
Neon is taking Jafar Panahi’s It Was Just an Accident on a six-city tour across the United States, with stops at arthouse cinemas in New York, Los Angeles, Boston, Chicago, San Francisco, and Seattle.

Neon is taking Jafar Panahi’s It Was Just an Accident on a six-city tour across the United States, with stops at arthouse cinemas in New York, Los Angeles, Boston, Chicago, San Francisco, and Seattle.
Simón Mesa Soto’s A Poet (Un Poeta) is a darkly comic, bittersweet tale starring Ubeimar Ríos as Oscar Restrepo, a washed-up poet slipping into obscurity, and Rebeca Andrade as Yurlady, a sharp-eyed teenager whose raw talent draws him into a mentorship he’s both flattered by and completely unprepared for.
Set deep in the deserts of northern Chile, The Mysterious Gaze of the Flamingo stars Tamara Cortés as Lidia, a brave 11-year-old girl, alongside Matías Catalán as the flamboyant Flamingo and Paula Dinamarca as the steadfast Mamá Boa.
Huang Xi’s intergenerational drama Daughter’s Daughter is a portrait of motherhood shaped by grief and memory. Sylvia Chang stars as a mother who loses her daughter in an accident and has to make decisions about a frozen embryo she left behind.
Reflection in a Dead Diamond, directed by Bruno Forzani and Hélène Cattet, centers on a retired spy whose quiet life on the French Riviera unravels after his neighbor’s disappearance forces him to confront the ghosts of his past.
Set in 1960s South America, My Neighbor Adolf stars David Hayman as Polsky, a reclusive Holocaust survivor who is convinced his neighbor, Herzog, played by Udo Kier, is Adolf Hitler in hiding.
Set in a haunting future where dreaming is outlawed, Jackson Yee stars in the science fiction film Resurrection as the enigmatic “Fantasmer” – the only creature still able to dream, and Shu Qi as the woman who dares to enter his mind.

Inspired by childhood memories of 1990s Iraq under Saddam Hussein, The President’s Cake tells a story of a young girl’s wit and imagination to prepare a cake for the Iraqi president’s birthday.
We Shall Not Be Moved (No nos moverán), the debut feature film by Mexican filmmaker Pierre Saint-Martin Castellanos is a powerful reflection on the last wounds of the 1968 Tlatelolco massacre.