The refugee crisis documentary Eldorado by Oscar nominee Markus Imhoof has been selected to represent Switzerland in the category of Foreign Language Film at the 91st Academy Awards. Eldorado had its world premiere earlier this year at the 2018 Berlin Film Festival.
Drawing inspiration from his personal encounter with Giovanna, the refugee child who was taken in by his family during World War II, Markus Imhoof tracks today’s refugees on their dangerous journey to Europe. Eldorado was screened out of competition at the Berlinale 2018 and received a Special Mention from the jury of the Amnesty International Film Prize.
https://www.youtube.com/watch?v=wwfMCvY33pY
Additionally, four short film productions from Switzerland are eligible for a nomination at the 91st Academy Awards in the categories of Animated Short Film, Live Action Short Film or Documentary Short Subject as a result of winning awards at Oscar-qualifying festivals: COYOTE by Lorenz Wunderle; INTIMITY by Elodie Dermange; BLACKJACK by Lora Mure-Ravaud; and ANTHONY, THE INVISIBLE ONE by Maya Kosa and Sergio Da Costa.
On behalf of the Federal Office of Culture, the promotion agency SWISS FILMS has been assigned the task of coordinating and carrying out the selection process of the official Swiss entry for the Academy Awards in the category of Foreign Language Film. The Academy of Motion Picture Arts and Sciences will announce the short list in December, and the Oscar nominations on January 22, 2019. The 91st Academy Awards will be held in Los Angeles on February 24, 2019.Films
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Refugee Crisis Documentary ELDORADO is Switzerland’s Entry in Oscar Race for Best Foreign Film [Trailer]
The refugee crisis documentary Eldorado by Oscar nominee Markus Imhoof has been selected to represent Switzerland in the category of Foreign Language Film at the 91st Academy Awards. Eldorado had its world premiere earlier this year at the 2018 Berlin Film Festival.
Drawing inspiration from his personal encounter with Giovanna, the refugee child who was taken in by his family during World War II, Markus Imhoof tracks today’s refugees on their dangerous journey to Europe. Eldorado was screened out of competition at the Berlinale 2018 and received a Special Mention from the jury of the Amnesty International Film Prize.
https://www.youtube.com/watch?v=wwfMCvY33pY
Additionally, four short film productions from Switzerland are eligible for a nomination at the 91st Academy Awards in the categories of Animated Short Film, Live Action Short Film or Documentary Short Subject as a result of winning awards at Oscar-qualifying festivals: COYOTE by Lorenz Wunderle; INTIMITY by Elodie Dermange; BLACKJACK by Lora Mure-Ravaud; and ANTHONY, THE INVISIBLE ONE by Maya Kosa and Sergio Da Costa.
On behalf of the Federal Office of Culture, the promotion agency SWISS FILMS has been assigned the task of coordinating and carrying out the selection process of the official Swiss entry for the Academy Awards in the category of Foreign Language Film. The Academy of Motion Picture Arts and Sciences will announce the short list in December, and the Oscar nominations on January 22, 2019. The 91st Academy Awards will be held in Los Angeles on February 24, 2019.
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Toronto International Film Festival Reveals 24 Canadian Short Films on 2018 Lineup
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Accidence[/caption]
The Toronto International Film Festival revealed the 24 Canadian short films on the 2018 lineup that will excite, challenge, and inspire Festival audiences this September. The 2018 lineup celebrates the work of 15 female filmmakers, 15 TIFF alumni, and two Indigenous filmmakers.
“We are thrilled to be able to present so many compelling new works by some of the best filmmakers in the country. This year’s program includes both emerging talents and directors who continue to amaze us.” said Lisa Heller and Jason Anderson, Short Cuts Programmers TIFF.
The Festival’s Canadian short-film selection showcases masterful films that tell stories of complex human relationships and introduce a range of characters facing diverse challenges, from coming to terms with one’s own identity to understanding the importance of heritage, family, and the fragility of friendships.
Highlights from returning TIFF alumni include: Galen Johnson, Evan Johnson, and Guy Maddin’s latest film, the action-packed Accidence; award-winning editor Matthew Hannam’s directorial debut, Paseo; Caroline Monnet’s portrait of a Chippewa female mixed martial artist, Emptying the Tank; and Amanda Strong’s stunning new stop-motion animation, Biidaaban (The Dawn Comes).
The Festival’s Canadian short-film slate also includes: Alison Snowden and David Fine’s Animal Behaviour, which marks the Academy Award–winning duo’s first collaboration with the National Film Board in 20 years; Claire Edmondson’s EXIT, a powerful drama starring Maria Bello; Jérémy Comte’s award-winning drama Fauve; a striking film from emerging Toronto filmmaker Sofia Bohdanowicz, Veslemøy’s Song; renowned visual artist Celia Perrin Sidarous’ Slip; and the latest from Colombian–Canadian filmmaker Lina Rodriguez, ante mis ojos.
All 20 Canadian films in the Short Cuts programme are eligible for the IWC Short Cuts Award for Best Canadian Short Film and the IWC Short Cuts Award for Best Short Film.
The 43rd Toronto International Film Festival runs from September 6 to 16, 2018.
SHORT CUTS
7A Zachary Russell | Canada World Premiere Accidence Guy Maddin, Evan Johnson, Galen Johnson | Canada North American Premiere Animal Behaviour Alison Snowden, David Fine | Canada North American Premiere Biidaaban (The Dawn Comes) Amanda Strong | Canada World Premiere Brotherhood ( Ikhwène) Meryam Joobeur | Tunisia/Canada World Premiere Caroni Ian Harnarine | Canada/Trinidad and Tobago/USA World Premiere Dziadzio Aaron Ries | Canada World Premiere Emptying the Tank Caroline Monnet | Canada World Premiere EXIT Claire Edmondson | Canada/USA World Premiere Fauve Jérémy Comte | Canada Toronto Premiere GIRLFRIENDS ( AMIES) Marie Davignon | Canada World Premiere Glitter’s Wild Women Roney | Canada World Premiere Good Boy Fantavious Fritz | Canada World Premiere If This Isn’t Love ( Si ce n’est pas de l’amour) Luiza Cocora | Canada World Premiere Little Waves ( Les petites vagues) Ariane Louis-Seize | Canada World Premiere My Boy ( Mon Boy) Sarah Pellerin | Canada World Premiere Norman Norman Sophy Romvari | Canada World Premiere Paseo Matthew Hannam | Canada World Premiere The Subject ( Le sujet) Patrick Bouchard | Canada Toronto Premiere Veslemøy’s Song Sofia Bohdanowicz | Canada North American PremiereWAVELENGTHS
ALTIPLANO Malena Szlam | Chile/Argentina/Canada World Premiere ante mis ojos Lina Rodriguez | Colombia/Canada World Premiere Sira Rolla Tahir | Canada World Premiere Slip Celia Perrin Sidarous | Canada Toronto Premiere
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Watch New Trailer for German Hypnotic Thriller LUZ to US Premiere at Fantastic Fest
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Luz[/caption]
The German hypnotic thriller LUZ has released the new teaser trailer ahead of its US Premiere at the acclaimed Fantastic Fest in September. The breakout German debut feature from Tilman Singer premiered at the 2018 Berlin International Film Festival.
A rainy night. A dazed and numb young cabdriver, Luz, drags herself into the brightly lit entrance of a rundown police station. Across town in a nightspot, Nora seductively engages police psychiatrist Dr. Rossini in a conversation. Nora is possessed by a demonic entity, longing for the woman it loves – Luz. She tells the Doctor about her old schoolmate Luz’s rebellious past at a Chilean school for girls. Increasingly drunk on her story, Rossini turns into an easy prey in Nora’s hands, but he’s soon called away to the police station to examine Luz. Supervised by his colleagues, the doctor puts Luz in a state of hypnosis that initiates a series of flashbacks, unfolding the events leading to her arrival. But the entity that has taken control of the doctor wants something more. Bit by bit it slips into Luz’ reenactment and makes old memories come to light.
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LUZ[/caption]
The first feature from German writer/director Tilman Singer LUZ is captivatingly shot on 16mm with immersive sound and visuals that call to mind the experimental images of Giallo and 70s Spanish horror atmosphere. Produced by Dario Méndez Acosta and Tilman Singer, with a brooding synth score composed by Simon Waskow, the film stars breakout actress Luana Velis as Luz, as well as Jan Bluthardt and Julia Riedler offering a strong supporting base
LUZ premiered at the Berlin International Film Festival 2018, and has recently screened at the Fantasia International Film Festival and New Horizons International Film Festival, and is in official selection for Fantastic Fest and Sitges International Fantastic Film Festival.
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Penelope Cruz, Whoopi Goldberg, Jane Lynch Among 2018 HollyShorts Film Festival Lineup
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THE BIRDS SING TO LOUD starring Jane Lynch[/caption]
The Oscar-Qualifying HollyShorts Film Festival today unveiled the Official Selections of the upcoming 14th edition taking place August 9 to 18, 2018 at the TCL Chinese Theater, Harmony Gold Theater and other locations in Hollywood. Nearly 400 short films will compete for the festival’s top prizes. Last year HollyShorts finalists included 3 out of the 5 Live Action Oscar nominees and the winning short Silent Child from Rachel Shenton and Chris Overton.
This year, HollyShorts received an all-time record 5,000 submissions from over 80 countries. The competition will feature Live Action, Animation and Documentary Shorts as well as web series, student shorts, music videos, TV pilots, and VR. The festival also features a screenplay competition where the winning short gets greenlit, shot and shown at next year’s festival courtesy of Evil Slave Productions.
This year’s competition lineup is the most star-studded. Standouts include Penelope Cruz’s short documentary SOY UNOENTRECIENMIL which explores childhood leukaemia, Ramon Rodriguez’s (The Affair) ROUND, Liz Lachman’s PIN-UP starring Angela Sarafyan (Westworld), Kelley Kali’s LALO’S HOUSE starring Garcelle Beauvais and Jimmy Jean-Louis, Jarod Einsohn’s Long Walk Home (Produced by Anthony Hemingway) starring Ryan Rottman, Jocelyn Stamat’s LABORATORY CONDITIONS starring Minnie Driver, Kevin Alejandro’s (Arrow) LUCIFER, Fox and Mars Candy Brands short BITE SIZE HORROR (Directed by a team of up and coming horror directors), Choice Skinner’s BLACK LIGHTNING- TOBIAS REVENGE starring Jay Hunter (If Loving you is Wrong), Jack Kenny’s THE BIRDS SING TO LOUD starring Jane Lynch, Mark Lobatto’s STEALING SILVER starring Maisie Williams (Game of Thrones), Michael Reilly’s HAPPY BIRTHDAY TO ME starring Whoopi Goldberg, Oscar nominated animator Bill Plympton’s MODERN LIVES, Guy Nattiv’s SKIN starring Danielle MacDonald (Patti Cake$), Tyler Winther’s GOLIATH 22 starring Jaylen Moore (SIX), R.H. Norman’s HAJJI starring Ross Marquand (Walking Dead), Lisa Edelstein’s (House) UNZIPPING, Omar Benson Miller’s (Ballers) ADVANTAGE OMAR, Jaclyn Bethany’s THE DELTA GIRL starring Isabelle Fuhrman (Orphan) and Caitlyn Carver (I, Tonya) among others.
The festival will announce additional films in the coming week, include opening night and closing night programs.
Image via Twitter
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Hannah Fidell’s Road Trip Comedy THE LONG DUMB ROAD Sets November Release Date
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The Long Dumb Road[/caption]
The road trip comedy The Long Dumb Road directed by Hannah Fidell that World Premiered earlier this year at the 2018 Sundance Film Festival will open theatrically in NY on November 9th before expanding to LA and other cities on November 16th. The Long Dumb Road stars Tony Revolori, Jason Mantzoukas, Taissa Farmiga, Grace Gummer, Casey Wilson, and Ron Livingston.
From writer-director Hannah Fidell (A Teacher, 6 Years) and co-writer Carson D. Mell (“Silicon Valley,” “Tarantula”) comes a comedy of transformation, discovery and maturity set on the road between Austin and Los Angeles. When college-bound teenager Nat (Tony Revolori) offers itinerant 30-something mechanic Richard (Jason Mantzoukas) a ride during a stop-over in small-town Texas, neither one realizes the indelible impact each traveler will have on his respective journey. Nat, an aspiring photographer, is heading towards a bright future in art school in Los Angeles and wants to find the real America en route to new beginnings out West; Richard, a lovably unkempt motormouth, is simply looking for connection in the moment — and maybe a beer or ten — while he grapples with indecision, past mistakes and dead-ends. As they travel through the American Southwest, taking in picturesque towns and crossing paths with an assortment of old flames, fellow travelers, kooky cons, and Good Samaritans, both passengers come alive through the myriad possibilities of the open road. Finding connection, comfort and chaos in their shared journey, this improbable and unforgettable screen duo forges an epic bond few will forget.
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Dark Cuts Pictures to Release Jeremy Wechter’s E-DEMON in the Fall [Trailer]
Jeremy Wechter’s e-Demon tells of an escaped demon on a dark and twisted mission that manipulates a group of friends hanging out on a video-chat. The film is craftily structured – it takes place completely on a computer screen via the webcams being shown. Dark Cuts Pictures has acquired North American rights to e-Demon, planning a fall theatrical and VOD release.
Kendra, AJ, Mar and Dwayne are old college friends who find themselves growing apart. Attempting to hang on to their good old Ohio State days, the gang gets together online for a night of stories, pranks and drinking via web-cam. As the evening progresses, they unknowingly release a deviously clever demon that had been trapped for centuries in Salem, Massachusetts. Since the demon can possess multiple people at once, the group of friends must determine who they can still trust in order to survive the demon’s dark and twisted mission.
Dark Cuts is planning a September theatrical roll-out with a day-and-date VOD release.
e-Demon writer and helmer Wechter scored best director at the New York Horror Film Festival.
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RLJE Films to Release GALVESTON Starring Elle Fanning and Ben Foster [Trailer]
The drama Galveston, which premiered at this year’s SXSW Film Festival and will screen at the upcoming Toronto International Film Festival in September will be released in theaters this Fall after been acquired by RLJE Films. Based on the novel “Galveston” by “True Detective” creator Nic Pizzolatto, the film was directed by Mélanie Laurent (Breathe), written by Jim Hammett and stars Ben Foster (Hell or High Water), Elle Fanning (The Beguiled), Lili Reinhart (“Riverdale”), and Beau Bridges (“Homeland”).
In Galveston, Roy is a heavy-drinking criminal enforcer and mob hit man whose boss set him up in a double-cross scheme. After killing his would-be assassins before they could kill him, Roy discovers Rocky, a young woman being held captive, and reluctantly takes her with him on his escape. Determined to find safety and sanctuary in Galveston, Roy must find a way to stop his boss from pursuing them while trying to out-run the demons from his and Rocky’s pasts.
https://www.youtube.com/watch?v=3XFKu8UNi7I
“Elle Fanning and Ben Foster deliver powerful performances in this provoking drama,” said Mark Ward Chief Acquisitions Officer for RLJE Films. “Their chemistry captures audiences on a gripping, emotional ride. We are so proud to bring this film to the big screen.”
Galveston was executive produced by Jean Doumanian (Everyone Says I Love You), Patrick Daly (August: Osage County), Kevin Flanigan (Take Shelter), Dexter Braff (The Kings of Summer), and Sean Thomas O’Brien (My Blind Brother).
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KUSAMA – INFINITY, Portrait of Legendary Female Artist Yayoi Kusama Sets Release Date
Kusama – Infinity is a revelatory portrait of artist Yayoi Kusama, who overcame impossible odds to become the top-selling female artist in the world. Directed by Heather Lenz, the film will open on Friday, September 7 at New York’s Film Forum and in Los Angeles at the Landmark Nuart with a national rollout to follow.
Yayoi Kusama is best known for her colorful polka dot- and pumpkin-themed designs and her massively popular mirrored Infinity Rooms. For decades, her work pushed boundaries that often alienated her from her peers and those in power in the art world. She was an underdog with everything stacked against her: growing up in Japan during World War II, life in a dysfunctional family that discouraged her creative ambitions, sexism and racism in the art establishment, and mental illness in a culture where that was a particular stigma. In spite of it all, Kusama has endured and has created a legacy of artwork that spans the disciplines of painting, sculpture, installation art, performance art, poetry and novels. After six decades of work—including many years in New York in the pulsing art scene of the ‘60s—people around the globe are now experiencing her Infinity Rooms in record numbers, and Kusama continues to create new work every day.
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South African Western FIVE FINGERS FOR MARSEILLES Guns for Theaters September 7th [Trailer]
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Five Fingers for Marseilles[/caption]
Imagine Clint Eastwood in The Good, the Bad and the Ugly; Yul Brynner in The Magnificent Seven; or John Wayne in The Searchers. Now journey from the sweeping plains of America’s Old West to the unforgiving hinterlands of South Africa. Then update the archetypal gunfighter to steely black cowboys who are deft horsemen and lethal marksmen. The result is the boldly original and modern take on the Western genre, Five Fingers for Marseilles, filmed on location in the North-Eastern Cape village of Lady Grey, South Africa. The movie marks the feature directorial debut of Michael Matthews and the feature screenwriting debut of Sean Drummond.
The pistol-packing South African western Five Fingers for Marseilles stares down the barrel of a national theatrical release Friday, September 7, 2018 via Uncork’d Entertainment.
Matthews and Drummond honor the traditional Western genre — and its Spaghetti and revisionist variations — while exporting the trappings into a fresh contemporary story set against the backdrop of post-Apartheid South Africa. Five Fingers for Marseilles takes place in a small town “governed” by dubious local officials, living in fear of a lawless mob; when an exiled outlaw returns home in search of solace and redemption, brotherhood and loyalty are fused with vengeance.
Combining the socio-political threads found in many a great Western; stunning visuals captured in panoramic widescreen lensing; and a cast of talented South African actors giving powerful, nuanced performances, Matthews and Drummond deliver
Synopsis: The residents of the colonial town of Marseilles are under the thumb of police oppression and only the young rebels known as the Five Fingers are willing to stand up to them. Their battle is just, until Tau kills two policemen and flees the scene. The remaining rebels disband while the banished Tau resorts to a life of crime. Twenty years later, now known as feared outlaw The Lion of Marseilles, he is released from prison. He returns home, desiring only peace and to reconnect with those he left behind. The battle for South Africa’s freedom has been won, and former comrades-in-arms are in prominent positions as mayor, police chief, and pastor. But it quickly becomes clear to Tau that Marseilles is caught in the grip of a vicious new threat — and he must reconstitute the Five Fingers to fight frontier justice. Standing against former allies and new enemies, the re-formed Five Fingers saddle up and ride out, and put their lives at risk to save their beloved Marseilles.
Starring Vuyo Dabula, Hamilton Dhlamini, Zethu Dlomo, Kenneth Nkosi, Mduduzi Mabaso, Aubrey Poolo, Lizwi Vilakazi, Warren Masemola, Dean Fourie, Anthony Oseyemi, Brendon Daniels, and Jerry Mofokeng, Five Fingers for Marseilles is written by Sean Drummond and directed by Michael Matthews. The film is produced by Asger Hussain (The Paperboy, Precious) and Yaron Schwartzman (Double Play, 37) from Game 7 Films, as well as Drummond and Matthews (collectively known as Be Phat Motel); and co-produced by Dylan Voogt. Be Phat Motel is next slated to produce the feature adaptation of Apocalypse Now Now penned by Academy Award-nominated screenwriter Terri Tatchell (District 9). The film is executive-produced by Jeff Hoffman of Above the Clouds Media Group, Paulo Areal, Dumi Gumbi and Josh Green.
A South African box office hit, Five Fingers for Marseilles made its world premiere at the Toronto International Film Festival and went on to successfully screen at Fantastic Fest, BFI London Film Festival, Busan International Film Festival, Fantasia International Film Festival and the Palm Springs International Film Festival.
https://www.youtube.com/watch?v=hWT0hJhMZwk
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Barbara Kopple’s A MURDER IN MANSFIELD to have its TV Debut on Investigation Discovery [Trailer]
Two-time Oscar(R)-winning director Barbara Kopple explores the legacy of the notorious 1989 murder of Noreen Boyle in Mansfield, Ohio in the new documentary, A Murder In Mansfield. The film chronicles Noreen’s son Collier’s journey for answers and peace in the aftermath of his mother’s death nearly three decades ago. A Murder In Mansfield will have its national television debut exclusively on Investigation Discovery on November 17, 2018 at 9 pm.
Eleven-year-old Collier Boyle and his family lived comfortably in Mansfield, until New Year’s Eve in 1989, when Collier’s father, Dr. Jack Boyle, murdered Noreen, his wife of 20 years. With only circumstantial evidence connecting Dr. Boyle to the crime, Collier’s devastating testimony was the key to convicting him. Now, more than two decades later, Collier returns to Ohio seeking to retrace his past and confront his imprisoned father, who remains in denial of his guilt. The film had its world premiere at DOC NYC and played leading film festivals including Full Frame, AFI Docs and IDFA.
“Collier’s depth of character is a wonder to behold from childhood to adulthood, and out of his tragic story, we witness the power of human resilience,” said Kopple. “I am grateful that Collier has trusted me with his story, and believe this film shows the power of the human spirit, and our ability to rise above tragedy.”
“Families and friends of the victims of violence become secondary victims, often suffering a lifetime of post-traumatic stress,” said Henry Schleiff, Group President, Investigation Discovery, Travel Channel, Destination America and American Heroes Channel. “As a storyteller, there is no one better than Barbara Kopple to capture Collier’s life journey, and we are honored to partner with her and her team at Cabin Creek Films to bring ID viewers on his awe-inspiring journey of resilience and reconciliation.”
https://www.youtube.com/watch?v=K0DHwdY7xBs
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HBO Announces Documentaries on Sandra Bland, Jane Fonda, and More for Second Half of 2018
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Sandra Bland in SAY HER NAME: THE LIFE AND DEATH OF SANDRA BLAND.[/caption]
HBO has confirmed a fresh array of thought-provoking documentaries for the second half of 2018, including: Susan Lacy’s JANE FONDA IN FIVE ACTS, the intimate story of an icon; Nathaniel Kahn’s THE PRICE OF EVERYTHING, an insider’s look at today’s money-driven art world; Kate Davis and David Heilbroner’s SAY HER NAME: THE LIFE AND DEATH OF SANDRA BLAND about the tragic death of a young woman who was stopped for a routine traffic violation; and Rudy Valdez’s Sundance award winner THE SENTENCE, a portrait of a family in crisis.
Upcoming HBO documentaries include (in chronological order):
SWIPED: HOOKING UP IN THE DIGITAL AGE (debuts Sept. 10). With more than 40 million Americans currently engaging in online and app dating, this $2.5-billion industry is rapidly changing the rules of dating, while expanding access to potential mates for everything from “hookups” to long-term relationships. This eye-opening look at the evolving nature of sex and dating in the digital age offers candid insights from twentysomethings and experts in the field. Directed by Nancy Jo Sales.
THE OSLO DIARIES (Sept. 13). In 1992, with Israeli-Palestinian relations at an all-time low and any communication between the two sides punishable by jail time, a small group of Israelis and Palestinians gathered secretly in Oslo for a series of meetings that came to be known as The Oslo Accords and dramatically changed the political landscape of the Middle East. Articulated through readings of the participants’ diaries from the time and airing on the 25th anniversary of the Accords, this geopolitical story features never-before-seen archival footage and exclusive interviews with key players, including the last on-camera conversation with former Israeli president Shimon Peres. A riveting account of talks that spanned a period of 1,100 days, the film offers a resonant portrait of diplomacy and the delicate nature of peace. Directed by Mor Loushy and Daniel Sivan.
JANE FONDA IN FIVE ACTS (Sept. 24). Girl next door, sex icon, activist, fitness tycoon, Oscar(R)-winning actress Jane Fonda has lived a life marked by controversy, tragedy and transformation – and she’s done it all in the public eye. From award-winning documentarian Susan Lacy, this is an intimate look at one woman’s singular journey.
RX EARLY DETECTION: A CANCER JOURNEY WITH SANDRA LEE (Oct. 8). This deeply personal short documentary follows Sandra Lee, along with those closest to her – including her sister, Kimber, and her longtime partner, NY Gov. Andrew Cuomo – as she faces a cancer diagnosis following a routine annual exam. Directed by Cathy Chermol Schrijver.
THE SENTENCE (Oct. 15). Drawing on hundreds of hours of footage, Rudy Valdez shows the aftermath of his sister Cindy’s 15-year incarceration for conspiracy charges related to crimes committed by her now-deceased ex-boyfriend, known in legal terms as “the girlfriend problem.” Valdez’s method of coping with this tragedy was to film his sister’s family for her, both the everyday details and the milestones, which Cindy can no longer share in. But in the midst of this nightmare, Valdez and his family begin to fight for Cindy’s release during the last months of the Obama administration’s clemency initiative. A 2018 Sundance Film Festival Audience Award winner. Directed by Rudy Valdez.
STOLEN DAUGHTERS: KIDNAPPED BY BOKO HARAM (Oct. 22). In 2014, 276 Nigerian school girls were kidnapped from a school in Chibok, Northern Nigeria, and hidden in the vast Sambisa forest for three years by Boko Haram, a violent Islamic insurgent movement. Granted exclusive access to the 82 girls who were freed last year and taken to a secret government safe house in the capitol of Abuja, the film reveals how the young women are adapting to life after their traumatic imprisonment and how the Nigerian government is handling their reentry into society. Directed by Karen Edwards and Gemma Atwal.
WE ARE NOT DONE YET (Nov.). This documentary follows veterans and active-duty service members from varied backgrounds who come together to combat their traumas through the written word in a USO-sponsored arts workshop at Walter Reed National Military Hospital. Sharing fears, vulnerabilities and victories via poetry becomes a process for bonding, empowerment and healing that culminates in a live performance of a collaborative poem at Washington, D.C.’s Lansburgh Theater. Under the direction of poet Seema Reza and actor Jeffrey Wright, the warrior-poets take to the stage to tell often hidden truths about the consequences of intimacy with war and death. Directed by Sareen Hairabedian.
THE PRICE OF EVERYTHING (Nov.). Exploring the labyrinth of the contemporary art world, this film spotlights the role of art and artistic passion in today’s money-driven, consumer-based society. Featuring collectors, dealers, auctioneers and a rich range of artists, from current market darlings George Condo, Jeff Koons, Gerhard Richter and Njideka Akunyili Crosby, to one-time art star Larry Poons, it exposes deep contradictions as it holds a mirror up to contemporary values and times, coaxing out the dynamics at play in pricing the priceless and ultimately asks, “Who does art belong to?” Directed by Nathaniel Kahn.
THE TRUTH ABOUT KILLER ROBOTS (Nov.). An eerie, eye-opening work of science nonfiction, this film charts incidents in which robots have caused the deaths of humans in an automated Volkswagen factory, in a self-driving Tesla vehicle and from a bomb-carrying droid used by Dallas police. Though they are typically treated as freak anomalies, each case raises questions of accountability, legality and morality. Exploring the provocative views of engineers, journalists and philosophers, and drawing on archival footage, the film goes beyond sensational deaths to examine more subtle ways that robots pose a threat to society. Directed by Maxim Pozdorovkin.
SAY HER NAME: THE LIFE AND DEATH OF SANDRA BLAND (Dec.). In 2015, Sandra Bland, a 28-year-old black woman from Chicago, was arrested for a traffic violation in a small Texas town. Three days later, she was found hanging from a noose in her jail cell. Though ruled a suicide, her death sparked allegations of racially-motivated police murder and made Bland’s case a rallying point for activists across the country. Featuring Bland’s passionate video blogs, the timely documentary follows her family and their legal team as they try to make sense of what happened, presenting a compelling look at her life as well as her death. Directed and produced by Kate Davis; produced by David Heilbroner.
BRESLIN AND HAMILL: DEADLINE ARTISTS (Dec.). Brilliant writers, tribunes of the working class and icons of the lost world of newspapering, Jimmy Breslin and his friend, Pete Hamill, personified New York City. This documentary spotlights their unique take on many of the historic events of the second half of the 20th century. Directed by John Block, Jonathan Alter and Stephen McCarthy.
BLEED OUT (Dec.). After a routine partial hip replacement operation leaves his mother in a coma with permanent brain damage, what starts as a son’s video diary becomes a citizen’s investigation into the future of American health care. Using undercover footage, court testimony, verité scenes shot over several years and interviews with people on all sides of the story, the film goes deep inside a flawed healthcare system. Part medical mystery and legal thriller, part investigative journey and meditation on family, this personal story is a cautionary tale. Directed by Steve Burrows.
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JANE FONDA IN FIVE ACTS, The Story of the Cultural Icon, Debuts September 24 on HBO
Directed and produced by award-winning documentarian Susan Lacy, Jane Fonda in Five Acts is an intimate look at Oscar(R)-winner Jane Fonda singular journey, drawing on 21 hours of interviews with Fonda, who speaks candidly about her life and her missteps. Girl next door, sex kitten, activist, fitness tycoon: Fonda has lived a life marked by controversy, tragedy and transformation, and she’s done it all in the public eye. Jane Fonda in Five Acts debuts Monday, September 24 (8:00-10:15 p.m. ET/PT), exclusively on HBO.
Jane Fonda has been vilified as Hanoi Jane, lusted after as Barbarella and heralded as a beacon of the women’s movement. This film goes to the heart of who she really is, a blend of deep vulnerability, magnetism, naiveté and bravery, revealing a life transformed over time.
The documentary draws on 21 hours of interviews with Fonda, who speaks candidly about her life and her missteps. She explores the pain of her mother’s suicide, her father’s emotional unavailability, 30 years of an eating disorder and three marriages to highly visible, yet diametrically opposed, men. Jane Fonda in Five Acts also includes interviews with family and friends, as well as rare home movies and verité footage of the 80-year-old Fonda’s busy life today at, as she puts it, “the beginning of my last act.”
Where “girls” of her generation were raised to be passive and compliant, Fonda has always seemed like very much “her own woman.” But her memories reveal the extent to which she was defined and controlled by the desires, ambitions, and fortunes of the powerful men in her life, and how much her own secret insecurities, unresolved anxieties and impulsive actions often prevented her from being the person she aspired to be.
Featuring interviews with Robert Redford, Lily Tomlin, producer Paula Weinstein and former spouses Tom Hayden and Ted Turner, among others, the first four acts of Fonda’s life are named after the four men who shared – and hugely influenced – her personal and professional ambitions. The fifth act is named after Fonda herself, as she finally confronts her demons, reconnects with her family and resumes a successful career as both an actress and an activist, entirely on her own terms.
Fonda recalls growing up “in the shadow of a national monument” in the form of her father, Henry. One of the most beloved actors of his time, the elder Fonda was a distant father in private, neglecting his family and having an affair while her mother descended into mental anguish that led to tragedy.
Fonda’s name and good looks brought her modeling gigs and a chance to study acting with Lee Strasberg, but “it never felt real,” she recalls. She impulsively went to France to experience the cinematic revolution of the French New Wave, and married director Roger Vadim, agreeing to live a “heady and hedonistic” life and reluctantly allowing herself to become a sex object with films like “Barbarella.”
Fonda’s proximity to leftist politics in Paris inspired an awakening about America’s role in Vietnam. Despite being a new mother, she threw herself into anti-war activism, eventually earning the nickname “Hanoi Jane” and a place in the crosshairs of the Nixon administration, and meeting her second husband, activist and organizer Tom Hayden.
“I’m proud of most of what I did,” Fonda recalls of the period when she became a divisive political figure, “but very sorry for some of what I did.” While her acting career soared in films like “Klute” and “Coming Home,” she lived a deliberately stripped-down life with Hayden and their son, Troy Garity (who recalls the family arriving at the Oscars in a station wagon), funneling just as much energy into Hayden’s career and ambitions as her own. She produced an exercise video to raise money for their political work, only to see “Jane Fonda’s Workout” become the best-selling home video to date.
With a newfound sense of purpose, Fonda began to confront her chronic discontent, leaving Hayden, going “cold turkey” on a lifelong eating disorder, learning more about her mother’s life and death and fostering an emotionally creative reunion with her father on the film “On Golden Pond.” Buoyed by the affection of third husband, billionaire mogul Ted Turner, she went into semi-retirement, until she recognized that she still had more to contribute and finally struck out on her own.
Today, still challenging herself creatively and still active politically, Jane Fonda continues to demonstrate that there is no limit to the possibilities in a life full of self-determination, honesty and hard work.
Susan Lacy is the creator and former executive producer of the celebrated WNET series “American Masters,” which is shown on PBS nationwide. She has won countless awards, and has produced and directed a broad library of acclaimed films exploring the lives of America’s most enduring cultural icons. Her previous HBO documentary, “Spielberg,” debuted on the network in Oct. 2017 and was recently nominated for an Emmy(R) in the category of Outstanding Documentary or Nonfiction Special.
