 11:30 a.m. MT / 1:30 p.m. ET This is Not a Panel Thursday, January 25, 1:00 p.m. PT / 2:00 p.m. MT / 4:00 p.m. ET In what has become a tradition at the Festival, this year’s non-panel panel features Josephine Decker (Madeline’s Madeline), Jim Hosking (An Evening With Beverly Luff Linn, Tropical Cop Tales), Crystal Moselle (Skate Kitchen), and Boots Riley (Sorry to Bother You). Each filmmaker on this non panel panel was tasked with the following mission: to share objects, stories, or any sensory representation that has influenced their work and helped shape their vision as artists. Needless to say, unpredictable inspiration and surprises can be expected. Play: A World-building Workshop (New Frontier) Thursday, January 25, 12:00-1:00 p.m. PT / 1:00-3:00 p.m. MT / 3:00-4:00 p.m. ET If you could design a city from scratch, what would you include? Writer-director Lance Weiler (Frankenstein AI: A Monster Made by Many), director John Hsu (Your Spiritual Temple Sucks), and experience designer Mk Haley, of Walt Disney Imagineering, will collaborate with the audience to create a city. Afterward, panelists will discuss this feat of group stagecraft, plus share their own methods for inventing believable storyworlds. Creative Tensions: IDENTITY Friday, January 26, 10:00 a.m. PT / 11:00 a.m. MT / 1:00 p.m ET This is not your typical panel. Join us for Creative Tensions: IDENTITY with Effie Brown (Dear White People) and moderator Christopher Hibma (Sundance Institute) as we explore what we may be afraid to talk about. In a world where polemics are the norm and binaries form our views of others, how do we talk about the shades of gray? From our politics to the stories we create (or are allowed to create), what do we lose or gain by becoming a tribe of tribes? An innovative event concept created by Sundance Institute’s Theatre Program, Creative Tensions is a collective conversation expressed in movement, wherein participants reveal where they stand on an issue by virtue of where they stand in the room. A continental breakfast will be served at 11:00 a.m. This event is presented by the Sundance Institute Theatre Program and Sundance Ignite in partnership with IDEO, a global design company creating positive impact through design. Power of Story: Indies Go Hollywood Friday, January 26, 10:30 a.m. PT / 11:30 a.m. MT / 1:30 a.m. ET Star Wars: The Last Jedi. Thor: Ragnarok. Twilight. Fast & Furious. A Wrinkle in Time. Pete’s Dragon. The directors of many prominent studio films got their start at the Sundance Film Festival. From having shoestring-budget movies on the fest circuit and DIY outlooks to being handed big-budget, big-responsibility franchises, working with A-list actors, and garnering mainstream exposure—what does taking this kind of career leap mean to them creatively, professionally, and personally? A contingent of filmmakers including Catherine Hardwicke (Twilight), Justin Lin (Star Trek: Beyond) and Taika Waititi (Thor: Ragnarok) who straddle both worlds discuss with moderator John Horn (host of KPCC’s The Frame) what motivates them to work at this new level and how they view both the advantages and myriad challenges. Cinema Cafe / participants TBA Friday, January 26, 10:30 a.m. PT / 11:30 a.m. MT / 1:30 p.m. ET Producer’s Confidential — ART OF FILM WEEKEND Friday, January 26, 1:00 p.m. PT / 2:00 p.m MT / 4:00 p.m. ET In today’s challenging marketplace, creative producers are well served by an expansive knowledge of audience building, marketing, and distribution strategy. With Columbus and Unrest, recipients of Sundance Institute’s inaugural Creative Distribution Fellowship, we examine two films that emerged from the 2017 Sundance Film Festival and chose to bypass all-rights distributors. Danielle Renfrew Behrens (Columbus), Jennifer Brea (Unrest), Giulia Caruso (Columbus), Lindsey Dryden (Unrest), Alysa Nahmias (Unrest), and moderator Chris Horton (Sundance Institute) present case studies on getting your work seen. Cinema Cafe / participants TBA Saturday, January 27, 10:30 a.m. PT / 11:30 a.m. MT / 1:30 p.m. ET Unearthing the Past — ART OF FILM WEEKEND Saturday, January 27, 1:00 p.m. PT / 2:00 p.m. MT / 4:00 p.m. ET Nonfiction filmmakers are employing increasingly innovative approaches in order to visually and artfully engage with the past. Through creative uses of archival footage, personal- and biographical-storytelling filmmakers are excavating the past in order to re-contextualize the present and interrogate notions of truth. Join Joe Bini (A Thousand Thoughts), Elan Bogarin (306 Hollywood), Jonathan Bogarin (306 Hollywood), Robert Greene (Bisbee ’17), Sierra Pettengil (Our New President), Marina Zenovich (Robin Williams: Come Inside My Mind) and moderator Alissa Wilkinson (Vox.com). Film Church Sunday, January 28, 9:30 a.m. PT / 10:30 a.m. MT / 12:30 p.m. ET What could be more divine than 10 days of film watching? Finish off your Sundance Film Festival experience by sharing a near-spiritual moment with Festival director John Cooper and director of programming Trevor Groth, who will offer non-denominational talks of the Festival that was. Come confess your likes and dislikes. Joining us for the sermon will be a variety of special guests, including a few filmmakers who took home awards the night before (if they can be found the morning after!). All will be forgiven.

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  • VIDEO: Watch Trailer for Sundance 2018 Doc ANOTE’S ARK Directed by Matthieu Rytz

    Anote's Ark by Matthieu Rytz The trailer and poster premiered for Sundance 2018 doc Anote’s Ark directed by Matthieu Rytz. Anote’s Ark is the first feature doc to be shot in the Republic of Kiribati, an island nation in the Pacific Ocean that will gradually disappear with rising sea levels, which may grant it’s citizens the unfortunate title of first climate refugees in history. Anote's Ark Poster Anote’s Ark is the first feature film directed by Matthieu Rytz, filmmaker and photographer specialized in visual anthropology. After initially being exposed to the plight of a people about to see their very land disappear during a visit to the Kuna Yala archipelago in 2012, Matthieu Rytz decided to document the lives of the citizens of Kiribati. He thus follows the country’s president, Anote Tong, on his journey through international halls of power and climate conferences leading up to COP21. He attempts to get his message heard loud and clear by political and economic leaders while fighting to protect his people, as numerous people in Kiribati are already seeking refuge abroad. Anote’s fight is thus intertwined with the extraordinary fate of Tiemeri Tiare, a young mother of six who decides to relocate to New Zealand with her family. Through both of these portraits, Matthieu Rytz explores issues related to the survival of Tiemeri Tiare’s family, of the population of Kiribati as a whole and of 4,000 years of Kiribati culture. https://www.youtube.com/watch?v=UE2_maYEqF8

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  • HEARTS BEAT LOUD is Closing Night Film + New Films and More Added to 2018 Sundance Film Festival

    [caption id="attachment_26067" align="aligncenter" width="1200"]Hearts Beat Loud Hearts Beat Loud[/caption] Eight feature films, a VR experience, the NEXT Innovator’s Award juror and hosted retrospectives were added today to the lineup for 2018 Sundance Film Festival. RuPaul will convene a retrospective of VH1’s Emmy-winning “RuPaul’s Drag Race” on the heels of its 10th season, and host a panel with executive producers and Sundance Film Festival veterans Randy Barbato and Fenton Bailey, along with Tom Campbell and Pamela Post, senior vice president of Original Programming for MTV, VH1 and Logo. RuPaul will also serve as the Festival’s inaugural and sole NEXT Innovator Award juror, and will present the NEXT Innovator Award to his favorite film in that category, which showcases pure, bold works distinguished by innovative, forward-thinking approaches to storytelling. Other additions to the program include features Akicita: The Battle of Standing Rock, Hereditary, Lords of Chaos, The Long Dumb Road, Private Life, You Were Never Really Here and Sweet Country and New Frontier work Isle of Dogs Behind the Scenes (in Virtual Reality). Hearts Beat Loud, a feature announced earlier in the Premieres section, is now confirmed as a Closing Night Film. These latest additions are joined by archive film Smoke Signals, which premiered at the Sundance Film Festival in 1998, and a selection of early work by filmmaker Todd Haynes, whose feature film directorial debut Poison won the Grand Jury Prize at the 1991 Sundance Film Festival. The archive films are selections from the Sundance Institute Collection at UCLA, a partnership between UCLA Film & Television Archive and Sundance Institute. The latest additions to the 2018 Sundance Film Festival Program are:

    FROM THE COLLECTION

    An Evening with Todd Haynes / In the thirty years since he burst onto the indie scene, Todd Haynes has established himself as one of most distinctive voices in American cinema. A special conversation with Haynes and longtime collaborator, producer Christine Vachon, explores Haynes’ early work, including clips from notable, recently restored gems. Smoke Signals / U.S.A. (Director: Chris Eyre, Screenwriter: Sherman Alexie, Producers: Larry Estes, Scott Rosenfelt) — When Victor’s estranged father Arnold dies in Arizona, he must leave his home on an Idaho reservation to retrieve Arnold’s ashes. Victor’s friend Thomas offers to fund the trip, but only if he can accompany Victor. Together they undertake a journey filled with discovery about their personal and cultural identities. Cast: Adam Beach, Evan Adams, Irene Bedard, Gary Farmer, Tantoo Cardinal.

    DOCUMENTARY PREMIERES

    Akicita: The Battle of Standing Rock / U.S.A. (Director: Cody Lucich, Producers: Heather Rae, Gingger Shankar, Ben-Alex Dupris) — Standing Rock, 2016: the largest Native American occupation since Wounded Knee. Thousands of activists, environmentalists and militarized police descend on the Dakota Access Pipeline in a standoff between oil corporations and a new generation of Native Warriors. This chronicle captures the sweeping struggle, spirit and havoc of a People’s uprising. World Premiere. THE NEW CLIMATE

    MIDNIGHT

    Hereditary / U.S.A. (Director and screenwriter: Ari Aster, Producers: Kevin Frakes, Lars Knudsen, Buddy Patrick) — After their reclusive grandmother passes away, the Graham family tries to escape the dark fate they’ve inherited. Cast: Toni Collette, Gabriel Byrne, Alex Wolff, Ann Dowd, Milly Shapiro. World Premiere Lords of Chaos / U.S.A. (Director: Jonas Åkerlund, Screenwriters: Jonas Åkerlund, Dennis Magnusson, Producers: Kwesi Dickson, Danny Gabai, Jim Czarnecki, Erik Gordon, Jack Arbuthnott, Ko Mori) — Based on truth (and lies), Lords of Chaos is a dark drama about a precocious teenager, Euronymous, who wants to spread evil, chaos, and true Norwegian black metal. When Euronymous invites a mysterious loner, Varg, to join his “Black Circle,” a rivalry sparks, leading to unexpected consequences. Cast: Rory Culkin, Emory Cohen, Sky Ferreira, Jack Kilmer, Valter Skarsgård. World Premiere

    NEW FRONTIER

    Isle of Dogs Behind the Scenes (in Virtual Reality) / (Lead Artists: A collaboration between Felix Lajeunesse & Paul Raphael and the Isle of Dogs production team) — This virtual reality experience places the viewer inside the miniature world of Wes Anderson’s upcoming stop-motion animated film, face to face with the cast of dogs as they are interviewed on set, while the crew of the film works around you to create the animation you are seeing. Cast: A selection of actors from the cast of Isle of Dogs.

    PREMIERES

    The Long Dumb Road / U.S.A. (Director: Hannah Fidell, Screenwriters: Hannah Fidell, Carson Mell, Producers: Hannah Fidell, Jacqueline “JJ” Ingram, Jonathan Duffy, Kelly Williams) — Two very different men, at personal crossroads, meet serendipitously and take an unpredictable journey through the American Southwest. Cast: Tony Revolori, Jason Mantzoukas, Taissa Farmiga, Grace Gummer, Ron Livingston, Casey Wilson, Ciara Bravo. World Premiere Private Life / U.S.A. (Director and screenwriter: Tamara Jenkins, Producers: Anthony Bregman, Stefanie Azpiazu) — A couple in the throes of infertility try to maintain their marriage as they descend deeper into the weird world of assisted reproduction and domestic adoption. When their doctor suggests third-party reproduction, they bristle. But when Sadie, a recent college dropout, re-enters their life, they reconsider. Cast: Kathryn Hahn, Paul Giamatti, Molly Shannon, John Carroll Lynch, Kayli Carter. World Premiere

    SPECIAL EVENTS

    “RuPaul’s Drag Race:” A Retrospective of the Cultural Phenomenon / U.S.A. (Lead Artist: RuPaul Charles) — A retrospective of VH1’s Emmy-winning “RuPaul’s Drag Race” on the heels of its10th season, and a panel hosted by RuPaul with executive producers Randy Barbato and Fenton Bailey, along with Tom Campbell and Pamela Post, senior vice president of Original Programming for MTV, VH1 and Logo. Cast: RuPaul Charles, Michelle Visage, Carson Kressley, Ross Mathews. World Premiere

    SPOTLIGHT

    You Were Never Really Here / U.S.A. (Director and screenwriter: Lynne Ramsay, Producers: Pascal Caucheteux, Rosa Attab, James Wilson, Rebecca O’Brien, Lynne Ramsay) — A traumatized veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, Joe’s nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening. Cast: Joaquin Phoenix, Alessandro Nivola, Judith Roberts, Ekaterina Samsonov, John Doman, Alex Manette. North American Premiere Sweet Country / Australia (Director and screenwriter: Warwick Thornton, Producers: David Jowsey, Greer Simpkin) — In 1920s Australia, a middle-aged Aboriginal man’s comfortable life is upended by a newcomer’s arrival. Wanted for murder in the bloody aftermath of a violent shootout, he must flee into the dangerous outback with his wife. Cast: Bryan Brown, Sam Neill, Hamilton Morris, Ewen Leslie, Thomas M. Wright, Matt Day. Utah Premiere

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  • Morgan Spurlock’s “Super Size Me 2: Holy Chicken!” Pulled from Sundance Film Festival

    [caption id="attachment_26009" align="aligncenter" width="1200"]Morgan Spurlock in “Super Size Me 2: Holy Chicken!” Morgan Spurlock in Super Size Me 2: Holy Chicken![/caption] Morgan Spurlock’s latest documentary “Super Size Me 2: Holy Chicken!” has being pulled from the 2018 Sundance Film Festival, just days after he published his online confession where he admitted to past sexual misconduct. The Washington Post is reporting that the other partners – Jeremy Chilnick and Matthew Galkin in his production company Warrior Poets, said Friday in a statement that “this is not the appropriate time” for the film to premiere. In his online confessional, titled “I am Part of the Problem” Spurlock wrote, that “When I was in college, a girl who I hooked up with on a one night stand accused me of rape.” I am Part of the Problem As I sit around watching hero after hero, man after man, fall at the realization of their past indiscretions, I don’t sit by and wonder “who will be next?” I wonder, “when will they come for me?” You see, I’ve come to understand after months of these revelations, that I am not some innocent bystander, I am also a part of the problem. I’m sure I’m not alone in this thought, but I can’t blindly act as though I didn’t somehow play a part in this, and if I’m going truly represent myself as someone who has built a career on finding the truth, then it’s time for me to be truthful as well. I am part of the problem. Over my life, there have been many instances that parallel what we see everyday in the news. When I was in college, a girl who I hooked up with on a one night stand accused me of rape. Not outright. There were no charges or investigations, but she wrote about the instance in a short story writing class and called me by name. A female friend who was in the class told be about it afterwards. I was floored. “That’s not what happened!” I told her. This wasn’t how I remembered it at all. In my mind, we’d been drinking all night and went back to my room. We began fooling around, she pushed me off, then we laid in the bed and talked and laughed some more, and then began fooling around again. We took off our clothes. She said she didn’t want to have sex, so we laid together, and talked, and kissed, and laughed, and then we started having sex. “Light Bright,” she said. “What?” “Light bright. That kids toy, that’s all I can see and think about,” she said … and then she started to cry. I didn’t know what to do. We stopped having sex and I rolled beside her. I tried to comfort her. To make her feel better. I thought I was doing ok, I believed she was feeling better. She believed she was raped. That’s why I’m part of the problem. Then there was the time I settled a sexual harassment allegation at my office. This was around 8 years ago, and it wasn’t a gropy feely harassment. It was verbal, and it was just as bad. I would call my female assistant “hot pants” or “sex pants” when I was yelling to her from the other side of the office. Something I thought was funny at the time, but then realized I had completely demeaned and belittled her to a place of non-existence. So, when she decided to quit, she came to me and said if I didn’t pay her a settlement, she would tell everyone. Being who I was, it was the last thing I wanted, so of course, I paid. I paid for peace of mind. I paid for her silence and cooperation. Most of all, I paid so I could remain who I was. I am part of the problem. And then there’s the infidelity. I have been unfaithful to every wife and girlfriend I have ever had. Over the years, I would look each of them in the eye and proclaim my love and then have sex with other people behind their backs. I hurt them. And I hate it. But it didn’t make me stop. The worst part is, I’m someone who consistently hurts those closest to me. From my wife, to my friends, to my family, to my partners & co-workers. I have helped create a world of disrespect through my own actions. And I am part of the problem. But why? What caused me to act this way? Is it all ego? Or was it the sexual abuse I suffered as a boy and as a young man in my teens? Abuse that I only ever told to my first wife, for fear of being seen as weak or less than a man? Is it because my father left my mother when I was child? Or that she believed he never respected her, so that disrespect carried over into their son? Or is it because I’ve consistently been drinking since the age of 13? I haven’t been sober for more than a week in 30 years, something our society doesn’t shun or condemn but which only served to fill the emotional hole inside me and the daily depression I coped with. Depression we can’t talk about, because its wrong and makes you less of a person. And the sexual daliances? Were they meaningful? Or did they only serve to try to make a weak man feel stronger. I don’t know. None of these things matter when you chip away at someone and consistently make them feel like less of a person. I am part of the problem. We all are. But I am also part of the solution. By recognizing and openly admitting what I’ve done to further this terrible situation, I hope to empower the change within myself. We should all find the courage to admit we’re at fault. More than anything, I’m hopeful that I can start to rebuild the trust and the respect of those I love most. I’m not sure I deserve it, but I will work everyday to earn it back. I will do better. I will be better. I believe we all can. The only individual I have control over is me. So starting today, I’m going to be more honest with you and myself. I’m going to lay it all out in the open. Maybe that will be a start. Who knows. But I do know I’ve talked enough in my life … I’m finally ready to listen Spurlock stepped down from the company after the publication of the online confessional. Warrior Poets released a statement confirming his departure to Deadline, signed by Chilnick and Matthew Galkin, who is listed as a partner of the company along with Spurlock. On behalf of Warrior Poets, we as partners have always supported our company and its endeavors. As of today, Morgan Spurlock will be stepping down effective immediately. We will continue to lead the company as equal partners, producing, distributing & creating from our independent production company. Respectfully, Co-Founder & Partner Jeremy Chilnick and Partner Matthew Galkin YouTube Red also announced that the streaming company will no longer release his film Super Size Me 2: Holy Chicken! which was snagged for a reported $3.5 million after it premiered at the Toronto International Film Festival. A spokesman for YouTube said: “We feel for all of the women impacted by the recent statements made by Morgan Spurlock. In light of this situation, we have decided not to distribute Super Size Me 2 on YouTube Red.”

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