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  • Rooftop Films to US Premiere EXIT MUSIC Cameron Mullenneaux’s Docu-Portrait of Ethan Rice Dying with Cystic Fibrosis

    [caption id="attachment_29729" align="aligncenter" width="1200"]Ethan Rice, Subject of Exit Music Ethan Rice, Subject of Exit Music[/caption] On Saturday, June 16, Rooftop Films will present the U.S. Premiere of Exit Music, Cameron Mullenneaux’s intimate and emotional docu-portrait of Ethan Rice, a 28 year old with Cystic Fibrosis, during the final months of his life.  Filmmaker Cameron Mullenneaux will be in attendance and will participate in a special conversation along with Green-Wood Cemetery’s Death Educator Amy Cunningham after the film.’ The event will take place at Green-Wood Cemetery, in Brooklyn and will feature a live musical performance by Samuel R Saffery.

    Exit Music

    Born with cystic fibrosis, 28-year-old Ethan Rice has been preparing to die his entire life. His father Ed, a Vietnam veteran with PTSD, immersed him in a world of imagination and documented it on camera, a hobby that provided relief from the fear of his son’s prognosis and his own painful past. Equal parts comedy and darkness, Exit Music is the last year, last breath, and final creative act of Ethan as he awaits the inevitable. Interweaving home movies with Ethan’s original music and animation, his story is an unflinching meditation on mortality and invites the viewer to experience Ethan’s transition from reality to memory. In a culture that often looks away from death, this film demystifies the dying process, a universal cornerstone of the human experience.

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  • Rob Tregenza’s GAVAGAI, Adapted from the Poetry of Tarjei Vesaas, Opens August 3 [Trailer]

    Shadow Distribution has released the official trailer for Rob Tregenza’s GAVAGAI, adapted from the poetry of Tarjei Vesaas, considered to be one of Norway’s greatest writers. The film will open at Cinema Village in New York on August 3rd, and at the Music Hall in Los Angeles on August 10. Other select cities will follow. Rob Tregenza’s uncompromising cinematic vision and devotion has, among other things, led him to direct such celebrated Independent films as Talking to Strangers, The Arc and Inside Out and to work with Jean-Luc Godard and, as a cinematographer with particular belief in long takes, for Alex Cox and Bela Tarr. In GAVAGAI, director Rob Tregenza and screenwriter Kirk Kjeldsen have adapted the poetry of Tarjei Vesaas, considered to be one of Norway’s greatest writers (1897-1970) to the screen. German businessman Carsten Neuer travels to Norway to finish the impossible translation of some Norwegian poems by Tarjei Vesaas into Chinese, a project of his late wife. He hires Niko, a down-on-his-luck tour guide, to drive him to the poet’s home and places of inspiration to stimulate his own translation. On the road, the ghost of Carsten’s wife appears to him, while Niko struggles with the sudden consequences of his girlfriend’s pregnancy. On this journey, two very different men come to realize the transforming power of love, the limits of language, and the human need for friendship. Shot entirely in Telemark, Norway on 35mm, the film stars Andreas Lust (from the Golden Bear-nominated film Der Räuber, The King’s Choice, and the Oscar-nominated film Revanche), Anni-Kristiina Juuso (from The Cuckoo and The Kautokeino Rebellion), and Mikkel Gaup (from Tregenza’s Inside/Out and the Oscar-nominated films Pathfinder and Breaking The Waves). https://www.youtube.com/watch?v=QNOH5AagobM

    Director

    Rob Tregenza (born November 14, 1950) is a North American cinematographer, film director, and producer. Besides shooting his own projects, Tregenza also worked as a director of photography with other directors, including Béla Tarr (Werckmeister Harmonies), Claude Miller (Marching Band), Pierre William Glenn (The Sad and Lonely Death of Edgar Allan Poe), and Alex Cox (Three Businessmen). Tregenza earned his PhD from UCLA in 1982. He has produced, directed and photographed four feature films: Talking to Strangers (1987), which appeared at the Berlin International Film Festival, Edinburgh International Film Festival, Toronto International Film Festival; The Arc (1991), a co-production with Film Four International which showed in Berlin, Edinburgh, Toronto, and Chicago; Inside/Out (1997), which screened at Cannes, Toronto, Rotterdam, and Sundance; and Gavagai (2016). Tregenza’s first feature, Talking to Strangers, won him acclaim and the eye and praise of Jean-Luc Godard, who personally selected the film in 1996 to be showcased at the Toronto Film Festival. Richard Brody, of The New Yorker, wrote of the main character, Jesse, in the film: “The drive for [his] purity extends through all domains—intimate, intellectual, artistic, and, for that matter, religious—as the quest for experience comes into conflict with the yearning for the realization of a higher, even transcendently great, ideal.” Tregenza’s third feature, Inside/Out, premiered at the 1997 Cannes Film Festival in the Un Certain Regard section. Tregenza’s fourth feature film, GAVAGAI (2016) was shot in 35mm, in Telemark,Norway. It stars Andreas Lust (The Robber 2010, Revanche 2008), Anni-Kristiina Juuso (The Cuckoo 2009) and Mikkel Gaup (Kautokeino Rebellion 2008) GAVAGAI was based on 15 poems by Tarjei Vesaas.

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  • THE SILENCE OF OTHERS To Have NY Premiere At Human Rights Watch Film Festival

    The Silence of Others The award-winning documentary The Silence of Others is a beautiful, cinematic, and poetic film about the  people who are fighting for justice and a reckoning in Spain on crimes committed by the Franco regime during its brutal 40 year rule.  It won the two prizes – Audience Award (Panorama) and Peace Prize at the Berlinale – 2018 Berlin International Film Festival. The Silence of Others will have its NY premiere at the 2018 Human Rights Watch Film Festival in New York City this month The Silence of Others reveals the epic struggle of victims of Spain’s 40-year dictatorship under General Franco, who continue to seek justice to this day. Filmed over six years, the film follows victims and survivors as they organize the groundbreaking “Argentine Lawsuit” and fight a state-imposed amnesia of crimes against humanity, in a country still divided four decades into democracy. Synopsis: The Silence of Others offers a cinematic portrait of the first attempt in history to prosecute crimes of Franco’s 40-year dictatorship in Spain (1939-1975), whose perpetrators have enjoyed impunity for decades due to a 1977 amnesty law. It brings to light a painful past that Spain is reluctant to face, even today, decades after the dictator’s death. Filmed with intimate access over six years, the story unfolds on two continents: in Spain, where survivors and human rights lawyers are building a case that Spanish courts refuse to admit, and in Argentina, where a judge has taken it on using the principle of universal jurisdiction, which allows foreign courts to investigate crimes against humanity if the country where they occurred refuses to do so. The implications of the case are global, as Spain’s transition from dictatorship to democracy continues to be hailed as a model to this day. The case also marks an astonishing reversal, for it was Spain that pioneered universal jurisdiction to bring down former Chilean dictator Augusto Pinochet, and yet now it is an Argentine judge who must bring Spain’s own past to light. The Silence of Others tells the story of this groundbreaking international lawsuit through the voices of five survivors who have broken Spain’s “pact of silence” and become plaintiffs in the case, including victims of torture, parents of stolen children, and family members who are fighting to recover loved ones’ bodies from mass graves across Spain. Guiding this monumental effort are Carlos Slepoy, the human rights lawyer who co-led the case against Pinochet, and Ana Messuti, a philosopher of law. The case is making history: what started as a small, grassroots effort has yielded the first-ever arrest warrants for perpetrators, including torturers, cabinet ministers, and doctors implicated in cases of stolen children. It has brought the nearly forgotten case to the front page of The New York Times and has stirred a flurry of international attention. Through this dramatic, contemporary story, The Silence of Others speaks to universal questions of how societies transition from dictatorship to democracy and how individuals confront silence and fight for justice. What happens when a country is forced to reckon with its past after so many years of silence? Can justice be done after so long? [caption id="" align="alignnone" width="1200"]Almudena Carracedo and Robert Bahar The Silence of Others Almudena Carracedo and Robert Bahar[/caption] Directors’ Statement: In 2010, the story of Spain’s “stolen children” began to come out. The story of these crimes, with roots in the early days of Franco’s rule, led us to explore the marginalization and silencing of victims of many Franco-era crimes, ranging from extrajudicial killings at the end of the Spanish Civil War to torture that took place as recently as 1975. As we began to learn more, we were baffled by basic questions: how could it be that Spain, unlike other countries emerging from repressive regimes, had had no Nuremberg Trials, no Truth and Reconciliation Commission, no national reckoning? Why, instead, was a “pact of forgetting” forged in Spain? And what were the consequences of that pact, 40 years into democracy, for the still-living victims of Franco’s dictatorship? When we began filming the process of the “Argentine lawsuit” in 2012, which challenged this status quo, few thought that it would amount to much. But as we filmed those early meetings, we could see that the lawsuit was stirring up something vital, transforming victims and survivors into organizers and plaintiffs and bringing out dozens, and then hundreds, of testimonies from all over Spain. As the number of testimonies snowballed, the case was building into a persuasive argument about crimes against humanity that demanded international justice. We thus discovered that The Silence of Others was going to be a story about possibilities, about trying to breach a wall, and that, rather than focusing on what had happened in the past, it would be all about what would happen in the future. We also saw that the film would embody great passion and urgency because, for many of the plaintiffs, this case would offer the last opportunity in their lifetimes to be heard. Even so, as we set out filming those early meetings, we could scarcely have imagined that we would follow this story for six years and film over 450 hours of footage. Screenings at HRWFF-NY Tuesday, June 19, 2018 at 6:30 PM Film Society of Lincoln Center Elinor Bunin Munroe Film Center Wednesday, June 20, 2018 at 9:00 PM IFC Center

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  • Watch New Trailer for Bollywood Biopic SANJU staring Ranbir Kapoor, Opens on June 29

    Sanju, Ranbir Kapoor After directing two of the highest grossing Bollywood movies of all-time (3 Idiots and P.K.), award-winning filmmaker Rajkumar Hirani returns with the epic biopic SANJU staring Ranbir Kapoor as cinema legend Sanjay Dutt (nicknamed “Sanju” by his legions of fans). The theatrical trailer has made its world premiere and has already been viewed nearly 30 million times on YouTube and Facebook after only one day.  SANJU opens day and date worldwide on June 29. SYNOPSIS: Few lives in our times are as dramatic and enigmatic as the saga of Sanjay Dutt. Coming from a family of cinema legends, he himself became a film star, and then saw dizzying heights and darkest depths: adulation of diehard fans, unending battles with various addictions, brushes with the underworld, prison terms, loss of loved ones, and the haunting speculation that he might or might not be a terrorist. Sanju is in turns a hilarious and heartbreaking exploration of one man’s battle against his own wild self and the formidable external forces trying to crush him. It depicts the journey of a man through everything that life can throw at him. Some true stories leave you thinking “did this really happen?” This is one such unbelievable story that happens to be true. https://www.youtube.com/watch?v=1J76wN0TPI4

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  • Aaron Schimberg’s Oddball Comedy CHAINED FOR LIFE to World Premiere at BAMcinemaFest

    Chained for Life The oddball comedy Chained for Life directed by Aaron Schimberg and starring Jess Weixler, Adam Pearson and Stephen Plunkett will World Premiere on Sunday, June 24th at BAMcinemaFest. Building on the promise of his hallucinogenic debut Go Down Death, Brooklyn filmmaker Aaron Schimberg delivers another brilliantly oddball, acerbically funny foray into gonzo surrealism. In a deft tragicomic performance, Jess Weixler (Teeth) plays Mabel, a movie star “slumming it” in an outré art-horror film being shot in a semi-abandoned hospital. Cast opposite her is Rosenthal ( Under the Skin’s Adam Pearson), a gentle-natured young man with a severe facial deformity. As their relationship evolves both on and offscreen, Schimberg raises provocative questions about cinematic notions of beauty, representation, and exploitation. Tod Browning crossed with Robert Altman crossed with David Lynch only begins to describe something this startlingly original and deeply felt. World Premiere: Sunday, June 24th at 6:30pm (Peter Jay Sharp Building BAM Rose Cinemas) Aaron Schimberg: Aaron Schimberg is a filmmaker living in New York. He is an alumnus of the 2017 New York Film Festival Artist Academy. His debut feature GO DOWN DEATH was called “an astonishing out-of-nowhere film” by Filmmaker Magazine and “a stunning midnight movie in the tradition of Jodorowsky and The Saragossa Manuscript” by The Dissolve. It was selected for inclusion in the IFP Narrative Lab. Aaron is a programmer at Brooklyn’s Spectacle Theater where he has curated dozens of programs including a series of North Korean films and a Tatsumi Kumashiro retrospective. He is the co-founder of Grand Motel Films, which, in 2016, rediscovered and restored the lost 1966 film WHO’S CRAZY?, featuring an original soundtrack by Ornette Coleman.

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  • Doppelgänger Releasing Partners with Bloody Disgusting, will Release Black Metal Comedy HEAVY TRIP

    Heavy Trip Doppelgänger Releasing announced a new distribution relationship with horror genre website Bloody Disgusting, and will kick things off with the release of Finnish black metal comedy Heavy Trip, which had its world premiere at SXSW. Doppelgänger (the genre label of arthouse distributor Music Box Films) is planning a limited theatrical run along with a home entertainment release in late 2018, and will screen the film at the upcoming Cinepocalypse Genre Film Festival at the Music Box Theatre in late June. When Turo and his undiscovered heavy metal band—eventually named Impaled Rektum—get their first chance in 12 years to leave the basement and play at Norway’s biggest heavy metal music festival, they steal a van, a corpse, a coffin, and a drummer from the local mental hospital and hit the road. “We’ve admired Bloody Disgusting’s ability to create and grow the most actively engaged online horror communities out there, and we’re looking forward to working with them on identifying and releasing exciting new content that pushes the boundaries of genre filmmaking,” said Lisa Holmes, Director of Sales at Music Box Films/ Doppelgänger Releasing. “Heavy Trip has a perfect combination of humor, heart, and heavy metal, and we’re excited to work with Bloody Disgusting to bring it to American audiences.” “Heavy Trip is destined for cult classic status and we know horror and music fans will unite in celebration of this heartwarming, but totally metal comedy,” said Brad Miska of Bloody Disgusting. “We’re extremely proud of our Chicago roots and working with the prestigious Music Box is a dream come true. This is just the opening act! “

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  • COMING SOON: Anne Hathaway to Star in Dee Rees’ Next Film THE LAST THING HE WANTED

    [caption id="attachment_29642" align="aligncenter" width="1200"]Anne Hathaway to Star in Dee Rees' Next Film THE LAST THING HE WANTED Anne Hathaway, Dee Rees[/caption] Netflix is re-teaming with Academy Award nominee Dee Rees (Mudbound) for her next film “The Last Thing He Wanted” starring Academy Award Winner Anne Hathaway. The film is written by Marco Villalobos and Dee Rees based on Joan Didion’s book of the same title. The story is based on the 1996 novel by Joan Didion and centers on hardscrabble journalist Elena McMahon who finds herself on dangerous ground as the Iran Contra Affair’s arms for drugs plot reaches its tipping point. Scott Stuber, head of Netflix’s film group commented: “Dee Rees is an incredibly talented filmmaker, who continues to make provocative and entertaining films. We are thrilled to continue our relationship with Dee and proud to have her part of the Netflix family.”

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  • Allison Volk’s Dark Rom-Com DEANY BEAN IS DEAD to World Premiere At Dances With Films [Trailer]

    Deany Bean is Dead Writer/Producer/Actress Allison Volk’s new dark romantic-comedy feature film, Deany Bean is Dead will make its World Premiere at the 2018 Dances With Films festival at the famed TCL Chinese Theaters in Hollywood on June 16th. DEANY BEAN IN DEAD follows Deany (Volk), a 30-something hopelessly hung-up on her ex-boyfriend who accidentally ends up at his house during his engagement party. Out to sabotage everything and win him back, Deany’s plan is hampered by the fact that she has the dead body of her abusive boss hidden in her car out front. Just as her strategy starts to work, the evening unravels and forces Deany to confront her own self-worth. The 84-minute film evolved from Volk working on a series of short film projects with Mikael Kreuzriegler, a Director/Cinematographer, current Chair of Loyola Marymount University’s School of Film and Television and previous Dances With Films festival winner. Armed with an idea, Volk penned the script for Kreuzriegler to direct; and together they produced the picture along with Associate Producer Christiana Santos (Executive Director of Distribution at Orion Pictures at MGM). To help bring the characters to life alongside Volk, the team cast several rising actors, including Sarah Siadat (Veep, Grimm), Paul Tigue (20th Century Women) and Paulina Bugembe (Scandal). Since starting the creative project nearly 2 years ago, Volk is excited to now share the film with audiences at Dances With Films and beyond. Volk adds, “It is such a thrill to watch a project evolve from script to screen; every individual contribution is important and makes the project better. We’re really honored to be part of Dances with Film and looking forward to celebrating the success with everyone involved.” Originally from Boulder, Colorado, Volk has been building a solid reputation in Hollywood as an award-winning writer, film producer and actress. Most recently, Volk won ‘Best Screenplay’ at the 2018 Utah Film Awards for her dark action comedy feature script, Tiger Woman. She wrote, produced and starred in her First feature film, Innocent Sleep, earning ‘Best Lead Actress’ at the 2017 Utah Film Awards for this modern-day adaptation of Shakespeare’s Macbeth. In addition, Volk has written and produced two award-winning shorts and written several plays which have enjoyed production in Los Angeles and New York, one of which took the Denise Regan Wisenmeyer Award. She co-founded The City Shakespeare Company in Santa Monica, serving as co-artistic director for three years. She proudly made her feature ?lm debut as ‘Jane’ in Disney’s 2013 western-action film, The Lone Ranger. Currently, Volk is in pre-production on the short fantasy/drama film, What Katie Did, which is slated to shoot in Colorado this August. https://vimeo.com/247749747

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  • Adam Sobel’s THE WORKERS CUP Opens in New York and Los Angeles on June 8 [Trailer]

    The Workers Cup In 2022 Qatar will host the biggest sporting event in the world – the FIFA World Cup. But right now, far away from the bright lights, star athletes and adoring fans, migrant workers from Africa and Asia toil exceedingly long hours for scant salaries, and live isolated in labor camps which are by law kept outside city limits. By day they sweat to build the World Cup, but at night they compete in the “workers welfare” football tournament, playing in the same stadiums that will one day host the world’s greatest players. The film follows one team of men from Nepal, India, Ghana, and Kenya whose only common ground is their love for football. Each match offers them a momentary escape from the homesickness and isolation they endure as the lowest class in the world’s richest country. Over the course of the tournament the men alternate between two startling extremes: they play heroes on the football pitch – but are the lowest members of society off the field. The Workers Cup explores universal themes of ambition, aspiration and masculinity, as we see the men wrangle hope, meaning, and opportunity out of dismal circumstances. The Workers Cup, an Opening Night Selection of Sundance Film Festival; and an official selection of Hot Docs, CPH:DOX, and Human Rights Watch Film Festival, opens in New York and Los Angeles Friday, June 8th. The film is Adam Sobel’s feature film directorial debut and is produced by Ramzy Haddad and Rosie Garthwaite, with Dennis Paul and Paul R. Miller serving as executive producers. Editing is by Lauren Wellbrock, Anne Jünemann, and Adam Sobel and edit consultants are Anne Fabini and Francois Sculier. Cinematography is by Nazim Aggoune and Joe Saade and original music is by Nathan Halpern. https://www.youtube.com/watch?v=YNOfalJj9UU

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  • Jeremy Guy’s Directorial Debut PURDAH (VEIL) to LA Premiere at Dances With Films

    Purdah (Veil) Director and cinematographer Jeremy Guy presents his feature documentary directorial debut with “Purdah” (“Veil”) – the inspiring story of a young Indian woman who trades her burka for dreams of playing on the Mumbai Senior Women’s Cricket Team and how the harsh realities for women in her country creates an unexpected outcome for her own family, ultimately shattering and fueling aspirations. The film is an Official Selection in competition at the internationally renowned Dances With Films festival, featuring its Los Angeles Premiere Screening at the world famous TCL Chinese Theatres in Hollywood on Sunday, June 17, 2018 at 5:00 p.m. The film recently held its World Premiere at Cinequest Film Festival where it was called a “a real life Bend It Like Beckham” by KQED-FM (NPR). Director Jeremy Guy says, “I was working on another film in India when I met Kaikasha Mirza. Her pursuit of a career in cricket as a woman, which is frowned upon by her Muslim community, was a fascinating story in itself. And then, as I began shooting, the story took a surprising turn, and an even bigger story began to unravel about the challenges that Kaikasha, her two sisters and their mother faced amidst societal oppression.” The three independent-minded Mirza sisters have ambitious dreams for their lives and careers. Despite their earnestness, they face an uphill battle coming from a conservative Muslim family in Mumbai, India. Kaikasha Mirza became enamored with cricket as a young woman, yet she was forbidden to play and forced to be a spectator in her burka, but she eventually persuades her father to allow her to remove her burka to become one of only a few Muslim women cricketers in all of Mumbai. She chases her dream of playing for the prestigious Mumbai Senior Women’s Cricket Team, but her parents give her the ultimatum that she will have two years to become a professional cricketer—or they will arrange her marriage. Kaikasha’s eldest sister, Saba, has her own dreams for her career and yearns to become a model, and Heena, the youngest sister, wants to be a fashion designer or a singer, but poverty may impede their pursuits. All three girls and their mother must contend with the wishes of their father who does not believe women should work, but rather, stay home to cook, clean and raise a family. As the women pursue their dreams, a series of shocking and tragic circumstances befall the Mirza family, and the film continues to follow each of them as they battle through family crises, poverty, and intense societal pressures. This cinematic journey highlights how dreaming the impossible dream and having a passionate purpose can potentially save us. This story of perseverance lands on the message that even if things don’t turn out as we had hoped or planned, it’s about how we react to overcome life’s biggest challenges that makes all the difference.

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  • SingularDTV to Release Eddie Alcazar’s Sci-Fi Thriller PERFECT

    Perfect The sci-fi thriller Perfect, Eddie Alcazar’s feature directorial debut that had its world premiere in the Vision section at the recent SXSW Film Festival has been acquired by the blockchain entertainment studio SingularDTV.  SingularDTV will release the film theatrically in the US later this year, with worldwide event-driven screenings to follow. Perfect will become available on SingularDTV’s global digital platform in early 2019. Alcazar was one of Filmmaker magazine’s 25 New Faces, when he shot and created the short FUCKKKYOUUU, which was selected for Sundance in 2016. Multi-hyphenate Flying Lotus is executive producer on Perfect and composed the score for the film. This marks the second feature collaboration for Alcazar and Flying Lotus from their Brainfeeder Films banner. Flying Lotus’ directorial debut KUSO premiered at the 2017 Sundance Film Festival in the Midnight section. Alcazar brings his trademark atmospheric intensity to Perfect, with Steven Soderbergh on board as executive producer. In Perfect, a young man with a violent past enters a mysterious clinic where the patients transform themselves using genetic engineering. The film stars Garrett Wareing, Courtney Eaton, and Abbie Cornish. Other executive producers include Marco Vicini, Phil Hoelting, Matthias Koenigwieser, Rooter Wareing, Nikki Pederson, and Adam Silvestri. XYZ Films and CAA Media Finance negotiated the deal on behalf of filmmakers. “SingularDTV’s approach to distribution is as bold as the film itself–I feel I’m getting a front-row view of the future,” said Soderbergh. As SingularDTV’s President of Entertainment Kim Jackson comments, “This is exactly the kind of bold filmmaking that SingularDTV stands for. By bringing blockchain technology into the film industry, we are forging ahead with creating an environment where forward-thinking artists and filmmakers can thrive.” “Not only is this an innovative, boundary-breaking film we are thrilled to be working with, but it also provides SingularDTV with an opportunity to innovate in our approach to sharing Perfect and its universe of thought-provoking stories with the global audience,” says Jason Tyrrell, SingularDTV’s VP of Content. Tyrell continued, “Eddie and his team have created something we feel will stand the test of time, and we look forward to collaborating with Brainfeeder Films on a special release that’s in line with the audacity of this project, and our goal to create a more sustainable industry for the independent arts.” SingularDTV helps filmmakers fundraise, develop and distribute using blockchain technology. The company acquires and creates original content. Alex Winter’s feature-length doc TRUST MACHINE: THE STORY OF BLOCKCHAIN is currently in post-production. THE HAPPY WORKER by director Duwayne Dunham (HOMEWARD BOUND: THE INCREDIBLE JOURNEY, LITTLE GIANTS) and executive-produced by David Lynch, is in pre-production. Follow us on @SingularDTV.

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  • Rooftop Films Presents the NY Premiere of ‘WRESTLE’ – FREE in Downtown Brooklyn

    Wrestle, Courtesy of Sinisa Kukic On Friday, June 8th, Rooftop Films will present the New York Premiere of Wrestle outdoors in MetroTech Commons in Downtown Brooklyn. The screening is free with an RSVP and will include a live musical performance. Director Suzannah Herbert and co-director Lauren Belfer will attend and participate in a post-screening Q&A. Wrestle is an intimate and nuanced documentary that follows the wrestling team at JO Johnson High School in Huntsville, which has been on Alabama’s failing schools list for many years. As they fight their way towards the State Championship and the doors they hope it will open, wrestlers Jailen, Jamario, Teague, and Jaquan each face injustices and challenges on and off the mat. Together they grapple with obstacles that jeopardize their success, and their coach – coming to terms with his own past conflicts – pushes them forward while unwittingly wading into the complexities of class and race in the South. Through it all, the young heroes of Wrestle – with humor and grit – strive towards their goals, making Wrestle an inspiring coming of age journey and an impassioned depiction of growing up disadvantaged in America today.

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