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  • Powerful Doc THEY WILL HAVE TO KILL US FIRST: MALIAN MUSIC IN EXILE Gets U.S. Release Date | TRAILER

    [caption id="attachment_11886" align="aligncenter" width="1200"]They Will Have To Kill Us First: Malian Music in Exile They Will Have To Kill Us First: Malian Music in Exile[/caption] Timed to Music Freedom Day 2016, BBC Worldwide North America will release Johanna Schwartz’s “timely and powerful” feature documentary They Will Have To Kill Us First: Malian Music in Exile. They Will Have To Kill Us First: Malian Music in Exile will open theatrically on March 4 in New York (Village East Cinema) and April 1 in Los Angeles (Laemmle Santa Monica Theater) with additional markets to follow. Music is the beating heart of Malian culture, but when Islamic jihadists took control of northern Mali in 2012, they enforced one of the harshest interpretations of sharia law by banning all forms of music. Radio stations were destroyed, instruments burned, and Mali’s musicians faced torture, even death. Overnight, the country’s revered musicians were forced into hiding or exile, where most remain — even now. But rather than laying down their instruments, these courageous artists fought back, standing up for their freedoms and using music as a weapon against the ongoing violence that has ravaged their homeland. They Will Have To Kill Us First is director Schwartz’s debut feature, and follows Songhoy Blues andmusicians Kharia Arby, Fadimata “Disco” Walet Oumar,and Moussa Sidi as they each deal with the unfathomable situation in different ways. Telling the story of the uprising of Touareg separatists, revealing footage of the jihadists, and capturing life at refugee camps where both money and hope are scarce, Schwartz and her indefatigable, mainly female, crew chart the perilous journeys to war-ravaged cities, as some of Mali’s most talented musicians set up and perform at the first public concert in Timbuktu since the music ban. Co-written by Schwartz and Andy Morgan, renowned journalist and former manager of Grammy® Award winning band Tinariwen, They Will Have To Kill Us First is produced by Sarah Mosses of Together Films and executive produced by Andre Singer (The Act of Killing) alongside Stephen Hendel, Victoria Steventon, OKAY Africa and Knitting Factory Entertainment. They Will Have To Kill Us First: Malian Music in Exile, features an original score by Nick Zinner (Yeah Yeah Yeahs), and a commissioned soundtrack featuring Songhoy Blues, Kharia Arby, Fadimata “Disco” Walet Oumar, Moussa Sidi and many more to be released on March 4 timed to the film’s release and Music Freedom Day 2016. https://www.youtube.com/watch?v=3TX7ybW6nAQ

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  • “LOOK AT US NOW, MOTHER!” A Film About Mother/Daughter Relationship & Forgiveness Opens April 8 | TRAILER

    [caption id="attachment_11882" align="aligncenter" width="1200"]LOOK AT US NOW, MOTHER!, a film by Gayle Kirschenbaum LOOK AT US NOW, MOTHER!, a film by Gayle Kirschenbaum[/caption] LOOK AT US NOW, MOTHER!, by Gayle Kirschenbaum, and a hit at film festivals around the world and winner of numerous awards, will be released in the U.S. by Kirschenbaum Productions. LOOK AT US NOW, MOTHER! will open in New York at the Village East and in Los Angeles at the Laemmle Monica Film Center in Santa Monica and Town Center 5 in Encino on April 8. Other cities will follow. What trauma could make a child certain that she was born into the wrong family? What wounds are inflicted when the home that’s supposed to be a haven isolates her as an outsider; when her mother’s words are rarely nurturing but instead, ruthlessly shaming, demeaning and critical? What will it take for the adult that child becomes to forgive such a past? Is forgiveness even possible? This is the dilemma that Emmy® award-winning filmmaker Gayle Kirschenbaum faces in her relentlessly honest and bitingly funny documentary, LOOK AT US NOW, MOTHER! Her film is about the transformation of a highly charged mother/daughter relationship from Mommie Dearest to Dear Mom, from hatred to love. The documentary is the expanded version of the funny, award-winning festival favorite film, MY NOSE, in which we follow her mother’s relentless campaign to get Gayle to have a nose job. LOOK AT US NOW, MOTHER! is comprised primarily of decades-worth of intimate family home movies and videos—from 8 mm film coverage of Gayle’s outwardly “Leave it to Beaver-esque” childhood in an upwardly-mobile Long Island suburb, to personal family celebrations, fights, and even tragedies right up to the present—it’s the story of one determined woman’s quest to reconcile with and understand her past, which means forgiving her proud, narcissistic and formidable elderly mother, Mildred. With raw courage and equal parts humor and pathos, Gayle invites the audience to take this epic journey along with her. Gayle is determined to unlock the key to her family’s pain and crack open her mother’s brittle shell. When Mildred grudgingly agrees to participate in the process, the two of them (with the help of a therapist) uncover shocking family secrets and long-buried suffering that throw their family history into sharp relief, and begin to shift the dynamics of their complex relationship. The specter of loss haunts the film almost as strongly as the pain of criticism: Mildred’s still a powerhouse well into her ninth decade, but Gayle knows her mother won’t be around forever. Can she learn to understand, love and forgive her mother—before it’s too late? LOOK AT US NOW, MOTHER! may be about one mother-daughter relationship, but its insights and lessons are universal. In order to move forward into the future, we all have to forgive what happened in our pasts. Gayle Kirschenbaum brings her unique brand of fearless honesty and laugh-aloud humor to a film that took decades to shoot, about a relationship that took a lifetime to mend. https://vimeo.com/119594942

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  • Award-Winning Film RABIN IN HIS OWN WORDS, to Open in U.S. on May 6th

    [caption id="attachment_11865" align="aligncenter" width="1200"]Yitzhak Rabin, Bill Clinton, and Yasser Arafat during the Oslo Accords on 13 September 1993 Yitzhak Rabin, Bill Clinton, and Yasser Arafat during the Oslo Accords on 13 September 1993[/caption] 20 years after his assassination, Yitzhak Rabin himself tells his dramatic life story in RABIN IN HIS OWN WORDS, a film by Erez Laufer, that is set for release in the U.S. by Menemsha Films. Winner – Best Documentary at the Haifa International Film Festival 2015, RABIN IN HIS OWN WORDS will open at the Lincoln Plaza Cinema in New York and Laemmle Royal and Town Center 5 in Los Angeles, as well as in South Florida, on May 6th. A national release will follow. RABIN IN HIS OWN WORDS is an “autobiography” of sorts, the story is told entirely in Rabin’s own voice. Through a combination of rare archival footage, home movies and private letters, his personal and professional dramas unfold before the viewer’s eyes – from his childhood as the son of a labor leader before the founding of the State of Israel, through a change of viewpoint that turned him from a farmer into an army man who stood at some of the most critical junctures in Israeli history. Through a brilliant diplomatic career as Israeli Ambassador to the United States and his entry into the Israeli political arena, and through his later years during which he served as Prime Minister, opposition leader, Minister of Defense and Prime Minister once more, in which he made moves that enraged a large portion of the public, until the horrific moment when his political career and life were suddenly brought to an end. RABIN IN HIS OWN WORDS brings the man – flesh and blood – back to life, if only momentarily. The film relays the personal and political life of the man and the myth – as he lived it. Like any good protagonist, his narrative is well rounded: sacrifice, heroism, hubris, humor and heartache. Yitzhak Rabin was a complex, contradictory character: honest, innocent and timid while forceful, determined and resilient; a loyal friend who spent much of his time in solitude; blessed with a sense of resolve paralleled only by the doubt that shadowed it; calm and collected like a dormant volcano bound to erupt one day; courteous and contained, he was a gentleman with the fiery temperament of a red-head. The film combines rare archives that, since they were originally broadcasted 40 years ago, have not been seen or heard, a private 8 mm mostly shot by Rabin, a super 8 mm of Rabin in color in 1948 shot by American couple visiting Israel, and private letters to his sister his father and to his wife Leah. The director Erez Laufer is the co-Editor of two Oscar nominees for Best Documentary: Chris Hegedus and D. A. Pennebaker’s The War Room (1993) and Laura Poitras’ My Country My Country (2006) His own film Mike Brant, Laisse-moi t’aimer won the 2002 Israeli Academy Award for Best Documentary, and had its international premiere at the Directors Fortnight, Cannes Film Festival 2003.

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  • HOCKNEY, A Documentary about David Hockney’s Life & Art Sets U.S. Release Date | TRAILER

    HOCKNEY documentary HOCKNEY, a documentary film by Randall Wright (Lucian Freud: A Painted Life), will be released in the U.S. by Film Movement. After screening at Outfest, London, Vancouver, Palm Springs film festivals among others, the film will open at the Film Society of Lincoln Center and at Metrograph in New York, and at Laemmle Royal, Playhouse 7 and Noho 7 in Los Angeles on April 22, 2016. A national release will follow. HOCKNEY is the definitive exploration of one of the most significant artists of his generation. For the first time, David Hockney has given access to his personal archive of photographs and film, resulting in an unparalleled visual diary of his life. The film chronicles Hockney’s vast career, from his early life in working-class Bradford, where his love for pictures was developed through his admiration for cinema, to his relocation to Hollywood where his life long struggle to escape labels (‘queer’, ‘working class’, ‘figurative artist’) was fully realized. David Hockney offers theories about art, the universe, and everything: “I’m interested in ways of looking and trying to think of it in simple ways. If you can communicate that, of course people will respond; after all, everybody does look.“ But as HOCKNEY reveals, it’s the hidden self-interrogation that gives his famously optimistic pictures their unexpected edge and attack. The documentary traces the artist’s journey to live the American or Californian dream, yet paradoxically reveals that he never broke ties with the childhood that formed him. Did Yorkshire awkwardness in his blood give him the willpower to survive relationship problems, and later the AIDS plague that killed the majority of his friends? Acclaimed filmmaker Randall Wright offers a unique view of this unconventional artist who is now reaching new peaks of popularity worldwide, and, at 78, is as charismatic as ever, working in the studio seven days a week. https://www.youtube.com/watch?v=TUsjBK3q58k

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  • Dance Documentary MR. GAGA to Premiere at 2016 SXSW Film Festival | TRAILER

    [caption id="attachment_11828" align="aligncenter" width="1000"]MR. GAGA, Tomer Heymann MR. GAGA, Tomer Heymann[/caption] MR. GAGA, the latest feature documentary from acclaimed director Tomer Heymann, will have its North American Premiere at the SXSW Film Festival on Friday, March 11, 2016. Heymann’s prior film Who’s Gonna Love Me Now? was recently honored with the Panorama Audience Award for Best Documentary at the 2016 Berlin International Film Festival, the same award he won in 2006 for Paper Dolls. MR. GAGA is an intimate exploration of the life and work of famed choreographer Ohad Naharin, the elusive artistic genius who created the popular Gaga dance movement. Eight years in the making, the film utilizes intimate rehearsal footage, extensive unseen archive material and stunning, large-scale dance sequences to reveal the fascinating life story of one of modern dance’s iconic pioneers. https://www.youtube.com/watch?v=F6gd8xpFMsM

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  • Israeli Film VITA ACTIVA: THE SPIRIT OF HANNAH ARENDT to be Released in the U.S. | TRAILER

    [caption id="attachment_11824" align="aligncenter" width="1200"]VITA ACTIVA: THE SPIRIT OF HANNAH ARENDT VITA ACTIVA: THE SPIRIT OF HANNAH ARENDT[/caption] VITA ACTIVA: THE SPIRIT OF HANNAH ARENDT, directed by Ada Ushpiz will be released in the U.S. by Zeitgeist Films. Official selection at Jerusalem and Munich film festivals, as well as at IDFA, and winner – Best Documentary – at the Santa Barbara Film Festival, VITA ACTIVA will open at Film Forum in NYC on April 6 and at the Laemmle Monica Film Center in LA on April 29. A national release will follow. The German-Jewish philosopher Hannah Arendt caused an uproar in the 1960s by coining the subversive concept of the “Banality of Evil” when referring to the trial of Adolph Eichmann, which she covered for the New Yorker magazine. Her private life was no less controversial thanks to her early love affair with the renowned German philosopher and Nazi supporter Martin Heidegger. This thought provoking and spirited documentary, with its abundance of archival materials, offers an intimate portrait of the whole of Arendt’s life, traveling to places where she lived, worked, loved, and was betrayed, as she wrote about the open wounds of modern times. Through her books, which are still widely read and the recent release of Margarethe von Trotta’s biopic HANNAH ARENDT (also a Zeitgeist Films release) there is renewed interest in Arendt throughout the world, especially among young people who find her insights into the nature of evil, totalitarianism, ideologies, and the perils faced by refugees, more relevant than ever. https://www.youtube.com/watch?v=_J6YWRTrnf4 Filmmaker Ada Ushpiz is a renowned Israeli film producer and director. She has a B.A. in philosophy and M.A. in history from Tel Aviv University and a significant journalistic experience in political-social writing for the prestigious Ha’aretz newspaper. She directed a number of remarkable documentaries in recent years – Detained(2001), Bloody Engagement (2004), Desert Brides (2008) and Good Garbage (2012) – which have been awarded numerous awards in Israel and around the world.

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  • Political Documentary THE BRAINWASHING OF MY DAD Sets March 18 Release Date | TRAILER

    [caption id="attachment_11820" align="aligncenter" width="1200"]THE BRAINWASHING OF MY DAD, by JEN SENKO THE BRAINWASHING OF MY DAD, by JEN SENKO[/caption] THE BRAINWASHING OF MY DAD, directed by JEN SENKO (The Vanishing City), and an Official Selection of the Traverse City Film Festival 2015, and Cinequest Film Festival 2016, will opening theatrically in New York (Cinema Village) and Los Angeles (Laemmle Music Hall) on Friday, March 18. As filmmaker, Jen Senko, tries to understand the transformation of her father from a non political, life-long Democrat to an angry, Right-Wing fanatic, she uncovers the forces behind the media that changed him completely: a plan by Roger Ailes under Nixon for a media takeover by the GOP, The Powell Memo urging business leaders to influence institutions of public opinion, especially the universities, the media and the courts, and under Reagan, the dismantling of the Fairness Doctrine. As her journey continues, we discover that her father is part of a much broader demographic, and that the story is one that affects us all. Through interviews with media luminaries, cognitive linguists, grassroots activist groups such as: Noam Chomsky, Steve Rendall, Jeff Cohen, Eric Boehlert, George Lakoff, STOP RUSH, HearYourselfThink, Claire Conner and others, “Brainwashing” unravels the plan to shift the country to the Right over the last 30 years, largely through media manipulation. The result has lead to fewer voices, less diversity of opinion, massive intentional misinformation and greater division of our country. This documentary will shine a light on how it happened (and is still happening) and lead to questions about who owns the airwaves, what rights we have as listeners/watchers and what responsibility does our government have to keep the airwaves truly fair, accurate and accountable to the truth. https://www.youtube.com/watch?v=Qh3TeTxgNVo

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  • Sundance Film Fest Documentary HOLY HELL Sets May 20th Release Date

    [caption id="attachment_11817" align="aligncenter" width="1088"]Holy Hell Holy Hell[/caption] The documentary, Holy Hell, which premiered at the 2016 Sundance Film Festival will be released in the U.S. by FilmRise.  Holy Hell will be released theatrically on May 20, 2016. The film is an inside look at a secretive, spiritual cult formed in 1980s West Hollywood. Director Will Allen joined the group just after graduating from film school and as he became more deeply involved, he began filming his experiences as the group’s unofficial videographer. It wasn’t until after Allen left the cult that he understood the film he’d been making for over twenty years. Working with producers Alexandra Johnes and ex-cult member Tracey Harnish, Allen decided to use his footage to take others on his journey. Holy Hell is executive produced by Michael C. Donaldson, Cheryl Sanders, Julian Goldstein and Academy Award®-winner Jared Leto, who describes the film as “relentless, haunting and unforgettable.” “Following its headline-making run at Sundance, we are elated to be bringing this gripping film to audiences come spring,” said Danny Fisher, CEO of FilmRise. “Ultimately this is a remarkable film about the human condition, and I am confident that audiences will be engrossed by this captivating story, told by those who lived it.” “I am so happy that FilmRise will be releasing Holy Hell in theaters for communities to experience together,” said filmmaker Will Allen. “This story is very personal but also universal, because it could have happened to anyone. And seeing how broadly it resonated at Sundance makes me excited to share it with the rest of the world.”

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  • Spike Lee Documentary MICHAEL JACKSON’S JOURNEY FROM MOTOWN TO OFF THE WALL to Debut on Showtime

    MICHAEL JACKSON'S JOURNEY FROM MOTOWN TO OFF THE WALL The Spike Lee documentary, MICHAEL JACKSON’S JOURNEY FROM MOTOWN TO OFF THE WALL, will make it’s television premiere on SHOWTIME on Friday, February 5th at 9 p.m. ET/PT. The documentary film which will World Premiere at the upcoming 2016 Sundance Film Festival, focuses on a rarely examined chapter of Jackson’s career as he evolves from the lead singer of Jackson 5 to a solo artist recording what will become his breakthrough, seminal 1979 pop record, Off The Wall. Audiences will travel with the global superstar as he strikes a new path with CBS Records, first with his brothers as The Jacksons and then stepping out on his own to create his own music with his own team. This illuminating portrait traces how an earnest, passionate, hard-working young man becomes the “King of Pop.” MICHAEL JACKSON’S JOURNEY FROM MOTOWN TO OFF THE WALL contains a wealth of footage, including material from Michael’s personal archive, and in his own words. The documentary also includes interviews with prominent entertainment and sports stars including Lee Daniels, The Weeknd, Pharrell Williams, Kobe Bryant, Misty Copeland, Mark Ronson, John Legend, Questlove, L.A. Reid, and more, as well as his parents Katherine and Joe Jackson, and his brothers Jackie and Marlon Jackson. Off The Wall created a whole new category in pop music. Written by Michael Jackson, the first single from Off The Wall, “Don’t Stop ‘Til You Get Enough,” earned Jackson his first Grammy(R) and was his first single to hit No. 1 in the U.S. and internationally as a solo artist. The album was an enormous commercial success; as of 2014 it is certified eight times platinum in the United States and has sold more than 30 million copies worldwide, making it one of the best-selling albums of all time. Off The Wall not only “invented pop music as we know it,” wrote Rolling Stone, it transcended music and entertainment altogether, becoming an important moment in African-American history.

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  • JIM: THE JAMES FOLEY STORY Documentary to World Premiere at Sundance Film Fest and Debut on HBO

    JIM: THE JAMES FOLEY STORY Brian Oakes’ documentary JIM: THE JAMES FOLEY STORY, about the life, death and legacy of journalist James Foley, who was murdered by ISIS in 2014, will have its world premiere in the U.S. Documentary Competition of the upcoming Sundance Film Festival, and will debut Saturday, February 6 on HBO. On Thanksgiving Day 2012, American photojournalist James “Jim” Foley was kidnapped in Syria and went missing for two years before the infamous video of his public execution sent shockwaves and introduced much of the world to ISIS. JIM: THE JAMES FOLEY STORY, by close childhood friend Brian Oakes, tells the story of his life through intimate interviews with his family, friends and fellow journalists – while fellow hostages reveal never-before-heard details of his captivity with a chilling immediacy that builds suspense. Made with unparalleled access, JIM: THE JAMES FOLEY STORY is a harrowing chronicle of bravery, compassion and pain at the dawn of America’s war with ISIS. “I made this film to carry on the stories that Jim needed us to know,” says director Brian Oakes. “It’s important that we understand the significant role of today’s conflict journalists and why they risk their lives to tell the world how bad it can be.” The film will include the original song “The Empty Chair,” by Academy Award(R)-nominated artists J. Ralph and Sting.

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  • BASE Jumping Documentary ‘SUNSHINE SUPERMAN’ to Premiere on CNN | TRAILER

    SUNSHINE SUPERMAN SUNSHINE SUPERMAN, the immersive love story of Carl and Jean Boenish, the husband and wife team who invented BASE jumping – and their devotion to the freedom and beauty of foot-launched human flight – will make its global television premiere on CNN/U.S. Sunday, Jan. 17 at 9:00pm and 12:00am Eastern. The CNN Films broadcast will be presented with limited commercial interruption by Volkswagen. Carl Boenish, a trained electrical engineer and experienced skydiver, as well as an innovator of film techniques and film technology, zealously chronicled the pioneering days of BASE in the early 1980’s in exquisitely beautiful 16mm film. Boenish sometimes mounted cameras to his head and the heads of his small band of fellow fliers in order to document a bird’s-eye view of their jumps. Director, writer, and producer Marah Strauch interweaves this archival footage along with new photography and reenacted events (recreated from the Boenishes’ personal audio diary recordings), for a visually stunning feature film debut. Strauch and producer / editor Eric Bruggemann, develop an intimate portrait of the Boenishes as risk-takers who passionately loved both each other and BASE. BASE, which stands for “building,” “antenna,” “span,” and “earth” was, in its experimental early days, initially opposed by the U.S. Parachute Association. Those first jumps also brought inquisitive fame and attention to the novel sport – along with a risk of arrest. Phil Smith (BASE #1, the first person to ever successfully complete a series of jumps from all four types of objects – in Houston, TX), Phil Mayfield (BASE #2), and the Boenishes (BASE #3 and #4), describe first-person accounts in the film, adding insight into their preparation and collective genius. They also vividly recall their frustrations with the legal obstacles to their adventures, taking viewers on a thrilling emotional ride of beauty and suspense. Cameos of Phil Donahue, Pat Sajak, and Kathie Lee Johnson (later Gifford) yield a glimpse into the excitement of the followers and fans of BASE that some found difficult to understand. At the pinnacle of Carl’s and Jean’s extraordinary achievements, they together broke the BASE jumping Guinness World Record in 1984 by jumping from Trollveggen, ‘Troll Wall,’ along the western coast of Norway’s Trolltindene mountain range. Incredibly, within hours, that astonishing triumph was followed by heartbreaking disaster. “We want to feel like we’re astronauts walking on the Moon… .it just gives us a feeling of power, and of joy. And, we want to share it with the world… ,” says Carl Boenish in the film, describing the allure and exhilaration of BASE. https://www.youtube.com/watch?v=6TiG1swMbNM SUNSHINE SUPERMAN had its world premiere at the 2014 Toronto International Film Festival and was produced by Scissor Kick Films, Flimmer Films, and Submarine Entertainment. It was executive produced by Oscar-winning filmmaker Alex Gibney and was exhibited nationally by Magnolia Pictures and internationally by Universal Pictures.

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  • “Heroin: Cape Cod, USA,” An Unvarnished Look at the Heroin Epidemic Sweeping America, to Debut on HBO

    HEROIN: CAPE COD, USA HEROIN: CAPE COD, USA described as a cinema-verité look at the heroin epidemic currently sweeping America’s small towns and communities, focusing on eight young heroin addicts in idyllic Cape Cod, Mass. Directed by Academy Award(R) winner Steven Okazaki (HBO’s “White Light/Black Rain: The Destruction of Hiroshima and Nagasaki”), will debuts MONDAY, December 28 (9:00-10:15 p.m. ET/PT), exclusively on HBO. There has been an alarming rise in opiate addiction in the U.S. recently. A startling 80% of heroin users started with prescription painkillers following an accident or surgery, and as more states legalize marijuana, Mexican drug cartels are replacing lost profits by pushing cheap, potent heroin into new markets. Known for its quaint villages, lighthouses and beaches, the picturesque summer vacation destination of Cape Cod has been struck with an epidemic of young people hooked on affordable, easily acquired heroin. This harrowing film takes an unsparing look at the lives of eight heroin addicts in their early 20s, living a seemingly endless existence of getting high while cycling through stages of rehab, recovery and relapse. Falmouth, Mass. is a typical community in a state that has lately seen an average of nearly four heroin deaths per day. The individuals spotlighted in HEROIN: CAPE COD, USA, all of whom live in the area, talk candidly about their heroin habit and their community, where, according to one of them, “either you work or you do drugs.” https://www.youtube.com/watch?v=QxpGYyHOtvc Subjects featured in HEROIN: CAPE COD, USA: Jessica, 21 years old, was severely injured when she was hit by a drunk driver at age 18, requiring 250 stitches to her face. Prescribed opiate pain medications, she soon became addicted to heroin, saying that when she gets high, her suicidal and depressed feelings disappear. Ryan, 25, who prided himself on being anti-drug as an adolescent, was prescribed pain medication after a motorcycle accident. His mother says “everything changed” when he stopped receiving medication from the doctor and started obtaining pills illegally. Living with his parents, Ryan says that if they kicked him out of the house, he would “probably be doing a lot better than I am today,” although he feels they are scared he will die if they do. Marissa, 22, was 14 years old when she tried her friend’s pain medication, which led to heroin addiction. While many addicts steal valuables to support their habit, Marissa said she was never the type to steal, but made money from prostitution and stripping, because she’d rather hurt herself than others. For years Marissa cheated death, thanks to Narcan, an opiate antidote that paramedics and other emergency workers can use to reverse the life-threatening effects of a heroin overdose, to which she ultimately succumbed. Nicole (“Colie”), 25, admits herself to a detox center, deciding to get high first, noting, “Everyone gets high before they go to detox. It’s like a freebie.” Director Okazaki catches up with Colie after she has emerged from rehab and finds glimmers of hope in this story of devastation. Daniel, 28, always had addictive tendencies, and started doing opiates for fun. Depressed about his life, which he finds repetitive, Daniel deals drugs to support his heroin habit, driving 160 miles to Boston every night to see his supplier. Arianna, 23, was 12 or 13 when she first tried marijuana and alcohol. She lived in a sober house with her two young children, and said she went to many treatment centers. Arianna stopped using heroin when she found out she was pregnant and was clean for three years, but then suffered a fatal overdose. Benjamin, 21, started doing heroin in high school. His family knew nothing until his brother discovered tracks on his arms after asking why he was wearing a long-sleeved shirt in the summer heat. Now living in a sober house, Benjamin has been clean for 33 days, but has “drug dreams” and thinks about getting high every day. Cassie, 24, was prescribed opiates after a soccer injury, which led to her heroin addiction. Her boyfriend Daniel, whom she describes as her “running partner,” is also an addict. HEROIN: CAPE COD, USA visits the Parents Supporting Parents Group of Cape Cod, where parents describe raising their kids in happy homes, only to see everything change when their sons and daughters started abusing pain medication. Receiving invaluable support from other parents in the same situation, they share feelings of co-dependency and discuss the financial burden of having a child cycling in and out of detox. “There are very few people I met in Massachusetts who didn’t have a connection to this crisis,” says director Steven Okazaki. “It has taken a very real, and wide toll in a way that I did not see 20 years ago. I think this documentary could have been made in many communities around New England and across the country.” Steven Okazaki is the recipient of numerous honors, including an Academy Award(R) (Best Documentary Short Subject for “Days of Waiting,” 1991); three other Academy Award(R) nominations, for “Unfinished Business,” CINEMAX’s “The Mushroom Club” and HBO’s “The Conscience of Nhem En”; an Emmy(R) (Exceptional Merit in Nonfiction Filmmaking for HBO’s “White Light/Black Rain: The Destruction of Hiroshima and Nagasaki,” 2008); and a Peabody Award for “Days of Waiting.” Okazaki has produced and/or directed numerous other projects for HBO, including “Black Tar Heroin” and “Rehab.” HEROIN: CAPE COD, USA is produced, directed and edited by Steven Okazaki; co-producers, Lise Balk King, Vanessa Carr; camera, Steven Okazaki, Vanessa Carr; additional camera, Greg Knowles, Lise Balk King; music by Thomas Carnacki. For HBO: senior producer, Sara Bernstein; executive producer, Sheila Nevins.

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