Tito and the Birds / Tito e os Pássaros[/caption]
Twenty-five features have been submitted for consideration in the Animated Feature Film category for the 91st Academy Awards®. Films submitted in the Animated Feature Film category also qualify for Academy Awards in other categories, including Best Picture.
Several of the films have not yet had their required Los Angeles qualifying run. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules before they can advance in the voting process. Sixteen or more films must qualify for the maximum of five nominees to be voted.
Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019.
The 91st Oscars® will be held on Sunday, February 24, 2019, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide.
The submitted features, listed in alphabetical order, are:
“Ana y Bruno”
“Dr. Seuss’ The Grinch”
“Early Man”
“Fireworks”
“Have a Nice Day”
“Hotel Transylvania 3: Summer Vacation”
“Incredibles 2”
“Isle of Dogs”
“The Laws of the Universe – Part I”
“Liz and the Blue Bird”
“Lu over the Wall”
“MFKZ”
“Maquia: When the Promised Flower Blooms”
“Mirai”
“The Night Is Short, Walk on Girl”
“On Happiness Road”
“Ralph Breaks the Internet”
“Ruben Brandt, Collector”
“Sgt. Stubby: An American Hero”
“Sherlock Gnomes”
“Smallfoot”
“Spider-Man: Into the Spider-Verse”
“Tall Tales”
“Teen Titans Go! To the Movies”
“Tito and the Birds”Animation | Anime
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25 Animated Feature Films Submitted for 2018 Oscar Competition
[caption id="attachment_32260" align="aligncenter" width="1200"]
Tito and the Birds / Tito e os Pássaros[/caption]
Twenty-five features have been submitted for consideration in the Animated Feature Film category for the 91st Academy Awards®. Films submitted in the Animated Feature Film category also qualify for Academy Awards in other categories, including Best Picture.
Several of the films have not yet had their required Los Angeles qualifying run. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules before they can advance in the voting process. Sixteen or more films must qualify for the maximum of five nominees to be voted.
Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019.
The 91st Oscars® will be held on Sunday, February 24, 2019, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide.
The submitted features, listed in alphabetical order, are:
“Ana y Bruno”
“Dr. Seuss’ The Grinch”
“Early Man”
“Fireworks”
“Have a Nice Day”
“Hotel Transylvania 3: Summer Vacation”
“Incredibles 2”
“Isle of Dogs”
“The Laws of the Universe – Part I”
“Liz and the Blue Bird”
“Lu over the Wall”
“MFKZ”
“Maquia: When the Promised Flower Blooms”
“Mirai”
“The Night Is Short, Walk on Girl”
“On Happiness Road”
“Ralph Breaks the Internet”
“Ruben Brandt, Collector”
“Sgt. Stubby: An American Hero”
“Sherlock Gnomes”
“Smallfoot”
“Spider-Man: Into the Spider-Verse”
“Tall Tales”
“Teen Titans Go! To the Movies”
“Tito and the Birds”
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Award Winning LIYANA Exec Produced by Thandie Newton Sets Release Date [Trailer]
The new trailer and poster debuted this week for the award-winning genre-defying documentary LIYANA directed by Aaron and Amanda Kopp and executive produced by actress Thandie Newton. The acclaimed film which has won over 25 film festival jury and audience awards will begin its 25+ city theatrical run with a special screening at New York’s IFC Film Center on October 9 before opening at the Maysles Documentary Center on October 10. Los Angeles and additional cities will follow.
Under the guidance of acclaimed South African storyteller, Gcina Mhlophe, five orphaned children from Swaziland collaborate to craft a collective fairytale drawn from their darkest memories and brightest dreams. Their fictional character, Liyana, is brought to life in innovative animated artwork as she embarks on a perilous quest to rescue her young twin brothers. The children’s real and imagined worlds begin to converge, and they must choose what kind of story they will tell – in fiction and in their own lives.
This genre-defying film weaves an original animated hero’s journey with poetic documentary scenes to create an inspiring tale of perseverance. LIYANA is a tribute to creativity, the strength of the human spirit, and the healing power of storytelling.
LIYANA is the critically acclaimed feature directorial debut of award-winning filmmakers and cinematographers Aaron Kopp & Amanda Kopp. They both shot for the Academy Award nominated campus assault documentary THE HUNTING GROUND. Aaron, who was raised in Swaziland, also shot and co-produced the Academy Award winning documentary SAVING FACE, which earned him an Emmy nomination. LIYANA features an original score by South African composer, Philip Miller, and stunning animation by Nigerian artist Shofela Coker, illustrating Liyana’s journey as told through the children in Swaziland. Executive produced by award-winning actress, Thandie Newton, LIYANA has screened at more than 80 film festivals around the world including the British Film Institute’s London Film Festival and MoMA DocFortnight.
The film has been hailed as, deeply moving and beautifully crafted by The Hollywood Reporter and lush and uplifting by the New York Times. Critics across the country say the film is brilliant, masterful, an inspirational cinematic experience, and that LIYANA stands a strong chance of making Oscar buzz throughout the year.
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Hong Kong’s Summer Intl Film Festival to Showcase Japanese Anime Master Mamoru Hosoda, Opens with MIRAI
[caption id="attachment_30889" align="aligncenter" width="1200"]
Mamoru Hosoda[/caption]
A special program featuring Mamoru Hosoda – the Japanese anime master of the new generation will be showcased at the Summer International Film Festival (SummerIFF) – the Summer edition of the Hong Kong International Film Festival.
[caption id="attachment_30890" align="aligncenter" width="1200"]
Mirai[/caption]
His latest feature, Mirai, the first Japanese animated work ever to receive a world premiere at the Cannes Film Festival, will be the opening film of SummerIFF, which also features four of his acclaimed works. Hosoda will visit Hong Kong for a master class, leading fans into a world of boundless imagination and fascinating stories.
The special program, titled “The World of Mamoru Hosoda,” celebrates the unparalleled achievement of the renowned director as he blazes a new path for Japanese hand-drawn animation. Opening the SummerIFF, Mirai (2018) is his latest ambitious exploration of the circle of life via a single family. This magnificent tale, which centers on a 4-year-old boy taken by his sister from the future into a series of surprising adventures, epitomizes Hosoda’s spellbinding mix of time leap, futuristic fantasy and familial affection.
Hailed as the next Miyazaki Hayao, Hosoda attracted international attention with The Girl Who Leapt Through Time (2006), a romantic fantasy that transforms the coming-of-age story into an openhearted fable. Summer Wars (2009) continues to dazzle audiences and critics alike for its eccentric and whimsical imagination of both digital and real worlds. Produced under his own animation house, Studio Chizu, Wolf Children (2012) and The Boy and the Beast (2015) further establish his signature style – a strong sense of family ties, and the growth to greater maturity through perseverance. His ingenuity of combining realistic settings with futuristic stories has earned him global recognition and awards, placing him as one of the leading anime directors in Japan today. The presentation of these earlier acclaimed works from 14 August onwards will give Hong Kong audiences an opportunity to revisit Hosoda’s creative oeuvre as a prelude to his visit and the premiere of his new film.
Hosoda will meet the audience after the screening of Mirai on August 18, and will also attend a master class after the screening of The Boy and the Beast on August 19 to share his creative insights.
In addition, an exhibition under the same title will be held from August 14 to 27, featuring his character designs, sketches of structures as well as re-created sets from his celebrated works.
https://www.youtube.com/watch?v=Mp6IcekfEpo
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Animation In Focus At Upcoming Edinburgh International Film Festival
[caption id="attachment_30232" align="aligncenter" width="1200"]
ANIMAL BEHAVIOUR[/caption]
Edinburgh International Film Festival revealed further details of the much-anticipated Animation program scheduled to take place as part of this month’s 72nd edition of the Festival. Four programs of short animation highlighting the role of the medium in foreseeing issues affecting contemporary anxieties and passions will screen alongside the annual presentation of some of the hottest British animating talent in the McLaren Award screenings as well as a special retrospective of a unique talent in animated filmmaker Elizabeth Hobbs.
Taking place on Wednesday 27 June, ELIZABETH HOBBS – A RETROSPECTIVE OF ANIMATED WORK, running as part of Anim18, a celebration of British animation taking place across the UK, will pay tribute to the award-winning animator who has been making short films for over 17 years and is both a graduate of the Edinburgh College of Art and a recipient of EIFF’s McLaren Award. Screening will be THE FILING OF THE FANGS, LITTLE SKIPPER and THE TRUE STORY OF SAWNEY BEANE amongst a number of other charming stories by this wonderful indie animator.
Hobbs’ I’M OK will also compete in this year’s McLaren Award for Best British Animation, supported by the British Council, alongside Emily Scaife’s ATTRACTION; Chris Shepherd’s topical BREXICUTED; INVADERS, made by Daniel Prince; Jonathan Hodgson’s ROUGHHOUSE and THAT YORKSHIRE SOUND by Marcus Armitage amongst a host of other titles with the winner crowned by the Festival audience.
International Animation returns this year with a focus on female directors each bringing a unique perspective to very relevant debates taking place in the public consciousness of our day: short films screening includes Alison Snowden’s ANIMAL BEHAVIOUR, Emily Ann Hoffman’s NEVADA and ICEBURGS from Eirini Vianelli.
Animation at EIFF is supported by creative communications consultancy, Emperor, who are celebrating their 15th anniversary in Edinburgh this year, with match funding provided by the Culture & Business Fund Scotland. Launched in April 2017, this program is run by independent charity Arts & Business Scotland to encourage closer collaboration between businesses and the cultural sector by match-funding business sponsorship of cultural projects pound for pound.
FILM FEST JUNIOR boasts two UK Premieres of animations VITELLO, in which a young boy goes in search of his father and ZOMBILLENIUM where a member of the undead must find his place at a monster theme park as well as an exclusive preview of PRINCESS EMMY, animated entertainment aimed at fans of princesses and horses. This year’s Family Gala is the long-awaited Disney-Pixar animation, INCREDIBLES 2.
Striking animated documentary WALL by director Cam Christiansen, written by and starring Sir David Hare will also screen as part of this year’s Focus on Canada country strand, supported by Telefilm Canada.
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Felicity Jones, Thomas Brodie-Sangster, Patrick Stewart, Freddie Highmore Cast in Animated Family Adventure DRAGON RIDER
[caption id="attachment_28975" align="aligncenter" width="1200"]
Felicity Jones[/caption]
Felicity Jones (The Theory of Everything), Thomas Brodie-Sangster (The Maze Runner, Love Actually), Patrick Stewart (Logan, Star Trek) and Freddie Highmore (Finding Neverland, “The Good Doctor”) will join Tomer Eshed’s Dragon Rider alongside Meera Syal (Doctor Strange), Sanjeev Bhaskar (Absolutely Anything) and Nonso Anozie (Cinderella). Based on Cornelia Funke’s bestselling novel of the same name, the animated family adventure will be produced by Constantin Film’s Martin Moszkowicz and Oliver Berben together with the co-producers Cyborn and RiseFX along with the team of Lumatic. Timeless Films is handling worldwide sales.
Written by Johnny Smith (Gnomeo & Juliet), Dragon Rider trails an unlikely trio of heroes – young silver dragon Firedrake (Brodie-Sangster), Sorrel (Jones) the mountain brownie and a boy called Ben (Highmore) – as they embark on an epic adventure and battle against a vicious, dragon-killing machine called Nettlebrand (Stewart) to find the ‘Rim of Heaven’.
“Felicity, Thomas, Patrick, Freddie, Meera, Sanjeev and Nonso, are extraordinary actors whose unique voices will bring to life our wonderful animated characters. Director Tomer Eshed is creating an amazing visual world full of dragons and magical creatures and we’re delighted to be re-uniting with Constantin Film, a production and distribution powerhouse to deliver another hit animated, family film to buyers” said Timeless Films Chairman and CEO, Ralph Kamp.
Constantin Film CEO Martin Moszkowicz commented: “I am thrilled to see so many great artists joining Tomer Eshed and his creative team for the next outstanding animated family film event from Constantin Film.”
Timeless Films has already sealed a raft of deals worldwide on Dragon Rider and is continuing sales heading into Cannes. The film is due to be delivered Fall 2019.
Jones received a best actress Oscar® nomination for her work in The Theory of Everything and starred as Jyn Erso in Rogue One: A Star Wars Story and in Inferno opposite Tom Hanks. She most recently wrapped production on Mimi Leder’s On The Basis of Sex. She stars next in The Aeronauts for Amazon Studios and is attached to Universal’s upcoming Swan Lake adaptation.
Brodie-Sangster is best known for his role as Sam in Love Actually and his lead roles in hit films Nanny McPhee, The Maze Runner series, “Godless” US TV Series (Netflix) and “Game of Thrones” US Drama Series (HBO). He has previously leant his voice to “Thunderbirds Are Go” alongside Rosamund Pike and as Ferb Fletcher in Disney’s “Phineas and Ferb”.
Stewart is best known for his roles as Professor Xavier in the X-Men films and Captain Picard in seven seasons of “Star Trek: The Next Generation”. He has previously leant his voice in TBS’ “American Dad!”.
Highmore received a best actor Golden Globe nomination for his work in ABC’s “The Good Doctor” and has starred in Finding Neverland, Charlie and the Chocolate Factory and “Bates Motel”.
Syal received a BAFTA® nomination for her work in “The Kumars at No. 42” and has appeared in countless film and television projects including Paddington 2, “Riviera”, “Doctor Strange” and “Doctor Who”. She most recently wrapped production on Disney’s Patrick.
Bhaskar received a BAFTA® nomination, A Peabody and Two International EMMYs for “The Kumars At No 42”, a series he created, wrote and starred in and has appeared in Paddington 2, Arthur Christmas and Absolutely Anything opposite Simon Pegg and Kate Beckinsale.
Anozie has appeared in Liam Neeson starrer The Grey, Cinderella and Conan the Barbarian and is currently in production on Disney’s long-awaited Artemis Fowl opposite Judi Dench.
Timeless Films most recently distributed Monster Family and Rock Dog from Academy Award® winning writer/director Ash Brannon. Previous titles have included Dennis Gansel’s Jim Button and Luke the Engine Driver, which Warner Brothers released in Germany over the Easter Weekend.
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Abu Dhabi-Set Animated Feature Film CATSAWAY Debuts Trailer
The first glimpse of ‘Catsaway’, a new animated feature-length film by Emirati director Fadel Saeed AlMuhairi, trailer was released today on the twofour54 Abu Dhabi YouTube channel.
It is being directed by AlMuhairi, who also helmed ‘Abood Kandaishan’, which was nominated for 2014’s Muhr Emirati Award at Dubai International Film Festival (DIFF). The movie, which is the director’s first animated film, is about a group of cats trying to make a home in Abu Dhabi as the city evolves around them. It features traditional hand-drawn animation rather than computer generated images.
‘Catsaway’ is being produced by Tent Pictures Productions, in cooperation with Juice Studios in Poland, and is being made at twofour54, where the company is based. After more than a year of pre-production work, production started earlier this year on the film.
H.E. Maryam Eid AlMheiri, CEO of Media Zone Authority – Abu Dhabi and twofour54, said of the director: “Fadel is a long-standing member of our thriving media ecosystem at twofour54 and a wonderful example of the incredible creative talent that we are developing in Abu Dhabi as we realise our vision of being the Capital for content creators.
‘Catsaway’ is expected to get its theatrical release later this year.
https://www.youtube.com/watch?v=oWpDEvdp1Kw
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TEHRAN TABOO, Animated Drama on Sexual Hypocrisy in Iran, Sets US Release Date | Trailer
[caption id="attachment_26662" align="aligncenter" width="1320"]
Tehran Taboo. Pari, Elias and Sara in a Restaurant[/caption]
Ali Soozandeh’s Tehran Taboo is an animated dramatic feature that juggles multiple stories to explore the sexual double-standard behind the hypocrisy of life in contemporary Iran. Living in exile in Germany since age 25, Iranian-born Soozandeh cannily uses animation to solve the problem of not being able to film in Tehran.
Kino Lorber will release Tehran Taboo on Wednesday, February 14, at New York’s Film Forum; in San Francisco, CA, on March 2 (Roxie Theatre) and in Los Angeles, CA, on March 9 (at Laemmle’s Town Center 5 and Music Hall 3). The film had its world premiere at the prestigious Cannes Critics’ Week before segueing to a competition slot at the Annecy Intl. Animated Film Festival.
Blending multiple narratives into a complex picture of contemporary life in Iran’s most populous city, Tehran Taboo follows a young woman in need of an operation to “restore” her virginity; a divorce judge (in the Islamic Revolutionary Court) who extorts favors from a prostitute; a pregnant woman desperate to work for a living so she may live independently; and young women (purportedly virgins) being sold to Dubai for large sums of money.
The result is a complicated portrait of a social order in which women are at the bottom rung of a ladder built on religion, the law, and plain old misogyny.
https://www.youtube.com/watch?v=xUnSemNTycE
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ANIMATION SHOW OF SHOWS – 16 Animated Shorts From Around The World Opens in Theaters on December 29th
[caption id="attachment_25815" align="aligncenter" width="1200"]
Gokurosama[/caption]
The ANIMATION SHOW OF SHOWS returns to theaters across North America and will open at the Quad Cinema in New York on December 29th (with many other cities to follow), presenting 16 exceptional and inspiring animated shorts from around the world.
“Because animation is such a natural medium for dealing with abstract ideas and existential concerns, the ANIMATION SHOW OF SHOWS has always included a number of thoughtful and engaging films,” says founder and curator Ron Diamond. “However, more than in previous years, I believe that this year’s program really offers contemporary animation that expresses deeply felt issues in our own country and around the world.”
These films include Niki Lindroth von Bahr’s Annecy Grand Prix-winning “The Burden,” a melancholy, funny and moving film that explores the tribulations, hopes and dreams of a group of night-shift employees, uniquely capturing the zeitgeist of our time. At the other end of the spectrum, David OReilly’s playful and profound “Everything,” based on the work of the late philosopher Alan Watts, explores the interconnectedness of the universe and the multiplicity of perspectives that underlie reality.
Perhaps the most relevant film in the show is a 50-year-old short that was restored by The ANIMATION SHOW OF SHOWS with grants from ASIFA-Hollywood and The National Film Preservation Foundation. “Hangman,” by Paul Julian and Les Goldman, and based on a poem by Maurice Ogden, explores themes of injustice and personal responsibility in its tale of a town whose residents, afraid to speak up, are methodically executed by the title character.
Other program highlights include “Dear Basketball,” Disney veteran Glen Keane’s animation of a poem by Los Angeles Lakers superstar Kobe Bryant, written on the occasion of his imminent retirement; Academy Award-winning Pixar director Pete Docter’s 1990 CalArts student film “Next Door”; and “Casino,” the latest film from director Steven Woloshen, who, for some 30 years, has been creating award-winning experimental films by drawing directly on film stock.
The 19th ANIMATION SHOW OF SHOWS represents the work of artists from eight countries, including nine women.
16 animated short films presented in order of appearance – Total Running Time: 93 minutes
Can You Do It – Quentin Baillieux, France
Tiny Big – Lia Bertels, Belgium
Next Door – Pete Docter, U.S.
The Alan Dimension – Jac Clinch, UK
Beautiful Like Elsewhere – Elise Simard, Canada
Hangman – Paul Julian and Les Goldman, U.S.
The Battle of San Romano – Georges Schwizgebel, Switzerland
Gokurosama – Clémentine Frère, Aurore Gal, Yukiko Meignien, Anna Mertz, Robin Migliorelli, Romain Salvini, France
Dear Basketball – Glen Keane, U.S.
Island – Max Mörtl and Robert Löbel, Germany
Unsatisfying – Parallel Studio, France
My Burden – Niki Lindroth von Bahr, Sweden
Les Abeilles Domestiques (Domestic Bees) Alexanne Desrosiers, Canada
Our Wonderful Nature: The Common Chameleon – Tomer Eshed, Germany
Casino – Steven Woloshen, Canada
Everything – David OReilly, U.S
https://www.youtube.com/watch?v=pQH9zrb6V9Q
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10 Animated Short Films Remain in the Running for 90th Academy Awards
[caption id="attachment_25767" align="aligncenter" width="1200"]
Dear Basketball[/caption]
The Academy of Motion Picture Arts and Sciences today revealed the 10 animated short films that will advance in the voting process for the 90th Academy Awards. Sixty-three pictures had originally qualified in the category.
Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018.
The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network.
The 10 films are listed below in alphabetical order by title, with their production companies:
“Cradle,” Devon Manney, director (University of Southern California)
“Dear Basketball,” Glen Keane, director, and Kobe Bryant, writer (Glen Keane Productions)
“Fox and the Whale,” Robin Joseph, director (Robin Joseph)
“Garden Party,” Victor Caire and Gabriel Grapperon, directors (MOPA)
“In a Heartbeat,” Esteban Bravo and Beth David, directors (Ringling College of Art and Design)
“Life Smartphone,” Chenglin Xie, director (China Central Academy of Fine Arts)
“Lost Property Office,” Daniel Agdag, director, and Liz Kearney, producer (8th in Line)
“Lou,” Dave Mullins, director, and Dana Murray, producer (Pixar Animation Studios)
“Negative Space,” Max Porter and Ru Kuwahata, directors (Ikki Films)
“Revolting Rhymes,” Jakob Schuh and Jan Lachauer, directors (Magic Light Pictures)
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Nominations Announced for 45th Annie Awards, LOVING VINCENT, THE BREADWINNER and More…
[caption id="attachment_24262" align="aligncenter" width="1200"]
Loving Vincent[/caption]
The nominations were announced today for the 45th Annie Awards recognizing the year’s best in the field of animation. Best Animated Feature-Independent, spotlighting features with a much smaller distribution footprint than major studio releases, include: In This Corner of the World, Loving Vincent, Napping Princess, The Big Bad Fox & Other Tales and The Breadwinner.
The Annie Awards cover 36 categories and include Best Animated Feature, Best Animated Feature-Independent, Special Productions, Commercials, Short Subjects, Student Films and Outstanding Individual Achievements, as well as the honorary Juried Awards.
The winners will be announced at a black tie ceremony on Saturday, February 3, 2018 at UCLA’s Royce Hall.
Best Animated Feature
CAPTAIN UNDERPANTS: THE FIRST EPIC MOVIE Production Company: DreamWorks Animation CARS 3 Production Company: Pixar Animation Studios COCO Production Company: Pixar Animation Studios DESPICABLE ME 3 Production Company: Illumination THE BOSS BABY Production Company: DreamWorks AnimationBest Animated Feature-Independent
IN THIS CORNER OF THE WORLD Production Company: Taro Maki, GENCO, Inc. and Masao Maruyama, MAPPA Co., Ltd LOVING VINCENT Production Company: BreakThru Films, Production Company Trademark Films, Co-Production Company NAPPING PRINCESS Production Company: Nippon TV THE BIG BAD FOX & OTHER TALES Production Company: Folivari / Panique! / Studiocanal THE BREADWINNER Production Company: Cartoon Saloon / Aircraft Pictures / Melusine ProductionsBest Animated Short Subject
DEAR BASKETBALL Production Company: Glen Keane Productions, Kobe Studios, Believe Entertainment Group HEDGEHOG’S HOME Production Company: National Film Board of Canada, Bonobostudio NEGATIVE SPACE Production Company: IKKI Films / Manuel Cam Studio SCAVENGERS Production Company: Titmouse, Inc. // Adult Swim SON OF JAGUAR Production Company: Google Spotlight Stories, Reel FXBest Animated Special Production
IMAGINARY FRIEND SOCIETY “FEELING SAD” Production Company: Hornet OLAF’S FROZEN ADVENTURE Production Company: Walt Disney Animation Studios PIG: THE DAM KEEPER POEMS Production Company: Tonko House, Inc. REVOLTING RHYMES Production Company: Magic Light Pictures TANGLED BEFORE EVER AFTER Production Company: Walt Disney Television AnimationBest Animated Television/Broadcast Commercial
BISCOTTI. UNA STORIA BUONA Production Company: Hornet JUNE Production Company: Broad Reach Pictures/Chromosphere/Lyft LEAGUE OF LEGENDS ‘LEGENDS NEVER DIE’ Production Company: Passion Animation Studios PLEASE THE CHEESE Production Company: Psyop SAINSBURY’S ‘THE GREATEST GIFT’ Production Company: Passion Animation StudiosBest Animated Television/Broadcast Production For Preschool Children
MICKEY AND THE ROADSTER RACERS Episode: Goofy Gas! Production Company: Walt Disney Television Animation OCTONAUTS Episode: Operation Deep Freeze Production Company: Vampire Squid Productions Limited, a Silvergate Media company, in association with Brown Bag Films PEG + CAT, THE MARIACHI PROBLEM Episode: 220B, The Mariachi Problem Production Company: The Fred Rogers Company/ 100 Chickens Productions THE STINKY & DIRTY SHOW Episode: HaHaHigher / The Waiting Game Production Company: Amazon Studios THROUGH THE WOODS Episode: A Snowy Morning Production Company: Houghton Mifflin Harcourt, The Fred Rogers Company, PIP Animation ServicesBest Animated Television/Broadcast Production For Children
BUDDY THUNDERSTRUCK Episode: To Protect and Swerve / Robo Truck of the Future Production Company: Stoopid Buddy and American Greetings for Netflix LOST IN OZ Episode: The Pearl of Pingaree Production Company: Amazon Studios NIKO AND THE SWORD OF LIGHT Episode: From the Cliffs of Catastrophe to the Pools of Destiny Production Company: Amazon Studios TANGLED: THE SERIES – Episode: Queen for a Day Production Company: Walt Disney Television Animation WE BARE BEARS Episode: Panda’s Art Production Company: Cartoon Network Animation StudiosBest General Audience Animated Television/Broadcast Production
BIG MOUTH Episode: Am I Gay? Production Company: Netflix BOJACK HORSEMAN Episode: Stupid Piece of Sh*t Production Company: Tornante Productions, LLC for Netflix RICK AND MORTY Episode: 303 – “Pickle Rick” Production Company: Williams Street Productions ROBOT CHICKEN Episode: Freshly Baked: The Robot Chicken Santa Claus Pot Cookie Freakout Special: Special Edition Production Company: Stoopid Buddy Stoodios SAMURAI JACK Episode: XCIII Production Company: Adult SwimBest Student Film
CRADLE Studio Company: Devon Manney Students: Devon Manney ELSEWHERE Studio Company: Junyi Xiao Students: Junyi Xiao GOOD NIGHT, EVERYBUDS! Studio Company: Filmakademie Baden-Wuerttemberg GmbH Students: Director: Benedikt Hummel, Sound Design & Mix: Lena Beck, Music: Andreas Pfeiffer, Producer: Stefan Michel ONCE A HERO Studio Company: XiaLi Students: Xia Li POLES APART Studio Company: Paloma Baeza Students: Director: Paloma Baeza, Producer: Ser En Low, All Student Crew
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26 Animated Feature Films Submitted for 90th Academy Awards
[caption id="attachment_24262" align="aligncenter" width="1200"]
Loving Vincent[/caption]
Twenty-six features have been submitted for consideration in the Animated Feature Film category for the 90th Academy Awards. Films submitted in the Animated Feature Film category also may qualify for Academy Awards in other categories, including Best Picture.
Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018. The 90th Oscars® will be held on Sunday, March 4, 2018, at the Dolby Theatre® at Hollywood & Highland Center in Hollywood.
The submitted features, listed in alphabetical order, are:
The Big Bad Fox & Other Tales
Birdboy: The Forgotten Children
The Boss Baby
The Breadwinner
Captain Underpants The First Epic Movie
Cars 3
Cinderella the Cat
Coco
Despicable Me 3
The Emoji Movie
Ethel & Ernest
Ferdinand
The Girl without Hands
In This Corner of the World
The Lego Batman Movie
The Lego Ninjago Movie
Loving Vincent
Mary and the Witch’s Flower
Moomins and the Winter Wonderland
My Entire High School Sinking into the Sea
Napping Princess
A Silent Voice
Smurfs: The Lost Village
The Star
Sword Art Online: The Movie – Ordinal Scale
Window Horses The Poetic Persian Epiphany of Rosie Ming
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Catya Plate Returns to 2017 Brooklyn Film Festival with World Premiere of MEETING MACGUFFIN | Trailer
[caption id="attachment_22516" align="aligncenter" width="1200"]
Meeting MacGuffin: An Animated Ecological Thriller[/caption]
Award winning Brooklyn filmmaker and artist Catya Plate, whose film “Hanging By A Thread” won the Spirit Award for Animation at the Brooklyn Film Festival in 2014, is back with the World Premiere of the stop motion animated film Meeting MacGuffin: An Animated Ecological Thriller at this year’s 20th Brooklyn Film Festival which runs from June 2 to 11, 2017.
“Meeting MacGuffin: An Animated Ecological Thriller” was successfully crowd funded via Hatchfund and features the remarkable voices of Hollywood celebrities Richard Horvitz and Misty Lee.
“Meeting MacGuffin” continues the tale which began in a post-apocalyptic future where humankind had fallen apart. A new breed of scientists, the Clothespin Freaks, had been reassembling human fragments to create an alternate form of humanity. Guided by LF, an animated sign, they travel with the nearly-finished new humans called Homeys, through underground caverns to complete their reconstitution and meet Gormal MacGuffin, a wise, blue-eyed groundhog climatologist with expertise in water renewal who prepares the Homeys for their mission to restore balance to decimated Earth.
Born in Barcelona, Spain, and raised in Germany, Catya completed her BFA at the Werkkunstschule, Köln, before coming to New York on a Fulbright Scholarship for post-graduate studies at School of Visual Arts. She has been exhibiting regularly and internationally since the mid-1980’s. Her work can be found in many public and private collections worldwide, including the Brooklyn Museum and the Museum of Modern Art Library in New York City. Articles and reviews of Plate’s films, exhibition and installation projects have appeared, among others, in Film Threat, The New York Times and The Independent.
Meeting MacGuffin: An Animated Ecological Thriller Screenings at Brooklyn Film Festival:
Monday, June 5th, 6:30pm, Syndicated Cinema, 40 Bogart St., Brooklyn, NY 11206
Saturday, June 10, 7pm, NY Media Center, 30 John St, Brooklyn, NY 11201
