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Sandra Bland in SAY HER NAME: THE LIFE AND DEATH OF SANDRA BLAND.[/caption]
HBO has confirmed a fresh array of thought-provoking documentaries for the second half of 2018, including: Susan Lacy’s
JANE FONDA IN FIVE ACTS, the intimate story of an icon; Nathaniel Kahn’s
THE PRICE OF EVERYTHING, an insider’s look at today’s money-driven art world; Kate Davis and David Heilbroner’s
SAY HER NAME: THE LIFE AND DEATH OF SANDRA BLAND about the tragic death of a young woman who was stopped for a routine traffic violation; and Rudy Valdez’s Sundance award winner
THE SENTENCE, a portrait of a family in crisis.
Upcoming HBO documentaries include (in chronological order):
SWIPED: HOOKING UP IN THE DIGITAL AGE (debuts Sept. 10). With more than 40 million Americans currently engaging in online and app dating, this $2.5-billion industry is rapidly changing the rules of dating, while expanding access to potential mates for everything from “hookups” to long-term relationships. This eye-opening look at the evolving nature of sex and dating in the digital age offers candid insights from twentysomethings and experts in the field. Directed by Nancy Jo Sales.
THE OSLO DIARIES (Sept. 13). In 1992, with Israeli-Palestinian relations at an all-time low and any communication between the two sides punishable by jail time, a small group of Israelis and Palestinians gathered secretly in Oslo for a series of meetings that came to be known as The Oslo Accords and dramatically changed the political landscape of the Middle East. Articulated through readings of the participants’ diaries from the time and airing on the 25th anniversary of the Accords, this geopolitical story features never-before-seen archival footage and exclusive interviews with key players, including the last on-camera conversation with former Israeli president Shimon Peres. A riveting account of talks that spanned a period of 1,100 days, the film offers a resonant portrait of diplomacy and the delicate nature of peace. Directed by Mor Loushy and Daniel Sivan.
JANE FONDA IN FIVE ACTS (Sept. 24). Girl next door, sex icon, activist, fitness tycoon, Oscar(R)-winning actress Jane Fonda has lived a life marked by controversy, tragedy and transformation – and she’s done it all in the public eye. From award-winning documentarian Susan Lacy, this is an intimate look at one woman’s singular journey.
RX EARLY DETECTION: A CANCER JOURNEY WITH SANDRA LEE (Oct. 8). This deeply personal short documentary follows Sandra Lee, along with those closest to her – including her sister, Kimber, and her longtime partner, NY Gov. Andrew Cuomo – as she faces a cancer diagnosis following a routine annual exam. Directed by Cathy Chermol Schrijver.
THE SENTENCE (Oct. 15). Drawing on hundreds of hours of footage, Rudy Valdez shows the aftermath of his sister Cindy’s 15-year incarceration for conspiracy charges related to crimes committed by her now-deceased ex-boyfriend, known in legal terms as “the girlfriend problem.” Valdez’s method of coping with this tragedy was to film his sister’s family for her, both the everyday details and the milestones, which Cindy can no longer share in. But in the midst of this nightmare, Valdez and his family begin to fight for Cindy’s release during the last months of the Obama administration’s clemency initiative. A 2018 Sundance Film Festival Audience Award winner. Directed by Rudy Valdez.
STOLEN DAUGHTERS: KIDNAPPED BY BOKO HARAM (Oct. 22). In 2014, 276 Nigerian school girls were kidnapped from a school in Chibok, Northern Nigeria, and hidden in the vast Sambisa forest for three years by Boko Haram, a violent Islamic insurgent movement. Granted exclusive access to the 82 girls who were freed last year and taken to a secret government safe house in the capitol of Abuja, the film reveals how the young women are adapting to life after their traumatic imprisonment and how the Nigerian government is handling their reentry into society. Directed by Karen Edwards and Gemma Atwal.
WE ARE NOT DONE YET (Nov.). This documentary follows veterans and active-duty service members from varied backgrounds who come together to combat their traumas through the written word in a USO-sponsored arts workshop at Walter Reed National Military Hospital. Sharing fears, vulnerabilities and victories via poetry becomes a process for bonding, empowerment and healing that culminates in a live performance of a collaborative poem at Washington, D.C.’s Lansburgh Theater. Under the direction of poet Seema Reza and actor Jeffrey Wright, the warrior-poets take to the stage to tell often hidden truths about the consequences of intimacy with war and death. Directed by Sareen Hairabedian.
THE PRICE OF EVERYTHING (Nov.). Exploring the labyrinth of the contemporary art world, this film spotlights the role of art and artistic passion in today’s money-driven, consumer-based society. Featuring collectors, dealers, auctioneers and a rich range of artists, from current market darlings George Condo, Jeff Koons, Gerhard Richter and Njideka Akunyili Crosby, to one-time art star Larry Poons, it exposes deep contradictions as it holds a mirror up to contemporary values and times, coaxing out the dynamics at play in pricing the priceless and ultimately asks, “Who does art belong to?” Directed by Nathaniel Kahn.
THE TRUTH ABOUT KILLER ROBOTS (Nov.). An eerie, eye-opening work of science nonfiction, this film charts incidents in which robots have caused the deaths of humans in an automated Volkswagen factory, in a self-driving Tesla vehicle and from a bomb-carrying droid used by Dallas police. Though they are typically treated as freak anomalies, each case raises questions of accountability, legality and morality. Exploring the provocative views of engineers, journalists and philosophers, and drawing on archival footage, the film goes beyond sensational deaths to examine more subtle ways that robots pose a threat to society. Directed by Maxim Pozdorovkin.
SAY HER NAME: THE LIFE AND DEATH OF SANDRA BLAND (Dec.). In 2015, Sandra Bland, a 28-year-old black woman from Chicago, was arrested for a traffic violation in a small Texas town. Three days later, she was found hanging from a noose in her jail cell. Though ruled a suicide, her death sparked allegations of racially-motivated police murder and made Bland’s case a rallying point for activists across the country. Featuring Bland’s passionate video blogs, the timely documentary follows her family and their legal team as they try to make sense of what happened, presenting a compelling look at her life as well as her death. Directed and produced by Kate Davis; produced by David Heilbroner.
BRESLIN AND HAMILL: DEADLINE ARTISTS (Dec.). Brilliant writers, tribunes of the working class and icons of the lost world of newspapering, Jimmy Breslin and his friend, Pete Hamill, personified New York City. This documentary spotlights their unique take on many of the historic events of the second half of the 20th century. Directed by John Block, Jonathan Alter and Stephen McCarthy.
BLEED OUT (Dec.). After a routine partial hip replacement operation leaves his mother in a coma with permanent brain damage, what starts as a son’s video diary becomes a citizen’s investigation into the future of American health care. Using undercover footage, court testimony, verité scenes shot over several years and interviews with people on all sides of the story, the film goes deep inside a flawed healthcare system. Part medical mystery and legal thriller, part investigative journey and meditation on family, this personal story is a cautionary tale. Directed by Steve Burrows.
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The award-winning animation music video “Mountains” by filmmaker Laurie Berenhaus for the titular song by Mac/Glidden, will screen this Summer in LA, as part of the HollyShorts Film Festival on Monday, August 13th, 2018.
Illustrating the titular song by Mac/Glidden, “Mountains” is an animated short in which a sylphlike woman, uneasy in her own skin, uses dance as a way to find a sense of personal freedom. As the dancer, played by Anne Marsen, removes various clothing items – her hat, her sunglasses, her cape – she looks more relaxed, more carefree. Similarly, as she discards these trappings of the material world, her movements become freer, more joyous, and celebratory.
Filmmaker Laurie Berenhaus, who directed and animated the music video, was inspired to create the short when Mac/Glidden told her that they wrote the song because of their frustration with city life. Indeed, the song’s opening lyrics are, “Where I’m from, the stars are on the street. We build mountains in our minds and in concrete.”
“Mountains,” then, is a song about confinement; feeling confined within one’s own body. Feeling confined within one’s environment. Berenhaus took this theme and ran with it. As the dancer in the video strips away her clothing, she’s also shedding layers, opening herself up, and becoming more vulnerable.
Berenhaus’s animation style is deliberately loose and gestural, maintaining a “ripped from the sketchbook” quality that recalls the work of legendary illustrators such as Jules Feiffer and Bill Plympton. The film uses this style to explore the main character’s personal journey. As she becomes more relaxed, so do the animation drawings. They become more improvisational, more spontaneous. Facial features are suggested rather than fully rendered. Figures become ethereal, ghostlike. Untethered to anything solid, like a mountain.
The screening at Hollywood’s TCL Chinese 6 Theatres is part of the 14th annual HollyShorts Film Festival, running from August 9th to August 18th, 2018. In April of 2017, “Mountains” was shown at the Brooklyn Music Video Festival. This kicked off a worldwide series of screenings for the unique and charming music video, which was subsequently shown at the International River Film Festival in Italy, the KLIK Amsterdam Animation Festival in the Netherlands, and the Academy Award qualifying- Leeds International Film Festival, among other prominent venues.
Along the way, “Mountains” has earned much critical praise. In November 2017, the Leeds International Film Festival in England raved, “‘Mountains’ is a glorious and giddy music video which creates a world of awe and wonder through a deceptively simple animation.” And the LA Femme Film Festival offered similar praise in October of last year, saying of Berenhaus, “Her talent is magical.”
Now the film is making it’s Hollywood debut, in the TCL Chinese 6 Theatres. Berenhaus is thrilled to finally be able to share it in the heart of Hollywood where the dynamic HollyShorts Film Festival continues to advance the artform of short film content.
Screening Date: Monday, August 13th, 2018
Screening Time: 10pm, Music Video Block HollyShorts Film Festival
Screening Location: TCL Chinese 6 Theatres 6801 Hollywood Blvd, Hollywood, CA 90028
This event is open to the public.
The refugee crisis documentary Eldorado by Oscar nominee Markus Imhoof has been selected to represent Switzerland in the category of Foreign Language Film at the 91st Academy Awards. Eldorado had its world premiere earlier this year at the 2018 Berlin Film Festival.
Drawing inspiration from his personal encounter with Giovanna, the refugee child who was taken in by his family during World War II, Markus Imhoof tracks today’s refugees on their dangerous journey to Europe. Eldorado was screened out of competition at the Berlinale 2018 and received a Special Mention from the jury of the Amnesty International Film Prize.
https://www.youtube.com/watch?v=wwfMCvY33pY
Additionally, four short film productions from Switzerland are eligible for a nomination at the 91st Academy Awards in the categories of Animated Short Film, Live Action Short Film or Documentary Short Subject as a result of winning awards at Oscar-qualifying festivals: COYOTE by Lorenz Wunderle; INTIMITY by Elodie Dermange; BLACKJACK by Lora Mure-Ravaud; and ANTHONY, THE INVISIBLE ONE by Maya Kosa and Sergio Da Costa.
On behalf of the Federal Office of Culture, the promotion agency SWISS FILMS has been assigned the task of coordinating and carrying out the selection process of the official Swiss entry for the Academy Awards in the category of Foreign Language Film. The Academy of Motion Picture Arts and Sciences will announce the short list in December, and the Oscar nominations on January 22, 2019. The 91st Academy Awards will be held in Los Angeles on February 24, 2019.
Accidence[/caption]
The Toronto International Film Festival revealed the 24 Canadian short films on the 2018 lineup that will excite, challenge, and inspire Festival audiences this September. The 2018 lineup celebrates the work of 15 female filmmakers, 15 TIFF alumni, and two Indigenous filmmakers.
“We are thrilled to be able to present so many compelling new works by some of the best filmmakers in the country. This year’s program includes both emerging talents and directors who continue to amaze us.” said Lisa Heller and Jason Anderson, Short Cuts Programmers TIFF.
The Festival’s Canadian short-film selection showcases masterful films that tell stories of complex human relationships and introduce a range of characters facing diverse challenges, from coming to terms with one’s own identity to understanding the importance of heritage, family, and the fragility of friendships.
Highlights from returning TIFF alumni include: Galen Johnson, Evan Johnson, and Guy Maddin’s latest film, the action-packed Accidence; award-winning editor Matthew Hannam’s directorial debut, Paseo; Caroline Monnet’s portrait of a Chippewa female mixed martial artist, Emptying the Tank; and Amanda Strong’s stunning new stop-motion animation, Biidaaban (The Dawn Comes).
The Festival’s Canadian short-film slate also includes: Alison Snowden and David Fine’s Animal Behaviour, which marks the Academy Award–winning duo’s first collaboration with the National Film Board in 20 years; Claire Edmondson’s EXIT, a powerful drama starring Maria Bello; Jérémy Comte’s award-winning drama Fauve; a striking film from emerging Toronto filmmaker Sofia Bohdanowicz, Veslemøy’s Song; renowned visual artist Celia Perrin Sidarous’ Slip; and the latest from Colombian–Canadian filmmaker Lina Rodriguez, ante mis ojos.
All 20 Canadian films in the Short Cuts programme are eligible for the IWC Short Cuts Award for Best Canadian Short Film and the IWC Short Cuts Award for Best Short Film.
The 43rd Toronto International Film Festival runs from September 6 to 16, 2018.
Luz[/caption]
The German hypnotic thriller LUZ has released the new teaser trailer ahead of its US Premiere at the acclaimed Fantastic Fest in September. The breakout German debut feature from Tilman Singer premiered at the 2018 Berlin International Film Festival.
A rainy night. A dazed and numb young cabdriver, Luz, drags herself into the brightly lit entrance of a rundown police station. Across town in a nightspot, Nora seductively engages police psychiatrist Dr. Rossini in a conversation. Nora is possessed by a demonic entity, longing for the woman it loves – Luz. She tells the Doctor about her old schoolmate Luz’s rebellious past at a Chilean school for girls. Increasingly drunk on her story, Rossini turns into an easy prey in Nora’s hands, but he’s soon called away to the police station to examine Luz. Supervised by his colleagues, the doctor puts Luz in a state of hypnosis that initiates a series of flashbacks, unfolding the events leading to her arrival. But the entity that has taken control of the doctor wants something more. Bit by bit it slips into Luz’ reenactment and makes old memories come to light.
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LUZ[/caption]
The first feature from German writer/director Tilman Singer LUZ is captivatingly shot on 16mm with immersive sound and visuals that call to mind the experimental images of Giallo and 70s Spanish horror atmosphere. Produced by Dario Méndez Acosta and Tilman Singer, with a brooding synth score composed by Simon Waskow, the film stars breakout actress Luana Velis as Luz, as well as Jan Bluthardt and Julia Riedler offering a strong supporting base
LUZ premiered at the Berlin International Film Festival 2018, and has recently screened at the Fantasia International Film Festival and New Horizons International Film Festival, and is in official selection for Fantastic Fest and Sitges International Fantastic Film Festival.
THE BIRDS SING TO LOUD starring Jane Lynch[/caption]
The Oscar-Qualifying HollyShorts Film Festival today unveiled the 
The Long Dumb Road[/caption]
The road trip comedy 
Jeremy Wechter’s e-Demon tells of an escaped demon on a dark and twisted mission that manipulates a group of friends hanging out on a video-chat. The film is craftily structured – it takes place completely on a computer screen via the webcams being shown. Dark Cuts Pictures has acquired North American rights to e-Demon, planning a fall theatrical and VOD release.
Kendra, AJ, Mar and Dwayne are old college friends who find themselves growing apart. Attempting to hang on to their good old Ohio State days, the gang gets together online for a night of stories, pranks and drinking via web-cam. As the evening progresses, they unknowingly release a deviously clever demon that had been trapped for centuries in Salem, Massachusetts. Since the demon can possess multiple people at once, the group of friends must determine who they can still trust in order to survive the demon’s dark and twisted mission.
Dark Cuts is planning a September theatrical roll-out with a day-and-date VOD release.
e-Demon writer and helmer Wechter scored best director at the New York Horror Film Festival.
The drama 
Yayoi Kusama is best known for her colorful polka dot- and pumpkin-themed designs and her massively popular mirrored Infinity Rooms. For decades, her work pushed boundaries that often alienated her from her peers and those in power in the art world. She was an underdog with everything stacked against her: growing up in Japan during World War II, life in a dysfunctional family that discouraged her creative ambitions, sexism and racism in the art establishment, and mental illness in a culture where that was a particular stigma. In spite of it all, Kusama has endured and has created a legacy of artwork that spans the disciplines of painting, sculpture, installation art, performance art, poetry and novels. After six decades of work—including many years in New York in the pulsing art scene of the ‘60s—people around the globe are now experiencing her Infinity Rooms in record numbers, and Kusama continues to create new work every day.
Five Fingers for Marseilles[/caption]
Imagine Clint Eastwood in The Good, the Bad and the Ugly; Yul Brynner in The Magnificent Seven; or John Wayne in The Searchers. Now journey from the sweeping plains of America’s Old West to the unforgiving hinterlands of South Africa. Then update the archetypal gunfighter to steely black cowboys who are deft horsemen and lethal marksmen. The result is the boldly original and modern take on the Western genre, Five Fingers for Marseilles, filmed on location in the North-Eastern Cape village of Lady Grey, South Africa. The movie marks the feature directorial debut of Michael Matthews and the feature screenwriting debut of Sean Drummond.
The pistol-packing South African western 
Two-time Oscar(R)-winning director Barbara Kopple explores the legacy of the notorious 1989 murder of Noreen Boyle in Mansfield, Ohio in the new documentary,