The haunting new documentary Man on Fire explores how a community dealt with the shocking public suicide of Charles Moore, an elderly minister who self-immolated in a Texas Parking Lot. Man on Fire premieres on Independent Lens on Monday, December 17, 2018, 10-11:00 PM ET (check local listings) on PBS.
On June 23, 2014, a 79-year-old white Methodist minister named Charles Moore drove to an empty parking lot in his old hometown of Grand Saline, Texas, and set himself on fire. He left a note on his car’s windshield explaining that this act was his final protest against the virulent racism of the community and his country at large. Joel Fendelman’s Man on Fire goes back to Grand Saline – population 3,266 – to try to uncover the truth about the town’s ugly past and the fervor for God and justice that drove Moore to his shocking final act.
Grand Saline, home to one of Morton’s largest salt mines, has always had a reputation as a town unhospitable to African Americans. Oral tradition has it that there were signs at each end of the town warning African Americans to leave before sunset, and stories of lynchings and beheadings are well-known. Although the town fathers claim the stories are just rumors, African Americans from neighboring towns still avoid passing through. The shroud of secrecy ended when Charles Moore self-immolated and the media took note.
Although he was raised in Grand Saline, Moore’s religious devotion and quest to make a difference had led him far from his small hometown. A committed Methodist, Moore attended Southern Methodist University and became a preacher, first in Texas and then on the west side of Chicago, where his passion for social justice flourished. A fierce supporter of racial equality, LGBT rights, the abolition of the death penalty and more, his parishioners and colleagues marveled at the depth of his commitment. Even before his death, they understood that Moore was willing to die for what he believed.
Told through interviews with Moore’s friends and family members as well as residents of Grand Saline and surrounding towns, Man on Fire seeks to understand what drove Moore to his shocking final act — and what if anything, it changed.
“Joel’s disquieting film explores the length one white preacher was willing to go to remind us of our racist history,” said Lois Vossen, Independent Lens executive producer. “Some see his act of self-immolation as a radical protest, like the Buddhist monks whose suicide by fire raised awareness for their cause. Others believe it’s a sign of mental illness. At a time when we’re grappling to define a collective history, this story illustrates how difficult it is to find common language, let alone common ground.”
https://www.youtube.com/watch?v=tfHOMkM-C4cFilms
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MAN ON FIRE Documentary on Race and God in Smalltown Texas, to Premiere on PBS Independent Lens
The haunting new documentary Man on Fire explores how a community dealt with the shocking public suicide of Charles Moore, an elderly minister who self-immolated in a Texas Parking Lot. Man on Fire premieres on Independent Lens on Monday, December 17, 2018, 10-11:00 PM ET (check local listings) on PBS.
On June 23, 2014, a 79-year-old white Methodist minister named Charles Moore drove to an empty parking lot in his old hometown of Grand Saline, Texas, and set himself on fire. He left a note on his car’s windshield explaining that this act was his final protest against the virulent racism of the community and his country at large. Joel Fendelman’s Man on Fire goes back to Grand Saline – population 3,266 – to try to uncover the truth about the town’s ugly past and the fervor for God and justice that drove Moore to his shocking final act.
Grand Saline, home to one of Morton’s largest salt mines, has always had a reputation as a town unhospitable to African Americans. Oral tradition has it that there were signs at each end of the town warning African Americans to leave before sunset, and stories of lynchings and beheadings are well-known. Although the town fathers claim the stories are just rumors, African Americans from neighboring towns still avoid passing through. The shroud of secrecy ended when Charles Moore self-immolated and the media took note.
Although he was raised in Grand Saline, Moore’s religious devotion and quest to make a difference had led him far from his small hometown. A committed Methodist, Moore attended Southern Methodist University and became a preacher, first in Texas and then on the west side of Chicago, where his passion for social justice flourished. A fierce supporter of racial equality, LGBT rights, the abolition of the death penalty and more, his parishioners and colleagues marveled at the depth of his commitment. Even before his death, they understood that Moore was willing to die for what he believed.
Told through interviews with Moore’s friends and family members as well as residents of Grand Saline and surrounding towns, Man on Fire seeks to understand what drove Moore to his shocking final act — and what if anything, it changed.
“Joel’s disquieting film explores the length one white preacher was willing to go to remind us of our racist history,” said Lois Vossen, Independent Lens executive producer. “Some see his act of self-immolation as a radical protest, like the Buddhist monks whose suicide by fire raised awareness for their cause. Others believe it’s a sign of mental illness. At a time when we’re grappling to define a collective history, this story illustrates how difficult it is to find common language, let alone common ground.”
https://www.youtube.com/watch?v=tfHOMkM-C4c
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Watch Natalie Portman Shine in New VOX LUX Trailer
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Vox Lux[/caption]
The new trailer dropped today for Vox Lux starring Natalie Portman and Jude Law, that opens in theaters on December 7, 2018. Vox Lux follows the rise of Celeste from the ashes of a major national tragedy to pop superstardom. The film spans 18 years and traces important cultural moments through her eyes, starting in 1999 and concluding in 2017.
In 1999, teenage Celeste (Raffey Cassidy) survives a violent tragedy. After singing at a memorial service, Celeste transforms into a burgeoning pop star with the help of her songwriter sister (Stacy Martin) and a talent manager (Jude Law). Celeste’s meteoric rise to fame and concurrent loss of innocence dovetails with a shattering terrorist attack on the nation, elevating the young powerhouse to a new kind of celebrity: American icon, secular deity, global superstar.
By 2017, adult Celeste (Natalie Portman) is mounting a comeback after a scandalous incident that derailed her career. Touring in support of her sixth album, a compendium of sci-fi anthems entitled “Vox Lux,” the indomitable, foul-mouthed pop savior must overcome her personal and familial struggles to navigate motherhood, madness and monolithic fame in the Age of Terror.
In Brady Corbet’s second feature, following his 2015 breakout debut The Childhood of a Leader— winner of the Best Director and Best Debut Film prizes at the Venice Film Festival — Celeste becomes a symbol of the cult of celebrity and the media machine in all its guts, grit and glory. Featuring original songs by Sia, an original score by Scott Walker, and a transcendent performance by Natalie Portman, personifying and pummeling the zeitgeist, Vox Lux is an origin story about the forces that shape us, as individuals, nations, and gods.
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Watch Trailer for TOUGH GUY : THE BOB PROBERT STORY, Documentary on Late Hockey Player
The new trailer is released for Tough Guy: The Bob Probert Story, the story of late NHL tough guy Bob Probert, who died at age 45, directed by 28-year-old documentary filmmaker Geordie Day. The documentary premieres on Superchannel in Canada on December 4 and will hit the U.S sometime next year.
On July 5, 2010, legendary NHL tough guy Bob Probert collapsed on his boat on Lake St. Clair, near Windsor and died of a heart attack. He was only 45 years old.
Bob was on his third glass of coke and eighth pill of OxyContin that day. He’d routinely take the two together to deal with his aching body. Seventeen years as the NHL’s toughest enforcer had taken its toll. As the undisputed, “heavyweight champ,” he finished his career fifth in all time penalty minutes. He averaged 40 brutal, bare-knuckled hockey fights a year.
Bob’s death wasn’t all that surprising. He lived hard. Chain smoking, alcoholism, snorting cocaine even in a jail cell while under arrest, cavorting with nurses during his many trips to rehab.
He said people always wanted to know, “Why do you struggle with drugs and alcohol?” He’d shrug off the ques, “I just got a little addicted to the fun.” But Bob’s life was often far from fun. In a rare moment of vulnerability, he wrote a letter to his disease while in rehab in 2003.
“You have taken away my freedom to make healthy choices. You have taken away my valuable time from my wonderful wife Dani and my four kids. You have taken away my self-respect and dignity. You have turned me into someone I am not.”
The film features Bob Probert, Dani Probert, Joe Kocur, Tie Domi, Don Cherry, Jeremy Roenick, Chris Chelios, Stu Grimson, Sheldon Kennedy, Troy Crowder, Steve Yzerman, Tony Twist, Ptr Klima, and Marty McSorely.
Tough Guy is based on the book Day’s real-life mother Kirstie McLellan Day wrote with the late Probert. Bob’s wife, Dani is EP.
It’s Geordie Day’s second hockey film. He co-directed Goalie, a film on former NHL goaltender Clint Malarchuk. This year, he produced Charles Manson: Final words, which contained the last ever recorded interviews with Manson. The film aired on REELZ.
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Showtime to Premiere a Week of New Music Documentaries in December Featuring Jeff Beck, Agnostic Front, GG Allin, Korn’s Brian “Head”
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KORN’S BRIAN “HEAD” WELCH: LOUD KRAZY LOVE[/caption]
Showtime will air a special week of music documentary premieres beginning Tuesday, December 11, profiling rock legends Jeff Beck, Agnostic Front, GG Allin and Korn’s Brian “Head” Welch.
JEFF BECK: STILL ON THE RUN will premiere Tuesday, December 11 at 7:30 p.m. ET/PT, AGNOSTIC FRONT: GODFATHERS OF HARDCORE on Wednesday, December 12 at 7:00 p.m. ET/PT, GG ALLIN: ALL IN THE FAMILY on Thursday, December 13 at 10:00 p.m. ET/PT, and KORN’S BRIAN “HEAD” WELCH: LOUD KRAZY LOVE on Friday, December 14 at 10:00 p.m. ET/PT.
KORN’S BRIAN “HEAD” WELCH: LOUD KRAZY LOVE
Brian “Head” Welch was an early ’90s rock pioneer with his band Korn, giving a voice and identity to a generation of misfits. In KORN’S BRIAN “HEAD” WELCH: LOUD KRAZY LOVE, directors Trey Hill and Scott Mayo retrace the harrowing journey Welch faced after the birth of his daughter Jennea, when he walked away from career success to clean up his act to father his daughter in the only way he found acceptable. Far beyond a rock doc, this transformative coming-of-age story grapples with teenage depression, the quest for identity and the hope of a father willing to do anything for the one he loves.JEFF BECK: STILL ON THE RUN
JEFF BECK: STILL ON THE RUN, directed by Matthew Longfellow, follows the English rock guitarist from his earliest days learning to strum on homemade guitars in Wallington, Surrey, to his teenage friendship with Jimmy Page and mastering his craft with guitar legends that influenced his incredible career.AGNOSTIC FRONT: GODFATHERS OF HARDCORE
AGNOSTIC FRONT: GODFATHERS OF HARDCORE traces the roots of the band that pioneered and defined New York Hardcore (NYHC). Directed by Ian McFarland, the film follows Roger Miret and Vinnie Stigma, called the lynchpins of hardcore punk movement, 30 years into their careers as they remain the very embodiment of hardcore, representing endurance, perseverance, brotherhood, strength against oppression and the will to keep going, obstacles be damned.GG ALLIN: ALL IN THE FAMILY
GG ALLIN: ALL IN THE FAMILY explores the life of GG Allin, the controversial rock singer whose outrageous onstage antics shocked the world. The story follows his impoverished childhood ruled by a tyrannical father to an adult life marked by drugs, violence and prison. Director Sami Saif creates an intimacy with viewers as the film explores how Allin’s mother Arleta and brother Merle are still dealing with grief, and examines Allin’s lasting influence on his fans. https://www.youtube.com/watch?v=itZHp6tWH3g
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Documentary MILES DAVIS: BIRTH OF THE COOL to World Premiere at Sundance Film Festival 2019
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Miles Davis: Birth of the Cool[/caption]
Miles Davis: Birth of the Cool, the new feature-length documentary directed by Emmy Award-winner Stanley Nelson, will debut in the Documentary Premieres category at Sundance Film Festival 2019.
With full access to the Miles Davis Estate, the film features never-before-seen footage, including studio outtakes from his recording sessions, new interviews and rare photos. Quincy Jones, Carlos Santana, Clive Davis, Wayne Shorter and Ron Carter are just a few of the luminaries weighing in on the life and career of a true visionary, innovator and originator. Miles Davis: Birth of the Cool is the definitive account of the man behind the legend.
Director Stanley Nelson said, “Miles Davis is an undisputed musical legend – but what I hoped to discover was the man behind the myth. By unpacking his upbringing, his methodology, his relationships, and his demons, we begin to understand the man who would redefine the original American musical genre, jazz and has influenced generations of musicians in rock, funk and hip-hop.”
Eagle Rock Chairman Terry Shand said, “We are delighted to be selected in a year with such strong submissions. We are proud to bring this film about the world’s most innovative & iconic jazz musician to Sundance Film Festival”.
A global theatrical release is planned for the Summer of 2019.
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EIGHTH GRADE, THE RIDER, FIRST REFORMED Win 2018 Gotham Independent Film Awards
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The Rider by Chloe Zhao[/caption]
Chloe Zhao’s The Rider snagged the top award for Best Feature at 2018 Gotham Independent Film Awards, but the night really belonged to Eighth Grade and First Reformed, who each won two awards, the most of the night. Eighth Grade won the Bingham Ray Breakthrough Director Award for director Bo Burnham and Breakthrough Actor for Elsie Fisher; and First Reformed won the awards for Best Screenplay for Paul Schrader, along with Best Actor for Ethan Hawke.
Documentary films were well represented this year with Hale County This Morning, This Evening directed by RaMell Ross taking home the award for Best Documentary; and another documentary Won’t You Be My Neighbor? directed by Morgan Neville, won the IFP Gotham Audience Award.
The Favourite continued to dominate the early awards circuit winning the Special Jury Award For Ensemble Performance for Olivia Colman, Emma Stone, and Rachel Weisz
Winners of 2018 Gotham Independent Film Awards
Best Feature The Rider Chloe Zhao, Director; Bert Hamelinck, Chloé Zhao, Mollye Asher, Sacha Ben Harroche, Producers (Sony Pictures Classics) Best Documentary Hale County This Morning, This Evening RaMell Ross, Director; Joslyn Barnes, RaMell Ross, Su Kim, Producers (The Cinema Guild) Bingham Ray Breakthrough Director Award Bo Burnham, Eighth Grade Best Screenplay Paul Schrader, First Reformed Best Actor Ethan Hawke, First Reformed Best Actress Toni Collette, Hereditary Breakthrough Actor Elsie Fisher, Eighth Grade Breakthrough Series – Long Form Killing Eve Breakthrough Series – Short Form 195 Lewis Special Jury Award For Ensemble Performance The Favourite: Olivia Colman, Emma Stone, and Rachel Weisz IFP Gotham Audience Award: Won’t You Be My Neighbor?
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2018 IDFA Awards – REASON Wins Top Award for Best Documentary
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Anand Patwardhan (India), The IDFA Award for Best Feature-Length Documentary Film Reason, The film is a broad-ranging examination of Indian society, where secular rationalists are hunted down as they attempt to stem the rising tide of religious and nationalist fundamentalism.
Photo: Nichon Glerum International Documentary Filmfestival Amsterdam 2018, Award Show in de Stadsschouwburg.[/caption] Reason by Anand Patwardhan won the Award for Best Feature-Length Documentary at the awards ceremony of the 31st International Documentary Film Festival Amsterdam. Los Reyes by Bettina Perut and Iván Osnovikoff won the Special Jury Award for FeatureLength Documentary. IDFA runs until Sunday November 25, 2018. Giacinto Scelsi. The First Motion of the Immovable by Sebastiano d’Ayala Valva was awarded the IDFA Award for Best First Appearance, and Kabul, City in the Wind by Aboozar Amini won the IDFA Special Jury Award for First Appearance. The Beeld en Geluid IDFA Award for Dutch Documentary went to ‘Now something is slowly changing’ by mint film office. But Now Is Perfect by Carin Goeijers received the IDFA Special Jury Award for Dutch Documentary. At the beginning of the evening, Reber Dosky presented the Prins Bernhard Cultuurfonds Documentary Stipend (€ 50.000) to filmmaker Sophie Dros.International Documentary Filmfestival Amsterdam 2018 Awards
IDFA Competition for Feature-Length Documentary
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Reason by Anand Patwardhan[/caption]
Anand Patwardhan won the IDFA Award for Best Feature-Length Documentary (€ 15.000) with Reason (India). The film is a broad-ranging examination of Indian society, where secular rationalists are hunted down as they attempt to stem the rising tide of religious and nationalist fundamentalism.
From the jury report: The IDFA Award for Best Feature-Length Documentary is unanimously given to Reason by Anand Patwardhan for the epic storytelling of the rise of the far right in one of the most populated countries of this planet, the violence of religious and ultranationalist militias with the support of authorities and dominant medias, the dignity of resistance in multiple forms, often at life-cost, in a way that acknowledges the complexity of the situation but put it in a very understandable shape.
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Los Reyes by Bettina Perut and Iván Osnovikoff[/caption]
In addition, the jury presented the IDFA Special Jury Award for Feature-Length Documentary (€ 2.500) to Los Reyes (Chile, Germany) by Bettina Perut and Iván Osnovikoff. In this almost fairytale-like film, the phenomenal, dreamlike camerawork centers almost entirely on the subtle interaction between two dogs, as they play with a ball, a stick, a stone, and each other.
From the jury report: The IDFA Special Jury Award for Feature-Length Documentary goes to Los Reyes, by Bettina Perut and Iván Osnivikoff (Chile, Germany) for the creative and beautiful way it displaces the viewer gaze by associating a sensible look at non-human wonderful characters and the soundtrack that connects daily lives of animal and human stray dogs.
IDFA Competition for First Appearance
Sebastiano d’Ayala Valva won the IDFA Award for Best First Appearance (€ 10.000) for Giacinto Scelsi. The First Motion of the Immovable (France, Italy). Aboozar Amini won the IDFA Special Jury Award for First Appearance, in memory of Peter Wintonick (€ 2.500) for Kabul, City in the Wind (Netherlands, Afghanistan, Japan, Germany).IDFA Competition for Mid-Length Documentary
The IDFA Award for Best Mid-Length Documentary (€ 10.000) was awarded to Andrei Kutsila for Summa (Poland, Belarus). The IDFA Special Jury Award for Mid-Length Documentary (€ 2.500) went to In Touch (Poland, Iceland) by Pawel Ziemilski.IDFA DocLab Competition for Digital Storytelling
Ross Goodwin won the IDFA DocLab Award for Digital Storytelling (€ 5.000) for 1 the Road (United States).IDFA DocLab Competition for Immersive Non-Fiction
The IDFA DocLab Award for Immersive Non-Fiction (€ 5,000) went to Eat | Tech | Kitchen (Netherlands, United States) by Klasien van de Zandschulp & Emilie Baltz.IDFA Competition for Dutch Documentary
The Beeld en Geluid IDFA Award for Dutch Documentary (€ 7.500) went to ‘Now something is slowly changing’ by mint film office. Carin Goeijers received the IDFA Special Jury Award for Dutch Documentary (€ 2.500) for But Now Is Perfect.IDFA Competition for Short Documentary
I Signed the Petition (United Kingdom, Germany, Switzerland) by Mahdi Fleifel won the IDFA Award for Best Short Documentary (€ 5.000). The IDFA Special Jury Award for Short Documentary (€ 2.500) went to And What Is the Summer Saying (India) by Payal Kapadia.IDFA Competition for Student Documentary
Beryl Magoko won the IDFA Award for Best Student Documentary (€ 5.000) for In Search… (Germany, Kenya). The IDFA Special Jury Award for Student Documentary (€ 2.500) was presented to Dana Gelman for Backwards (Israel).IDFA Competition for Kids & Docs
The IDFA Award for Best Children’s Documentary (€ 5.000) went to Dancing for You (Poland) by Katarzyna Lesisz. Martijn Blekendaal received the IDFA Special Jury Award for Children’s Documentary (€ 2.500) for The Man Who Looked Beyond the Horizon (the Netherlands).Other Awards
At the beginning of the evening, Reber Dosky presented the Prins Bernhard Cultuurfonds Documentary Stipend (€ 50.000) to filmmaker Sophie Dros. This € 50.000-Euro stipend towards the making of a new documentary was donated by an anonymous donor, who has made the stipend possible through the Cultuurfonds. The Amsterdam Human Rights Award (€ 25.000) was presented on Tuesday evening to Island of The Hungry Ghosts (Germany, United Kingdom, Australia) by Gabrielle Brady. The award was made possible by the City of Amsterdam.
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Watch John Maringouin’s Brilliant GHOSTBOX COWBOY Trailer Starring David Zellner
The new trailer debuted today for GHOSTBOX COWBOY, written and directed by John Maringouin; and starring David Zellner (director of KUMIKO THE TREASURE HUNTER, DAMSEL). The film also featuring Robert Longstreet, Specialist, Vincent Xie, Carrie Gege Zhang, J.R. Cazet will open theatrically in Los Angeles on November 30, San Francisco on December 7 and New York on December 14.
John Maringouin’s brilliant, darkly comedic morality tale examines a wildly ambitious Westerner who tries to get in on China’s tech boom and finds that he may not be up to the task. Texan Jimmy Van Horn (David Zellner) is a cowboy huckster who arrives in the booming city of Shenzhen with a couple of bitcoins and huge ambitions of parlaying them into economic success. Lucky for Jimmy, he’s got a friend holding open the back door to this “accidental Shangri-La” — Bob Grainger (Robert Longstreet) – who’s gotten new teeth, a blonde wig and looks twenty years younger. He promises to do the same for Jimmy in 6 weeks. Maringouin (BIG RIVER MAN) develops a startling visual language in this excitingly fresh, complex perspective on China’s economic growth – and the gold rush mentality it inspires.
https://www.youtube.com/watch?v=Sf2ybQTE-eg
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Leon Lee’s Social Justice Documentary LETTER FROM MASANJIA on DVD/VOD on December 4th
Filmmaker and Peabody Award winner, Leon Lee’s social justice documentary Letter From Masanjia, follows the true story of an Oregon woman who finds a desperate SOS letter penned by a political prisoner in her Halloween decorations and the nail-biting chain of events that it sparks when she takes the letter public, exposing appalling flagrant human rights violations – that leads to sweeping labor reform in China.
Parade Deck Films opened this powerful documentary “Letter From Masanjia” theatrically in New York and Los Angeles on September 14th, 2018, and now Gravitas Ventures, a Red Arrow Studios company, will bring the film to audiences across North America on DVD & VOD/Digital platforms including: iTunes, Amazon, FandangoNow, VUDU, Xbox, Vimeo, Google Play, etc. on this upcoming December 4th, 2018.
Imagine being a young mother buying holiday decorations at a local Kmart, only to discover a letter asking for help from a prisoner in a labor camp in China? This is a shockingly true tale that dominated the news in real time then and is sadly as prominent a story as it is now I our current political climate as we celebrate Thanksgiving this week. Canadian based, acclaimed filmmaker and Peabody Award winner, Leon Lee’s social justice documentary “Letter From Masanjia,” shines a powerful light on human rights violations in China. When this story originally broke it was covered around the world affecting unprecedented change with the American disovery of a political prisoners letter.
Coming off of a wildly successful festival run and excellent enthusiastic early critical reviews – Leon Lee’s “Letter From Masanjia” has been hailed by audiences and critics alike as one of the best docs of 2018, taking home Audience Award for Documentary Feature at the 2018 Asian American International Film Festival, Atlanta Docufest, Newburport Documentary Film Festival, and Calgary International Film Festival.
https://www.youtube.com/watch?v=bKRavgm-KPY&feature=youtu.be
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5 Indie Films Win $100,000 in Fall 2018 SFFILM Westridge Grants
Five filmmaking teams were granted funding in the Fall 2018 round of SFFILM Westridge Grants, to help support the screenwriting and project development stages of their narrative feature films. SFFILM Westridge Grants, which are awarded twice annually, are designed for US-based filmmakers whose stories take place primarily in the United States and focus on the significant social issues and questions of our time. The next application period will open later this month.
SFFILM Westridge Grants provide support to film projects in their critical early stages, safeguarding filmmakers’ creative processes and allowing artists to concentrate on thoughtfully developing their stories while building the right strategy and infrastructure to guide them through financing and production. In addition to cash grants, recipients will benefit from SFFILM’s comprehensive and dynamic artist development program, SFFILM Makers, as well as support and counsel from SFFILM and Westridge Foundation staff.
The panelists who reviewed the finalists’ submissions were Lauren Kushner, SFFILM Senior Manager of Artist Development; Alana Mayo, Head of Production at Outlier Society; Shelby Rachleff, Westridge Foundation Program Manager; Shira Rockowitz, Associate Director, Feature Film Program, Sundance; Jenny Slattery, SFFILM Associate Director of Artist Development and Foundations; and Caroline von Kühn, SFFILM Director of Artist Development.
In a statement, the panelists said, “We are delighted to support these five outstanding projects—each of the filmmakers has the boldness and originality to make a world visceral and vivid, whether it’s a freezing village in northern Alaska or a megachurch hell house in Texas. But they also have the sensitivity to lay bare the deeply personal experiences of the characters who move through those worlds, shouldering their burdens and reaching out for each other despite them.”
FALL 2018 SFFILM WESTRIDGE GRANT WINNERS
Captain C! John Paul Su, writer/director – screenwriting – $20,000 Caleb Diaz is an eleven-year-old Filipino-American queer comic book fanboy who lives in a diverse working-class neighborhood in American suburbia. After saving his classmate from a group of bullies, he is wrongfully accused of stabbing that same classmate. With the impending threat of expulsion, he struggles to prove his innocence, and fulfill his dream of becoming his family’s ultimate superhero. Invoking Juan Angel Daniel Eduvijes Carrera, writer/director – screenwriting – $20,000 Mexican immigrant Magdalena Cruz is hired as the live-in caretaker for Ian, a severely ill child whose forced isolation has created budding psychic abilities and a fascination for the paranormal. But unbeknownst to Ian’s overprotective father, the distressed Magdalena has a child of her own hidden in the basement bedroom. After the two boys share an unexpected encounter, Ian is convinced the mysterious child must be a ghost and seeks to unravel his tragic story. Placas Paul S. Flores, writer; Tashana Landray, producer – screenwriting – $20,000 Sixteen-year-old Edgar wants nothing to do with his father, former gang member Fausto (known as “Placas” for his many tattoos). Placas wants what every father wants: to provide a better life for his son. As Placas strives to put his past behind him, going through tattoo removal and therapy, Edgar is recruited by a rival gang. As Placas’ past and Edgar’s future collide, they both face choices that will change the course of their lives. Qimmit Andrew Okpeaha MacLean, writer/director; Cara Marcous, producer – screenwriting – $20,000 Inspired by true events, Qimmit tells the story of Suvlu, an Iñupiaq hunter who is forced to make a monstrous decision for the survival of his family. Righteous Acts Alicia D. Ortega, writer – screenwriting – $20,000 Homeschooled teenager Judith thinks she’s finally found her people when she joins the cast of a megachurch “hell house,” where evangelical teens aim to scare people into salvation. But when she doesn’t land the coveted role of the Abortion Girl, she convinces herself she’s the only player doing God’s work and that it’s her holy duty to expose the true wages of sin.
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PBS Independent Lens Winter/Spring 2019 Season to Feature RUMBLE, THE KING, CHARM CITY
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Rumble: The Indians Who Rocked the World[/caption]
From renowned film veterans including Eugene Jarecki (The King) to first-time filmmakers Anna Moot-Levin and Laura Green (The Providers), Denali Tiller (Tre Maison Dasan) and Ciara Lacey (Out of State), the award-winning PBS series Independent Lens Winter and Spring 2019 lineup of documentary films takes viewers on a cross-country journey through modern America.
“This season of Independent Lens is a road trip across America, visiting people and places rarely explored on film,” said Lois Vossen, Independent Lens executive producer. “From a family fighting to preserve their way of life in rural North Dakota to a high school wrestling team in Alabama, from an Arizona prison to a health clinic in northern New Mexico, this season’s filmmakers expand our perspectives and shed light on communities large and small, offering an insightful and timely cinematic state of the union.”
PBS series Independent Lens Winter and Spring 2019 lineup
(dates are subject to change) My Country No More by Jeremiah Hammerling and Rita Baghdadi (Monday, January 7) Between 2011 and 2014, oil drilling in rural North Dakota reached a historical peak, setting off a modern-day gold rush of Wild West proportions. Explore the human cost of the boom through the intimate lens of one family fighting for their agricultural way of life, a fight which puts them at odds with family members and neighbors determined to sell. Rodents of Unusual Size by Christopher Metzler, Jeff Springer and Quinn Costello (Monday, January 14) Go deep into the bayous with Louisiana fisherman Thomas Gonzales, who has lived through hurricanes and oil spills but now faces an even more insidious threat: an invasive species of monstrous 20-pound “swamp rats” which, with their orange teeth and voracious appetites, are eating up coastal wetlands. But Thomas and a pack of lively bounty hunters are hell-bent on saving Louisiana before it dissolves beneath their feet. It’s man vs. rodent. May the best mammal win. RUMBLE: The Indians Who Rocked the World by Catherine Bainbridge and Alfonso Maiorana (Monday, January 21) The acclaimed documentary explores how Native American musicians transformed American blues, jazz and rock – despite frequent attempts to ban, censor, and erase Indigenous culture. This eye-opening musical celebration tells the story of ground-breaking performers including Charley Patton, Mildred Bailey, Link Wray, Jimi Hendrix, and Jesse Ed Davis, and features Robbie Robertson, Taj Mahal, George Clinton, Martin Scorsese, Slash, Jackson Browne, Taboo, Buffy Sainte-Marie, Steve Van Zandt, Quincy Jones, Tony Bennett, Iggy Pop, Steven Tyler, and many more. The King by Eugene Jarecki (Monday, January 28) Forty years after the death of Elvis Presley, filmmaker Eugene Jarecki takes the King’s 1963 Rolls-Royce on a musical road trip across America. From Memphis to New York, Las Vegas, and beyond, the journey traces the rise and fall of Elvis as a metaphor for the country he left behind. A diverse cast of Americans joins the journey including Alec Baldwin, Rosanne Cash, Chuck D, Emmylou Harris, Ethan Hawke, Van Jones, Mike Myers, and Dan Rather, among many others. Black Memorabilia by Chico Colvard (Monday, February 4) At the intersection of racial identity, historical narrative, and international commerce, this film follows the propagation of demeaning representations of African Americans – black memorabilia. The story goes around the world to meet the people who reproduce, consume and reclaim these racially-charged objects. Hale County This Morning, This Evening by RaMell Ross (Monday, February 11) Visit the world of Hale County, Alabama. Composed of intimate and unencumbered moments in the lives of people in the community, the film offers a richly detailed glimpse at life in America’s Black Belt, simultaneously celebrating its beauty and bearing witness to the consequences of the social construction of race. [caption id="attachment_28168" align="aligncenter" width="1180"]
People’s Republic of Desire[/caption]
People’s Republic of Desire by Hao Wu (Monday, February 25)
In China, a generation of young people has come of age on social media, where virtual relationships are replacing real-life connections. Both the wealthy and the poor gather in online showrooms, finding entertainment and a way to feel connected. Although these groups never cross paths in real life, in the digital universe they band together to worship idols who earn as much as $130,000 a month singing karaoke or hosting interactive talk shows.
Tre Maison Dasan by Denali Tiller (Monday, April 1)
An estimated one in 14 American children has a parent in prison. Tre Maison Dasan tells the story of three of these children – Tre, Maison and Dasan – each from the small state of Rhode Island. An emotional exploration of relationships tested by separation and the challenges of growing up with a parent behind bars, the film gives voice to the youngest victims of America’s epidemic of incarceration.
The Providers by Anna Moot-Levin and Laura Green (Monday, April 8)
Set against the backdrop of the physician shortage and opioid epidemic in rural America, The Providers follows three “country doctors” in northern New Mexico at clinics that offer care to all who walk through the doors, regardless of ability to pay. With personal struggles that at times reflect those of their patients, the journeys of the providers unfold as they work to reach Americans who would otherwise be left without healthcare.
Marcos Doesn’t Live Here Anymore by David Sutherland an Independent Lens, Frontline and VOCES co-presentation (Monday, April 15)
From acclaimed director David Sutherland (Kind-Hearted Woman, Country Boys, The Farmer’s Wife) comes this unique look at the immigration issue. The film follows the efforts of Elizabeth Perez, a decorated United States Marine veteran, to reunite her family after the deportation of her husband, an undocumented worker from Mexico. Her struggle begins to challenge her assumptions about justice and fairness in the nation she fought for.
Charm City by Marilyn Ness (Monday, April 22)
Filmed during three years of unparalleled violence in Baltimore, Charm City delivers a powerfully candid portrait of those on the frontlines. With grit, fury and compassion, a group of police, citizens, community leaders and government officials grapple with the consequences of violence and try to reclaim their city’s future.
Out of State by Ciara Lacy (Monday, May 6)
Shipped thousands of miles away from Hawaii to a private prison in the Arizona desert, two native Hawaiians, David and Hale, discover their indigenous traditions from a fellow inmate serving a life sentence. When they finish their terms and return to Hawaii, eager to prove to themselves and their families that the experience has changed them forever, they struggle with the hurdles of life as formerly incarcerated men, asking the question: can you really go home again?
Harvest Season by Bernardo Ruiz (Monday, May 13)
California’s Napa Valley is one of the premier wine growing regions in the world, celebrated as an idyllic and luxurious destination. Yet, many of the vineyard workers and the small producers with roots in the fields are rarely credited for the valley’s famed bounty. Filmed over the course of one agricultural year, Harvest Season takes an “other side of the valley” approach, giving a unique view of the dramatic process that goes into making some of the world’s most celebrated wines.
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Wrestle[/caption]
Wrestle by Suzannah Herbert and Lauren Belfer (Monday, May 20)
As they fight their way towards the state championship, four high school wrestlers from Alabama face injustices and challenges on and off the mat. Together with their coach, they grapple with obstacles that jeopardize their success and, despite the odds, pursue their goals with humor and courage.
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Oscar Submission SOBIBOR Among 14 Russian Films at 2018 Russian Film Week in New York
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Sobibor[/caption]
Russian Film Week in New York – the showcase of independent and commercial films that represents the dynamic landscape of Russian filmmaking today returns to New York City December 8 to 14, 2018 at the SVA Theatre (333 W 23rd St, Manhattan). The events will include film screenings, discussions and Q&As with renowned Russian film directors, actors, and producers, as well as panels with journalists, and VIP receptions.
This year, the festival’s diverse program of 14 films includes Russia’s submission for the 2019 Academy Awards®, SOBIBOR, directed by, and starring, Konstantin Khabensky; ANNA KARENINA: VRONSKY’S STORY, directed by Karen Shakhnazarov; dramatic biopic THE STORY OF ONE APPOINTMENT, directed by Avdotya Smirnova; documentary film INTO_NATION OF BIG ODESSA, directed by Susanna Alperina, and many other new works that represent the broad spectrum of contemporary Russian cinema. Visiting filmmakers and actors include filmmaker Alexey Uchitel, founder of Rock Studio Films; directors Karen Shakhnazarov, Olya Zueva, Susanna Alperina, and many others.
https://www.youtube.com/watch?v=jNRtC7ERmcQ
2018 Russian Film Week in New York Film Screenings
The Fixies: Top Secret – Animated film by Vasiko Bedoshvili, Andrei Kolpin and Ivan Pshonkin Into_Nation of Big Odessa – Documentary film by Susanna Alperina. Director in person The Story of One Appointment – Drama. Directed by Avdotya Smirnova. Director in person Anna Karenina: Vronsky’s Story – Drama. Directed by Karen Shakhnazarov. Director in person Hoffmaniada – Animated film by Stanislav Sokolov I Am Losing Weight – Comedy. Directed by Aleksey Nuzhny Eternal Life of Alexander Christoforov – Comedy. Directed by Yevgeny Shelyakin. Director in person How Viktor “the Garlic” Took Alexey “ the Stud” to the Nursing Home – Dark Comedy. Directed by Aleksandr Khant The Coach – Drama. Directed by and starring Danila Kozlovsky. Starring Olya Zueva; produced by Nikita Mikhalkov. Director and actress in person Elephants Can Play Football – Drama. Directed by Mikhail Segal Unforgiven – Drama. Directed by Sarik Andreasyan with Dmitry Nagiyev In The Hood – Drama. Directed by Olya Zueva, starring Danila Kozlovsky. Director and actor in person Sobibor – Drama. Directed by and starring Konstantin Khabensky Yolki Posledniye – Drama. Directed by Timur Bekmambetov, Anna Parmas, Egor Branov, Alexander Kott
