Documentary

SOUFRA, Inspirational Story of Refugee Entrepreneur, Mariam Shaar, to Premiere at DOC NYC

[caption id="attachment_25077" align="aligncenter" width="1200"] Mariam Shaar in Soufra[/caption] The award-winning documentary film Soufra follows the inspirational story of intrepid social entrepreneur, Mariam Shaar – a refugee who has spent her entire life in the 69-year-old Burl El Barajneh refugee camp south of Beirut, Lebanon. Soufra, directed by award-winning filmmaker Thomas Morgan (Storied Streets, Waiting for Mamu), will have its North American Premiere at the DOC NYC Film Festival in New York on November 12th. [caption id="attachment_25078" align="aligncenter" width="1200"] Manal Hassan and Maha Hajjaj vegetable shopping in SOUFRA[/caption] The film chronicles Mariam and a diverse team of fellow refugee women, from throughout the Middle East who share the camp as their home as they set out to change their fate by launching a catering company, “Soufra,” and then expanding its reach (thanks to an astonishing Kickstarter campaign), outside the camp with a food truck business. Together, they heal the wounds of war through the unifying power of food while taking their future into their own hands. Soufra is produced by Primetime Emmy®-winning filmmaker Kathleen Glynn (Bowling for Columbine, Fahrenheit 9/11, TV Nation), Rebelhouse President, Trevor Hall, Pilgrim Media Group President & CEO Craig Piligian, and executive produced by Academy Award®-winning actress Susan Sarandon.
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Watch Trailer for Netflix Documentary JOAN DIDION: THE CENTER WILL NOT HOLD Premiering at NY Film Fest

Ahead of its world premiere tonight at this year’s New York Film Festival, Netflix has released the trailer for the documentary Joan Didion: The Center Will Not Hold. The documentary launches globally on Netflix on October 27. Across more than 50 years of essays, novels, screenplays, and criticism, Joan Didion has been our premier chronicler of the ebb and flow of America’s cultural and political tides with observations on her personal – and our own – upheavals, downturns, life changes, and states of mind. In the intimate, extraordinary documentary Joan Didion: The Center Will Not Hold, actor and director Griffin Dunne unearths a treasure trove of archival footage and talks at length to his “Aunt Joan” about the eras she covered and the eventful life she’s lived, including partying with Janis Joplin in a house full of L.A. rockers; hanging in a recording studio with Jim Morrison; and cooking dinner for one of Charles Manson’s women for a magazine story. Didion guides us through the sleek literati scene of New York in the 1950s and early ’60s, when she wrote for Vogue; her return to her home state of California for two turbulent decades; the writing of her seminal books, including Slouching Towards Bethlehem, Play It as It Lays, A Book of Common Prayer, and The White Album; her film scripts, including The Panic in Needle Park; her view of 1980s and ’90s political personalities; and the meeting of minds that was her long marriage to writer John Gregory Dunne. She reflects on writing about her reckoning with grief after Dunne’s death, in The Year of Magical Thinking (winner of the National Book Award for Nonfiction), and the death of their daughter Quintana Roo, in Blue Nights. With commentary from friends and collaborators including Vanessa Redgrave, Harrison Ford, Anna Wintour, David Hare, Calvin Trillin, Hilton Als, and Susanna Moore, the most crucial voice belongs to Didion, one of the most influential American writers alive today. https://www.youtube.com/watch?v=99NaRJQzXiM

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Sam Pollard’s Latest Film MAYNARD Profiles Maynard Holbrook Jackson, First Black Mayor of Atlanta | Trailer

The documentary Maynard, directed by the prolific filmmaker Sam Pollard, has wrapped as the film enters post production in Atlanta, Georgia. He was Obama before Obama, Maynard Holbrook Jackson became first black Mayor of Atlanta, Georgia in 1973 and this film is an exploration into a man who had dreams and ambitions to be a public servant for his people seeing that it was the next logical step in the journey that had been started by Dr. King, and so many others who had blazed the trail during the years of horrific segregation. Maynard interviews include President Bill Clinton, Al Sharpton, Vernon Jordan, Ambassador Andrew Young, Rev. Joseph Lowery, Jesse Jackson, former Atlanta Mayor’s Sam Massel and Shirley Franklin, and current Mayor Kasim Reed to name a few. Directed by Academy Award nominee, Emmy winner and 4 time Peabody Award winner Sam Pollard (“Slavery by Another Name”, “Sammy Davis, Jr.: I’ve Gotta Be Me”, “Two Trains Runnin’”), Maynard is produced by Wendy Eley Jackson, Dolly Turner, and Winsome Sinclair with cinematography by Henry Adebonojo who worked on the Academy Award nominated documentary “I Am Not Your Negro”. Update: MAYNARD will World Premiere at 2017 DOC NYC on Thursday, November 16th, 2017.
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Street Cats of Istanbul Documentary KEDI, Leads 2nd Critics’ Choice Documentary Awards Nominations

[caption id="attachment_20047" align="aligncenter" width="1200"] Kedi[/caption] Kedi, a beautiful documentary about the street cats of Istanbul, leads the nominations for the second annual Critics’ Choice Documentary Awards, with nominations for Best Documentary, Best First Documentary, Most Innovative Documentary, Best Director for Ceyda Torun, and Most Compelling Living Subject of a Documentary for The Cats of Istanbul. https://www.youtube.com/watch?v=lKq7UqplcL8 California Typewriter, Chasing Coral, City of Ghosts, Cries From Syria, and Dawson City: Frozen Time, followed with three nominations each; and Abacus: Small Enough to Jail and An Inconvenient Sequel: Truth to Power receiving two nominations each. The second annual awards ceremony takes place November 2 in Brooklyn. Academy Award and seven-time Emmy nominated filmmaker Joe Berlinger will receive the Critics’ Choice Impact Award.
Second Critics’ Choice Documentary Awards Nominations

BEST DOCUMENTARY
Abacus: Small Enough to Jail – Director: Steve James (PBS / Blue Ice Films, Mitten Media, Motto Pictures, Kartemquin Films Production) Beware the Slenderman – Director: Irene Taylor Brodsky (HBO, Warner Bros. Television Distribution / HBO Documentary Films, Vermilion Films) Bright Lights: Starring Carrie Fisher and Debbie Reynolds – Directors: Alexis Bloom, Fisher Stevens (HBO / Bloomfish Pictures, HBO Documentary Films, Insurgent Docs, RatPac Documentary Films) California Typewriter – Director: Doug Nichol (Gravitas Ventures / American Buffalo Pictures) Chasing Coral – Director: Jeff Orlowski (Netflix / Exposure Labs) City of Ghosts – Director: Matthew Heineman (Amazon Studios, A&E IndieFilms, IFC Films / Our Time Projects) Cries From Syria – Director: Evgeny Afineevsky (HBO / Afineevsky – Tolmor Production, Cinepost Barrandov, Levy Entertainment Group, Studio Malibu) Dawson City: Frozen Time – Director: Bill Morrison (Kino Lorber / Hypnotic Pictures, Picture Palace Pictures) Eagles of Death Metal: Nos Amis – Director: Colin Hanks (HBO / Live Nation Productions, Company Name) Ex Libris: The New York Public Library – Director: Frederick Wiseman (Zipporah Films) Faces Places – Directors: Agnès Varda & JR (Cohen Media Group / Ciné Tamaris, Social Animals, Rouge International, Arte France Cinéma, Arches Films) Jane – Director: Brett Morgen (National Geographic Documentary Films / National Geographic Studios, Public Road Productions) Kedi – Director: Ceyda Torun (Oscilloscope Laboratories, YouTube Red / Termite Films) One of Us – Directors: Heidi Ewing, Rachel Grady (Netflix / Loki Films) Spettacolo – Directors: Jeff Malmberg, Chris Shellen (Grasshopper Film / Open Face) Strong Island – Director: Yance Ford (Netflix / Yanceville Films, Louverture Films)
BEST DIRECTOR
Evgeny Afineevsky – Cries from Syria (HBO / Afineevsky – Tolmor Production, Cinepost Barrandov, Levy Entertainment Group, Studio Malibu) Amir Bar-Lev – Long Strange Trip (Amazon / Amazon Studios, Double E Pictures, Sikelia Productions, AOMA Sunshine Films) Matthew Heineman – City of Ghosts (Amazon Studios, A&E IndieFilms, IFC Films / Our Time Projects) Bill Morrison – Dawson City: Frozen Time (Kino Lorber / Hypnotic Pictures, Picture Palace Pictures) Doug Nichol – California Typewriter (Gravitas Ventures / American Buffalo Pictures) Jeff Orlowski – Chasing Coral (Netflix / Exposure Labs) Irene Taylor Brodsky – Beware the Slenderman (HBO, Warner Bros. Television Distribution / HBO Documentary Films, Vermilion Films) Ceyda Torun – Kedi (Oscilloscope Laboratories, YouTube Red / Termite Films) Agnès Varda & JR – Faces Places (Cohen Media Group / Ciné Tamaris, Social Animals, Rouge International, Arte France Cinéma, Arches Films) Frederick Wiseman – Ex Libris: The New York Public Library (Zipporah Films)
BEST FIRST DOCUMENTARY
California Typewriter – Director: Doug Nichol (Gravitas Ventures / American Buffalo Pictures) Kedi – Director: Ceyda Torun (Oscilloscope Laboratories, YouTube Red / Termite Films) Nowhere to Hide – Director: Zaradasht Ahmed (East Village Entertainment / Ten Thousand Images) Step – Director: Amanda Lipitz (Fox Searchlight / Impact Partners, Stick Figure Productions) Strong Island – Director: Yance Ford (Netflix / Yanceville Films, Louverture Films) Whose Streets? – Director: Sabaah Folayan, Co-Director: Damon Davis (Magnolia Pictures)
BEST POLITICAL DOCUMENTARY
11/8/16 – Directors: Duane Andersen, Don Argott & Sheena M. Joyce, Yung Chang, Garth Donovan, Petra Epperlein & Michael Tucker, Vikram Gandhi, Raul Gasteazoro, Jamie Goncalves, Andrew Beck Grace, Alma Har’el, Daniel Junge, Alison Klayman, Ciara Lacy, Martha Shane, Elaine McMillion Sheldon, Bassam Tariq (The Orchard / Cinetic Media) Abacus: Small Enough to Jail – Director: Steve James (PBS / Blue Ice Films, Mitten Media, Motto Pictures, Kartemquin Films Production) An Inconvenient Sequel: Truth to Power – Directors: Bonni Cohen, Jon Shenk (Paramount / Actual Films, Participant Media) City of Ghosts – Director: Matthew Heineman (Amazon Studios, A&E IndieFilms, IFC Films / Our Time Projects) Dolores – Director: Peter Bratt (PBS Distribution / 5 Stick Films) The Reagan Show – Directors: Sierra Pettengill, Pacho Velez (Gravitas Ventures, CNN Films)
BEST SPORTS DOCUMENTARY
AlphaGo – Director: Greg Kohs (Submarine Entertainment / Moxie Pictures, Reel As Dirt) Disgraced – Director: Pat Kondelis (Showtime Networks / Bat Bridge Entertainment) Icarus – Director: Bryan Fogel (Netflix / Alex Productions, Diamond Docs, Impact Partners) Speed Sisters – Director: Amber Fares (First Run Features) Take Every Wave: The Life of Laird Hamilton – Director: Rory Kennedy (Sundance Selects / Moxie Firecracker Films) Trophy – Directors: Christina Clusiau, Shaul Schwarz (CNN Films, The Orchard / Candescent Films, Pulse Films, Reel Peak Films)
BEST MUSIC DOCUMENTARY
Clive Davis: The Soundtrack of our Lives – Director: Chris Perkel (Apple Music / IM Global, Scott Free Productions) Contemporary Color – Directors: Bill Ross IV, Turner Ross (Oscilloscope / The Department of Motion Pictures, Public Domain, Todo Mundo) Eagles of Death Metal: Nos Amis – Director: Colin Hanks (HBO / Live Nation Productions, Company Name) I Called Him Morgan – Director: Kasper Collin (FilmRise, Submarine Entertainment / Kasper Collin Produktion, Sveriges Television, Film i Väst) Long Strange Trip – Director: Amir Bar-Lev (Amazon / Amazon Studios, Double E Pictures, Sikelia Productions, AOMA Sunshine Films) Rumble: The Indians Who Rocked the World – Director: Catherine Bainbridge, Co-Director: Alfonso Maiorana (Kino Lorber / ARTE G.E.I.E, Rezolution Pictures)
MOST COMPELLING LIVING SUBJECT OF A DOCUMENTARY
The Cats of Istanbul – Kedi (Oscilloscope Laboratories, YouTube Red / Termite Films) Etty – One of Us (Netflix / Loki Films) Al Gore – An Inconvenient Sequel: Truth to Power (Paramount / Actual Films, Participant Media) Laird Hamilton – Take Every Wave: The Life of Laird Hamilton (Sundance Selects / Moxie Firecracker Films) Dolores Huerta – Dolores (PBS / 5 Stick Films) Gigi Lazzarato – This is Everything: Gigi Gorgeous (YouTube Red / SelectNext, Cabin Creek Films) The Sung Family – Abacus: Small Enough to Jail (PBS / Blue Ice Films, Mitten Media, Motto Pictures, Kartemquin Films Production)
MOST INNOVATIVE DOCUMENTARY
78/52 – Director: Alexandre O. Philippe (IFC Midnight / ARTE, Exhibit A Pictures, Milkhaus, Screen Division, Sensorshot Productions) Casting JonBenet – Director: Kitty Green (Netflix / Forensic Films, Symbolic Exchange, Meridian Entertainment) Dawson City: Frozen Time – Director: Bill Morrison (Kino Lorber / Hypnotic Pictures, Picture Palace Pictures) Karl Marx City – Directors: Petra Epperlein, Michael Tucker (Bond/360 / Pepper & Bones) Kedi – Director: Ceyda Torun (Oscilloscope Laboratories, YouTube Red / Termite Films) Last Men in Aleppo – Director: Firas Fayyad, Co-Director: Steen Johannessen (Grasshopper Film / Aleppo Media Center, Larm Film)
BEST SONG IN A DOCUMENTARY
An Inconvenient Sequel: Truth to Power – “Truth to Power” – OneRepublic (Paramount / Actual Films, Participant Media) Chasing Coral – “Tell Me How Long” – Kristen Bell (Netflix / Exposure Labs) Cries From Syria – “Prayers for This World” – Cher (HBO / Afineevsky – Tolmor Production, Cinepost Barrandov, Levy Entertainment Group, Studio Malibu) Dina – “Best I Can” – Michael Cera featuring Sharon Van Etten (The Orchard / Cinereach, El Peligro, Killer Films) Served Like a Girl – “Dancing Through the Wreckage” – Pat Benatar (Entertainment Studios, Freestyle Digital Media) Step – “Jump” – Cynthia Erivo (Fox Searchlight / Impact Partners, Stick Figure Productions)
BEST LIMITED DOCUMENTARY SERIES (TV/STREAMING)
The Defiant Ones (HBO) Five Came Back (Netflix / Amblin Television, IACF Productions, Netflix, Passion Pictures, Rock Paper Scissors Entertainment) The Keepers (Netflix / Film 45, Tripod Media) The Nineties (CNN / CNN, Playtone, Herzog & Company) Planet Earth II (BBC America, AMC, SundanceTV / BBC Natural History Unit, BBC America, ZDF, Tencent, France Télévisions) The Vietnam War (PBS / Florentine Films, WETA-TV Washington)
BEST ONGOING DOCUMENTARY SERIES (TV/STREAMING)
30 for 30 (ESPN / ESPN Films) American Masters (PBS / WNET New York City) Frontline (PBS / WGBH-TV Boston) Independent Lens (PBS / Independent Television Service, Inc.) POV (PBS / American Documentary, Inc.) VICE (HBO / VICE Media)
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Director Brett Morgen and Jane Goodall Attend NYFF Premiere of JANE

Director Brett Morgen and subject Jane Goodall were in attendance to introduce the stunning documentary, National Geographic’s JANE at the 2017 New York Film Festival. [caption id="attachment_24059" align="aligncenter" width="1200"] Jane[/caption] JANE is the story of how Jane Goodall became Jane Goodall – using footage shot by future husband Hugo van Lawick of her first experiences in Gombe, Tanzinia in the 1960’s. Previously thought to be lost forever, the footage was only recently discovered in a storage unit, and has been now masterfully intercut with interviews of present day Jane Goodall to provide an in-depth portrait of her life. JANE will be released in select theaters starting October 20. https://www.youtube.com/watch?v=FRlUJrEUn0Y&feature=youtu.be Image: NEW YORK – OCTOBER 5: (L-R) Jane Goodall and Director Brett Morgen attend the NY Film Festival screening of National Geographic’s documentary ‘Jane’ at the Walter Reade Theater on October 5, 2017 in New York City. (Photo by Anthony Behar/NatGeo/PictureGroup)
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John Legend, Jesse Williams to Exec Produce WITH DRAWN ARMS Documentary on Tommie Smith’s Salute at 1968 Olympics

Singer John Legend, along with his Get Lifted partners Mike Jackson and Ty Stiklorius, and actor Jesse Williams will executive-produce “With Drawn Arms”, artists Glenn Kaino and Afshin Shahidi’s incredibly timely documentary about the importance and inspiration of Olympic gold medalist Tommie Smith’s powerful salute at the 1968 Summer Olympics in Mexico City. In this groundbreaking film, Glenn Kaino and Afshin Shahidi use an ongoing artistic collaboration between Kaino and Smith to connect Smith’s silent but meaningful gesture in 1968 to the critical moments and most important voices of today, exploring the very nature of symbolic action and the critical importance of making images in our time. “We are excited to collaborate with true artists in Glenn Kaino and Afshin Shahidi to bring this powerful story to the world in a fresh and compelling way,” said John Legend. “In this current climate we are once again being charged to stand up to bigotry, fear, and hate. We are inspired by this story and honored to be a creative partner on this film.” “Tommie Smith is more than an iconic poster or risky act of defiance that inspires people the world over. He is a living man, whose incredible journey is worthy of examination. I couldn’t be more excited to join forces with this team of filmmakers, to share his reality and challenge our notions of heroism in the process,” said Jesse Williams. [caption id="attachment_24988" align="aligncenter" width="1200"] Glenn Kaino and Afshin Shahidi filming documentation of With Drawn Arms with Executive Producer Jesse Williams. Photo credit Deon Jones[/caption] Williams, who gained international acclaim with his 2016 BET Humanitarian Award acceptance speech, is an activist, actor and producer whose work spans across television, film, and technology, consistently uplifting the voices of marginalized people. “We could not be more excited that Get Lifted Film Co. and Jesse Williams will lend their impressive talents to ‘With Drawn Arms,’ a story that began 50 years ago and is as relevant now as it was then,” said Kaino and Shahidi. “We look forward to working with Jesse, John, Mike and Ty, and to benefit from their extensive creative talent as we craft this story.” “With Drawn Arms” is currently in production in Los Angeles and is targeted for a 2018 release during the 50th anniversary of Tommie Smith’s salute. With Drawn Arms is written by Glenn Kaino and directed by Kaino and Afshin Shahidi, who also serve as Executive Producers alongside Jesse Williams, Delois Smith, and John Legend, Mike Jackson and Ty Stiklorius of Get Lifted. Williams recently executive produced the documentary film “Stay Woke: The Black Lives Matter Movement” (2016) and the docu-series “America Divided” with Norman Lear. Legend’s Get Lifted banner recently produced the hit TV show “Underground” (2016), Academy Award winning “La La Land” (2016), and HBO Documentary “Southern Rites” (2015).
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Watch Trailer for Kelly Noonan Gores’ Documentary HEAL, Opening in Theaters Late October

Kelly Noonan Gores’ documentary Heal takes us on a scientific and spiritual journey where we discover that our thoughts, beliefs, and emotions have a huge impact on our health and ability to heal. The documentary will open in theaters in Los Angeles on October 20 and in New York on October 27. The latest science reveals that we are not victims of unchangeable genes, nor should we buy into a scary prognosis. The fact is we have more control over our health and life than we have been taught to believe. This film will empower you with a new understanding of the miraculous nature of the human body and the extraordinary healer within us all. HEAL not only taps into the brilliant minds of leading scientists and spiritual teachers, but follows three people on actual high stakes healing journeys. Healing can be extremely complex and deeply personal, but it can also happen spontaneously in a moment. Through these inspiring and emotional stories we find out what works, what doesn’t, and why.
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Magnolia to Release BOOM FOR REAL THE LATE TEENAGE YEARS OF JEAN-MICHEL BASQUIAT

BOOM FOR REAL The Late Teenage Years of Jean-Michel Basquiat, director Sara Driver’s love letter to New York City’s past through the eyes of people who knew the renowned artist has been acquired by Magnolia for a 2018 theatrical release. The film, which world-premiered at this year’s Toronto International Film Festival to critical acclaim, will next screen at the 55th New York Film Festival, presented by the Film Society of Lincoln Center. . BOOM FOR REAL The Late Teenage Years of Jean-Michel Basquiat, follows Basquiat’s life pre-fame and how New York City, the times, the people and the movements surrounding him formed the artist he became. Using never before seen works, writings and photographs, Driver worked closely and collaboratively with her friends and other artists who emerged from that scene: Nan Goldin, Jim Jarmusch, James Nares, Fred Brathwaite aka Fab Five Freddy, Lee Quiñones, Luc Sante and many others. Providing their thoughts, period film footage, music, images, and anecdotes of their young friend, they helped visually tell the story of Basquiat’s downtown NYC – pre Aids, President Reagan, the real estate and art boom, and before anyone was motivated by money and ambition. The definition of fame, success and power were very different than today – to be a penniless but published poet was the height of success, until everything changed in the early 1980’s. This is New York City’s story before that change. “I have always admired Magnolia’s film selections and their attention to their releases over the years,” said Driver. “And now, I am honored and delighted to have our film with such a caring and wonderful company of true cinephiles.”
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MANKILLER will Open and CHARGED: THE EDUARDO GARCIA STORY will Close 2017 Rome International Film Festival

[caption id="attachment_24880" align="aligncenter" width="1200"] Mankiller[/caption] Two documentaries, Mankiller directed by Valerie Red-Horse Mohl, and Charged: The Eduardo Garcia Story will bookend the 2017 Rome International Film Festival (RIFF) taking place November 9 to 12, 2017. To kick-off the fest, RIFF will showcase feature length documentary MANKILLER as the Opening Night Presentation on Thursday, November 9, 2017 at Rome’s historic DeSoto Theatre. From Director/Producer Valerie Red-Horse Mohl (NATURALLY NATIVE) and Executive Producer Gale Anne Hurd (THE TERMINATOR, “The Walking Dead”), MANKILLER explores the legacy of the Cherokee Nation’s first woman Principal Chief Wilma Mankiller. On Sunday, November 12, 2017 , RIFF will conclude its 2017 festivities with CHARGED: THE EDUARDO GARCIA STORY. Directed by Phillip Baribeau, CHARGED examines the life and recovery of chef Eduardo Garcia after he was shocked with 2400 volts of electricity while hiking in Montana. CHARGED had its World Premiere at the Santa Barbara International Film Festival and has since won several awards, including an Audience Award at the Sidewalk Film Festival. MANKILLER DIRECTED BY VALERIE RED-HORSE MOHL USA, 2017, ENGLISH, 74 MINUTES In 1985, after serving as Deputy Chief under a conservative leader, Wilma Mankiller took office as the Cherokee Nation’s first woman Principal Chief. Having relocated from Oklahoma to San Francisco earlier in her life, Mankiller worked with both the nascent Black Panther and the Alcatraz occupation movements, eventually bringing the passion and experience she gained there back to her people. During her decade-long tenure as Principal Chief and beyond, Mankiller’s leadership enabled the Cherokee Nation to become one of the most economically and culturally successful tribes in America. Through rare archival footage and intimate interviews with activists including Gloria Steinem, as well as with Wilma herself, MANKILLER gives us insight into how this remarkable woman successfully navigated through the minefield of bipartisan politics. Veteran filmmaker Valerie Red-Horse Mohl and Executive Producer Gale Anne Hurd present a portrait of a composed and assured leader who persevered through sexism and devastating personal setbacks to become one of the greatest leaders in American history.
CHARGED: THE EDUARDO GARCIA STORY DIRECTED BY PHILLIP BARIBEAU USA, 2017, ENGLISH, 86 MINUTES A successful chef and adventurer, Eduardo Garcia’s life was forever changed after he was shocked with 2400 volts of electricity in a backcountry freak accident while hiking in Montana. Garcia lost his left hand, ribs, muscle mass and nearly his life, but more important than what he lost was what he found. Through the caregiving and patience of his ex-girlfriend Jennifer Jane, he was nursed back to health and learned to embrace his past, his family, and his future. A love story unlike any other, CHARGED is about both a physical recovery and a life newly and fully realized.
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VIDEO: Watch Bill Nye on a Mission in BILL NYE: SCIENCE GUY Official Trailer

Here is the trailer for Bill Nye The Science Guy, which premiered at the 2017 SXSW in March. The film will open theatrically on the Friday October 27, 2017 in New York City exclusively at Landmark Sunshine, and then expand to other markets nationwide. Bill Nye is a man on a mission: to stop the spread of anti-scientific thinking across the world. The former star of the popular kids show “Bill Nye The Science Guy” is now the CEO of The Planetary Society, an organization founded by Bill’s mentor Carl Sagan, where he’s launching a solar propelled spacecraft into the cosmos and advocating for the importance of science, research, and discovery in public life. With intimate and exclusive access– as well as plenty of wonder and whimsy– this behind-the-scenes portrait of Nye follows him as he takes off his Science Guy lab coat and takes on those who deny climate change, evolution, and a science-based world view. The film features Bill Nye, Neil deGrasse Tyson, Ann Druyan, and many others.
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A GRAY STATE, Documentary on Mysterious Deaths of Filmmaker David Crowley and His Family, Gets US Release

A Gray State, the A&E IndieFilms acclaimed documentary feature from Erik Nelson and executive produced by Werner Herzog, has been acquired by First Run Features. The film, which had its world premiere at this past Tribeca Film Festival to critical praise, will receive a US theatrical release this November along with an awards push. Following the theatrical run “A Gray State” will make its television debut on A&E. In 2010 David Crowley, an Iraq veteran, aspiring filmmaker and charismatic up-and-coming voice in fringe politics, began production on his film “Gray State.” Set in a dystopian near-future where civil liberties are trampled by an unrestrained federal government, the film’s crowd funded trailer was enthusiastically received by the burgeoning online community of libertarians, Tea Party activists as well as members of the nascent alt-right. In January of 2015, Crowley was found dead with his family in their suburban Minnesota home. Their shocking deaths quickly become a cause célèbre for conspiracy theorists who speculate that Crowley was assassinated by a shadowy government concerned about a film and filmmaker that was getting too close to the truth about their aims. Directed by “Grizzly Man” producer Erik Nelson and Executive Produced by Werner Herzog, “A Gray State” combs through Crowley’s archive of 13,000 photographs, hundreds of hours of home video, and exhaustive behind-the-scenes footage of David’s work in progress to reveal what happens when a paranoid view of the government turns inward — blurring the lines of what is real and what people want to believe. “’A Gray State’ is a deep dive into some of the fault lines that are fracturing America,” said Erik Nelson. “It’s a dark ride through the tunnel of conspiracy culture, the trauma experienced by many veterans, celebrity worship, gun obsession, and the unforeseen consequences of an addiction to social media. But it is a dark ride that tries to point a way to the light.”
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Ittetsu Nemoto Is Not Your Ordinary Monk in THE DEPARTURE | Trailer

The Departure directed by Lana Wilson (After Tiller) is described as poetic and deeply moving look at a former punk-turned-Buddhist priest in Japan who has made a career out of helping suicidal people find reasons to live. The documentary film which premiered at the 2017 Tribeca Film Festival will open in New York at the Metrograph Theater on Friday, October 13. It will be followed by a release in Los Angeles on Friday, October 20, with other cities to follow. A 44-year-old Tokyo native, Ittetsu Nemoto loves riding his motorcycle and dancing all night in clubs. But he’s also a Rinzai Zen priest, who lives with his wife, mother and baby son at a temple in the remote countryside of Gifu prefecture, Japan. There, over the last ten years, he has become famous for his work in combating suicide. But this work has come increasingly at the cost of his own family and health, as he refuses to draw lines between the people he counsels and himself. With astonishing access and artistry, Wilson’s camera captures Nemoto at a crossroads, when his growing self-destructive tendencies lead him to confront the same question his patients ask him: what makes life worth living? https://www.youtube.com/watch?v=JnQNXOl8Nbw
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