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Deborah Graham at her home in Salisbury, North Carolina. Film still from FROM THE ASHES. Credit: Jonathan Furmanski.[/caption]
From the Ashes, a feature documentary that explores one of the country’s most contentious topics — coal and the mining industry, has been acquired by the National Geographic for release in the US.
Distributed under the National Geographic Documentary Films banner, From the Ashes will have its world premiere at the 2017
Tribeca Film Festival on April 26, followed by a limited theatrical release this summer and will air globally on National Geographic in 171 countries and 45 languages later in 2017.
Produced by the Academy Award- and Emmy-winning production company RadicalMedia, directed by Emmy-nominated filmmaker Michael Bonfiglio, produced by Sidney Beaumont, and executive produced by Academy Award-nominated filmmaker Joe Berlinger — as well as Jon Kamen, Katherine Oliver and Justin Wilkes, in partnership with Bloomberg Philanthropies — From the Ashes captures Americans in communities across the country as they wrestle with the legacy of the coal industry, and what its future should be under the Trump administration.
From Appalachia to the West’s Powder River Basin, the film goes beyond the rhetoric of the “war on coal” to present compelling and often-heartbreaking stories about what is at stake for our economy, health and climate. The film invites audiences to learn more about an industry on the edge and what it means for their lives.
“For over a century, mining and energy companies have been privatizing coal’s profits while socializing its costs. Coal plant pollution kills 7,500 Americans a year and causes many more serious illnesses,” said Michael R. Bloomberg, founder of Bloomberg Philanthropies and co-author of the new book “Climate of Hope.” “From the Ashes shows the risks we face as a nation if we continue to rely on coal and examines how Americans in local communities, including in coal country, are helping to lead the transition toward cleaner air and stronger economies.”
From the Ashes builds on Bloomberg’s environmental philanthropic work. Bloomberg Philanthropies has committed over $100 million to move the U.S. away from coal and toward clean energy through its Clean Energy Initiative and Beyond Coal efforts. As a UN Secretary-General’s Special Envoy on Cities and Climate Change, and in partnership with Paris Mayor Anne Hidalgo, Bloomberg convened more than 500 global cities at the first-ever Climate Summit for Local Leaders at Paris City Hall during COP21. Beyond Coal, which aims to secure the retirement of half the nation’s coal fleet, has already led to the closure or phasing out of 250 coal-fired power plants and helped to prevent more than 5,550 premature deaths per year. Additionally, Bloomberg Philanthropies supports sustainability in cities around the globe through C40, a network of more than 90 global megacities, and other grants.
“Using media and technology to inform, connect and prompt action is in the DNA of Bloomberg and we’re excited to harness the power of storytelling to reach new audiences and inspire change at such a critical time in our history,” shared Bloomberg Philanthropies’ Katherine Oliver, who also serves as executive producer.
The world premiere of From the Ashes will take place at the Festival Hub at the Tribeca Film Festival on April 26, 2017, at 6 p.m. ET. Before the film festival screening there will be a special introduction by Bloomberg, a former three-term mayor of New York City. Immediately following the premiere, there will be a conversation with the director of the film, Bonfiglio, and other special guests to discuss the state of the American coal industry.
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THE DEATH AND LIFE OF MARSHA P. JOHNSON[/caption]
Marsha P Johnson, the beloved, self-described “street queen” of NY’s gay ghetto was found floating in the Hudson River in 1992, the NYPD chalked it up as a suicide and refused to investigate.
Who killed Marsha P. Johnson? When the beloved, self-described “street queen” of NY’s Christopher Street was found floating in the Hudson River in 1992, the NYPD called her death a suicide. Protests erupted but the police remained impassive and refused to investigate. Now, twenty-five years on, Academy Award® nominated director and journalist David France (HOW TO SURVIVE A PLAGUE) examines Marsha’s death—and her extraordinary life—in his new film. Marsha arrived in the Village in the 1960s where she teamed up with Sylvia Rivera when both claimed their identities as “drag queens,” to use the vernacular of the times. Together, the radical duo fought arrests, condemned police brutality, organized street kids, battled the intolerant majority within the gay community, and helped spearhead the Stonewall Riots. In 1970 they formed the world’s first trans-rights organization, STAR (Street Transvestites Action Revolutionaries). Despite their many challenges over the years—bias, homelessness, illness —Marsha and Sylvia ignited a powerful and lasting civil rights movement for gender nonconforming people. Now, a quarter century later, at a time of unprecedented visibility and escalating violence in the transgender community, a dynamic activist named Victoria Cruz has taken it upon herself to reexamine what happened at the end of Marsha’s life. As the film dips in and out of jawdropping archival footage from the 1970s, ’80s and ’90s, THE DEATH AND LIFE OF MARSHA P. JOHNSON follows as this champion pursues leads, mobilizes officials, and works to get to the bottom of Marsha’s death.
In an interview with director David France, he described what inspired to make the film now,”Marsha died twenty-five years ago this July and her fame—and mythology—has only increased over that quarter century. She’s become a very well-known touchstone within the LGBT movement but very little is really known about her. I wanted to fill in the historical record. In addition, I knew that her death was never thoroughly investigated by the police. In fact, as a print journalist I had begun to investigate her case back in 1992, but never did follow through on that work, so I felt a personal obligation to go back to it, and I felt that that offered an opportunity to reallyput flesh on this mythical character of Marsha P. Johnson.”
THE DEATH AND LIFE OF MARSHA P. JOHNSON had its world premiere at the 2017 Tribeca Film Festival, with additional screenings through Friday, Apr. 28th.
Richard Hambleton in SHADOWMAN. Photographer: Hank OíNeal.[/caption]
Richard Hambleton is not here for your consumption, you consumer. Richard is here to paint, and get your money so that he can be happy with his best friend “his drugs.” Yes you the consumer thought you were playing Richard by commissioning and controlling him with your promises of fame, apartments, and money, but in the end it’s Richard the addict that’s pulling the strings, he is the puppet master.
Richard Hambleton is the subject of the documentary 
As an artist, I connected with Richard; he ran within the circles of Keith Haring, Jean Michel Basquiat and now he’s the only living legend that comes to my mind from that era. Everybody wanted and wants a piece of that art era, which tormented the soul of Basquiat and Harring, and they both verbally expressed their distaste at being commissioned and controlled by the money. But, unlike Haring and Basquiat, at the height of his career Richard QUIT, yes he quit and traveled the world. Richard is a non conformist, he knows his talent, he knows his value, and just like he knows his drugs, he also knows that to the art dealer his art is their drug. He dangles his best work in front of their greedy faces, but refuses to sell that painting – once again showing he is in control. In the film, an art dealer offers Richard an apartment in the Trump Hotel, and in return Richard had to give him only one painting a month. The gallery that brokered that deal called Richard to check the status of the painting and explained to him that the dealer was being generous by letting him stay at the Trump Hotel for free because the rooms go for $40,000 a month, Richard’s response was yes but I’m giving him one painting a month and my paintings sell for over a million dollars each – leaving the gallery rep speechless. As I stated before Richard knows his drug, but he also knows theirs.
https://www.youtube.com/watch?v=eUPXecA3Isg
I give Shadowman 5 stars and would highly recommend this documentary I felt a range of emotions as I watched it from sadness, empathy to victory because as an artist I definitely related. Great job to the entire team.
Director: Oren Jacoby
Cinematographer: Oren Jacoby, Tom Hurwitz, Bob Richman
Editor: Abhay Sofsky
Composer: Joel Goodman
Executive Producer: Andy Valmorbida, Julie Goldman, Christopher Clements, Carolyn Hepburn,
Producer: Oren Jacoby
Co-Producer: Hank O’Neal, Eric Forman, Clayton Patterson
Field Producer: Maria Gabriella Pezzo
Coordinating Producer: Sam Jinishian
Cast: Richard Hambleton
The Amazon River. Film still from A RIVER BELOW. Photo credit: Helkin RenÈ Diaz.[/caption]
John Lydon in THE PUBLIC IMAGE IS ROTTEN. Photographer: Yamit Shimonovitz.[/caption]
The documentary 
CLIVE DAVIS: THE SOUNDTRACK OF OUR LIVES[/caption]
The 2017 
Last Men in Aleppo[/caption]
The official trailer is released for the Syrian documentary 
Risk, Laura Poitras[/caption]
Laura Poitras’s 
For Ahkeem[/caption]
Julian Assange in a scene from Laura Poitras’ Risk,[/caption]
Watch four new clips from the environmental documentary 
Dolores Huerta appears in Dolores by Peter Bratt[/caption]
The documentary