In the 1920s inventor Jacques Bolsey aimed to disrupt the early film industry with a motion picture camera for the masses: the iconic Bolex. 90 years later, filmmaker Alyssa Bolsey discovers a stash of boxes that belonged to her enigmatic great-grandfather, and over 12 years pieces together the fragments of a forgotten family archive to reveal his epic story in the documentary, Beyond the Bolex, which will World Premiere at DOC NYC, America’s largest documentary festival, on Thursday, November 8 at 9:15 p.m at Cinepolis Chelsea.
As Alyssa delves into the treasure trove, among the items she finds is an old movie camera with the word “Bolex” embossed on its side, and a dangling tag with the date, “1927.” She also discovers reels of 16mm films inside rusty cans that are too brittle to run through a projector. Once the films are restored, she is captivated by their casual style as commonly seen today with digital cameras and smartphones.
When Alyssa finds Jacques journal she learns of the trials he faced both as an idealistic inventor and as an immigrant. In his words and films, she finds a man living stateless in Switzerland, torn from his homeland by the Russian Revolution. After many years of inventing in Switzerland and still unable to gain acceptance, Jacques finds his way to the US and settles in New York City, where he creates a new generation of military cameras for the fight against fascism.
Alyssa travels to Switzerland – the birthplace of the Bolex and Jacques’ two sons. She traces her own roots to her great-grandmother Sima’s apartment in Geneva, visits the Paillard factory where the Bolex Model H was designed and built, and makes a pilgrimage to the current headquarters of Bolex International.
Along the way, Alyssa seeks insight from camera collectors, historians and renowned filmmakers who explain how the Bolex reached the farthest corners of the globe, unleashed the imagination and became synonymous with creative freedom. Simple and functional, it became a perfect tool for a diverse range of filmmakers. Alyssa speaks to Wim Wenders, Jonas Mekas, Barbara Hammer, Bruce Brown and others, who share their stories of how this camera has inspired and nurtured their creative potential and careers. She also discovers the enthusiasm his pioneering invention continues to have with filmmakers today.
“Curiosity was the catalyst for making Beyond the Bolex,” said director Alyssa Bolsey. “But what I didn’t see coming was the emotional journey I would go on while discovering my great grandfather’s deep desire for roots; this during one of the most tumultuous times in history. His was an immigrant struggle that we see playing out yet again today. And his story shows the power and ingenuity that many immigrants bring to their new home. Along with planting seeds that have grown for generations with his Bolex camera, he also laid down roots that would contribute to the technology that has become part of our daily lives in the modern world.”
Documentary
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BEYOND THE BOLEX, Epic Story of Bolex Inventor Jacques Bolsey, to World Premiere at DOC NYC
In the 1920s inventor Jacques Bolsey aimed to disrupt the early film industry with a motion picture camera for the masses: the iconic Bolex. 90 years later, filmmaker Alyssa Bolsey discovers a stash of boxes that belonged to her enigmatic great-grandfather, and over 12 years pieces together the fragments of a forgotten family archive to reveal his epic story in the documentary, Beyond the Bolex, which will World Premiere at DOC NYC, America’s largest documentary festival, on Thursday, November 8 at 9:15 p.m at Cinepolis Chelsea.
As Alyssa delves into the treasure trove, among the items she finds is an old movie camera with the word “Bolex” embossed on its side, and a dangling tag with the date, “1927.” She also discovers reels of 16mm films inside rusty cans that are too brittle to run through a projector. Once the films are restored, she is captivated by their casual style as commonly seen today with digital cameras and smartphones.
When Alyssa finds Jacques journal she learns of the trials he faced both as an idealistic inventor and as an immigrant. In his words and films, she finds a man living stateless in Switzerland, torn from his homeland by the Russian Revolution. After many years of inventing in Switzerland and still unable to gain acceptance, Jacques finds his way to the US and settles in New York City, where he creates a new generation of military cameras for the fight against fascism.
Alyssa travels to Switzerland – the birthplace of the Bolex and Jacques’ two sons. She traces her own roots to her great-grandmother Sima’s apartment in Geneva, visits the Paillard factory where the Bolex Model H was designed and built, and makes a pilgrimage to the current headquarters of Bolex International.
Along the way, Alyssa seeks insight from camera collectors, historians and renowned filmmakers who explain how the Bolex reached the farthest corners of the globe, unleashed the imagination and became synonymous with creative freedom. Simple and functional, it became a perfect tool for a diverse range of filmmakers. Alyssa speaks to Wim Wenders, Jonas Mekas, Barbara Hammer, Bruce Brown and others, who share their stories of how this camera has inspired and nurtured their creative potential and careers. She also discovers the enthusiasm his pioneering invention continues to have with filmmakers today.
“Curiosity was the catalyst for making Beyond the Bolex,” said director Alyssa Bolsey. “But what I didn’t see coming was the emotional journey I would go on while discovering my great grandfather’s deep desire for roots; this during one of the most tumultuous times in history. His was an immigrant struggle that we see playing out yet again today. And his story shows the power and ingenuity that many immigrants bring to their new home. Along with planting seeds that have grown for generations with his Bolex camera, he also laid down roots that would contribute to the technology that has become part of our daily lives in the modern world.”
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Brainstorm Media to Release Save-Our-Shows TV Fan Documentary UNITED WE FAN
Ahead of its DOC NYC premiere, UNITED WE FAN, the documentary that chronicles the stories of passionate television fans and their unique crusades to save their beloved shows from cancellation, has been acquired by Brainstorm Media, and will hit VOD on December 4. Fans, stars, creators and more come together to explore the history and evolution of TV’s save-our-show fan campaigns in Michael Sparaga’s (The Missing Ingredient) humorous and heartfelt feature documentary that made its World Premiere earlier this year at Hot Docs and U.S. Premiere at AFI Docs. From the letter-writing and product mail-ins of yesterday to the social media and crowdfunding campaigns of today, United We Fan goes beyond the headlines to give viewers deeper insights into fandom, community and identity.
Fans in New York City will get a sneak peek of the film when it celebrates its New York premiere at DOC NYC on Monday, Nov. 12 at 7:45 p.m. at Cinepolis Chelsea followed by a Q&A with director Michael Sparaga and film subjects. In Los Angeles, fans will have the opportunity to catch a special preview screening of United We Fan at the Laemmle Ahrya Fine Arts Theater in Beverly Hills on Wednesday, Nov. 28 at 7:30 p.m. The filmmakers and several of the film’s subjects will be on hand for a post-screening Q&A.
For most viewers, it’s simply a disappointment when their favorite TV series is cancelled. But the fans of some series take the loss a lot harder. And they fight back. United We Fan chronicles the stories of those passionate individuals and their unique crusades to save their beloved shows.
When married sci-fi fans Bjo and John Trimble organized their unprecedented letter-writing campaign to force NBC to renew the original “Star Trek” back in 1967, they couldn’t have known that they were also planting the seeds of fan activism that would forever change the relationship between TV viewers and networks. Fast-forward to 1983, when Dorothy Swanson, a Michigan schoolteacher, besieged CBS with letters to stop them from unceremoniously cancelling her favorite series “Cagney & Lacey.” Emboldened by her success, Dorothy formed the fan advocacy group Viewers for Quality Television, whose dedicated members fought to save multiple other “quality” series over their 15-year history. Today, 26-year-old Kaily Russell has picked up the fan activism mantle in her fight for the recently axed CBS series “Person of Interest.” Kaily spends every waking hour online, rallying the troops and trying to convince a new broadcaster or streaming service to pick up the series. Kaily’s tools and targets might be vastly different, but she is taking her cue from the methods of fan activism from all those that came before her.
Declared “a joy to watch” by POV Magazine, United We Fan intertwines the remarkable stories of Kaily, Dorothy and the Trimbles while also taking time to delve into the inspiring campaigns to save “Designing Women,” “Quantum Leap,” “Chuck,” “Longmire,” “Jericho,” “Veronica Mars,” “Roswell” and others.
“United We Fan is not a movie about television’s wackiest fans,” said director Michael Sparaga, “rather, it’s a love letter to the inspiring people who have formed communities and fought tirelessly against seemingly impossible odds to give viewers everywhere more seasons of some of television’s most iconic shows.”
Interviewees include: Bjo and John Trimble (known as “the couple that saved ‘Star Trek’), Dorothy Swanson (founder of Viewers for Quality Television), and Kaily Russell (currently fighting to resurrect “Person of Interest”); series’ stars: Nichelle Nichols (“Star Trek”), Zachary Levi (“Chuck”), Scott Bakula (“Quantum Leap”), Amy Acker (“Person of Interest”), Adam Bartley (“Longmire”), Skeet Ulrich (“Jericho”), and Enrico Colantoni (“Veronica Mars”); series’ creators: Tom Fontana (“St. Elsewhere”), Barney Rosenzweig (“Cagney & Lacey”), Harry Thomason (“Designing Women”), Donald P. Bellisario (“Quantum Leap”), Rob Thomas (“Veronica Mars”), Jon Steinberg and Dan Shotz (“Jericho”), Matt Miller (“Chuck”), Jason Katims (“Roswell”), and Jonah Nolan and Greg Plageman (“Person of Interest”).
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Award-Winning Surfing Documentary MOMENTUM GENERATION to Debut on HBO [Trailer]
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Momentum Generation[/caption]
The award-winning documentary Momentum Generation takes a deep dive into the fascinating, constantly evolving world of surfing, exploring how a group of dedicated teenagers changed the sport and its culture in the 1990s. Momentum Generation which made its world premiere at the Tribeca Film Festival in New York earlier this year where it won an Audience Award, debuts Tuesday, December. 11 (10:00-11:30 p.m. ET/PT), exclusively on HBO. It has also won top awards at the Aspen Film Festival, Santa Cruz Surf Film Festival, Honolulu Surf Film Festival, Surfalorus and the Los Angeles Film Awards.
In the 1960s, surfing in America was known primarily as a California- and Hawaii-based phenomenon associated with surf instrumentals and Beach Boys songs. In films, it was a vehicle to infuse all-American romantic comedies with action or zany antics. Although equipment and skills evolved, the public’s perception of surfing as a novelty sport remained constant until the 1990s, when a group of punk rock-loving teens, many from troubled homes and backgrounds, found its way to a house on the north shore of Oahu, Hawaii, in the process changing their lives and the sport itself.
In Momentum Generation, the core members of that legendary crew? – ?including Kelly Slater, Rob Machado, Shane Dorian, Taylor Knox, Benji Weatherley, Kalani Robb, Ross Williams, Taylor Steele and Pat O’Connell? – ?tell their story together for the first time. Filmmakers Jeff and Michael Zimbalist draw on unprecedented access to their inner circle, as well as to tens of thousands of hours of footage in private archives, to highlight the deep friendships that were formed and tested during the surfers’ careers as top athletes and cultural icons.
“We’re proud to be the home for Momentum Generation, a film that is obviously about a group of surfers at the zenith of the sport, but more subtly about their lifelong friendships,” says Peter Nelson, executive vice president, HBO Sports. “The Zimbalist brothers take us on an adrenaline-fueled journey spanning three decades, and the intimacy with which they reveal the ups and downs of some of surfing’s biggest stars makes this film unlike anything else of its kind.”
After relocating to Oahu, the young surfers courageously followed each other into Mother Nature’s most dangerous waves. When some of them didn’t make it back to shore, they found a way to mourn together? – ?and adapt. Fueled by camaraderie and a deep-seated competitiveness, the tight-knit crew became known as the “Momentum Generation” after being featured in Taylor Steele’s groundbreaking films. Its members went on to win world titles, break records and redefine the world’s perception of the surfer, youth culture and what it means to be free.
Filmed over the course of two and a half years, the Momentum Generation surfers reflect on the complexity of the brotherhood and competition that have shaped their shared emotional journey, and made these pioneers both heroic and human.
https://www.youtube.com/watch?v=XlgfI6h2aW4
From Emmy(R) and Peabody winners Jeff and Michael Zimbalist of All Rise Films, the HBO Sports presentation, in association with Priority Pictures and Sundance Productions, is executive produced by Robert Redford and Laura Michalchyshyn of Sundance Productions alongside Karen Lauder and Greg Little of Priority Pictures. Justine Chiara, Lizzie Friedman, Tina Elmo and Colby Gottert produced.
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THE PROVIDERS, Documentary on Health Care Providers in Rural America to Premiere at DOC NYC [Trailer]
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The Providers[/caption]
The Providers, the award-winning documentary film directed by Laura Green and Anna Moot-Levin about health care providers in rural America will have its New York City premiere at the 2018 DOC NYC festival on Friday, November 9 at 5:30pm at Cinepolis Chelsea, and on Monday, November 12 at 12:45pm at IFC Center. The Providers had its World Premiere at the 2018 Full Frame Documentary Film Festival, and went on to screen at the San Francisco DocFest (where it won the Spirit of Activism Award), AFI DOCS, Santa Fe Independent Film Festival, and many other festivals.
Set against the backdrop of the physician shortage and opioid epidemic in rural America, The Providers follows three healthcare providers – a doctor, a nurse practitioner, and a physician assistant – in northern New Mexico. They work at El Centro, a group of safety-net clinics that offer care to all who walk through the doors, regardless of ability to pay. Amidst personal struggles that reflect those of their patients, the journeys of The Providers unfold as they work to reach rural Americans who would otherwise be left out of the healthcare system. With intimate access, the documentary shows the transformative power of providers’ relationships with marginalized patients.
Watch trailer on VIMEO
Directors’ Statement — Laura Green & Anna Moot-Levin
Given the political and discursive tension over the future of American health care, this film has a particular urgency at this historical juncture. New Mexico is one of the country’s poorest and most rural states and opted to expand medicaid under the ACA. However, the challenges in rural healthcare go far beyond the ameliorating effects of the ACA. The Providers reflects the ways poor health is created at the structural level by a lack of public health resources and access to care – in 2016, there were 70,000 preventable deaths in rural areas, and on average life expectancy in rural areas is two years shorter than in urban areas. Set on the frontlines of rural healthcare under the medicaid expansion, the film takes an intimate journey with those who remain marginalized and difficult to reach within traditional healthcare delivery models. We hope the film will inspire more young people to go into rural healthcare, and we are developing an outreach campaign that will target both rural high schools and medical education institutions, including medical schools, nurse practitioner prog
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DAWNLAND, Documentary on Impact of Native American Child Removal, to Debut on PBS [Trailer]
Dawnland reveals the untold story of Indigenous child removal in the United States through the first government-endorsed truth and reconciliation commission (TRC) in the nation, tasked with investigating the devastating impact of Maine’s child welfare practices on Native American communities. With exclusive access to this groundbreaking process and never-before-seen footage, Dawnland bears witness to intimate, sacred moments of truth-telling and healing. Directed by Adam Mazo and Ben Pender-Cudlip, the film premieres on Independent Lens Monday, November 5, 2018, 10:00-11:00 PM ET (check local listings) as part of Native American Heritage Month programming on PBS.
For most of the 20th century, government agents systematically forced Native American children from their homes and placed them with white families. As recently as the 1970s, one in four Native children nationwide were living in non-Native foster care, adoptive homes, or boarding schools. Many children experienced shattering emotional and physical harm by adults who mistreated them and tried to erase their cultural identity. Now, for the first time, they are being asked to share their stories.
The historic investigation by the Maine Wabanaki-State Child Welfare Truth and Reconciliation Commission represented a groundbreaking moment in the history of tribal-state relations. From 2013 to 2015, Native and non-Native commissioners travelled across Maine, gathering testimony about the agonizing impacts of the state’s child welfare practices on families in Maliseet, Micmac, Passamaquoddy, and Penobscot tribal communities, which together comprise the Wabanaki people.
The TRC discovered that state power continues to be used to break up families, threatening the very existence of the Wabanaki people. Is it possible to right this wrong and turn around a broken child welfare system? Dawnland examines the immense challenges faced by the commission as it works toward truth, reconciliation, and the survival of all Indigenous peoples. By exploring what happened in Maine, the film also provides the opportunity to raise awareness about this nationwide issue, which continues to impact families and children.
Dawnland will be presented as part of the new season of Indie Lens Pop-Up, a neighborhood series that brings people together for free film screenings and community-driven conversations. Featuring documentaries seen on PBS’s Independent Lens, Indie Lens Pop-Up draws local residents, leaders, and organizations together to discuss what matters most, from newsworthy topics to family and relationships.
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FAIL STATE, Exec Produced by Dan Rather, Investigates Rise of Predatory For-Profit Colleges [Trailer]
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Fail State[/caption]
The award-winning investigative documentary Fail State executive produced by news legend Dan Rather, investigates the dark side of American higher education, chronicling the decades of policy decisions in Washington, D.C. that have given rise to a powerful and highly-predatory for-profit college industry. Fail Safe directed by Alex Shebanow, opens in theaters in Los Angeles on October 19 at Laemmle’s Music Hall, and in New York on November 9 at the Maysles Documentary Center Cinema, followed by a digital release via Gravitas Ventures on November, and national television debut on STARZ on December 17.
With echoes of the subprime mortgage crisis, the film lays bare how for-profit colleges exploit millions of low-income and minority students, leaving them with worthless degrees and drowning in student loan debt. Director Alexander Shebanow traces the rise, fall, and resurgence of the for-profit college industry, revealing its Wall Street Backing and the lawmakers enabling widespread fraud and abuse in American higher education.
The film features interviews with Senators Dick Durbin, Illinois and Senator Tom Harkin, Iowa; Governor Bill Haslam, Tennessee; Congresswoman Maxine Waters, California; Attorney General Jack Conway, Kentucky; F. King Alexander, President and Chancellor, Louisiana State University; Gail Mellow, President, LaGuardia Community College and many more.
https://www.youtube.com/watch?v=S64WANCgMek
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Fourth Doc Stories Film Series Returns to Bay Area, Opens with ‘They’ll Love Me When I’m Dead’
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They’ll Love Me When I’m Dead[/caption]
The fourth Doc Stories, presented by SFFILM returns to the Bay Area from November 1 to 4 with a lineup featuring brand-new documentary films yet to be released alongside in-depth discussions with filmmaker guests in person.
The forward-thinking values of the San Francisco Bay Area are celebrated in the lineup especially by two remarkable portraits – General Magic and 5B – both featuring extraordinary archival footage conveying a unique “you were there” sense of urgency. Pressing issues from political indoctrination in Syria to maternal mortality rates here in the US take the stage alongside films such as They’ll Love Me When I’m Dead and United Skates, that use art and culture as a lens through which to tell larger stories.
This year’s wide-ranging lineup will also present the inaugural Doc Star Keynote Address, delivered by Lisa Nishimura, Head of Documentary and Comedy Programming at Netflix. Doc Stories 2018 is rounded out by compelling and diverse shorts programs: Doc Shorts focused around issues of community and place, and the return of the popular New York Times Op-Docs showcase.
The fourth Doc Stories runs November 1 to 4 at the Castro Theatre (429 Castro Street) and SFMOMA’s Phyllis Wattis Theater (151 3rd Street – Joyce and Larry Stupski Entrance at Minna Street).
Opening Night: They’ll Love Me When I’m Dead [Castro]
Morgan Neville, USA, 98 min. Director Morgan Neville expected to attend.
Morgan Neville, who charmed SFFILM Festival audiences this spring with his look at Mr. Rogers and his neighborhood, now playfully takes on the story of Orson Welles’s last production, The Other Side of the Wind, a semi-mythological cinematic experiment, posthumously completed and receiving its first public release this year. Neville eschews scholars and critics and lets those who knew and worked with the mercurial filmmaker tell the story of “the greatest movie never released.” The result is as lively and inventive as work of the master it reveals.
Doc Star Keynote Address: Lisa Nishimura [SFMOMA]
TRT 60 min.
Netflix’s Vice President of Original Documentary and Comedy Programming has had an enormous impact on the way filmmakers and viewers approach non-fiction filmmaking. Nishimura is an 11-year Netflix veteran and spearheaded Netflix’s Original Documentaries initiative in 2013. The non-fiction work developed under her tenure is comprised of a wide range of series and features including Ava DuVernay’s 13th, Werner Herzog’s Into the Inferno, and Liz Garbus’s What Happened Miss Simone? The current slate of films, including Reversing Roe, Shirkers, and Quincy, showcases Netflix’s commitment to female documentarians and compelling storytelling. Nishimura will discuss her thoughts on the current state of non-fiction filmmaking in an entertaining and informative Keynote.
Giving Birth in America: California [SFMOMA]
Clancy McCarty, USA, 18 min. (TRT 60 min) Director Clancy McCarty, Every Mother Counts founder Christy Turlington Burns, and additional guests expected to attend. Extended post-screening conversation.
Giving Birth in America is a documentary series that examines some of the reasons for the alarming current statistics about maternal mortality rates in the US. This fifth and most recent episode, California, focuses on Dr. Christina Gamboa, an OB-GYN in Watsonville who provides pre-natal care to an immigrant farmworker from Mexico with a high-risk pregnancy. The screening will be followed by an in-depth discussion with McCarty, Dr. Gamboa, and women’s health advocates.
New York Times Op-Docs [SFMOMA]
TRT 80 min. Directors Luisa Conlon, Emmanuel Vaughan-Lee, and Kathleen Lingo, Executive Producer of New York Times Op-Docs expected to attend.
The fourth edition of our annual exploration of the year’s best short documentaries from the New York Times’ award-winning series again shows the strength and versatility of the non-fiction form. This year’s program takes us from family reflections to pressing worldly issues and beyond—even to outer space.
The Truth About Killer Robots [SFMOMA]
Maxim Pozdorovkin, USA, 83 min. Director Maxim Pozdorovkin expected to attend.
This timely exploration of our increasingly mechanized world is a kaleidoscopic look at the automatically operating machines that are changing our daily lives in ways that run the gamut from intriguing to deadly. The film probes automation-influenced events both dramatic and incidental, from the death of a worker in a German Volkswagen factory to robotic displacement of laborers to the undermining of authentic human connection. Philosophers, journalists, and futurists add perspective and insight, sharing screen time with a non-human narrator.
Doc Shorts [SFMOMA]
TRT 70 min. Filmmakers Roxy Rezvany, Mohammed Gorjestani, Ivete Lucas, and Patrick Bresnan expected to attend.
Four expertly crafted and distinctly expressed short films center around issues of community and place. Whether navigating a transition from North Korea to the UK, a release from prison, or a trip to the beach, the people documented in these non-fiction pieces—Little Pyongyang (Roxy Rezvany, UK), Nuuca (Michelle Latimer, Canada/USA), Sister Hearts (Mohammad Gorjestani, USA), and Skip Day (Ivete Lucas and Patrick Bresnan, USA)—are each in their different way adjusting to the changing world in which they find themselves.
Ghost Fleet [SFMOMA]
Shannon Service and Jeffrey Waldron, USA, 88 min. Co-director Shannon Service expected to attend.
The plight of fishermen enslaved on vessels in Southeast Asian waters is movingly documented through the linked stories of Patima Tungpuchayakul, a Thai activist who has helped return men to their homes, and Tun Lin, who escaped captivity after eleven years and now seeks justice for himself and others. The film follows a rescue mission off the shore of Indonesia where escaped men hide on remote islands and Thai ships continue their shocking practices.
General Magic [SFMOMA]
Sarah Kerruish and Matt Maude, USA, 93 min. Co-director Matt Maude and special guests expected to attend.
A portrait of Silicon Valley’s most important failed startup, General Magic details the rise and fall of the visionary company that envisioned the first smartphone, as well as e-commerce and emojis, years before any of them became ubiquitous. Told through the voices of several members of the team of gifted (and still dominant) engineers, programmers, and marketers, General Magic brings you into the heart of the story of a company that changed the world before the world was ready.
Of Fathers and Sons [SFMOMA]
Talal Derki, Germany/Syria/Lebanon, 99 min.
Posing as a photojournalist who supports jihad, director Talal Derki takes extraordinary risks and gains vivid access to the family and life of 45-year-old Abu Osama, one of the founders of Al-Nusra, the Syrian arm of Al-Qaeda. The father of eight sons, Abu Osama is a fearsome example of those who believe firmly in violence as a means to an end. Though certainly chilling at times, Of Fathers and Sons is also a deeply compassionate portrait of young boys who are not given options over their lives and futures.
Filmmakers in Conversation [SFMOMA]
TRT 75 min. Directors Bing Liu, RaMell Ross, and Sandi Tan expected to attend.
What are some of the ways that a filmmaker signals their point of view about their subjects? How does a film’s style and approach influence how the viewer absorbs and understands it? Join the creators of some of 2018’s most remarkable films, shot in a variety of styles and using innovative methods to explore stories both personal and topical, to explore these topics. Participants include Bing Liu (Minding the Gap), RaMell Ross (Hale County This Morning, This Evening), and Sandi Tan (Shirkers).
United Skates [SFMOMA]
Tina Brown and Dyana Winkler, USA 2018, 90 min. Directors Tina Brown and Dyana Winkler expected to attend.
Eight wheels and a roller rink hold special significance in the African American community, as the act of roller skating provides a meaningful, vibrant, and safe way for people to express themselves. Examining the historical and cultural influence of skating rinks around the county, filmmakers Dyana Winkler and Tina Brown document recent rink closures and discriminatory regulations that make it harder for skaters to gather, while celebrating the community that is determined to keep the spirit and their skating alive.
5B [Castro] – WORLD PREMIERE
Dan Krauss, USA, 93 min. Director Dan Krauss expected to attend.
In the mid-1980s, a simple number and letter designated a ward on the fifth floor of San Francisco General Hospital, the first in the country designed specifically to deal with AIDS patients. The unit’s emphasis on humanity and consideration of holistic well-being was a small miracle in the midst of a devastating crisis and the ensuing panic about risk and infection. The story of 5B is stirringly told through first-person testimony of patients, their loved ones, and hospital staff who volunteered to work on the ward, resulting in a bittersweet and moving monument to a moment in San Francisco history and a celebration of quiet heroes worthy of remembrance and renewed recognition. Presented in Collaboration with the Telluride Film Festival.
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Dr. Denis Mukwege Subject of Documentary THE MAN WHO MENDS WOMEN Awarded Nobel Peace Prize [Trailer]
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Dr. Denis Mukwege in The Man Who Mends Women – The Wrath of Hippocrates[/caption]
Dr. Denis Mukwege, world renowned Congolese surgeon and the subject of the documentary “The Man Who Mends Women – The Wrath Of Hippocrates” was today awarded the Nobel Peace Prize.
The Man Who Mends Women – The Wrath Of Hippocrates is the portrait of the impressive life and work of internationally renowned gynecologist Dr. Denis Mukwege from the Democratic Republic of Congo. He received the 2014 prestigious Sakharov Prize for Freedom of Thought, for his struggle against sexual violence. Dr. Mukwege medically assisted over 40,000 sexually abused women in sixteen years of professional practice. He is a winner of the 2018 Nobel Peace Prize for his work.
Sexual violence against women has been used as a weapon of war for years in the violence-ridden and poverty-stricken Democratic Republic of Congo. In order to provide medical, psychological and emotional aid to the victims, Dr. Mukwege founded the Panzi hospital in Bukavu in 1999. Besides his work as a physician Dr. Mukwege also defends human rights and seeks to raise global awareness on the issue of sexual violence in his country. He condemns the political reluctance to tackle the problem and is not afraid to hit the nail on the head.
His work is not without danger, as Dr. Mukwege experienced in 2012, when armed men entered his home and started shooting. Mukwege and his family survived the attack, but his guard was killed. The doctor now lives cloistered in his hospital in Bukavu under the protection of the United Nation peacekeepers. The women, whose physical and emotional integrity and dignity have been restored, stand beside him, true activists for peace, and hungry for justice.
https://www.youtube.com/watch?v=KU62X6iV1ZI
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Nadia Murad, Subject of Documentary ON HER SHOULDERS, Awarded Nobel Peace Prize [Trailer]
Yazidi genocide survivor-turned-global advocate Nadia Murad, the subject of Alexandria Bombach’s documentary ON HER SHOULDERS, was announced today as the recipient of the 2018 Nobel Peace Prize for her efforts to end the use of sexual violence as a weapon of war and armed conflict.
A deeply moving documentary portrait, ON HER SHOULDERS was the winner of the Sundance Film Festival’s U.S. Documentary Directing Award and has won awards at some of the world’s top film festivals. It will open on Friday, October 19 at New York’s Village East Cinemas, followed by Los Angeles on October 24, with a national rollout to follow.
Twenty-three-year-old Nadia Murad’s life is a dizzying array of important undertakings—from giving testimony before the U.N. to visiting refugee camps to soul-bearing media interviews and one-on-one meetings with top government officials. With deep compassion and a formal precision and elegance that matches Nadia’s calm and steely demeanor, director Alexandria Bombach (who also shot and edited the film) follows this strong-willed young woman, who survived the 2014 genocide of the Yazidis in Northern Iraq and escaped sexual slavery at the hands of ISIS to become a relentless beacon of hope for her people, even when at times she longs to lay aside this monumental burden and simply have an ordinary life.
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Little League Baseball and Race Intersect in LONG TIME COMING: A 1955 BASEBALL STORY [Trailer]
The players of the first racially integrated Little League Baseball Game in the South reflect on this revolutionary event in the new documentary, Long Time Coming: A 1955 Baseball Story. In 1955, when racial segregation defined the South, two teams of 12-year-old boys stepped onto a baseball field in a non-violent act of cultural defiance that would change the course of history. Florida’s 1955 Little League State Championship between the all-black Pensacola Jaycees and the all-white Orlando Kiwanis moved beyond fears, threats and the unknown to break with tradition and show the world what was possible—breaking the color line in youth sports. Featuring interviews with Major League Baseball and Civil Rights icons Hank Aaron, Cal Ripken, Jr., Gary Sheffield, Davey Johnson and Ambassador Andrew Young, Long Time Coming, directed by first-time feature documentary filmmaker Jon Strong, captures this shining moment in our nation’s history when children led us all toward a better way.
Long Time Coming will open theatrically nationwide on Oct 23rd distributed by NAGRA Kudelski Group in myCinema-enabled theaters, just in time for the World Series. A special one-night-only screening in New York City featuring some of the original team players will take place on Tuesday, Oct. 23rd at 7:00 p.m. at the SVA Theatre.
The release comes off the heels of the film’s festival run and screenings with prestigious institutions this past year with the Hank Aaron Chasing the Dream Foundation at the Carter Center, Derek Jeter’s Turn 2 Foundation, MLB All-Star Week, The Library of Congress and The Global Peace Film Festival.
Jackie Robinson had broken the Major League color barrier in 1947, but segregation still prevailed. Our future hinged upon local Southern communities to either embrace Robinson’s pioneering efforts, to redouble its longstanding commitment to segregation, or to remain quietly complicit in a system of racial inequality.
More than 60 years later, team captains Will Preyer (Pensacola) and Stewart Hall (Orlando) and the players explore how this game changed their lives and why it was more than just a game. They embark on personal journeys back to the game in 1955 and find that the forgotten event becomes a bridge to embracing the turbulence of today’s social landscape.
“I wanted to dig into the uncomfortable, real stories that many find difficult to share,” said director Jon Strong. “Black and white children who grew up in the South, now grown men in their 70s—how can we see them, know them, and most importantly, what can we learn from them for our own lives? Through conversation, I wanted to learn the histories, experiences and truths in their lives. What do they have in common? What makes them drastically different? And how do you bridge that gap in the real world, and not just angrily disagree?”
“Long Time Coming shows us the historic context for segregation and sports as a catalyst for the courage to embrace healthy change for the common good,” said producer Ted Haddock.
https://www.youtube.com/watch?v=PjT3MXTkaCg
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Space Documentary ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW Sets October Air Date on Discovery [Video]
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ABOVE AND BEYOND: NASA‘S JOURNEY TO TOMORROW[/caption]
Rory Kennedy’s documentary “Above and Beyond: NASA’s Journey to Tomorrow” takes a sweeping look at the Government Agency and its goals for the future during Its 60th Anniversary. Above and Beyond: NASA’s Journey to Tomorrow airs October 13 at 9:00/8:00c on Discovery and Science Channel, building on the long-standing history of Discovery’s NASA Programming.
Human beings, more than any other species, are driven by an insatiable curiosity, a remarkable ability to wonder. It is a need to know that lies deep within our DNA as we seek to answer some of time’s most fundamental questions: Where do we come from? Are we alone? What will become of us?
As NASA celebrates its 60th anniversary, Discovery once again shines a spotlight on the historic institution taking us to the moon, to the surface of Mars, to the outer edge of our solar system and beyond. But more than a moving portrait of NASA’s many accomplishments in space, ABOVE AND BEYOND also sheds light on the agency’s lesser-known area of focus – the vital role NASA has played in measuring the health of our home planet. However far NASA may travel, its gaze has always returned to Earth – monitoring our seas and skies, our ice and sands – in an ongoing struggle to meet today’s great challenge – protecting our planet.
Directed, produced, and narrated by Academy Award(R)-nominated and Emmy(R)-winning Rory Kennedy (“Last Days of Vietnam,”) ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW examines the extraordinary ways NASA has changed not only our vision of the universe, but also our planet, and ourselves. The documentary special airs October 13 at 9pm ET/PT on Discovery and Science Channel.
In 1961, announcing the moon shot, President Kennedy issued a great challenge, a challenge that in many ways set NASA on its course: “We have given this program a high national priority,” President Kennedy said. “Even though I realize that this is in some measure an act of faith and vision, for we do not now know what benefits await us.” With ABOVE AND BEYOND, filmmaker Rory Kennedy asks: what has become of President Kennedy’s faith in human ingenuity, his grand vision and aspirations?
Looking back over the last 60 years and forward to the next, ABOVE AND BEYOND explores NASA’s commitment to dreaming big. With wide-ranging access to NASA leaders, scientists, and astronauts, Kennedy goes behind the scenes of the world’s greatest space agency. Through interviews with engineers like Adam Steltzner (who led the Mars Curiosity rover mission) and International Space Station (ISS) astronauts like Peggy Whitson (who holds the US record of 665 days in space), the film highlights the next-generation space telescopes, the dazzling prototypes of Mars-bound spacecraft, and the cutting-edge missions to further explore our solar system, galaxy, and larger universe. And yet, even while aiming higher and journeying farther than ever, NASA also continues to point its technology homeward – from the ozone hole to global climate change – in an effort to better understand the past, present, and future health of our planet.
Though it may surprise some, NASA has always explored both space and Earth. As far back as the 1960s, Apollo 8 showcased NASA’s ability to inform human perspective. In its mission, that crew traveled 240,000 miles over three days before the dark side of the moon came into view, something humankind had only dreamed about. In ABOVE AND BEYOND, Apollo 8 astronaut Jim Lovell describes how, when the spacecraft moved around the moon, revealing for the first time the whole Earth in the distance, he could suddenly see, “the earth as it truly is: a grand oasis in the vastness of space.”
Indeed, they had come to explore the moon and instead discovered the earth. From Apollo’s Jim Lovell to the Space Shuttle’s more contemporary Scott Kelly, astronauts have returned home with a new appreciation for our planet’s uniqueness, as well as its incredible fragility. After having spent a year on the ISS (the largest human-made object in space, a scientific laboratory that weighs over 1 million pounds, travels at 17,000 mph and orbits the earth 16 times a day), Kelly states, “If we can do this, we can do anything. We just have to dream it, and dream big, and go do it.”
ABOVE AND BEYOND goes on to highlight, beyond human space exploration, the remarkable role played by telescopes and rovers, including Curiosity which landed on Mars to explore whether that planet could have once supported life. While researchers knew from earlier missions that water had previously existed on the surface of Mars, Curiosity was sent to dig deeper, answering if the water had been sweet or salty, acidic or basic – the kind of water humans could have drunk. “Curiosity has answered our question, and that answer is yes,” explains Steltzner. “The ancient wet environment, three-and-a-half-billion years ago, when life was first starting here on Earth, Mars was an environment that was habitable for life.”
As Ellen Stofan, NASA’s Chief Scientist, 2013-2016, explains, “When we look outward, when we understand the planets, when we go out into the universe, we’re really still trying to look back at ourselves and say, ‘How does our planet work?’ That Mars was once habitable, just like earth, and is no longer makes clear how planetary bodies transform.
Now, more than ever, NASA is using its extraordinary tools to look back at Earth from space. If President Kennedy once set NASA’s challenge at the moon, Rory Kennedy argues that today the agency’s most urgent mission is equally clear – to report back on the health of our own planet. With over 19 different satellites studying the earth, with aircraft and ground teams, NASA can see almost every aspect of the earth’s systems from direct measurement, all that data streaming over years and decades. It is a comprehensive global view of an incredibly complicated planet.
From the rapidly melting Antarctica ice caps, to the bleaching and dying of coral reefs, the data collected by NASA is essential to humankind’s understanding. Informing our challenge today, NASA offers us a record of how the planet is changing and makes undeniably clear the threat of what is to come.
https://www.youtube.com/watch?v=TTOtUQSKGTo
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Tribeca Award Winning Documentary UNITED SKATES to Debut on HBO in 2019 [Trailer]
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UNITED SKATES[/caption]
UNITED SKATES, directed and produced by Dyana Winkler and Tina Brown, and winner of the Documentary Audience Award at this year’s Tribeca Film Festival has been acquired by HBO and will debut on the network in 2019. John Legend is an executive producer of the documentary feature.
As America’s last standing roller rinks are threatened with closure, UNITED SKATES spotlights a community of thousands who fight in a racially charged environment to save the underground African-American subculture of roller skating, which has been overlooked by the mainstream for generations, while giving rise to great musical talents.
The documentary will screen this fall in Los Angeles, New York, Washington, D.C., Chicago and London, among other locations, supported by a robust outreach campaign.