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  • ROLL RED ROLL, Nancy Scwartzman’s Docu on Stubenville Sexual Assault Case, to World Premiere at 2018 Tribeca Film Fest [Trailer]

    Roll Red Roll Nancy Schwartzman’s debut documentary feature Roll Red Roll, following a notorious high school sexual assault case in Steubenville, Ohio, will world premiere at the 2018 Tribeca Film Festival. Roll Red Roll unpacks toxic masculinity, gender-based violence, sports culture, and the larger systems of complicity at play. With a fast-paced narrative, the storytelling unfolds like a true-crime mystery. Roll Red Roll Poster Go behind the headlines of notorious high school sexual assault to witness the social media-fueled “boys will be boys” culture that let it happen. In small-town Ohio, at a pre-season football party, a horrible incident took place. What transpired would garner national attention and result in the sentencing of two key offenders. As amateur crime blogger Alex Goddard uncovers disturbing evidence on Facebook, Youtube, and Twitter, documenting the assault of a teenage girl by members of the beloved high school football team, questions linger around the collusion of teen and adult bystanders. Roll Red Roll explores the complex motivations of both perpetrators and bystanders in this story, to unearth the attitudes at the core of their behavior. It is a cautionary tale of what can happen when adults look the other way and deny that rape culture exists. With unprecedented access to police documents, exhibits and evidence, the documentary feature unflinchingly asks: “why didn’t anyone stop it?” https://www.youtube.com/watch?v=RJze9-ZNIeU

    TRIBECA SCREENINGS

    Sun. 4/22, 8 p.m., Cinepolis Chelsea 7 – World Premiere Mon. 4/23, 8:30 p.m., Cinepolis Chelsea 3 Tues. 4/24, 6:15 p.m., Regal Cinemas Battery Park 11-1 Sat. 4/28, 5:30 p.m., Regal Cinemas Battery Park 11-4 Sun. 4/29, 5:30 p.m., Regal Cinemas Battery Park 11-4

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  • HBO Developing DocuSeries Based on Michelle McNamara’s Bestselling True-Crime Book “I’ll Be Gone in the Dark”

    HBO Documentary Films has acquired the rights to the true-crime bestseller “I’ll Be Gone in the Dark: One Woman’s Obsessive Search for the Golden State Killer,” by Michelle McNamara, and will develop a documentary series based on the book, it was announced today by Nancy Abraham and Lisa Heller, executive vice presidents, HBO Documentary Films. “I’ll Be Gone in the Dark” is a meticulous exploration of the case of an elusive, violent predator who terrorized California in the late ’70s and early ’80s by journalist Michelle McNamara, who died tragically while investigating the unsolved crimes. Framed by an introduction by Gillian Flynn and afterword by McNamara’s husband, Patton Oswalt, the book was completed by McNamara’s lead researcher, Paul Haynes, and a close colleague, Billy Jenkins. A chilling investigation of the mysterious serial killer and the wreckage he left behind, “I’ll Be Gone in the Dark” is also a compelling self-portrait of the author that reveals her obsession with solving crimes, and her unflagging search for the truth and for justice for the victims and their families. “HBO taking on this story will advance the passionate pursuit that Michelle shared with dozens of men and women in law enforcement? – ?to solve the mystery of one of California’s most notorious serial killers,” commented Oswalt. I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer Creator of the popular website TrueCrimeDiary.com, McNamara was determined to find the violent psychopath she dubbed “The Golden State Killer,” who committed 50 home-invasion sexual assaults in Northern California before moving south, where he perpetrated ten murders. Then he disappeared, eluding multiple police forces and some of the best detectives in the area. Obsessed with the case three decades later, McNamara pored over police reports, interviewed victims and embedded herself in the online communities that were as obsessed with the case as she was. “I’ll Be Gone in the Dark” also explores her own past, including her years growing up in Oak Park, Ill. in a large family, and the reverberations of the unsolved murder that haunted her youth. Published earlier this year, the book debuted at #1 on the New York Times combined print and e-book bestseller list. “I’ll Be Gone in the Dark: One Woman’s Obsessive Search for the Golden State Killer” was hailed by the New York Times as “a vivid and meticulous investigation” and “a wrenching personal account from a writer who became consumed by her subject.”  

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  • Watch Trailer for MERCURY 13 – Remarkable Story of 13 Women Tested for Spaceflight in 1961

    Mercury 13 The Netflix documentary “Mercury 13” directed by David Sington and Heather Walsh is a remarkable story of the women who were tested for spaceflight in 1961 before their dreams were dashed in being the first to make the trip beyond Earth.  An Official Selection of the 2018 San Francisco International Film Festival and the 2018 Hot Docs Canadian International Documentary Festival, Mercury 13 will premiere on Netflix on April 20, 2018. On April 9, 1959, NASA introduced their first astronaut class of all men, Mercury 7, to the world. This is the story of the 13 women who were just as deserving of their place in space. Mercury 13 is a remarkable story of the women who were tested for spaceflight in 1961 before their dreams were dashed in being the first to make the trip beyond Earth. NASA’s ‘man in space’ program, dubbed ‘Project Mercury’ began in 1958. The men chosen – all military test pilots – became known as The Mercury 7. But away from the glare of the media, behind firmly closed doors, female pilots were also screened. Thirteen of them passed and, in some cases, performed better than the men. They were called the Mercury 13 and had the ‘right stuff’ but were, unfortunately, the wrong gender. Underneath the obsession of the space race that gripped America, the women were aviation pioneers who emerged thirsty for a new frontier, but whose time would have to wait. The film tells the definitive story of thirteen truly remarkable women who reached for the stars but were ahead of their time. A Netflix original documentary directed by David Sington (The Fear of 13) and Heather Walsh. https://www.youtube.com/watch?v=jpiVx2mQhKI

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  • 7 Documentaries incl. the World Premiere of James Keach’s TURNING POINT on Tap for Nashville Film Festival

    [caption id="attachment_27984" align="aligncenter" width="1200"]One Vote One Vote[/caption] Seven documentary Special Presentations including the World Premiere of James Keach’s Turning Point will screen at the upcoming 49th Annual Nashville Film Festival.  Music journeys will also be depicted in The King, starring Alec Baldwin, Tony Brown, Chuck D, Emmylou Harris, Ethan Hawke and Radney Foster, It All Begins with a Song and Sammy Davis Jr.: I’ve Got To Be Me, starring Sammy Davis Jr., Harry Belafonte, Tony Bennett, Diahann Carroll, Billy Crystal and Quincy Jones. The 2018 Documentary Special Presentations will also include the Tennessee Premiere of Hal, starring Jane Fonda, Jeff Bridges, Jon Voight, Judd Apatow and Rosanna Arquette and the Southeast US Premiere of One Vote starring Warren Buffett. “The selection of these seven films represents the impact of music in documentaries and the collective storytelling prowess of both entertainment genres as well as the enormous talent featured in documentaries,” said Artistic Director Brian Owen. “For seven films to include the incredible music talent as well as such icons as Warren Buffett, Dan Rather, Jane Fonda, Jon Voight, Rosanna Arquette and Quincy Jones is an absolute dream for the festival, particularly in bringing them to Tennessee for the first time.” Below are the 2018 selections in the category:

    Documentary Special Presentations

    Fail State (Southeast US Premiere) – In an expansive political exposé, FAIL STATE uncovers the dark story behind the rise of predatory for-profit colleges and how a cabal of politicians and unscrupulous business tycoons sold out the dream of American higher education. Director: Alexander Shebanow, Producers: Julia Glausi, Terrence Crawford, Tyler Comes, Dan Rather (USA) Hal (Tennessee Premiere) – Hal Ashby’s obsessive genius led to an unprecedented string of Oscar®-winning classics, including Harold and Maude, Shampoo and Being There. But as contemporaries Coppola, Scorsese and Spielberg rose to blockbuster stardom in the 1980s, Ashby’s uncompromising nature played out as a cautionary tale of art versus commerce. Cast: Jane Fonda, Jeff Bridges, Jon Voight, Judd Apatow, Rosanna Arquette, Director: Amy Scott, Producer: Christine Beebe, Lisa Janssen, Jonathan Lynch, Brian Morrow (USA). It All Begins with a Song: The Story of the Nashville Songwriter (World Premiere) – Their melodies stick in your head. Their words hook into your soul. And while their work deeply affects millions, few know their names. This is a celebration of one of music’s most important forces: the Nashville songwriter. Director: Chusy, Producer: Butch Spyridon, John Godsey, Deana Ivey, Kellie Shannon (USA) The King (Tennessee Premiere) – Filmmaker Eugene Jarecki takes a musical road trip across the U.S. in Elvis Presley’s 1963 Rolls Royce during the 2016 presidential election, comparing Elvis’s transition from country boy to “The King” to America’s transformation into an empire. Cast: Alec Baldwin, Tony Brown, Chuck D, Emmylou Harris, Ethan Hawke, Radney Foster, Director: Eugene Jarecki, Producers: Christopher Frierson, Georgina Hill, Eugene Jarecki, David Kuhn (USA). One Vote (Southeast US Premiere) – Filmed in five locations on a single day, ONE VOTE captures the compelling stories of diverse American voters on Election Day 2016. Cast: Warren Buffett, Brenda Williams, Michael Hiser, Jennifer Bondy, Claude Bondy, James Higgins, Director: Christine Woodhouse, Producer: Emily Wachtel (USA) Sammy Davis Jr.: I’ve Got to Be Me (Tennessee Premiere) – SAMMY DAVIS JR.: I’VE GOT TO BE ME is the first major film documentary to examine Davis’ vast talent and his journey for identity through the shifting tides of civil rights and racial progress during 20th-century America. Cast: Sammy Davis Jr., Harry Belafonte, Tony Bennett, Diahann Carroll, Billy Crystal, Quincy Jones, Director: Samuel D. Pollard, Producer: Sally Rosenthal (USA)  Turning Point (World Premiere) – It’s been called the final frontier of medicine, the real health care moonshot, the holy grail of science. Alzheimer’s disease — the most feared of all maladies, with no way to cure, stop or even slow its insidious progression. But now, after decades of perseverance in the lab, researchers are on the cusp of a scientific breakthrough that could be the first step toward making Alzheimer’s itself a distant memory. Director: James Keach, Producer: James Keach (USA)

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  • “ANDRE THE GIANT” Documentary Exploring His Extraordinary Life and Career, to Premiere on HBO on Tuesday April 10 [ Trailer]

    Andre the Giant, documentary Andre the Giant, a documentary examining the life and career of one of the most beloved legends in WWE history will premiere on Tuesday, April 10 exclusively on HBO.  Emmy(R)-winning director and producer Jason Hehir (JMH FILMS) is the director. HBO Sports and WWE are partnering for the first time ever on this feature-length presentation, which combines never-before-seen footage and revealing interviews for a comprehensive and intimate portrait of one of WWE’s most beloved, yet largely unknown, figures. The wide-ranging documentary explores Andre’s upbringing in France, his celebrated career in WWE and forays in the entertainment world, and includes interviews with Vince McMahon, Hulk Hogan, Ric Flair, Billy Crystal, Rob Reiner, family members and more. André René Roussimoff was born in 1946 in Grenoble, France. Early in his teenage years, he exhibited signs of gigantism, rapidly growing to more than seven feet, though he was not diagnosed with acromegaly until his twenties. He began his training in Paris at 17 and eventually became known in wrestling circuits around the world, including Europe, Australia and Africa. In 1970, Roussimoff made his Japanese debut, which put him on the radar of Vince McMahon Sr., founder of what is now known as World Wrestling Entertainment. In 1973, Andre joined the organization, where McMahon Sr. famously billed him as Andre the Giant. Andre’s unique voice and athletic prowess, coupled with his more than 500-pound, seven-foot, four-inch frame, made him an unforgettable attraction. During his ascent to the top of the ranks, Andre engaged in memorable matches with Killer Khan, Big John Studd and King Kong Bundy, compiling an undefeated streak that lasted the better part of a decade. In 1987, Andre hit the pinnacle of his career during his rivalry with Hulk Hogan, one of the biggest stars in WWE and pop culture history. As a new villain, Andre squared off with Hogan at “WrestleMania(R) III” at the Silverdome in Michigan, and in one of the most memorable moments in pro wrestling history, Hogan body-slammed Andre to retain the championship in front of 93,173 fans. While wrestling’s fan base continued to grow, Roussimoff’s health began to decline. Despite his health issues, the “Eighth Wonder of the World” remained at the forefront during the company’s golden era. Following “WrestleMania III,” Andre took on other WWE legends such as Jake “The Snake” Roberts(TM), “Macho Man” Randy Savage(TM) and The Ultimate Warrior(R), participating in numerous marquee events until 1991. Andre became the first inductee into the WWE Hall of Fame in 1993. Roussimoff’s larger-than-life personality also allowed him to pursue a career in acting. He appeared in TV sitcoms and films during the ’70s and ’80s, often playing himself or some variation of a human giant, and is best-remembered for his role as Fezzik in Rob Reiner’s classic “The Princess Bride.” Outside the ring, Andre Roussimoff was a gentle giant. The subject of stares and ridicule for his size throughout his life, he was a self-described introvert. On Jan. 27, 1993, Andre Roussimoff succumbed to his gigantism and died of congestive heart failure. And while WWE has had a memorable cast of larger-than-life stars during the two decades since his passing, Andre the Giant is still remembered as one of the greatest. https://www.youtube.com/watch?v=f_jTeuajas0

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  • THE FEELING OF BEING WATCHED, Assia Boundaoui’s Personal Story of FBI Surveillance, to World Premiere at Tribeca Film Festival

    The Feeling of Being Watched A personal journey that unfolds like a thriller, The Feeling of Being Watched charts journalist Assia Boundaoui’s investigation into a secret FBI counterterrorism probe of her Arab-American neighborhood outside of Chicago – code-named “Operation Vulgar Betrayal”- and its enduring impact on her family and community.  The Feeling of Being Watched will World Premiere at the 2018 Tribeca Film Festival, running April 18 to 29, 2018. In the village of Bridgeview, Illinois, where director Assia Boundaoui grew up, most of her Muslim-American neighbors think they have been under surveillance for over a decade. While investigating their experiences, Assia uncovers hundreds of pages of declassified FBI documents that prove her hometown was the subject of one of the largest counterterrorism investigations ever conducted in the U.S. before 9/11. [caption id="attachment_23721" align="aligncenter" width="1200"]The Feeling of Being Watched The Feeling of Being Watched[/caption] With unprecedented access, The Feeling of Being Watched weaves the personal and the political as it follows the filmmaker’s examination of why her community—including her own family—fell under blanket government surveillance. Assia struggles to disrupt the government secrecy shrouding what happened and takes the FBI to federal court to compel them to make the records they collected about her community public. In the process, she confronts long-hidden truths about the FBI’s relationship to her community. The Feeling of Being Watched follows Assia as she pieces together this secret FBI operation, while grappling with the effects of a lifetime of surveillance on herself and her family. The Feeling of Being Watched was written and directed by Assia Boundaoui and produced by Boundaoui and Jessica Devaney. Director of photography was Shuling Yong and the film was edited by Rabab Haj Yahya with illustrations by Molly Crabapple and original music by Angélica Negrón. Executive producers are Jim Butterworth, Daniel J. Chalfen, Dan Cogan, Jenny Raskin, Geralyn White Dreyfous, Debra Mcleod, Jay K. Sears, Bill Harnisch, Ruth Ann Harnisch, Alexa Poletto, Michael D. Mann, Barry W. Rashkover, and Vijay Dewan. Assia Boundaoui is an Algerian-American journalist who has reported for the BBC, NPR, Al Jazeera, VICE, and CNN. Her debut short, a film about hijabi hair salons for the HBO Lenny documentary series, premiered at Sundance in 2018, and she has worked in an editorial capacity on the production of a number of documentaries, including HBO’s Emmy Award-winning Manhunt (2013). Assia has a Master’s degree in journalism from New York University and is fluent in Arabic. The Feeling of Being Watched is her feature debut.

    Tribeca Film Festival Screenings

    Saturday, April 21, 6:45 pm Cinepolis Chelsea 2, 260 W. 23rd St. (at 8th Ave.) Sunday, April 22, 7:30 pm Cinepolis Chelsea 3, 260 W. 23rd St. (at 8th Ave.) *A special extended Q&A panel discussion will follow the screening Wednesday, April 25, 5:45 pm Regal Battery Park 3, 102 North End Ave. (at Murray St.) Thursday, April 26, 5:00 pm Cinepolis Chelsea 6, 260 W. 23rd St. (at 8th Ave.)

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  • BEING SERENA, Intimate Documentary Series on Tennis Superstar Serena Williams, Debuts May 2 on HBO | trailer

    Serena Williams HBO Sports is teaming up agin with IMG’s Original Content group for a five-part documentary series chronicling tennis icon Serena Williams at a pivotal moment in her personal and professional life. Being Serena debuts Wednesday, May 2 (10:00-10:30 p.m. ET/PT), exclusively on HBO, followed by other new episodes subsequent Wednesdays at the same time. Being Serena will give viewers unprecedented access to Williams during her pregnancy, new motherhood and marriage, while documenting her journey back to supremacy on the court. Viewers will experience her life from every angle as the intimate first-person show delves into her landmark career, family life and expanding role as a businesswoman and investor in the worlds of tech, fashion, fitness and philanthropy. “HBO is honored to work with Serena Williams on such a personal project,” says Peter Nelson, executive vice president, HBO Sports. “Even though she has been in the spotlight since her teenage years, Serena continues to capture the imagination. With our partners at IMG, we look forward to giving viewers a revealing, behind-the-scenes portrait of her life on and off the court.” “Serena Williams is a force unlike any other,” says Mark Shapiro, co-president of WME and IMG. “Her entire life is one of the hero’s journey, and it has been a privilege to work with her as she enters this next phase. HBO was an incredible partner in developing a unique look into Serena’s world, and we look forward to sharing this all-access story with the world in May.” Serena Williams, 36, is one of the most dominant forces tennis has ever seen, with 39 Grand Slam titles, four Olympic Gold Medals and the most women’s singles match victories in Grand Slam history. Her supremacy on the court earned her Sports Illustrated’s Sportsperson of the Year honors in 2015 and made her a four-time winner of the Associated Press Female Athlete of the Year, first in 2002 and most recently in 2015. In Jan. 2017, Williams bested her sister Venus in the final match of the Australian Open, marking her seventh time winning that singles event. Four months after her historic victory, Williams revealed that she and her fiancé, Alexis Ohanian, were expecting their first child, confirming that she was eight weeks pregnant when she won her 23rd Grand Slam singles title. On Sept. 1, Williams gave birth to her daughter, Alexis Olympia Ohanian Jr. Williams and Ohanian wed soon after in a stunning ceremony before family and friends in New Orleans on Nov. 16. Williams will return to the tennis circuit this spring to compete in her first Grand Slam event of the year at the French Open in late May. For more than a decade, HBO Sports has been responsible for some of the most compelling unscripted sports programming, with a stylish and contemporary approach marked by unrestricted access. “Hard Knocks,” launched in 2001 in partnership with NFL Films, has won 15 Sports Emmy(R) Awards, and the groundbreaking all-access reality franchise “24/7” has earned 18 Sports Emmy(R) Awards. Being Serena marks the third collaborative docu-series for HBO Sports and IMG. The first was 2016’s “Gonzaga: The March to Madness,” chronicling the Gonzaga men’s basketball team’s march to its 18th consecutive NCAA men’s basketball tournament berth, followed by 2017’s Primetime Emmy(R) nominee “UConn: The March to Madness,” spotlighting the powerhouse University of Connecticut’s women’s basketball team as it sought a fifth consecutive national championship. https://www.youtube.com/watch?v=udW7HcmDMJY  

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  • Documentary I AM EVIDENCE on Shocking Number of Untested Rape Kits in America, Sets HBO Premiere Date | Trailer

    [caption id="attachment_27791" align="aligncenter" width="1200"]I Am Evidence I Am Evidence[/caption] Produced by Mariska Hargitay, star of “Law & Order: Special Victims Unit” and directed by Trish Adlesic and Geeta Gandbhir, I Am Evidence exposes the alarming trend of unsolved rape cases. The eye-opening documentary debuts Monday, April 16 (8:00-9:30 p.m. ET/PT), on HBO. Despite the power of DNA to solve crimes, hundreds of thousands of rape kits, containing crucial DNA evidence, are currently languishing untested in police-evidence storage rooms across the country. Behind each one of these kits is a sexual-assault survivor waiting for justice to be served, and a perpetrator potentially evading prosecution. I Am Evidence exposes the alarming trend of unsolved rape cases, revealing how a flawed system has historically mistreated sexual assault survivors and showing how victims, advocates and some forward-thinking law enforcement officials are challenging the status quo. Spotlighting four resilient women in the Detroit, Cleveland and Los Angeles areas as they trace the fates of their kits and re-engage in the criminal justice process, this powerful film also follows survivors, advocates, prosecutors and police officials who are leading the charge to work through the backlog and hold perpetrators accountable. Putting a human face on this deplorable injustice and neglected issue, I Am Evidence is a timely call to action, asserting that survivors matter. In 2009, Wayne County, Mich. Prosecutor Kym Worthy was shocked to uncover over 11,000 untested rape kits in a run-down police annex warehouse. Though the backlog was partially due to a lack of finances, reports showed that officers often didn’t believe the overwhelmingly black and poor victims. “They were violated in the most intimate of ways and nobody gave a damn,” laments Worthy. Mariska Hargitay, a longtime advocate for survivors of sexual assault and domestic violence, offered her support to Worthy in her efforts to end the rape kit backlog in Detroit and the state of Michigan and bring justice to survivors. Hargitay’s role as Lieutenant Olivia Benson on “Law and Order: Special Victims Unit” had opened her eyes to these issues and inspired her to found the Joyful Heart Foundation in 2004. “I Am Evidence, literally. My name is on a box, on a shelf that’s never been tested,” says Ericka, one of thousands of women across the U.S. whose rape kits, containing DNA evidence that could identify their attackers, have never been opened. Ericka reported that she was raped on her 21st birthday, and after going through the arduous process of getting a rape kit done at a local hospital, she remembers going with her father to speak to a detective. The detective told Ericka and her father that nothing would happen with her kit, offering to show them thousands of untested kits waiting to be processed before hers. Cleveland began the long and daunting process of working up cases on its backlogged kits in 2013. As Tim McGinty, former Cuyahoga County prosecutor in Cleveland says, “These rape kits are the best bargain in the history of law enforcement. Four hundred dollars a rape kit, and one in four results in an indictment. One in four of the four is a serial rapist. I’ve never seen an opportunity like this in law enforcement.” Out of more than 5,000 tested, there have already been 1,935 DNA matches in CODIS, the national criminal database, but the challenge lies in prioritizing cases by urgency. Investigator Nicole DiSanto’s latest assignment is tracking an alleged three-time offender. (Serial rapists have made up one-third of the cases from the city’s backlogged kits.) DiSanto visits Danielle, a 1997 victim, who is easily able to identify her attacker in a photo lineup. DiSanto eventually finds the man in North Carolina, and news of his arrest gives Danielle closure. I Am Evidence reveals that he was convicted of her rape and kidnapping more than 20 years after the crime. In Los Angeles, 12,000 untested kits were unearthed (and even more destroyed, due to the LAPD’s misjudgment of the statute of limitations). Among the kits opened was Helena’s, who was abducted at a car wash and raped at age 17 in 1996. Helena spent years trying to learn what happened to her rape kit, and eventually discovered, with the help of an ex-DA, that the DNA matched Charles Courtney, a long-distance truck driver who targeted women along his route. One of his other victims, Amberly, was abducted and raped in 1998 in Fairfield, Ohio. In 2001, funding allowed police to test Amberly’s kit, which also identified Courtney, who was already in CODIS for a sex offense against his wife. He took a plea deal for 30 years in prison. Despite information provided by Fairfield police, however, Helena’s case fell through the cracks in LA and the statute of limitations expired. She was only able to obtain justice after the DA used a loophole to charge Courtney for money he’d taken from her. Police are often woefully underprepared to deal with sexual assault victims, but even when perpetrators are arrested, many prosecutors don’t aggressively pursue these cases, which Worthy admits are some of the hardest to prosecute due to “victim blaming.” Now a mother of adopted daughters, Worthy was assaulted herself when she was in law school and wants the system to be better for her children. So far, the results of Detroit’s testing have been far-reaching, linking to CODIS hits in 39 states and garnering nationwide attention. Still, it’s estimated that hundreds of thousands of untested kits remain nationally. Ericka assumed her case would never be addressed? – ?until she met Worthy. Now Ericka says she feels “very free,” and urges women in her position to “press forward because I feel strong, stronger than I’ve ever known I could feel.” I Am Evidence had its world premiere at the 2017 Tribeca Film Festival and has since screened at AFI Docs Film Festival, the Hamptons International Film Festival and many other festivals. It won the Audience Award for Best Documentary Film at both the Provincetown and Traverse City festivals. Producer Mariska Hargitay, who appears in the film, won an Emmy(R) and Golden Globe for “Law & Order: Special Victims Unit”; she also serves as an executive producer on the show and has directed episodes. After receiving numerous letters from survivors, she founded the Joyful Heart Foundation in 2004. Its mission is to transform society’s response to sexual assault, domestic violence and child abuse and its initiative, End the Backlog, aims to eliminate the backlog of hundreds of thousands of untested rape kits in the U.S. https://www.youtube.com/watch?v=7_b1SbbSu6Y

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  • Watch First trailer for Mr. Rogers Documentary WON’T YOU BE MY NEIGHBOR?

    Won’t You Be My Neighbor? Earlier this week, on the 90th birthday of Fred Rogers, Focus Features released the new trailer for “Won’t You Be My Neighbor?” from Academy Award-winning filmmaker Morgan Neville (20 Feet from Stardom). “Won’t You Be My Neighbor?” had its world premiere at the 2018 Sundance Film Festival, and will open in theaters on June 8, 2018. A feature documentary about the lessons, ethics and legacy of iconic children’s television host, Fred Rogers. WON’T YOU BE MY NEIGHBOR? looks at children’s television host Mr. Rogers’ hard-fought campaign to influence generations of kids and adults in the ways of kindness. Fred Rogers led a singular life. He was a puppeteer. A minister. A musician. An educator. A father, a husband, and a neighbor. Fred Rogers spent 50 years on children’s television beseeching us to love and to allow ourselves to be loved. With television as his pulpit, he helped transform the very concept of childhood. He used puppets and play to explore the most complicated issues of the day—race, disability, equality and tragedy. He spoke directly to children and they responded by forging a lifelong bond with him—by the millions. And yet today his impact is unclear. WON’T YOU BE MY NEIGHBOR? explores the question of whether or not we have lived up to Fred’s ideal. Are we all good neighbors? https://www.youtube.com/watch?v=FhwktRDG_aQ

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  • Air Jordan 1 Shoe Documentary ‘Unbanned: The Legend of AJ1’ to Premiere at Tribeca Film Festival | Trailer

    [caption id="attachment_27765" align="aligncenter" width="1200"]UNBANNED: THE LEGEND OF AJ1 UNBANNED: THE LEGEND OF AJ1[/caption] Unbanned: The Legend of AJ1, the documentary that tells the origin story of the Air Jordan 1 shoe, will premiere as a Special Screening at the 17th annual Tribeca Film Festival.  Directed and written by Dexton Deboree, the film follows the iconic shoe from its unlikely beginnings to its role in disrupting long-established rules of the NBA, changing the game of basketball, birthing sneaker culture and influencing a social and cultural revolution. “We are honored to premiere our film at the Tribeca Film Festival for so many reasons. Los York, many of our film’s cast members and much of the story itself, are rooted in the culture of NYC and we are proud to introduce the true story of AJ1 to one of our hometowns,” Deboree exclaims. “The film captures the raw, rebellious, eclectic and diverse spirit of culture in and around basketball and beyond, something our film has very much in common with New York City. Nothing is more fitting than to premiere with Tribeca at the historic Beacon Theatre especially, this year where the lineup celebrates American diversity,” he adds. The first feature documentary from Los York Entertainment, Unbanned: The Legend of AJ1 is the true story about the shoe that changed the world. Through interviews with Spike Lee, Chuck D, Anthony Anderson, Michael B. Jordan, Lena Waithe, Kenya Barris, DJ Khaled, Aleali May and many more including Michael Jordan himself, this film explores the power of the AJ1 across social and political spectrums and how it has broken barriers between female and male fashion, self-expression, identity, empowerment and more. Tribeca Film Festival has been the launching pad for many groundbreaking films including Can’t Stop, Won’t Stop: A Bad Boy Story, Nas: Time is Illmatic and most recently, Kobe Bryant’s Oscar®-Winning Animated Short Dear Basketball from acclaimed director Glen Keane. “At Tribeca we are always looking for documentaries that shift our perspectives to tell us stories in new and exciting ways,” said Cara Cusumano, Director of Programming, Tribeca Film Festival. “The enduring cultural impact of the AJ1 is an entertaining, thrilling, surprising ride, and one that we can’t wait to share with audiences at the Beacon on April 27th.” https://www.youtube.com/watch?v=p79nXVeyj4s

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  • Edward Norton Produced ONE OCTOBER, Chronicling Clay Pigeon’s NY Street Interviews Sets Release Date | Trailer

    One October Nicole One October, the documentary chronicling radio host Clay Pigeon as he talks to a diverse cross-section of people throughout New York city, exploring a microcosm of themes and issues including race, religion, economics, politics and culture, will be released nationally starting Friday, May 11. Filmed entirely in October of 2008, a time when gentrification is rapidly displacing the working and middle classes, Wall Street is plummeting, and then-Senator Barack Obama is making his first presidential bid, One October is a lyrical time capsule that captures the heart and spirit of New York. When seen from our current vantage point, the film foreshadows the roiling political upheaval spreading across the country today in 2018. Directed by Rachel Shuman and executive produced by three-time Academy Award® nominee Edward Norton (“Primal Fear,” “American History X” and “Birdman”), this captivating feature documentary, which had its World Premiere at the 2017 Full Frame Documentary Film Festival, chronicles intrepid radio host Clay Pigeon as he talks to a beautifully diverse cross-section of people throughout the city, exploring a microcosm of themes and issues including race, religion, economics, politics and culture. With today’s news filled with ratings-hungry, sensationalist headlines and political pundits yelling over one another, Pigeon is quite the antithesis with his man-on-the-street style interviews, offering an authentic, warm-hearted and more humanitarian approach to journalism. Maysles Cinema in Harlem, NYC, where several of the scenes in the documentary were filmed, will host a week-long theatrical release of One October, screening along with the short documentary THE MONOLITH, directed by Angelo J. Guglielmo, Jr., about pioneering NYC artist Gwyneth Leech, starting Friday, May 11. One October will also be released nationally on VOD on May 11 via Passion River Films on iTunes, Amazon Prime, Google Play, Microsoft XBOX and other digital platforms. The film will also screen nationwide in select cities. One October Mark One October begins with Pigeon, a radio host from WFMU in Jersey City, NJ, who takes to the streets of New York City to talk to everyday citizens about their lives, their dreams and their relationships in the face of uncertain change in a transforming city. As part of what he calls a “radio experiment,” this transplanted Iowan roams the streets bearing a handheld recorder and a kindly probing nature: “Has he popped the question?” “When is the last time you’ve had a regular roof over your head?” “Do you love America?” These revealing interviews are woven between vivid scenes of New York’s eccentric byways, which together reveal a city—and a nation—at a crossroads. During his neighborhood rambles, Pigeon meets people like Kristin, an optimistic young woman who has just arrived from the Midwest; Mark, a union construction worker still dusty from his workday and deeply in debt; Nicole, a transgender woman looking for an accepting community; and Stacie, a single mother in Harlem worried about gentrification. Pigeon’s encounters interweave with observational passages that poignantly reveal urbanist and author Jane Jacobs’s (The Death and Life of Great American Cities) idea of the “ballet of the good city sidewalk”: rollerskaters wind their way through Central Park, city dwellers seek blessings for a motley group of pets on St. Francis Day, observant Jews toss breadcrumbs into the Hudson River on Rosh Hashanah, and Muslims mark the end of their Ramadan fast with Eid al-Fitr prayers and expressions of forgiveness. Amid these celebrations of daily life we see the shifting landscape of the city: big-box stores and mega-chains rapidly replace independent businesses, giant glass buildings are erected where flea markets once stood, and luxury condos loom over small brick tenements. Nuanced, cinematic and often humorous, One October charts the chasm between one’s desires and one’s means, explores the urgent need to conserve the old amid the glorification of the new, and affirms the notion that a varied streetscape is essential to the health of a dynamic metropolis. https://vimeo.com/260800683   “I wanted to make a film in response to the homogenization and hypergentrification of neighborhoods in New York City and chose to set it in October 2008, a tumultuous moment when the housing market collapse was becoming a worldwide economic crisis and much of the country was swept up in Obama’s presidential campaign,” said One October director Rachel Shuman. “In retrospect, almost exactly a decade later now, I am releasing the film in another period of change in our country, and I hope that it will present a story of diversity and resiliency that unites people.” Edward Norton is an environmental, social and civic activist who has substantially contributed to the development of the cultural and civic life of the city. When asked why he wanted to become involved in this film, Norton stated, “Like E.B. White’s classic ‘Here is New York,’ One October captures the complexity of our culture at a moment in time and distills the zeitgeist of optimism and hope surrounding the election of Barack Obama. Viewed today, it’s especially poignant and inspiring.”

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  • 9 Indie Filmmakers with 6 Documentary Films Selected for Film Independent’s 2018 Documentary Lab

    [caption id="attachment_27705" align="aligncenter" width="1000"]Unapologetic Unapologetic[/caption] Nine filmmakers and six projects have been selected for Film Independent’s 2018 Documentary Lab, an intensive five-week program designed to help filmmakers who are currently in post-production on their feature-length documentary films. This year’s projects span the globe – from a film about undocumented youth in the US, to an indigenous family in the Andes standing up to one of the largest gold producers in the world, to an unexpected environmental film about invisible elves, the free market and the surprising power of belief told through an Icelandic grandmother’s quest to save a threatened landscape. “We’re delighted to welcome this talented group of filmmakers who will be joining us for the eighth year of the Documentary Lab from diverse regions across the US and as far away as Egypt,” said Jennifer Kushner, Director of Artist Development. “Through mentorship, career development and a lively collaborative work environment, the Lab provides support to filmmakers as they work to bring these meaningful nonfiction stories to audiences.” Through a series of meetings and workshops, the Documentary Lab provides creative feedback and story notes to participating filmmakers, while helping them strategize for the completion, distribution and marketing of their films. Additionally, the program serves to advance the careers of its Fellows by making introductions to film professionals who can advise on both the craft and business of documentary filmmaking. Lab Fellows attend multiple guest speaker and workshopping sessions with established documentary directors, institutional funders, legal professionals, festival programmers and distributors, and each is paired with an experienced Creative Advisor who provides one-on-one support and insight as the Fellows ready their projects for release. This year’s Documentary Lab Advisors and Guest Speakers include Ramona S. Diaz (Motherland), Greg Finton (Editor, A River Runs Through It, Dazed and Confused), Amy Halpin of the International Documentary Association, Alexandra Johnes (The Square), Senain Kheshgi of Majority Film, Jeff Malmberg (Spettacolo, Marwencol), Marjan Safinia (But You Speak Such Good English), Chris Shellen (Spettacolo, Marwencol) and Rahdi Taylor of Concordia Films (Blue Note). Notable past Documentary Lab projects include Tracy Droz Tragos and Andrew Droz Palmero’s Rich Hill; Marah Strauch’s Sunshine Superman; Sarita Khurana and Smriti Mundhra’s A Suitable Girl; Dustin Nakao Haider, Daniel Dewes and Derek Doneen’s Shot in the Dark; and Bing Liu and Diane Quon’s Minding the Gap, winner of the 2018 US Documentary Competition Award for Breakthrough Filmmaking at Sundance. Film Independent Artist Development promotes unique independent voices by helping filmmakers create and advance new work through its Filmmaker Labs (Directing, Documentary, Episodic, Producing and Screenwriting), Grants Program which awards over $800K annually to filmmakers, the Fast Track finance market, Fiscal Sponsorship and Project Involve, celebrating 25 years of mentoring the next generation of visual storytellers and working toward an inclusive industry. The 2018 Documentary Lab projects and Fellows are: Title: I am a Script Girl Director/Producer: Mina Nabil Logline: I Am a Script Girl is an up close and personal examination of the life, challenges and career of the unstoppable Sylvette Baudrot who at 89-years old recounts her journey from Egypt to Paris where she became a trusted confidant to the great auteurs of 20th century cinema. Title: Pathways Director: Florencia Krochik Logline: Pathways tells the stories of six “DACA-mented” & undocumented youth and the struggles they face pursuing higher education. The film weaves together their captivating stories and explores the crippled US immigration policies that have led to the hardships they and their families face. Title: Sage Country Director: Yuri Chicovsky Producer: Lauren Blair Logline: A Colorado sheep rancher who inherits a beloved piece of land and way of life must come to terms with his legacy and his life’s dream. Title: The Seer and the Unseen Director/Producer: Sara Dosa Producer: Shane Boris Logline: The Seer and the Unseen is an unexpected environmental film about invisible elves, the free market and the surprising power of belief told through an Icelandic grandmother’s quest to save a threatened landscape – and the beloved home her family has lived in for generations. Title: Unapologetic Director: Ashley O’Shay Logline: After two Black Chicagoans are murdered by the police, young Black citizens begin challenging the city’s corrupt policies while redefining the meaning of community organizing. Unapologetic goes behind the veil with two Black, queer women, providing an intimate peek into the personal lives that sustain a movement. Title: Untitled Claudia Sparrow Documentary Director: Claudia Sparrow Producer: Ryan Schwartz Logline: An indigenous family from the Andes stands up to one of the largest gold producers in the world defending their right to live off their land and protect natural resources from devastating corporate greed.

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