ESPN Films Next 30 for 30 is “42 to 1”, the documentary on Buster Douglas defeating Mike Tyson for the 1990 Heavyweight Championship of the World.
The documentary “42 to 1”, co-directed by Jeremy Schaap and Ben Houser, premieres Tuesday, December 11th at 9:00p.m. ET on ESPN
If you were a sports fan in 1990, you’ll never forget where you were when you heard about Tyson-Douglas. Because, after all, it was impossible.
In sports, we’re used to seeing the improbable. But the impossible is another matter entirely. And on February 11, 1990, while the odds were technically 42-1, it was very much the impossible that happened in a boxing ring in Tokyo, Japan, when James “Buster” Douglas defeated Mike Tyson for the heavyweight championship of the world.
The 30 for 30 documentary “42-1” tells the story of just how incredibly unlikely it was. It starts in Columbus, Ohio, where Douglas grew up the son of a boxer, who trained and guided him to become a top-10 heavyweight contender in the mid 1980’s. Of course, it was all in the shadow of the rise of “Iron” Mike Tyson, who became a worldwide phenomenon in a remarkable undefeated run to the undisputed title. And by the time their fight was set, Douglas was lightly regarded, merely a stepping stone for bigger fights for the champion. But on the day they met, a series of extraordinary circumstances led to an unimaginable result.
Featuring rare footage and never before seen images, this is a film about how Douglas pulled off a victory that changed the course of sports history, channeling the absolute best version of himself, if only for one fight, when it mattered most and no one thought it was possible.
Co-Directed by 11-time Emmy Award winner Jeremy Schaap (E:60, The Sporting Life) & 17-time Emmy award and 4-time Edward R. Murrow Award winner Ben Houser (E:60 docs Owen & Haatchi, The Number, Leaf).
Image via YouTubeDocumentary
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ESPN Films Next 30 for 30 is “42 to 1” on Buster Douglas 1990 Victory Over Mike Tyson
ESPN Films Next 30 for 30 is “42 to 1”, the documentary on Buster Douglas defeating Mike Tyson for the 1990 Heavyweight Championship of the World.
The documentary “42 to 1”, co-directed by Jeremy Schaap and Ben Houser, premieres Tuesday, December 11th at 9:00p.m. ET on ESPN
If you were a sports fan in 1990, you’ll never forget where you were when you heard about Tyson-Douglas. Because, after all, it was impossible.
In sports, we’re used to seeing the improbable. But the impossible is another matter entirely. And on February 11, 1990, while the odds were technically 42-1, it was very much the impossible that happened in a boxing ring in Tokyo, Japan, when James “Buster” Douglas defeated Mike Tyson for the heavyweight championship of the world.
The 30 for 30 documentary “42-1” tells the story of just how incredibly unlikely it was. It starts in Columbus, Ohio, where Douglas grew up the son of a boxer, who trained and guided him to become a top-10 heavyweight contender in the mid 1980’s. Of course, it was all in the shadow of the rise of “Iron” Mike Tyson, who became a worldwide phenomenon in a remarkable undefeated run to the undisputed title. And by the time their fight was set, Douglas was lightly regarded, merely a stepping stone for bigger fights for the champion. But on the day they met, a series of extraordinary circumstances led to an unimaginable result.
Featuring rare footage and never before seen images, this is a film about how Douglas pulled off a victory that changed the course of sports history, channeling the absolute best version of himself, if only for one fight, when it mattered most and no one thought it was possible.
Co-Directed by 11-time Emmy Award winner Jeremy Schaap (E:60, The Sporting Life) & 17-time Emmy award and 4-time Edward R. Murrow Award winner Ben Houser (E:60 docs Owen & Haatchi, The Number, Leaf).
Image via YouTube
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MAN ON FIRE Documentary on Race and God in Smalltown Texas, to Premiere on PBS Independent Lens
The haunting new documentary Man on Fire explores how a community dealt with the shocking public suicide of Charles Moore, an elderly minister who self-immolated in a Texas Parking Lot. Man on Fire premieres on Independent Lens on Monday, December 17, 2018, 10-11:00 PM ET (check local listings) on PBS.
On June 23, 2014, a 79-year-old white Methodist minister named Charles Moore drove to an empty parking lot in his old hometown of Grand Saline, Texas, and set himself on fire. He left a note on his car’s windshield explaining that this act was his final protest against the virulent racism of the community and his country at large. Joel Fendelman’s Man on Fire goes back to Grand Saline – population 3,266 – to try to uncover the truth about the town’s ugly past and the fervor for God and justice that drove Moore to his shocking final act.
Grand Saline, home to one of Morton’s largest salt mines, has always had a reputation as a town unhospitable to African Americans. Oral tradition has it that there were signs at each end of the town warning African Americans to leave before sunset, and stories of lynchings and beheadings are well-known. Although the town fathers claim the stories are just rumors, African Americans from neighboring towns still avoid passing through. The shroud of secrecy ended when Charles Moore self-immolated and the media took note.
Although he was raised in Grand Saline, Moore’s religious devotion and quest to make a difference had led him far from his small hometown. A committed Methodist, Moore attended Southern Methodist University and became a preacher, first in Texas and then on the west side of Chicago, where his passion for social justice flourished. A fierce supporter of racial equality, LGBT rights, the abolition of the death penalty and more, his parishioners and colleagues marveled at the depth of his commitment. Even before his death, they understood that Moore was willing to die for what he believed.
Told through interviews with Moore’s friends and family members as well as residents of Grand Saline and surrounding towns, Man on Fire seeks to understand what drove Moore to his shocking final act — and what if anything, it changed.
“Joel’s disquieting film explores the length one white preacher was willing to go to remind us of our racist history,” said Lois Vossen, Independent Lens executive producer. “Some see his act of self-immolation as a radical protest, like the Buddhist monks whose suicide by fire raised awareness for their cause. Others believe it’s a sign of mental illness. At a time when we’re grappling to define a collective history, this story illustrates how difficult it is to find common language, let alone common ground.”
https://www.youtube.com/watch?v=tfHOMkM-C4c
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Watch Trailer for TOUGH GUY : THE BOB PROBERT STORY, Documentary on Late Hockey Player
The new trailer is released for Tough Guy: The Bob Probert Story, the story of late NHL tough guy Bob Probert, who died at age 45, directed by 28-year-old documentary filmmaker Geordie Day. The documentary premieres on Superchannel in Canada on December 4 and will hit the U.S sometime next year.
On July 5, 2010, legendary NHL tough guy Bob Probert collapsed on his boat on Lake St. Clair, near Windsor and died of a heart attack. He was only 45 years old.
Bob was on his third glass of coke and eighth pill of OxyContin that day. He’d routinely take the two together to deal with his aching body. Seventeen years as the NHL’s toughest enforcer had taken its toll. As the undisputed, “heavyweight champ,” he finished his career fifth in all time penalty minutes. He averaged 40 brutal, bare-knuckled hockey fights a year.
Bob’s death wasn’t all that surprising. He lived hard. Chain smoking, alcoholism, snorting cocaine even in a jail cell while under arrest, cavorting with nurses during his many trips to rehab.
He said people always wanted to know, “Why do you struggle with drugs and alcohol?” He’d shrug off the ques, “I just got a little addicted to the fun.” But Bob’s life was often far from fun. In a rare moment of vulnerability, he wrote a letter to his disease while in rehab in 2003.
“You have taken away my freedom to make healthy choices. You have taken away my valuable time from my wonderful wife Dani and my four kids. You have taken away my self-respect and dignity. You have turned me into someone I am not.”
The film features Bob Probert, Dani Probert, Joe Kocur, Tie Domi, Don Cherry, Jeremy Roenick, Chris Chelios, Stu Grimson, Sheldon Kennedy, Troy Crowder, Steve Yzerman, Tony Twist, Ptr Klima, and Marty McSorely.
Tough Guy is based on the book Day’s real-life mother Kirstie McLellan Day wrote with the late Probert. Bob’s wife, Dani is EP.
It’s Geordie Day’s second hockey film. He co-directed Goalie, a film on former NHL goaltender Clint Malarchuk. This year, he produced Charles Manson: Final words, which contained the last ever recorded interviews with Manson. The film aired on REELZ.
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Showtime to Premiere a Week of New Music Documentaries in December Featuring Jeff Beck, Agnostic Front, GG Allin, Korn’s Brian “Head”
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KORN’S BRIAN “HEAD” WELCH: LOUD KRAZY LOVE[/caption]
Showtime will air a special week of music documentary premieres beginning Tuesday, December 11, profiling rock legends Jeff Beck, Agnostic Front, GG Allin and Korn’s Brian “Head” Welch.
JEFF BECK: STILL ON THE RUN will premiere Tuesday, December 11 at 7:30 p.m. ET/PT, AGNOSTIC FRONT: GODFATHERS OF HARDCORE on Wednesday, December 12 at 7:00 p.m. ET/PT, GG ALLIN: ALL IN THE FAMILY on Thursday, December 13 at 10:00 p.m. ET/PT, and KORN’S BRIAN “HEAD” WELCH: LOUD KRAZY LOVE on Friday, December 14 at 10:00 p.m. ET/PT.
KORN’S BRIAN “HEAD” WELCH: LOUD KRAZY LOVE
Brian “Head” Welch was an early ’90s rock pioneer with his band Korn, giving a voice and identity to a generation of misfits. In KORN’S BRIAN “HEAD” WELCH: LOUD KRAZY LOVE, directors Trey Hill and Scott Mayo retrace the harrowing journey Welch faced after the birth of his daughter Jennea, when he walked away from career success to clean up his act to father his daughter in the only way he found acceptable. Far beyond a rock doc, this transformative coming-of-age story grapples with teenage depression, the quest for identity and the hope of a father willing to do anything for the one he loves.JEFF BECK: STILL ON THE RUN
JEFF BECK: STILL ON THE RUN, directed by Matthew Longfellow, follows the English rock guitarist from his earliest days learning to strum on homemade guitars in Wallington, Surrey, to his teenage friendship with Jimmy Page and mastering his craft with guitar legends that influenced his incredible career.AGNOSTIC FRONT: GODFATHERS OF HARDCORE
AGNOSTIC FRONT: GODFATHERS OF HARDCORE traces the roots of the band that pioneered and defined New York Hardcore (NYHC). Directed by Ian McFarland, the film follows Roger Miret and Vinnie Stigma, called the lynchpins of hardcore punk movement, 30 years into their careers as they remain the very embodiment of hardcore, representing endurance, perseverance, brotherhood, strength against oppression and the will to keep going, obstacles be damned.GG ALLIN: ALL IN THE FAMILY
GG ALLIN: ALL IN THE FAMILY explores the life of GG Allin, the controversial rock singer whose outrageous onstage antics shocked the world. The story follows his impoverished childhood ruled by a tyrannical father to an adult life marked by drugs, violence and prison. Director Sami Saif creates an intimacy with viewers as the film explores how Allin’s mother Arleta and brother Merle are still dealing with grief, and examines Allin’s lasting influence on his fans. https://www.youtube.com/watch?v=itZHp6tWH3g
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Documentary MILES DAVIS: BIRTH OF THE COOL to World Premiere at Sundance Film Festival 2019
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Miles Davis: Birth of the Cool[/caption]
Miles Davis: Birth of the Cool, the new feature-length documentary directed by Emmy Award-winner Stanley Nelson, will debut in the Documentary Premieres category at Sundance Film Festival 2019.
With full access to the Miles Davis Estate, the film features never-before-seen footage, including studio outtakes from his recording sessions, new interviews and rare photos. Quincy Jones, Carlos Santana, Clive Davis, Wayne Shorter and Ron Carter are just a few of the luminaries weighing in on the life and career of a true visionary, innovator and originator. Miles Davis: Birth of the Cool is the definitive account of the man behind the legend.
Director Stanley Nelson said, “Miles Davis is an undisputed musical legend – but what I hoped to discover was the man behind the myth. By unpacking his upbringing, his methodology, his relationships, and his demons, we begin to understand the man who would redefine the original American musical genre, jazz and has influenced generations of musicians in rock, funk and hip-hop.”
Eagle Rock Chairman Terry Shand said, “We are delighted to be selected in a year with such strong submissions. We are proud to bring this film about the world’s most innovative & iconic jazz musician to Sundance Film Festival”.
A global theatrical release is planned for the Summer of 2019.
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2018 IDFA Awards – REASON Wins Top Award for Best Documentary
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Anand Patwardhan (India), The IDFA Award for Best Feature-Length Documentary Film Reason, The film is a broad-ranging examination of Indian society, where secular rationalists are hunted down as they attempt to stem the rising tide of religious and nationalist fundamentalism.
Photo: Nichon Glerum International Documentary Filmfestival Amsterdam 2018, Award Show in de Stadsschouwburg.[/caption] Reason by Anand Patwardhan won the Award for Best Feature-Length Documentary at the awards ceremony of the 31st International Documentary Film Festival Amsterdam. Los Reyes by Bettina Perut and Iván Osnovikoff won the Special Jury Award for FeatureLength Documentary. IDFA runs until Sunday November 25, 2018. Giacinto Scelsi. The First Motion of the Immovable by Sebastiano d’Ayala Valva was awarded the IDFA Award for Best First Appearance, and Kabul, City in the Wind by Aboozar Amini won the IDFA Special Jury Award for First Appearance. The Beeld en Geluid IDFA Award for Dutch Documentary went to ‘Now something is slowly changing’ by mint film office. But Now Is Perfect by Carin Goeijers received the IDFA Special Jury Award for Dutch Documentary. At the beginning of the evening, Reber Dosky presented the Prins Bernhard Cultuurfonds Documentary Stipend (€ 50.000) to filmmaker Sophie Dros.International Documentary Filmfestival Amsterdam 2018 Awards
IDFA Competition for Feature-Length Documentary
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Reason by Anand Patwardhan[/caption]
Anand Patwardhan won the IDFA Award for Best Feature-Length Documentary (€ 15.000) with Reason (India). The film is a broad-ranging examination of Indian society, where secular rationalists are hunted down as they attempt to stem the rising tide of religious and nationalist fundamentalism.
From the jury report: The IDFA Award for Best Feature-Length Documentary is unanimously given to Reason by Anand Patwardhan for the epic storytelling of the rise of the far right in one of the most populated countries of this planet, the violence of religious and ultranationalist militias with the support of authorities and dominant medias, the dignity of resistance in multiple forms, often at life-cost, in a way that acknowledges the complexity of the situation but put it in a very understandable shape.
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Los Reyes by Bettina Perut and Iván Osnovikoff[/caption]
In addition, the jury presented the IDFA Special Jury Award for Feature-Length Documentary (€ 2.500) to Los Reyes (Chile, Germany) by Bettina Perut and Iván Osnovikoff. In this almost fairytale-like film, the phenomenal, dreamlike camerawork centers almost entirely on the subtle interaction between two dogs, as they play with a ball, a stick, a stone, and each other.
From the jury report: The IDFA Special Jury Award for Feature-Length Documentary goes to Los Reyes, by Bettina Perut and Iván Osnivikoff (Chile, Germany) for the creative and beautiful way it displaces the viewer gaze by associating a sensible look at non-human wonderful characters and the soundtrack that connects daily lives of animal and human stray dogs.
IDFA Competition for First Appearance
Sebastiano d’Ayala Valva won the IDFA Award for Best First Appearance (€ 10.000) for Giacinto Scelsi. The First Motion of the Immovable (France, Italy). Aboozar Amini won the IDFA Special Jury Award for First Appearance, in memory of Peter Wintonick (€ 2.500) for Kabul, City in the Wind (Netherlands, Afghanistan, Japan, Germany).IDFA Competition for Mid-Length Documentary
The IDFA Award for Best Mid-Length Documentary (€ 10.000) was awarded to Andrei Kutsila for Summa (Poland, Belarus). The IDFA Special Jury Award for Mid-Length Documentary (€ 2.500) went to In Touch (Poland, Iceland) by Pawel Ziemilski.IDFA DocLab Competition for Digital Storytelling
Ross Goodwin won the IDFA DocLab Award for Digital Storytelling (€ 5.000) for 1 the Road (United States).IDFA DocLab Competition for Immersive Non-Fiction
The IDFA DocLab Award for Immersive Non-Fiction (€ 5,000) went to Eat | Tech | Kitchen (Netherlands, United States) by Klasien van de Zandschulp & Emilie Baltz.IDFA Competition for Dutch Documentary
The Beeld en Geluid IDFA Award for Dutch Documentary (€ 7.500) went to ‘Now something is slowly changing’ by mint film office. Carin Goeijers received the IDFA Special Jury Award for Dutch Documentary (€ 2.500) for But Now Is Perfect.IDFA Competition for Short Documentary
I Signed the Petition (United Kingdom, Germany, Switzerland) by Mahdi Fleifel won the IDFA Award for Best Short Documentary (€ 5.000). The IDFA Special Jury Award for Short Documentary (€ 2.500) went to And What Is the Summer Saying (India) by Payal Kapadia.IDFA Competition for Student Documentary
Beryl Magoko won the IDFA Award for Best Student Documentary (€ 5.000) for In Search… (Germany, Kenya). The IDFA Special Jury Award for Student Documentary (€ 2.500) was presented to Dana Gelman for Backwards (Israel).IDFA Competition for Kids & Docs
The IDFA Award for Best Children’s Documentary (€ 5.000) went to Dancing for You (Poland) by Katarzyna Lesisz. Martijn Blekendaal received the IDFA Special Jury Award for Children’s Documentary (€ 2.500) for The Man Who Looked Beyond the Horizon (the Netherlands).Other Awards
At the beginning of the evening, Reber Dosky presented the Prins Bernhard Cultuurfonds Documentary Stipend (€ 50.000) to filmmaker Sophie Dros. This € 50.000-Euro stipend towards the making of a new documentary was donated by an anonymous donor, who has made the stipend possible through the Cultuurfonds. The Amsterdam Human Rights Award (€ 25.000) was presented on Tuesday evening to Island of The Hungry Ghosts (Germany, United Kingdom, Australia) by Gabrielle Brady. The award was made possible by the City of Amsterdam.
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Leon Lee’s Social Justice Documentary LETTER FROM MASANJIA on DVD/VOD on December 4th
Filmmaker and Peabody Award winner, Leon Lee’s social justice documentary Letter From Masanjia, follows the true story of an Oregon woman who finds a desperate SOS letter penned by a political prisoner in her Halloween decorations and the nail-biting chain of events that it sparks when she takes the letter public, exposing appalling flagrant human rights violations – that leads to sweeping labor reform in China.
Parade Deck Films opened this powerful documentary “Letter From Masanjia” theatrically in New York and Los Angeles on September 14th, 2018, and now Gravitas Ventures, a Red Arrow Studios company, will bring the film to audiences across North America on DVD & VOD/Digital platforms including: iTunes, Amazon, FandangoNow, VUDU, Xbox, Vimeo, Google Play, etc. on this upcoming December 4th, 2018.
Imagine being a young mother buying holiday decorations at a local Kmart, only to discover a letter asking for help from a prisoner in a labor camp in China? This is a shockingly true tale that dominated the news in real time then and is sadly as prominent a story as it is now I our current political climate as we celebrate Thanksgiving this week. Canadian based, acclaimed filmmaker and Peabody Award winner, Leon Lee’s social justice documentary “Letter From Masanjia,” shines a powerful light on human rights violations in China. When this story originally broke it was covered around the world affecting unprecedented change with the American disovery of a political prisoners letter.
Coming off of a wildly successful festival run and excellent enthusiastic early critical reviews – Leon Lee’s “Letter From Masanjia” has been hailed by audiences and critics alike as one of the best docs of 2018, taking home Audience Award for Documentary Feature at the 2018 Asian American International Film Festival, Atlanta Docufest, Newburport Documentary Film Festival, and Calgary International Film Festival.
https://www.youtube.com/watch?v=bKRavgm-KPY&feature=youtu.be
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PBS Independent Lens Winter/Spring 2019 Season to Feature RUMBLE, THE KING, CHARM CITY
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Rumble: The Indians Who Rocked the World[/caption]
From renowned film veterans including Eugene Jarecki (The King) to first-time filmmakers Anna Moot-Levin and Laura Green (The Providers), Denali Tiller (Tre Maison Dasan) and Ciara Lacey (Out of State), the award-winning PBS series Independent Lens Winter and Spring 2019 lineup of documentary films takes viewers on a cross-country journey through modern America.
“This season of Independent Lens is a road trip across America, visiting people and places rarely explored on film,” said Lois Vossen, Independent Lens executive producer. “From a family fighting to preserve their way of life in rural North Dakota to a high school wrestling team in Alabama, from an Arizona prison to a health clinic in northern New Mexico, this season’s filmmakers expand our perspectives and shed light on communities large and small, offering an insightful and timely cinematic state of the union.”
PBS series Independent Lens Winter and Spring 2019 lineup
(dates are subject to change) My Country No More by Jeremiah Hammerling and Rita Baghdadi (Monday, January 7) Between 2011 and 2014, oil drilling in rural North Dakota reached a historical peak, setting off a modern-day gold rush of Wild West proportions. Explore the human cost of the boom through the intimate lens of one family fighting for their agricultural way of life, a fight which puts them at odds with family members and neighbors determined to sell. Rodents of Unusual Size by Christopher Metzler, Jeff Springer and Quinn Costello (Monday, January 14) Go deep into the bayous with Louisiana fisherman Thomas Gonzales, who has lived through hurricanes and oil spills but now faces an even more insidious threat: an invasive species of monstrous 20-pound “swamp rats” which, with their orange teeth and voracious appetites, are eating up coastal wetlands. But Thomas and a pack of lively bounty hunters are hell-bent on saving Louisiana before it dissolves beneath their feet. It’s man vs. rodent. May the best mammal win. RUMBLE: The Indians Who Rocked the World by Catherine Bainbridge and Alfonso Maiorana (Monday, January 21) The acclaimed documentary explores how Native American musicians transformed American blues, jazz and rock – despite frequent attempts to ban, censor, and erase Indigenous culture. This eye-opening musical celebration tells the story of ground-breaking performers including Charley Patton, Mildred Bailey, Link Wray, Jimi Hendrix, and Jesse Ed Davis, and features Robbie Robertson, Taj Mahal, George Clinton, Martin Scorsese, Slash, Jackson Browne, Taboo, Buffy Sainte-Marie, Steve Van Zandt, Quincy Jones, Tony Bennett, Iggy Pop, Steven Tyler, and many more. The King by Eugene Jarecki (Monday, January 28) Forty years after the death of Elvis Presley, filmmaker Eugene Jarecki takes the King’s 1963 Rolls-Royce on a musical road trip across America. From Memphis to New York, Las Vegas, and beyond, the journey traces the rise and fall of Elvis as a metaphor for the country he left behind. A diverse cast of Americans joins the journey including Alec Baldwin, Rosanne Cash, Chuck D, Emmylou Harris, Ethan Hawke, Van Jones, Mike Myers, and Dan Rather, among many others. Black Memorabilia by Chico Colvard (Monday, February 4) At the intersection of racial identity, historical narrative, and international commerce, this film follows the propagation of demeaning representations of African Americans – black memorabilia. The story goes around the world to meet the people who reproduce, consume and reclaim these racially-charged objects. Hale County This Morning, This Evening by RaMell Ross (Monday, February 11) Visit the world of Hale County, Alabama. Composed of intimate and unencumbered moments in the lives of people in the community, the film offers a richly detailed glimpse at life in America’s Black Belt, simultaneously celebrating its beauty and bearing witness to the consequences of the social construction of race. [caption id="attachment_28168" align="aligncenter" width="1180"]
People’s Republic of Desire[/caption]
People’s Republic of Desire by Hao Wu (Monday, February 25)
In China, a generation of young people has come of age on social media, where virtual relationships are replacing real-life connections. Both the wealthy and the poor gather in online showrooms, finding entertainment and a way to feel connected. Although these groups never cross paths in real life, in the digital universe they band together to worship idols who earn as much as $130,000 a month singing karaoke or hosting interactive talk shows.
Tre Maison Dasan by Denali Tiller (Monday, April 1)
An estimated one in 14 American children has a parent in prison. Tre Maison Dasan tells the story of three of these children – Tre, Maison and Dasan – each from the small state of Rhode Island. An emotional exploration of relationships tested by separation and the challenges of growing up with a parent behind bars, the film gives voice to the youngest victims of America’s epidemic of incarceration.
The Providers by Anna Moot-Levin and Laura Green (Monday, April 8)
Set against the backdrop of the physician shortage and opioid epidemic in rural America, The Providers follows three “country doctors” in northern New Mexico at clinics that offer care to all who walk through the doors, regardless of ability to pay. With personal struggles that at times reflect those of their patients, the journeys of the providers unfold as they work to reach Americans who would otherwise be left without healthcare.
Marcos Doesn’t Live Here Anymore by David Sutherland an Independent Lens, Frontline and VOCES co-presentation (Monday, April 15)
From acclaimed director David Sutherland (Kind-Hearted Woman, Country Boys, The Farmer’s Wife) comes this unique look at the immigration issue. The film follows the efforts of Elizabeth Perez, a decorated United States Marine veteran, to reunite her family after the deportation of her husband, an undocumented worker from Mexico. Her struggle begins to challenge her assumptions about justice and fairness in the nation she fought for.
Charm City by Marilyn Ness (Monday, April 22)
Filmed during three years of unparalleled violence in Baltimore, Charm City delivers a powerfully candid portrait of those on the frontlines. With grit, fury and compassion, a group of police, citizens, community leaders and government officials grapple with the consequences of violence and try to reclaim their city’s future.
Out of State by Ciara Lacy (Monday, May 6)
Shipped thousands of miles away from Hawaii to a private prison in the Arizona desert, two native Hawaiians, David and Hale, discover their indigenous traditions from a fellow inmate serving a life sentence. When they finish their terms and return to Hawaii, eager to prove to themselves and their families that the experience has changed them forever, they struggle with the hurdles of life as formerly incarcerated men, asking the question: can you really go home again?
Harvest Season by Bernardo Ruiz (Monday, May 13)
California’s Napa Valley is one of the premier wine growing regions in the world, celebrated as an idyllic and luxurious destination. Yet, many of the vineyard workers and the small producers with roots in the fields are rarely credited for the valley’s famed bounty. Filmed over the course of one agricultural year, Harvest Season takes an “other side of the valley” approach, giving a unique view of the dramatic process that goes into making some of the world’s most celebrated wines.
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Wrestle[/caption]
Wrestle by Suzannah Herbert and Lauren Belfer (Monday, May 20)
As they fight their way towards the state championship, four high school wrestlers from Alabama face injustices and challenges on and off the mat. Together with their coach, they grapple with obstacles that jeopardize their success and, despite the odds, pursue their goals with humor and courage.
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Astra Taylor’s Timely Documentary WHAT IS DEMOCRACY? Explores Meaning of ‘Democracy’
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What Is Democracy?[/caption]
Coming at a moment of profound political and social crisis, What Is Democracy? is director Astra Taylor’s philosophical essay finding meaning in the word ‘democracy’ we too often take for granted.
Astra Taylor’s (Zizek! and Examined Life) idiosyncratic, philosophical journey spans millennia and continents: from ancient Athens’ groundbreaking experiment in self-government to capitalism’s roots in medieval Italy; from modern-day Greece grappling with financial collapse and a mounting refugee crisis to the United States reckoning with its racist past and the growing gap between rich and poor. The acclaimed documentary, which made its North American premiere at the 2018 Toronto International Film Festival, will enjoy a theatrical release via Zeitgeist Films in association with Kino Lorber starting Jan. 16, 2019, at IFC Center in New York followed by theatrical engagements nationwide.
Featuring a diverse cast—including celebrated theorists, trauma surgeons, activists, factory workers, asylum seekers, and former prime ministers—this urgent film connects the past and the present, the emotional and the intellectual, the personal and the political, in order to provoke and inspire. If we want to live in democracy, we must first ask what the word even means.
“More than anything else, What Is Democracy? is an invitation to think,” said Taylor. “We live in overwhelming, confounding times and are bombarded by information and bad news. My hope is that this film opens a contemplative space, allowing the viewer to consider the challenge of ruling ourselves from a variety of angles.”
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Cornel West in What is Democracy?[/caption]
Appearing in the film are: Cornel West, a prominent and provocative democratic intellectual and Professor of the Practice of Public Philosophy at Harvard University; Angela Davis a political activist and professor emeritus at the Department of History of Consciousness at the University of California, Santa Cruz, regarded as one of the foremost figures in the struggle for human rights and against racial discrimination; Professor Wendy Brown (University of California, Berkeley), whose fields of interest include the history of political theory, 19th- and 20th- century Continental theory, critical theory and theories of contemporary capitalism; Silvia Federici, a researcher, activist, and educator and Emerita Professor at Hofstra University; Zoe Konstantopoulou, the leader of the Course to Freedom political party and a former President of the Greek Parliament, who is also a lawyer specializing in national, European and international criminal law, public international law and human rights; Henry M. “Mickey” Michaux, Jr., who in 1972 became Durham County’s first black representative in the North Carolina state legislature, and is also the longest-serving member of the North Carolina House of Representatives.
ASTRA TAYLOR (Director) is a filmmaker writer, and political organizer. She is the director of the philosophical documentaries What Is Democracy? (TIFF 2018), Examined Life (TIFF 2008), and Zizek! (TIFF 2005); the author of the American Book Award winner The People’s Platform: Taking Back Power and Culture in the Digital Age; and a co-founder of the Debt Collective. She has written for The New York Times, The London Review of Books, The Guardian, The Walrus, The Baffler, n+1 and many other outlets. She is a Shuttleworth Foundation Fellow and a former touring member of the band Neutral Milk Hotel. Her new book, Democracy May Not Exist, but We’ll Miss It When It’s Gone, will be out from Metropolitan Books in early 2019.
https://www.youtube.com/watch?v=OHxRj9JWQMs
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FILM REVIEW: THE EYES OF ORSON WELLES – intimate conversation from the past
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The Eyes of Orson Welles[/caption]
How do you write a letter to someone who has been dead for over 30 years? Mark Cousins’ answer is to look at their sketches that date back from their teenage years all the way their last and create profile through their eyes. The Eyes of Orson Welles has all the potential to be another self aggrandizing portrait of the filmmaker. Diving into the “genius” of the prolific man who has made his name in film, theatre, radio, as well visual art. His legacy could stand alone on having wrote/starred/directed Citizen Kane (1941), noted by many to be the greatest film ever made. However, Mark Cousins, having made a 900-minute comprehensive visual survey of all of cinema up to 2011, has made a film that is not really a film at all.
Orson Welles is dead, he has been since October 10, 1985. But hearing Cousins’ rich cadence describe the Moroccan travels Welles took as a teenager does more than conciliate a certain intimacy in the viewer. There is never a moment that Cousins’ narration addresses anybody that isn’t Welles, the film is literally a letter. This letter structure does more to give a materiality not just in seeing papers that are worn and yellowing but also to make Welles a present kind of living person within the film.
The next question to ask about this film is who is going to see it. Obviously those who are fans of Welles’ or Cousins’ work will get to a screening whenever possible. As Cousins’ opens the box he says “this never before seen” sketches have been dormant for however many years. Perhaps this film can be seen as an unearthing of a past history in a political/social life of filmmaker. Outside of the curiosity to see something new, there is not much for a person outside of niche of film culture. A film for film lovers. That is what I’ll say because The Eyes of Orson Welles says a lot more.
https://www.youtube.com/watch?v=Uh7PqV-259k
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Jewish Documentary WHO WILL WRITE OUR HISTORY in U.S. Theaters in January 2019
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Who Will Write Our History[/caption]
Award-winning director Roberta Grossman’s latest film Who Will Write Our History is a remarkable new documentary that tells the story of a clandestine group of journalists, scholars, and community leaders in the Warsaw Ghetto, led by historian Emanuel Ringelblum and known by the code name Oyneg Shabes, who vowed to defeat Nazi lies and propaganda not with guns or fists but with pen and paper.
Who Will Write Our History written, produced and directed by Roberta Grossman; executive produced by Nancy Spielberg, and featuring the voices of three-time Academy Award nominee Joan Allen and Academy Award winner Adrian Brody will open in New York on Friday, January 18, 2019 at Quad Cinema – New York and in Los Angeles on Friday, February 1, 2019 at Laemmle’s Music Hall – Beverly Hills.
In November 1940, days after the Nazis sealed 450,000 Jews in the Warsaw Ghetto, a secret band of journalists, scholars and community leaders decided to fight back. Led by historian Emanuel Ringelblum and known by the code name Oyneg Shabes, this clandestine group vowed to defeat Nazi lies and propaganda not with guns or fists but with pen and paper. They detailed life in the Ghetto from the Jewish perspective. They commissioned diaries, essays, jokes, poems and songs.They documented Nazi atrocities with eyewitness accounts. They sent reports of mass murder to London via the Polish underground. Then, as trains deported them to the gas chambers of Treblinka and the Ghetto burned to the ground, they buried 60,000 pages of documentation in the hopes that the archive would survive the war, even if they did not.
Now, for the first time, the story of Emanuel Ringelblum and the Oyneg Shabes archive is told as a feature documentary. Written, produced and directed by Roberta Grossman and executive produced by Nancy Spielberg, Who Will Write Our History mixes the writings of the archive with new interviews, rarely seen footage and stunning dramatizations to transport us inside the Ghetto and the lives of these courageous resistance fighters. Featuring the voices of three-time Academy Award nominee Joan Allen and Academy Award winner Adrian Brody, the film honors the Oyneg Shabes members’ determination in creating the most important cache of eyewitness accounts to survive the war. It follows their moments of hope, as well as their despair, desperation and anger, sometimes at their fellow Jews as much as their Nazi captors. It captures their humor, longing, hunger and their determination to retain their humanity in the face of unspeakable hardships. And ultimately, through their voices, actions and real-time experiences, Who Will Write Our History vanquishes those who distort and dehumanize the “Other” in favor of those who stand up, fight back and, as one Oyneg Shabes member writes,“scream the truth to the world.”
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Award-Winning Documentary HILLBILLY Explores Urban and Rural America Stereotypes
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hillbilly[/caption]
The award winning documentary hillbilly directed by Sally Ruben and Ashley York is a timely and urgent exploration of how we see and think about poverty and rural identity in contemporary America, offering a call for dialogue during this divisive time in U.S. history. The filmmakers go on a personal and political journey into the heart of the Appalachian coalfields, exploring the role of media representation in the creation of the iconic American “hillbilly,” and examining the social, cultural, and political underpinnings of this infamous stereotype.
hillbilly won Best Documentary Feature at the 2018 Los Angeles Film Festival and recently made its New York Premiere at DOC NYC. The film opens in NYC November 23rd at the Cinema Village.
Appalachia is no stranger to the complexity of media representation. Since our country’s inception, there has been a palpable divide between Urban and Rural America. Within this great divide, certain regions are viewed as “other,” and blamed for America’s social ills.
Since the presidential election, the cultural divide in America has expanded. Stereotyping and slurs are rampant, finger-pointing and name-calling abound. hillbilly goes on a personal and political journey into the heart of the Appalachian coalfields, exploring the role of media representation in the creation of the iconic American “hillbilly,” and examining the social, cultural, and political underpinnings of this infamous stereotype.
Filmed in Georgia, Kentucky, Ohio, Tennessee, Virginia, and West Virginia, hillbilly uncovers an unexpected set of artists, poets, activists, queer musicians, “Affrilachian” poets, and intersectional feminists — all unexpected voices emerging from this historically misunderstood region.
hillbilly is a timely and urgent exploration of how we see and think about poverty and rural identity in contemporary America, offering a call for dialogue during this divisive time in U.S. history.
” I’m happy to see somebody trying to cover us as we really are and not what some people think we are. It’s wonderful the attention you’ve paid to so many areas that are so important to all of us. I’m proud to have been mentioned in the film a time or two. ” – Dolly Parton on hillbilly
