Cartel Land, Matthew Heineman’s gripping account of violence and vigilantes on both sides of the US-Mexico border, led the nominations for 9th Cinema Eye Honors awards for Nonfiction Filmmaking, with five nominations, including Outstanding Nonfiction Feature. It is joined in the top category by Asif Kapadia’s Amy, Camilla Neilsson’s Democrats, Stevan Riley’s Listen to Me Marlon, Crystal Moselle’s The Wolfpack and Joshua Oppenheimer’s The Look of Silence. The latter, which received four nominations, and Cartel Land were the only films nominated for Outstanding Feature, Direction, Production and Cinematography.
Other films that received multiple nominations include the mountain climbing thriller Meru (4 nominations); Amy, Heart of a Dog, Going Clear: Scientology and the Prison of Belief, Kurt Cobain: Montage of Heck and The Wolfpack (3 nominations); Best of Enemies, Democrats, Listen to Me Marlon, The Nightmare, Uncertain and Western (2 nominations).
Winners of the 9th Annual Cinema Eye Honors will be announced Wednesday, January 13, 2016 in New York at the Museum of the Moving Image.
The complete list of nominations for 9th Cinema Eye Honors
Outstanding Achievement in Nonfiction Feature Filmmaking
“Amy”
Directed by Asif Kapadia
Produced by James Gay-Rees
“Cartel Land”
Directed by Matthew Heineman
Produced by Tom Yellin
“Democrats”
Directed by Camilla Nielsson
Produced by Henrik Veileborg
“Listen to Me Marlon”
Directed by Stevan Riley
Produced by John Battsek, George Chignell and R.J. Cutler
“The Look of Silence”
Directed by Joshua Oppenheimer
Produced by Signe Byrge Sørensen
“The Wolfpack”
Directed by Crystal Moselle
Produced by Crystal Moselle and Izabella Tzenkova
Outstanding Achievement in Direction
Matthew Heineman, “Cartel Land”
Kim Longinotto, “Dreamcatcher”
Laurie Anderson, “Heart of a Dog”
Frederick Wiseman, “In Jackson Heights”
Albert Maysles, Lynn True, Nelson Walker, David Usui & Ben Wu, “In Transit”
Joshua Oppenheimer, “The Look of Silence”
Outstanding Achievement in Editing
Chris King, “Amy”
Aaron Wickenden and Eileen Meyer, “Best of Enemies”
James Scott, “How to Change the World”Brett Morgen and Joe Neshenkovsky, “Kurt Cobain: Montage of Heck”
Stevan Riley, “Listen to Me Marlon”
Outstanding Achievement in Production
Tom Yellin, “Cartel Land”
Henrik Veileborg, “Democrats”
Alex Gibney, Lawrence Wright and Kristen Vaurio, “Going Clear: Scientology and the Prison of Belief”Signe Byrge Sørensen, “The Look of Silence”
Jimmy Chin, Chai Vasarhelyi and Shannon Etheridge, “Meru”
Outstanding Achievement in Cinematography
Matthew Heineman and Matt Porwoll, “Cartel Land”
Lars Skree, “The Look of Silence”
Renan Ozturk, “Meru”
Ewan McNicol, “Uncertain”
Bill Ross and Turner Ross, “Western”
Outstanding Achievement in Nonfiction Films Made for Television
“Deep Web”
Directed by Alex Winter
Produced by Marc Schiller, Alex Winter and Glen Zipper
For EPIX: Executive Producers Jill Burkhart and Ross Bernard
“Going Clear: Scientology and the Prison of Belief”
Directed by Alex Gibney
Produced by Alex Gibney, Kristen Vaurio and Lawrence Wright
For HBO Documentary Films: Supervising Producer Sara Bernstein and Executive Producer Sheila Nevins
“Outbreak”
Directed by Dan Edge
Produced by Dan Edge and Sasha Joelle Achilli
For Frontline/PBS: Coordinating Producer Carla Borras and Executive Producers Raney Aronson-Rath and David Fanning
“Private Violence”
Directed and Produced by Cynthia Hill
For HBO Documentary Films: Senior Producer Nancy Abraham and Executive Producer Sheila Nevins
“Whitey: The United States of America vs. James J. Bulger”
Directed by Joe Berlinger
Produced by Joe Berlinger and Caroline Suh
For CNN Films: Supervising Producer Courtney Sexton and Executive Producers Vinnie Malhotra and Amy Entelis
Audience Choice Prize
“Amy”
Directed by Asif Kapadia
“Best of Enemies”
Directed by Morgan Neville and Robert Gordon
“Going Clear: Scientology and the Prison of Belief”
Directed by Alex Gibney
“The Hunting Ground”
Directed by Kirby Dick
“Iris”
Directed by Albert Maysles
“Kurt Cobain: Montage of Heck”
Directed by Brett Morgen
“Meru”
Directed by Jimmy Chin and Chai Vasarhelyi
“What Happened, Miss Simone?”
Directed by Liz Garbus
“Where to Invade Next”
Directed by Michael Moore
“The Wolfpack”
Directed by Crystal Moselle
Outstanding Achievement in a Debut Feature Film
“Kings of Nowhere”
Directed by Betzabé Garcia
“Peace Officer”
Directed by Brad Barber and Scott Christopherson
“Pervert Park”
Directed by Frida Barkfors and Lasse Barkfors
“The Russian Woodpecker”
Directed by Chad Gracia
“Uncertain”
Directed by Ewan McNicol and Anna Sandilands
“The Wolfpack”
Directed by Crystal Moselle
Outstanding Achievement in Original Music Score
Jackson Greenberg and Scott Salinas, “Cartel Land”
Laurie Anderson, “Heart of a Dog”
J. Ralph, “Meru”
Jonathan Snipes, “The Nightmare”
Casey McAllister, “Western”
Outstanding Achievement in Graphic Design or Animation
Nominees TBD, “Drunk Stoned Brilliant Dead: The Story of the National Lampoon”
Laurie Anderson, “Heart of a Dog”
Stefan Nadelman and Hisko Hulsin, “Kurt Cobain: Montage of Heck”
Syd Garon, “The Nightmare”
Ryan Green and Josh Larson, “Thank You for Playing”
Spotlight Award
“Almost There”
Directed by Dan Rybicky and Aaron Wickenden
“Barge”
Directed by Ben Powell
“Field Niggas”
Directed by Khalik Allah
“Frame by Frame”
Directed by Alexandria Bombach and Mo Scarpelli
“(T)error”
Directed by Lyric R. Cabral and David Felix Sutcliffe
“Toto and His Sisters”
Directed by Alexandre Nanău
Outstanding Achievement in Nonfiction Short Filmmaking
“The Breath”
Directed by Fabian Kaiser
“Buffalo Juggalos”
Directed by Scott Cummings
“Claude Lanzmann: Spectres of the Shoah”
Directed by Adam Benzine
“The Face of Ukraine: Casting Oksana Baiul”
Directed by Kitty Green
“Hotel 22”
Directed by Elizabeth LoDocumentary
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CARTEL LAND, MERU Leads Nominations for 9th Cinema Eye Honors awards for Nonfiction Filmmaking
Cartel Land, Matthew Heineman’s gripping account of violence and vigilantes on both sides of the US-Mexico border, led the nominations for 9th Cinema Eye Honors awards for Nonfiction Filmmaking, with five nominations, including Outstanding Nonfiction Feature. It is joined in the top category by Asif Kapadia’s Amy, Camilla Neilsson’s Democrats, Stevan Riley’s Listen to Me Marlon, Crystal Moselle’s The Wolfpack and Joshua Oppenheimer’s The Look of Silence. The latter, which received four nominations, and Cartel Land were the only films nominated for Outstanding Feature, Direction, Production and Cinematography.
Other films that received multiple nominations include the mountain climbing thriller Meru (4 nominations); Amy, Heart of a Dog, Going Clear: Scientology and the Prison of Belief, Kurt Cobain: Montage of Heck and The Wolfpack (3 nominations); Best of Enemies, Democrats, Listen to Me Marlon, The Nightmare, Uncertain and Western (2 nominations).
Winners of the 9th Annual Cinema Eye Honors will be announced Wednesday, January 13, 2016 in New York at the Museum of the Moving Image.
The complete list of nominations for 9th Cinema Eye Honors
Outstanding Achievement in Nonfiction Feature Filmmaking
“Amy”
Directed by Asif Kapadia
Produced by James Gay-Rees
“Cartel Land”
Directed by Matthew Heineman
Produced by Tom Yellin
“Democrats”
Directed by Camilla Nielsson
Produced by Henrik Veileborg
“Listen to Me Marlon”
Directed by Stevan Riley
Produced by John Battsek, George Chignell and R.J. Cutler
“The Look of Silence”
Directed by Joshua Oppenheimer
Produced by Signe Byrge Sørensen
“The Wolfpack”
Directed by Crystal Moselle
Produced by Crystal Moselle and Izabella Tzenkova
Outstanding Achievement in Direction
Matthew Heineman, “Cartel Land”
Kim Longinotto, “Dreamcatcher”
Laurie Anderson, “Heart of a Dog”
Frederick Wiseman, “In Jackson Heights”
Albert Maysles, Lynn True, Nelson Walker, David Usui & Ben Wu, “In Transit”
Joshua Oppenheimer, “The Look of Silence”
Outstanding Achievement in Editing
Chris King, “Amy”
Aaron Wickenden and Eileen Meyer, “Best of Enemies”
James Scott, “How to Change the World”Brett Morgen and Joe Neshenkovsky, “Kurt Cobain: Montage of Heck”
Stevan Riley, “Listen to Me Marlon”
Outstanding Achievement in Production
Tom Yellin, “Cartel Land”
Henrik Veileborg, “Democrats”
Alex Gibney, Lawrence Wright and Kristen Vaurio, “Going Clear: Scientology and the Prison of Belief”Signe Byrge Sørensen, “The Look of Silence”
Jimmy Chin, Chai Vasarhelyi and Shannon Etheridge, “Meru”
Outstanding Achievement in Cinematography
Matthew Heineman and Matt Porwoll, “Cartel Land”
Lars Skree, “The Look of Silence”
Renan Ozturk, “Meru”
Ewan McNicol, “Uncertain”
Bill Ross and Turner Ross, “Western”
Outstanding Achievement in Nonfiction Films Made for Television
“Deep Web”
Directed by Alex Winter
Produced by Marc Schiller, Alex Winter and Glen Zipper
For EPIX: Executive Producers Jill Burkhart and Ross Bernard
“Going Clear: Scientology and the Prison of Belief”
Directed by Alex Gibney
Produced by Alex Gibney, Kristen Vaurio and Lawrence Wright
For HBO Documentary Films: Supervising Producer Sara Bernstein and Executive Producer Sheila Nevins
“Outbreak”
Directed by Dan Edge
Produced by Dan Edge and Sasha Joelle Achilli
For Frontline/PBS: Coordinating Producer Carla Borras and Executive Producers Raney Aronson-Rath and David Fanning
“Private Violence”
Directed and Produced by Cynthia Hill
For HBO Documentary Films: Senior Producer Nancy Abraham and Executive Producer Sheila Nevins
“Whitey: The United States of America vs. James J. Bulger”
Directed by Joe Berlinger
Produced by Joe Berlinger and Caroline Suh
For CNN Films: Supervising Producer Courtney Sexton and Executive Producers Vinnie Malhotra and Amy Entelis
Audience Choice Prize
“Amy”
Directed by Asif Kapadia
“Best of Enemies”
Directed by Morgan Neville and Robert Gordon
“Going Clear: Scientology and the Prison of Belief”
Directed by Alex Gibney
“The Hunting Ground”
Directed by Kirby Dick
“Iris”
Directed by Albert Maysles
“Kurt Cobain: Montage of Heck”
Directed by Brett Morgen
“Meru”
Directed by Jimmy Chin and Chai Vasarhelyi
“What Happened, Miss Simone?”
Directed by Liz Garbus
“Where to Invade Next”
Directed by Michael Moore
“The Wolfpack”
Directed by Crystal Moselle
Outstanding Achievement in a Debut Feature Film
“Kings of Nowhere”
Directed by Betzabé Garcia
“Peace Officer”
Directed by Brad Barber and Scott Christopherson
“Pervert Park”
Directed by Frida Barkfors and Lasse Barkfors
“The Russian Woodpecker”
Directed by Chad Gracia
“Uncertain”
Directed by Ewan McNicol and Anna Sandilands
“The Wolfpack”
Directed by Crystal Moselle
Outstanding Achievement in Original Music Score
Jackson Greenberg and Scott Salinas, “Cartel Land”
Laurie Anderson, “Heart of a Dog”
J. Ralph, “Meru”
Jonathan Snipes, “The Nightmare”
Casey McAllister, “Western”
Outstanding Achievement in Graphic Design or Animation
Nominees TBD, “Drunk Stoned Brilliant Dead: The Story of the National Lampoon”
Laurie Anderson, “Heart of a Dog”
Stefan Nadelman and Hisko Hulsin, “Kurt Cobain: Montage of Heck”
Syd Garon, “The Nightmare”
Ryan Green and Josh Larson, “Thank You for Playing”
Spotlight Award
“Almost There”
Directed by Dan Rybicky and Aaron Wickenden
“Barge”
Directed by Ben Powell
“Field Niggas”
Directed by Khalik Allah
“Frame by Frame”
Directed by Alexandria Bombach and Mo Scarpelli
“(T)error”
Directed by Lyric R. Cabral and David Felix Sutcliffe
“Toto and His Sisters”
Directed by Alexandre Nanău
Outstanding Achievement in Nonfiction Short Filmmaking
“The Breath”
Directed by Fabian Kaiser
“Buffalo Juggalos”
Directed by Scott Cummings
“Claude Lanzmann: Spectres of the Shoah”
Directed by Adam Benzine
“The Face of Ukraine: Casting Oksana Baiul”
Directed by Kitty Green
“Hotel 22”
Directed by Elizabeth Lo
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Award Winning Ebola Documentary BODY TEAM 12 to Debut on HBO in February 2016
BODY TEAM 12, winner of the Tribeca Film Festival award for best documentary short has been acquired by HBO Documentary Films and will debut on HBO in February 2016. BODY TEAM 12, recently nominated for an International Documentary Association award for best short, is directed by journalist-filmmaker and RYOT Co-Founder David Darg, who put his life at risk by embedding with a team of heroic Liberian Red Cross workers tasked with collecting the dead during the height of the Ebola outbreak.
Executive produced by Paul G. Allen and actress Olivia Wilde, and produced by RYOT Co-Founder Bryn Mooser, BODY TEAM 12 lays bare the heartbreaking but lifesaving work of removing bodies from loved ones in order to halt the transmission of the disease. The filmmakers capture devasting and poignant images, shot on the ground in Monrovia, Liberia, that reveal the Ebola crisis through the story of Garmai Sumo, the sole female member of the body collection team.
https://www.youtube.com/watch?v=L2eT2P1TfB8
Director David Darg states, “The bravery of these young Liberians was an astounding phenomenon to witness, as they risked their lives every day to save the lives of others, and to save their country from Ebola. BODY TEAM 12 is a tribute to those heroes, and it is our hope that a presentation on HBO will honor these body teams and lead to greater exposure of their determination and tireless efforts.”
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CITY OF TREES Documents DC Community’s Fight for Jobs and Safe Parks | TRAILER
CITY OF TREES which documents one community’s fight for equal access to good jobs and safe parks in our nation’s capital, have its midwest premiere as an official selection in the 24th annual St. Louis International Film Festival. City of Trees had its world premiere at the 13th annual American Conservation Film Festival on October 25 in Shepherdstown, WV.
Directed by Brandon Kramer, City of Trees documents a period in the lives of Charles, Michael, James and Steve when their lives intersect with stimulus resources designed to make change in DC.
City of Trees follows the lifecycle and aftermath of a $2.7 million stimulus grant awarded to DC-based nonprofit Washington Parks & People. With the grant, Parks & People launches the ‘Green Corps’ as an introduction in urban forestry to DC residents in communities hardest hit by the recession. For Charles, the paycheck offers him a chance to give his newborn daughter the life he never had and escape the cycle of violence that already impacted his younger brother. For Michael, the job training is a first step forward after a drug conviction permanently marred his employment record. For James, a Ward 8 native in his late 50s, the position offers a chance to prove that his experience and wisdom is an asset. For Steve, the president of Washington Parks & People, the grant offers the opportunity to elevate the impact of his organization’s work — and the challenge of finding the resources to continue the program after the short-term stimulus dollars run out.
A film about normal people fighting to provide for themselves, their families and environment, City of Trees offers a critical new perspective on the challenges of retraining our workforce and rebuilding the natural environments in our cities for the 21st century. What sounds like a simple goal — putting people back to work by planting trees in a blighted neighborhood — opens up a complex web of personal and community challenges. In the age of recession and rebuilding, City of Trees documents a story representative of the hopes and struggles of countless Americans impacted by the recession.
https://vimeo.com/117641253
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Award-winning Israeli Documentary, CENSORED VOICES, Gets November Release Date | TRAILER
Mor Loushy’s award-winning provocative Israeli documentary CENSORED VOICES presents for the first time ever the uncensored recordings of intimate conversations between Israeli soldiers and renowned author Amos Oz, immediately following the 1967 Six Day War in which Israel captured Jerusalem, Gaza and the West Bank. Winner of the Ophir (Israeli Oscar) winner for Best Documentary, CENSORED VOICES was selected as the Opening Night film of the Other Israel Film Festival in New York, and will open in New York at Lincoln Plaza Cinema on November 20th, and in Los Angeles at Laemmle’s Royal and Town Center on Friday, November 27. A national release will follow.
The 1967 ‘Six-Day’ war ended with Israel’s decisive victory; it is portrayed to this day, as a righteous undertaking – a radiant emblem of Jewish pride. Yet, behind the euphoria and a proud new national narrative of invincibility are other voices with something different to say. Future renowned author Amos Oz and editor Avraham Shapira recorded intimate conversations with soldiers returning from the battlefield. Originally censored by the Israeli army, the recordings provide an unfiltered lens into the Israeli zeitgeist as the country turned from David to Goliath. The recordings resulted in a best-selling book which form the basis of CENSORED VOICES.
The soldiers’ harrowing confessions, combined with rare archival footage and evocative sound design, create a sense of stunning immediacy. As they wrestle with the systemic excision of Palestinians, the dehumanizing nature of war, and echoes of the Holocaust, we watch as these men, now almost 50 years older, hear the recordings for the first time, and the past erupts, presciently, into the present.
https://www.youtube.com/watch?v=1oB8EFlf4-M
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HAROLD AND LILLIAN: A HOLLYWOOD LOVE STORY to US Premiere at DOC NYC 2015 | TRAILER
HAROLD AND LILLIAN: A HOLLYWOOD LOVE STORY, which will have its US PREMIERE at the upcoming DOC NYC 2015. HAROLD AND LILLIAN: A HOLLYWOOD LOVE STORY is directed by Academy Award Nominee Daniel Raim, Executive Produced by Danny DeVito and features many familiar faces including Harold Michelson, Lillian Michelson, Danny DeVito, Francis Ford Coppola, Mel Brooks, Anahid Nazarian, Rick Carter, Tom Walsh, Jim Bissell, Marc Wanamaker, Bill Krohn, Norman Newberry, and Gene Allen.
Academy Award®-nominated director Daniel Raim and Executive Producer Danny DeVito (Pulp Fiction, Man on the Moon) present HAROLD AND LILLIAN: A HOLLYWOOD LOVE STORY, a fascinating and deeply moving account of the romantic and creative partnership of storyboard artist Harold Michelson and his wife, film researcher Lillian Michelson—a talented couple once considered “the heart of Hollywood.”
Harold and Lillian worked on hundreds of iconic films during Hollywood’s golden age including The Ten Commandments, The Apartment, The Birds, Who’s Afraid Of Virginia Woolf?, The Graduate, Rosemary’s Baby, Fiddler On The Roof, Star Trek: The Motion Picture, Scarface, Full Metal Jacket and more.
Although the couple was responsible for some of Hollywood’s most iconic examples of visual storytelling, their contributions remain largely uncredited. Through an engaging mix of love letters, film clips and candid conversations with Harold and Lillian, Danny DeVito, Mel Brooks, Francis Coppola and others, this heartfelt documentary chronicles their remarkable relationship and two extraordinary careers spanning six decades of movie-making history.
https://www.youtube.com/watch?v=7RuCqsZhkLE
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AMY, Listen To Me Marlon, Among Nominees for 2015 IDA Documentary Awards, Tig Notaro to Host Ceremony
Grammy-nominated comedian Tig Notaro will host the 2015 IDA Documentary Awards ceremony. Tig Notaro is the subject of Tig, the Netflix Original documentary chronicling her life after it famously fell apart.
The 2015 edition of the Awards will highlight six films in Best Feature Documentary category. These films include AMY, Asif Kapadia’s moving film about six-time Grammy-winner Amy Winehouse; The Black Panthers: Vanguard of the Revolution, Stanley Nelson’s vibrant chronicle of the birth of the Black Panther Party; Listen To Me Marlon, Stevan Riley’s fascinating self-portrait of Marlon Brando culled from his vast archive of personal audio and visual materials; The Look of Silence, Joshua Oppenheimer’s powerful companion piece to the Oscar®-nominated The Act of Killing; The Russian Woodpecker, Chad Gracia’s riveting examination of eccentric Ukranian artist Fedor Alexandrovich’s obsession with a Soviet-constructed radio antenna near the Chernobyl site; and What Happened, Miss Simone?, Liz Garbus’s sensitive exploration of the legendary singer and activist Nina Simone.
In addition to the awards, this year’s honorees include Matthew Heineman, recipient of the IDA’s Courage Under Fire Award in recognition of conspicuous bravery in the pursuit of truth. Heineman’s gripping film, Cartel Land, documents two modern-day vigilante movements – Dr. José Mireles’s citizen-led uprising against a violent drug cartel wreaking havoc in Mexico and the Arizona Border Recon led by Tim “Nailer” Foley, which is working to prevent Mexico’s drug wars from crossing into the United States. Previous recipients of the award include: Laura Poitras, Christiane Amanpour, Andrew Berends, Jonathan Stack and James Brabazon and Saira Shah.
In addition to Heineman, the 2015 IDA Documentary Awards will honor Gordon Quinn with its Career Achievement Award. Tony Tabatznik and the Bertha Foundation (berthafoundation.org) will receive the IDA Amicus Award, and Netflix’s Ted Sarandos will receive IDA’s Pioneer Award. (T)ERROR directors Lyric R. Cabral and David Felix Sutcliffe will share the Emerging Documentary Filmmaker Award sponsored by the Archibald Family Foundation.
The recipients of this year’s IDA Creative Recognition Awards include The Russian Woodpecker (cinematography by Artem Ryzhykov) will be recognized with the award for Best Cinematography; Kurt Cobain: Montage of Heck (edited by Joe Beshenkovsky and Brett Morgen) will receive the Best Editing award; Best of Enemies (original score by Jonathan Kirkscey) will be presented with the Best Music award, and Listen To Me Marlon (written by Stevan Riley, co-writer Peter Ettedgui) will receive the Best Writing award.
The 31st Annual IDA Documentary Awards will take place on Saturday, December 5th at the Paramount Theatre in Los Angeles, CA
31st Annual IDA Awards Nominees
Best Feature Award
Amy
Director: Asif Kapadia
Producer: James Gay-Rees
A24
The Black Panthers: Vanguard of the Revolution
Director: Stanley Nelson
Producer: Laurens Grant
PBS DISTRIBUTION
Listen to Me Marlon
Director: Stevan Riley
Producer: John Battsek
SHOWTIME DOCUMENTARY FILMS
The Look of Silence
Director: Joshua Oppenheimer
Producer: Signe Byrge Sørensen
DRAFTHOUSE FILMS AND PARTICIPANT MEDIA
The Russian Woodpecker
Director: Chad Gracia
Producer: Ram Devineni and Mike Lerner
FILMBUFF
What Happened, Miss Simone?
Director: Liz Garbus
NETFLIX
Best Short Award
Body Team 12
Director: David Darg
Producer: Bryn Mooser
RYOT FILMS AND VULCAN PRODUCTIONS
Claude Lanzmann: Spectres of the Shoah
Director: Adam Benzine
HBO
The Face of Ukraine: Casting Oksana Baiul
Director: Kitty Green
Producer: Philippa Campey
KURZFILMAGENTUR HAMBURG (GERMANY)
Last Day of Freedom
Directors: Dee Hibbert-Jones and Nomi Talisman
Object
Director: Paulina Skibińska
MUNK STUDIO AND POLISH FILMMAKERS ASSOCIATION
Best Curated Series Award
30 for 30
Executive Producers John Dahl and Connor Schell
ESPN
America ReFramed
Executive Producers: Chris Hastings and Simon Kilmurry
WORLD CHANNEL
Independent Lens
Executive Producers: Sally Jo Fifer and Lois Vossen
ITVS/PBS
POV
Executive Producers: Simon Kilmurry and Chris White
POV, PBS
Storyville
Series Editor: Nick Fraser
Executive Producer: Kate Townsend
BBC TV, BBC WORLD NEWS
Best Limited Series Award
Blood Brothers
Executive Producers: Kees Schaap and Anja van Oostrom
VARA TELEVISION (THE NETHERLANDS)
Hard Earned
Executive Producers: Steve James, Justine Nagan, and Gordon Quinn
Series Producer: Maggie Bowman
AL JAZEERA AMERICA AND KARTEMQUIN FILMS
The Jinx: The Life and Deaths of Robert Durst
Executive Producer: Jason Blum
Co-Executive Producer: Zac Stuart-Pontier
Produced by: Andrew Jarecki and Marc Smerling
HBO
Life Story
Executive Producer: Mike Gunton
DISCOVERY
Rebel Architecture
Executive Producer: Fiona Lawson-Baker
AL JAZEERA ENGLISH
Best Episodic Series Award
Chef’s Table
Executive Producers: David Gelb, Andrew Fried, and Brian McGinn
NETFLIX
Morgan Spurlock Inside Man
Executive Producers: Jeremy Chilnick, Matthew Galkin, and Morgan Spurlock
CNN AND WARRIOR POETS
NOVA
Senior Executive Producer: Paula Apsell
Deputy Executive Producer: Julia Cort
PBS
The Seventies
Executive Producers: Gary Goetzman, Tom Hanks, and Mark Herzog
CNN, PLAYTONE, AND HERZOG & COMPANY
This is Life with Lisa Ling
Executive Producers: Amy Bucher, Lisa Ling, and David Shadrack Smith
CNN AND PART2 PICTURES
Best Short Form Series Award
Do Not Track
Executive Producer: Hugues Sweeney
NATIONAL FILM BOARD OF CANADA, UPIAN, ARTE, AND BR
Highrise: Universe Within
Executive Producers: Anita Lee and Silva Basmajian
NATIONAL FILM BOARD OF CANADA
The New York Times Op-Docs
Executive Producer: Jason Spingarn-Koff
THE NEW YORK TIMES
POV Interactive Documentaries
Executive Producer: Simon Kilmurry and Adnaan Wasey
POV AND PBS
WE THE ECONOMY: 20 Short Films You Can’t Afford to Miss
Executive Producer: Paul G. Allen and Morgan Spurlock
VULCAN PRODUCTIONS AND CINELAN
David L. Wolper Student Documentary Award
This award recognizes exceptional achievement in non-fiction film and video production at the university level and brings greater public and industry awareness to the work of students in the documentary field.
The Archipelago
Director: Benjamin Huguet
THE NATIONAL FILM AND TELEVISION SCHOOL
The Blue Wall
Director: Michael Milano
UNIVERSITY OF CALIFORNIA, BERKELEY
El Cacao
Director: Michelle Aguilar
University of California Santa Cruz
In Attla’s Tracks
Director: Catharine Axley
STANFORD UNIVERSITY
Looking at the Stars
Director: Alexandre Peralta
UNIVERSITY OF SOUTHERN CALIFORNIA
Pare Lorentz Award
The Pare Lorentz Award recognizes films that demonstrate exemplary filmmaking while focusing on the appropriate use of the natural environment, justice for all and the illumination of pressing social problems.
How to Change the World
Director: Jerry Rothwell
ABC News VideoSource Award
This award is given each year for the best use of news footage as an integral component in a documentary.
(T)ERROR
Directors: Lyric R. Cabral and David Felix Sutcliffe
INDEPENDENT LENS ALONG WITH BBC
Best of Enemies
Directors: Robert Gordon and Morgan Neville
MAGNOLIA PICTURES AND INDEPENDENT LENS
Don’t Think I’ve Forgotten: Cambodia’s Lost Rock and Roll
Director: John Pirozzi
ARGOT PICTURES
Night Will Fall
Director: André Singer
HBO
What Happened, Miss Simone?
Director: Liz Garbus
NETFLIX
Creative Recognition Award Winners
The Creative Recognition category recognizes special achievement in cinematography, editing, music and writing in films entered in the Feature Category.
Best Cinematography
The Russian Woodpecker
Cinematography by: Artem Ryzhykov
Best Editing
Kurt Cobain: Montage of Heck
Edited by: Joe Beshenkovsky and Brett Morgen
Best Writing
Listen to Me Marlon
Written by: Stevan Riley
Co-Writer: Peter Ettedgui
Best Music
Best of Enemies
Original Score by: Jonathan Kirkscey
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Award Winning Documentary BARGE to NY Premiere at 2015 DOC NYC | TRAILER
The award winning documentary BARGE directed by Ben Powell have its NY premiere at 2015 DOC NYC, where it will screen in the Viewfinders Section.
BARGE had its World Premiere at SXSW 2015, and went on to win Grand Jury Prize, Best Documentary Feature: Dallas International Film Festival 2015, Best Documentary Feature: Crossroads Film Festival 2015 and Honorable Mention, Best Documentary: Ashland Independent Film Festival 2015.
BARGE evocatively depicts the lives of the Mississippi River’s ship workers over twenty-eight day shifts, shuttling cargo back and forth along America’s waterway. Dryland’s misfits, these men from all backgrounds and experience level fastidiously work to achieve their individual dreams while holding together our nation’s industrial backbone. A debut feature from Austin-based Ben Powell, BARGE is an intimate portrait of the machinery of American ambitions.
A towboat drifts down the Mississippi River, on its way to the port of New Orleans. This is a barge whose life is the water, the banks, and the bright lights ahead. On board, dry land’s misfits find purpose and direction as the steady hands who move a few million tons of cargo up and down the river each year. A green deckhand; a former convict working his way up to first mate; an engineer with 38 years of experience, in no hurry to retire; and an ancient waterway pulling a double shift as the backbone of a national economy. As long as the boat is moving, they’re making money. Through the exquisitely observed details of modern river travel, this is a meditation on the importance of a meaningful job and the machinery of American ambitions.
https://vimeo.com/121178742
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Cuban Drag Racing Documentary HAVANA MOTOR CLUB by Bent-Jorgen Perlmutt to Get 2016 Release | TRAILER
Bent-Jorgen Perlmutt’s “Havana Motor Club” which had its world premiere at the 2015 Tribeca Film Festival is set to be released in 2016 via Samuel Goldwyn Films.
HAVANA MOTOR CLUB tells a personal, character-driven story about Cuba’s vibrant community of underground drag racers and their quest to hold Cuba’s first official car race since shortly after the 1959 Revolution. It tackles how Cuba’s recent reforms — the owning of property, allowance of small businesses, and greater exchange between Cubans, Cuban Americans, tourists, and other foreigners — have affected the lives of these racers and their families.
One racer enlists the help of a Cuban American patron in Miami to bring in parts for his modern Porsche. His main competitor is a renowned mechanic who uses ingenuity rather than resources to create a racing machine out of his 1955 Chevy Bel Air. Another racer ponders whether he will participate in the race or sell his motor — one that he recovered on the ocean floor from a ship used to smuggle Cubans off the island — in order to flee Cuba on a raft headed to Florida.
Meanwhile, the race itself is in jeopardy of coming to fruition due to factors ranging from its status as an elitist sport to the arrival of the Pope in Cuba. Through the experiences of these racers and their community, HAVANA MOTOR CLUB explores how Cuba is changing today but also what its future holds in light of Obama’s recent move to normalize relations with the island nation.
Perlmutt previously co-directed the documentary “Diana Vreeland: The Eye Has to Travel,” about the prolific Harpers Bazaar editor. The film was also released by Samuel Goldwyn Films.
https://www.youtube.com/watch?v=vUTeldvSM3s
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“Noma: My Perfect Storm” Documentary on World’s Best Restaurant to Premiere at DOC NYC and Opens in Theaters on Dec. 18
“Noma: My Perfect Storm,” the documentary on the World’s Best Restaurant will have its North American premiere at 2015 DOC NYC before being released in theaters, On Demand and on iTunes on Dec. 18 via Magnolia Pictures.
The documentary directed by Pierre Deschamps, follows celebrated chef Rene Redzepi against the backdrop of his Copenhagen-based restaurant called Noma,which was voted The World’s Best Restaurant in 2010, 2011, 2012 and 2014.
Inspired by two books written by celebrated chef René Redzepi, the film follows him on a culinary journey as he travels to find inspiration for creating novel dishes for travelers from around the world.
Noma: My Perfect Storm is a creative journey into the mind of René Redzepi.
How did he manage to revolutionize the entire world of gastronomy, inventing the alphabet and vocabulary that would infuse newfound pedigree to Nordic cuisine and establish a new edible world while radically changing the image of the modern chef? His story has the feel of a classic fairy tale: the ugly duckling transformed into a majestic swan, who now reigns over the realm of modern gourmet cuisine. But beneath the polished surface, cracks appear in the form of old wounds. 2013 stands as the worst year in René Redzepi’s career.
We follow him as he fights his way back to the top, reinventing NOMA and reclaiming the title of best restaurant in the world in 2014 for the fourth time.
https://vimeo.com/139779858
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DADDY DON’T GO, Executive Produced by Omar Epps & Malik Yoba, to Premiere at 2015 DOCNYC
DADDY DON’T GO directed by Emily Abt, and Executive Produced by Omar Epps (Resurrection) & Malik Yoba (Empire) will premiere at the 2015 DOC NYC on November 14th. “Daddy Don’t Go” captures two years in the lives of four disadvantaged fathers in New York City as they fight to defy the odds against them.
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Cancer Documentary, THE C WORD, Narrated by Morgan Freeman to Premiere at DOC NYC | TRAILER
The documentary, THE C WORD, which takes on the institutions preventing meaningful progress in the ways we currently treat cancer, will have its NYC premiere at DOC NYC on Sunday, November 15, 2015.
Directed by cancer survivor Meghan O’Hara (producer of Michael Moore’s Fahrenheit 9/11, Bowling for Columbine and Sicko) and narrated by Oscar winner Morgan Freeman, THE C WORD mixes the personal stories of Meghan and celebrated neurosurgeon and cancer revolutionary Dr. David Servan-Schreiber with an in-depth exploration of the systemic societal failings that predispose Americans to cancer, and follows a vibrant cast of characters who are changing the game.
From executive producer Morgan Freeman comes THE C WORD, a bold new film that will forever change the way we view cancer. At its heart are powerful twin narratives: one from
celebrated French neuroscientist and cancer revolutionary Dr. David Servan-Schreiber, the other from THE C WORD’s own director, Meghan
L. O’Hara.
After braving the journey from diagnosis to
wellness, Meghan and David join forces to expose systematic failings in our society, which reinforce the bad habits that predispose us to disease. Together, they lead us on a wild ride of discovery, which reveals crucial hidden scientific evidence, exposes the absurdity of the status quo, and follows a vibrant cast of characters who are changing the game.
Despite decades of drug development and treatment innovations, the rise of cancer is outpacing our ability to fight back. Billions of dollars have been put into the elusive search for “the cure”, but today each of us has a one in two chance of being diagnosed at some point in our life.
Until recently, we thought that cancer was only due to a genetic predisposition, or to an unlucky draw. THE C WORD irrevocably establishes the connection between the current cancer epidemic and our western lifestyle from a scientific, documented and optimistic point of view. The latest research findings clearly show that up to 70% of cancer deaths are linked to our daily behaviors: smoking, a diet of processed foods, a sedentary lifestyle, excessive stress, and a continued exposure to daily contaminants. Catalytic in its revelations, THE C WORD is also an indictment of a trillion-dollar processed food industry that thrives while we get sick and relies on an economic model that chooses profit over people, leaving us undernourished and overweight, especially in our underserved communities.
THE C WORD delivers a message of hope. It urges us to stop being afraid and gives us the tools to take immediate action to reclaim our health and improve our outcomes.
https://www.youtube.com/watch?v=8g4gx_dnLUc
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Observational Doc SCHOOL OF BABEL, Follows Newly Immigrant Teens Entering French Educational System
School of Babel (La Cour de Babel), Julie Bertuccelli’s observational documentary follows a group of newly arrived immigrant teens as they begin their studies at La Grange-aux-Belles secondary school in Paris and prepare for entry into the French educational system.
At the center of this dramatic transition is teacher Brigitte Cervoni, a wise and patient woman charged with guiding a diverse class of 11- to 15-year-olds hailing from countries including Tunisia, Ireland, Senegal, China, Serbia and Brazil. Part psychologist and part surrogate mother, Cervoni helps her students cope with problems ranging from homesickness to emotional trauma while instilling in her students a sense of self-worth and mutual respect. As the teens adjust—and some begin to blossom—the results are illuminating, moving and exhilarating.
https://www.youtube.com/watch?v=-4yHTfbYaEI
School of Babel is screening as part of the Northwest Film Center’s Global Classroom program, which presents new international cinema for high-school students throughout the Portland, Oregon, metro area.
